Tumgik
#the next panel was actually supposed to be part of this one
sen-ya · 3 days
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part 5/7
is it silly that this is my favorite in this series? i really enjoyed writing kaya and I wanna do it again at some point :')
[op comic masterpost]
[pg1] panel 2: Kaya: Oh! Dr. Law! I didn't expect to find you in our library.
panel 3: Law: K-Kaya-ya!
panel 4: Law: Uh. Ahem. Excuse me. I hope you don't mind me borrowing your books.
panel 5: Kaya: Oh of course not! I'm just shocked to hear we have books you don't! What are you studying?
panel 6: Law: UHHHHH
[pg2] panel 10: Kaya: Oh! Is someone on your crew pregnant? Ikkaku??
panel 11: Law (thinking): She doesn't know Ikkaku is trans. Does she not know that I am?? I just assumed Nose-ya would have mentioned it. But that makes sense. If Straw Hat didn't already know Nose-ya was trans it's not like I would have told him.
panel 12: Kaya: ...?
panel 13: Law (thinking): Fuck, I've been quiet too long. I can't throw Ikkaku under to bus. Just say something.
panel 14: Law: No. Kaya: Oh. Then why...? Law (thinking): Wait, shit
[pg3] panel 15: Law: My, uh...brother...'s...wife. Yeah, we're taking him back to Zou soon...because his wife is pregnant...and I...want...to help...?
panel 16: Kaya: Oh, how sweet! Congrats "Uncle Law" hehe. If you have any questions I could help with let me know!! I specialized in traumatic injury, but I did deliver a few babies in Syrup Village! On smaller islands like that you wear a lot of hats.
panel 17: Law: And you've...been pregnant. Kaya: Well, yeah, but I wasn't my own doctor! Could you imagine if I had tried to deliver the twins myself? Even a doctor needs a doctor, you know that.
panel 18: Law: ...right.
panel 19: Law: ...what...what was it like?
panel 20: Kaya: Oh, my pregnant patients were actually pretty fun! I suppose it makes sense that as a pirate ship doctor you wouldn't have had to know obstetrics. But it was always so lovely to hand a parent their--
[pg4] panel 21: Kaya: ...newborn...baby...?
panel 23: Kaya: ...I'm sorry, Dr. Law. If there's context I need you'll have to give it to me. I'm not good at guessing.
panel 24: Law: What do you mean, I just gave you context. Kaya: With all due respect, you're full crying. It's a new sight for me!
panel 25: Kaya: You can tell me what's going on! I'm told I'm a very good listener
panel 26: Law: ...You Straw Hats sure are a pain Kaya: Sorry, hehe
panel 28: Law: ...I...ahem...so number one, if you didn't know...I'm...I'm trans.
panel 29: Law: But not like your husband. He got the works from Ivankov-ya...I never felt the need to seek that out.
[pg5] panel 30: Kaya: ...I see
panel 31: Kaya: How far along are you? Law: ..12 weeks, give or take. Kaya: Well, I've provided obstetric care of all kinds. So whatever questions you're researching here...why don't you ask me instead of being your own doctor?
panel 32: Law: ...Same question. What was it like?
panel 33: Kaya: Being pregnant was a horror show!
panel 34: Law: A glowing review. Kaya: Oh, sorry! I can lie if you'd prefer!
panel 35: Kaya: I was just so sick my first trimester! Law (speaking over her): KAYA-YA I THOUGHT I WAS DYING FOR TWO WEEKS WHEN WILL IT STOP I CAN ONLY EAT RICE.
panel 36: Kaya: It's different for everyone. By the end it wasn't quite so bad for me, though. And I love my kids so much. They were such cute newborns!! So I was alright being uncomfortable for awhile. Because that's what we wanted, you know?
panel 37: Kaya (off screen): What do you and Luffy want, Dr. Law?
[pg6] panel 38: Law: ...We haven't decided yet. We're giving it to the end of the week. I'm trying to think about it rationally. But I just keep getting emotional any time I talk about it. It's strange.
panel 39: Kaya: An emotional decision and a bad decision aren't inherently synonymous, you know.
panel 40: Law: ...your bedside manner is impeccable, Dr. Kaya-ya. Kaya: Well, thank you! Next time let's meet in the infirmary, mine or yours.
panel 41: Kaya: I'll be your doctor through this, okay?
panel 42: Law: ...Okay...Thank you. Kaya: Of course!
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satorudoll · 9 months
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Gojo saying he hates taking care of brats and then becoming the best dad ever 🤫
💌! anon, you have NO IDEA what that panel of jjk going around was doing to me. Toru literally my cutest hubby ^^
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You still remember meeting the grumpy and dork of a seventeen year old manchild when you entered the Jujutsu high's hallways for the very first time.
Your most core memories of him being the ones where he used to accompany you to your part time jobs, to babysit little kids.
While the three year old would be building blocks on the ground in front of you both, Satoru thinking of himself as the sly one would try scooting closer to your side on the couch. Softly grazing your hand and closing his one over it as he'd lean in to whisper something along the lines of,
"Baby, I think this is an amazing time to makeout before this utter nuisance turns his head arou—"
His words being cut off short with the ripping cries of the three year old who'd start to kick his feet and throw all his blocks around in pure anger.
Satoru would heave the loudest sigh,
"Baby please I just need a quick peck plea–"
But you would immediately stand up in panic and lift the child up in your arms, completely falling deaf to your touch deprived boyfriend.
"Satoru I think the baby pooped! " You exclaimed, turning the little boy left and right in the air.
"ew— EW! " Your boyfriend's second signal of disgust getting louder at what you did next, as quick as Satoru was to scrunch his face in disgust, you too were as fast to shove the three year old sobbing boy in your boyfriend's face. Forcing him to hold the baby.
"Hold him tight! I'll be right back with some new nappies and wipes! "
You stormed off, not caring about the way your boyfriend was screaming in pure horror along with the sobbing baby.
"Stop—" He tried to push the baby as far away from his nose as possible, "Stop! I'll actually die if your nasty stuff gets a anywhere on my skin! " He is yelling in pure fear, as if the kid was understanding whatever he was saying.
"Oh my holy lord, Y/n, please get here fast. I don't think I have too much time left! " He is crying out for you as the baby's face gets redder, cheeks puffier and his tiny legs kicking madly in the air the longer he stares at the snowy haired guy's disgusted face. Satoru was shriveling in pure terror by every passing second.
As soon as you enter the room with all the necessary materials Satoru dramatically gasped in relief, as if he just saw Jesus himself walk in to save him from his death.
He watches you and the baby from the couch with his big blue eyes stretched wide in disgust as you are in the process of cleaning the little one up.
"They better pay you a good chunk for that" He continues to comment while continuing to curl himself up in a ball .
You roll your eyes and turn to face Satoru who looked like he was in a Lion's den.
"Why don't to try putting his diaper on? " You ask, holding up the new pair of diaper.
"No! What if that demon has some poop left sticking around his butt! "
You sigh loud, "Toru, I cleaned him well. He is fine."
"But–" He stops, seeing the way your eyes were literally judging him at this point,
"Ugh– fine! But don't cry for me when I get his poop on my hand and die on spot! "
He walks towards you both, stomping and looking all moody and pouty in annoyance. Slumping down and snatching the new diaper from your hand while mumbling a "only coz I love you too much" while still looking annoyed as hell, but you couldn't help the small smile that slips on your face while looking at how he acts no different than the three year old right in front of you.
As the baby stares at Satoru's pouty and moody face who was wondering which side of the diaper was supposed to be in the front, the little boy lets out a hearty giggle.
That catches Satoru's attention.
Satoru raises a brow,
"Oh, So you wanna get along now? " The grown seventeen year old questions, making the baby coo and kick his feet.
Satoru's pout slowly lifts into a smile at that.
"Well, You don't seem like that bad of a guy yourself. Maybe we can get along after all." He shrugs with a smirk.
"watch me babe, I just know well enough how to make these little poopers laugh." He says in confidence and you fold your arms, watching them with a raised brow and big smile.
"Here comes superhero Gojo to save the nakey baby's day! " He lets out, in the most childish playful tone, something you were yet to experience from a 'tough guy' like him up until now.
The baby bursts out in laughter, Your smile turning into a huge grin at the sight
"Superhero Gojo?? Say that again, lemme record it! " You laugh out loud, getting up immediately to look for your cellphone
"Hello? Don't try making fun of me, I'm getting into the charac— "
Oh, the baby loves interrupting the seventeen year old boy's moments for sure.
But this one seemed like straight up hate crime to Satoru,
The baby shoots his pee right at his face.
Your jaw drops down and your eyes go wide in literal shock at the sudden occurrence and you completely freeze on your steps.
As for Satoru,
Boy, he was way too deeply traumatized to move himself right away, Eyes squeezed shut tight he felt like his soul leave his body as all his limbs suddenly became stiff and completely paralyzed.
"Oh my– Satoru— " You were trying so hard not to give up everything and burst in a fit of laughter at the entire scene that unfolded right in front of your eyes.
The baby, however, seemed to be having the best time of his life, giving out the most hearty belly laughter as he finished his work on your boyfriend's face.
"Y/n— i think— I think I'm gonna lose my six eyes— I can't open my eyes—" His hands trying to reach out for you
"Satoru! You are not even trying to open them- let's wash your face!" You immediately put the diaper on the baby yourself before grabbing your boyfriend's hand and guiding his soulless body to the nearest washroom.
As you were saying goodbye to the little boy who was in his mother's arms, you couldn't help but notice how he was staring at Satoru in disgust with his nose scrunched.
You turn to take a glance at Satoru who was holding a tight lipped smile at the boy while waving goodbye. Trying to hard to not humble the baby in front of his mom.
The walk back home that day was quite, none of you really spoke. Satoru looked like he wanted to go back to his room and dive his face straight into the blankets.
You shouldn't be surprised, None of the kids you took care of really got along with Satoru. Most either ended up pulling locks of his hair or throwing their toys at his face. You don't even know why he was still so up about accompanying you every weekend.
You both pause as you finally reach the gates of Jujutsu high,
The awkward silence starting to make you feel bad for what he had to keep going through.
"Did you see how that little clown was looking at me? After I let him pee on my precious face, that too ?!" He finally bursts in utter shock.
"Satoru, I'm sorry.." you sigh, but as much as you felt sad for him you pursed your lips, concealing a laugh.
"You know — My mom always taught me when I was a kid to never befriend your enemies, Look what happened! You just can never be good to anyone these days! This is how people end up walking all over you!" He continued to rant,
as much as you were thinking he wasn't being serious, your boyfriend's tightly knit brows and fuming face told you otherwise.
"Ugh.." He grunts in annoyance before shoving his hands in his pant pockets, looking down, kicking one of the small pebbles on the ground
"This was my last straw.. I never wanna get stuck babysitting a brat ever again" He mumbles in pure annoyance.
It's been ten years since,
the image of the childish dramatic teen still so fresh in your memories, the guy who would always mumble an 'oh god, lets run' or 'another one of satan's poop' whenever you both would be out together and spot kids running in the streets.
A soft smile spreading across your lips as you pull the duvets down at the sudden burst of memories, slowly peeling your eyes open, vision trying to adjust to the big white and beige decorated bedroom.
You get up on your feet when you hear the noise of utensils clanking coming from the kitchen.
Taking small, lazy strides you walk towards the kitchen in your white oversized shirt and fuzzy woolen brown socks.
Rubbing your eyes as you pause on your steps and stare at the scene in front of you at the kitchen.
"Does my Kana like it??" You watch the snowy haired male softly question the two year old who was sat on the marble counter.
The little baby girl nods her chubby face and suddenly clasps both sides of the spoon in her tiny palms, trying to pull back the spoon that Satoru was holding, closer to her mouth, the little baby spoon seemingly containing some yogurt.
Satoru was sitting down the floor on his knees in front of the counter where your little baby was placed, The grown man was in just a pair of his checkered red sweatpants, without even a shirt on in the cold freezing temperature. All his previous scars scattered around his bare skin that ran all the way up to his face still visible well enough, One that you and your baby girl used to cry over when they were in healing process, but grew to love so much now. As you stand there and stare at them your memories took you back again to show the contrast between the once boyish dorky seventeen year old who had now grown up into the man right in front of you.
Satoru was too focused on the little girl to notice your presence, his big blue eyes staring up at the two year old who was swinging her small feet and staring back at her dad with big doe eyes.
"wait– let papa tie up kana's hair or it'll get in your mouth, baby" he smiles, giving her messy white hair that matches his, a gentle stroke. As soon as Satoru stands up, the tiny girl forwards both her hands and starts making grabby hands at the huge man.
"pa– pa! " She coos trying to reach out to him.
"c'mere my little softie" He chuckles, quickly lifting her off the counter and letting her chin fall slump on his bare shoulders, her big glowing eyes finally falls on you while she is sucking onto her thumb messily and almost drooling all over her dad's bare shoulder, Satoru who was busy looking for her little barbie hair tie couldn't seem to care at the moment.
"pa! ma– ! ma wakey !" she immediately points at you in surprise, causing your husband to immediately turn around to face you.
Your lips melt into the softest smile at your little girl's baby voice.
"morning to the best girl " you giggle, walking up to them and landing a big smooch on her forehead.
"morning honey" Your husband throws a wide lazy grin at you, his snowy white hair still tousled and messy, eyes still looking a bit puffy, signaling he too woke up not long ago.
"morning Toru bear " you smile,
he immediately leans in to try kissing you.
You try scooting away,
"Ugh, I haven't brushed yet—" you groan, trying to block his face,
"Neither have I," he shrugs with a boyish grin before stepping forward with your little girl still in his arms, proceeding to snatch a quick peck, which just slowly turns into a little kiss session.
Kana's eyes widen at the scene, and she lifts her small hand up in the air. "me– kana too! ma pa kana too! "
It makes you and Satoru pull away from each other and giggle, You both start smooching the little baby's face together who starts scrunching her nose in response.
"ma pa stink! " she immediately voices making you laugh,
"oh? no more kisses for Kana" Satoru raises a brow, starring at kana dead serious.
That makes the little girls eyes widen and bottom lips quiver before her big eyes start getting glossy.
Satoru's eyes widens at that.
"Papa was just joking! Papa will never stop giving kana big big kissies! " He tries to rock her as she continues staring at him with big sad eyes.
"ok– let's go play, let mommy wash her face! " he is about to walk away when you stop him by his arm.
"I'll take care of her, you should first go wash up" You suggest, but he shakes his head.
"I'll miss her all day once I leave for work let me spend some time" he pouts, You sigh and give a nod at that.
You watch them walk away,
standing for a bit longer at the same spot to watch your husband put the little girl who was in her cherry printed bodysuit and frilly white socks down the ground.
"it's snowingg ! " Her dad sits down the fluffy beige carpet and exclaims, pointing at the view in the window, making her looking at him with big smile,
"snoing! " she repeats after him and also pointing at the tall windows that displayed the snow covered garden with her tiny finger, before proceeding to waddle towards Satoru and climbing up on his lap to sit down on it, while still continuing to stare out at the window and swinging her little feet out of habit as Satoru starts carefully pulling back the locks of her hair, trying to tie it into mini space buns.
Your little girl suddenly looks back at her dad while practically sucking on her entire tiny fisted hand as Satoru is still doing her hairstyle.
"papa lov uh!" She innocently exclaims, throwing her tiny hands in the air, looking at him with her big round eyes, waiting for an I love you back.
Satoru's lips pull up into a big heartfelt grin.
"love you lot lot more softie" He whispers playfully making her scrunch her nose and giggle, before turning back to look outside the windows.
"papa luv kana" your baby girl continues to sing to herself while getting her hair done by her dad,
"my cutest little fairy " he mumbles to himself while continuing to do her hair.
Your heart felt so full, You got to be in heaven right now. You enjoyed every little moment they shared, hearing kana's voice in middle of the night entering your room to tap Satoru awake every time she felt scared in her room, how you will then find them both in the morning, asleep on the couch with her sprawled on his chest and drooling over it while he had his buff arms wrapped around the tiny baby but still managing to sleep soundly with her, the way you had to rip Satoru back and tell him to go get ready for work instead of cleaning Kana's snot and drool up constantly. Having to calm down Kana who would start crying bloody murder when Satoru finally gets dressed for work and stands near the doorway, waving you both a goodbye. Satoru having to always bargain with her by leaving a bunch of endless kisses all over her chubby cheeks and forehead, and also promising to watch Disney movies with her in the upcoming weekends if she stops crying when he leaves.
Oh she was definitely a daddy's girl. One that Satoru would never get tired of no matter how much of a brat she'd become. You have to hold back a laugh every time you think about how the Satoru you knew from ten years ago would react if he would have known about this information.
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dilatorywriting · 1 year
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Monster Mayhem: Lion's Pride [PART 2]
Gender Neutral Reader x Leona Kingscholar Word Count: 4.3k
Summary: There is a Lion living in your chicken coop. This sounds like the setup for a really bad joke--you wish it was.
[PART 1] [PART 2] [PART 3]
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There were wards carved into the wooden pillars of your small cottage that had existed long before you’d made your home here, and they had an ancient, cloying, sort of magic to them that always left you feeling swaddled in bubble-wrap comfort—safe and secure. Even against angry Skin Changers banging down your door.
“You won’t be able to cross the threshold unless you’re invited,” you called, hoping it might deter him from actually destroying your entire porch.
There was an irritated growl from the other side that sounded an awful lot like he was probably still going to wind up trying to put his claws through the paneling, so you pulled the door open once more and stepped aside with purpose.
“You are not welcome,” you said, cheerful, before gesturing for him to try and step inside.
The Lion Man sneered at you, his ears flattening pissilly atop his head as if such a fluffy show of irritation could ever be intimidating (even if he wasn’t drenched down the bone), and he moved to make his way into your home. But when his sandaled foot reached the threshold, he stopped. You watched as his brow furrowed and something darkly frustrated slithered across his handsome face. There was no great arcane barrier or explosion of magical prowess—just a gentle shudder you could see creep along his limbs as he tried to force himself to move and couldn’t.
“Was there something you needed?” you asked, after what was perhaps a too-long moment of watching him stew in a mucky mix of rainwater and his own burbling rage.
He scoffed and crossed his arms over his chest, leaning up against the well-beaten doorway like the slouch was supposed to be intentionally casual, and not because he literally couldn’t move anywhere else.
“I need your help,” he said—demanded. He stared down his nose at you like you were some sort of unpleasant looking bug crawling across the floor.
“Alright,” you shrugged. “And…?”
“And what?” he demanded.
You rolled your eyes towards the ceiling and mercifully gave him through a silent count-of-ten to try and figure his shit out. When all he did was curl his lip at you like a petulant noble in court, you sighed and turned back on him with a cheerful, customer-service, quality smile.
“Thank you for your inquiry,” you chirped. “But I’m afraid I’m all full up for the day. Good afternoon.” And closed the door in his face yet again, but this time with a polite, little, wiggle-wave of your fingers as you went.
The next morning arrived altogether uneventfully. The rain had stopped sometime during the evening, and the lingering moisture had left your little homestead shrouded in a lovely cloud of fine, glistening, mists. You headed out into the soft chill with a pleasant hum and armfuls of treats for all your critters.
And then you noticed that there was an extra animal making itself at home in your little farmyard—one that you’d assumed had eventually given up and stomped back whichever way he’d came.
The Lion Man was sleeping in your chicken coop—perfectly contentedly, too. Which you wouldn’t have expected from a near mythical creature dripping in precious gems and who spoke with all the haughty self-assuredness of someone who’d never been told ‘no’ in any way that mattered.
You glared at him for a moment or two, hoping the searing irritation in your frown would be enough to poke him awake. But the Lion Man just laid there, cozy as a clam in his bed of shredded hay.
“You’re scaring Penelope,” you huffed, loud, and tossed a handful of seed by his feet.
The birds squawked and hopped up to peck brainlessly at the treats—unbothered by the predator lounging in their nest. The rustling of their feathers and tap-tap-tap of their little beaks at least seemed to finally wake the lazy Lion Man, and he opened one glowing, emerald, eye to glare balefully at you.
“They don’t seem like they give a shit,” he rumbled at you, voice still thick and syrupy with sleep. And indeed they did not, bopping around without a care in the world. Your aforementioned Penelope had even shuffled herself into the Lion’s lap to reach some of the seed that had fallen into the folds of fabric pooling at his hips.
“Why are you in my chicken coop?” you asked, as polite as you could manage. It still sounded like you were giving yourself a root canal.
He stood with a languid stretch and your birds clucked at him irritably for a moment before settling into the warm spot he’d vacated.
“It was raining,” he complained. Like it was obvious.
You pinched the bridge of your nose and tried again. “Why are you still here?”
“I already told you, herbivore,” he yawned. His long, white, canines, glinted in the morning sunlight. “I need your help.”
You sighed a miserable sort of sigh and fought the urge to dig your thumbs into your eyes.
“Forgive me for not jumping at the opportunity to assist the person—or, sorry, whatever it is you are—who abandoned me to die in a hole,” you harumphed, turning pointedly to start trudging back to your cottage.
“You got out, didn’t you?” the Lion griped, slipping forward to dog at your heels.
“No thanks to you!” you accused, jabbing a finger in his direction. He rolled his eyes and you could practically feel the steam leaking from your ears. “I helped you once already,” you pointed out testily. “Twice, if you count all the rations you gobbled up. And you still left me behind without a second thought! Why should I bother doing anything else for you?”
His face twisted up into something sour. The grin he shot your way was all sharp teeth and vinegar.
“Ahh, that’s right. I should have remembered—humans are only willing to barter their aid if they’re going to be repaid in kind. So. Tell me. What do you want then, hmm?” He scoffed. “Wealth? Power? Protection?”
You stopped at the door to your home and spun on him, angry.
“This has nothing to do with being repaid,” you seethed. “This is about decency!”
He scoffed again and you fought the urge to just hurl the entire basket of seed into his smug face. Because you were clearly the adult in this situation and needed to act as such. Sure, Mister Lion Dude looked close enough to your age, and you knew well enough of Magic Beasts to understand he was probably decades your senior—if not entire generations—but clearly a wealth of time left no account for manners. So you were going to have to step up and be the mature one here, and not waste an entire week’s worth of grit on the petty urge to upend it all over his stupid head.
With a heavy sigh that was more a gust of incompressible cursing than anything else, you placed the basket aside and turned to him with a stubborn pout.
“Alright, then. A deal—as you’re so insistent that you know exactly what every one of us stupid humans wants. I’ll help you again. If—” you declared, “—you say you’re sorry.”
He frowned, that righteous loathing giving way to a heady mix of even more irritable confusion.
“I have nothing to apologize for,” he snipped, turning his nose up at you.
“Then I have nothing to help you with,” you smiled, barbed, and swiveled to retreat into the safety of your cottage. “Good afternoon, Mister Lion. And please don’t eat my chickens.”
