#the actual event itself didnt have as much drama as i thought it might

[kummatty]

back home . this weekend was driving 12 hrs to redacted, getting ready in a rush in full langa voni (half sari) jewelry bangles etc in the hotel (probably took us 2 hrs bc hello), attending my cousins engagement party from 6-11, getting back changing repacking going to bed at 1am, waking up at 7 getting ready and driving 12 hrs back

[icharchivist]

cries think I made my ask too long so like half of it got deleted bc I typed it right into the askbox. anyways. I come bearing a3 thoughts! at first i was gonna watch the spring/summer and autumn/winter ones and then give my thoughts on both but. turns out i had too many thoughts lol? which i shouldve expected but i actually kind of... got bored by the first two chapters of this event! so i skipped and went to the stranger. and then went back. (1/?)

and then i got to like "tsuzuru and kazunari are having a fight?" and jumped on that like a starving wolf bc helllll yeah! i rly adored kazunari in sardine search, i think he was great! hes just so nice and has good vibes. he and taichi are kind of similar i feel? but i think their respective ages contribute to a lot of difference in their characters. why does it feel like this askbox limit personally wants me dead. (2/?)

anyways! i rly enjoyed the improv scene devolving to a real fight. admittedly i was kinda surprised that the content of that improv wasnt rly too similar to their actual fight? like normally a3 has the story of the play run parallel to like the actual real character drama so i thought the improv might function as the play in this event... it was still good tho. the scene i mean. (3/?)

also i rly liked tenma ragging on them afterwards. like he was mean but. first i adore tenma. second he just felt like. a different meddling type to muku lol? like the vibes he gave me were always like... im going to be a considerate leader and watch out for the ppl under me! therefore im gonna make sure theyre doing fine! aggressively. i think tenmas also just like a friendly person who likes to take care of others in general? like im not saying hes omi or anything but just like. (4/?)

that time he offers his car ride to juza so they can go to school together like hes surprisingly open compared to his initial prickliness. also ive got thoughts abt the tenma juza SSR conversation thing i read. one day ill make a tenma and juza fic and complete a trifecta haha... but thats something for another day! back to the actual story. the way tsuzuru dives right in after kazunari! that was so nice. like its easy to see how much they care abt each other. (5/?)

to the point where like even while theyre fighting theyre like angry but still like fairly quiet bc i think theyre both at least trying to be considerate of each other. ah the moment kazunari didnt respond to tsuzuru trying to talk to him i KNEW he was sick tho. felt proud of myself for calling that one but also the reason i knew is bc i have used the "character being sick during an argument causing them both to make up with each other" trope myself before so uh. like recognizes like haha. (6/?)

anyways the cg there was fuckin beautiful like kazunari looks so sad in the middle bit but then u see his shy smile? like hes sick but hes also like. happy to be there. idk. lovely. i adore kazu i think hes just deeply sweet to other people. tsuzuru telling him "you make everyone around you feel as bright and cheery as the things you design” is so wonderful too (7/?)

now im thinking. ah tsuzuru probably feels quite drained after a script and such (i know i am when i finish any piece--its like the emotions just rush out of me) so i like to think that like yknow. kazunari dropping by his room or whatever helps him set himself back to normal! but also when tsuzurus like oh u left ur magazines here! i suddenly remembered. wait shit kazunari and tsuzuru arent even roommates. wonder how much they bother masumi lmaooo. anyways overall very good story! (8/?)

some more thoughts: itaru and citron were so cute in this event! just like. citron saying itaru winking makes his heart skip a beat and itaru quoting citrons wrong sayings (which. i am also guilty of today i told my brother "we'll jump that bridge when we cross it" so) also i love how yuki is like "thank god i wasnt partnered with that hack" but like. yuki. u could literally just not talk about him. like its so funny to me yuki is like wow i hate tenma but he wont shut up abt him haha (9/?)

i also was a lil taken aback at hearing itaru go "for the lulz" tbh... like it fits him. but im mad it fits him? anywaysss thats all i had for this one! im gonna watch autumn/winter and go say my thoughts on that soon. sorry the ask was so broken up, idk what happened!

OLA FRIEND! Glad to see your thoughts again omg :3c

tho omg the fact tumblr deleted it all + the ask limit was all so evil D: poor friend.

I'm putting my answer under a read more because. Well. *waves hand* it got long.

The non-play events can be perhaps a little harder to get into because unlike the plays events that you start with a clear idea of at least the main plot (re: "they are preparing a play, i know the leads so i know who it will focus on"), non-plays events take a little longer to first set up what event they're participating in, how to prepare for it, and then bring up the conflict and which characters are going to have something to do with said conflict. So i can understand that they're a little harder to get into when we know the plays awaits.

On top of that, the first few events still were a bit tame because since it was early when the app released, i think they didn't go too heavy at once in case some people were still stuck on earlier chapters (esp since especially Winter is hard to unlock)

ANYWAY glad that it sucked you in on the second read :3c

So glad you were invested in that conflict!

Totally agreeing with you about Kazunari, and very good point about Taichi as well! they aren't the Puppy Pair for nothing :'D (Yuki took one look at both of them together and just Knew. His suffering knows no end (lovingly)). But yeah i think they have a lot in common, they both are the really bright and friendly figure, both also started in overcompensating a bit because both wanted to be popular in some ways.

But we do have, on one hand, Kazunari who wanted that rather late in his life while Taichi always thrived for that, the fact Kazunari made friends easily and it's just that he was scared of getting to the next level, while Taichi always struggled with this quest for popularity. In a way too both of them were at least scared to share a part of them, Kazunari worrying to show his thoughts, and Taichi being a spy and all of that... which impacts them really differently considering the guilt it puts on Taichi. And then you add their age into the mix, especially the fact Kazu is the oldest of his troupe and Taichi the youngest of his, it makes them fairly similar all while being fairly different.

both are so interesting to me and i love them bothhh, so it's always nice to see them have focus.

admittedly i was kinda surprised that the content of that improv wasnt rly too similar to their actual fight? like normally a3 has the story of the play run parallel to like the actual real character drama so i thought the improv might function as the play in this event

i love how you are seeing the patterns a3 tends to do it's so neat!

