whats the best Assassins recording?
oooohooohoo BOY that is a question!! thank you very much for asking i will NEVER pass up a chance to talk about assassins.
imo it's difficult to compare them - i have a different favorite version for each song - because they all have strengths in different areas and it depends what you prefer. the 1990 off-broadway recording has great orchestrations and an utterly incredible cast. the 2004 broadway recording is probably the definitive full version (it's the show in sondheim's finished incarnation of it with "something just broke" and the balladeer double casting) 2021 has more stripped-down, intimate orchestrations and a few really good voices that make the whole thing worthwhile. (i listen to 2021 just bc steven pasquale is my favorite booth by far lmao)
all things considered i'd say the original 1990 off-broadway cast recording is the best overall, while 2004 is the most complete (and still really really good) but it all depends what you're looking for
24 notes
·
View notes
My most played albums released in the year 2017:
SZA - Ctrl
Taylor Swift - reputation
Lorde - Melodrama
Lana Del Rey - Lust for Life
John Mayer - The Search for Everything
Tyler, the Creator - Flower Boy
Mother Mother - No Culture
Kendrick Lamar - DAMN.
Ed Sheeran - ÷
Angus & Julia Stone - Snow
Data from last.fm + pythfm.
2000 / 2001 / 2002 / 2003 / 2004 / 2005 / 2006 / 2007 / 2008 / 2009 / 2010 / 2011 / 2012 / 2013 / 2014 / 2015 / 2016 / 2017 / 2018 / 2019 / 2020 / 2021 / 2022 / 2023 / 2024
5 notes
·
View notes
The Best Albums Of 2017
(A note that extends to all of these lists which I will attach to the top of each: if you want to see a full review of any specific album on this list, or are wondering why a particular album did or didn’t make the top 10, or are wondering why an album you like from the year in question isn’t on this list at all, send me an ask about it and I’ll try and respond!)
The Top 10
DAMN by Kendrick Lamar
Brick Body Kids Still Daydream by Open Mike Eagle
Describes Things As They Are by Beauty Pill
Antisocialites by Alvvays
A Crow Looked At Me by Mount Eerie
4:44 by Jay-Z
Oversleepers International by Emperor X
who told you to think??!!?!?!?! by milo
Talk Tight by Rolling Blackouts Coastal Fever
Sleep Well Beast by The National
The Rest
Whiteout Conditions by The New Pornographers
Out In The Storm by Waxahatchee
Playboi Carti by Playboi Carti
Triple Fat Lice by Aesop Rock & Homeboy Sandman
The Underside Of Power by Algiers
République Amazone by Les Amazones d’Afrique
Resolution by The Perceptionists
The Official Body by Shopping
Drool by Nnamdi Ogbonnaya
Fin by SYD
Harry Styles by Harry Styles
Laila’s Wisdom by Rapsody
Life Will See You Now by Jens Lekman
Life Without Sound by Cloud Nothings
American Teen by Khalid
Dakhla Sahara Session by Cheveu And Group Doueh
Big Fish Theory by Vince Staples
1992 Deluxe by Princess Nokia
Veins by Homeboy Sandman
A somewhat weak year, if my (still-forming) shortlists for the years to follow are any indication – only 29 albums made the cut here. Some of the top 10 were surefire picks: “DAMN”, though not my favourite Kendrick (which remains To Pimp A Butterfly), has grown on me a lot to the point that I now see it as one of the year’s greatest achievements – a surprisingly coherent collection of solid-to-excellent songs with only the loosest of threads connecting them all in some kind of “concept”; “Antisocialites” is a beautifully-produced nonstop hook-fest of an indie rock album; “Describes Things As They Are” deserves a special mention for bringing one of the year’s most unique sounds to the table, even as it traces its clear influences back to artists as diverse as The Dismemberment Plan and Arto Lindsay (great “Prize” cover in there). Others I had to think harder on, and I switched out “Sleep Well Beast” for “Whiteout Conditions” at the last minute here, my main justification being that on revisiting each, it seemed to me that The National had never sounded better than on their moody, murmuring 2017 album, while The New Pornographers, despite delivering another worthy entry to their now-formidable discography, had.
In retrospect, this was an interesting year for hip-hop (though when isn’t it these days?) beyond “DAMN”: it marks the breakthrough success of Open Mike Eagle, the triumphant return of Jay-Z (but hold the antisemitism next time, OK?), the introduction of the chaotic Playboi Carti and the album that might stand as Princess Nokia’s most definitive statement so far. It also saw the final entry of Aesop Rock & Homeboy Sandman’s enjoyable “Lice” trilogy of EPs, a fascinating experimental effort by Nnamdi that still stands as one of the most distinct-sounding (if not necessarily consistent) hip-hop albums I’ve heard in recent memory, and the first albums by Rapsody and Vince Staples to truly impress me.
Though it might be hard to say exactly when “poptimism” broke critical establishment mainstream at this point (and I’ll probably write more on that later), this year also strikes me as notable for not including a whole lot of representative entries that would appeal to that crowd’s sensibilities – at least not on my list, meaning I didn’t see many capital-P Pop albums worth mentioning here. That being said, the top 40 stuff gets a couple victories here in the form of the two depressive-leaning albums by Harry Styles and Khalid (Khalid’s is the better one, if you’re curious).
Speaking of depressive (though the word actually feels inadequate to describe this one), “A Crow Looked At Me” gets a last word in here for being the most anomalous album on this list – I didn’t think I’d even like it until I tried it, upon which I found less of an album than a powerful, personal meditation on death and loss that somehow achieved poetry by constantly trying to avoid it. After listening to it the first time, I thought I’d never want to hear anything like it again – that is until I heard its follow-up from the next year.
6 notes
·
View notes