The Lion did not, in fact, eat any of your chickens. Or your geese, or ducks, or even the little rabbits that lived in the walls. He’d passed out beneath one of the overburdened fruit trees that grew along the edge of the forest and slept there for the entire evening—sprawled out amidst the roots like the rough bark was as comfortable as any other luxurious bed. He was still there now, snoring softly beneath the gentle, yellow, warmth of the morning sun.
You watched him for a few quiet moments, throat catching on a curious little hum. You wondered how long he was planning to skulk about your little homestead. You wondered how he wasn’t cold and miserable every night. And surely he must have been ravenous by now. It’s not like you’d seen him eat anything.
So you raided your icebox for leftovers and heated them on the stove until your cottage was filled with the cozy smells of well-seasoned meats and sweet, berry, tarts. You packed up the meal into a neat, little, box, wrapped it all up in a tea towel to seal in the heat, and then dropped the thing in his lap hard enough to startle him awake.
The Lion glowered down at the mesh of checkered fabric in obvious distaste. But then the scent of what was tucked within said wrappings must have made its way to his nose, because some of that ire seemed to melt away and he sniffed curiously at the air.
“Thank you for not decimating my livestock population,” you said.
“You told me not to,” he snapped, tail whipping angrily at his rear. He reached out to pick at the folded edges of the parcel with a perplexed sort of expression twisting at his mouth.
“And you didn’t,” you responded with a shrug. “It’s appreciated.”
With that, you left to go about your daily business. Your garden needed tending, and one of the corners of the fence needed a new patch to keep it upright. You also hadn’t seen much of your foxes since Lord Lion had decided to make himself at home, and you wound up spending far too much time crawling around on your hands and knees—looking under bushes and into holes as you waved around a juicy chunk of roast beef in hopes of tempting them out.
There was the telltale crunch crunch of someone stepping through the dirt to stand at your side, and you glanced up to see the Lion Man looming over you with a heavy scowl—arms crossed loose over his chest.
“Is this what you do? Everyday?” he asked, sounded insultingly incredulous. His face was twisted up into a sneer that was entirely unimpressed. “Crawl through the muck like a worm?”
“Not every day,” you said after a moment of consideration. “And worms don’t have limbs. I’m more like a cockroach, maybe.”
He scoffed. “And you have the nerve to think that you’re too good to help me.”
“I never said that,” you frowned, sitting back on your heels and brushing some of the dust and grass from your pants. “I just said you needed to apologize first.”
“I’m not sorry for anything,” he said again, just as put out as before.
You waved a finger at him in a gentle tut-tut. “Ah, but we’re making progress. See, earlier you said there was nothing to apologize for at all. Now at least you’re recognizing that there is, in fact, an anything.”
You swayed your way back to your feet before he could launch into another rant about your mortal ridiculousness.
“A friend of mine hunted down a White Moor Stag last week,” you said, brushing the last of the grit from your knees. “It’s supposed to be delicious, and I’ve had some of the cuts marinating for a while now. You see, it’s this whole mess with orange zest, and molasses, and these little Red Eye chilies that I’ve been growing for ages now—”
The more you rambled, the more constipated he looked. So you cut yourself off and rubbed at the back of your neck, just toeing the wrong side of embarrassment.  
“R-Right. Anyways. I’m going to be cooking some of it up tonight to try. So—Well,” you waved your hand awkwardly around your head in a gesture that even you weren’t entirely sure made any kind of sense. “If you apologize before then, you’re more than welcome to come in and have dinner.”
He scoffed. “That’s not exactly a worthwhile offer when we both know you’ll just end up bringing me some tomorrow either way.”
You sighed.
“Probably,” you admitted. “Well. See you in the morning then if you’re still around, I guess.”
“You’re terribly accommodating to unwanted guests,” he sneered after you as you climbed the set of stairs that made up your teeny porch, and you waved him off with a grumble.
What was so wrong with being civil, huh?! You liked to think that your little cottage was homey and welcoming. You took in weird guests all the time! And you liked being known as that awkward but friendly recluse who could offer a wandering adventurer a fresh set of laundered clothes and a good meal. It was how you’d met all your other friends. Odd as they all were. In fact, if you were being perfectly honest, in comparison to some of your other compatriots, Mister Lion really probably was the most societally acceptable definition of ‘normal’ out of the bunch. Which was—not to rag on your dear friends or anything—but that was certainly… Uh…
You spent the afternoon shuffling about your kitchen, and then a long evening searing the meat to perfection. It tasted absolutely divine—totally ‘making noises not meant for polite company’ and ‘curling your toes under the table’ levels of yummy. You happily set aside some portions for your friends whenever they inevitably stopped by (with an extra-large and prettily packaged one for your Hunter), and then packed a small box of leftovers to set at the front of the icebox. Just as the Lion had said you would. Because unlike him, you were nice. And kind. And really didn’t want him to get hungry enough to start eyeing your chickens in earnest.
The next morning when you ventured beyond your front door, you noticed something a bit odd.
Your brow scrunched and you shifted the little box of meats into one hand so you could use the other to poke around your very neat looking garden.
“I don’t remember weeding this yesterday…”
Nor had you had time to fix the fence amidst all your fox chasing. Or prune the berry bushes. And normally your trimming was not quite so, err, ugly, lopsided, like the work of a toddler with safety scissors imperfect. More of a scorching, really, than any kind of clipping. There was a soft dusting of glittering, arcane, sand scattered along their roots.
The Lion snorted and snatched the food from your hands with a scowl. It was a weird, tiny, twisty expression—and way more performative than he’d probably intended it to be.
“Then you must be even stupider than I thought.”
“Huh,” you mused, plopping yourself down on one of the low-cut stumps and resting your chin in your palm. You tried to hide the amused tick of your lips behind your fingers. “I hadn’t thought that would be possible. What’s lower than a base zero?”
“Negative numbers exist,” he sneered and sat cross-legged in the grass across from you to devour his plundered meal.
You hummed and rifled around in your pockets. You unearthed another wrapped treat and passed it his way.
“Thank you for cleaning up,” you said.
He scoffed and took a too-large chomp out of his food, eyes averted towards the ground. “Whatever.”
The Lion followed you around the rest of the day—always at a distance, and always with a perpetual cloud of scathing comments settled about him like a swarm of buzzing bees. You just hummed through the streams of pessimistic angst and continued your chores. Mostly he just watched you toil away. Occasionally you’d toss him a berry from a bush you were replanting, or share some bites of the granola you’d tucked into one of your pockets. He accepted each treat with an upturned nose and absolute indignity. But he ate each and every morsel, and you noticed him go back to swipe another berry when he thought you weren’t looking.
He still outright refused to apologize, so you took your dinners alone. But he did help you move some thorny branches, and didn’t even complain too much when Penelope the Chicken made herself a nice bed in his lap. You brought him one of your spare blankets—a big, old, fluffy thing that you’d once hoped would be a bit magical, as you’d spun it together from some enchanted wool. It was not, which was disappointing. But it was still warm and pretty, so that was fine.
The Lion scoffed at it, but you just left the folded-up mess of soft fluff by his side with a pointed pat-pat-pat before returning to your own cozy bed for the night.
When the sun rose the next day, you woke to a familiar, scraggly, redhead at your door. Ace smiled at you through a layer of grime thicker than the shirt on his back, and you immediately herded him out towards the backyard to dunk him in the pond.
“What did you even do?” you asked, upending another bucket of water over his head. “You look like someone tied you to the back of a horse and dragged you the entire way here.”
He shivered petulantly. “I didn’t do anything! I swear! And nothing happened!”
Splash went the next bucket.
“Nothing I didn’t deserve,” he corrected, and you handed him a towel as a reward for his vague attempt at honesty.
Eventually Ace managed to weasel his way out of the frigid pond and into a fresh set of clothes. He sighed, content, and set about lounging in the sun like a fat, lazy, tom cat. Which, speaking of lazy, lounging, cats…
You glanced around your little farm, but your new Lion companion wasn’t anywhere to be found. Huh. How strange. You retreated back into your home to collect some of your leftovers before returning to your friend. You carefully balanced one of the boxes atop the fence as you went, just in case the Lion did come around looking for a snack.
You handed the other to Ace, and his mouth nearly started watering at the sight.
“No Deuce this time?” you asked, peering back out towards the dirt road—half expecting to see the warrior sprawled out in a ditch or something just a few paces down the path.
“Nah,” Ace sighed, kicking up his feet and letting out a heaving sigh that sounded like it weighed more than the thick, traveler’s, pack usually strapped across his shoulders. “He stopped back in town to drop off a letter for his mom.”
Ace moved to dig into the food in earnest, and you lit up at his enthusiasm.
“This is from that Stag,” you beamed, and his face went a bit pale. “Remember? The one we could barely fit through the shed door even when we got all six of its antlers off? I finally got around to cooking it.”
“That Hunter brought this?” he asked, looking more and more uncomfortable by the second.
“I mean, who else could kill a White Moor Stag?” you laughed, and Ace’s expression was shifting into something that looked a bit too close to sea-sickness for someone sitting in a soft patch of grass in the heart of a landlocked prefecture.
You reached forward to pluck up a bit of one of the juicier steaks between your fingers and shoved it firmly into his mouth. The indignant spluttering that followed rapidly melted into near moaning, and whatever hesitance was brewing in that empty skull of his dissipated in the face of such a pure, culinary, masterpiece.
You leaned forward eagerly when he began to shovel the stuff into his mouth like a dying man inhaling his last meal. “How’s it taste? I tried using rinds this time in my marinade instead of just the orange pulp, and also tried whole ginger slices rather than the ground up kind, and—"
“Yeah, yeah,” Ace waved you off around a mouthful of half-chewed meat. “Food magic, and fancy things, and whatever. Can’t you just let me enjoy this stupid, terrifying, meal in peace—”
A clawed hand slammed down over the top of the makeshift lunch box with an echoing ­­thwack, and the redhead lurched backwards with a startled squawk.
“If you’re not going to bother listening, you don’t deserve to eat it,” the Lion huffed, snatching the portion for himself and gracefully folding his unfairly lithe limbs to plop down at your side.
“You’re one to talk,” you blinked, taken aback at his sudden appearance. And blatant hypocrisy. Like. Come on, dude.
He was close—far closer than he was normally willing to get to you and your human cooties. Practically slotted up against you from hip to shoulder. His tail curled up and around your wrist and you could feel the tip of it twitching irritably against the soft skin at the heart of your palm. That aloof, emerald, glower of his was fixed on Ace with just a touch too much ire to really be considered indifferent, and his ears were pressed down into stiff, flat, lines atop his head. You blinked again, wide eyed and a bit confused. Huh. Maybe he just wasn’t a fan of strangers.
“When have I ever interrupted one of your ridiculous tangents?” the Lion snipped at you, pointedly popping the thickest, juiciest, slice of the bunch into his mouth. It shredded like tissue paper between his canines and Ace audibly gulped.
“You make faces at me,” you argued petulantly, and immediately felt like a toddler.
“But I always listen,” he shot back, equally as bitchy. And also… surprisingly earnest. Even if he was being as miserable about that sincerity as he was about everything else.
His green eyes flicked down to meet yours for a moment—two, three, four—before swiveling back towards Ace and narrowing all over again. And yeah, you’d assumed that the Lion had looked irritated with you plenty of times before, but the sneer he was giving Ace was all sorts of unpleasant. Rivaled only perhaps by that open, spiteful, hatred when he’d turned to bear his fangs at the metal spike trap twining around his legs and keeping him trapped in that pit.
His lip twitched up, almost like a snarl, before he continued, “Even an herbivore like you deserves that at least.”
Then the Lion reached around you to snatch the checkered tea towel wrapping from its place discarded at your friend’s feet, jostling you ridiculously all the while and practically bullying you into his lap with his flailing elbows in the process. He idly wiped the mess of sauces and drippings from his fingers before tossing the fabric back into the dirt—this time at his feet. You rolled your eyes at the petty theatrics and shot Ace one of your patented ‘man, what a day, am I right?’ looks, that he responded to with an expression that looked more like someone had just punched him in the nuts and threatened to wear his skin as a suit than it did any sort of real life, rational, human, emotion.   
The Lion’s arm tightened from its place at your waist—where he’d lazily left it after that initial reach around. You settled back against him with a good natured, if exasperated, huff. At least he was warm. And honestly a much nicer seat than the damp ground.
“Uhm—” Ace choked. Cleared his throat. Tried again. Choked harder. “Who—Who’s this?”
“Oh,” you hummed, pensive. “Actually. That’s a very good question. I don’t really know.”
The Lion Man practically groaned into your neck. Ace looked like he wanted to put your head through a wall.
“This entire time,” the Lion hissed. You could feel the imprint of his canines bumping up against your skin as he grit his teeth. “You didn’t even know who I was?”
“No?” you frowned, confused. And then, rightfully indignant, “It’s not like you ever introduced yourself!”
He pulled himself back with a sigh that sounded like it was the only thing standing in between a gruesome murder and whatever fragile sanity he’d managed to wrangle together. He straightened—posture going rigid and regal. The claws at your waist flexed into the breezy fabric of your shirt and his tail tightened along your arm.
“I am Leona Kingscholar,” he declared, proud. “Second Son of the Sunset Savannas. Heir to the King's Roar.”
Ace started choking all over again, and let out what sounded vaguely like a strangled ‘holy fucking shit.’ You waited a moment, shifting through the catalogue of names and places in your head before drawing a complete blank. So you simply nodded as best as you could while squashed up so close against him and offered your own name politely in return.
Ace gawked at you. “What the fuck is wrong with you?”
You frowned. “What are you talking about? I was just being polite!”
“This is—He’s—!” your redheaded friend just barely managed to splutter out past his obvious terror. “Leona Kingscholar is a Warlord. He’s an ancient terror—He’s—He’s a General, and a monster, and the fucking Changeling Prince whose family rules over this entire goddamn continent, you absolute fucking halfwit!”
Your brain seemed to evacuate the premises all at once, and you were left gaping like a fish out of water. Mouth opening and closing as if of its own devices. Just. Not a thought passing behind those wide, horrified, eyes of yours. Eventually you managed to tilt your gaze up and up until the back of your head thunked against your guest’s shoulder. You stared at him in outright consternation and he simply arched a handsome brow, entirely unimpressed by your apparently lackluster deductive reasoning.
“…is that all true?” you asked haltingly. He rolled his eyes at you.
“More or less.”
“… and you’ve been sleeping in my chicken coop.”
Leona snorted. “I have.”
You turned back to Ace, a creeping sort of dread slithering through your gut and clawing up your spine.
“Oh no,” you said. With feeling.
“Oh fucking no indeed,” he wailed, and dropped his head into his hands.
.
.
.
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sage-nebula · 6 months
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I've seen some people surprised that Kit feels murderous toward Tails in the newest issue, but honestly? I really think this tracks. Setting aside his original programming to kill Tails, let's look at their relationship in chronological order, shall we?
As we know, they met in Eggperial City, where Kit tried to do his job and kill Tails. Tails quickly set to work on talking Kit down, which he did mostly successfully (mostly, because it all went to pot the instant Tails suggested they find Sonic). The thing is, if he has taken the time to look back on it (and I'm sure he has for reasons I'll get to), I don't think Kit sees Tails as really being kind in retrospect. I think he sees Tails as having manipulated him.
And the thing is: he's right.
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Look at Tails's smirk after Kit shows surprise that Tails likes his gear. That's a got him smirk if I've ever seen one. Tails has clued into a vulnerability of Kit's that he can use to his advantage.
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He further tries to draw similarities between them ("I'm different too and people didn't like that either") and asks leading questions ("you don't get support huh?") to get the result he wants. We have further confirmation that this is deliberate manipulation on Tails's part by his internal monologue about Kit's emotional instability.
Now, none of this is to say Tails is a bad person. Kit was genuinely trying to murder him and Tails was trying to de-escalate the situation to save his own life, without physically harming Kit if possible. As funny as memes about Tails murdering the Kukku Army are, generally he tries to avoid hurting others if he can. He's a nice boy.
But what happened after this?
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Well, more specifically: Tails mentioned wanting to find Sonic for help, Kit attacked again, Tails knocked Kit out, and then after Kit comes to and they all leave the city . . .
. . . he's told that Surge died.
Surge was his one reason for living thanks to Starline's programming, and she died while Kit was unconscious because Kit fell for Tails's manipulation and then was overpowered. We don't get a look inside his head during the time when he believes Surge has died, but there is a strong possibility that he blamed himself, because if he had drowned Tails right away like he was supposed to, he could have gone to help Surge. But he didn't, so he couldn't, so she's dead. That's mostly on him, but he could easily resent Tails for it, too.
And speaking of resentment:
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Kit finds out Surge is alive, and of course his first instinct is to think Sonic lied so that he could kill Surge off for good. So he goes to get revenge, only to be blocked by Tails. And that's when we get that gem of a line: "Why would you bother with me? You already have him."
Remember that, when he thought Surge was dead, he figured he could be used by Sonic instead:
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But while he of course doesn't want to serve Sonic now, he has also realized that if Surge HAD actually died, Sonic would still have no use for him, because Sonic already has Tails. Tails, who can break his water tails easily. Tails, who easily manipulated him in Eggperial City. Tails, who disabled his water pack and knocked him out.
So far, Tails has bested Kit at every turn, leaving Kit to feel inferior and worthless by comparison.
The next time they meet, it is a trap where Kit is again supposed to kill Tails. And once more Tails is able to manipulate Kit into temporarily backing down:
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Tails thinks Kit has gone back to being, if not friendly, then reasonable. But he hasn't. Kit stops specifically when Tails says Surge is hurting herself, because he doesn't want Surge to be hurt. And I think Tails knows that, and that's why he said it. But Kit also knows that he is being manipulated here, and his silence is him watching for his opportunity. Such as here:
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Peep Kit in the second panel. He watches as Tails dives after Sonic. Had Tails hit the water, he would have been fried right along Sonic. But did Kit care? No. He watched. Surge could have easily killed Tails just as she (temporarily) killed Sonic, and Kit would not have cared at all, because at this point he does not see Tails as a friend: he sees him as a manipulative enemy.
This is further cemented by what he says and does at the end of the issue.
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He uses his water tails to grab Tails and move him out of the way in the very same way that he does to Sonic. And he says, "I'll bury you all here." All, including Tails. While the focus is put on Sonic's anger because he is the main character, that doesn't change the fact that he is including Tails when he says that he will bury them all. He sees Tails as no different from Sonic, Starline, or Eggman. Tails manipulated and used him, just as the rest did. He just pretended to be nice while he did it.
So when he finally comes back in this most recent issue, it comes as no surprise to me that this is his attitude:
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His history with Tails is extremely personal, and not in a good way. It can be easy to miss because most of the focus on Kit has been on his codependent relationship with Surge, and he hasn't openly voiced how he feels about Tails until this particular issue. But when you piece together every step of their relationship (Tails manipulating him, Tails overpowering him, Kit saying Sonic has no use for him because he has Tails), it paints a very clear picture that Kit feels every bit as suffering in Tails's shadow as Surge does in Sonic's. The only reasons why Kit isn't more proactive about it is because of his programming as a support figure. Supporting Surge comes before all else, so if Surge is hurting herself it's best to hang back. And if Surge doesn't want to go after the Restoration because it's a losing battle with just the two of them, then he needs to follow her lead.
But those feelings of resentment are still boiling under his surface. And now that he has the opportunity to unleash them, he won't miss the chance to strike.
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You put a lot small visual elements and details in that I never seem to notice on my first read, and it always makes rereading exciting. What’s a detail from the comic that nobody ever seemed to notice? I’m sure there are things that nobody has mentioned, especially from the early chapters, that you’d want to talk about
Oh man.........that's a great question.
The thing is, there are a lot of details that people don't pick up, but there are definitely eagle-eyed readers that also do! There are also details which most didn't pick up until someone posted about it, and now everyone knows!
There are also details which are actually... yet to be revealed as relevant! That's a secret tool that'll help us later. :)
But most of it is plot relevant decisions I make which make the story more full, but are not necessarily NECESSARY for full enjoyment.
For example, in the very first comic, when Earl approaches Steven....
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Her eye isn't white! That was a fully deliberate decision. She didn't actually approach Steven because he wanted her to. That was a decision she made on her own!
Most of the white eye shenanigans in Season 1 were deliberate, albeit not very explicit. I suppose that worked out okay, though. Plus, many people DID catch on!
Also, this part in the Kindergarten comic:
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...which people assumed was a power separate from everything, is actually just the first instance of Steven's Command power. The thing is, I hadn't settled into how to portray it at the time, and also - the gem is Corrupted! It doesn't respond to Steven's commands the same way normal gems do. I planned to explore that earlier initially, but in the end, decided to tie it into much later plot.
In Season 1, EP 38, Steven asks Earl to write her name.... and she does! But in gem, not English, because she doesn't know how to write in English.
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She designates herself as White Pearl, putting the dash over the top diamond. It was at the time when she was still anxious about making Steven - White Diamond - angry with her.
And to add to the eye thing - during the Season finale of Season 2, when Steven wondered if Earl only came to see him because he forced her to - the comic where she finds him in the water proves otherwise!
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Immediately when she grabs him and swims up, her eyes aren't white! She's doing it of her own accord.
Also, in Season 3's opening, when Rose is angry at what she THINKS is White Diamond, she almost has a slip of the tongue when talking about the past.
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There's a very pointed reason that panel of Earl is right there next to Rose's cut-off 'My...'
Also, when Rose leaves Steven in the Containment Sphere - the Baby Jail Bubble - she unlocks it to leave, and you can pretty clearly see an interesting detail.
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(which Steven, of course, doesn't notice.)
There's also a bit of a narrative tongue in cheek line-up which is accidental on Steven's part but still rings true:
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(TVTropes editors caught this one! Hey TVTrope editors!)
Also, this very famous Seaglass foreshadowing:
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The first instance of Steven connecting to tech was in the beginning of this season!
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When Steven has a bad dream after fusing with Earl and forming Bleached Coral, there's a hidden detail in this reflective text from Nightmare Rose:
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(It might be easier to read if you mirror-flip it.)
Another fun thing I enjoyed doing before I got busy with other stuff is gem language! Earl writes Steven notes in it to help him learn, and now signs with her English name,
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In the Cluster Experiments comic, if you look at the panels before stuff starts to Happen, you can find a few Experiments hiding in the background. :)
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In Amethyst's room, there is a Japanese stopsign and a d20 in the background.
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In episode 25 of season 4, Steven is playing Moonlight Sonata!
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In episode 33, the ship Steven connects to displays a bisection of the earth which showcases its lumpy core! Or rather, the megastructures that are hidden deep inside the mantle.
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It also showcases a few geothermal coring sites made during the colonization.
And by the way, the drill Pearl built was actually a repurposed ship hull which was used for the Space Race ship in the original show!
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And man there are actually... many more! But I had to skip over them because they are alluding to things which have not yet been explicitly revealed! :D
But even with this, I'm sure there are other ones I'm missing. If you think you have one that should be listed - throw it on a reblog or in the comments!