It's true the fight isn't really similar to their actual fight, though i do love that they had "swapped" their personality for the act and ended up insulting each other for theirr swapped personality. Like, Kazunari insulted part of himself in Tsuzuru's character and Tsuzuru did the same?? and then the fight escalated and the way Kazunari broke character hurts bc it's really that Tsuzuru hit where it hurts. But yeah it still wasn't too relevent to their actual fight, though i think the thing is that their fight was as such mostly because they tend to clash often due to their personalities rather than just this singular reason why, so to have the play go more "it's their personalities the problem" kinda hurt lol. But yeah still agreed that it didn't reflect much on the plot itself

I was rereading the improv bit to answer correctly and man since we're going to talk about Tenma next, i just. Love that when Kazunari, breaking character, his eyes sad, tells Tsuzuru "you have no rights talking to me like that..." it then cuts on Tenma being upset. Bc like. Exactly like you say, he wants to look out for the people under him. and like. Kazunari is his friend. A friend he also snapped at once and insulted for being who he was, so he probably could have relived a bit of his fight with Kazunari seeing those two fights; Except that now Kazunari is one of his closest friend and he doesn't like that.

Also like. It was also because he could still hide under the plot of the improv but it's so rare, and it never happened before that point, that Kazunari stands for himself in a "the way you treat me is unfair"? Like again re: his fight with Tenma, when Tenma snapped at him, while Tenma was unfair with him, Kazunari took the blame, called himself annoying and all yaknow?

The fact Kazunari is starting to accept that he can take more place for himself is something the whole Summer Troupe have been trying to help him work on, but especially Tenma. Tenma is always there trying to push Kazunari to say what he means, to express his feelings, to stop hiding.

And for once, Kazunari does that in front of everyone... and it's because he's breaking because of his fight with Tsuzuru.

I think Tenma probably felt it was even more of a reason to get involved like, this is the thing he's been working on with Kazunari about, and now he's being all hurt about it, not on Tenma's watch!

And i totally agree with your take on Tenma! (and would LOVE to read the Tenma and Juza fic once you get to it :3c). I think, Tenma is really caring and is trying to take a place as a caretaker and all, but unlike Omi, he has absolutely no reference for it.

Omi is the eldest of multiple brothers and everything indicates his parents have always been lovely to him. Add to it how he ended up leader of a delinquent crew he was clearly looking after, Omi has a history of taking care of people, of nurturing them, and he knows what he's doing. Meanwhile Tenma grew up on TV sets, mostly surrounded by adults and not by people his age, mostly getting advice from being ordered around by directors i think. And his parents are distant, hyperfocused on their job, not really nursing with him. So Tenma meanwhile really didn't have a family emotional support and was in situation where he couldn't befriend other kids his age. His only reference was probably Igawa (his agent) and i think for a long time he didn't exactly see it, and Igawa remained mostly professional so there was probably the idea of it not being sincere? That Tenma had to grow out of.

So like, they're both extremely nurturing and caring, but my point is that Omi has experiences in it and is at ease with it, while Tenma has been so alone and in places were he had no support system that even if he wants to support others, he still struggles with how to do it because he has no set exemple. And that's his development in the main story arc, to learn from how Izumi shows she cares in order to care back at them all.

Like i mean the way Tenma yelled at them about their mistakes at first feel like he would have picked it up from some directors on TV set yaknow? Probably hearing them say that with no consequences on others actors, seeing it worked, didn't think "that's an abuse of power and the actors probably all think badly of their director for that" but "wow that works", tried it on his troupesmates and realized this is... not how that works. And it's spending time watching how Izumi encourages them that have him fix his way to approach it.

So yeah i got lost too into it but like. I feel you on Tenma i love him so much and i love his development so to see him get pissed and involved there? was really nice. even if he was aggressive about it. He's still learning.

ANYWAY back to Tsuzuru and Kazunari, totally agree with what you say next. They still care a lot about each other and yeah they're at a point where this consideration they have for each other make their anger more quiet than trying to attack one another (Banri could NEVER-). so yeah totally agree with you!

DLKFJDLKF i LOVE the reasoning on "recognizing that Kazunari was sick". Your writer's powers making you see through... *coughs* unlike Tsuzuru....

AND YEAH ALL YOU SAY ABOUT THE CG.. YEAH. Kinda crying thinking about it again now LDKJFLKDJF It's just. Everything about it is so soft and tender. The things Tsuzuru tells Kazunari are soo so sweet sobs. They're just adorable i love those kids. and also i feel you for Kazu he's just that great huh?

The whole set up about Kazu dropping by his room is so so cute! I love it! Like probably the very first time Tsuzuru braces himself because "oh no i'm not in the mood to stand mister hyperenergy himself" but Kazunari quickly adjust his energy so that Tsuzuru can just recharge without being overwhelmed. Yes it would drive Masumi completely nuts. Which i think is a plus for Tsuzuru like, hey, if Masumi gets annoyed once in a while it's a win. But yeah also i think that Tsuzuru and Kazunari should really have the Artistic Soldiarity of Students in Art school Probably Working Until Very Late To Complete Their Projects. Would love if at the end Tsuzuru gave it back yaknow?

but yeah their story was really nice i'm so glad you liked it! :D

oh god yeah Itaru and Citron were SO cute in it too, i also love the comments Citron makes about Itaru's winks. Just there flirting in front of everyone like those two embarrassing friends huh. (probably with Muku being all starry eyes considering he greatly admires both Itaru and Citron and, well, Romance.). And yeah i love how Itaru ends up so much into Citron's rhythm (and this idiom you said? is glorious actually, 10 points for you)

DLKFJDLKF what a call out toward Yuki. "yes i hate Tenma,no i won't shut up about him, also if YOU say you hate Tenma i'm going to stab you with my needles, have a nice fucking day.". I love their dynamics so much aha

And yeah Itaru is there cursing us the whole time with the fact he's the greatest nerd ever and it fits him perfectly. It makes me laugh so hard.

Thank you so much for having shared your thoughts there! it's always a blast to read through them and i dearly enjoyed it! (+ it makes me relive the event a little and it makes me soft!)

I'm so glad you enjoyed it! So glad you had so many thoughts about all of this, what a blast.

thank you for sharing, and looking forward the Autumn/Winter reactions :3c

Take care!

[meetnombre]

I promised myself that would keep this blog sfw. That I would fill it full of things that would make many other people happy and to help them escape from the outside world. It was supposed to be my little corner of the web that would be free from real world politics. I guess, today is finally that time where I have to break that promise.

