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#the end scene. i hate it i hate it i hate it why was it so cuteeeeee
ohnoitstbskyen · 3 days
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Could you talk more about sephiroth and clouds dynamic/relationship? Especially about sephiroths feelings towards cloud since I personally haven’t seen many people talk about that aspect.
Well, it sort of depends which version of the Final Fantasy VII story you're talking about, because certainly in the original game, Sephiroth actually doesn't care very much about Cloud at all.
During the events in Nibelheim, Sephiroth has a relationship with Zack as a friendly coworker (arguably an actual friend), but Cloud is just some Shinra goon nobody whose name and face Sephiroth doesn't even know. It's not until Cloud confronts him in the Mako reactor and successfully kills him that Sephiroth even sees his face for the first time. Sephiroth doesn't even know Cloud's name in the last few moments of his life, he just sees this enraged kid suddenly find the strength to overpower him and throw him into the reactor core out of nowhere.
After Cloud kills him, well... I would make the argument that Sephiroth never actually comes back. He dies in the throes of a psychotic break where the Jenova cells inside of him are using his emotional anguish to manipulate him towards her own ends, promising him all the love and family and fulfilment and sense of identity that Shinra violently abused out of him. And when he dies, whatever parts of Sephiroth's mind that were left are fully replaced with Jenova's single-minded superobjective to consume the planet and move on to parasitize again.
And so the version of Sephiroth that haunts Cloud for most of the narrative isn't actually Sephiroth the man. Almost every part of that person is long gone. Just like how Jenova used the psychological hook of Sephiroth's mother to control him, "Sephiroth" is mostly the Jenova cells using the hook of Sephiroth's influence over Cloud to try and control him.
And that's why Sephiroth seems so fixated on Cloud - not because Sephiroth the Person actually cares about him, but because the Jenova cells that are spread out across a thousand organisms are calling for Reunion, and they will use whatever psychological hook or crook that can manipulate their hosts to make it happen. The other Jenova victims presumably saw visions just as vivid and personal, urging them on towards the Northern Crater.
Sephiroth seems obsessed with Cloud because Cloud is obsessed with Sephiroth. Sephiroth is this avatar of his trauma, his self-hate, and his deep internal identity crisis, the representation of his every doubt and insecurity. Hence Sephiroth's gleeful constant accusation that Cloud is merely a puppet, Cloud has no personality, Cloud isn't real - these are Cloud's own fears being verbalized against him by the Jenova cells. And it's deeply ironic because the only puppet here is Sephiroth, being piloted by Jenova like an ant by cordyceps.
Hence the very final battle with Sephiroth which takes place not in the depths of the Northern Crater with the party confronting Safer Sephiroth, but in a black and undifferentiated void-space at the end of a psychedelic mind-trip, that Cloud undertakes alone to confront the ghost of Sephiroth in his mind and banish his influence forever. Like, that final moment really is the most This Is Only Happening In Cloud's Mind-ass final boss confrontation imaginable.
But that's the original Final Fantasy VII. The extended FF7 universe pivots hard off of the popularity of Sephiroth as an Iconic Villain and goes about building out him as the central antagonist of the entire universe, and centering him almost obsessively in the extended narrative of Final Fantasy VII.
Advent Children basically retcons the end of Final Fantasy VII, where it turns out oops Cloud didn't actually fully reject Sephiroth's influence over him, here's some Geostigma to represent the haunting malice of this singular villain and here's a 1-to-1 recreation of the final scene from FF7 where Cloud destroys Sephiroth with Omnislash extended out to a gratuitous anime fight scene that ends with an even more awesome ultra-final ultimate Super Omnislash... but then even THAT isn't enough as Sephiroth promises ominously to "never become a mere memory" and he's going to haunt Cloud forever and ooooh maybe he'll be coming back for another seven sequels or something, because the franchise is never ever ever going to let Cloud move on, heal or get better, not so long as Sephiroth is this popular.
Same deal with Kingdom Hearts, which represents Cloud's character as basically revolving entirely around Sephiroth, and Sephiroth as almost romantically obsessed with Cloud, while games like Crisis Core get into the Star Wars Extended Universe business of attaching portentous mythological weight to originally inconsequential objects like the Buster Sword, and building out a grand conspiracy of gene manipulated One Winged Angel People all chasing the coat-tails of Sephiroth's popularity.
All of this comes together in the Final Fantasy VII Remake games, which try to reconcile the extended post-FF7 narrative with the original Final Fantasy VII story, adopting the idea of Sephiroth as the singular operatic puppet master villain of the story, rather than Shinra or Jenova who were the original game's thematic central villains as representations of parasitic and extractive capitalism.
So in these games, Sephiroth is obsessed with Cloud, and seems to see Cloud as his own best chance of salvation from his fate, and there's deep homoerotic tension between the two as Cloud struggles between wanting to kill Sephiroth, and wanting to be with or become him.
Oh, and to be clear, I do love the extended FF7 universe and all the post-original fluff that gets attached to it, I do love Sephiroth and Cloud as this pair of Doomed By The Narrative romantic lover-enemies fated to Toxic Yaoi each other to death forever, and I'm very fond of my good boy Zack, who deserves all the love the games have shown him. I cackled like an absolute hyena when I realized just how far the Final Fantasy VII Remake was going to go in rewriting the story.
It's just also hard not to see Square's treatment of Final Fantasy VII after it became The Iconic JRPG™ as anything other that corporate self-mythologizing and Star Wars style brand management, obsessively building more a marketable facade around the original game focused on its most popular surface-level features, at the cost of obscuring a lot of the subtler themes and ideas of the original game.
Sephiroth is not the main villain of Final Fantasy VII. Extractive capitalism is, and it is embodied by Shinra in the first half, and Jenova in the second half, and both of those antagonistic forces use Sephiroth as a puppet to do their bidding, and a veil to hide the primitive brutality of their consumption. But nobody would ever think that seeing how Sephiroth has been elevated as King Bad Guy of Villain Mountain in the aftermath.
I'm sorry I think this went kind of off the rails from the question you actually asked lol
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yazthebookish · 2 days
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Maybe I'll spoil you guys and talk about Gwynriel and ACOTAR5 and anything related to it overall. I recently finished my HOFAS reread and have some fresh thoughts. I'll let my thoughts guide me and some of these points I've already addressed in my insta stories yesterday. I just rather share a lengthy post here since I'll only tag under #gwynriel.
I often see arguments about how Gwyn and Azriel can't move the plot forward because the series is centered on the Archeron sisters.
First, that's not true because Sarah is following what she called "a traditional romance route". She's following the same patterns of Nalini Singh, Kresley Cole, and Lisa Kleypas where they publish multiple books in the same series following different couples.
This is fitting for a series like ACOTAR because it's romance-centered. And Sarah have already said that each couple is getting one book and there will likely be more books beyond ACOTAR6.
Saying that doesn't dismiss the importance of the sisters to the story, Feyre already has a trilogy centered on her. The spin-off just follows different characters including the sisters.
I won't try hard to convince people on this because I've already posted almost everything Sarah said about the spin-off series and what's it's about. So if the next book is not centered on an Archeron sister, that's for Sarah to bamboozle the fandom with.
One thing that stuck out to me is when I compared the ending of ACOSF with the scene of Bryce giving Nesta Gwydion and seeming like she left Nesta with a new quest.
First, this is what the text says, and this is Chapter 80, the very last chapter in ACOSF:
Succeeding in the Blood Rite didn't mean the training stopped. No, after she and her friends told Cassian and Azriel most of the details of their ordeal, the two commanders had compiled a long list of mistakes that the three of them had made that needed to be corrected, and the others wanted to learn from them, too. So they would keep training, until they were all well and truly Valkyries. Gwyn, despite the Rite, had returned to living in the library.
1. The Valkyries are not yet a unit.
2. SJM only and specifically highlighted that Gwyn, despite the Rite, returned to living in the library. It was like "hey, remember all the talk Gwyn did about wanting to leave the library after two years? Yeah that's on hold a bit but keep that in mind". She didnt even add Emerie or the other priestesses to that sentence.
With Nesta being left with Gwydion to find out why the 8-pointed star was tattooed on her, I don't think the next book will start with "hey Elain take this sword and deal with it". Who are Nesta's main companions now? Gwyn and Emerie.
I'll be back to the Valkyries but let's just talk about Azriel for a bit.
It is so painfully obvious to me that Azriel is being handed the Illyrian plot on a golden platter. How big or small of a plot it is depends on SJM, but it's important based on the fact that she fleshed out the Illyrian's origins and tied them to the crossover AND making Truth-teller the knife of Enalius.
That is a big deal for an Illyrian like Azriel.
And I quote my friend Lacie on this, it is very poetic for Azriel to be the owner of the knife that originally belonged to the person who freed his own people from the Daglan's clutches, perhaps because he saw his people are more than just slaves to the Daglan—how powerful would it be for Azriel, who loathes his own people, to parallel Enalius.
And for years some people were against Azriel dealing with this plot because he shouldn't make peace with his "abusers", its true his own family and some Illyrians failed him but he is condemning an entire population. Good people like Emerie and Balthazar. Even Rhys's mother, who had valid reasons to hate her people especially as a female, still made sure to make Rhysand connect with his Illyrian heritage and he even goes on to say that his mother didn't forget what they did to her but still loved her people.
If both Cassian and Rhysand (and by extension the author) continue to flag Azriel's hatred of the Illyrians as an issue—then it is a damn big issue for it to be addressed repeatedly.
Okay so to address my final point about Gwyn and Azriel and how they can move the plot forward.
Now I didn't detail out much about what the next book will deal with because that's another post (and I already have a post on that).
All of our theories and predictions are based on information that is available to us. Saying Azriel and Gwyn cannot move the plot forward does not make any sense because the central plot is tied to multiple characters, Archeron or not.