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makeste · 5 months
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BnHA Chapter 410: Kacchan Fights a Baby
Previously on BnHA: Kacchan was born and then he grew up and murdered the Demon Lord.
Today on BnHA: Kacchan fights a baby. Tomura and Deku finally remember that they were supposed to have been fighting too this entire time, and get on with that once again. Tomura is all, “[literally just reaches out and grabs Deku’s face because Deku’s main character powers suddenly abandoned him in a fit of confusion].” Deku is all, “[chops off Tomura’s fingers which is somehow not even in the top twenty of violent things that have happened in this series in just the last five chapters].” Tomura is all “joke’s on you I still got your quirk :D” and fuck me he actually stole Danger Sense, what the fuck.
logically I knew AFO still had to be alive somehow because he’s too big of a villain to go out that easily without a proper sendoff. but deep in my heart, I’m still secretly disappointed
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it just isn’t fair, lol. this guy has died more times than Rasputin and he’s still out here scheming his schemey schemes. when oh when will it end
sir you did not just say you had yet ANOTHER unused trump card up your sleeve??
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(ETA: the translation isn’t fully clear here, but I think the trump card he’s referring to is the whole “I’ll just go back inside him and join the part of me that was already in there and we’ll take over Tomura’s body again together” plan that he was trying to pull off. I think. if not though, that’s certainly something worth speculating about.)
well as always the psychology in this series is unironically fascinating! he just wants acknowledgement at the end of the day, huh. just wants some love and attention. too bad he was born in a rat-infested hellscape and learned all the wrong lessons and turned into a crazed omnipotent murderlad
also he really did turn back into a baby sdfsdlkjfl oh no. I need to see Katsuki’s reaction to this immediately
oh my lord
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(●__●)
lmao this is so incredibly fucked up
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ngl though, this is karma at its finest. he tortured and killed so many people trying to earn everyone’s fear and awe and reverence, only to literally blip out of existence at the end with absolutely nothing to show for it
everyone please enjoy this series of panels of a deeply vexed Bakugou Katsuki picking a fight with this slowly melting evil baby
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“you think I care that you’re a baby now. you think I won’t fight a fuckin’ baby. let’s do this you little punk”
also I’m sorry but it’s absolutely ridiculous that the gigantic chest wound Tomura inflicted on him got sewed up so neatly lol. AFO’s not the only one who stubbornly refuses to die no matter what
...
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just once, it would be nice if Horikoshi didn’t immediately shred my plot nitpicks to pieces mere seconds after I write them
LMAO
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BABY AFO DON’T CARE. BABY AFO WILL THROW HANDS WITH ANYONE \(`0´)/
KACCHAN MY BELOVED FAVE OF ALL TIME, ARE YOU REALLY ABOUT TO LOSE TO A LITERAL FUCKING INFANT
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WHAT HAPPENED TO “PERFECT VICTORY” LMAO. MOVING THE GOALPOSTS EVEN AS HIS CONSCIOUSNESS FADES. “EH, CLOSE ENOUGH”
-- OH FOR THE LOVE OF --
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me: wow it sure is uncharacteristic of Katsuki to just pass out before he properly wraps up this battle
Horikoshi: oh yeah good point, sure would be a shame if someone... IMMEDIATELY ADDRESSED THAT CONCERN ON THE VERY NEXT PAGE
me: ఠ_ఠ
ldskjflaksdjfkds
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fdsfsdkf. “SORRY ABOUT THAT, FOR A MOMENT THERE I ALMOST FORGOT TO BEND THE ENTIRE UNIVERSE TO MY WILL”
holy fucking shit. his body was all “um, just a quick reminder that you’re HORRIBLY WOUNDED and have lost like ten gallons of blood and all of your cells are about to call an emergency meeting to shut this thing down before you get us all killed.” and he was all “WHAT WAS THAT?!” and his body was all “oh my GOD, FUCK, OKAY just forget we said anything”
and meanwhile Baby AFO is just lying there all “(◉⌓◉)”
this six-month-old child is truly and sincerely still trying to kill Kacchan while screeching death threats in high-pitched baby talk
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this actually would have killed him too, if he’d succeeded in passing out. all that just to be punk’d by a damn baby
you are actually shitting me right now
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at this point I’m genuinely not sure which of them has the more powerful angry toddler energy
oh no ffuffkdsfk
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meeeeelting. meeeeeeltiiiiiing!!! oh what a world what a world
jesus Horikoshi I am genuinely speechless
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... welp
WAIT NO WAY, REALLY?!?!
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?!?!?! WAS IT ACTUALLY THAT SIMPLE THIS WHOLE TIME
-- lkjf
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three times. three times in the same fucking chapter. I give up. apparently I’ll literally believe anything this man says. does it feel good, Horikoshi. preying on your readers’ hopeful naivete
yeefuckinghaw lmao
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GOOD JOB KACCHAN YOU DEFEATED THE EVIL BABY
awwwww
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I actually had a theory about this! well more of a wishlist item, really. I can’t remember if I’ve actually posted about it yet or not. but it’s like. you know how Deku and Kacchan are always being really dramatic about holding hands? wanting to hold hands; not wanting to hold hands; being afraid to hold hands; holding hands via proxy, etc. etc.?
and you know how both Endeavor and All Might have each done their own version of the victory pose that Kacchan is referring to here? with each one using a different hand?
so you see, I was thinking that it might be nice. might be a little poetic and all that. if at the end of the fight, Deku and Kacchan did, in fact, hold hands. and then did the victory pose together. and it became like their iconic hero moment. them standing there together. having accomplished their goal and defeated TomurAFO through teamwork. realizing their shared childhood dream. and sharing that moment of triumph with each other and with the world, ushering in a new era of heroes
anyway yeah. I was thinking that might be a pretty good ending. but it looks like Kacchan maybe really is about to pass out here now, lol, so maybe not? anyways time to finally scroll down
-- okay I literally said awww again out loud
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what a fucking nerd. I have never felt more fondness for a character in my life
every damn person watching this on the news better have leaped to their feet and started applauding, goddammit. those motherfuckers better be CHANTING HIS FUCKING NAME. all those nagging reporters better be bombarding his phone with calls. those fuckers who deleted his footage from the Shouto interview better be shamelessly leaving him dozens of voicemails acting like none of that ever happened and presumptuously asking when he can free some time in his schedule to visit their studio again. all the heroes who haven’t hugged him yet better be lining the fuck up. that one guy from the post-kidnapping press conference in chapter 86 better be writing a fifty page letter of apology!!
oh hey it’s a random pre-battle flashback mysteriously taking place in Troy “a few days before the battle” even though I thought they only moved into that place the night before the fight
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I love how Katsuki immediately narrows his eyes (I assume. we can’t see for sure but that’s the vibe I get) at Jeanist and has to resist the urge to call the police on him for that pun
so Hadou’s wondering what Jeanist is talking about because they already evacuated the civilians, so what else are they trying to protect. and Edgeshot is all, “well obviously we’ve gotta protect everyone’s future,” which is a nice... rearshadowing?? for him saving Katsuki’s life later on lol
and now Mirko is all “get to the fucking point already.” which, same
so Jeanist says that Tomura is an even bigger problem than AFO, because at least AFO doesn’t want to murder everyone on the entire planet. and he concludes with “he’ll probably try to touch the ground and use his quirk.” which is a conclusion that I have to say wasn’t really worth two pages of flashback buildup for, considering that we all figured that out years ago
I’m guessing this is all just some sort of awkward transition back to Deku’s fight now lol
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and now we’re getting two pages of exposition on how long it would theoretically take Tomura’s Decay to spread throughout the city, and then the entire country, yikes
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damn. talk about stakes
and now finally back to Deku!!
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shoutout to everyone who correctly predicted that Deku was once again talking out of his ass when it came to being out of Gearshifts. we all knew. unlimited supply
wow Tomura way to throw AFO under the bus
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the way I recall it, AFO wasn’t the one who failed to kill him back then lol. but go ahead and talk your shit king
DEKU WHAT ARE YOU DOING
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holy shit?!?!
like my first thought was “well last time he did this he just tried to steal OFA rather than Decay him, so he’ll probably try that again and it’ll be fine.” only to remember that the AFO inside Tomura is currently permanently(?) out to lunch, and Tomura himself doesn’t give two figs about stealing OFA. so, uhhhh >_>
(ETA: nevermind.)
but then this happened
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Deku what the actual fuck
OH MY GOD??!?!
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HOLY SHIT
okay. okay, fuck. lemme gather up my thoughts, and then we’ll wrap this up
they’ll never admit it, but you know the other OFA Vestiges secretly resented Shino a tiny bit for being the only one of them to not be gruesomely murdered. bet they all feel guilty for thinking that now
Shino and Banjou also seemed to have this cute little pseudo-rivalry thing going on, so I really feel bad for Banjou now. :/ he looks so horrified in that bottom right panel
gotta admit, I did not see this coming in the slightest. OFA has been this immutable “I do what I want!” quirk for so long that I never thought Tomura or AFO would actually succeed in stealing it, even partially. that shook me to my core
BUT, it’s also really exciting to me because it’s going to make this battle much more interesting if Deku can’t use his get out of jail free card. shit just got way more real and I’m here for it
lastly, so! let me tell you guys my prediction. I still can’t see Tomura being the final villain lol. I just can’t. it feels too anticlimactic. if I’m wrong, I’m wrong, and I’ve certainly botched MANY predictions in the past, but I have not yet learned my lesson from any of it and I will not apologize lol
so here’s what I think. Deku and Tomura battle it out for the next chapter or two, and Tomura snatches up more of Deku’s quirks one by one. we see all of the Vestiges disappearing and the mood gets more and more desperate. eventually we’re down to just Kudou and Yoichi. Deku is panicking, but for some reason Kudou seems even MORE panicked
Kudou/Gearshift eventually gets stolen too, and it looks like this might finally be it for Deku (I have no idea how he’d stop Tomura from Decaying the ground once Blackwhip gets stolen, btw, but maybe Katsuki or someone else interferes in desperation towards the end). but just when it looks like Tomura is finally going to take the last piece of OFA, Deku’s vibes suddenly do a 180, stopping Tomura in his tracks
cut to the OFA Moon Gorgeous Meditation Realm, where Deku and Yoichi are staring at the door -- yes, that door -- in shock. because it’s finally been opened (now that the other Vestiges are no longer there to keep it at bay). and just like that, enter AFO, for the THIRD FUCKING TIME :D :D
tl;dr, HERE’S HOW HORCRUX!DEKU CAN STILL HAPPEN!!! wait where are you all going. wait come back
anyway so wow that was a really bizarre chapter that I truly thoroughly enjoyed, which should probably be a bit concerning. on to the next two week break! (for anyone who’s not aware, Shounen Jump will be on break next week, so yeah.) I’m on chapter 391 now. so close but still so far. the end of the year has gone by too damn fast tbh
193 notes · View notes
juuuulez · 4 months
Text
📰 | part thirteen: capulet.
info: Carl Grimes x Saviour! Reader, no pronouns/no use of (y/n), FINAL CHAPTER, canon divergence (i rewrote the ‘wrath’ episode), non-descriptive violence, blood.
summary: The Saviour-Alexandria war comes to a close in one, final battle.
guys i just wanted to say thank you all SO MUCH for loving this story, because it’s truly my favourite thing i’ve ever written….these two mean the world to me and i’m so glad everyone understands my vision
i actually loved writing this chapter, and i think the ending is really appropriate to the themes and nature of their relationship
i’ll publish an epilogue next, which will be the 6-year timeskip, and just wrap things up nicely so you know what the future held for carl and reader :,)
-> masterlist <-
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Truthfully, you were a little nervous. It had taken a week for these negotiations to settle, and you were worried as to what state the Saviours were in. You hoped that Negan was doing alright. Strangely enough, you’d never been away from him for this long, not since getting stuck together all those years ago.
A meeting spot was decided, though everyone was still wary. You’d been cuffed again for safety, and carefully transported alongside Rick, Carl and Michonne. They kept a close eye on you, wanting to ensure that nothing went haywire at the last minute.
It was a large clearing, a small grassy hill with an oak tree. Hanging from a branch was a beautiful stained glass panel, the intricate design having become slightly rusty with time and lack of care.
As you stepped from the car, the adults left your side, trusting you in Carl’s watch for now. He held onto your forearm, walking a few paces behind everyone else, allowing you to gain your bearings.
But something didn’t feel right.
“Carl,” You whispered, garnering his attention. “I don’t.. I don’t think this is a good idea.”
There was a look of worry on your face, one that made Carl’s heart break a little, wanting to assure you that everything is okay, though he didn’t know if that was true. He knew how risky this plan was: a plan that he couldn’t tell you, for you’d absolutely loose it.
“It’ll be okay.” He ends up saying, giving you a small squeeze and continuing to usher you forward.
It wouldn’t. Not for the Saviours, at least.
Fortunately for them, Eugene was still on their side. He’d expressed how the Saviours intended on sabotaging the deal, in hopes of taking power and taking you. This awareness led Eugene to rig the bullets with an explosive mechanism.
Carl had been uncomfortable to hear it at first, but knew that it was necessary in defending their stance. He couldn’t tell you. There wouldn’t be a single universe in which you’d hear him out, and see their side of the argument.
Yet, he understood. If someone was threatening his father’s life, he’d react similarly. So, Carl kept his mouth shut.
As you approached the hill, the Saviours became visible, and it seemed Negan had certainly brought backup. You could identify a few of them as Simon’s men, and wondered how loyal they’d been since his death. Or… murder, you suppose.
The more you focused, the more you realised the sheer amount of guns they’d brought. All standing defensively, weapons at the ready. It started to settle in, and you remembered your long history with the Saviours. They didn’t do things peacefully. They didn’t take deals, there was no such thing as compromise.
“Carl, Carl, I’m serious,” You urged him, suddenly stopping in your spot, causing Carl to stop with you. “This isn’t right. They’re gonna fire, I know they are. We have to—“
“It’s okay, it’s okay,” Carl interrupted, trying to calm you. “Trust me, okay? I know. And it’s alright.”
Something about that sent off an alarm in your head, a look of confusion crossing your face. You stared at Carl, eyes darting back to the others, then to him.
“You know?” You repeat, “What do you mean? Carl, they’re gonna shoot you, shoot everyone here. This is bad.”
The more you spoke, the more you seemed to panic, so Carl tried to quiet your tangent with a hand over your mouth. It worked, and had this been another situation, you would have laughed at the irony.
His hand doesn’t move, looking subtly nervous despite trying to calm you down. “You need to listen to me, okay? Just breathe, and—“
Whatever he was suggesting doesn’t matter, as suddenly there is crackling in the distance, loud pops as the Saviours attempt to discharge their weapons. Several guns break down into pieces, flames overtaking their inner workings as the mechanisms shut down and killing several of their owners. Those who survived were injured, their hands crippled and burnt.
You’d cover your ears to protect from the noise, if not for the handcuffs, but Carl seems to have a similar idea. He’s looking around, looking for something, before he pulls you down against the grassy hill, trying to duck and shield your body from something unknown.
“Carl!” You yell over the gunfire, “What the fuck is happening!”
Finally identifying a group of Oceansiders in the distance, Carl cups his hand over your ear, the one uninjured and still intact. You try to squirm away, but to no avail, confused and freaking out, unsure whether his hold was supposed to be comforting or threatening.
As you realised what was happening, it was too late to do anything. Molotov cocktails were used to alight the remaining of Negan’s army, the alcohol splashing at their feet and soaking into the grassy hill, spreading with reckless abandon.
“No! You asshole!” You scream, jerking your head away from Carl and trying to find your bearings. But being handcuffed, and your current lack of balance since the injury, you just end up falling back against the dirt.
“Hey! Listen to me,” Carl interrupts your protests sternly. He clasps his hands on either side of your face, keeping you still despite your attempts at moving away. “It’s over, okay? This is it. It’s done.”
You’re panting, looking practically feral, sweat beading on your brow and skin. Dirt is in your hair, stuck to your bandage, marred over the flannel you still wear. Carl’s flannel. Instinctively, you want to bite his hands, to do anything to get away.
But after everything, you know better. There’s nothing you could do to change this. Whether it be him, or you, someone had to face the music. Someone had to loose.
“Uncuff me.” You demand, chest rising heavily with each breath you suck in, still lying flat against the grass while Carl leans over your form.
He shakes his head, “I can’t do that. Not until we get back to Alexandria. You’ll get a house, your own place, and—“
You interrupt him with a scream, “Uncuff me!”
Though your pleas don’t work, Carl pulls your body up against him, trying to get you into a seated position. If you had control, you’d probably be able to hold yourself up, yet you remain helpless to his control.
“I don’t have the key.” He finally reveals, holding you up by your arms, unconsciously rubbing away some of the dirt that’s stuck there. “Even if I did, we have to wait, alright? I’m on your side, I promise.”
You’re on the brink of agreeing, of finally calming yourself, of accepting that this really is the end. Even your head begins to nod, a small motion, still looking a little breathless and confused.
Meanwhile, the battle isn’t entirely over. The remaining Saviours had seemingly submitted, abandoning any semblance of control under the promise that they would live, if they left for good.
You catch the end of that speech, confusion flooding your featured as they’re commanded to leave. The pair of you still sit in the grass, away from the main commotion.
Carl must have similarly picked up on the sudden shift in tension, his mind finally catching up with everything happening.
The realisation clicks instantly: if the Saviours are disbanding, they had no leader.
At the same time, you’re trying to stand once more. “No, no! Let go of me!” You scream, jerking yourself away from Carl even when he tries to help you up. You only make it a few steps before lack of coordination hits, and despite your hostility, Carl wraps his arms around you in assistance.
Carefully, he helps you over the hill, standing right on the crest. From here, the two of you can see everything. His breath caught in his chest as he realised that Rick had been shot, though he stalled himself from doing anything, understanding there was a much more dire situation at hand.
Everyone stood in awe as Negan essentially choked on his own blood, the liquid seeping from a slice in this throat, no doubt a critical wound. Rick stood above him, hands soaked red, dropping the shard of glass he’d used as a weapon.
It felt like there was no more air in your chest. Like you’d been thrown into space, the oxygen sucked from your form. You stood there dumbly, watching, mouth open but nothing came out. Next to you, Carl was saying something, but you couldn’t hear him.
You couldn’t hear when Rick ordered for Negan to be saved.
Nor could you hear Maggie’s shrill screams, begging and accusing Rick of betraying her.
Everything sort of just stopped moving. All of the noise had stopped, leaving this deafening silence and overwhelming feeling of pure emptiness.
Whatever happened after that didn’t sink in. Somebody had spoken to you, but you weren’t listening, nor did you have any clue where they’d taken Negan. Or where they’d take you. It was likely that you were told, but it didn’t stick.
The entire time, Carl was by your side. After getting into the car, he slid in next to you, a small metal ringlet in his hands. He unlocked the handcuffs from behind you, however had been instructed to cuff you once more from the front, shooting you a sympathetic look as he did so. At least now, he could hold your hand, which he did for the whole trip.
It was mildly comforting, some place in the back of your mind appreciating the gesture, despite the numbness that had worked itself into every corner of your body.
Eventually, you’d arrived at Alexandria. They took you towards the back of the community, to a house standing far from the others. It had been emptied of any objects that could be deemed weaponry, and was fairly bare-bones, but contained the minimum for survival. It was the first time you noticed Carl wasn’t around, a notion that allowed your senses to return slightly, offput by the sudden seclusion.
You allowed yourself to explore the area, opening each drawer only to find them all empty. The windows were barred, the door locked, leaving the house to feel more like a prison than a home.
Unsure what to do, you sat down on the couch, facing the door. It was comfortable. You poked at the fabric with your fingertips, trying to gain your bearings and come back to a place of consciousness, but everything still felt fuzzy and far away. Like you just couldn’t reach reality.
Hours past, though you weren’t too focused on the time. The only way of telling was when the sun had lowered, shadows being cast through the partially obscured windows. You hadn’t turned the light on earlier, causing the room to just become darker and darker, as you had no intention of getting up.
Finally, after what felt like an eternity, the door unlocked with a distinct click, before creaking open. You hoped that Negan would walk in, that he’d be alright and he’d hug you and say you’re going back to the Sanctuary. Together. But that was wishful thinking.
Though when Carl entered the house, you didn’t have the energy to be angry. You probably should have been.
“It’s dark, isn’t it?” He comments, having instantly spotted you sitting on the couch. When he doesn’t get a reply, Carl knows that small-talk won’t cut it, that he’s messed up.
So, he comes over, sitting next to you on the couch. In another life, you would have probably punched him. Screamed and accused him of lying to you. But you couldn’t be that person anymore.
When he wraps an arm around your side, you don’t protest, allowing Carl to pull you against him. You’ve finally begun to realise just how tired you are, as you rest your head down on his shoulder, tucked nicely into his side.
“He’ll live,” Carl whispers, “And they’re gonna keep him in a cell. I dunno how long… but probably a long time.”
You give a small nod, just to acknowledge that you’re listening. It makes sense. As long as Negan was alright, that they’d help him get better, then you could deal with the rest later.
“Can I see him?” You ask, voice coming out a quiet whisper. They’re the first words you’ve uttered since everything went down.
Carl feels guilty for his answer. He wasn’t even supposed to be here, with you. “No. Not for a while. Someone’s gonna come here, live in this house, just to keep an eye on you,” He has to swallow to clear his throat, “And.. it’s gonna be weird, I know, but… you’re here, and that’s all that matters.”
There’s little protesting you can do, not in this state. The shock still hasn’t fully worn off, Carl knows this, so he tries to move away from the heavy conversation.
He shifts on the couch, laying down and pulling you with him. You settle there easily, head resting over his chest, though he’s wary of not putting any pressure on your injury.
“We should get you something to eat.” He suggests quietly, brushing back some hair so he can see your face.
You shake your head, not having much of an appetite anymore. “Can we just stay here?” You whispered, lifting your head slightly to look at him.
Carl feels himself getting choked up again. He doesn’t quite know why, as he’s glad that this is over, that Negan will be confined to a cell, unable to harm anyone. This was the best-case scenario for his community.
But he knows, in another life, this could have ended badly. That he shouldn’t have been so lucky as to survive. The idea hurts, a deep ache in his chest, though he tries to keep the emotion out of his face.
“I’m just glad that I’ve got you.” Carl ends up whispering, the words slightly vague and confusing, but they mean everything they need to mean.
For Carl does, quite literally, have you in his arms. It didn’t matter where your relationship stood, or all your differences, for he had you.
You seem to realise this, a smile finally making its way onto your face. “Dork.” You mumble, the slight jab helping Carl to smile as well.
That numbness fades, as you lift yourself up a little, hovering over his body as your lips connect in a kiss. It’s the first one since weeks ago, after your fight in the alleyway.
This time, it’s softer, and Carl places one hand on your hip and the other to the back of your neck. Your breathing slows to match his own, lips moving together in an almost tired manner whilst your fingertips stroke the sides of his face.