The whole thing started just as Hasbro released the last episode of the first season of My Little Pony. I discovered it all at once when I marathoned through the first season. For 6 months afterwards, I have been following the pony fandom with a passion, but from a distance. Checking out other peoples art, lurking in forums, sending anon messages to other people’s tumblrs. That kind of stuff. (what can I say? To this day, I am still a bit of a social outcast)

It wasnt until one fateful day when I came across a certain someone’s tumblr blog through another person’s livestream. Not gonna mention any names (SilverBlaze! XD), but anyways! It was through this person’s tumblr that I was encouraged very strongly to introduce myself to someone from the fandom for the very first time. What pretty much happened was that I whacked this awesome guy an anonymous donation through his paypal associated with his new tumblr. What immediately happened afterwards was that his OC absolutely freaked out. Maybe I shouldnt have anonymously sent the post: “Here! Have a bag of free money!” as an anon...oh well XP This person helped me to muster the courage to create an online identity that I could use to interact with the fandom a lot better. He drew me my very own pony! (I still remember the livestream, where Silver started drawing “nombre” without a reference…remember the “meet nombre” image that used to be at the top of my tumblr? That was a modified screenshot of what Silver actually drew for me XD. He then scribbled it out, and began drawing my very own nombre! He asked me if I wanted nombre to be a boy or a girl, as he already started to draw long eyelashes for nombre. I was like “Nombre is a boy! NOMBRE IS A BOY!”, and he quickly removed the eyelashes after that X) ). I eventually took my brand new oc, created my very own tumblr…but then decided to wait until a better time to reveal my tumblr, as I kind of accidentally got Heart Lift, Sparks, and Toast Lift to swap bodies on purpose XP

But yeah! Finally went public with my tumblr, and eventually met someone else (Kappa! XP). I visited quite a few of her livestreams (when silver wasnt streaming, obviously XP), and we just…talked. We caught up with each other so much…we really gotta catch up with each other some more. But what happenned eventually was that Kappa invited me to a group chat where Silver and so many other awesome people got to hang out with each other. I met so many idols of my time and so many new faces, all of which soon became mutual friends. I literally felt like one of the richest people on the planet. I even met someone (Andie!), who soon became my girlfriend!

I still remember bits and pieces of the first group voice chat that I had with this group. One of the guys first impressions was “Is this guy serious?” (Kaipo XP), and “I’m more concerned that this guy works with live explosives for a living” (Rainboom XD)

It didnt last forever. Nothing lasts forever. One of my close friends from that group was forced to leave because he kept on getting anonymous hate from someone else. He didnt know who it was, so he was about at that stage where he was going to shut himself off from ‘everyone’. Good job anon! Good job! *slow clap*

I remember very well the time when that group that helped me with my depression got themselves a new certain member. Things were all good for a while…until that certain member made a techno remix, and asked the group as to what they thought of it. The problem was the title that he chose for it, as it was completely unrelated to the music itself, completely unnecessary, and pretty offensive to a lot of people (I’m pretty sure it was something like “Retarded Austistics” or “Autistic Retards” or something simular…..yeah…). That person was eventually removed from the group, but there was a bit of mayhem in the process, as ‘every single member of the group had moderator powers’. The incident served as a wakeup call to the group, so what happenned was that everyone was disbanded from the old group, and a new group was established…

…but here’s the thing. Not everyone was allowed into the new group. There was one person, who apparently the slim majority at the time decided that they didnt want in the new group. A lot of dramas happened since this event, but this particular separation in my opinion was a pretty big deal, as she was kind of a big part of the group at the time, and a big part of my life.

So! The one big group of people who meant so much to me ended up splitting into 2 separate groups. I stayed silent about the whole thing since then, hoping that someday maybe everyone will let bygones be bygones, because we were all friends once. Instead the opposite happened. Years later, a lot of people started forgetting each other. I could have been more proactive at the time to try and preserve what we all had, but I was worried about hurting someone in the process. I didnt know what to do.

My girlfriend broke up with me, and it was pretty much my fault. After being together for 3 months, she approached me and said that she needed some time apart...and I absolutely flipped my shit. I ended up saying a ‘lot’ of stupid shit that sent her into an absolute chronic panic attack. This drove her to the point where she told me straight up that I was no different from any of the other horrible people in her life. I felt like a real asshole when she said that. I said a lot of things that I shouldnt have said that day.

I was very fortunate to still have her as a friend after all of that. ‘Very’ fortunate.

It was about 3 months after this however that she decided to close her tumblr and delete her skype. She told me that she found happiness outside of this world that she built up. Over 2 years passed since she sent me that post, 2 years that she went missing. That’s long enough to legally declare anyone dead (not kidding either. After all of the low’s that she had been through, my mind was really starting to wonder into some pretty dark places as to what might have happened to her. I was so scared). But everything was okay! I actually got a message from her after all of those years from her telling me that she was doing very well and has settled down with someone else.

All I wanted was the best for her and for her to be happy. Nothing has changed. Even if is with someone else, I dont care. She ‘is’ happy, and she ‘is’ doing what is best for her, and thats all that matters. Hell, I’d approach this guy and shake his hand if it wasn’t for the fact that it would probably make things awkward for everyone XD

But as for me, I’m stuck. I dont really know what to do with myself anymore. When you give someone your heart and things dont work out, most people would get over it. Most people would have found a rebound relationship right now or something, but I guess I’m just not like most people. It’s not just because of my past, but its also because of my toxic present and future. I work in a workplace that can be pretty toxic at times. It’s like, you go back to work after your rostered days off to be meeted by ‘many’ old fashioned people who ask you inappropriate questions like “Hey Nombre! Did you get a root on break?” or “Hey Nombre! You should go get a hooker! You might like it!” over and over because they think its funny to do so, it just puts me off so much. I’m fine as I am! I dont mind being single, even if its for the rest of my life...but there are a lot of people out there who think its okay to treat other people like shit because they are ‘different’, when in reality, my workplace is full of old dirty perverts.

Meanwhile, I’m hardly ever online anymore. Every time I do manage to return to eavesdrop on everyone, it feels like everyone is just becoming more and more isolated from each other. I saw a post on ‘that’ group from someone who said that they wondered what I was up to, to which someone else replied that I pretty much only use tumblr now...and that really hurt me a lot. I cant blame them for thinking that way though, given that I hardly appear anymore. I deserved that.

Every time I look into my tumblrs past posts, I always have dramas. This was supposed to be a place of fun, but because the peak of my tumblr career involved the misadventures between myself and my ex and a certain red horse, looking back always brings up a lot of repressed memories.

