#the only good part of these movies

[roberrtphilip]

There's an awkward "first date" silence between them, the kind that suggests there isn't going to be a "second". Giselle tries her best to keep the conversation going.

[cidnangarlond]

“You know what this city says about tears, Goncharov. Do not shed them before my blood is finished spilling.”

Goncharov (1973) dir. Martin Scorsese

[hesbuckcompton-baby]

me: i hate war, war is SO BAD, no more war only peace fuck you

me when i see a movie/tv show about war: ooo nice

[modmad]

SAW STRANGE WORLD. MOVIE GOOD!! GOOD MOVIE. GO SEE MOVIE shame on disney for trying to bury this beautiful film. Discussion of generational trauma, hard decisions re: fuel sources and having an overtly gay main character? it's sad to say I can see why they tried. Failed! but tried.

[foldingfittedsheets]

So I love a rom com. Especially a rom com where the leads have no romantic chemistry at all. And essentially in a rom com they’re just pretty shitty people so you don’t feel too bad about the hijinks they get into.

My beloved had me watch You’ve Got Mail, an old one I’ve never seen. It starts out pretty strong on them being terrible people because the leads Meg Ryan and Tom Hanks are both emotionally cheating on their partners with each other via email correspondence.

Then it turns out he owns the chain bookstore that puts her quaint family owned store out of business. They suggest a meet up and he realizes her identity but doesn’t clue her in to his. He still keeps corresponding with her knowing she hates his guts because again, he destroyed her business, the legacy left to her by her dead mother that she had hoped to pass down to her hypothetical child.

Then he decides he loves her anyway, they both dump their respective partners.

Now here, a grand gesture would have been enough to bridge this very hurtful gap. Buying the shop, converting it into something new as a gift to her perhaps. This man is exaggeratedly rich and would have the money easily.

But instead. He goes to befriend her as himself while still messaging her. He makes her double guess the emails he himself is sending and plants all kinds of seeds, they go on a montage of outings while only talking about his hidden alter ego, the mysterious man she’s been emailing.

Then he shows up at the park to confess. At this point I said aloud, “This is psychopath behavior. This is what psychopaths do.”

But Meg Ryan said she’d been hoping her mysterious suitor was Tom Hanks, the man who, can’t state enough, ruined her life and finances. And they kiss and smarmy music plays.

7/10

[world-of-puppets]

I have conflicted feelings about the FNAF series in general, but seeing a movie where practical animatronic puppets are the primary focus of the film becoming not only financially successful but also well received by general audiences is pretty damn neat.

[hccupit]

what was he cooking

[paris-geller-was-straightwashed]

okay so, having now seen furiosa: a mad max saga opening night and having Ruminated on my thoughts, I am going to give my two-pence on the movie even though nobody asked or wanted it - you're getting it anyway!

but before going into the full thing, I actually re-watched fury road today, bc I just wanted to contrast it now that we know furiosa's full story that lead her to her trek in fury road, and I just had mad max on the brain (and also I love that movie).

spoilers under the cut below!!

first, I already knew before seeing the prequel, that that scene in fury road where furiosa breaks down after learning about what happened to 'the green place,' was going to now hit 2x as hard once we learn what really happened the moment she was ripped away, and...yeah, it's super painful to watch. it was already a very emotional scene, but now having known how much pain and struggle it costed her, how many times furiosa desperately made her bet to get back home and fell short - you can really feel her grief

funnily enough though, I was shocked to find myself tearing up not during that scene, but when furiosa was reunited with the last of the many mothers. having just watched her ripped away so unfairly as a defenseless child, her whole world destroyed and clinging onto this dream of one day, getting to embrace her family - you can't help it!! I started tearing up when the other woman rushed to furiosa, embracing her with the gentle touch of their foreheads, 'this is our furiosa' 😭 like..she did it!! she made it home!!! - also, I learned in the credits - that woman was actually the same little girl, valkyrie, in furiosa who was her friend!!! that girl saw her friend get snatched and pulled away from their home, and then finally, both grown, they reuinite! I just thought that was sweet

what max says to her about hope in the scene after they find the mothers, 'if you can't fix what's broken..you'll go insane.' - my mind immediately jumped to dementus. we get this glimpse that he once had a wife and child(ren) he loved, that were either taken from him or killed, and he tells furiosa in their stand-off more or less how that destroyed him mentally, further plunging him into this hateful madman who acts so cruelly to others. he couldn't 'fix' it by getting them back ('I want them back!!' 'I can't!!'), the one thing he loved that kept him sane, and so he lost his humanity.