Tomorrow will likely be difficult, as will the next day, and the next. But right now, things felt alright.
That night, you fell asleep on top of Carl, the pair of you tangled on the couch. You’d wake up to his voice in your ear and lips against your cheek, and though neither of you knew it then, you’d spend many, many more mornings together.
Eventually, the noise would fade, and you’d find some sense of peace in Alexandria with Carl. Years from then, you’d even help Negan find his peace, too.
Life would never be easy, but it certainly felt a little better with each day. That was enough.
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kpopfanfictrash · 7 months
Text
The Horrible Un-Haunting of Elliot House
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Author: kpopfanfictrash
Genre: Ghost!AU / Romance / Comedy (?)
Pairing: Seokjin / Reader (she/her)
Synopsis: Some houses are harder to sell than others but you, Y/N, are determined to find the (supposedly) haunted Elliot House a new owner. That is, until it's very real and very hot exceedingly well-dressed ghost decides to make himself known. If only you didn't find yourself enjoying the knowing.
Rating: PG-13 (kissing but nothing beyond that)
Word Count: 6,214
Author's Note: hope you enjoy this random Halloween "drabble"! This got oddly angsty? I suppose that happens with ghost love LOL
[ Cross-Posted to Wattpad ]
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“Through here,” you say, leading the Gundersons through an arched door. “You’ll find the most adorable sunroom.”
The Gundersons both gasp, appropriately awed by the tall walls of windows. Each panel is topped with stained glass, casting colorful patterns across the checkered floor. Technically, the sunroom isn’t part of the original house – it was added in 1975 during a brief period the address was owned by a cult – but you rarely disclose this fact during tours. Most people don’t care which parts of the house are original, so long as they can say they bought a 19th century Tudor.
Not that you blame them. Most people (or at least, sane people) appreciate the romanticism of an old structure without actually wanting to live in one. Modern amenities are the top benefit of progress, after all. The government couldn’t pay you to live without modern heating, plumbing, or refrigeration.
“Margaret, did you see?” Arthur Gunderson, a slightly rotund lawyer, and husband of said Margaret, gestures emphatically. “I’ll be damned if this stained glass isn’t Tiffany! See there, see that stamp in the corner?”
“Good eye, sir!” you chirp, barely glancing up from your clipboard.
Truthfully, you aren’t sure whether the glass is authentic. The cult that installed could hardly be called profitable (they sold the house at a loss after less than ten years, although this likely had more to do with crimes committed on said property than their income, but you digress), so you’d be hard-pressed to believe they could afford real Tiffany.
If this is what convinces the Gundersons to buy though, you’re hardly a realtor to look a gift horse in the mouth.
Ticking a box in the upper right corner – sunroom – you look up. “Right, well. That’s most of the lower level.” Pivoting on your heel, you head towards the corridor. “If you two will follow me upstairs, we can –”
“What’s that?”
Steps slowing, you stare at the plaster wall. A moment passes, then two before you convince yourself to turn around. When you see where Arthur Gunderson points, a relieved breath leaves your lips.
“Oh, that?” Floorboards squeak as you cross the room, sounding almost like laughter. “That’s the cellar. I’d offer you a look but unfortunately, the staircase isn’t quite up to code. You’ll need someone to look at that ASAP if you buy.”
Hovering at the wooden door, you grasp its bronze knob and pull. Tugging the cord for the light, you briefly scan the stairs but spot nothing unusual. Mostly convinced, you dutifully step aside.
“Feel free to look,” you say brightly.
The Gundersons crowd the landing you vacated.
“Careful, honey,” Arthur warns, holding Margaret’s elbow. “These stairs are steep.”
Standing on tiptoe, Margaret peers beyond him into the basement gloom. It could be your imagination, but she almost seems disappointed. A few cobwebs and shadows line the staircase, but nothing more sinister.
Hiding a smile, you check the next box. Cellar. Sometimes, people request to see this house not because they’re interested in buying it, but for the thrill. Entering the haunted Elliot house and surviving will make a great tale to tell their friends over cocktails.
Lowering your clipboard, you glance upward. So far, everything has gone to plan, which is partly the problem. You must’ve shown this house thirty times and always, something has gone wrong by now. Before being assigned its realtor, you believed in the paranormal, but only in a theoretical way. Not because you’d witnessed anything spectral.
Your opinions since then have changed.
Turning sharply, you plaster a smile on your face. “Shall we?”
Stepping back, Margaret pulls wiry frames from her jacket pocket. “I must admit,” she says with an embarrassed laugh. “Based on what our last realtor said, I was expecting far worse from this property.”
Although your smile tightens, you nod. The other realtor had a point – Elliot house could be temperamental, at best. Downright petulant, at worst. You glare again at the ceiling.
“We get that a lot,” you say, ushering them down the hall. Best not to linger. “Whenever a house sits too long on the market, you know – people talk. Lots of rumors!”
“Oh, sure,” Arthur says, passing you with a chuckle. “We’re not superstitious, don’t worry.”
“Oh?” you say lightly, remaining behind. “That’s good to know. Now, if you head down the hall, you’ll reach the foyer. All the crown molding you pass is original. The house’s first owner and builder, Daniel Baker, was something of a craftsman. He –”
Abruptly, you cease talking and stare at the stairwell. Halfway down the steps, where before there was nothing, sits a perfectly ripe orange. Eyes narrowed, you stare at this a long beat before yanking the light cord down and shutting the door.
Glancing upward, you hiss, “Not today, I swear to – well, whatever hellish being you worship.”
The wind sounds almost like laughter, but you don’t stick around long enough to find out if that’s true. Shaking your head, you traipse down the front hall in search of the Gundersons. Luckily, they’re too busy taking pictures of the aforementioned crown molding to have noticed your absence.
“Shall we?” you say, gesturing at the front stairs.
Pocketing their phones, they begin their ascent. You wait at the bottom, giving them space to discuss the house. From personal experience, buyers tend to appreciate when you don’t hover.
Besides, the grand staircase is your favorite feature – equal parts artwork and functionality. From your place at its bottom, you admire the craftsmanship. Starting the climb, your fingertips skim whorls in the wood and for a second, you feel a phantom hand rest over yours.
Scowling darkly, you yank your palm away. Reaching the landing, you clutch at your clipboard tighter and walk forward.
“This way!” you say, practically shoving the Gundersons into the first bedroom.
While they ooh and ah about the bay windows, you tick another box on your spreadsheet. Master bedroom.
The second you’re done, the pen slips from your grasp and hovers in mid-air. It then turns, point-down, to scrawl something in the margin.
‘Master’ bedroom? Kiiind of racist, don’t you think?
Teeth gritted, you snatch your pen back. “I wasn’t the one who created the spreadsheet, okay?” you whisper. “And while, yes, I agree, and other realtors are moving away from that language, I don’t–”
“Pardon?” Arthur Gunderson peers, confused, over his shoulder.
Somewhat manic, you smile. “Oh, nothing,” you say, the words sounding high-pitched, even to you. “I was just reminding myself to show you the main bathroom. Beautiful claw-foot tub.”
“Oh. Sure,” says Arthur, returning to his wife.
Head whipping sideways, you glare at the most likely place Seokjin would be. A chuckle drifts past your ear on the other side, and your scowl deepens.
Once an appropriate amount of time goes by, you usher the Gundersons into the next bedroom. Hovering outside, you calculate how quickly you can convince them to leave. The longer they stay, the worse the so-called haunting will be.
You should have known better than to show them this house, but they were insistent. Or at least, Arthur was. Margaret seems reasonably paranoid, which you deem a positive quality. Everyone within a hundred-mile radius has heard of the haunted Elliot house.
Even the name is confusing, since it doesn’t bear the name of its builder, Daniel Baker, nor its longest resident, Mr. Josiah Whitley. Instead, it’s named for Nathaniel Elliot, the cult leader who murdered a man on its premises in 1978. Obviously, this fact wasn’t known to the public until after the cult sold the house and moved far away.
Eventually, Mr. Elliot was tried and found guilty of murder, but this was much later. Wincing a little, you glance at the ceiling. Seokjin has said many times that ghosts can’t read minds, but you wouldn’t put it past him to lie for a punchline. Even if he can’t read your mind, the faint scent of cedar lets you know he’s nearby.
Quickening your stride, you show the Gundersons the next bedroom. “This is one of my favorites,” you say, pulling hard on its warped door. “The view from that window is stunning. You can see all the way to the brook!”
Taking the bait, Margaret crosses the room. “Oh, look, Arthur!” she exclaims, leaning forward. “There’s a gazebo!”
He follows at a more leisurely pace, frowning when he spots a lone cobweb in the corner. Sighing, you swipe at this as you pass, almost certain the web wasn’t there this morning.
While the two converse, you pull out your clipboard and run down the list again.
Most days at your job are like today – running down lists and waiting for other people to make their own life decisions. Becoming a realtor wasn’t so much a choice as it was thrust upon you. When your mom got sick your senior year of grad school, you returned to take care of her and finished your coursework remotely.
There were only so many jobs with flexible hours, and you ended up getting your realtor’s license to support her on the side. When your mom passed, you stuck around to sort out her paperwork and affairs. Two years later, everything is in order and still, you remain. Stuck in a holding pattern, showing houses and too afraid to try your hand at anything different.
BANG.
The sudden noise from above plunges the room into silence. Both Arthur and Margaret swivel, wide eyes landing on you.
Margaret’s glasses chain trembles. “What was tha–”
“My assistant,” you blurt, backing towards the door. “He mentioned he would stop by to drop off some keys. That must be him – I’ll go and check!”
“But…” Arthur stares. “The noise came from above.”
“Be right back!” you call, stepping into the hall.
As fast as possible without raising suspicion, you rush down the hall. “Seokjin,” you hiss, hand skimming the banister as you descend. “Stop that right now!”
No one responds – not that you thought he would. Crossing the foyer, you reach the cellar door and yank it open. Flicking the overhead light, you see the orange has disappeared. Rolling your eyes, you shut the door.
“This isn’t funny,” you huff out loud to no one.
Far above you, a low groan shakes the house. Honestly, it sounds more sexual than scary, but you suppose that only makes it more sinister. Reaching the foyer, you slow your pace and set down your clipboard. Suppressing a sigh, you glance at the clock. This has happened enough times that you can predict things to the minute.
Crossing your arms, you tap your foot and count down in your head.
One – increased groaning. Sometimes from the cellar, often the attic and, during one memorable visit, from behind a locked bathroom door.
Two – shuffling feet while the Gundersons (insert buyer’s name here) debate whether to run or wait it out. They hastily whisper, wondering if it’s their minds playing tricks.
Third – laughter. Seokjin will say it sounds lilting but to you, his laughter is more akin to a car’s windshield wipers. Today, said laughter drifts from the main bedroom, immediately followed by the Gundersons’ screaming.
Directly above you, Margaret’s heels pound wooden floors. Wincing, you make a mental reminder to buff the scuffs from the wood.
“ARTHUR!” she calls, her voice pitching upward.
“Right behind you!” he bellows.
When the lights in the foyer flicker, you lean against the grand railing. In your experience, there’s nothing you can do now to save the showing. As soon as Seokjin reveals himself, it’s only a matter of time.
“Whoooo dareeessss to disturrrrrb meeeee!” he wails, and you try not to laugh. “This is MYYYY homeeee and you are nooooot welcomeeeee! OoOOOOooooOOo!”
Arthur is first down the stairs. Reluctantly, you step forward – as their realtor, you’ll try to calm them down and get them out. All part of the plan. What’s not part of the plan is Arthur’s blind panic, elbowing you – hard – in the stomach as he runs past.
Concaving, you stumble, your foot catching on a loose floorboard as you fall backwards. Suddenly, a pink cushion slides between you and the floor. You land in the middle of it, shocked but unharmed.
Arthur yanks open the front door. “You!” he blurts, whipping around to point. Blinking, you fight the urge to glance over your shoulder. “Yes, you,” he scoffs, spittle flying as Margaret runs past. “I don’t know if this is your idea of a sick joke or what, but your manager will be hearing from me!”
Before you can formulate a response, Arthur is out the front door. You hear the sound of their car starting, exhaust billowing behind them as they speed down the street.
Propping yourself on one elbow, you release a sigh. The house has fallen silent, almost sheepish in its total lack of sound. Head lolling back, you glare at the ceiling.
“You are so annoying,” you groan, well-aware you sound crazy. “I honestly don’t know what you’re looking for, Seokjin. The Gundersons were fine.”
The front door slams.
An outline of a person materializes between you and the living room, seeming composed of dust motes and sunshine. Turning your glare in their direction, you tap your fingers against the oak floor.
Seokjin solidifies fully, rakishly leaning against the paneled wall. He’s dressed in the same navy three-piece suit he wore when he died, albeit with his hair styled in this century’s fashion. Seokjin once said ghosts are able to change their appearance, but most choose not to. There’s little point to it, and it wastes precious energy.
Sadly, he shakes his head. “See, that’s where you’re wrong,” Seokjin says, his deep timbre resonating through floorboards beneath you.
“Show off,” you mutter.
Lips twitching, he crooks a finger. The foyer light ceases to flicker, and Seokjin straightens. Dusting invisible dust from his shoulders, he walks forward.
“The Gundersons were tiresome,” he says. “I would’ve been bored of them in months, started haunting again, and this house would’ve gone right back on the market. Really, I saved you trouble in the long run. You can thank me later.”
“Oh, no,” you deadpan. “Two commissions on the same property. What a horrible fate.”
“Exactly. You’re welcome.”
Fighting an eye roll, you push yourself upward with cushion in hand. At least Seokjin was kind enough to break your fall, even if he caused the circumstances which led to it in the first place.
Brushing the dirt from the cushion, you shake your head. “You do know that eventually, someone will buy this house and you’ll have to make peace with that fact. Right?”
When Seokjin doesn’t immediately respond, you look up. His dark gaze lingers a second longer than necessary, briskly looking away when he catches you watching.
“I know,” Seokjin says, turning around. “Might I point out though, that I don’t have to make peace with anything. Ghost,” he adds, pointing at himself. “Not making peace with things is our bread and butter.”
“People have owned this house before, though.”
“Boring people,” Seokjin mutters.
“That didn’t seem to bother you back then!”
Seokjin enters the living room. “Ugh,” he groans, dropping onto a chaise. Dust motes spiral around him, as though he were solid. “If I must be trapped on the material plane, Y/N, the least the material plane could do is provide some entertainment. And the lovemaking of two seventy-year-olds doesn’t count,” he adds, fixing you with a glare.
Stifling laughter, you follow him into the parlor. Fluffing the cushion, you replace it on its chair and survey the room. Seokjin lounges dramatically and it could be your imagination, but he almost looks solid. More so than the first time you met, anyways.
He nearly scared the shit out of you, back then. Everyone at the firm warned you this house was haunted but were purposefully vague on the supernatural. The warnings they gave you were borderline mundane.
Oh, yeah, that house has been on the market forever. People say that it’s haunted, but I’d honestly be more worried about rats. Or asbestos – popcorn ceilings didn’t age well for a reason. And I don’t know if it’s true, but I heard a convict once lived in the basement for three months before the cops caught him. Watch out for that!
You entered this house with more than your usual trepidation, pepper spray in one hand and a flashlight in the other. Apparently, the wiring wasn’t all up to code – something you’ve since rectified with the city.
The sound of the door creak could’ve been written by the Brothers Grimm themselves, textbook gothic. Your flashlight swept over dusty floors, faint footprints remaining to remind you of its past. Spine steeled, you forced yourself to continue.
Finding a light switch, you flicked upward, and the chandelier came to life. The lighting was dim, barely enough to see by on a rainy day. Keeping your flashlight, you wandered into the parlor and came to a sudden stop. Forest green wallpaper lined the walls, remarkably intact for its age. Stunned, you turned in a slow circle.
Moody maximalism was one of your favorite design styles, and this room was made for it. With a slightly better attitude, you resumed your walk-through, discovering a hidden cupboard in the kitchen and a dumbwaiter to nowhere. The second-floor entry point had been boarded up, but that could be rectified.
Some of the woodwork of the house was scuffed, and a few corners held fallen leaves, but overall, it was in great condition. None of the realtors had prepared you for that – you arrived expecting a war zone and were pleasantly surprised.
On the second floor, you found a library – or what had once been the library, given the shelving was empty – that made you audibly gasp. Blue-black custom shelves extended along three of the walls. Closer to the door, a bright square of color remained from where a painting had hung.
Curious, your fingers traced the edges. “This place is unreal,” you murmured to yourself.
“I know, right?” said a voice directly in your ear.
Like any sane person, you screamed and jumped skyward. Your flashlight fell, its beam rolling over and over until it hit a baseboard. You didn’t stick around to find out, turning fast on your heel and bolting into the hall.
Thundering down the front stairs – wincing as the wood groaned – you nearly reached the foyer when Seokjin appeared.
“Boo,” he said calmly, between you and the door.
Coming to a shuddering halt, your hand gripped the railing. The ghost was impeccably dressed, if slightly invisible, and raised a dark brow in response to your flight.
Gaze darting sideways, you sought a second exit but all you could recall was the cellar and that wasn’t an option. Years of training from watching scary movies kicked in at that point, and you slowly straightened. Running away would do nothing – a ghost could follow you anywhere – so, maybe reasoning with him would be the best option.
“What do you want?” you asked, masking your fear to plant both hands on your hips. “Who are you?”
Surprise flared in his – admittedly attractive – gaze. Some of the shock had worn off by then, and you could admit to yourself (if to no one else) that the ghost before you was hot. Even thinking this felt ridiculous, and you wondered if your already-fragile grasp on reality was slipping.
Taking a single step forward, the ghost cocked his head. When you stumbled back, his lip quirked, and he appeared by your side.
“Who am I?” he mused, walking in a slow circle. “Awfully strange to ask me that, when I’m the person that died here, and you’ve never stepped foot in this house until now. I would know.”
Started, you turned your head.
This was a mistake since it allowed you to see every ridge of his features. The rounded tip of his nose, his enviably full lips, and a curve to his jawline which could likely cut glass.
Forcing your gaze upward, you found him focused on you. “You… died here?” you asked before you could think better.
His lips thinned. “You know, it’s very rude to ask a ghost how they died. It’s personal.”
“Oh,” you said. “Sorry, I didn’t know.”
“You didn’t ask,” the ghost replied with a sigh.
Your eyes narrowed, hearing barely hidden laughter in his tone. This ghost was making fun of you. The audacity!
Incensed by this, you lifted your chin. “Wouldn’t asking you whether it’s polite to ask about death be asking you about death, though?”
“Fair enough.” He shrugged, slipping both hands in his pockets. “There really isn’t a good way for you to bring up that conversation.”
A laugh escaped, despite yourself.
His gaze flickered, as though oddly pleased. Quickly, the ghost scanned you from your shoes to your face, where he lingered.
“I’m curious,” he mused, resuming his walk in a circle.
Despite your discomfort, you forced yourself to stay still. Even though you could feel each place his gaze lingered – your shoulders, your collarbone, tacing the slope of your cheekbones.
“What are you curious about?” you asked, pushing the words past your lips.
He stopped between you and the door again. Slipping both hands from his pockets, he crossed his arms over his chest. The way his biceps strained against his suit was intriguing, implying there was something to strain against. Dimly, you wondered what a ghost’s gym routine looked like.
Your lips twitched at the thought, and the ghost scowled.
“Stop that,” he commanded. “You should be terrified. I was curious about why you haven’t run yet. Anyone else would’ve by now.”
“Would they?”
“Based on my experience, yes.” He tilted his head. “This is the first time I’ve introduced myself to someone and they stayed. Well,” he amended through teeth. “Stayed without crucifixes, holy water, and a priest.”
“Does that really work?” you wondered, genuinely curious.
“Does what work – exorcism?”
You nodded.
“Clearly not.” He waved a hand down his body. “At least, not in my case. When I first died, I wanted to move on. I was even excited when the first priest arrived, but he did nothing, and neither did the next one… eventually, I stopped hoping. Started haunting, instead.”
“Well, sure,” you said, dazed.
His lips twitched. “My name is Seokjin, by the way. Not that you asked.”
“That was literally one of the first things I asked!”
Ignoring this, Seokjin stuck out his hand. “And you are?”
“Y/N,” you said, ignoring the impossibility of what you were about to attempt while extending your palm. “Nice to meet you.”
Your hands met in the middle and, instead of passing through, you felt your palms brush. For a moment, you touched calluses and warm skin, smelling the faint scent of cloves.
Seokjin went utterly still.
Chin jerking down, he stared at your joined hands. “That’s… never happened before.”
Retracting swiftly, you said the first thought that came to mind. “What? Never touched a woman?”
Scowling, he retracted his hand as well. “I was thirty when I died, Y/N. Not thirteen.”
“Could’ve fooled me,” you muttered, then paused. “You… haven’t been able to touch anyone since you died?”
“Things, yes. People, no.” A thoughtful look crossed his face. “A psychic visited me once. The owners at that time brought her, wanting to see if she could get rid of me.” Seokjin snorted. “She got them to pay her, then said, ‘No.’ Hilarious. And interesting,” he added. “She told me she’d met other ghosts, ones that could interact. Never seemed to work for me, though.”
You blinked, unsure how to respond. For it being your first encounter with the supernatural, nothing about this had gone as imagined. You weren’t sure how to converse with a ghost who, for all intents and purposes, seemed fairly normal.
Except for the whole ‘being dead’ part.
“Well.” You shrugged. “There’s a first time for everything, I guess.”
His expression remained inscrutable, but for the faintest of seconds, you thought Seokjin looked intrigued. After a moment, he moved closer and leaned in. You caught the faintest whiff of orange, cloves, and cedar on what could have been his breath.
“I suppose there is,” he murmured, and then disappeared.
Since then, Seokjin has appeared each time you returned. The second time, you were halfway convinced your first visit was a hallucination. A theory Seokjin seemed content to feed into, refusing to show himself until you were about to leave. Then, he jumped through the hall closet to yell, “MUTINY!” and cement his presence in your mind.
Seokjin doesn’t dress the same every time. A few weeks into your friendship (if one can call it that), he informed you he could change his appearance but hadn’t done it much. It took energy to appear on the mortal pane, more so if his appearance was altered.
Still, you’ve learned Seokjin will do pretty much anything to commit to a bit. His brand of haunting tends to border on comical. Putting his arms on backwards, headless juggling, vomiting wine – really anything is fair game if not truly grotesque. By now, you’ve seen his whole gambit, which is how you can say today’s performance was lackluster.
Sprawled on the chaise, one foot dangling, Seokjin looks every bit of the tragic lothario. Again, you can’t help but wonder whether he’s gained permanence since the last time you saw him. You could almost swear the chaise sinks under the weight of his frame.
“What is it?” he demands, lazily pushing himself upward.
Something in your chest flutters, although you ignore it. Arms crossed, you fix him with a look of disdain. It’s sinful for Seokjin to look as good as he does – and the worst part is, you know it’s not an illusion.