If SJM wants to make a character move the next book's plot forward, she can do it because she's in control of the story. She's in control of the narrative. She's in control of the characters.
The characters are puppets and this is an unfinished story. If some characters would add more value and make for a more interesting story before the others, she can decide on that. If she wants to make Eris the protagonist of the next book, she can easily do that whether the fandom wants it or not.
Let me give you an example of minor characters that pushed the plot forward and became main characters: Yrene Towers and the Hind. These kind of arguments could've been used for them in HOEAB or HOSAB and Pre-TOD. Before HOSAB/HOFAS and TOD, could we have predicted that they would have played a crucial role before those books? Not likely because they had minimal appearances and were not part of the main cast. This is what I'm talking about.
You can't know how a character will contribute to a story until you see how it all unfolds. We can make guesses on the information we have which is why I believe three characters are likely to join the main cast: Gwyn, Emerie, and Eris.
Why is it so easy to accept that Emerie might be sharing a book with an original character like Mor but it's hard to comprehend the fact that Gwyn could also share a book with Azriel? Because Emerie showed up in ACOFAS? To me that's not really a strong argument based on Sarah's writing and what we have in the books, she doesn't really pick based on who showed up the earliest. Here's a good example: Hypaxia, who showed up earlier, didn't even get her own chapters but the Hind did.
And there's one argument I recall about how I need to rely on Nesta to have a plot focused on Gwyn or the Valkyries in the next book. Nesta's arc is clearly not over based on HOFAS, but does that mean she's getting a POV? Not necessarily. I don't think she is. Gwyn is the perfect candidate for us to see what's going on with Nesta post-HOFAS and how they all deal with the Valkyries and whatever Sarah will set up with them.
There is this whole Valkyrie/Illyrian conflict that could be triggered as a result of the Blood Rite, with Ramiel definitely being an important location to explore in the next book, we also have the Pegasi and the Prison and the implications of the crossover. It makes sense to have an Illyrian and a Valkyrie POV to deal with some plots in the next book.
"Gwyn contributes to nothing" we can't know until the book is out. How sure are we that maybe SJM won't connect her to the crossover by making her mysterious father a Worldwalker? Or Prince of Hel? Or an Asteri? Maybe I'm right maybe I'm wrong.
"But Koschei! And the Human Queens!" Koschei will always be a background player pulling on the strings until the final book as it's obvious he is the big bad in the series, unless someone even worse is revealed. But no one is dismissing Koschei or the Human Queens messing around.
Literally what's the point of the story or the fun elements of surprises or plot twists if you need Sarah to list down everything that the next books will deal with. That's not how a story develops to me. I don't need to know everything in advance to just know how it will go. That's like knowing spoilers early on and checking off with each book what happened and what didn't happen. I feel like it's close to how a lot of readers were disappointed with not having enough ACOTAR in HOFAS, because Sarah implied half of the book would be set in Prythian. So by the time the book came out and it wasn't that, people were vocal about it.
In my opinion, SJM set a good foundation for Gwyn's arc to build up on in ACOSF and her arc is not over. We won't get mentions of her still carrying the guilt of her sister's death or not leaving the library after she said she's sick of being there for two years without us seeing resolution for that. She wouldn't be in Azriel's bonus chapter if she is not involved with him.
To conclude, my reread still affirms to me that the next book with an Azriel/Gwyn book. Azriel is clearly being set in the forefront.
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lukolabrainrot · 2 days
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Calm theory anon!!! So glad we got a break yesterday with a calm day. I did see a couple things I want to talk about though. One of those things is this thought that the reason why Luke and Nicola aren't currently dating is due to Luke. And the other thing I want to discuss is the shipping Nic with every single man she is standing next too. Nic and Luke are both flawed human beings. They are not perfect. They make mistakes and sometimes they even hurt people (by accident). I say this I see so much hate speech directed at Luke as if he the one that said Nicola wasn't good enough. Let's look at what we know. We know they spent 5 years getting close and playing a couple that's in love. Five years is a long time to be in a character world. Then in their season they had to do something they were terrified of which is those love scenes. In order for those scenes to look real their bond had to get even stronger. Nic has said that Luke was protective and went out of his way to make her comfortable even though he himself was almost nude. So it's understandable after so many years they wouldn't understand if what they were feeling was their actual feelings or their characters. It was smart of them to take a break from each other. They are friends at the end of the day. They would never put their friendship on the line for confused feelings. Now Luke being blamed let's be honest. They both have experiences in love correct. And those experiences shape our thinking. We know Luke was in a serious long term relationship and I'm sure he has some scars from that relationship. Just as a I'm sure Nic has some scars as well. Hell she even said herself she was a cynic about love that the show has help her a bit. Both of them have work to do but my point is while the fans blame Luke how do we know they didn't make a decision to hold off until they knew what they felt was real feelings? They are putting their friendship on the line , and they work together. This a serious commitment that if they had a fall out comes with so many consequences. I personally think they are soul mates. And I think they know that. they either have more growing to do or they are trying offline. I truly believe everyone that comes into your life is either meant to be or a lesson. Nic has given us a lot of hints lately and people love it. The issue is she can't stand next to a man without shipping her with them. And that's why she trolled us with her post to her friend Dylan. She telling us to calm down. She will come out with who she dating it's inevitable. She wont be able to hide forever not with her fame. We myself included need to remember these are actual people. That are flawed and not perfect. They will figure it out or maybe they already have. We will know when they are stronger to deal with the masses.
I've talked about this a lot on my page, no notes!
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loggiepj · 12 hours
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To Love A Lannister
chapter 14 | chapter 15
"They attacked Meereen," Oberyn stated, "Queen Daenerys did the right thing, killing all the masters to stop slavery."
Your guardian father hummed in agreement, still looking at you. Absorbed by the newfound information about your sister, you found yourself lost in thoughts. Daenerys hadn't only gained Unsullied army on her side, but also the Dothraki. The Dothraki were known to be ruthless, and war was nothing to them but sport. When you were young, you'd play with your friends, pretending to be Dothraki when you all were far from one. Any tourney held in King's Landing was nothing in comparison to the way the Dothraki fight.
"Varys has confided to me in secret to meet them in Dragonstone," your guardian father added, making you glance upon the mention of a familiar name. Varys used to be part of the King's council. You thought he was still part of the council, advising Tommen and Tywin. If the Lannisters would find out, it would be considered treason. "To bend the knee. I hear the Ironborns have also supported her side recently."
"And what does Prince Doran has to say about all of these?" you butted in, the mention of your real father's name in your mouth caused a turmoil in your stomach.
Oberyn placed the cup of wine he was drinking on the table, leaned his back comfortably against his seat, then lifted his legs to rest upon the edge of the table. "After much convincing given how he always admire the Dothraki, my brother has already advised to proceed, although it might take us a bit longer due to some complications."
Furrowing your brows deeper, you asked, "You mean his son's marriage?"
Your guardian father nodded. "He tried persuading Trystane but to no luck. Marrying them would pledge alliance between the Martells and the Lannisters. It would cause a rebellion within the house."
You only frowned upon them. "So you wish to stop them then?"
"Unless Myrcella can be easily persuaded to support the true Queen," Oberyn said, "we have no choice but to make a scene just to stop any wedding from happening."
"This is an insult!" you argued. "They're just in love!"
Remembering Myrcella's ecstatic behavior upon her mother's surprised visit in Dorne, you couldn't help but feel sympathy for them. You saw her with Prince Trystane together when you first arrived back home, and you could tell it was rare — falling in love with the person your parents wish for you to marry at first.
It was then you found out the plans Lord Tywin arranged for his granddaughter. Maybe that was why he kept you alive in the Capital. Maybe that was why he accepted Yronwood without second thoughts, because regardless if you would marry Cersei or not, Myrcella would still marry Trystane.
The only thing different was both Myrcella and Trystane were already enamored with each other.
If they could forbid you and Cersei, it wouldn't hurt if they could also break Myrcella and Trystane apart. But Trystane being next in line to his father Prince Doran, it would cause an uproar amongst the Dornish folks.
Prince Doran held a massive feast for the guests when you all finally arrived in Dorne a week ago. Although his presence couldn't help but make you feel bothered. Even when he hugged you, congratulating you for your win against the murderer of his late sister, you wondered how good of a father Doran was if he only knew.
Your guardian father had welcomed you as if nothing had changed, and you couldn't hate him for hiding such facts from you since you were a kid. He did it for your own protection.
"Oberyn has told me how you had grown quite fond of Cersei," your guardian father said, bringing you back to the present. "I trust you have already had your fun. You know your duty, Y/n."
"My duty that was only made known to me a month ago?"
"It's difficult, I know," he answered. "But it's easier this way. You don't want to end up in a decision you'd truly regret for the rest of your life — choosing between her and your own family."
~~~
The night finally came to an end. You left the room rather abruptly, eyes glistening with tears for you were lost on what to do. And it was your inattentiveness that made you bump into Cersei as she closed the door of Myrcella's chambers.
"Why are you still awake?" Cersei asked. When she saw your eyes red, she cupped your face and pulled your chin to look at her. "What's wrong?"
You bit back, holding your emotions as you forced a smile. "Nothing, Your Grace. Just a silly argument with my father."
Her eyebrows knitted in worry and confusion, knowing you weren't being transparent with her. When she was about to speak, you stopped her. "I want to show you something." Holding your hand in hers, Cersei let you lead the way.
You walked through dark hallways and climbed down spirals and spirals of stairs until you both arrived in the grand library of the Sunspear castle. You had spent most of your life in there. It wasn't as great as the Red Keep's, but it stood its purpose for centuries.
You led Cersei to the center of the room, pointing to a huge painting displayed on the entire wall, with portraits of faces on top of italicized names and vines connecting each individual.