I dont want to quit tumblr. But at the same time, I dont want to keep going. I dont know what to do. I really wish that things could have been like they were back in the first quarter of 2013. I liked that.

Over 5 years since then, and I dont know how to move on. I really dont.

[sole-cuore-amore-e-droga]

Suspiria remake review from a shitty movie-goer

(this review is posted too late so excuse me for some timing inaccuracies I couldn’t be arsed to edit)

(IF YOU HATE TL;DRS JUST SKIP AHEAD TO THE “THE REVIEW” PART. YOU’RE WELCOME)

I actually hate to admit why was I interested to watch this movie in the end, but for once SOMETHING motivated me to go to a movie after countless tries from my family to get me to watch something in theatres at a “reasonable time” (daytime is what they mean, this movie was at 8pm our time, and this is when the cross-city bus transport (it goes from one big city to another) stops doing their service lmao).

I myself have a lowkey interest in moviemaking (I’m already getting there by editing my phone-recorded videos because whatever). I come up with my concepts in my head and I am mostly willing to put them down somewhere in my computer so I don’t forget it years later if I want to make that concept a thing in the end (because none of my concepts are finalized... well except for one short horror-ish story I posted on DeviantArt (see mom, I do like some horror stuff!). Reddit as of lately inspired me to edit some of my movie’s plot-lines based on irl events (not related with anything too SJW), and I’m not sure how an usual movie-goer would see this concept but I am going to try to execute it... whenever I have enough equipment to shoot my own little films or skits or whatever.

What’s that? There are people who scrolled past this and already yell at me that “YOU ONLY WENT TO SEE THIS MOVIE BECAUSE OF THE MAN WHO COMPOSED THE SOUNDTRACK~~~”? Ugh yes you exposed me, tea all over. I even had “Street Spirit (Fade Out)” on a bit of a repeat as of lately (how fucking come I wasn’t too couragerous to listen to this song before?? And “Pyramid Song”??? Man am I discovering their pearl(ie)s(*) too late). And I’m occasionally on the band’s subreddit as well. And the man himself is touring ‘round the USA, signing material of fans and have genuinely warm chats with them. Admireable.

But that’s only half truth.

I never thought I’d see Suspiria on cinema theatres in here. Until one time when I saw an ad on a completely random Lithuanian website that said this movie is coming to our theatres 14 December... I couldn’t quite believe my eyes. I made my goal to see Suspiria since then. I even dared to ask a couple of my new college ‘friends’ to see it with me, but one of them fell off the deal when I revealed that I’ll be going to see it on Saturday, and on the weekends he’s usually at home, far away from the city the college is in (he lives in college dormitory on mostly the work-weekdays). So my only movie companion ended up to be this 28-year-old coursemate (actually we both study different things but sometimes we attend some of the same lectures) who was intrigued by the Suspiria trailer herself so at least I’m gonna have her by my side of the movie, so I thought. Sweet.

I already envisioned seeing this in a mall cinema theatre but my companion offered me a cheaper alternative - her suggested cinema theatre was actually in renovation so the business is temporarily happening inside an actual drama theatre’s long theatre hall. I had to wait long until the ticket box opened and because of that I was lowkey frustrated as I finished my English test writing a little earlier, so I spent my time walking around the city until the time came and I wandered off to the old building of the cinema so then I remembered it was moved and I found the moved place. Yeah I bought the tickets before my companion could but I’ll skip ahead to the time that I almost lost the tickets because they were put down on a windowsill outside some children activity centre (Suspiria and children?? lol). I came back home late at night and was ready for the movie to happen the next day. Oh and before buying the tickets I coincidentally saw dance classes going on nearby that building... weird, as Suspiria has dance elements in there

The day came (December 15) and my family went together with me because they saw this as an opportunity to see the Christmas tree of our city (but not the movie). Needless to say, they were still visibly pissed at me orchestrating this idea, as I planned everything BUT the transport to go by. Well at least my mom and my sis. Dad was cool with it as he returned home to watch Home Alone. Aside all that, the cinema hall was cozy, Christmassy, not too small, there were a few trailers before the movie, no snack-seller places (as this is not a mall lol) - my companion was glad she wasn't at the mall as she found this place where we were at way lovelier.

Now with all that unnecessary long intro off my chest, let’s begin:

THE REVIEW

(definitely not spoiler-free, if you are sensitive to spoilers please watch the movie for yourselves before reading my review. But if you like being spoiled, I’m your friend then I guess lmao)

The intro to the movie felt like I ended up booking a wrong movie - I didn't expect that to be set somewhere in Germany, especially an American/Italian-shot one. Was that a thing in the original Suspiria? I don't know... (apparently it is, but the cities are different, never the country though)

Patricia (I didn’t know it was Chloë Grace’s role until reading the Wiki) looked like to be a really big deal here, with the dance pupils discussing her disappearance the other day and Susie overheard them, then Sara mentioned the Patricia thing to Susie after Susie revealed she was kind of chosen as the lead dancer for the Volk play... is it because Patricia was THE saviour that unfortunately knew a little too much?? Idk, it’s perhaps the reason we get to see the Klemperer guy subplot happen (I didn’t know it was Tilda Swinton behind him all the time either, must be because the way the male German accent was put on her lol). Turned out she was captured and kept under some dungeon where Sara had gone later in the movie, but looking like an almost melted and grotesquely old human being (or if Mary’s mother from “Chocolate with Nuts” was a person). Speaking of which, there is one more later in the movie, but I won’t tell just yet - we will need to get into such scenes discussion first.

Interesting deaths here, despite of them being grotesque and horrifically detailed. It almost felt like Susie, whilst doing her first dance as the probable lead dancer, temporarily turned into Olga’s voodoo doll or a violent bloodbender (that old lady from Avatar that could bloodbend was incredibly uncanny, damn) and left Olga completely fucked up, and the foam mouth later on... is this the effect myxomatosis has on a human being if it was ever humanly? She was twitching and salivating afterall. :P But no, she’s not dead until she gets to plead her death later in the movie! :O Several others occur throughout, but none is more prominent than this key scene I described, well at least according to TV Tropes.

The search for the evil person in this movie without Wiki helping me much was definitely a nice game for me to play. I kept thinking that Blanc might be that one, then I thought she’s not the one until she looked at Carolina (I think that was the tall tomboy’s name??) suspiciously and then she later passed out on the floor violently, with rabies foam and everything.