After you met the third time, you Googled his name along with the house and found multiple hits. Seokjin Kim was killed on October 31st, 1978, by Nathanial Elliot, the leader of the Sunny Days cult. Both Seokjin’s parents joined two years prior, and he’d tried unsuccessfully to convince them to leave by mail and phone.
Eventually, he visited in person and convinced them to go – unfortunately, Nathanial caught wind of the situation and killed Seokjin before this could happen. You saw photos of Seokjin from then and can confirm he was always devastatingly handsome. Often, you’ve wondered if he left someone behind – a wife or a girlfriend – but can’t bring yourself to ask. You aren’t sure which answer would hurt more.
Regardless, you know Seokjin was missed. His parents were the ones who took down the Sunny Days cult, putting their leader behind bars for killing their son. Seokjin admitted once that they tried to tear this house down. They didn’t know he was tied to the grounds, and he didn’t want to tell them. It would’ve been harder for them to move on, he explained, and your heart broke a little.
Not long after that, you accidentally let it slip that Seokjin had a scent. It made him howl with laughter, nearly falling down the front stairs – not that this would’ve hurt him. From then on, Seokjin showed off his growing ability to move solid objects by leaving oranges for you in the house whenever you came. Only another of his practical jokes but lately, it’s made your skin hot to think of.
You realized you felt more than you should for him last month when he saved you from falling. Determined to clear out the cellar, your entire foot went through the first step and Seokjin pulled you to safety.
“Careful,” he murmured, one arm wrapped around your waist. Gently, he eased you backwards and onto the landing. “The top step is rotted through. You’ll need to call in someone to fix that.”
Unable to speak, you nodded and quickly disentangled. Each place he had touched, your skin tingled, and not at all unpleasantly. Since that day, your feelings have only worsened. Sometimes, you wonder if he knows.
Sometimes you wonder whether he feels the same, no matter how hopeless it is.
Heaving a great sigh, Seokjin stands from the couch. Lifting both arms, he stretches this way and that like an overgrown cat. The end of his shirt comes untucked, displaying a flat strip of skin you refuse to acknowledge.
Forcing your gaze to his face, you lift a single brow. Weeks after meeting, you considered Seokjin your friend, or at least an acquaintance. Now, you can’t call this friendship, but not because things between you have worsened. It’s because the more time you spend together, the more you find yourself wishing for something impossible. Something more.
“You know what,” you tell him. “There’s no need to scare off every potential buyer.”
Seokjin pauses, then lowers his arms. “There’s a need when they’re terrible. I’m the one forced to live with them for eternity, not you.”
“It’s not an eternity, though,” you tried to joke. “Eventually, they’ll die – or, so one would presume.”
Seokjin’s face hardens. Before you can take another breath, he’s standing before you. “Much better,” he says, his voice like steel. “I love being reminded that, while the world continues to age around me, I never will. I’ll simply stay on this godforsaken plot of land until the earth is destroyed by its own inhabitants. How long do you think that’ll take, Y/N? One decade? Two?”
Eyes wide, you stare at him in shock.
Seokjin has never spoken to you like this before. Usually, he’s far more cavalier about his reality, easily accepting the fact that he’s a ghost. Never once has he ranted about the world passing by. In fact, Seokjin frequently throws in your face that you’ll soon have more wrinkles than him.
For the first time, you wonder if all that is a front. If perhaps, deep down, all his lackadaisicalness is merely a cover for a deeper kind of fear.
Slowly, you move closer. “I didn’t mean to be dismissive,” you murmur. “Of course, I don’t want you to be forced to live with people you hate. I just meant…”
You trail off, uncertain and Seokjin’s face softens. He moves even closer, his scent comforting you in a way you can’t explain. In a way it shouldn’t be.
“I’ll never get used to this,” you sigh.
You aren’t sure why you’re speaking so softly. Possibly due to his proximity and possibly due to the look in his eyes, studying you as though you’re the impossibility, and not him. Dust motes trail through the air when Seokjin lifts a hand.
With bated breath, you watch as he reaches towards you. At the last second, he shifts and lightly brushes your jaw.
Sharply, you inhale because you feel it. You feel him.
“Seokjin,” you whisper. “What are you…”
Gently shushing, he leans in, and you feel his breath, feather-light, across your skin. Utterly shocked, you go still. It’s his breath that you feel. Breath that shouldn’t exist, according to logic.
Slowly, his gaze drops and stays on your lips. If Seokjin can’t read minds, he must hear your heart racing. The sound of it is all-consuming, drowning out rational thought.
“You want to know what I’m waiting for?” he murmurs, his gaze lifting. “I’m waiting for someone to look at this… house the way you do.”
“A lot of people have liked the house, Seokjin. People who –”
“I don’t want you to sell this house."
Startled, you stop. “Why not?”
His expression twists, revealing his vulnerability. “I think you know.”
Roughly, you exhale.
Yes. You do know. It’s the same reason you’ve half-assed the last six showings at this address. It’s why you keep people from looking, and when they insist, barely attempt to stifle Seokjin’s shenanigans. You could have come earlier today and requested Seokjin to be on good behavior. He would have done it. For you, he would have.
Which is exactly why you didn’t ask.
“I… want to hear you say it,” you say, so low, you’re surprised that he hears.
Achingly slow, Seokjin’s hand slips from your jaw to your neck. When he pulls you closer, you can feel the weight of his hand, the solid pressure that comes from his fingers on your skin.
Your eyes flutter shut.
“I don’t want you to go,” Seokjin murmurs, his lips close to your ear. “If someone else buys this house, you’d stop showing it. You wouldn’t come here again, and I can’t leave these grounds. If someone else buys this place” – his breath hitches – “I won’t see you again. I can stomach eternity, Y/N, but not without you.”
“Seokjin.” His name leaves your lips as a whisper, or prayer.
“Yes?”
“Do you ever…” Eyes opening, you look up. “I don’t want to say it out loud.”
“Why not?”
“Because.” Your voice breaks. “That might make it real. What I want can’t be real, so if I say it out loud, it might vanish and right now, it exists in this tentative space. We exist in this space.”
Lightly, his thumb strokes your throat, and you feel your knees buckle. Every callous, every touch feels so horribly real, it’s making it difficult to remember why this can’t be.
“I’ve stopped wondering what’s real and what’s not,” Seokjin murmurs, his gaze tracing your mouth. “Most people say I shouldn’t exist and yet, here I am. They say I shouldn’t be here, able to touch you like this and yet, I am. They say I shouldn’t–”
Rising on tiptoe, you cut him off with your kiss. Seokjin shudders, his lips parted and warm in the shock of the moment.
 “Fuck,” he groans, breaking away to stare at you in wonder.
Before you can respond, he returns, his kiss wild and fierce. Your own desire surges, touching him hesitantly at first, and then with full abandon. Hands sliding up his chest, over his shoulders, your fingers curl in his hair to anchor him to you.
Cupping your face, Seokjin pulls your body to his. His touch is reverent, deifying while his hands travel lower to land on your waist. His body curves above yours, catching your gasps with the tip of his tongue. Seokjin feels solid beneath you – solid, and warm, and painfully real.
His mouth moves to your jaw, trailing heat down your throat and across your bared collar. Shivers of pleasure shoot through you as he walks you backwards, pressing your spine to the wall. Briefly – wondrously – you laugh, the sound caught again by his kiss.
Within minutes, you’re panting, heart beating wildly as you grip his hair tighter. Seokjin’s leg presses forward, pushing your thighs apart and you nearly dissolve. He moves harder, faster, as though scared that you’ll vanish. This is the opposite of disappearing, though.
This is together, beneath, and on top as –
“Shit,” Seokjin growls, the sound torn from his throat.
Dazed, you look sideways and realize his hand has gone through the wall.
Seokjin stares at his wrist, his chest rising and falling. Everything you can feel is solid, but his hand sinks through the wall about an inch deep. It’s hard to concentrate with him above you, looking like that. Seokjin’s hair remains mussed by your hands, proving you touched him – however briefly.
Lips thinning, Seokjin pulls his hand out. Purposefully, he lays his palm flat on the wall but it’s clear to you both that he’s concentrating. Some of his pressure dissipates.
“I – fuck,” he exhales, dropping his chin.
Gently, you soothe a strand of hair behind his ear. This is the first time you’ve seen Seokjin anything less than immaculate and goddamn, if it doesn’t look good on him. That’s making it difficult to focus on the matter at hand.
The matter at hand. Ha.
Thinking this, a snort escapes your lips before you can stop it. Stunned, Seokjin glances up with wide eyes.
“Did you just… snort?” he asks, incredulous.
You shake your head, and then nod, sheepish. “Um, yes. I did. It’s just…” Now that you’ve started, you can’t help but continue. “I can’t believe the hottest make-out session of my life ended with your fucking hand through a wall.”
Seokjin stares for a long moment before – impossibly – his chest starts to shake. Before long, you’re both laughing out loud at the ridiculousness of the situation. Once your laughter has faded though, comfortable silence remains.
Pulling you into his chest, Seokjin’s hand strokes your neck. “I don’t know what this means,” he admits with a sigh.
“Me, either.”
“I do know I want to do that again.”
“Same,” you say, pulling back.
“But…” Seokjin hesitates. “Y/N. You know I’m not… real, right?”
Your heart sinks to your shoes. “You’re real to me.”
“I know.” He speaks softly. “But I –”
Lifting a hand, you press a finger to his lips. “Don’t,” you warn. “Please. I don’t want to think about the future right now. I know I don’t have eternity, but I don’t want what I have without you.”
Something in his gaze breaks but Seokjin merely nods, letting silence fall again. You fear that he’ll vanish, leaving you alone but he merely exhales. The breath brushes your skin.
“Alright,” Seokjin murmurs, winding his hand with yours. “What do you want to talk about, then?”
The ghost of a smile crosses your lips. “What if… we talk about me buying this house?”
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© kpopfanfictrash, 2023. Do not copy or repost without permission. Author’s Note: thank you so much for reading! I hope you enjoyed, and Happy Halloween!
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shigayokagayama · 2 months
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The Beach Omake And Authorial Intent
initially i was going to save this for a big teru analysis i had cooking however i eventually ended up deciding that it would feel like a really long tangent in its original context and probably deserves a separate post.
when it comes to the whole "teru's parents" thing i generally see two competing ideas on it
a. terus absent parents are the real villains of mob psycho and are the direct cause of everything wrong with his life and any and all teru analysis must center around this fact
b. terus parents being absent in the first place is only revealed in an omake and only exists for plot convenience and is not something that should be focused on at all when writing him
and whenever i see either of these my mind always drifts to the question of authorial intent. i know how people are reading this information, but how are we supposed to? i know death of the author is becoming more of a common thing in fandom spaces (albeit usually misused) but i feel like a better understanding of why this omake exists and how we're supposed to read it might help to better synthesize two takes that seems to be completely at odds with each other.
okay first i want to go over the actual placement of the beach omake in the update schedule of the manga because, unlike most other omakes, i feel like this ones placement in the schedule of page releases is actually super relevant
the vast majority of omakes come at the end of weekly updates. you finish reading the usually 15-20 pages ONE put out and then you get a little bonus comic at the end, usually something funny or a slice of life but but occasionally more serious. multi part omakes are usually spread out over multiple updates, making you wait a couple weeks for a punchline.
beach omake is not that. between chapters 99 (mob gets hit by a car) and 100 (the whole rest of the omake) there was a 6 week hiatus from normal pages and in this hiatus is where we get beach omake. reading it all together immediately cuts away the sort of "slice of life sunday paper comic" tone other multi part omakes have and make you read it as a part of the actual main story, since that's how you're used to reading these weekly updates.
now the actual tone. generally the multi part omakes exist to be long punchlines and the rare emotional ones are a single page for maximum impact. beach omake has a very different structure compared to, say, the haunted doll omake or the pot of happiness.
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off the bat from the first two pages there's not really a joke. the tone mostly seems kind of melancholic. mobs expression for the middle section of the second page (maybe purposely) is obscured by the panel breaking off, it's hard to tell his reaction, all our attention is directed at teru. with all of the panels taken up by dialogue (primarily his own), we're being asked to focus on what he's saying:
-teru lives alone
-he lives alone because his parents live overseas
-he hasnt seen them in a while
-he doesnt like having nothing to do
-he doesnt like being alone
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all of this information is delivered with an extremely casual expression from him, implying that it's not something that seems ll the out of the ordinary for him. mob, on the other hand...
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the hesitation before he says anything and the way his expression is obscured seems to imply something is... off... about this information to him. this isn't a handwaved "oh mob is walking home from school after passing out because he needs to for plot reasons", we're reacting to this information like it's weird.
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the next two pages are, mostly, a lot more of what we expect out of a mob psycho omake. the first one works as a standalone joke page, teru is bad at identifying animals which leads to him showing reigen a roach, something reigen is terrified of, instead of a beetle.
the second page starts similarly, we get a dumbass joke about reigen trying to pick up women at the beach (note: i think this is the singular time we get an indication reigen is even into women) but then the next two panels take on a more melancholic tone again. we get a small panel of mob and ritsu playing on the beach and a much, much larger panel of teru sitting on the beach, watching them. the dialogue bubble forces us to pay attention to the fact that he is silent.
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the ending of this omake is where we bring it home. generally the last panel centers the punchline of the page, or of the whole omake, but the final panel of this isn't really what was being built to in this case.
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we start our second page on teru. his expression is obscured, reigens speech bubble is shoved to the side so we can see that teru's hat is being held in his hands.
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when we see his face in full view he looks... confused. he looks like he doesn't know how to react to someone going through all this trouble for him. teru is a character who, up to this moment, we have seen as extremely independent. he always rushes into things alone, he always has to be the hero, he always has to be the one to save the day. hell, this omake is immediately followed by the confession arc. where... you know.
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so what are we supposed to get out of this omake?
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teru's been doing everything on his own up to this point
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but he doesn't have to anymore
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yuzukult · 1 year
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crush 03 | jww & oc/reader
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title: crush 03 / part of the attacca series pairing: jeon wonwoo x reader/oc (ft. seokmin) rating: 16+ (mentions of sex, but no act of sex) genre: angst, fluff, eventual smut, racecar driver!au, mechanic!au wc: 7.4k summary: all he knows are fast rides, drag-strips, and speed ovals until he meets you, someone that’s got his heart racing instead of his car. warnings: explicit language, smoking, suggestive content (but nothing follows through), mentions of sex a/n: sorry i actually finished this weeks ago but forgot to post it.. embarrassinng frfr
This place looks… a bit shady.
The address Wonwoo sends you doesn’t show a brief description on Google Maps as it normally does, and it’s missing a preview picture of what the location is supposed to look like. When you pull up into the driveway, the asphalt fades into a dusted dirt road with cars of all ages, models, and manufacturers that line up against the fencing before you notice a building with an open garage on the opposite side.
That’s where you spot Wonwoo, crouched over in a white tank and torn up black jeans with a soiled rag over his shoulder. The driver’s window of an old Chevy is down, and Wonwoo has his forearms resting against the panel, casually conversing to the operator of the vehicle. He’s… got nice arms. But that’s besides the point.
He taps against the door. “Tell me when you need me to take another look at the ventilator. Should be workin’ this time around, but if not, Imma have to advise you to get ‘nother car.”
At first, you didn’t get to make out the facial features of who was inside. The reflection of the beaming sunlight hitting the front windshield made it arduous to identify the driver, but when she peeks her head out just barely, you could pinpoint the owner of those pearly white teeth anywhere. It’s the cute flag girl that Seokmin took home that one day.
“Why? When I could just keep coming back to you instead?” 
But in lieu of reacting decrepitly to those pretty lashes that brush against her cherry tinted cheekbones like Seokmin does, Wonwoo is a major contrast when he slaps the top of the car with a charming smile. “Sweet, but it’s better to see your mechanic less and not more. Head home now, and only call if something happens to your car.”
With a failed sigh and pout, she waves goodbye to Wonwoo who watches as her car takes off.
Although when his eyes lands on you and your shitty ass Toyota, a show stopping grin tugs on the corners of his mouth. Wonwoo gestures for you to come to where the flag girl was earlier, and part of you feels a bit… special from the way he looks at her then at you. He seems happier, excited, even. 
Why couldn’t Seokmin look at you in that way?
Hopping out of the car, you puff your cheeks. “When I said I’d let you take me on a date, I didn’t think it would be here at your shop.”
“I know girls like you,” he begins, crossing his arms before leaning against the doorframe of the garage. Raising a brow, you’re not sure where he’s going with that, but you remain silent to let him continue. “You probably get asked out often and have the most boring dates. What’s the last date you've been on?”
That required some thinking. Maybe it was that guy you met on Tinder and took you out for a candlelit steak dinner. Or even that one dude who took you to that art gallery.
You don’t respond though because Wonwoo seemed to have wanted to guess himself. 
“Steak? Dim lighting, candles, maybe? Museums? How about even a walk by the river or waterfront, letting the cool breeze hit your face? Bet he tried to get into your pants after, which was why you didn’t call him back.”
That last one got you. You’ve been on that one before too, and had the same scenario happen. “What are you getting at here?”
He leans over to open your door wider, and you step aside. Reaching to pull the tab that pops the hood of your trunk, it only confuses you more on what he’s going to do next. “Well, I wanna be memorable, not some guy you went out with. Imma teach you how to change a flat.”
“I don’t have a flat.”
“Make believe, doll,” he chuckles, slamming your door shut. He walks to the back of your, pushing the trunk up, and his eyes skim the contents of the back. That term of endearment from Wonwoo is a new one, and for some reason, if it came from someone else, you’d be disgusted. But from him? It’s… kind of alluring? “Why you got so much junk in here?”
You flinch, immediately rushing to his side when the memory of what’s in your car comes to mind. “Oh shit, I—”
“Emergency one night stand kit?” He quirks a brow, lifting up a little tote back with the words woven into the canvas fabric. “You don’t look like the type.”
“It was a gift!” you exclaim, heat rushing to your cheeks as you snatch it back from him. “The contents inside don't match what the writing insists the purpose is for, I promise. I don’t do one night stands.”
“I know.” Wonwoo watches you in amusement, adoration swirling in his pools of chocolates he calls eyes. “You're one of those hopeless romantics. It’s taking a lot for you to even come on this date with me.”
You roll your lips in response, avoiding his loving gaze as you shuffle the stuff to make way for the lid of the compartment at the bottom of trunk. “How would you know that?”
“Because I see the way you look at Dokyeom, and it’s kind of the way that I look at you.” You choke on your saliva. Were you really that open of a book? Surely, it was true, but you didn’t think you were that obvious.
Dokyeom. It’s weird how Seokmin is your supposed best friend and yet there was so much about him you didn’t know. There was something underlying that he was hiding, and you want to dig deeper. Who was Dokyeom as this version of himself that he never once shared before? 
You clear your throat, warmth rushing to your cheeks. Wonwoo is rather bold. “Um, so… are you gonna teach me how to change my tire or what?”
Wonwoo knows he caught you in that moment, but he doesn’t pry for more. “Aight, well roll up your sleeves and let’s get our hands dirty, love.”
He shows you the compartment to find the spare and tools, the latch that you’ve always looked over is the one he pulls to expose another layer of your car. Was that what it was for? You sort of just threw your shit on top of it and hoped for the best. 
“Here, you’ll find your spare tire. I highly recommend that you don’t just ride it forever just cause you got it on. It’s a spare, it’s temporary. Don’t ever use it for long, it’s not meant for it.”
There’s a long, metal tool he brings out that resembles a cross. “This is a wrench,” then he grabs an unfamiliar mechanism in the shape of a diamond with a flat top, “the jack,” and finally, he points to the tire that peeks out just barely. “Lastly, the tire. Kinda heavy, but I can help you—”
“I got it,” you state daringly, shoving him to the side. 
He chuckles at your boldness with that look of veneration on his face like you’re the prettiest girl he’s ever seen. “Okay, well, grab that—” Wonwoo gestures at the tire, watching carefully to make sure you don’t hurt yourself, “and just… lay it on the ground. And we’re gonna put the jack under the car.”
Oddly enough, Seokmin never really wanted to teach you how to change a tire. You’ve mentioned it to him once before—you found yourself on the side of the road on a highway, phone up to your ear as you frantically called your best friend to be your knight in shining armor. 
And when he arrived twenty minutes after your cry for help, he slammed the car door behind him with that smug look on his face as he said, “You rang?” 
But that was when he was more reliable.
These days, your calls are missed and you rarely see him as often as you used to. He’s so caught up in his new life, his career, and all the girls that you’ve only become a sliver of importance to him.
Somehow, you end up with a smear mark on your cheek from moving all the equipment around. Wonwoo thinks you’re cute like this; admittingly, you were just a girl he found attractive with an amusing attitude. But that night. That night the two of you exchanged numbers—it was the first time he ever met someone that tugged on his heartstrings in this way. How’d he get looped into talking to a girl over text for hours?
“Like this?” You query, looking up at him from below. The tire lock is fastened onto the lug nut of your rims with a socket wrench in your hand. “So, I just…”
“Yeah,” Wonwoo leans over, hand on yours as he shoves the head of the tire iron to fasten against the lock. “Then you just…” he drifts off, and instead of pushing you aside to do it himself as Seokmin would’ve, he guides you with his movements. Thrusting his weight and yours against the wrench, he turns it multiple times before the first one releases and drops onto the floor with a clank. “The first one is always hard because it’s anti-theft, but the other ones are a bit easier. If you can’t get it out, just… put your hands on the hood of the car and jump on it. Wanna finish it off?”
Clang. Clang. Clang. Clang.
Getting the lug nuts off was easier than you thought (were they on tight enough to begin with?) The tire tilts over to you, and you’re quick to catch it and set it aside. Wonwoo rolls the spare in your direction, watching as you puff your cheeks with a layer of sweat on your skin. You don’t seem bothered, despite the droplets that stream down the side of your neck, and he sort of expected you to confront him about this being a first date. Who takes a girl to learn how to change a flat for a first date?
Not many guys, that’s for sure.
With Wonwoo, he doesn’t act like a savior. When you’re struggling with pulling the tire off, he doesn’t come in and take over—he asks if you’d want his help, and when you’d reply with ‘no,’ he stays put. 
“Okay, next, you should put the spare where you took off the flat. Then secure it with the nuts, and put the car down with the jack. You should be good to go after you use the wrench to tighten it some more.”
“Hold this for me,” you drop the wrench in his palms and he’s fast in abiding. Aligning the spare tire to the bolts, you mount them by tightening the lug nuts into their initial spots by hand. Finally, stepping back, you lower the vehicle with the jack as he advises, snatching the tool back as he snickers at how focused you’ve become. 
You use all your strength—practically the entirety of your weight impeling into the wrench to secure the bolts in place. With a puff of exhausted air, you shove it back into Wonwoo’s hold. “Okay, done. Check it.”