"It's the family tree of House Martell. Did you know that Prince Doran's great great grandfather was a Targaryen?" you asked, as you pointed the almost faded face on the wall, while your other hand still held Cersei's. It was a mystery to you she hadn't let go.
Cersei smiled. "You should be wary who you're sharing it with. One could tell you're supporting the wrong line."
"It's not a harmful knowledge. This is also written in scrolls I found in your library, you know," you chided in, chuckling. "Not unless you don't read them, then you wouldn't know."
She laughed, slapping your arm playfully, finally letting you go as she approached closer to the wall.
You then fell silent as you watched her stare at the wall with fascination, her fingers brushing on your portrait connected to your guardian father's name.
Absentmindedly grabbing a dusty book from the shelf, you began, "Sometimes, I wish I wasn't part of it, part of the duty expected out of me."
Cersei then glanced at you, before she closed the distance. "Y/n—"
"Do you sometimes feel that way too?" You placed the book back although stopped midway when her hand touched your arm.
She sighed, nodding. "I . . . I do, and then I remember my children and what I would do for them."
You averted your gaze, heartbeat quickened from how near the Queen was.
Cersei continued, "They say never love anyone besides your children and family. Because love is poison. A sweet poison, yes. But it will kill you just the same."
You met her eyes, already staring right at you. "You will be the death of me, Cersei."
The book somehow fell unto the floor, making a distinct yet sharp noise that could wake any resident nearby. You quickly shushed Cersei's lips when you heard sounds of metal armor clanking outside, pushing the woman against the nearest shelves to hide.
"Is anyone in there?!" one of the Dornish guards yelled into what seemed like an empty room. You and Cersei were pressed against each other in one corner, the dusty wooden shelf and an old abandoned large furniture hid the both of you. Unaware of Cersei's gaze following your face, you peered behind the shelf to check if the guard had left.
And when you both heard the door closing, you leaned back and looked at Cersei, smiling as if you won a game of hide-and-seek. It was only then when you finally noticed how the distance between you and the Queen was inexistent.
Cersei then grabbed your neck and kissed you.
Hesitantly pulling away, you whispered, "Someone could see us."
"Let them," she pleaded, her eyes never leaving your mouth. "A lioness does not concern herself to the opinions of the sheep."
When her eyes finally met back yours, you pushed your mouth against her lips and took back what you desired.
It was carnal, hungry, desperate. As if you were both deprived from each other for too long. You gently lifted and placed her on top of a study table, scrolls and papers crumpled and fell from the action, before your hand made haste bunching her dress up to her waist. Kneeling before her, you wasted no time tasting her once you had pushed her chemise out of way.
"Y/n," Cersei let out a strained moan, her hand immediately clutching your head, fingers threading through your hair as if it were reins to which she would ride you. And she did, pushing your face harder and closer into her as she rode you. The Queen's other hand was behind her as support while you lifted one of her thighs on your shoulder.
The Lioness chanted your name like a prayer as she threw her head back. Your tongue never grew tired bringing her to ecstasy, flicking against her swollen aching bud. The sounds you made, grunting and moaning as she pulled your hair, only spurred Cersei on. You couldn't believe she was capable of getting this wet and dripping before until your fingers entered her with ease, with no resistance of whatsoever, her tight and warm cunt desperately sucking your fingers inside her.
"Yes, yes, Y/n, yes!" Cersei whimpered as she pulled you closer, if it was even possible to pull you closer.
And if the Dornish guards had heard another sound, they'd ignore and let you two had your ways. Because there was no way no one could not hear how loud the Queen Mother was as she came, her body trembling. The table screeched against the cobbled floor from the movement.
Once she came down from her high, Cersei pulled you up to her, grabbing the collar of your tunic as she pressed her lips against yours, tasting herself from the kiss. You could feel one of her hands snaking inside your breeches, somehow managing to quickly untie the knots with one hand.
You moaned into the kiss, feeling the wonderful warmth of the woman's hand stroking your hardening shaft. "I miss this," Cersei whispered, pulling away. "I miss you."
The genuine tone of adoration from the Lannister woman made you fall in love with her more. "I miss you too, my Queen." The term of endearment brought a smile to her face.
Cersei was already lining your cock into her entrance before you plunged it right in. The action made the both of you break from the kiss, groaning as her nails dug into the skin of your back.
Beginning a slow rhythm, you rested your forehead against hers, eyes staring into each other. She grabbed your face for another kiss, her other hand reaching your ass as she cupped it and pulled you closer and deeper. It made you lean back and change the pace, thrusting relentlessly.
You laid her spread down on the table as you pushed into her between her legs without stopping. She arched her back and threw her head against the wood, hands reaching any item within reach just to ground herself.
Then she looked back at you as she whimpered. "I want to see you. I want to see you, Y/n." Her hands were already opening your tunic and once done, she cupped and squeezed your breasts, making you moan from the action.
"Cersei."
Her eyes were full of lust that you found yourself nearly there, your thrusts getting sloppier and sloppier each second. You leaned your body forward, on top of her and kissed her to cover her louder moans. Hands on your hair, she pulled you back from her as she looked into you. "I want to see you come undone before me," she requested with a soft whimper.
Cersei's face contorted in pleasure before you with a piercing focused gaze made you lose it as you spilled into her, thick ropes of cum spurted inside her throbbing cunt that was greedily milking you. The sight of you coming on top of her, moaning and grunting your release, made the Queen lose her own composure. A strangled moan made its way out of her throat as she hugged you, burying her head into your neck while her cunt squeezed and devoured your cock as she convulsed.
"Y/n . . . Y/n." Both of your cum leaked inside her, stuffing her full. The feeling made the pleasure last longer as she held unto you, whimpering into your ear.
And it was such a wonderful melody.
~~~
"I know you're mad after what we've discussed with your father," Oberyn said, holding a lit torch as you delved further into the dark.
With the deafening sound from the rushing waterfall, no one would notice two individuals such as yourselves creeping inside a secret entrance to one of the deepest caves in Sunspear. As a kid, somehow you had stumbled on such place while swimming with your friends, competing who could jump from such a high peak where the water meets the ground. You almost drowned that day, but you remembered being rescued by a scaly crocodile. No one believed you that time.
When you only gave Oberyn silence as you followed his trail, he sighed. "I heard news from the castle you've been very busy with the Dowager Queen. You got to be careful, Y/n."
"I am careful," you spat back. "As you always never fail to remind me every single day."
"Doran changed his mind," he said, making you glance at him in confusion. "He now believes marrying his son to the young lioness would secure Dorne's place in the Kingdom. I had no idea how Tywin had managed to convince my brother. But Doran's been cautioning us to stop whatever the seven hells we were doing. He even intercepted Varys' ravens coming in and out of Sunspear. The Sands are starting a rebellion in the open desert upon hearing the news. Ellaria was frustrated. I am telling you, Y/n, you are the only one string holding us together to bend the knee to Queen Daenerys."
"What happens now?"
You both continued to walk in silence, crawling against uneven slippery surface only ignited by the torch carried by Oberyn. Then he paused, looking down what seemed to be an empty chasm before he looked at you, nudging ahead.
"Are you mental? Is this my punishment?"
Oberyn rolled his eyes, as he then pulled you. "Don't be a fool." You turned towards him as he said, "Don't forget to breathe though."
You gave him a scornful look before letting yourself fall back towards the dark hole. Cold water hit your body the moment you were submerged. Catching breath, you heard splashing next to you with Oberyn grunting. "I'm too old for diving."
Chuckling, you swam towards the nearest bank and brushed the wet hair from your face. As your eyes adjusted to the darkness, all you could see was a large chamber ahead, even larger than the Sept of Baelor in King's Landing.
"You know, your mother didn't only give you to us before she left for Dragonstone," he started, shaking off the water from his boots. "You came with something, a shiny scaly egg. Something that hasn't been in existence in Westeros for quite some time."
You heard chains unrolling from a distance, making you look back at the darkness ahead, your hand at the sheath of your dagger.
"It hatched when you turned seven," Oberyn went on, panting as he climbed towards a high cliff, ushering you to follow him. "Only a few trusted Sands knew about its existence, doing their best to feed it, to take care of it. Goats it's favorite. Ever wondered why there's a whole pasture of goats at the end of Sunspear. It wasn't just any merchant's animal farm."
You heard a growl so deep and unnatural in this world, the hairs at the back of your neck stood. You unsheathed your dagger, not sure whether it could help your case, but Oberyn held you back as he shook his head no. "There's a reason why your guardian father hired someone from the Citadel to teach you some old High Valyrian because it only understands that language."
From the faint light coming from the cave's ceiling, you could see a shadow move before you, making you wary. It was only until you were face to face with the beast did you manage to figure out that your hunches were right. You had only seen them on paintings, on some pages from old books. But if you could talk to the painters or the publishers, you'd ask them why they never tell anyone how huge and terrifying an actual beast looked like.
You stood frozen, your dagger falling to the ground when the creature snorted a smoky breath your way, leaning forward towards you as if smelling you. You had so many questions but no words seemed to come out. Then it took a step back, a light visible in its throat before it came out from its mouth, blowing huge flames towards the ceiling, lighting the whole cave.
It was a full sized dragon, so huge it would cover the entire Red Keep. The dragon had distinguishing silver rough scales, long talons and metallic gray wings, its tail looked like spikes with ends as sharp as spearheads.
"Y/n, meet Nymeros." Oberyn's voice made you realize you were still there and that it wasn't some dream or imagination. The beast leaned forward once again, even closer than before as it gently nudged its head against your body, making you nervously gasp. Your trembling hands reached towards its snout, a smile forming slowly on your face when it closed its eyes from your touch.
"I think it's time for you to learn how to ride a dragon."