I saw a post of someone saying how ricktus's death (immortan joe's son) is 10x more satisfying after having seen what he (nearly) did to child furiosa...abso-fucking-lutely (though, I think with that in mind, furiosa should've gotten a part in it..)

also, max & and furiosa's dynamic after knowing about her & jack...the parallels! the parallels!! their gradual bond of trust, how fluidly they work together to kill/fight the enemies of the citadel akin to her and jack vs. dementus and gang, etc.

this saga, of course, is about hope and redemption, alluded to in both fury road and the prequel. in fury road, max says (I think in his opening monologue) how he was once strived to be a 'righteous warrior', who could do good and help others. later, when one of the wives finds the warboy nux, he's distraught bc he thinks his chances for greatness are gone, but then she tells him that maybe, he's destined for something greater - and that would be, of course, later sacrificing himself to save her and the rest by crashing the rig into the war party. in furiosa, jack says how his parents were valiant warriors, and how he hopes one day, he could be the same - also, later, fulfilling that by sacrificing himself so that furiosa might escape dementus and the destroyed gastown. it's just such an amazing string of parallels - all three men, looking to do something great, and then, through furiosa, they're given that chance and achieve something good even amongst the destruction!! but it's only bc of furiosa, this harbinger of hope, that they do so - she's the tie between them all, the embodiment of that goodness!!! it's! just! so! good!!!

honestly there's probably way more parallels out there I'm sure ppl will bring up, but those were the things that struck me. now, onto my actual thoughts on the prequel.

--I'll start by saying I was unbelievably excited to see this movie. I'm annoyed though, bc despite knowing about it and wanting to see it once it was released, I literally only learned it was coming out a week before the release date. straight up, the press for it was so poor, not once did I hear about it before the trailer randomly crossed my feed one day - and considering how popular fury road is, I find that bizarre (but, I'll bet you a good couple bucks, that the press/hype was deliberately poor bc of the movie company execs, due to this being a female lead film 😠) - but it did mean I didn't have to wait too long, and that I did watch the trailer about 13 times on my own accord until then..

--having read the reviews, I do agree, it is a bit slower then fury road - but, that's really only bc it's a character story instead. fury road takes places in the current time of the film and the actions that follow, whereas the prequel is specifically about furiosa, so it's honed less to the action and more about a certain character, in my opinion. but it's just as good for a character story! it does an excellent job of unfolding furiosa's journey, and really, if you're gunna compare everything in the franchise to fury road, it's never gunna live up. that said, there's still excellent action and real nail-biting moments.

--I will say though, that I found it almost...darker, then fury road? fury road is definitely intense and there's of course violence, but it never openly tips into anything past pg-13; the darkness that is there, is more or less touched upon by the narrative (like, we can get a sense of what must've happened to the wives (ie assault) and why they escaped once we see how immortan joe regards them as property, the suffering furiosa must've went through by the pure vitriol look she gives him when their cars are side-by-side and later, 'remember me?' before killing him (my favourite scene)). but it's never explicit - furiosa is. from the torture of her mother, to that scene right after the max cameo when he drops furiosa off at the citedel's underground where I literally had to cover my eyes and ask my friend to say when it was done..there's an overtone of darkness that gives to the tragedy of furiosa, this child molded from pain (not to mention, again, that scene of ricktus and her as a child which to me, was the most nerve-wracking moment). fury road gives you a glimpse, but furiosa doesn't hold back.

--chris hemsworth, meanwhile, made an excellent villain. not just as an actor, but dementus as a character was fantastic. he's got lots of great lines and brings in a lot of humor - he's both deranged and erratic, while also clever and simultaneously childish, and mostly, cruel. he's wonderfully dynamic. bringing in a backstory of losing his wife/child was a great added piece to his story (I love a good backstory), and the way he takes the loss of his kid and tried to mold it around furiosa, tries to fill that empty piece inside, was a great choice in terms of their dynamic. it made him more then just a mad-man who stole a child for yuks - he had a deeper desire to tote furiosa around, almost as a security blanket in the same way the teddy bear also acts as one. his final monologue was great - the ramblings of a hateful man, but it was, in the end, what got furiosa to see past vengeance, and become better - to choose hope, and not destruction.

--anya taylor-joy did a great job I thought - while I wish furiosa had more lines, she made up for it in just the facial expressions and how full they were, really giving us a glimpse of what furiosa was feeling. even still, it would've been nice to have known what was going on in her head, or even hear her talk about her past - the green place, and then dementus, are the pure driving force of her character, yet she doesn't ever mention or grapple with her grief around these things, simply stays silent (except for the final confrontation with dementus). I would've loved maybe, if she had confided in jack, or maybe even one of the wives, to give more depth to her feelings.