He eyes you impishly, making his way to the spare that you proudly installed yourself, casually popping the head of the wrench to fit the lugs without much difficulty. Wonwoo does it with ease; everything happens so fluidly, from the way he checks the tightening of the lugs to the kick of the tire to see if it would slip out in any way. Your breath gets caught in your throat, a bit anxious of the results, but when he turns to you with a soft smile, your chest releases the tension.
“Wow, impressive for the first try. You sure you’ve never changed a flat before?”
“Promise,” you cheekily grin back. He’s sort of… cute. He reminds you of those flakey croissant pastries, expectant on the outside that the dish you pair with a cup of coffee would be just buttery. But taking in a bite, the strawberry jam spews from the insides, the fruit preserves leaving a candied taste on the tip of your tongue.
This was just part of the date, you soon learn, because after Wonwoo helps you wash your hands in the sink in his garage, he leads you behind the building where a field of green lies. 
His auto shop was located on the borderlines of the city and the suburbs—just a couple blocks over, if you took a step to the left, you would’ve been on the outskirts of the city lines but one move to the right, you’ll find yourself in the heart of the crowd of skyscrapers. Farther back of the property, the dusty road fades into a green field (well, sorta. It’s got patches, definitely needs some TLC, but you digress), and although it’s not the prettiest with scattered pieces of car junk across the lawn, his setup that he has displayed makes it… cute. He’s got this red and white checkered blanket that lays on the grass, boxes of screws on either corners and a hammer thrown at the other. 
You glance over at Wonwoo.
He’s quick to shove it off the blanket, dropping the wicker basket where the hammer once was. 
“Were you premeditating a murder?”
“If the night doesn’t go well, maybe,” he jokes. “I’m kidding, I had a feeling it was gonna get windy and I didn’t want the two of us spending half the day trying to get the thing to stay still. I did it myself before you came.”
He’s kinda cute.
“I couldn’t dress as nicely, I realized I don’t think I own any pairs of pants without a grease stain on it,” Wonwoo admits apologetically, plopping down on the blanket in his raw hemmed black jeans and the short sleeve button up that he doesn’t bother actually buttoning up. Part of you is tempted to ask him if he bought those jeans like that or if he cut it himself (you think it’s the latter). 
Seokmin always had a thing about his appearance. The cleaner and slicker you seem, the more name brands that decorate your clothing, and the type of vehicle you drive says a lot about you. 
But to Wonwoo, it’s clear that those things don’t matter. 
He’s not rich in terms of the money stashed in his pockets or the digits in his bank account, but his wealth resides within his personality and knowledge. As you slice off a piece of cheese to pair with your cracker and prosciutto off a charcuterie board he attempted to make (you give him props for this as he humbly mentions he gives all the credit to those moms on forum websites posting their recipes), you learn more as to why Wonwoo never went to college—both willingly and unwillingly. And yet, he harbors so much wisdom in terms of cars and racing, earning all your respect that he chose a non-traditional route and remains successful.
You recall that night over the phone how he wished he could go to college, but he doesn’t have the means to. Wonwoo dropped out of high school during his senior year, just months before graduating, and although he didn’t fully explain why, the admiration in your gaze when he mentions he’d gotten his GED several months ago is evident. 
Wonwoo isn’t what you’re used to; growing up, it was established that you were to meet a man with a bachelor’s degree, and the bonus is if he obtains a master’s. When your hands are stained, whether it be grease from the stove, oil from a car, flour from dough, or paint off a canvas, it’s recognized as a labor intensive job and the more physical work you do, the less intelligent you are.
This was not the case. 
Admittingly, he doesn’t know anything about kinematics or conservation of energy, but he knows what to do when your carburetor is failing or if your water pump leaks. Analyzing the works of Shakespeare or reading a novel without dozing off wasn’t quite his forte, but he’s better in other fields and there’s so much admiration for that. “I like jobs that give back to society,” he said that night, and it gifts you the perspective that there is more to the world beyond being employed at a corporate company. Wonwoo sets a different standard for you, but even on a sweet date like this where he’s pouring a glass of moscato for you as you watch the sun setting in the horizon… you can’t help but let your thoughts flood with Seokmin once again. 
When Wonwoo’s eyes curl into moon crescents with a laugh so buttery and deep, you discern a lot more clearly how much Seokmin has a hold on you. A great guy sits before you and you can’t get your head unwrapped from Lee Seokmin.
“When’d you get into racing?” You ask, deciding that maybe if you get to know him better, you’d stop thinking about the guy who’d rather be at a rooftop bar downtown with a girl he just met fifteen minutes ago. “I’ve never seen you at any of the tournaments.”
“Mmm,” he hums, brushing his hands off each other from the crumbs. “About a month before that cup. One of the sponsors of the stadium saw me racin’ on the streets a couple months ago. Once he found my name, he got me a competitor’s license and forced me on the track. Said somethin’ like he’d help me pay for everything, including two months of mortgage on my shop.” Wonwoo shrugs, reaching over to grab another cracker from the bag. “Two months is a lot. Plus, if he’s paying for everything else and all I needed was a crew, not a big deal. It’s really just a money game.”
You purse your lips. “Any reason for him to want you to race?”
“It’s probably gettin’ boring watching Dokyeom win all the time.”
Oh. You never really thought of it like that. “But he won the circuit,” you clarify. “I don’t get it.”
He grabs a handful of the crackers and lays it across the wooden board for you, adjusting himself on the picnic blanket as he tilts his head to the side. “Yea, but I also came in second with milliseconds on the clock. Not to mention that this is the first of the series–I think they just want somethin’ new to the competition ‘cause there hasn’t been any fresh meat lately. Or, if there are any, they ‘un really last.”
You quirk a brow. “You’re not fresh meat–you raced on the streets.”
Wonwoo winks playfully. “You know that, but they don’t.”
There’s a lot to unpack–the recruiting of Wonwoo into an industry that he didn’t really see himself in, only to be lured to race with a bribe because it was getting boring to watch Seokmin win so frequently? You have a never ending list of questions, ones that Wonwoo couldn’t necessarily answer, but one you were suspicious enough to keep digging. But when Wonwoo lifts the honey dipper made of turned wood to collect the honey from the jar and onto your chunk of cheese, he says one last thing that erases all your curiosity.
“Dokyeom almost got a monopoly on stock car racing. No new consistent racers in the past two years entering this category, instead they’re headin’ off to Formula 1 or drag. They’re losing all potential new money ‘cause there’s nobody that can match his potential. Thinkin’ that the guy just wanted me there to get the ball rollin, let people know that it’s not impossible to beat the Lee Seokmin.”
Popping the piece of parmesan into your mouth, you roll your lips. “Well, you didn’t beat him either,” you tease, and he rolls his eyes with a smile tugging on the edges of his lips. He’s got the same sense of humor as you do, and he makes it a little hard not to get enticed by his charms. “So what of it?”
“I didn’t have to beat him, I just had to get close enough,” he grins. “Why? Are you not impressed that I didn’t beat him?”
“I wouldn’t say that.”
“Mm,” he nods slowly while feigning a frown. “Damn. Should’ve told me earlier, maybe I would’ve actually tried beating him then.”
How did this conversation end up looping right back into Seokmin when you asked to distract yourself from him?
“Do… Do you even like racing, Wonwoo?”
“Honestly?” he glances over at you before looking back at the sunset. The hues of warmth that radiate the ordinary star is a pretty sight as it shines on his face, and it’s evident why he’s enamored by many. “No. I like cars, and I love the speed, but I prefer being under the hood than behind the wheel. Knowing how the gears turn and what’s the reason for the black smoke and why your car stutters is more appealing to me than burning rubber on asphalt.”
“Hm,” you hum, remaining silent to bask in the fresh air. You say it often, but Wonwoo is…different. He indulges in the present moments in life; he doesn’t dwell on the past, in fact, he embraces it and learns from it. The type of person that travels with a loose agenda, a couple locations and hot spots in mind to touch, but never abiding by what’s written as if it’s set in stone. 
He’s carefree. Flowing like linens hanging dry on the clothesline on a warm, breezy day.
“And what about you?” he asks, those chocolate swirling orbs just full of adoration and interest. Wonwoo looks at you in a way that you could only dream for Seokmin to do the same, but he’s slowly easing you into the idea of it being someone else. “Do you like cars? Racing?”
“Have you seen my car?” you laugh, quirking a brow. “To me, a car is just something that takes you from point A to point B. Otherwise, it means nothing to me.”
“Funny, isn’t it?”
“What is?” Tilting your head to the side, it’s your turn to gaze at him with intrigue. 
“You just… see cars differently than I do,” he says with a soft smile. “It’s not bad, but it holds so many meanings for me, left core memories, and for you, you blatantly say that it’s a means of transportation.”
You feel bad for saying it like that but… it is just a car.
“It may seem like just a car,” he begins, and you think for a second that he reads your mind. “But every meaningful moment in my life had a car involved in it.”
Maybe Wonwoo has a point—it’s like how some people just view a croissant as just a flaky pastry you could have with coffee in the mornings or tea in the afternoons. But others, the aroma of freshly baked croissants imbues the kitchen, creating a wave of nostalgia sweeping over them. The residual butter left on their fingertips when they tear into the crisp, crescent shaped pastry is a sign that it’s been made with the utmost love, just as their elder relatives baked it.
“Do you have something like that?” It’s… a good question. Truthfully, you’ve never thought about that before, and maybe it’s from the way you live your life, but you’ve hardly stopped and just immersed yourself within a moment. “I… I don’t think I do. I’ve been so caught up in preparing for what’s next that it’s never crossed my mind.”
“Well,” he begins, taking a bite from a cracker. “Let that be something you figure out before the next time we meet.”
You quirk a brow in amusement. “You’re already thinking about another date?”
“Aren’t you?” He mimics your expression. “I thought you’re always thinking one step again. Unless, you don’t view me in that way and decide that there wouldn’t be a next time?”
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There is definitely a next time. 
Actually, there ends up being a lot of “next times.”
In fact, meeting with Wonwoo has become a routine. 
There’s excitement that runs through your veins, similar to the adrenaline rush that Seokmin raves on about when he races, except this is simply because of your eagerness to see Wonwoo after work. Once the clock strikes five, your bag is already slung over your shoulder with the door shut behind you.
Some nights, you find yourself drowning in projects with deadlines, stuck in the four walls of your office that feel like they’re closing in. It’s suffocating—spending more than the required eight hours in what feels like an enclosed space, wishing that you could be anywhere else but there.
That is, until you and Wonwoo grew closer.
You never thought of yourself as someone who would find comfort in the sound of tools clanging against each other or on the concrete ground. Wonwoo likes to blast a mixtape he made back in high school—which basically was just a list of songs that you’d know the lyrics to because you used to have it on full volume with your whole emo getup back in your rebellious and angsty teenage years.
When you started to spend more time in his shop, he made a note to build a make-shift desk for you–yes, it was basically a tool cart with a long piece of a wood plank, but with the wheels locked, a swivel chair he used to run reports at his shitty computer (that was also on another tool cart) and a lamp he bought from Walmart (it has a pink base, he thought you’d like that), it felt welcoming. After a long day at the office with work still not done, this change of scenery is nice, especially since Wonwoo makes it crystal clear that he wants your company.
Some days are more uneventful than others, but nonetheless, they’re nice. You liked the calmness–there was something soothing about that roar of the engine when Wonwoo would lean into the open window to turn the key in the ignition for a test run.
Today, though, falls a bit outside of that placid routine.
You drop by, mostly because you’re bored and you don’t want to be alone in your apartment, plus it’s almost guaranteed that Wonwoo would be at the car shop (well, also because his place is literally… connected to it. You opened the wrong door trying to find the bathroom once, only to see this huge backroom that looked like a loft. Wonwoo loves work so much that he lives in it).
As you enter the garage, eyes glued to the screen of your phone, your car keys dangle from your fingers as you’re tapping away. “Do you wanna order dinner? I heard there’s this Chinese place a couple blocks down–they deliver so we can just call–”
“Ehem,” Wonwoo clears his throat, arms crossed over his chest. Attention now on him, that’s when you notice the other four men in the shop, casually sitting on the couch, leaning on a car, and standing beside Wonwoo. “Um, so these are my friends.”
Friends. Wonwoo introduces you to them; Mingyu, Minghao, Seungcheol and Vernon are their names, and from what you recall, they seem to have been the same guys that were on his crew back at the track. They’re all car guys, you learn, knowing Wonwoo from way back and it makes you wonder if they knew Seokmin–or well, Dokyeom–at the time but you don’t probe for more. If Seokmin wants to remain mysterious, then he can stay that way.
“So,” Mingyu, who is definitely over 6-feet tall, begins cheekily, pushing himself off the car. “Are you the reason why Wonwoo won’t come out with us to drink? We’ve been asking him for the past month to come out and he keeps giving us bullshit excuses.”
You blink blankly. Was… Wonwoo turning them down to see you?
“I’m sorry,” you turn to stare at Wonwoo for a brief moment before turning back to Mingyu. “Was… Was he doing that? I didn’t even know.”
“He must like you,” Seungcheol chimes in, snickering as Wonwoo smacks Seungcheol’s chest with the back of his hand. “What! I’m just sayin’. You never reject us. Except for that one time your mom came into town, but other than that, you’re basically always comin’ with us. Did a surprise drop by… lo’ and behold. Jeon here's got a girlie.”
Wonwoo rolls his eyes as he twists around to snatch a carton of cigarettes off the shelf of his supplies. “You came for the cigs, bro. Stop saying shit. You’re gon’ scare her.”
“Ohhhh,” Minghao chimes in teasingly. “So you care about what she thinks of you–thinks of us. That’s cute,” he hops up from the couch before coming over to you. “If Jeon gives you a hard time…” with a wink, he then gestures to the other boys to follow. “Just lemme know. Or any of them. We’ll be back around, so we’ll catch you later. Nice to meet you, cutie.”
When they leave, you’re left alone with Wonwoo once again.
“Am I holding you back?”
Wonwoo stares at you blankly with his arms crossed over his chest, leaning against the red tool cart roller. “Holding me back from what?”
You shrug, putting down your phone onto the make-shift coffee table (it’s just a creeper parked on a cardboard box). “I don’t know. They made it seem that way—I mean, we’re not really dating, so I feel bad if I’m… holding you back from anything. You should see your friends—whether or not we are together.”
“I can make that decision for myself,” Wonwoo shoots back, pushing himself up as he makes his way to the car in the garage. “They’ll see me around, not a big deal. And yeah, I’m down for Chinese. You tryna get me the vegetable lo mein?”
You eye him carefully. The thing with Wonwoo versus Seokmin is that he says it straight up—no hesitation, no crazy maze where you need to probe for clues to reach the end, and he doesn’t expect you to figure him out in a heartbeat. Wonwoo inspects your actions, and if you give it away that you don’t understand, he’s transparent with how he answers.
Wonwoo doesn’t feel like the game of cat and mouse.
“Do you want to share sweet and sour chicken and maybe some wings?”
“Of course. And make sure they have Coca Cola—not Pepsi.”
When you’re both sitting on his secondhand couch of the garage, utilizing one of the ULINE tool cabinets as a more sturdy table, there’s boxes of Chinese food that’s sprinkled all across. His carton of lo mein is now empty, remnants of the grease left on the sides with bits of bean sprouts too small to grab with his chopsticks and the bones of the chicken wings are left on those crappy napkins that you’d find in fast food joints and coffee shops, saturated in the oils and probably leaving marks on the cart. Wonwoo eats fast but he always stays seated until you finish your meal despite being done his.
He used to keep his garage cold, the overhead rolling door made of metal and not including much insulation from the weather outside, but ever since you’ve kept him company more frequently, he’s installed some ceiling mounted unit heater to keep the area warm. The humming of the machine is what breaks the silence between the two of you, but Wonwoo doesn’t fail to bring it up, nonetheless.
“What’s wrong?” He asks, brows furrowed in confusion. “You usually are babbling about your day right about now. Didn’t you and Sunny go shopping yesterday? She didn’t spill any gossip?”
You roll your lips. Are you normally that talkative around him? And if so, are you really that comfortable?
“Um, yeah, we did,” you begin, placing down your carton of rice. “And sorta. Not really. Mostly complained about work.”
He makes a sound by sucking in his teeth before sitting up to rest his elbows on his knees. “Alright, what’s up? Tell me.”
Normally, you’d just… tell the other person to let it go. Even with Seokmin, when he pries, you’re quick on your feet to tell him to ‘not worry about it’ and that ‘this unreasonable feeling will pass eventually.’
But Wonwoo is great at breaking barriers that you never thought you’d do.
Placing down your chopsticks, you let out a sigh along with the drop of your shoulders. “Okay, okay. I just feel bad. We’re not official—and that’s entirely on me, and I really do enjoy spending time with you—whatever this may be—but I also don’t want to be the one to hold you back on things like going out with your friends, meeting other girls, or just… I don’t know. Seeing those guys just made me think of that. I know that you might like me and—”
“Mm, hush.”
You blink blankly.
“Listen,” Wonwoo begins, hands together stiffly in semblance to this situation. “That’s on me too, right? I don’t think you’re leading me on, in fact, I think you’re establishing boundaries—like you are now. I went on a date with you, and it didn’t work. So be it. But—let’s make this clear, we are friends. I’m good with you coming over here whenever you want. And yea, I do like you. You gimme a lot of reasons to, but that don’t mean we can’t be friends. And if it makes you feel any better, I do hang with ‘em, they’re just bein’ dramatic because I spend my weekdays with you the most.”
“Oh,” you reply doltishly. “I didn’t think of it like that.”
“Well, start,” he chuckles, shaking his head. “Look, I know that you and Seokmin have these unspoken feelings and I’d rather you resolve them if you decide to take anything further. I’m cool with just chillin’ as friends, and we’re not doing anything wrong by it. I just may be a lil’ sweeter for you is all, only cause I got a crush. But my feelings aren’t hurt by it.”
This is… different.
Although you constantly say that Seokmin and Wonwoo are opposites (well, duh, they’re not the same person), it’s almost become repetitive and annoying how frequent you come to these “realizations.” Wonwoo has evidently seen a lot in his life, endured a lot, and due to that, he’s… emotionally mature. 
As for Seokmin—well, need you say more?
Somehow, the end of the evening isn’t awkward. He makes you laugh with a story about how a client came over, exclaiming on the top of their lungs how the backseat wouldn’t prop itself up, only for Wonwoo to find the seat belt covering the opening that holds it up. Although it was very tempting to smack a $300 invoice to his customer, he chose the better route of just telling them upfront what the issue was.
Although he’s understanding, prioritizing the friendship he’s created with you, he doesn’t make it hard to consider him as more than a friend.
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“Well, you look giddy.”
“Hmm?” You respond dumbly, looking up from your phone full of texts. Wonwoo ended up feeling bad that his friends thought he’d been neglecting them, so he agreed to go to a bar tonight with them and maybe hit a club afterwards–but that doesn’t stop him from constantly messaging you. “Me? Or Sunny?”
P flicks your hand. “You, you idiot.”
“Oh.”
Sunny snorts in amusement, placing another strip of meat onto the grill. It sizzles from the impact of heat and the fat content of the beef, steam filling the air for a brief second before the ventilator sucks it up. “You didn’t tell us about that date with Wonwoo. You dodged all the texts in our group chat.”
You shrug, grabbing the spare tongs to help Sunny add more meat onto the grate. “Um, because it’s kind of weird.”
P raises a brow. “And how is it weird? Was he strange?”
Sunny’s attention is off of cooking now, diverting toward you. “OMG. Did we make you go on a date with a weirdo?”
You glance over at the two. “Wait-what?” Pretending to resume to the grill, you poke a couple of the raw pieces that lay across with another set of tongs. “No, no. He… He’s honestly great. I haven’t felt that connection with someone in a while–he taught me how to install a spare tire–”
P blinks blankly. “He taught you how to change your spare? What kind of date is that?”
And for a moment, a wash of judgment appears across Sunny’s face but it softens when she finally realizes. “... Because you told him that Seokmin promised to come and “save the day,” didn’t you? Then Wonwoo probably thought for a first date idea… teaching you how to change a spare…”
Then it clicks for P; her shoulders loosen and fall when she’s aware of the meaning behind the date. “He… didn’t want you to depend on Seokmin anymore.”
Sunny frowns, flipping over the meat on the grill. “If that’s the reason… Why’s that weird? Sounds sweet. If anything, I kinda give him props for that. Did he at least take you out to dinner?”
You chew on your bottom lip. “Well, he made a whole picnic basket.”
Both Sunny and P glare at you. “And what’s wrong with that?”
“He’s… not Seokmin.”
Gross. It sounds pathetic leaving from your mouth.
The looks that Sunny and P give you are full of pity. How could you be so weak for a guy that doesn’t even respect you enough to hide when he has flings? Someone who claims that they’re yours, but they spent most of their time pursuing anyone but you. It’s a constant recurring thought, and the reminders are always smacking you in the face and yet, you’re here, sitting in front of your two best friends after going on a date with someone who could potentially give you the world and more yet Seokmin still remains on your mind.
“Listen,” P begins, placing down her chopsticks by the side of her plate. Sunny clears off the grill and lowers the fire, mimicking P’s actions with her tongs. “Sunny and I talked about this, and we realized that yes, although we really don’t support this unrequited love between you and Seokmin, it’s still your life and your choices to make. We want you to know that we’re by your side, and behind you through it all, even if you end up with Seokmin, but we’ll say this one last time.”
“We think you should move on, love.” 
Your phone lights up beside you, Wonwoo’s name on display with the preview of his text. He asks if you like mint chocolate, a debate that he and his friends have had since God knows when, and it may determine if he wants to keep chasing you. When you unlock the phone, Seokmin’s chat is pinned to the top with your message being the most recent and sent two days ago. He just… disregarded the picture you shared of the two of you in college, his arm over your shoulders with smiles stretched across your faces.
“It’s… It’s hard,” you admit, and this time, it feels like the weight on your chest releases. “I think… I’d already had this idea that he and I would end up together engraved in my brain that I can’t seem to let go.”
“Well, how about this? You at least keep giving Wonwoo a shot if he does make you happy or if you’re even remotely interested. He seems sweet, and he also seems to know where you stand with Seokmin, which makes it easier to not have to explain to him the situation.”
You roll your lips. “I–Okay.”
Just then, your screen lights up again. Speaking of the Devil.
Wonwoo [11:54PM]: You can hold off on that political question for later. Since you’re still awake… my other friends wanna meet you. Wanna come out and grab a bite w us?
Quickly, you show your phone to the girls.
“Fuck yeah, tell them to come here,” P nearly shouts, and you hush her. “Forreal, give Wonwoo the address. We’ll get more chairs–switch tables if we gotta. I’m tryna see him in person.”
Sunny starts touching up on her makeup in her compatible mirror. “Get them to come! It shouldn’t be too far from where they are, right?”
It wasn’t.
In fact, Wonwoo and his friends were a couple blocks down–when you sent him the text of where you and your friends are, he eagerly sent a screenshot of Google Maps to show how close he was. 