AUTHOR'S NOTE:
I truly appreciate your continued support in reading my stories. You can help me create more stories by supporting my writing thru this link.
Thank you so much ❤🥰
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coco-cinnamon · 2 days
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Safe With You | JJ Maybank
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୨୧ Warnings: Cursing, smut, angst, soft!sex, unprotected sex, soft!JJ, abuse, violence, has a fluffy ending, 18+ MDNI.
୨୧ Pairings: JJ Maybank x Female Kook Reader
୨୧ Summary: In which JJ helps his girlfriend get away from his father when she goes over to his home to see him.
୨୧ Word Count: 1.5k
୨୧ Author's Note: this fic is from my old blog @babeydollx. this and most of my other fics will be reposted over here to my new blog. Also I fr have no idea why this fic is written from my pov and not Y/N's because that isn't usually how I write but I was too lazy to fix it, sorry! Maybe someday lol.
© coco-cinnamon 2024, please do not steal, copy, modify, repost, or translate my work.
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I arrived at JJ's house to see him. JJ and I rarely got time to see eachother since we were on different sides of the island. My parents always had me busy with some shit all the time. It was exhausting and annoying.
I never had time for JJ anymore and I hated it. So, I decided that I would surprise him at his house to see him. I missed him so much and I knew that he missed me too. I couldn't wait to see JJ again and be in his arms.
I walked up to the house and knocked on the door. I waited for a minute or two but there was no answer. I could hear movement inside of the house so I knew that someone had to be home. You decided to try and open the door.
When I turned the door knob the door easily opened. I slowly walked inside and looked around. The house was messy and I could smell beer and weed. As I looked around, I jumped when I herd glass shatter. 
What the hell was going on? Was JJ okay? Was someone trying to hurt him? Millions of questions and thoughts flooded my head as I looked for JJ. The sounds were coming from the backyard. I dashed out to the backyard to see JJ on the ground with an older man on top of him and punching him.
"Stop! Stop hurting him! Please!" I screamed as I ran over to the two men in the backyard. I couldn't pull the older man of of JJ so I grabbed a empty beer bottle off of the ground and smashed it over his head.
Luke stopped punching JJ and got dizzy before collapsing on the ground. JJ sat up on the ground and looked over at me in shock. 
"What the hell are you doing here?!" JJ asked.
"I- I came to see you.." I said.
"Didn't I tell you to not come here?" He asked.
"You did but, it had been so long since I saw you so I thought I could surprise you. I didn't expect for any of this to happen. Who is he? Why was he hurting you?" You asked.
"He's, uhm... he's my dad." JJ mumbled. 9
"He's your father?!" I asked in shock. JJ nodded. "Why would he hurt you?!" I yelled.
"I don't know. Cause he is constantly drunk and high I guess." He shrugged. "I'm use to it by now, he's been doing it for years." JJ said. I could feel tears pooling in my eyes. This was absolutely heartbreaking. How could a parent do this to their child?
Before I could say anything else to JJ, someone tackled me to the ground harshly. I screamed when it happened. 
"GET OFF OF HER!" JJ yelled. Luke was on top of me. I tried to fight Luke off but he began to hit me hard. I screamed and cried more as he continued to hit me. I could hear JJ yelling and trying to pull his father off of me.
Finally, JJ had got Luke off of me and began to beat the shit out of Luke. I scrambled to my feet and watched the scene go down. I could feel tears streaming down my face still and I was in pain. After a few minutes of JJ beating Luke up, he finally got off of him and ran over to me.
He hugged me and I hid my face in his chest. I finally felt safe. I knew that even if Luke woke up again that JJ would keep me safe, he would make sure that Luke wouldn't hurt me again or worse. 
"Are you okay, Y/N?!" JJ asked worried as he checked me for any terrible injuries. 
"I'm okay." I said with a sniffle and nodded. 
"I am so sorry that this happened to you. You shouldn't have had to see any of this." JJ said with a frown as he hugged me again. 
"I'm sorry that you have had to go through this for years.." I said with a frown. "Why didn't you tell me this was happening to you?" I asked.
"Because I didn't want you to worry. This isn't your burden to bare, Y/N.." He said. 
"JJ.. we're a team. You can tell me anything and everything, okay? Whatever you are dealing with, I want to be there for you to help you." I said. JJ nodded slowly. "Anyways, did you want to stay the night at my place tonight? My parents are out of town so we have the house to ourselves." I said with a smile.
"That would be nice. Thanks, Y/N." He said with a smile.
"Anytime." I said as JJ and I get ready to go to my house.
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We arrived at my house and went inside together. I got both of us a water bottle and then we both went upstairs to my bedroom. I gave him his water bottle and sat down on the bed beside him and we talked for a while. After we both chatted for a bit, we both went silent not knowing what to do next.
"So, what now?" I asked looking over at JJ. He sat there thinking for a moment before looking back over at me. A smirk spread across his face.
"I have a few ideas." He said with a smirk. Before I could ask him any questions he kissed me passionately. I kissed back, melting into the kiss. The was he kissed me was magical. He always knew how to make me feel a certain way without even trying. 
As we made out, he gently pushed me down onto my back onto the bed. I ran my hands through his soft, blond hair as the two of us made out. Once we got both of our clothes off and out of the way, JJ was positioning himself between my legs.
I held onto his shoulders tightly and sucked in a breath as JJ slowly pushed inside of me. I gasped and moaned out softly. He groaned quietly as he bottomed out. He then began to thrust into me.
I gently threw my head back and groaned out. I held onto him tightly as he fucked into me, slowly picking up the pace. He continued to slowly pick up the pace until he was fucking me at an ungodly pace.
I moaned out even louder than I did before. I arched my back off of the bed and moaned out, almost screaming at this point. I could feel that familiar knot bubbling in the bottom of my stomach and I knew that I was going to cum any second now. I then clenched around JJ, signaling to him that I was going to cum. 
"Fuck, you gonna cum, princess?" He asked as he groaned out.
"Yes, fuck! I'm gonna fucking cum!" I yelled. 
"Come on, cum for me." JJ said. With that my eyes rolled back and my legs began to shake as I came hard on JJ's hard cock. He thrusted into me a few more times before coming himself, shooting his load deep inside of me.
JJ pulled out of me and I laid their trying to catch my breath. He laid down beside me and he was also trying to catch his breath. After we both took some time to come down from that, JJ smiled and gently pulled me over and snuggled me.
I giggled when he did so. I always loved to be in JJ's arms. He always made me feel so safe. We both laid there together and talked for awhile while we were tangled in each other's arms. After we both talked and snuggled, we both fell asleep together.
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I woke up the next morning to see that JJ was no longer in bed with me. I sat up and rubbed my eyes before looking around my bedroom. No sign of JJ. As I was about to go look around the house for JJ, I saw a note on my bedside table.
I took the note off of the table and unfolded it before reading it. 
Thanks for letting me stay the night at your house, Y/N. Again, I am so sorry that you had to witness all of that yesterday and go through that. I promise I will come back later, I just have a few things to sort out with my dad. I love you, Y/N.
- JJ
I smiled at the note that JJ left me. I thought it was so sweet that he had decided to write me a note. I missed JJ so much already but, I couldn't wait to see JJ again.
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Author's Note: tysm for reading, lovies!
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i rly, rly hate the notion and misconception that homura “never accepted/respected madoka’s wish/madoka becoming a god”, or even worse, “homura just wants to keep madoka weak and helpless !!!” or wtv, bc it’s literally just WRONG. loud and wrong. it’s so irritating.
homura quite literally DID except both at the end of the main series and in rebellion when she began to get her real memories back.
in fact, even during the flower field scene after hearing madoka’s true feelings (again, shinbo, one of the creators of madoka magica and rebellion even said that they ARE madoka’s true feelings, not a lie, not smth fake) and feeling even more responsible for madoka becoming a god in the first place and for lying to herself by telling herself that madoka was really and completely happy and okay w the divine sacrifice she made,
she literally tells madoka to her face right then that she’s WRONG abt herself, that she DOES and WILL have the ability to make impossible decisions when it matters bc of how genuine and kind she truly is, and she’s right.
and she still decides to believe and put her faith in god madoka, even when her god is dying in front of her very eyes (you know why the clara dolls chant “gott ist tot !!” throughout the movie? it means “god is dead” and it’s a metaphorical saying) in that moment because she now knows god is not HAPPY.
that resolve completely breaks apart when the isolation field and incubator’s seal are broken, and she can no longer protect madoka or any of the other girls from the incubator’s plan that only homura is aware of w/o doing smth completely fucking crazy and drastic… which, as u see, she did.
and even then, she doesn’t want madoka to regain her memories and reach her godly status again, bc that would only lead to madoka’s loneliness and suffering again, and homura is NOT about to let that happen.
homura is so, SO much more complex than she gets credit for, and i rly hate it when ppl view her and her character/actions w a black and white lens while literally forgetting several important aspects of the movie.
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rkivees · 2 days
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Seo Hyesook, Cristina Yang, Ellis Grey and the pressure placed by society on women to become mothers
In last week's episode, Love Next Door brought a serious discussion to the forefront of the drama. In a society where women are increasingly pressured to have children due to South Korea having the lowest birth rate in the world, giving a character the space to be honest about how she feels about her place in marriage, motherhood and society was a bold and much appreciated choice so I wanted to talk a bit about it.
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Does she love her husband and her son? Yes, not only does she say this in this scene, but she also says it in future scenes, but none of this makes her pain any less real or any less valid. She resented her husband, her marriage life and her son all the same because she was happy as a Diplomat and she wanted to keep that life but now she is a mother and the world is not kind to working mothers. There was this kdrama once who had doctors multiple times say they didn't like hiring women because they soon get married and become mothers and rarely come back to work. I wonder why. Even if you wanted to go back, would you go back to a hostile environment?