Anyway, don’t tell me Tilda Swinton wouldn’t make out a pretty good Thom Yorke post-Pablo Honey. She’s 8 years older than him, ffs! Also played a man before (e.g.: this movie I’m talking about) so the make up won’t be an unjumpable-over hurdle.

The sighs were for sure unsettling, especially because they oddly sounded like orgasm here and there. IDK why. I know fucking is referenced twice in this movie (well only fucking once and sex another time). Speaking of random things, the nightmare shots were completely random themselves, following up with some imagery we never see in the movie again, and some of that we see only a little (like the worms and bloody organs).

3 long scenes that were note-worthy for me. One is the Olga mutilation/Susie's first dancing scene that I already noted, and it was driven by music (the others will be too. Soundtrack of this movie still rules). Then there's the Volk play itself - girls go from one place to another, take poses of each other, dance individually, let their minimalistic red rope dresses flick in the air, interspersed with Sara in the underneath area and her broken leg (so broken, the bone went out of her skin!), and then the matriarchy getting her back on stage, but healing her leg with her witch powers before that. I haven't really listened to the rest of the soundtrack but I gotta check the song out so that I won't end up labeling it as a Kid A reject. No but seriously - intense dancing needed some intense drumming and painful instrument sounds just to project out the massiveness of the whole play.

Then I keep remembering the scene where Madame Blanc commands Susie to jump higher and higher in the mirror hall, up until she jumps as highest as possible. Also my companion’s favourite scene was the stare exchange between these two ladies during the part where people were singing some drinking song in a bar to celebrate ‘Volk’’s success - you hear them singing and then some chilling background noise slowly mixing and creeping its way into the atmosphere, then I think it leads into a scene where some sparkling aura entity wakes Susie up (and she’s nude) in the middle of the night and gets her to go down to this... dungeon orgy full of random stuff going on, complete with an Asian man doing something beyond explanation (I could say lewd but not quite), even more strange ritual dancing and the very much frightening Madame Helga... who looked like Jabba the Hutt for some reason. And then of course everyone slitting, slashing and twisting each other, and by the end Susie throwing us all a plot twist which makes her THE evil one who can finally let her ‘friends’ go of all that suffering they have been through thanks to the damn witches (and yeah apparently her dance friends haven’t completely died? THAT’S how they do - they tell Susie to end their suffering and she does). Also she cracks her chest open to reveal a... very graphic part of a female body that will by no doubt get this whole text review reported without consent so I refrain from any illustrations. Oh and this scene mostly has the possibly favourite this movie’s soundtrack song of mine, if not one of them, play - titled Unmade. It was a mind-boggling decision to do so but the movie editors do them I suppose, but still. I felt sad for the song having to be the background of such absurd but fair enough events? (Oh and I didn’t mention that everyone who voted for the other woman than Madame Blanc to be the leader of the witches (iirc) were rid of in this movie. Damn.)

Oh and the ending is rather an interesting detail, not talking about post-credits because as always I have to be this one movie goer who wants to do it but can’t because they’re urged to go back out of the movie theater. We turn into modern day Germany with a love heart carved on a brick wall with the letters A and L (perhaps?? at the time of finishing this review my memory towards it kind of erased some parts of the movie for me), a nice little remembrance of Lutz’s (the old man’s) love for his dear Anke, with which they have reunited during the movie, but Lutz was dragged out by some people related to the dance academy for probably wandering elsewhere than needed and somehow Lutz ended up as one of the sex dungeon victims, stripped of clothing and lying down quite powerless. That and before the modern day shot we are subjected with Lutz in hospital with Susie coming to visit, they discuss something related to the plot, Susie touches the guy speaks some more, leaves and according to the Wiki, Lutz “suffers from a violent seizure” that was nothing more than just a hard seizure. And it even erases his memories!

Anyway, as a whole, I felt more underwhelmed of this movie’s experience despite really wanting to see it. Like, “uhm yeah gore blood people getting slashed everyone’s a witch and everyone’s watched over by the witch and if you expose the witches you die” kind of underwhelmed. I didn’t want this movie to blatantly go through my head, but it did, that’s why I wanted to make notes everytime something notable happens. There was one startling moment, and it just was an innocent scene transition. And something within Olga’s mutilation scene made me chuckle (and made some other people leave the cinema hall ASAP). It’s more of a disgusting watch than scary. Also feels too dragged out in parts.

I’d only recommend it if you are gore-tolerant (there are people that can’t stand looking at blood so this might as well not be for you, especially if you’re younger than 16), like intense choreos that can impact other people literally, and... the soundtrack. Yes of course. If you dare to get through the movie with feeling its soundtrack, sometimes you might as well feel it right, but some of the soundtrack song usages might as well make you go “hmm” as much as me.

I'll remind myself to never watch a movie in theaters for soundtrack again (unless they're not THAT late). And the other 'trilogy of the three witches' movie remakes, especially if they come out at the time I haven't moved houses by now, because for sure as hell will my parents not like me going to cinema late once more. The movie is lowkey 7 out of 10 for me, can sometimes it's on the verge of falling down to 6 becaude of no completely proper comprehension of some directing choices... so 6.7/10 is good - as it still has 6 in it, but totally leans on to the 7.

Will probably watch it again. I need to remember some more of this movie sometime later. And looking for online uploads of this movie is unrecommendable - I'll wait until Lionsgate distributes it to America for wider audiences so that anything could surface 2 months (or even a few days) later from now. Though if I didn't need all that, I'd definitely not watch it again for a long time... unfortunately I want to.

Post movie feelings: my companion liked the movie, initially said to never watch it again but now wants to watch it again because it was so "wtf" she felt like re-experiencing it at some point. She liked the music (another bonus point for Yorke). She wished she could film the reactions of other people who watched this, as they mostly were confused, all being like "wtf did I just watch???". I'm already feeling bad for the 3rd companion who didn't join us but would also like to watch this - he’ll likely be one of those confused movie-goers.

[create-ninety]

Wednesday 20th February, ’19. 10am.

There’s nothing quite like going to a gig at a small venue in a trendy part of town to make you feel like a geriatric.

While I was getting ready for the event, I was wondering if I was going too casual – I was wearing a plain t-shirt with black jeans and an oversized floral blazer. Turns out I should have gone in what I normally wear as pyjamas! There were kids (I say kids, because while there were definitely a few ‘older’ people in the crowd, the majority looked like they were born this side of the century) wearing what I can only describe as their dorky mum’s clothes from the seventies. It was bizarre. Lucie and I stood to the side in a somewhat demure fashion by comparison, me sipping on non-alcoholic beer, and Lucie overheating from a temperature brought on by a nasty cold.