When they walk into the BBQ joint, it’s very hard to miss them. For one, you spot familiar faces—Mingyu, Minghao, Seungcheol and Vernon from the shop, followed by three other guys you never met personally before, but you remember them from Wonwoo’s pit before the tournament. It makes you wonder—did he just hire all his friends to be his pit crew members? And if he did, that’s… impressive. You don’t think you could name any of Seokmin’s friends that would spend their Saturday rushing to change his tires—not to mention that they probably aren’t even trained to do it.
Then, you spot Wonwoo. He pushes through the group, shuffling to see where you are, and when your eyes meet, his smile doesn’t fail to stretch across from ear to ear. 
“Hey,” he says breathily, probably from all the shoving. “It’s… Good to see you. Kinda thought you were avoiding me after the mint chocolate question. It can be a touchy subject for some people.”
You let out a laugh; it’s so genuine and warm when it releases from your chest that it causes both P and Sunny to raise a brow at you before glancing at each other.
You’re different around him.
It’s so clear to both your best friends why Wonwoo is the choice you should make, and you’re displaying it right now. The comfortable body language, the laugh, and how you introduce them to him without any nerves. He’s so sweet when he offers to cook (only for one of his other friends to snatch the tongs from him with a hiss to take over, it’s still the thought and attempt that counts).
Wonwoo takes the seat next to you. Of course he does, he likes you, but there’s something inside of you that has trouble with swallowing that information. And truthfully? It wasn’t like you didn’t enjoy his company or want to reject his feelings—if anything, you’ve caught yourself imagining the what-ifs. 
Then, Seokmin’s face shows up in those fantasies.
It’s a reminder of why you need a remedy for your lovesick symptoms, mostly because if a guy like Wonwoo is here with his rowdy friends, unable to keep his eyes that are full of adoration for you, then why would you waste your time with someone else right here?
You could… You could see yourself falling for Wonwoo. It’ll take time, that’s for sure, but you don’t think it’s impossible.
“How do you like your steak?” He asks, tongs in hand as he turns his head away from the grill to look at you. “Medium? Fully cooked?”
“Medium rare,” you answer, and Wonwoo serves you first before kindly asking the same question to your friends. P and Sunny are impressed, rolling their lips to suppress their giggles and teasing, wiggling their brows in your direction. 
“So,” P begins, putting down her chopsticks. “We heard you’re a racecar driver.”
He chuckles, rubbing his nape awkwardly. “I–I wouldn’t necessarily say that. Was a temp thing.”
Seungcheol nudges Wonwoo. “Don’t act all humble. It’s aight to say it, you’re a racecar driver now. You got to compete with Kyeomie, I’d say you deserve the title.” He winks teasingly, but you know he says it to give Wonwoo the push he needs. Seungcheol naturally leads their group of friends; you’ve seen him gesture to Mingyu to grab the tongs and start cooking when he sees plates empty, tell Minghao to ask the server for more drinks when the liquid in the glasses get low, and even just now, when he encourages Wonwoo to be a little bolder. Wonwoo’s pit crew wasn’t just his “pit crew”... they’re his friends. You admire that.
The night runs smoothly. P and Sunny are so impressed and smitten with Wonwoo, constantly encouraging you to make moves on him. Quite frankly, you even… forgot about Seokmin for a moment.
That is, until your eye catches him entering the restaurant.
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skyward-floored · 4 months
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I think I’m coming down with a cold again and possibly have a fever but I’m here to scream about the update some more anyway! (and analyze a bit but mostly scream). Dawn part 7 here we go!
(All images belong to @linkeduniverse <3)
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First off I have to say this was my favorite panel I think, it’s so pretty. The faint glow! The colors! The cape over his shoulder! Amazing. This truly was Sky’s update, I loved every bit of focus he got. Jojo fed us well :D
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So it looks like I was wrong about Sky reading everyone’s mail. He just immediately took off after the mailman instead (and spent all morning chasing him ha!),
Side note but I love the npc guy. He’s simple but still Zelda-y. the character design in this comic is just👌
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Looks like the mailman has a list of who he’s supposed to deliver to, or at least that’s my guess. It could be a map maybe, but that probably wouldn’t do much good since he’s time traveling?? How does he do it. Don’t question the magic of the postman I guess.
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*green hill zone music intensifies*
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Shoutout to Sky’s face here, I make the same expression when I’m trying to chase after my nephew and stop him from eating crayons
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This looks like a postcard no joke, I'd frame this and put it on my wall. Plus the way the trees were done in the background is really neat, there’s something just really pleasing about this panel. Also the return of Sky: Just Standing There
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They’re all bein silly <3
...except for Four. Because I think him and Warriors both realize that Sky isn’t just telling them what he was doing all morning— he’s got something important to say, something they all actually need to know.
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(Downfall duo laughing together I love them)
Also I agree with everyone saying Warriors is close to snapping— they’ve all had a pretty stressful 24 hours, but Warriors has been breaking up arguments and repeatedly checking on everyone while they’re struggling, and... I don’t think he’s had a break. Take a nap bud, please?
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SKY TALKING TO FI MY BELOVED he's hoping there’s enough of her aware to help him dowse hhhhh. And then he’s so sad she didn’t seem to hear him waahhh 😭
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It doesn’t look to me like she truly helped much, but maybe Fi gave just enough of a nudge for Sky to find the postman’s footprints? Even in her sleep? She is glowing just a bit there... Interesting to think about.
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It’s confirmed that the postman uses the portals! And that the Shadow is alive and kicking! Uh-oh! (Also does anyone else think this one seems more... firey? Then the last one? Maybe it's just me).
And the chopped-off darknut head is still there too.... and I’ll bet you twenty rupees somebody is going to kick it when the Links go through the portal later. (My guess is Wild but I’d put my money on Legend or Wind too).
I’m also really curious where that portal leads... My guess is either Twilight’s Hyrule or Sky’s, based on what hints we’ve been getting, but I really don’t know. It’ll be fun to see!
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*Wind rapidly thinking of at least three conspiracy theories*: SUS
Also an amazing expression from him I’m laughing so hard, he really said 3:<
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Tag yourself I’m Four
Also Sky just chugging away at the stamina potion, poor guy XD he must be beat from all that running around, I hope he has some more time to sit before the Links get moving.
(And I mentioned this in another post, but Legend looks so alarmed at this information, as does Wild... it’s not going to be pretty when they cross paths with the Shadow again, that’s for sure)
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I love when Time breaks out the dramatic language... makes me remember that this guy is going to be the Hero’s Shade someday (who’s speech is 99% dramatic things).
Now the Links just have to decide what to do next... will they stay another day at the inn for Twilight’s sake, or get moving right away? Is Four going to confront Twilight about the dark magic he uses to turn into Wolfie?
So many questions... but in the meantime I will gladly continue to reread this amazing update, I really loved this one :D
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genericpuff · 1 year
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Mystery solved.
Okay. Okay I gotta figure out where to begin with this- breathes
A fellow ULO community member was going through old S1 panels and pointing out typos that we had all somehow missed (LO typos have a tendency to sneak by like that) and one thing they pointed out that I had never noticed was this one panel from Episode 102:
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Particularly pointing out how the font overlays Hades' fingers which is just hilarious. That was where it was supposed to end.
But have you ever actually read the letter?
Because I did. And it took me on a ride I wasn't expecting to go on at 2:30 in the morning.
This shot of the letter is from the second instance it appears, when Hades scratches out part of it and writes, "I love the way you treat me, and I want to feel that way all the time."
But the first time this letter appears, when he's actively writing it, it's delivered to us through narration, in Episode 47. I actually love this episode, it does a great job at visual storytelling without overuse of active dialogue, and the content of the letter itself shows a great amount of self-awareness from Hades in the moment, even though the dark implications of what he's feeling is falling on his own deaf ears and the scene itself is quickly dashed by the obligatory quip-for-comedy-so-people-don't-get-too-sad of Hades' dismissing his therapist's advice, with the irony of him not realizing his own issues as he's writing this letter mere hours before overstepping his boundaries and having a guy whacked for taking photos of the Goddess of Spring.
But there was one line in particular that's always stood out to me.
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The line "it ends up hurting you" felt random and out-of-context. In the beginning on my first read through back in early-mid 2019, I thought maybe it was just being poetic and I "didn't get it", until I became a critic of the series and had a reality check and realized it was likely just a typo, perhaps it was meant to be "It would end up hurting you" or something of that nature.
But it was looking at that panel of the letter and actually reading the text that was there that I realized - the line feels random and out-of-context, because it is random and out-of-context.
Look back at the letter. Paragraph eight. Rachel didn't write the full line despite it being necessary to the line 'it ends up hurting you'.
The full excerpt reads:
"I WISH I COULD EMPTY A DRAWER IN MY DRESSER FOR YOU, OR BUY YOU A TOOTHBRUSH TO KEEP IN MY BATHROOM. THE TRUTH IS, EVERY TIME WE HAVE SOMETHING TO DO WITH EACH OTHER... IT ENDS UP HURTING YOU."
I can't believe it's not just a typo. I can't believe it took me this long to find this. I don't know how this got missed by Rachel, I'm assuming she wrote the letter out first and then copy and pasted the words into a larger font size which she placed throughout the episode, but how could that one part have been missed when the line "it ends up hurting you" is a dependent clause that can't stand on its own without the line that precedes it?
At the very least, I do finally feel like I've found closure over this one scene, now that I know the full context to the line. And I wouldn't have found it if it weren't for people joking about the letter panel being drawn like shit.
But it's definitely discouraging because it begs the question, what else is being haphazardly left out of the dialogue? What other clunky sentences with next to no context or build-up or reasoning could be better if they were actually finished or if Rachel and her team had spent the extra time to double check the script and ensure that no sentence is being left half-finished?
The irony in this scene as well is that Hades acknowledges he's too old for Persephone, he acknowledges that they aren't good for each other and that he'll only wind up hurting her, he acknowledges that he barely knows her and he shouldn't call what he feels for her 'love', but infatuation, a very accurate and self-aware statement that I feel like the current Hades lacks. It makes it feel all the more distressing when the letter makes a return in Episode 102, and he makes one simple change:
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As impactful as this statement was back in the day, looking back, knowing fully well how far his character has now fallen, this now feels less like a triumphant statement accepting his feelings and more like one of giving in to his selfish desires. This is even more accentuated by the use of the red ink, which splatters across the page alongside messy handwriting, contrary to the meticulous typewriting above.
He's pushing off his baggage as a mere bridge to cross later.
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He's making hopeful assumptions about her feelings and putting her on a pedestal without communicating his actual baggage outside of his own head and with her directly. In fact, he doesn't get around to talking about this baggage until she's in a position to depend on him in Season 2.
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He's fantasizing about their future with next to no foundation yet, and while he's recognizing that she might not be happy with him in the long term, he still tosses all those legitimate concerns aside to "I love the way she treats me", as if all that matters is what she can do for him - and what he can and can't do for her isn't important until it will inevitably rear its ugly head after she's already become his.
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This is the turning point where Hades has become the villain. Where he's shifted from being the responsible adult and leader to an obsessive fanatic whose only goal is to have Persephone. To the point that, despite him saying in the letter that it would be best to limit his presence around her-
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-seems to be upset over the notion of doing that exact thing as soon as she's the one to suggest it. Acting as if he's being rejected when he was the one to originally conceive the idea to limit their presence around one another for her own good.
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Hades being a responsible King and adult went out the window years ago and I feel like this was the moment where it happened, and that red pen was the gavel. Apparently all it took was her admitting she has a crush on him - undoubtedly as shallow as his crush on her, based solely on infatuation but not written on paper as Hades' confession was - for him to toss aside all that work to unpack his feelings and all that responsibility he was willing to take. Never mind the fact that her feelings could undoubtedly use unpacking of their own. Never mind the fact that her liking him back still doesn't change the reality of their situation - that they're fundamentally different people, from different worlds, with vastly different experiences and outlooks and values and goals, living in massively different life stages. Try as it might to be presented as romantic, that "opposites attract", it's more appropriately and commonly known as being incompatible.
If this were any other story, this would be a precautionary tale in so many ways, made especially significant for an audience that's largely coming of age and experiencing feelings of infatuation and attraction for the first time.
But this isn't that story. It's Lore Olympus.
Hades is, through and through, the villain of this story, no matter what the narrative tries to convince us of otherwise. I stood by that statement before and I stand by it even more so now. Unfortunately we're now at the point where Persephone herself has become a villain, corrupt by the same system she used to criticize.
And just like the letter and all its raw text admitting to Hades' faults and baggage and showing he's willing to take accountability, so too does the narrative itself slyly tell the ugly truth in between its lines: that love is not enough, that love is not the same as obsession, that power can corrupt even the purest of hearts - that love is enough, that you should pursue the one you desire until they're yours and only yours, that you should climb higher towards those in power above you until you have that same power in your hands.
Because you love the way it makes you feel and you want to feel that way all the time.
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referrix · 25 days
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I'd like to take a moment to talk about the season 8 Alfea refurb.
Season 8 sees not only the largest shift in art direction of any season of Winx, WoW included, it also sees a complete rebuild of Alfea, and while I do like some parts of the refurbishment, it does a couple of things that make me go “hmmmm.”
The biggest one of these is the destruction of the courtyard/quad's baby elephant paths*.
(*Misuse of the term "Baby Elephant paths" here, a Baby Elephant Path, also called a Desire path, is a path that is created by people continuously using what is often the shortest or easiest route regardless of whether or not it is a paved path, often causing dead grass and dirt tracks in lawns as they move across areas or through gardens. The term here is used in place of anything better, because the original Alfea courtyard layout contains paths that would likely be a closer match to the true Baby Elephant Paths if the courtyard wasn't pre-paved.)
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In season 8 the 10 panels of grass are swapped out for 16 gardens arranged into a... well I suppose sea shell would be a good word. A dragonfly-wing clam-shell.
And it looks fantastic, but it also completely ruins the path finding of the courtyard.
Chucking it under a cut because it does go on a bit.
While each of the 8 dragonfly wings of this shell allow students to travel from the staircase of the central building outwards towards the two mirrored side buildings, and each wing is segmented into two, in order to allow a squiggly path to cross from one grass display next to the central stairs, around in a horse-shoe-like loop to the other grass display beside the central stairs.
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Originally, the staircases that bridge the courtyard's level and the elevated platform in front of the central building are also affected by this renovation. Before season 8, there were 4 staircases.
The original central staircases were separated by a slim garden that rose along the incline like a pretty dividing rail, then two more staircases rose along the sides of the mirrored buildings. These outer staircases were separated by wide steps of grass. Good for sitting, laying, or feral student 'parkour.'
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The grass panels that made up the courtyard were (and as of season 8, still are somewhat) surrounded on all four sides by wide paths that allow students to skirt along any of the building, fountain area or outer fence line without stepping on the grass.
Further, the original grass panels, though they did get upgrades like lights and small hedges as the series went on, were easy to walk over or lounge on them between classes, the season 8 grass sections have larger hedges, and a student would either have to put a bit of effort into jumping over them, or access the much smaller grass area through the open side along the squiggly path.
The path finding of the original court yard layout was also much more accommodating.
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The original layout had two direct paths intersecting it, one from the front gate to the central building (actually to the wide fountain area where it would be easy to park a bus for students to (dis)embark for school trips,) and one from the central door of one mirrored building to the other across from it.
Further, it has three baby elephant type paths, that accommodate for paths that are likely to see a lot of foot traffic throughout the day.
One from the gate area to the central doors of the mirror building, one from the fountain area to the central doors of the mirrored building, and one from the front of the mirrored buildings (or the front of the covered walkways, not the tower door) to the front gate.
While the season 8 layout allows direct travel from the front gate to the fountain/central building, it has none of the other direct access pathways. The season 8 gardens would enforce circular travel around certain wedges or for the students to jump the hedges as they move from one building to another.
The season 8 gardens assume travel directions to and from the fountain.
So yes, it's pretty, but it's not really functional for a school. It's more the type of fancy garden you'd find at an estate or museum grounds. Something to wow visitors, not something for students to enjoy or use the space.
The court yard's main pathway is also a lot slimmer than the earlier seasons, which makes sense, since season 8 Alfea is overall, much smaller and shorter. But it Boggles me when I stop and really try to compare what that means, visually:
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And that's just the courtyards in overlap. Season 8 Alfea's buildings could probably fit (if snuggly) within the season 1-7 courtyard without removing the season 8 courtyard. (The external garden areas (now with pools and gazebos) might not make it though...)
Speaking of the building:
In early seasons, the covered walkways possessed an arched ceiling hidden by facing, but below that it was possible to see a full length door. Basic slap-dash calculations suggest that Alfea's mirrored buildings sit at a height of up to 20 meters, not including the attic peaks on both sides (above the glass domes above the central doors, aka: stella's closet space.) because the space between the ground and the bottom of the balconies of the long windows that line the buildings is at least three-to-four times the height of the doors.
I previously put forward a theory that there were mezzanine levels, and split levels, within the building, but that it was fundamentally 5 floors (not including Stella's attic which would make it 6). And this didn't bother me all that much, we've seen that at least some classrooms have mezzanine walkways, and pretty high ceilings, we often see the high vaulted ceilings in the halls.
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And it makes sense, because this is a school for fairies, and fairies fly. So of course they'd have enough room in a classroom to practice something while flying, of course you could fly down some of the halls without buzzing people on the ground, that makes sense with the context.
But season 8 Alfea? Is much, much shorter.
From the ground to the bottom of the balconies? Is two doors if that.
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Meaning the height of the externally visible ground and second floor is not between six and nine meters, but four meters tops. Possibly closer to three.
More than that, where once there were three doors and two and a half banks of windows between the central doors and the tower doors that marked the ends of the walkway, there is now only two doors and two large windows on one side of the central doors, and one door and two large windows on the other.
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Estimated length of season 8's walkway is around 16m from one end to the edge of the central door's area. My prior season 1 estimate has that same stretch at up to 30 meters.
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The upper section and floors of the back towers are missing entirely to make the tower shorter than the main blue roof of the mirrored buildings. In addition the lower floors where the combat exam areas and magical reality chamber outer chambers are suspected to be, are slimmed down to the point I doubt there are any substantial rooms in them.
The front towers are missing external doors because they are now too narrow around.
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I honestly don't know that the mirroed buildings are even wide enough, courtyard side to fence side, to hold more than one row of classrooms per floor, let alone two.
In early seasons, counts of students seen in wide shots, like the dining hall, counts of individual classes, and parties, often leave us around 50-70 students. I don't think I'm the only one who assumes that that's not an accurate count, that there's probably some day students (even though it's a boarding school) or seniors out on work experience, or just not everyone is in that one shot, and we're working with a medium that is given to copy-paste crowds, but generally, it feels like Alfea can fit an average student body of 70 and have wiggle room for more.
Season 8 Alfea makes me go "I don't think this place will fit an average body of 60 students."
Season 1 of Winx Club saw Alfea host not just the students but also the teachers of Alfea, Cloud Tower and Red Fountain at the same time during the Trix's siege. Lets assume the schools have a flatline average of students, that's still 150 at a minimum. 210 max if we assume there are no other students who come and go and throw off the numbers.
Plus the staff, which is at least 5 known teachers between Cloud Tower and Red Fountain, and at least 8 for Alfea. So Add in 13 Teachers.
Season 8 Alfea does not have the space, it cannot host that many people.
Maybe it could, maybe it's a more realistic building, maybe the internal structures make sense, but I've spent so long trying to wrap my brain around season 1-7 Alfea that I just... I can't with season 8 Alfea.
The Things about the Season 8 Alfea refurb I do like:
The glass dome on the mirrored buildings has a semi visible interior, which could be used as a green-house/sun room, where the earlier seasons it was just sort of there and high vaulted on the inside up to like, half way the large balcony windows. Like there doesn't look like there's anything in there from the outside, but it could be a good inside green space. or for hanging out washing on rainy days.
The big light under it is also pretty nice, kind of sunny/sunflower aesthetic.
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I also love the detailing in the windows and doors, it's super cute and feels like a low-key fairy aesthetic next to basically flat green doors (I've been assuming the early season doors are at least partly green coloured glass paneling in the dorms)
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The upside-down flower lights lining the external walkways are life giving, tbh. I need them.
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13thdoctorposts · 1 month
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Highlights from Jodie Whittaker’s Gold Coast Panel
Host
So have you got any stories from Attack the Block?
A.
Can I think of stories from attack the block?
I would say that when we were shooting it just as a little like genius of Joe Cornish.
He is an encyclopedia of films and television. And every single element of it is some kind of homage to something you’ve seen. One thing that was really clever is there is no accidental lighting, so the entire thing is set at night so that every single light is deliberate. This stuff or that, like the kids train, is like, every single element is a choice. And you can't say that for most things, because the sun will just appear sometimes, and the sun can take full credit for the lighting. But in that film, he chose every single element. And that's why I think it's such a great film, because it's detailed beyond belief.
Host
Thank you. Wow. Can I see that.
Q.
What's your favorite memory of playing The Doctor?
A.
My favorite memory? There's so many, I'll tell you what, I'll give you a moment that's relevant to something like this. One of the highlights of playing The Doctor actually happened to me at a con, and it was San Diego, and so it was before the show would come out.
We were filming, and I got invited to come to this kind of the cosplay show. And when I got there, I was like, a special guest. And because I was just feeling really confident, I was like, can we not announce me? Can I pretend I'm a model?
I came out in my costume, slowly walking down, and I thought I was gonna get to the end to do some big reveal. But I must have a very obvious walk, because people started to realize, and the really narcissistic part myself, absolutely loved it because I got such a big round of applause just for walking. So that was a really amazing moment.
Q.
My question is about one night. Your character Tess has tattoos. They're only shown in two scenes, one in the first episode and one in the last I was wondering if they were both shot together, even though characters in different places, at different times, and the system of putting those tattoos on, because there's quite a lot.
A.
Yes, it was. It was one of the most influential stage directions I've ever read of a character when that doesn't necessarily feature as a main part of the story. So my character Tess, in a Australian show called One Night, I’m very proud of it is covered in tattoos and every tattoo was a choice, and designed by the incredible designer and all the creatives. And so there's no accident. But the first time we did it, it took about 4 Hours and we stood like this for what is a very small scene as well.
And then the next scene, which is however many months later, I think we got it down to 3 Hours but it was still, it was a long time.
But it was such an amazing character choice, the writer, beautiful writing that gave me so much, but I didn't have to necessarily articulate what that was. It was just she gave me this armor to be able to play tests.
And that is when I started to read it, it's only a few scenes into the first ep, I was like, I'm playing that part. I'm absolutely playing that part. because I just thought that was such an incredible choice.
Q.
I was just wondering, in regards to Doctor Who, was there anyone that you wanted to like come and appear on the show alongside you, like an old companion?
A.
Ah, I suppose I was spoiled for companions. So I think with that, I was, I would have loved, oh, it's difficult before, before we got to the point where I met my master, who is played incredibly by Sasha, and I adored every single scene I was in with Sasha.
