#the eye is under another...

[carnivalcarriondiscarded]

hm.

[kaitokitty19]

Working over time - 3/4組

I like the idea of them working together after graduating from college

[susieandhobbes]

I can't explain this, but Black women looking young is somehow being added to the convenient excuses to not ship Black women with popular white leading men but ~not in a racist way~

She's strong and independent, she doesn't need him

He's a mess, she can do better

She should be gay! or with minor Black side character!

NEW: She looks so young :(

I'm obviously picking on this particular person but I've seen several people dismiss SydCarmy because "he's a much older, mentor figure! that'd be inappropriate!" And like??? HUUUUH???

Sydney and Carmy are an absolute MAX of 5 years apart in age. And while Ayo looks beautiful, 19 she does not look! Sydney went to culinary school and has worked at several fine dining establishments before launching her own business, common sense says she's at least in her late 20s. And while Carmy has more restaurant experience, he was a literal prodigy who started young.

ALSO, this is kind of an aside but where the fuck is Carmy mentoring Sydney in any real capacity?

S1 - she gets hired, 2 days later she was like "hey I redid your entire business plan because your shit is fucked, a day later he asked her to lead the brigade and then ditched her. He went to cater Cicero's party with Richie and once again Sydney was in charge DURING A POWER OUTAGE. She quit mid-service, comes back, and he's like want to start a restaurant with me?? Not as a fucking mentee, as a partner

S2 - Sydney is making the construction timeline decisions and present and participating in financial/loan conversations with the literal owners of the Beef/Bear. Sydney is part of designing the menu. Sydney is hiring. The only mentor-mentee relationship she's in is with TINA!

Does Sydney look up to Carmy because he's in many ways accomplished her culinary dreams? Absolutely. But people acting like she's some bright eyed student he's teaching to dice onions is fucking crazy.

[imthursdaysyme]

Sleepover shenanigans

[imjustapoorwayfaringgeek]

Love your art it’s so soft and fluffy. Have you ever drawn Cersei?

Here uwu

i still like the colors of the last one even though it's not the rendered(???is that what rendering is??) version

LOTS OF FLUFFY GOLDEN HAIIIRR!!!!1

[front-facing-pokemon]

[sharpstake]

rod makes me so so insane even all these years later. logan who believes the lie that he’s more cutthroat than he is, lying to himself that he’d cut and run when it was time, only to cling to scraps of affection. mona who doesnt carry the same defensiveness about trust that colt and logan do, who refused to let herself be tied down, taking the fall for a pretty girl once more, finally finding someone worth trusting. colt watching his father burn up and wish only that his son escapes a life he never knew any differently from, only for his death to solidify colt’s reclamation of it.

[icewindandboringhorror]

... why he sit like this

[fishareglorious]

If Z or Constantine become playable later down the line for some insane reason, I hope the former hits you with a go board and the latter a chessboard. Z’s attack is basically pocket sand but she takes a handful of go pieces from her pocket and flings it at the enemy’s face.

[grimgummies]

Not going to lie, I’m surprised the fandom isn’t eating up the new tone shift and characters’ struggles in ep5. Maybe I’m not looking in the right spaces but fandoms usually love that stuff.

I KNOW I mean the amount of angst art that was made prior to the episode really made me think people were gonna take everything from the new ep and run with it. Though that's not to say people didn't. I've seen plenty of people discuss what happened in the episode (especially regarding John and his daughter/his family in general,, people were going insane over that and I get it like we're getting deeper into what happened to him and his family which I'm also super interested in. Plus seeing his photos in Ignacio's house really got people discussing his connections/past with the cult and how there's such a specific focus on John).

[roaringwish]

Assorted Okina doodles

Based on the jewel-crown Dainichi Nyorai statue from the Motsu-ji (right), that one wooden Shinra Myoujin statue mostly (middle) and just some old lady (left).

[dirtytransmasc]

Alicent after her husband damns her children, the ones he forced onto her, the ones she carried and birthed and loved and spent her whole life protecting. after he leaves her, dying a pathetic death, leaving her and her children alone in the world, even more than he had before. after her children are robbed from her, meeting fates promised to them at birth, ones she tried so hard to change. after being left to roam an empty keep, the sounds of her children's antics now long gone. after hearing her own cries echo in the septs, but never reaching the gods, rattling the walls of her chambers, yet falling on deaf ears. Alicent after she decides she will be king, in her eldest's stead, she will weild her own sword in place of her most trusted friend and closest son, she will fill the world with her words like her daughter had, she will take revenge as she sees fit as her youngest had:

[hephaestuscrew]

A book asks the reader to imagine any sensory input of the story, whereas a film or TV show provides both sound and visuals. Audio fiction lives in the space between these two approaches. I think there's a unique power to that middle ground. I love how audio drama asks the listener to co-construct their sensory experience of the story.

Audio drama allows me to simultaneously experience 'This character feels real to me because I've heard their voice' and 'This character feels real to me because I've pictured them myself'.

What the characters are experiencing is both directly presented to me and left to my imagination. There's no page or screen between me and the story. It's there in my ears. It's there in my mind's eye.

There's a strange sense of intimacy to that, the intimacy of feeling like a fly on the wall during a conversation or of hearing a character speaking as if directly to me. Perhaps it sounds contradictory to say that experiencing a story only through sound allows me to feel uniquely connected to that story, but that's one of the reasons why I love audio fiction so much.

[amazingspider-z]

Back at it with Bleach!

AKA the: If arrancar get to look kind of like shinigami despite starting off as hollows, Visored should get to look a little bit hollow all the time despite starting off as shinigami. As a (not) treat. post

(Bonus: some more floating heads under the cut)

[uniquezombiedestiny]

I LOVE YOU

[laudnumdrinker]

In season 2 we see Crowley introduce the pleasure of food to Aziraphale.

What if in season 3 it's reversed and we see that it's Aziraphale who introduces the pleasure of affection to a somewhat reluctant Crowley? I know Crowley was the one who kissed Aziraphale first, but the kiss was a last ditch attempt to communicate, not a gesture of intimacy. What if after their reconciliation Aziraphale is the one who not only gives Crowley his first tender kiss, but also gently guides Crowley into intimacy beyond kissing? I don't know if Aziraphale has ever been with another person before, in fact I highly doubt it, but as a being of love affection would come to him naturally. He could be the one to ease Crowley into hugging, cuddling, and gentle touches. Crowley, as a despised tool of satan, is definitely not inclined to tenderness the way Aziraphale is, and in an interview David once said that Crowley finds affection laughable. I think Crowley might tense up the first time they truly embrace one another, but Aziraphale would show him that it actually feels good to be soft.

The more I think about it the more inclined I am to believe this is going to be the case. Aziraphale is the one who needs to bridge the gap between them, anyway.