Women are told from an early age that they should find a good man, get married and have children. This is their role in society and if they dare to try to break out of it, they are judged and shamed.
That's why this scene made me think so much about Cristina and Ellis, two equally strong and talented characters who are faced with the decision of whether or not to have children. Cristina finishes her act in the show by not having any and she states that she doesn't hate kids, she respects them and wishes them to have parents that want them. She loves her career more and she feels complete like that.
Ellis, on the other hand, had not only one, but two daughters. One was lucky enough to have an adopted family that loved her very much. And then we have Meredith, who was well aware she was not wanted. Below we have a quote of her coming forward in Cristina's defense.
Do you know what will happen to Cristina if she has a kid that she doesn't want? It will almost kill her. Trying to pretend that she loves a kid as much as she loves surgery will almost kill her, and it'll almost kill your kid. Do you know what it's like to be raised by someone who didn't want you? I do. To know you stood in the way of your mother's career? I do. I was raised by a Cristina. My mother was a Cristina. And as the child she didn't want, I am telling you, don't do this to her because she's kind and she cares and she won't make it. The guilt of resenting her own kid will eat her alive.
We get to see Cristina's future if she had children and it's much like Seo Hyesook. They try to overcompensate (they love their kid after all) that resentment while being eaten alive by it or we get women like Ellis, a woman unhappy in her motherhood, that traumatized her daughter to a point she didn't want to be alive.
Ellis never tried to hide her unhappiness and I am not, of course, exempting her for the bad mother she was but I want you to understand that if she wasn't put in this position to begin with, we would not have a traumatized child. Society cannot be absolved of the blame for creating unfit mothers that didn't want to be mothers and children who suffer from that unfitness.
I think it's a discussion that needs to be had, especially since we're going through a time worldwide where women are losing their right to choose and we get told more and more that there's a certain place for us, barefoot in the kitchen tending to our husbands and children.
We have to talk about it, about our choices or the lack of and how our place is wherever we want to be so we won't end up in a position where we resent our lives.
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chaggiehearts · 2 days
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I'm gonna be brutally honest: I think it'd be far more satisfying to watch Lute redeeming herself than dying as a villain.
I know a large part of the fandom hates her (although thankfully most people here on Tumblr don't) and I'm not gonna act like I don't understand why. She's a sadistic genocidal woman who won't hesitate to hurt everyone that goes against her corrupted morality. Even outside the series, her words and beliefs might remind a lot of viewers of extremist Christians, and since a lot of us are LGBT we might be reminded of ugly things we've been told in the past (I'll admit that even though I don't interpret that scene as her being homophobic, the "Their love is vile and blasphemous" comment might hurt me if I watch that scene when I'm feeling too sensitive). Lute is clearly not a good person and the series doesn't try to hide this fact at all, specially given her fixation with hurting/mutilating/killing Vaggie. Even though she's my 3rd fave character, I admit that she kinda sucks as a person.
However, I think that all the arguments on why she's irredeemable fail to be convincing once you take something into account: Lute is the Vaggie that never left her Exorcist position.
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Their characters are clearly parallels and meant to be narrative foils. Vaggie is what Lute could turn out to be if she admitted she's wrong. Vaggie is my favorite character but I can't deny that before her fall she was despicable too. We know that at the very least she killed 2,000 sinners (going by the "thousandS of Sinners" comment) and I highly doubt the actual amount is that low given the number of Sinners killed by Lute during last Extermination. My personal headcanon is that it's around 10,000-15,000, but we don't know, at least not yet. Vaggie WASN'T a good person, even if she had doubts from the very beginning (which we don't even know if it's true, let's be real here) she still did horrible things. She took part in the Exterminations and, according to Adam, she was one of the most efficient Exorcists (perhaps second only to Lute herself). This is why I adore the dynamic between them, because the mutual hatred comes from the rejection of certain ideals: Vaggie hates what she used to be in the past, which is represented by Lute, a perfect reflection of who she used to be, and Lute hates the idea that Exterminations might be wrong, that she might be wrong, that her entire worldview might be flawed, which is represented by Vaggie.
If Vaggie was able to redeem herself, if we can collectively agree that she regretted her actions and improved as a person, if we can understand that Hazbin's concept is that EVERYONE can be redeemed, even the worst villains, even the nastiest individuals, if we can see that the structure of the Exorcists greatly resembles a sect (I will analyze this better another day, but they're literally a patriarchal sect in which one has to adhere to all of their leader's beliefs and not doing so will result in abandonment, punishment and isolation from your entire circle), isn't it logical to think that Lute might reach the same conclusions as Vaggie one day? Why would Vaggie deserve compassion and forgiveness and a new life and not someone who's overall very similar to her? As I said before, yes, I do understand why people hate Lute more than Vaggie, specially given what she did to her, one of the protagonists, but they're not that different at all. The issue is that we've only seen evil Lute and good Vaggie so far, but the series might explore other aspects of their characters. Hazbin Hotel criticizes the black-and-white mentality of Heaven, Lute's very mentality that has led to what she is right now. Putting Vaggie in one end of a morality scale and Lute in the other is imho a flawed interpretation. They're both in a gray place, they're both complex people.
Lute is going to do horrible things in the future and, if I'm allowed to speculate, I heavily believe she's going to be worse than what Adam ever had the chance to be, way worse than Vaggie ever was. After losing Adam, revenge will probably make her go from evil to downright monster. And honestly, I want to see that fall, that corruption arc (does it count as a corruption arc when the character was already corrupted from the beginning?). I want Lute to metaphorically fall into the darkest pits of Hell. And you know what? I want her to get up after that, start a new life just like what Vaggie did. I think Lute searching for redemption would be a great test on Charlie's ideals, because she probably wouldn't be too enthusiastic about this idea (since her body language in Episode 8 clearly shows that she knows about what Lute did to Vaggie, her role in Vaggie's fall). I think something beautiful might come out of something like this happening. Charlie realizing that she doesn't have to personally empathize with someone to help them become a better person (and the whole concept of redemption being proven right because if someone like Lute can do it then literally anyone can), Lute seeing the error of her ways, growing and searching for the light she lost in the shadows and Vaggie empathizing with one of the residents in a deeper level. Even though Lute doesn't deserve Vaggie's forgiveness, I'd love to see Vaggie extending that forgiveness to her and seeing her past self in Lute, but this time not the merciless Exorcist Vaggie that she hates, but the hurt, lost and scared Vaggie that had just arrived in Hell after her worldview had been flipped entirely. If these two made amends, I think we would be able to see a very sweet new side of Vaggie, because even though she'd love to help Angel Dust, Husk, Cherri Bomb... She'll never fully get how they ended up down there. But she would get Lute, she'd understand how addictive bad actions can be for an Exorcist, the search for purpose and acknowledgement from Adam, the self-righteousness. If there's anyone in that hotel that would know what it's like to be an Exorcist that regrets her actions, that's Vaggie.
In the end, the only thing I'm sure of at the moment is that Lute's story is far from over. Things could go either way and redemption is a viable path for her. Who knows, maybe she'll do something so extremely evil in the future that I lose my faith in her ability to change after that, but for now I'm still holding onto that hope :)
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kalifornia1025 · 2 days
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The Resident Patient Pt. 2 (SPOILERS)
Alright sequel notes coming up now!
Fun sleepover, huh? Yeah if only
Poor John sounds so scared
Right, Mariana would be a believer in ghosts 
NOT THE SPINNING POTTERY SCENE REFERENCE, JOHN
Tippy toes? Wow
Ooh yes! Using the mic to bring up recorded evidence is a feature we don’t hear option but SHOULD
I’d be just like Mariana bringing up The Shining in this situation, except I’d do it more liking a joking skeptic
‘Roadkill’? Damn, that was kinda rude Mariana
Mariana: “Call the journalist!”, John: “I don’t want to!” - same John I hate phone calls
This little exchange was cute to me: 
Avery: “What? What’s this hmm? Are you a doctor?”
Sherlock: “No but he is” *referring to John*
John: *ahem* “Hello”
“The only crime that is rife around her involves tax evaders or high-end sex workers. You don’t strike me as either” - okay SHERLOCK?
Ah yes here’s where Sherlock refuses to help the guy because he’s lying 
What’s the deal with magnets in this case?
JOHN’S I LOVE LONDON SHIRT MENTIONED AGAIN!!
Oh wow Sherlock is HEATED about this dude, even saying “go ahead and die, see if I care”
Spooky sleepover!!
Ah yes a mandatory Blair Witch Project mention when recording in a spooky place
Another fun exchange for this episode:
Sherlock: “Good God!”
John: “What is it?!”
Sherlock: “This jacket is grotesque”
John: “God sake”
John…are you asking Sherlock to strip your corpse so your ghost wouldn’t be stuck wearing the pjs you died in??
“Would you like to be found naked? Or perhaps in the disgusting jacket?” - we’re getting silly & sassy Sherlock in this case, I love it!
“You have a sharp mind. You’re a brilliant man, your thoughts and opinions are never stupid” - awww Sherlock complimenting John is so sweet!!
“Well that’s just stupid” - welp that didn’t last long
“Fill a brother in” - NOT SHERLOCK SAYING WHAT JOHN SAID IN PT. 1
Why are they being so cute right now???
Oh shit, crime is happening! GO AWAY, Sherlock and John are bonding!
Listening with headphones sounds like Sherlock is whispering over my shoulder (creepy and uncomfortable)
Ouch, at least you tried to do it, John (maybe better luck with that in the future?)
The disgusting jacket ends up being useful!
“You ok, mate?” - I honestly love how John asks how his friends are doing during cases
Oh…looks like he went ahead and died just like you wanted Sherlock…
Oh wow, that ending for Pt. 2 is…dark. I knew it was gonna happen based on reading it from the ACD story, but it’s always interesting to hear how they present it in the podcast. 