We both agreed that, if we were born when they were, it’s this kind of crowd we probably would have found ourselves in. Perhaps it’s because they were wearing exactly what we were wearing, once upon a time. I can imagine this isn’t a unique experience for people who find themselves looking over their shoulder at the next generation and wonder what the hell is going on.

The show itself was great – the band were amazing. I’ve seen them three times now and each time they’ve got better. The audience loved the performance and it was actually quite inspiring to see people passionate about their art in action. And it was obviously the kind of crowd that didn’t bat an eyelid that I was draped over completely over Lucie, which is always a plus.

When we got home, we lay awake talking about it the performers. I wondered what the process is that gets a person to the point where they feel confident enough to get on stage and perform in front of others. Essentially saying, “I am confident enough that my work is good enough to not only subject you to, but I am compelling enough to perform it in front of others.”

That’s a pretty brave thing, for anyone to do. To be inviting open criticism and to stand up and project vulnerability. I do, genuinely, marvel at musicians and stage actors who have to suspend what can only be described as ‘normal reality’ to sing, move about, and create a large amount of sound – something that in any other situation would be wildly inappropriate and strange. And yet there we all were, gathered around a stage, making noise for individuals who were inhabiting that space of vulnerability. I’ve decided that, for me, it’s actually less about hearing the music of the artists when I see the live show, and more about watching and observing the emotions that they’re going through, as they do it. And you can see it on their faces. The nerves, the little shakes, the awkward chatter between songs when the polished performance of practiced routine is paused.

Lucie pointed out to me that writing a novel isn’t so different to that.

In some ways, perhaps not, but by and large I think there are some key differences.

I think that if you’re a creative person by nature, then creativity has the opportunity to express itself in several key ways: as an actor, a musician, a visual artist, or a writer. Each of those could be called spheres with smaller subsets breaking off (stage actors vs film actors, painters vs photographers, poets vs fiction writers, and so on). I suppose it just depends what vehicle you ultimately are drawn to and prefer as your mode of expression. Because ultimately, the point of anything creative is fundamentally the same: it’s just that, expression. You are expressing something emotive, experiential, a message, something others might relate to. And each of those spheres give you the option to do it, but with completely different methods of execution.

When I was growing up I played with all of the different spheres and I can see them all, now, as different sizes and at varying distances from me. At certain points in my life I’ve actually valued them and explored them in different orders. Some have increased in resolution and texture while others have stayed smaller and smoother.

The smallest of my creative spheres, the one most under-developed and child-like, is visual art. I’m not bad at basic sketching or copying something. And I can stare at a piece of art and try and pull out its meaning. But when I was young, the pleasure I’d get from mixing paint or translating an emotion onto a canvas or something else just wasn’t very high for me. So I didn’t spend time doing it. There were moments where I’d develop a surge in interest (this still happens) – I’d go and buy watercolours and start painting for fun, or I’d be obsessed with sketching raccoons or something. But it’s always fleeting, and ultimately, not really something that I have been able to use as the best means of my expression.

I found a lot of joy in stage acting and performing when I was young, right up to my teenage years. I would include public speaking in this. I found it exciting. I liked playing characters with interesting stories, and I liked to turn different emotions on and off to create scenes with others. I liked finding mirrors of myself in characters, and ‘becoming them’, for a short time, was a small reprieve from myself. But sometimes it was hard to occupy the emotions of a character when my own were trying to take centre stage, so to speak. In my last year of high school when I was arguably involved in the most theatre I’d ever done – I was the lead role in my drama class’ final show, I was in a speech finals competition, I was sitting a speech and drama exam that had multiple theatrical components, I was in our school production, and in an improv team – I was stressed as hell. I realised, ultimately, I didn’t like standing up in front of others to be scrutinised as a version of myself that wasn’t me. I didn’t like that there was a ‘right way’ to act, and a ‘wrong way’. Because, well, there’s a director telling you what to do and how to do it. And so when I left school, I stopped any form of acting. I thought about joining a theatre company but I didn’t. I almost studied Theatre at uni, but I didn’t. It just wasn’t the creative vehicle for expression for me and I dropped it all together. I think, as a result, that acting is now my least valued and explored sphere.

Music, on the other hand, was something I discovered in my late teens. I’d tried piano earlier but didn’t like it, because I was taught classical, which to me was basically mathematics with your fingers. I wasn’t good at translating the written music to something that requires you to be so profoundly dextrous. Years later I would discover tab, and learn the general principles of music accidentally. I realised that chords are the foundation of all music, and that chords translate across all string and wind instruments, including the piano. Once I understood that, and once I was able to master basic dexterity and rhythm, music became the most wonderful tool of expression. I was able to write lyrics, write melodies, and then later on, piece them all together to make a song on my computer. I must have made hundreds. I did struggle to ‘finish’ one, though, and my desire to perform them never became overwhelming enough to take it to the next level. For me, it really was just means to express something. I liked the personal nature of it. I liked the different emotions that could be conveyed through the different sounds and instruments. Sharing the songs with anyone was always a profoundly terrifying experience: the music was an extension of myself, as if I had translated my own identity and ‘suffering’ into sound – and for others to hear it, and to judge it, would be for them to judge me.  And so the music sphere for me has grown large, but it has stayed at the same size for some years now. I pick up the guitar when I’m feeling emotional. Or when I want to put music to a poem. And when I see musicians perform, I see love for the vehicle. I often dream about writing an album to compliment a film. I suppose that now, there is actually the option to actually produce music without having to perform at all – you can do it all digitally. But I don’t think that I love it enough to put it out there. There is so much music available. I don’t think that what I create would be contributing to anything other than my own creative expression. And so, it’s for that reason, while it’s fun to dream, I think – unless I suddenly have unlimited free time and money – that it’s something I’ll never take further than just tinkering around when I fancy.