--I also wish furiosa could've bonded with someone else besides jack, or at least before him. it would've been nice for to have had at least one ally, or, I dunno, a friend? like that war boy who had dwarfism - she seemed almost sad, when realizing after the battle that he was dead. instead, she's alone, but a fellow misfit friend could've been nice.

--speaking of jack, loved him! thought he was great! it's unfortunate his part was so short, would've loved delve into his background (also, I'm as gay as they come, but he's like..an objectively Good Looking Man, so well done all around).

--I was really nervous, for how they were gunna do the romance. I was against it initially, bc the great thing about fury road, was that romance was not at all forced into the narrative - you can read that between max & furiosa if you want, but for one of the very, very few times when a woman and man team up, romance wasn't forcefully wedged in, and instead they could be respected allies. so I was skeptical - and then I totally fell for them. they were so sweet! the two actors had great chemistry - their bond was just so soft. the way, after they crash and are caught by dementus, furiosa, who can barely stand, gently leans herself into jack's shoulder, sweetly muttering to each other as he leans his forehead back against hers, like 😩😩 it was so lovely, and so tragic. you could really feel the respect and care they had for each other; it was so organic, bc jack genuinely wanted to help furiosa. he respected her and asked nothing of her - he was a purely good man, and through that, furiosa was able to open up to him and trust him. it's the great curse of the mad max universe though - no romance can escape it's claws, same with how nux and one of the wives were torn apart. in my heart of hearts though, there lives a little AU fic where dementus doesn't catch them, and they make their way back to the green place and live happily ever after with a kid perhaps, and maybe, furiosa and him go back to later rescue the wives (they say, like they're not thinking of already writing that very fic...).

--one more thing about furiosa I wanted to mention, if I can call back to earlier saying how she becomes a beacon of hope for the various men that enter her life (and the women too, when you think of the wives..) - that, despite all this horror handed to her, at the very end of the rope, she gives into her hero's heart. time over, we see, even as the destruction of the wasteland chips away at her, furiosa can never quite betray her heart. she runs back to her mother even after being pushed to leave, she goes back for jack despite having the perfect escape to finally make it back home, and in the end, takes all her hurt and anger wrapped up in dementus, and turns it and him into something that can bring good into the world. it's about choosing good, above all!! a hero's heart, even in the darkest of worlds!!!

--the trailer really emphases the green place, but we only see it for like...a couple minutes? I was looking forward to more lore about it, maybe seeing some of it's inhabitants like the mothers. but furiosa is taken immediately and then her mother starts her hunt after her, and that's it. kinda a bummer.

--there's a couple inconsistencies here and there - like, when furiosa is first brought to where the wives are kept, there's gotta be about 20 women in there, roughly. but then, as she becomes a young adult, we see at the very end her approach the 5 wives from fury road (I was expecting a call-back, so loved that) and it looks like there's only them there - what happened to the rest of the women??? did they all die in childbirth?? also, when furiosa runs away and hides herself as a warboy/mechanic, how did no one know she was gone?? it seems odd, since immortan joe specifically picked her out and probably has a mental line-up of all his 'treasures', you'd think he'd notice. or how, later on, the new 'imperior' with jack looks oddly similar to that young girl ¯\_(ツ)_/¯

--also, I wanna know how furiosa got away with being the only female imperior - you'd think immortan joe might snag her away instead to be a wife bc she's young and viable, or that she'd be either dismissed or preyed upon by his sons/the other men. maybe because she was partnered with jack it was easier, but that was kinda confusing.

--final thing, bc this post is already too long - my last gripe is mainly about furiosa's dynamic with immortan joe. in furiosa, her revenge is purely motivated towards dementus, but then, switching to fury road, she now holds contempt and anger towards the warlord. part of what I wanted to see in the film, was her past with immortan joe; we didn't know initially how furiosa got to the citadel, but my interpretation, was always that possibly (because she was branded with the logo on her neck) she was brought on as a wife, inevitably abused by him, and then something happened where she was no longer useful as a wife (maybe an accident that cost her her arm) but was still useful as a tool. but, immortan joe isn't really looked at in the prequel; he's here and there, but doesn't show any particular cruelty or act towards furiosa that I was expecting. that vitriol she shows in fury road, and of course, 'remember me?', makes you think there was something there to fuel furiosa's revenge. instead, nothing really occurs between them - of course, furiosa is brought on to breed him children and then is expected to do his every bidding in getting supplies, so, I think we're supposte to assume that she has seen how cruel he is up close, and so acts against him. still, I was expecting something deeper there.

all in all, I loved it and had a great time. fury road will always be one of my favourites, but this is a great addition. fury road is great on all fronts; a fascinating world, great characters, amazing action, a well-made and clearly cared for story, but the thing I love most - is that it's about hope. it's about choosing, every day, despite the horrors around you, to get up and hope for something better. to do something better, even at your own cost. it's about hope and what we mean to each other when we extend it. and I just love that so much

go see furiosa! support it! it's a great time!