But on a more positive note this case is so Johnlock-positive! Whether or not you ship it, you gotta admit that they’re so much friendlier towards each other here. Also Sherlock is just so much more silly and feral in this case and it’s so funny to me! We need more ‘silly goofy mood’ Sherlock. Alright, tune in next week for the Resident Patient finale…
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fantaatix · 3 days
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a stolitz post? in the year of our lord??
warning this is genuinely a long ass post
okay so sometime last month i was watching 3bskyen’s JLMW reaction (really tells you how long i’ve actually been cooking this post), and he was talking about color theory or something but what caught my attention was that he was paused on THIS frame:
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he said something about the red/blue contrast throughout the music video; red being symbolic of blitz (the moon) and blue being symbolic of stolas (the ocean (?)) and it got me thinking, i wonder what the gold might symbolize? because this definitely isn’t the first time we’ve seen the color gold in reference to stolitz. first think back to truth seekers, there’s gold in quite a few places
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golden rails, golden feathers, golden shackles; this is why i say gold and not yellow. at first i thought it might be symbolic of the power imbalance, but that’d be too easy.
quite the selection of objects, isn’t it? rails imply safety but can also be restricting, the feathers seem harmless but then turn into shackles…possibly reminiscent of the nature the book deal and the role it actually played in blitz’s mind about his relationship with stolas.
but there’s one more thing i left out; the golden dust
...okay...don't laugh...
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first time i saw this scene in truth seekers i was immediately reminded of shrek ever after
AND I’M NOT COMPARING BLITZ TO RUMPELSTILTSKIN, i’m not trying to imply they stole from shrek ever after, THAT'D be a stretch. if anything blitz is better compared to shrek himself, but i'm not gonna write about that because i Don't Want To
but if i’m remembering correctly, that movie revolved around the theme of taking good things for granted, like your partner and your friends, which aligns pretty well with how blitz’s bad trip ends:
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“i believe your subconscious is trying to tell you that you simply cannot fathom proper intimacy, but also craves it as well. it’s rather unfortunate, sir, considering it’s often how you treat those who stand by you, such as myself. are you worried i may have enough of it one day, as well?”
"you cannot fathom proper intimacy."
blitz doesn’t know how to be close to other people–i don’t think he understands the relationship he has with any of the people in his life.
we still don’t truly know blitz’s full belief on love and we can only deduce it from his actions; he says monogamy is boring but then goes on to stalk his monogamous employees, on their anniversary no less, bringing along his own singular date...
he focuses on the sex in his relationships because that’s what he’s good at; he finds sex less complicated than romance... and then struggles to get his asmodean crystal to open a portal because he can’t get it off.
he has this recurring pattern where the title of “best friend” eventually turns into something else, often unrequited...
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“...my first ever friend!”
he didn't expect stolas' intimate attraction to him. stolas made the connection and it succeeded in making blitz feel guilty about stealing the book; that was why he stayed the night. blitz isn't used to not being rejected, even though he has a record of relationships that stopped once the Evil Four Letter Word came up. when he goes into a relationship, blitz has learned to not expect it to evolve past sex. love has negative connotations to him.
the worst part is we don’t know for certain WHY any of this is, or if it can even be chalked down to a singular thing
yeah, his mom died in a fire blitz caused, his best friend/crush lost his limbs in a fire blitz caused, he’s been treated as property since a young age; you can makes all kinds of correlations between these events and how they might have affected him later in life but as it stands now, we have no concrete answers other than the conclusion that blitz hates himself and has commitment issues.
but back onto that “taking things for granted” tidbit–subconsciously, he knows relationships can be good, but he feels he has to give up a lot of freedom in order to maintain one of his own.
also note how blitz is desperately crawling up the staircase, feathers kind of just hitting him haphazardly as he does so, as opposed to trip!moxxie who takes a few steps up after picking up a feather of his own volition. he knows moxxie’s relationship is more stable than any relationship he’s ever had, and yet:
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“stop fucking talking, all of you!”
cue the gold dust.
now, i'm not saying the book deal was a good thing. in fact, it kind of reinforced the power imbalance between blitz and stolas. i'm saying that from blitz's perspective, it was a safeguard. any feelings he might have had for stolas before could be dismissed, and he does exactly that one episode prior;
"it's a transactional fucking, you see..."
what i think he does take for granted is the advice “moxxie” gives to him, his attempts to reach out in a meaningful manner, kind of like stolas’ attempts to reach out. he ignores them both; he’s too deep into his own denial.
also, STAIRCASES IN THIS FUCKING SHOW.
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why do these fruity little men think so low of themselves and so highly of others??
i guess that's a bit of a rhetorical question, we all know the answer, but. wait. hold on a sec
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ohhhh.
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OOOHHHH, that's what this post was gonna be about!
i fucking GOT all of you, you thought i could go a post without talking about him you're WRONG and should feel SILLY.
so this was the OTHER thing i realised when watching 3bskyen's JLMW reaction: it follows the same theme as moxxie's bad trip!
JLMW vs. moxxie's bad trip
in helluva boss, we're used to seeing staircases being symbolic of a difference in power or importance, or a staircase to heaven, or a highly anticipated event going wrong *cough cough ozzie's cough full moon cough cough*
however, i think in the context of moxxie’s bad trip and JLMW, it can also be attributed to emotional distance. like stolas, moxxie's also looking for an emotional intimacy/understanding between him and blitz (he spends his whole trip actively trying to get on the same level as him for crying out loud).
this could also fit into blitz's bad trip; he's trying to get on the same level as stolas, but feels like even if he ever did, he'd still be inherently worthless. a "play thing".
he doesn’t know why anyone would want him for anything else, but he’s clearly not all about the hierarchy.
they need to get on the same level as each other emotionally; they need to break the power dynamic, and thats why the book deal had to go.
the difference in the symbolism is that while blitz has a straight and narrow path to trip!stolas, moxxie’s path to trip!blitz is this winding, unguarded staircase. he almost falls off.
now, compared to both of those, stolas’ path is a fucking stroll. albeit an emotionally damaging stroll, but it takes less physical strength.
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conclusion; stairs are symbolic of a difference in power, but gold is symbolic of something else.
and there is a power dynamic between moxxie and blitz. it's not like stolas and blitz's dynamic, it's an artificial imbalance; blitz is the boss, moxxie is the employee. and moxxie has his own inferiority complex, which i think plays a role in it too.
the imbalance between stolas and blitz is kind of, unfortunately, inherited. but it's not impossible to manage. of course, stolas doesn't care about where blitz is on the hierarchy, he doesn't care about the hierarchy period. but it's still there. blitz cares because it affects him.
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"you will be technically under his jurisdiction, but..."
this was problem one. stolas unintentionally demonstrating his power over blitz. "surprise, i technically made you someone else's property! please love me!" i'm exaggerating but this is definitely not the kind of thing you spring on your partner; they needed to talk about this beforehand, but according to stolas:
"no need for an arrangement, it can just be him and me!"
sigh. the many different ways this night could've gone
this is enough to trigger blitz's fight or flight. he wants to be with stolas, but he doesn't want the freedom to choose to be with him, which is problem two:
because blitz's belief of love is so inherently fucked up,
what are the chances that the very thing stolas gave to blitz to reaffirm his free will was just interpreted as another shackle?
blitz doesn't do commitment; stolas doesn't say "i love you", he doesn't need to. if you love something, you let it go, and if it comes back then it's yours--which happens in the very next episode.
blitz is the first person to mention love.
but if they want to love each other, they have to be equals, which was why the book deal had to go. they can't hold each other to these super high standards because that'd just set themselves up for disappointment. they have to be on the same level.
tldr: they're two sides of the same coin. literally!
color theory for dummies, a brief intermission
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fun fact: i actually didn’t learn color theory in an art class, but in a textiles class. we love american education. but anyways, i’m gonna ask you to draw your attention specifically to the complementary colors.
we start the chorus of JLMW in a purpley sort of place, which then shifts into gold, and then into the red/blue contrast.
except red and blue aren’t complete opposites, they’re both primary colors.
if they wanted complete opposites, they could’ve used red and green, or blue and orange, which are admittedly uglier combinations but the point is that stolitz aren’t complete opposites.
however, purple and yellow, or gold, ARE complete opposites; they’re complementary colors. if purple is implied to be symbolic of stolitz together, then could gold imply stolitz apart?
well…no. i think that’s the wrong angle. if they wanted that contrast, they could have left the gold out entirely, because red and blue separate is stolitz apart.
so how are we supposed to deduce what the gold is actually symbolic of? because no, i don’t actually think it’s an extended shrek 4 reference. that kind of exclusively pertains to blitz’s trip.
listening to the lyrics in the gold part;
This unspoken contract
A deed we forged for mutual gain
If that's all this was when you're not here
What is this rooted pain?
I don't care that you're of lower station
Or primed to sate my dark temptations
Why can't you understand? Let me explain
And I'm terrified as I cry
To make these feelings true
What's left for me and my broken heart
If I cannot have you?
a direct mention of the book deal…and another mention of the power imbalance…so i realize am starting to sound insane, but please hear me out.
i think the main theme of helluva boss IS learning to love in spite of damages and traumas and insecurities–not ignoring either of those, but learning to work around them or possibly heal those parts of yourself so you can love someone else effectively. learning from mistakes.
so what if the gold is symbolic of the simple desire of a mutual understanding? or a meaningful connection with someone else?
tying it all back together somehow
both moxxie and stolas want to connect with blitz (in different ways), but for stolas, that means severing possibly the only thing connecting them thus far (the book). for moxxie, that means climbing the staircase and possibly being pushed even further away.