Writing, for me, is the perfect mode of expression. It’s a completely internal process. With music there is this external component, which I think is ultimately what turns me off about it, but with writing, it can be done completely behind a veil. When it is released into the world, it’s consumed by a reader internally. You are not the work. The work is as separate from you as possible (perhaps in many ways like visual art). This is what appeals to me so deeply. That I get to have a personal, raw, emotive and transformative experience writing something and exploring it in a depth that has so many layers of meaning. And when someone reads it, the work becomes a personal experience for them. You are just a a vehicle for the expression. My physical form, my personal likes and dislikes and expressions, are not relevant to the ideas being put out into the world. And I love this. Writing also carries with it the highest possibility for profound connection: books take a long time to be read, and upon each separate reading, new meaning can be found and uncovered. The same can be said for all the spheres, absolutely – I’ve certainly spent hours listening to the same song and attached various meanings to it, and felt connections to musicians I’ve never met  – but there is something unique about a narrative with a character who goes on a journey. I would argue that in a book you can still experience all five senses, but in an abstract way.

I don’t like the thought of who I am as a person getting in the way of the message. I want to place the art and the ideas at the centre of the experience. When you involve yourself – in a way that musicians and actors have to do – then you become consumable. And that is a scary concept for me. One could argue that the person performing is actually, themselves, part of the art - I would imagine this to be true - but I think this is what differentiates the spheres.

And, more than anything, writing is as automatic and as essential to me as breathing. Or eating. It’s just something that’s part of my day and necessary for normal functioning. For people who master the other spheres, you can see that they have this feeling about their own medium. I saw it on the faces of the performers last night. They live and breathe music. Their instruments are extensions of their identities that they have to exorcise. When I scroll through the Instagram profiles of visual artists, their dedication to the craft is demonstrated through the picture after picture after picture of their creations.

And, finally, I am now – perhaps like the musicians – confident enough to think that my work is good enough. I also think it’s now good enough for others. So yes, maybe I am more like the musicians than I think.

[doycetopia]

Masks "Menagerie" Campaign - Session 6 to 10

It’s been awhile since I’ve written about our ongoing Masks game (superhero antics in the vein of Young Justice, Teen Titans, or Avengers Academy), but that in no way means the game itself has slowed. Quite the opposite.

So, if only for the sake of bragging, I thought I’d catch things up.

The last time, I covered sessions 0 though 5. This time, it’s sessions 6 to 15, so buckle up.

Before I get rolling, I want to recognize two resources that have made this broad overview far more manageable.

The first is the forum that is automatically made available for any campaign you set up on Roll20.net. (Our game is played online, and while the voice chat isn’t able to handle our group’s particular challenges, the other tools it provides are invaluable.) The forum lives here, and sees continuous, nigh-daily activity in the form of fiction, world-building, general discussion, and (of course) the blow-by-blow Actual Play summaries – usually authored by Dave Hill – which supplement if not completely stand in for my spotty recollection.

(Said forum has been made even more valuable with the addition of a custom coded search/scraper that Bill forced around roll20’s forum code at great personal effort.)

The second tool is a more recent addition to our electronic tool box, a wiki built and customized (again, mostly) by two of the players, Bill and Mike. Thanks to the organization of the wiki (and downright sexy layout), I’m able to excavate all kinds of trivia and bits of game lore that might otherwise have flared and died within minutes of being introduced into a session.

With that out of the way…

When We Last Left Our Heroes…

Sessions 1 though 5 were mostly about introducing the heroes to the people of Halcyon, and the players (and myself) to the Masks system. They had a morning show interview, a downtown brawl with some bad guys, and then rode the fallout from those events, (including the speedster getting temporarily lost in an alternate, devastated version of Earth.)

Session five saw the team looking forward or inward – taking stock of the problems they had on their plate and making plans to deal with them.

It also saw their team coming to the attention of AEGIS, the SHIELD-esque organization of the Masks universe.

Issue 6

Issue 6 recording on YouTube

AP Report

One of the directives for a Masks GM is presenting adults as supportive but short-sighted; willing to help but always pushing their own vision and agenda on the teen heroes – help with strings attached. Okay.

Enter Agent Ted Waters (who’s probably going to be the most supportive, least strings-attached adult in the game – though that’s a low bar), an experienced AEGIS agent and the father-figure/handler for Link (whose actual father is super-villain Rossum the Minion Maker). Waters shows up at Quill Industries (the ‘sanctum’ for the team’s Doomed character) with paperwork in hand that will officially recognize the team by AEGIS… a move AEGIS hasn’t… umm…. actually sanctioned?

This paperwork is simple – it merely requires the team pick a name and an official leader. Easy, right?

The name had been under discussion via in-character posts on the forum, but we hadn’t brought it to the forefront yet. This was meant to facilitate that. They tell Ted the team will be the Menagerie and it gets the expected, bemused response from the older man (a good sign you’re on the right track in a teen-oriented game).

The ‘strings’ attached to this bit of help were more meta-level than an actual condition offered by Waters – the team had to pick a leader; a requirement I thought might generate some drama/angst/hand-wringing/reflection/et cetera.

It did all those things, so yay. 🙂

The team eventually settled on Jason Quill (the Doomed, played by Dave), a decision which the team treated with varying levels of seriousness. (Jason on one end of the panic-stricken-with-the-weighty-responsibility spectrum; speedster Mercury (Kay) providing the ‘whatever man paperwork is boring just write something in it doesn’t matter’ counterbalance.)

While Jason continued to process this development, Ghost Girl went and got herself in one kind of trouble (attacked by someone who saw her as a dangerous menace, starting both an arc and introducing her current Mundane-vs-Freak Hook), while Like found another (investigating a mutual friend’s disappearance and running afoul their supernatural kidnapper).

This development brought us to the end of the session with the team rushing to help GG, but split (“where the hell is Link?”), and under a leader (technically) who was still a bit in shock.

Issue 7: If the Graveyard Be My Destiny!

Issue 7 on YouTube

AP Report

(All credit to Dave for the comic-book-classic session titles.

This session was meant to introduce one of Ghost Girl’s issues and a sort-of nemesis; Ghostheart (one of the characters from the Masks Deck of Villains) whose main deal is obsessively keeping living people over THERE, and dead people over THERE, and NO TOUCHING NO TOUCHING NOT EVER.

Charlotte is all about connecting with people amongst both the living and dead (she’s playing the Outsider playbook, and filled with wonder at the modern world in which she now finds herself), so Ghostheart seemed almost a custom-written enemy for her.

Most of the session was a nighttime fight at GG’s home cemetery against Ghostheart and a couple of his summoned demonic henchthings – Rawhide and I-Didnt-Catch-the-Other-Guy’s-Name. After the fight (and some really stilted, useless, uncomfortable leadership, beautifully delivered by Dave), the heroes (reunited, since Link was tussling with Rawhide on his own, initially) tracked down and rescued the kidnappee “@powerpony” – an online-mutual of both Link and GG’s (PC-NPC-PC relationship triangles are good – need more of those).