[multifandomangel]

how do i explain to people that i actually really do like the plot and storyline of twisters (2024) without them immediately assuming i only like it because glen powell is in it :(

[bubblegum-hurricane]

I'm going to be controversial and say this: Thranduil was not in the wrong for not helping the dwarves.

He was protecting his people first and foremost. That should be a leader's #1 priority. Die mad about it.

[bigskydreaming]

The thing that kills me about the Star Wars prequel trilogy and why I will die on my hill that my problem is not that Star Wars is a tragedy, its that its a badly written tragedy, is that Anakin Skywalker was at his closest to being a good Jedi when he was ten years old.

[psychomusic]

so. I've been reading some posts on the jedi order tag AND i won't talk about my opinion on "are jedi good or bad discourse" BUT i wanna point out some lore to everyone who's complaining about the jedi taking kids into their order: (in the EU) it wasn't always like this.

if you take swtor era (more than 3000 years before the prequels) there were many jedi who joined at an older age. like, for example there was a guy who broke his engagement to become one. most jedi remember their families because they were old enough when they decided to go.

THEN in darth bane's book trilogy (circa 1000 yesrs before the prequels) there is a passage where two sith lords are talking about taking bane, already an adult, to study at korriban. one doubted him because he was too old, ans the other told him he sounded like a jedi, and that ONE DAY jedi will have to accept only kids into their ranks if they really want to find "pure" people that can learn their lessons quicker.

one day!! so it wasn't always like that!! the ongoing wars with the sith, who corrupted and killed many of them, had pressured them into taking always younger people into their ranks.

also, consider a thing that this video explains super well: training to become a jedi is not like exercising, because there is a transformative lesson at the end of the training that changes everything. you can't just do as much as you can, but not finish.

the transformative lesson, as the video explains, is that through the force, everything is the same - from rocks and ships to life and death. at the end of the training you have to understand this fundamental truth.

yoda says "you have to unlearn what you have learned". during times where they were constantly killed off or corrupted by the dark side (and if you haven't learned this lesson you are more susceptible to this corrupting), younger people were taken in to actually finish their training (a training that was ultimately about being a good person AND that you could leave at any point if you weren't sold on that, too)

(remember that for the sith failure = death. like. that was the alternative for force sensitive kids. it's not like sith had any moral problem with taking kids away without consent. sith don't have moral problems: they believe that them being stronger in the force means they can do whatever they want as long as their strong enough to go and do it. there are MANY passages in many different star wars stories, even in different mediums, that say this out loud)

AND (this is more of a critical thought than just stating the lore) the fact that they started doing it out of necessity doesn't mean it's 100% good BUT you know. the whole set up of the prequels is that we're starting off the story in a period of crisis and decadence all around. most of the systems of the times were about to fall. OF COURSE they had problems. if they didn't, we wouldn't have the story to begin with.

that doesn't automatically mean jedi = bad and sith are better, tho. you wouldn't take the last, chaotic and decadent period to jugde something, would you? it's like deciding that the athenian democracy sucked because people at the times of Demosthenes failed at recognizing the new schemes in which the world was evolving into, and still believed that their city would be important as it had been in the previous century. They just didn't fucking expect the Macedons would conquer half the world known and more, and have the subsequent political power. Still, their experiences in the 5th century with democracy were very good, even better than ours on many fronts, if you contextualize a little. the jedi had flaws, and most importantly, they didn't fucking know the future and everything that ever happened, ever, so they made mistakes. that doesn't automatically make the system ill, or bad, or not-working. systems can have setbacks when the world changes. (just like athenian democracy had one when they lost the empire that was funding the democracy. they even had a tyranny for a while and then fixed the problems. that doesn't diminish retrospectively their democracy)

[queer-ragnelle]

Lady of The Lake || King Arthur: Legend of The Sword 2017

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[the-holy-ghosted]

itching here because its entirely irrelevant to the overall theme of my blog but if i dont talk about [THAT OLD MAN] in [MOVIE] where he [PERVERTED DESCRIPTION OF SCENE] im going to fucking explode

[freaquin]

head in hands over this