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moxxie also has this high opinion of blitz despite all his obvious (and not so obvious) flaws. i think it's partially because of his own inferiority complex, but to him, blitz is the phantom--his scar becomes the mask he hides behind. he knows blitz puts on this loud, crude personality to hide his cracks and keep others away, and has a scarily accurate portrayal of him in his mind.
moxxie wants to be on the same level as blitz, and he knows it's possible to get there, because he's a damaged character himself and he gets it. he's just yet to take the actual first step.
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stolas, even in his own imagination, doesn't think it's possible to be emotionally intimate until the deal is broken. he could reach for blitz, but blitz wouldn't reach back. he's not looking. not to mention the literal celestial view he has of blitz in his head.
while stolas can see blitz's damage, he can't fully comprehend it yet, partially because blitz won't give him the chance and partially because stolas isn't damaged in the same way he is. they both had deadbeat dads, but they adapted in different ways.
that's just the way trauma works, you adapt to deal with it, and then have to unadapt those unhealthy coping mechanisms once you're finally safe. it just takes a while for people to realize they're actually safe, and these fruitcakes are no exception.
conclusion? uhh, i don't know, i guess i don't really have one. just. enough with the discourse about these bitches i guess??? just give them each some time, change takes more than two seasons.
i guess i could compare the way the songs are set up but this was supposed to be out like two days ago and it's already 11:45 so. maybe some other time, maybe in a post about moxxie's Interesting taste in musicals
was unfortunately unable to finish the mox vs. fizz masterpost this month but we'll see sometime in the coming months, maybe sometime after the next helluva short comes out. been a bit too busy with school and other social things to have time writing these long asf posts about my skrimblos
okay goodnight o/
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skywalkr-nberrie · 1 day
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I feel like people forget that Vader isn’t a reliable narrator. He’s the same man that’s desperate to convince himself and everyone around him that he’s not Anakin Skywalker anymore and that his real name holds no meaning because the owner to that name is ‘dead.’ But we know that’s a facade he puts up and an escapism to ignore the pain he’s in plus the knowledge of knowing that everything he’s done and is doing is wrong. So I just think it’s weird so to imply that Vader actually meant what he said when he claims that Padmé would’ve joined him and supported the Empire if she was alive. It should be obvious that Vader doesn’t actually believe this. He’s just desperate to convince himself that it’s true because he can’t handle the idea of her not choosing to be by his side if she had the chance, and also to help him make peace with himself to justify his actions as “correct.”
Anakin deep inside the mask of Vader knows this not to be true, and that’s one of the many reasons why the ghost and memory of Padmé haunts him. (Ofc apart from the grief and remorse he feels over what he did to her.) He knows his wife. He was the one to know her the most intimately and closely. And that’s why he also knows that she wouldn’t support his actions, despite what he tells himself, he knows she’s right. He always believed in her and trusted her above anyone else. He knew where her stance would lie, even if he tries his hardest to reassure himself that the Empire is “good.” He himself doesn’t even believe it.
Anakin himself hates who he became, and there’s a lovely scene from one of the Darth Vader comics (I think the 2017 one??) where he confronts himself as Anakin in a vision, and how he sees that his “old and true self” is resentful and disappointed in the version he became. The scene ends with Vader killing “Anakin”, symbolizing that he ended the man he “use to be.” (Or so he thinks.) all in all, Vader can go on about how he’s not ‘Anakin Skywalker’ anymore, or about how his wife would actually support him in his endeavours, but the fact of the matter is that he knows that’s all false. The soul and echo of Anakin Skywalker rings loud inside Vader, and nothing was able to diminish it.
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lovemyromance · 1 day
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your posts are literally the elriel bible, I don't think i've disagreed with a single one.
In general, elriels agree on a lot of things which is why it's so odd to find EL/GAs fighting with themselves over "elriels say elains gonna be a warrior" and "elriels say elain's gonna save illyria" because I have never EVER seen a single elriel say such a thing. I saw a long post from some elucien about how elriels self-insert and then they listed a long list of things about what canon elain is - except i don't think elriels would even disagree with what they were saying?
It got kind of muddy when they started trying to claim that "canonically azriel only lusts after elain" but whatever - you get the point. Why are they putting words in our mouths?
Thank you :) I know I always excessively post about elriel (because I'm pretty sure I have the attention span of a squirrel), but some days these petty arguments really make my eye twitch.
Idk why antis seem to think Elriels want Elain to be some warrior, savior of Illyria, High Queen type character. I thought we've all been pretty vocal in wanting to keep her femininity and her kindness and finding strength in her compassion.
If it's because the fanarts....well I think we've all established that nobody is really claiming fanarts to be canon. I think that goes without saying when we have fanart of an Elriel family with Illyrian offspring - or when Eluciens have fanart of Elain looking happy around Lucien lmao. Both are not canon. Who cares - it's fanart? It's not like we really going to pretend that all their fanart is canon either?
Because canonically - Elain can't stand Lucien. Canonically, Azriel has literally never touched Gwyn.
There are basic traits to these characters that nobody can deny. But the antis always have a way of adding additional, personal bias into things. They say Elain's not a warrior - cool, that's true, that's canon – but then they take it a step too far and try to claim its canon that she abhors all violence and she would never touch a dagger and she would hate Azriel because he's a warrior.
Canonically, Elain killed the fucking King of Hybern. She might not crave violence (oh- also what an odd thing to claim - that ANY character loves violence, btw), but she has already proven to be violent when needed.
Canonically, Elain does use a dagger. Not just any dagger - Truthteller.
Nobody's saying she out here training as a Valkyrie at the HOW - but she's not just sitting here in frolicking in a meadow while the rest of her friends and family go to war. She was literally taken AWAY from the main battle in ACOWAR and she still showed back up to pull the most badass move in the books, saving everyone.
Idk what about that is so hard to understand. No Elriel has said she's gonna save Illyria (lol), no one has claimed she's going to be Enalius the Second, nobody is out here waiting for her to take part in the BR and also become a Carthyian.
Elriels like Elain as she is. And even though she's not a warrior, even though she doesn't enjoy violence, even though she isn't a Cartyhian – Azriel still adores her. Azriel still wants her enough to question his religion. That's literally in the books. I can give you the exact page number and quote. I don't need to do any "extra analysis"
You want to talk about canon? Let's talk about how Elain is so perfect that she has even the most brooding warrior falling for her. Let's talk about how Azriel was willing to fight in a blood duel for her. Let's talk about how she was so ready to have a tryst with the Spymaster under everyone's watchful eyes.
We don't need to change anything about Elain, certainly not to have her end up with Azriel. Elriel having feelings for each other is already canon. Elriels did not have to change a single thing about them for them to find each other. That was SJM, so take it up with her.
I mean - she kind of ate when she summed up their relationship in ACOWAR with that scene in the garden...they might not make sense on paper but there's something poetic about them
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pinkvaquita · 2 days
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hey u know class of 09 right? whatd you think of the flip side (came out today, jeckas pov)
Just make a post saying that it wasn't that much good-, but guess I can make a longer one because that other one was literally just those words.
Soooo... Oh god it had so much potential. It had so much wasted potential.
Going in order of routes. Spoilers Ahead
1° Jecka Suicide.
Again... Why foot fetish!?
Like I get that maybe using other options could not be possible because is 2009 and there is no only fans. But it could have been any other thing!
Like, in the last game they show us the whole myspace prostitution circle. They could have used that to make her sell swimsuit photos or questionable poses!
If they necessary wanted to use Jeffrey, maybe they could make Jecka do shitty cosplay or voice acting manga scenes!
And even if the foot fetish was totally necessary, they didn't needed the scenes to last that long! They could have done the whole "screen goes black" timeskip thing like when Nicole attempts suicide!
And now with the whole Nicole fucked her dad thing...
That was the only part I am not complaining.
Nicole is a sociopath, and as much (Wich is literally just the bare minimum) as she appreciates Jecka, this is in character for her.
She herself said in the first game she doesn't care enough for Jecka to try to see her after graduation. She was more than fine with leaving her alone with her pedophile brother. And only cared about it untill Jecka wanted to leave her.
And honestly, she only cares about Jecka when she tries to leave her. Like in the jail ending and the dating Ari ending.
And is only in those two! Like literally, we see her witness Jecka die and go to jail in the racist endings and she doesn't care!
Even when people hate her or love her, Nicole doesn't give a fuck, and would backstab for the most simple reasons.
She literally make a whole scheme to steal Megan's boyfriend and embarrass her about it In front of anyone, just because Megan was bossy.
She abused Ari, even if she didn't do anything wrong to her. Just out of fun.
Are we really that surprised she did this to Jecka? She has done worst for less!
And also, Jecka leaved a sorry message when Nicole killed herself. Nicole didn't.
And the monologue... Oh, that was depressing. Jecka's words were so sad. Although I have one problem with this. The pic.
Why is she in her bra!? Why is she in a pose like if it is a body pillow!?
Is this some weird metaphor I am not getting????? Because this thing looks to me like another weird thing going on in the developing.
2° Jeffrey dies ending.
Same situation with the foot fetish. Why????
Now going with the end... Damn that monlogu was also good. I do appreciate the showing how the different circumstances Jecka and Nicole had growling up affect their behavior. And also, Nicole voice at the end genuinely scared me. For a whole second I thought she was gonna use Jecka's abusive background against her and talk to her like an abusive parent would.
Other than that it was... Good? I guess. I mean, Jeffrey is a total creep so I don't really care if he died.
3° FYE
What the fuck was that?????????
Seriously, that was the most out of place and boring route. It felt like it was a total different game!
The dialogue, the scenes, the ENDING????
I mean, yeah I don't find that insane that maybe there is a whole warehouse filled with illegal porn and the FBI finding it and not telling anyone.
What I do find insane is a guy giving the place information I'm a riddle, two teen girls finding it, and that somehow ending in one dead and the other being victim of human trafficking.