Offscreen

The players conducted a couple Google-Doc-based scenes after this session, simply to get them done in satisfying fashion without taking up too much in-game time.

The first was Link talking with green-lantern/Blue-beetle-esque Concord about the details of the kid’s powers.

The second was between Link and Jason – an often tense but ultimately fruitful and relationship-building ‘discussion’ about what kind of leadership the team really needed (and what kind Jason could legitimately provide).

Both scenes were great, and the ‘offline’ RP option proved a good one, though we try not to use it too much, as it tends to move characters whose players have the mid-week bandwidth for such things further center stage, in a play environment (online, short sessions) where it already seems someone ends up drawing the Spotlight Short Straw every week.

Issue 8: Lo, There Shall Be an Evening of Character Interaction!

Issue 8 on YouTube

AP Report

As a means of exploring GG’s current Hook (her Mundane connections with others, versus the Freak nature of her powers), we also learned a bit more about why Ghostheart wanted GG out of public circulation – her interactions with the Living were creating some kind of ectoplasmic catnip that would inevitably attract a terrible entity known as Pandemonium to the material world.

The only way she could guarantee her living friends’ safety was stay away from them. Which sucks.

AEGIS rolled back into the picture much sooner than anyone expected, as the team called them back to take Ghostheart into custody. (The team opts NOT to go the morally-and logically-questionable route of the Flash CW show, with villains held without due process, inside a particle accelerator, and fed Big Belly Burgers on a… mostly daily schedule.)

The rest of the session involved the team either trying to help each other out with Comfort and Support-based roleplaying (with mixed but fascinating and sometimes hilarious results), or working through their own problems; Link’s robotic not-girlfriend Pneuma announced she was departing Halcyon for a bit to visit ‘someone’ in Japan, while Jason went down a digital rabbit hole, investigating how and why his nemesis Alycia Chin infiltrated Quill Compound as a lowly warehouse employee for a month.

Jason’s investigation led to a great scene where he uses his nanobots and latent genius to analyze Alycia Chin’s actions, and gets knocked cold in the process via some kind of latent … mental … something … Alycia left behind in the video recordings of her activities. Remote Memetic Programming, maybe? Image-gestalt boobytrap? That would be bad.

Issue 9: Sizzling Big Adult-Influence Issue!

The Beginning of the Day From Hell

Issue 9 on YouTube

AP Report

Morning! The second Weekday of the campaign, and time once again for all good heroes to… get to school.

(Assuming they aren’t a ghost from the civil war, or unconscious, of course.)

A while back, Concord’s player had started a discussion on the forum where we all talked about whether the Nova playbook was working for him, and we collectively came to the conclusion that the Janus playbook worked better. So we retconned it.

This session was the one where we started to get into that ‘dual identity’ drama a bit more, very literally in this case (because I am a ham-fisted hack) with Concord trying to help Link with an unconscious Jason (via an energy construct copy of himself) while simultaneously attending school in his ‘real’ body. He didn’t exactly balance this out well, and ended up being sent to the principal’s office when he confused his multiple mouths and remonstrated his English teacher for being a ‘walking deceit’ when he meant to be talking to the vision of Alycia Chin in Jason’s head.

I’d call this situation a solid B effort on my part. Maybe a B-. We get better at this in short order, though, so I’m not going to beat myself up too much.

Meanwhile, Mercury and Ghost Girl spent the morning reaching out to adults for advice and input, before Mercury had to get to school.

Harry’s dad-joking, eggplant-emoji-texting dad, Silver Streak.

This is always a fraught situation in Masks – going into a scene with an adult or adults in Masks carries an undercurrent of threat akin to an armed parley with A-level super-villains. Honestly I’ve never done as much broad-spectrum damage to the team with a bad guy as I have in scenes with their well-meaning mentors dispensing advice, constructive feedback, and (horror of horrors) heartfelt praise.

It didn’t really go better here, with both Harry’s dad and the retired ‘grail knight’ Armiger (Lucius, owner/operator of the Has Beans coffee shop, downtown) kicking in their two cents about Ghost Girl’s ongoing Ghostheart/Pandemonium problem, what they thought the kids should do about it (and, ultimately, who they thought the kids should be.) They got what they were after, but Ghost Girl at least wasn’t feeling great about it afterwards, which lead to some Condition-clearing reckless behavior later. (As it should.)

Issue 10: Halcyon High-Jinks (Hell Day, Part 2)

Issue 10 on Youtube

AP Report

Dave, Margie, and Katherine were all out of town, which left Jason recovering from his tussle with not-Alycia, Ghost Girl roaming the city doing reckless things without consulting the team, and Harry actually attending Gardner Academy (the private high school that tends to specialize in rich kids and publicly recognized supers).

Concord and Link, on the other hand, are on their way to HHS – Halcyon High South – part of the public school system, where they academically toil in relative anonymity.

Bill and Mike (and I) were excited to play around with that classic of teen superhero comics, the high school, so we had a good time with this. First order of business was to establish the normal day, and I had fun introducing some of the faculty, and went to the players to fill in NPCs (which gave us the wonderful Ms. “No!” Rodriguez, Leo’s lab partner.

I also introduced Taz, a new transfer and tech-nerd who seemed to either be a bit on the spectrum or way over-informed about Leo, or both. She showed up both in Leo’s chem class as well as at lunch with Leo and Adam, and was generally fun to play, freaked out the players a skosh, and has more going on that I’m looking forward to getting into.

With the norm established, it was time to get some Concord-grade villains on the stage, and that mean “galactic” villains. For this, I went back to the Deck of Villainy and pulled out The Farlander (who is just too weird looking and fun to play) and Sablestar who, by sheer coincidence in visual design, seemed to be … related to Concord and his powers in some way. There’s some vague hand-waving on her card about being a member of the Void Collective and something of a space-anarchist, but I already have an anarchist villain, so Sablestar and the VC became a kind of counter-(if not anti-)Concordance, in my head. We’ll see how that fleshes out over time.

So: a bit of fighting at the school with The Farlander, and the introduction of Sablestar, and as things get complicated we call it for the night, ready to bring in the rest of the team next session as things heat up.

That’s five of the ten sessions I wanted to cover, so I’ll stop here and do 11 to 15 in the next post. More soon!

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