There was a part that was like, oh, wonder if I get to work with Michelle. I thought that would have been incredible. So if anyone's out there and they write episodes of Doctor Who, I think that might be a good one.
Q.
Hi, and why did you decide to become an actor? Oh, that's such a good question.
A
When I was probably a bit younger than you i watched a film called goonies and if you haven't seen it highly recommend it stood the test of time and it is such an amazing film and i think what it does is it celebrates the inner child's because as a kid. I watched it and thought, oh my gosh, they're going on this amazing adventure. But then as I got older, I realized that could be a job, and then I got to play the Doctor. So it really is a job that you get to play pretend in the most epic scale, and anything is possible. So I think that's what I wanted to continually feel, was that I could be my inner child till I'm 99.
Q.
my question was, I love seeing, you know, Thasmin play out on screen in Doctor Who. And I know that you and Mandip had a bit of involvement in making that happen. So I was wondering, could you, explain how we got that.
A.
No, no we didn’t, so I think just the fact that Chris obviously knows us and knows how much we love each other. Yeah no we had no influence on any of the story lines. Obviously, we had that, the characterization, and we fully, you know, believed in and loved the direction that our characters went in, and it played out perfectly for me in my head. That is absolutely my kind of dream ending of where I saw my doctor. And the to the point of regen was with that side by side with Mandip .And for those two characters as well, I thought it was beautifully played out, but it was all Chris Chibnall. So I can take no credit, which also the video in the cupboard during lockdown.
I think people were really generous and thought I'd written it, but I didn't write that. Chris wrote it and sent it to me and said, I think it'd be really brilliant if the doctor could maybe, you know, say something. And so that was him as well. So I love that. I keep getting all this credit there. But, but I absolutely adored where our story line went.
Q.
You have obviously played such a diverse range of characters, and I'm just really curious about your process when you sort of get the script and how you create them.
A.
Do you know what? I can't write at all, and I don't want to be a writer. And because it's not within my skill set. And I think because of that, my appreciation the next level, I think 90% of my job is generally always done, I’m so lucky to work on extraordinary scripts, and a lot of your hard work is there, like I was saying about, Emily (one night writer), with one night. This wonderful stage direction is she's covered in tattoos. But those kind of details are just the best. Sometimes an entire character can be given to you in a tiny stage direction, or in a use of punctuation. Something can be a dot, dot, dot, and it has a completely different meaning than an exclamation mark.
I think that, for me, is the absolute side point. Take what you can from the script, and then I've been looking at what the directors and cast do it’s a really collaborative effort My main thing is, I don't like to decide or even kind of go there on how I'm gonna do something before you say action. Because if I do, I'm just a bit cluttered, and I overthink it, and I wouldn't listen to you. So however you were doing it, my brains go, well, I'm gonna do it like this, and it doesn't work for me. So for me, I kind of, I need to be kind of completely unprepared to be prepared, that not even answer. I don't think I should teach a drama school. Basically, not everyone can teach. And I can't.
Q.
If you could be in any episode of Doctor Who that already come out to 13, which would you choose? And why? The ones that you haven’t already been in
A.
I am furious if no one's seen it I'm REALLY sorry I'm furious I MISSED an episode with spice girls i Am Sorry… But how did that happen when i wasn't IN it? spice of your life i devastated, I was like, I'm sorry. What? But it's only because It was so amazing. Sorry if that's a spoiler.
Q.
I just wanted to see if you could tell us a bit about your audition process for Doctor Who.
A.
So it was an interesting one because it's secretive from the second the words are spoken. And my initial meeting was what I thought was just a cup of tea with my name Chris, because we did Broadchurch, and we were doing the junket and he was in town. He doesn't live in London. So we met up and we were chatting, and he’d been announced as the show runner. And I said, please, can i be a baddie? And then that was when it was, can you keep a secret? Depends. And it was, would you like to audition to play The Doctor? Um…I'm sorry? (Laughs)
But then it was a lot. It was quite a few rounds. It was about three And some of it was my husband taped me when, you know, at like, 09:00 p.m., when my kids asleep, and not gonna come in the room and ruin it. And I got, like, iphone wires and had to defuse something.
And we did it. Most tapes I've ever done, I've been sat on a couch and you make sure it's like a really tight two shot there. So my I was running around with an iphone as I was jumping on a couch and then trying to do the gobbly guke. And I say that with up most respect. And it was so stressful. And then when I got it, they were the most fun. I was so scared of those scenes more than anything. And, that's always the most fun when the doctor's just fizzing and working out. So, so it was over months, and it was very secretive, but then I finally got it.
Q.
I was wondering about your doctor. Is there a facet or an aspect of the of your doctor that you wish you could have explored more?
A.
I don't know. That's a good question. Um.
Is the one you like me to have explored?… No, just because I feel as if there's a lot of versions of The Doctor that I really enjoyed. And I love it, particularly around The Timeless Child, where there was this kind of deep rooted rage that would come out in a kind of slightly spitty, you know, frustrated way I enjoyed playing the distance sometimes when i wasn't quite connecting with the people that i was with i enjoyed THOSE elements because i follow such a contradiction to the not a contradiction. Just such a journey away from the kind of energized, childlike version of The Doctor that I loved to play But can you answer that? What would you have like me to have done it?
I think the depth of the distant of the doctor, was amazing But I think that I would have liked to see a bit more, um, a bit more unhingedness.
Okay, so we'll get an episode of me and Michelle, because we're really unhinged.
Q.
You've done so many roles that have legit, ripped my heart out. when is this trauma gonna turn into a villain arc?
A.
Oh, I know. I keep saying that, so keep, I keep contradicting myself, because I get asked specially after Doctor Who, what is it that you want to do? And I was like, oh, you know, I'd really love to play, like, I'd love to some comedy, maybe, or explore a character that has a lot of darkness and potentially not very likable. And then, you know, wanna kind of steer clear, maybe of, like, drama. And then I did one night, time. And this other thing. It's very emotional, and I don't know why, but I kind of keep breaking my own rules.But I would love to explore a villain. I mean, that was my initial thing.I want to be a baddie.But I'm glad Chris didn't listen.
Q.
I'm a big fan of Attack the Block, and especially the horror sections of Doctor Who, and I was wondering, what was your approach, and how would you think about doing the, your characters different in that sort of horror setting compared to other genres?
A.
Oh, do you mean, like, how would I do it or if The Doctor was in more of a horror genre or if me as an actor got to be in that?
Both. But you as an actor?
I'm into horror. That's kind of, let me say, to reference. It's like, one might be a bit young for it, but there was a classic horror for me that came out when I was like, 16, and it was right at the beginning, of the Internet so being able to have this mystery, because now we're so used to information been given to us by the Internet.
But when I was 16, it was that there was this found footage of these guys in a wood And then I went see the film. I was like, this really happened, oh boy, which it's really, really happened. And now you can't really create that that kind of, like trickery in a way, during a press junket, because we know it's a film. But I that kind of horror that plays that doesn't give you too much, I don't wanna see everything chopped up. I'm just not into it I'm too much for whim. But the psychological horror of the when you hear it, but don't see it. Those are the kind of things that I think brilliant to play.
But then when we did have things like that, with the Dregs, and we were filmed in I was chasing me and once you were stuck in a cage, and every time it hit the railing, it was really loud. And I go, ahhhh… I know the doctor's probably braver okay you know I, don't know how i did it ha ha.
Q.
Some Doctors have had input into their outfit. Others have been told by they can't have that. How much input did you have into the outfit?
A.
Well, so I had a hugely collaborative experience with the costume designer, and it started from the second we met. We met in a bar that he recommended. And the surrounding wallpaper was this petrol blue which became the trousers. I had a photo that I sent to Chris when I was trying to trick him into giving me the part I sent him all these photo references. And it was a woman. It's a black and white picture. I Don't know where it's from. I don't know if it's fake, black and white, and it's modern or I don't know but it's someone walking with purpose short trouser, tshirt boots so to me all of that, the coat was very much collaborative with ray because I would say things And he came back with the design of the coat that was so perfect.
I Didn't want buttons because I felt like it was pointless. Of course, wanted pockets. I wanted a hood, but I wanted the colors to be representative. Because of my first episode, I wanted to transition from was space through to Earth, sky. So the entire lining on the inside is a dark blue, black for space. The exterior is a kind of like sky blue light color. But also the into the the Suffragette colors are inside the sleeves. And it has my pride stripes everywhere, and yellow braces because it's my favourite color. So the whole thing, the jewelry was collaborative with Alex Monroe. It was amazing. I think I take more credit for it than it was me, because i felt like I'd go oh i came up with that and then actually, when i look back on it it was drawings that ray had done. Very much you gave him A pebble and he created a statue out of it. It was amazing.
Q.
I just first wanna say thank you for making a very queer, coded doctor. I just wanna quickly ask, we've seen David tenant come back for the anniversary just past, and we've seen doctors come back in the past. Would you ever consider coming back again and putting back on the coat and the zonic of everything?
A.
Hundred percent. I would love to, and I really, if that's not, I would be really offended, because I would love it, and it'd be so amazing. And you just, you never wanna say goodbye to It is the the gift role forever. And I'm still, I'm gonna grieve it forever. But I suppose the feeling is that you don't have to necessarily let go, because, like you say, other doctors have come back. There was loads in my last ep, so there's no reason for me not to bob up somewhere. But I want to.
Q.
Did you take anything from like the set, all your costume?
A.
I've stolen it all. I've got my jump suit, the prison jump suit. And just as a little fun fact about costume, all of the dates are personal to me. So there's dates all the way down the side, and there's a lot of Gallifreyan you know, kind of design. But all of them are a meaningful date to me. So that was, that's the kind of joy thing you can put into your doctor. So I've got that, so I've got my costume and me and Mandip very clearly heard ‘that is a rap in the TARDIS’ So we heard that on the last day of filming and she had a hold on the console that was like this massive ball thing. I snapped off the tiny mini TARDIS that spun And then, we hear and we're gonna do some pickup shots in the TARDIS without any actors. So I think there was a bit of swift editing there, because I absolutely wasn’t my fault. I heard cut.
Q.
When it comes to Doctor Who, do you have a favorite doctor from any era?
A.
I got asked this the other day. I'm not saying, it's not saying you don't like the other ones. I got asked recently about classic, and so I said, Sylvester But you said any you didn't say classic. I'm gonna say, Jo Martin. The episode to shoot with her, and the moment when her doctor is revealed and the costume and the energy she bought was amazing. And so, Jo Martin, hahaha.
Q.
I was just wondering, were you interested in doing the Big Finish audios? And if so, what kind of story would you like?
A.
I don't know. I get ask all the time. And I don't know. I mean, hopefully, is this something I ask them? Do they ask me? Big Finish? Well, obviously, if it, then if I was gonna do it, I'd really wanna do it with Mandip, but I would love to, I mean, this is, what is this job? You know, I've not been the doctor now for two other doctors, and it's amazing that you still get to experience it and be a part of it. So if being a part of things like big finish, or any of you the… I suppose, departments?, but all those other things that celebrate Doctor Who I'd wanna be in them all.
Q.
It's such a loved program. Is it what you thought it would be playing the Doctor like?So you're the figurehead of that program. You know, is it what you thought it would be? in as big as you thought?
A.
I think it's, it's bigger and more magical than you can kind of ever describe, because it's as a new whovian as well. And I'd said to Chris in the process of audition, look, I've not seen loads of it. I've seen, you know, bits when I was a kid, but we didn't have it on those in house. But then also, I've got mates that have been in episodes. I've done those auditions and not got in, you know, things like that. And so it has a very unknown quantity about it. To me, I was very much walking into something and going, okay, what is this? And I think from the second you get on set, and the crew, the crew I worked with, had been working on the show for twelve years. It was such a magical family and to shoot it in Wales.
Wales is one of the most beautiful countries you can ever visit.
So to be there and to be in this ready made family of something that all the hard work's been done because all the other doctors build up this family , you just shouldn't lose it. And so then to have our journey and our story lines, and to then have this opportunity where we went out to press or we met fans, and to have the interaction and to speak to people, to see how much it's meant to them through their life, is so extraordinary, because for me And I can definitely say it and for Mandip as well, that it's our happiest time as actors. We've never been happier, and we knew when we were in it. Ah, this is this. It's just so nice, and there's just so much, just wonderful about it. And I think that needs forever. This is so easy to talk about, so easy to be in this room and do it because I wouldn't have to, I've never fake how much I love it. I loved it, but as a new whovian. And I'm like, oh, I get it. Hahaha. I one of a family then. Haha. That's it. I'm in.
Q.
Do you ever get nervous when you're playing The Doctor?
A.
I was nervous all the time. I know The most nervous, I think I've ever been on a set was in my first week of shoot in The Doctor. It was my hero speech at the end of episode one. So my very first day involved jumping between cranes. Mind you I’ve only ever run around and cried on most jobs. So jumping between cranes was a whole new thing. And on day two, I think it was my huge kind of realization of, I know who I am, I am the doctor, and saying that for the first time, and thinking, if you mess this up, there's still time to recast I've been here two days. So that was the most nerve racking.
And I think sometimes another time when I was nervous as well, we had Stephen Fry come in And I was a bit like, you might not remember me, but I was in St. Trinian's And we kind of had a scene in St. Trinian's, isn't it was, you know. And so him being on set, I was just so nervous, because I was just like, he's a legend to me. So this is very… I think if you're not scared and you haven't got the adrenaline of nerves, you're taking it for granted.
Q.
Who is your least favorite doctor?
A
There's nobody, the craziest answer. I haven't got one.
Q.
Did you ever think you would have had such the impact on the doctor who community?
A.
The thing that's such a joy for me playing the Doctor, the thing that I really quickly realized was that it. I adore this community, and I feel that everyone in the fandom should feel represented and what I feel really proud of with ours, which has nothing to do with me, like you saying about, when, you know, with me and Mandip had credit to that story, and we didn't in that way, but it was, that was the beautiful transition of this gorgeous journey that we'd been on. And I think that because it then resonated so powerfully to so many people, that is the all of a Christmas Day gift, because what you want is you want your work to, to speak to people, and you also wanna feel as if everyone feels seen. And I think that that's what I'm really, proud of.
Whenever I have these wonderful interactions with people, they say that the doctor means this or someone else's doctor means that for me, that very often is having that wonderful moment where someone feels like that storyline really spoke to them. And I think I can't take any credit for it because I didn't write it, but I loved being a part of it.
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zetsubo-bani · 20 days
Text
The Attackers and why I don't think it was rciel
The attackers of the tenth birthday is probably the biggest mystery in black butler. They are the ones ociel wants revenge against and their identities is a complete mystery. Which is why this is a popular topic to theorise about.
The most popular theory is the real ciel mastermind theory (rcmmt) which claims that it was rciel who either let the intruders in and commanded them or did this whole thing himself.
I myself strongly disagree with this theory and want to present why (as well as do little speculations about the real culprits).
Now then, why do people think it's rciel?
The panel that most people found suspicious are these:
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The unknown expression on ciels face is what caught peoples attention and a lot of people thought that it meant he developed some sort of grudge against his parents because they "wanted to seperate him and his brother". But I think it's actually the opposite.
What vincent and rachel basically told him was "if you grow up and become a strong earl, you can help and protect your brother, even if you two are not in the same place" and I think that's what kickstarted rciels protective side.
We've seen in the blue memory arc after they got captured that rciel always held ociel in a very protective pose and with a glare to the hostile person.
And this moment is simply him realising that since his brother is a bit on the physically weaker side and doesn't have the title, that rciel can protect him instead. Some call his smile fake but I think it's genuine if you look at the background and how those little bubbles are drawn (which are always there in happy moments).
We also saw this protective side later during the attack .
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Tanaka was supposed to pick them up at 6pm and as we can see, it's already 40 minutes after the time he was supposed to come. If a person who is usually very reliable is 40 minutes late, anyone would be suspicious and as we can see in rciels expression, he clearly suspects something is wrong.
We can see rciels protective side already kicking in by telling ociel he should remain where he is while rciel goes and checks. I couldn't include the next panel due to the limit but after that rciel says "it's my duty as the heir" which definitely ties back to what the previous pages caused.
So rciel basically walks out with no insurance that it's really safe while leaving his brother behind where he is (at the moment) safe.
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Though after roughly 15 minutes have passed, ociel walks out anyways.
On his way he hears barking from vincents room after the dog sebastian has ran off.
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What I believe happened was that the dog caught the perpetrator with vincent and started barking which caused the attacker to also kill the dog.
After ociel saw his dead parents and dog, he ran off in a panic, accidentally stumbling upon more corpses who were gathered around the whole house
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Before hearing what seems to be the sound of blades clashing and running into tanaka.
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Now this part is very important for the next page but think about this: if there is a sound of blades clashing and tanaka is not the one fighting then who are the two people fighting?
The answer is: it's rciel and the attacker.
Tanaka soon says this:
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"master ciel is..." Indicates that rciel is in that hallway tanaka was in and from the sound of it, it doesn't seem that he was fine.
But you may ask now: "if rciel is fighting against someone and didn't seem to be doing well then why didn't tanaka help him since he is their servant and supposed to protect them?"
The answer is ociel.
Tanaka got distracted by ociel suddenly entering the scene. But most importantly look at what happened moments afterwards:
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Someone stabbed tanaka in the back after he ran towards ociel (which was very likely the person who fought against rciel). But the important part are the hands grabbing ociel from behind.
Someone was following ociel and tanaka saw this which is why he left rciel on his own and try to protect ociel. But it was already too late.
After they got captured, rciel drops what I think is the biggest hint that he isn't the responsible one.
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"if only I had more power", "if only I had the power to be invincible" pretty much confirms that he was indeed fighting against someone and got overpowered.
Now here is why I don't think rciel is the culprit:
1. Rciel has no motive to hurt his parents. They acted completely fine and like normal parents to him and that lesson after his tantrum is not nearly enough to serve as motive, especially because I think it served the opposite purpose and only spurred on his "I'm the big brother, I need to be strong" personality of his (which can be a common thing of older siblings)
2. Like I said the reason rciel went on his own was due to that personality and thinking he as the heir needs to deal with the possible threat. It wasn't to let in intruders
3. When they woke up, 40 minutes had already passed so the intruders were already on their rampage while the twins were sleeping (which caused tanaka to not come). Rciel couldn't possibly have let the attackers in if he was sleeping or while he was playing with ociel the whole time. He literally has an alibi.
4. That 15 minute timeframe wouldn't have been enough to kill off everyone in that manor because on one hand it is absolutely huge and on the other he is just 10 and lacks strength to fight against a grown adult.
5. Sebastian the dog obviously caught the intruder with vincent and barked. But sebastian already knows and likes rciel so why would he bark at his familiar? Because the intruder wasn't a familiar and most likely a stranger.
6. Rciel was fighting against someone which is the attacker. How can rciel be the attacker if he was fighting against the attacker?
7. Rciel was just 10. A little kid and most importantly the son of Vincent! Even if rciel had malicious intent (which he didn't) he couldn't have orchestrated it without vincent as the guard dog somehow noticing it. Tanaka or other servants were closely watching them and rciel wouldn't even have had the chance to meet and hire assassins to attack their manor on the tenth birthday.
8. Why would rciel cry over not having been strong enough if he was the mastermind? Even if he was and the attackers ended up "betraying him", it just feels strange that this would be what he complains and apologises for. The "not having been strong enough" is a big blow for him since he believed for years that he has to be the strong one for his brother. But the fact that he wasn't and they both got kidnapped, deeply hurts him which is why those tears in his eyes are genuine
9. Rciel having vincents ring is not a surprise if you think about the dog sebastian. Sebastian barked loudly which caught ociels attention who was rather far away. And it certainly must have caught rciels as well which is where he likely caught the attackers in the act and chased after them. This is what most likely broke out the fight.
The attackers are two or more people and by the size of the hands who grabbed ociel, they are most likely adults.
Besides consider this: Vincent requested diedrich to protect his sons if something should happen to him (which even diedrich found suspicious). Why would he ask that? Likely because he suspected something like this would happen.
It's highly likely that Vincent must have done something bad that he knew will cause his death. Which makes me theorise that vincent is the reason the attackers came and not because rciel orchestrated something.
Maybe I will add more reasons in the future if I think about more but I really had to get this off my chest since the rcmmt is my least favourite theory because it makes no sense to me. That theory is definitely based on some bias against rciel I believe.
But hopefully after this, you will see why it couldn't have been him.
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under-my-pillow · 4 months
Text
I really don't understand Hak anymore
Just reading this panel made me realize that Yona wasn't the only naïve person back then. Hak was pretty naïve too or should I say remained purposefully blind?
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Because in the next chapter we can clearly see that Hak overheard people in the castle talking about the Fire tribe buying weapons. A person with common sense, especially a general should know how dangerous this is if even people in the castle were aware of the fire tribe's movements— and Hak in the next few panels declares himself the next general— and what after?
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Ahem? Excuse me?
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You are right. He was no coward, he was more of an irresponsible idiot.
Despite being a General, the Princess's exclusive bodyguard, someone whose words the King had more chances of taking seriously, he said nothing, did nothing.
So it irks me when he of all people has the nerve to say to Soo-won - You're being selfish!
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Hak says he he can't think of him as a coward when King was hiding his injury? That small injury? There were people starving to death outside ridden with diseases, drug addicts, slave trading, human trafficking— the scale is just too huge to compare— what exactly did he think of when you he saw this mess and heard what the people were saying?
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King Il was the most selfish person in this story. Hak, was bloody delusional - He wanted an ideal future where - Soo won became king marrying the woman Hak loved because that was the only way the woman he loved could be happy - without ever even bothering to know of whit of what was going on around him! Even when the opportunity to change things around arrived, he ignored it to go cuddle with the princess?
Who here is more selfish among the two? It's not that the Soo-won he was friends with was a lie. From the beginning Hak only chose to see the Soo-won Yona loved. It feels like he was only friends with the image of the man Yona loved.
The day he saw the real Soo-won was the day he killed Il, and after over 200 chapters he still can't come to terms with the person Soo-won is?
If he for one moment can just put Yona out and actually be the friend he was supposed to be and understand the real Soo-won for who he is, and not some mirage he deluded himself with for over 10 years I don't understand why they can no longer walk by each other's side.
While Hak loves Yona very much, he was also supposed to be Soo-won's dearest friend - he claims he has known Soo-won longer than anyone else - but really? Why is he not burning to demand more answers that are related to Soo-won? He is just going to say something lame like will forget everything now?
If this had been Ki-ja or Jae Ha, I am pretty sure he would have hunted them down to demand answers, but when it comes to Soo-won, no?
So what does so many years of the so called friendship amount to then? I have begun questioning what was Soo-won really to Hak all this time? Because we can see that despite everything, Hak still means a lot to Soo-won without Yona being a part of that equation.
But does Soo-won still mean something to Hak without Yona in the middle of it?
Really don't get it.
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Seriously, Hak, what is Soo won to you?
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