And the dialogue of the counselor was so weird. Like, wtf?????
The only mildly good thing is that Kelly got some screen time. But that wasn't even enough because she had zero character explanation. She is the true bimbo, give her an actual exploratory arch like Emily or Ari. Or at least make her be worth to watch like with Megan! Give my girl something to be iconic about!
4° Ari dies ending.
Jecka turning emo was not on my bingo card. Honestly I like this route more than the Jeffrey one, even if involves Ari's death and Jecka still living with his dad (Wich by the way, I was also scared everytime he was on screen.)
The party scenes felt so real. Emily acting out an calling Jecka and Nicole possers was in character. The hat man scene was unnecessary but good enough to ignore it was out of place. Jecka with black hair was EVERYTHING. OMG I feel so bad for how damaged her blonde hair got.
Now story wise, I remember seeing a YouTube comment calling this a route were Jecka becomes slowly as bad as Nicole. Literally she killed someone and instead of the regret she would normally show, it was: "That was low-key funny" and "I'm so pretty when I cry"
Good route. I can live with this one. Live, laugh, love emotionally empty Jecka.
5° Jecka's version of Nicole suicide route
This was so heartbreaking.
First. I was not expecting this from Mister Kaz. He literally was the only teacher in the whole game that seemed to not be a pedophile or racist or both. I should have seen it comming.
Jecka's scene in therapy was tugging my heart so badly. Specially because of her desperately rambling and breaking down in tears. I almost forgot that Miss Ames was racist just because she was trying to help.(although I still hate her. And even more with how she acted in the foot fetish route.)
Second, seeing that scene from the first game word by word was terrifying because that was the signal of: "you know how this is gonna end"
The intervention scene was also realistic. The break trust. The attempt to get police involved. The fear. Even more when Jecka got home and was received by her dad screaming at her. I even though he was gonna kill her.
And all that tension and horror builds and builds untill we reach the scene. We know is gonna happen. And it still hurts like hell.
Seeing Jecka standing right besides Nicole's corpse (Wich again, why Nicole got such a cinematic picture for her suicide end but Jecka instead got THAT????) while reading the suicide note was so sad.
And the final dialogue was good. I feel kinda disappointed that there wasn't a final monologue. But that scene replaces it enough.
Conclusion. This was... Meh? The only memorable and well develop ending is the fifth one. The Ari one is good but is not that much good. The suicide one has too many weird things going on to be as iconic. The Jeffrey one is both things combined. And the FYE one is bad.
And even if there is some good things.the game feels so... Bland and soulless? There is no longer the social commentary or the routes were there is some sort of fucked up justice. Neither the humor. It could be because of Jecka not being as sociopathic as Nicole. But even when Nicole got bad endings, there was still some reflection about society in those.
It could have been so better. It wasn't worth the hype.
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addicsvt · 20 hours
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Some DK angst with a ending of your choosing?
All roads lead to you
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pairing - ex-seokmin x reader genre - hurt no comfort word count - 456 warnings - nothing atm? synopsis - you miss your boyfriend, and you hate that all roads lead to him. a/n - so... thank you for waiting 😭 months actually... i.. HELP, it's been almost a year since I had this request and it was just rotting in my inbox. i swear i tried to write it but nothing would come out, please enjoy this as an apology, anon
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You find yourself running in the rain. You don't know why, don't know who you're running to. All you know is that you can't afford to stop, your legs need to keep running. Every step you take burns, you can feel your breath catching in your throat but you keep running. To someone, perhaps away from someone? You run until your legs give out until you fall to your knees. Until your knees form scrapes from the harsh cement. The rain continues on relentlessly, pit pat pit pat. The sound doesn't stop, it never stops. Who are you even running to? "hey kid, it's rainin', better find some shelter" You heard a middle-aged man say before leaving. Shelter. What was shelter? The bookshop on the other side of the street? The convenience store further down? Or was it the run-down cinema right beside her? What was shelter, and who was shelter? Was shelter Lee Seokmin? Fuck, you think to yourself. Everything always leads to one person, Lee Seokmin. Now you remember, you wanted to forget, to experience ecstasy once again, so you ran. From the harsh reality, from the fact that he broke up with you. When you first heard the news you couldn't believe it, your boyfriend of 1 year had broken up with you. And from then, it went downhill. You stopped eating as much, grew eyebags, and everything was worse. All you wanted was home, someone to call home, someone to be home. Was it your fault for wanting a warm embrace? For someone to hold you with meaning? For someone to ruffle your hair in the morning? For someone to compliment you for every single small thing you did? Fuck, you missed him. You missed Lee Seokmin. You knew that if he were here now he would hold you under the rain, he would run his warm fingers through your hair, asking you what happened, nagging you about getting sick. But now, you resided alone. Alone on the street, alone in life. You remember the librarian complaining about Seokmin. He was apparently being too loud, but you had fun, that was all that mattered. Your late-night convenience store runs when you stayed up till ungodly hours to finish your pile of assignments. He would've bought you whatever you craved. And the run-down cinema? Sitting on seats that were practically threatening to fall off, eating popcorn probably aged years, laughing about some stupid scene in the movie. But now, you stood here. Pathetically drenched in rain, clothes soaked, legs giving out. For a moment, the rain stops, no it didn't, it was an umbrella held above you. Who would do that? You looked up only to meet his warm almond eyes. Lee Seokmin.
You find yourself running in the rain. You don't know why, don't know who you're running to. All you know is that you can't afford to stop, your legs need to keep running. Every step you take burns, you can feel your breath catching in your throat but you keep running. To someone, perhaps away from someone? You run until your legs give out until you fall to your knees. Until your knees form scrapes from the harsh cement. The rain continues on relentlessly, pit pat pit pat. The sound doesn't stop, it never stops. Who are you even running to? "hey kid, it's rainin', better find some shelter" You heard a middle-aged man say before leaving. Shelter. What was shelter? The bookshop on the other side of the street? The convenience store further down? Or was it the run-down cinema right beside her? What was shelter, and who was shelter? Was shelter Lee Seokmin? Fuck, you think to yourself. Everything always leads to one person, Lee Seokmin. Now you remember, you wanted to forget, to experience ecstasy once again, so you ran. From the harsh reality, from the fact that he broke up with you. When you first heard the news you couldn't believe it, your boyfriend of 1 year had broken up with you. And from then, it went downhill. You stopped eating as much, grew eyebags, and everything was worse. All you wanted was home, someone to call home, someone to be home. Was it your fault for wanting a warm embrace? For someone to hold you with meaning? For someone to ruffle your hair in the morning? For someone to compliment you for every single small thing you did? Fuck, you missed him. You missed Lee Seokmin. You knew that if he were here now he would hold you under the rain, he would run his warm fingers through your hair, asking you what happened, nagging you about getting sick. But now, you resided alone. Alone on the street, alone in life. You remember the librarian complaining about Seokmin. He was apparently being too loud, but you had fun, that was all that mattered. Your late-night convenience store runs when you stayed up till ungodly hours to finish your pile of assignments. He would've bought you whatever you craved. And the run-down cinema? Sitting on seats that were practically threatening to fall off, eating popcorn probably aged years, laughing about some stupid scene in the movie. But now, you stood here. Pathetically drenched in rain, clothes soaked, legs giving out. For a moment, the rain stops, no it didn't, it was an umbrella held above you. Who would do that? You looked up only to meet his warm almond eyes. Lee Seokmin.
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ADDICSVT 2024
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funkyplantguy · 2 days
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cumbo. ough. they make me violent. idiots. I think one of them could be flirting in the most obnoxious entirely obvious way and the other would be sooo oblivious. Either of them could fill that role. Maybe they’re both doing it. They’re stupid. witness geminitay is in fucking shambles she hates them (she knows because grian was witnessing it first and he couldn’t do it alone he had to drag someone else into it) scar (violently aromantic but doesn’t know) thinks both cub and mumbo are being normal and he doesn’t understand why gem and grian are so dramatic. they r literally just awkward grian… you literally told me last week you wanted to elope that’s just what friends do. gem proceeds to beat grian to death with a shovel for not inviting her to the wedding. this is not a 200 word prompt sorry I’m a yapper. only important bit is the cumbo the rest is implied.
YES. yes. you get it. you Get It. they're both so fucking weird and Not Normal About Anything in the best possible way. i feel like they make each other SO much worse. you think you've seen cubfan135 be Weird? watch as i introduce the world's most wet cat of a man to the scene. it's autism x autism but like, slightly different flavors so it could either go so horribly wrong or they could end up making out sloppy style and i have personally decided that it's the latter. but yes i too love the highkey flirter x oblivious dumbass trope. big fan of the idea of cub trying to hit on mumbo SOOOOOO hard (in his own weird-ass way) and mumbo being truly so fucking unaware. like, painful levels of unawareness. everyone around him is .2 seconds away from strangling him at any given moment. gem and grian have already planted 37 tnt minecarts underneath his base for when they inevitably can't take it anymore and need to blow something up but luckily cub gives up and just straight up asks him if he wants to make out before they can pull the trigger anyway. please come yap in my asks (or dms) anytime you'd like. i too am a yapper and will talk your ear off about cumbo (or anything, honestly) for 7-9 business years
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elizaminci · 2 days
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my opinion on Flipside, ill just point what i liked and what i hated
hated:
-the uncomfortably long werid feet scenes, yes there are a lot of them.
-the out of character personalities, nicole would NOT fuck Jeckas dad, not bc of morals but bc she would be DISGUSTED
-nothing really happened in the story...like the routes and the ends were SO random...?
-terrible humor, some of the "jokes" were not just unfunny but really...why?????
liked:
-Jecka being gay asf
-jeckas conflicts and emotions being shown
overall, by far their worst game. but heres a cute and funny scene of jecka being silly willy billy :3
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