#the saddest most tragic little man in the world

[justsomeguy-cassavetes]

corporate needs you to find the difference between these two pictures

[renthony]

🏳️‍🌈

(Drop a 🏳️‍🌈 in my inbox and I’ll respond with a queer media recommendation!)

Everybody who follows me already knows that The Dragon Prince is my favorite TV show in the whole world. Created for Netflix by Aaron Ehasz (an alumnus of Avatar: the Last Airbender) and Justin Richmond, it's an epic fantasy series that kicks off with a trio of plucky protagonists who are determined to return an egg kidnapped from the dragon queen by a dark mage, because the kidnapping of the dragon prince (hey! the title!) puts the entire world at risk of war.

One of the fundamental themes is exploring the cycle of violence and abuse, and how that cycle can only be broken when people commit to it wholeheartedly. It also shows that, even when someone wants to break the cycle, there are others who are invested in continuing it, and peace takes incredible and painful work.

The worldbuilding is phenomenal, the character and creature design is incredible, the story is gripping, and the writing is...*chef's kiss.* Every season is better than the last, and the increase in animation quality across the years is unreal. Season six was utterly ethereal.

Phase one of the series spanned seasons one to three, and we are currently in the final stretch of arc two ("Mystery of Aaravos"), encompassing seasons four to seven. Season six just dropped, and according to the official Instagram account, it's been #1 on Netflix for the past five days! That's really great news, because they're trying really hard to get greenlit for arc three--so now is a really, really great time to get into the show! You want to do it, you want to do it so bad. Use the hashtags #TheDragonPrince, #ContinueTheSaga, and #GiveUsTheSaga if you do! Please, for the love of fuck! 😭😭😭

Currently there are six seasons of the tv show, several books (including novelizations, original comics, and art book, and in-universe guides), a tabletop roleplaying game, a board game, and a brand-new video game that launched this week. This world is huge, and it's so fun to explore!

Here's the trailer for season one of the show:

Here's a trailer for the most recent season, for those who saw the early seasons but didn't keep up:

And here's the trailer for the mobile game:

As far as why I'm recommending it as a queer show, there are so many queer characters. The show prompted some griping early on because it had a pair of tragically dead lesbian queens, but in the seasons since, they've introduced a gloriously alive lesbian battle couple who get married on-screen, a married pair of gay men, three different trans characters (one of whom joins the main cast in season 4 and remains a major character), and a general lovely air of casual queerness in a high fantasy setting. The tabletop roleplaying game has multiple canon queer characters, too, and the show's cast and crew have made it clear that they have queer people among them, they fully support queer people in the fandom, and they want to include queerness in their world. It's awesome.

(And I'm still sticking with "when one man looks at another man and says 'our baby was so cute,' that's canon enough for me." So there's some fantastic queer villainy that's, like, the perfect icing on the cake for me personally. The Dragon Prince: for all your unholy dark magic mpreg bug baby needs!)

Also, this show has my poorest, saddest, littlest, wettest meow-meow babygirl of all fucking time: Lord Viren, (former) High Mage of Katolis, the most turbo-divorced man in all existence. If you follow me, you've seen that motherfucker. You know who he is. You have seen his sad miserable little face. You know who I am and what I'm here for. This paragraph is not a surprise to you. You know.

Here's a picture of me in Viren cosplay, as both a shameless cosplay self-promo and a reiteration that, no, seriously, this is my favorite TV show ever:

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[roach-works]

Hi!!!! I recently read When the Wolf Comes Home and I loved the premise the where the fic was heading. I know it hasn't been updated since 2017 so I was wondering if there was any intention of finishing it? I know it's possible you've moved on from that fandom and that is totally fine! If you are, would it be possible to share where you wanted to take the fic? Thank you, I absolutely loved your writing!!!

im a little stuck on that one because yeah i do sometimes noodle a little more on it and i had a pretty solid plot for the first year, after which i was going to be Very Firmly Done because so many rewrites attempt to take on the whole seven year span and founder on the complexity. but the problem is im really ambivalent and undecided on how much i want to participate in harry potter fandom at this late date, with JKR going mask-off nazi sympathizer. it's a weird situation where you can't argue for death of the author when the author is annoyingly alive and arguing that you should be dead.

im deeply reluctant to denounce people still participating in a fandom that i myself found incredibly fun and rewarding for, yknow, several decades of my life, and i don't think i'm better than them, just fortunate to be more interested in other projects.

but ambivalence towards the fandom and deep resentment towards the creator aren't really a productive headspace to actually write in, and i also don't want to finally work through my own doubts, finish another chapter, and then get my head torn off by people who are certain that i'm supporting JKR's toxic fuckwittery.

all in all it's easier and more rewarding to play with other fandoms and work on my many original projects.

where the fic was going:

as far as i remember, in When The Wolf Comes Home, draco was going to get his dad to hire lupin as his defense against the dark arts tutor and rent out the shrieking shack for the man to work out of, thus circumventing the curse on the DADA position and giving draco a werewolf mentor and independent bolt-hole.

quirrelmort was going to continue trying to figure out how to use or dispose of draco on his way to get the philosopher stone, a side-plot draco knew almost nothing about. draco would continue to try to maneuver harry into quirrel's way and snape out of his way, with indifferent success. harry and ron, lacking any voice of reason to temper their enthusiastic partnership of 'baby griffindors looking cool in front of their first real friend ever', would continue to believe that draco, the saddest wet puppy, was an evil monster and the cause of all their misfortunes. draco would continue to be the most mentally and emotionally unstable kid in the castle, taking all the heat off neville, who would end up looking fairly cool and collected by comparison. rita skeeter would feature somewhere in there, hired by narcissa to write little puff pieces on how tragic and brave draco was being about going to school with such a tragic disability.

remus lupin would end up with a full schedule tutoring DADA students about to take their NEWTs and OWLs and make a bunch of money. with lucius as his patron and PR agent, he would be accepted in hogsmeade as a dashing and heroic warlock who had been off having reams of secret agent adventures as dumbledore's key man in the muggle world. remus would not really know what to do with this but eat as much as possible and smile gamely when lucius showed him off to people.

eventually towards the end of the year quirrel would get rid of draco by orchestrating a fight between ron and draco where ron cut his fist on draco's teeth. this would count as a bite and draco would get thrown in azkaban and belatedly realize that he had completely and totally forgotten about sirius black's whole Saddest Wet Dog situation. sirius would do his best to take care of his tiny insane werepuppy cousin until the malfoys and longbottoms and weasleys combined to lever draco back out, using ron's ashamed testimony. draco would immediately turn around and reveal scabbers. the malfoys would end up looking like champions of truth and justice and the weasleys would, unfortunately, have to just stand there and smile gamely for the cameras.

while all this was happening harry would go after quirrel with hermione and neville and take him down. dumbledore would show up at the end, when voldemort was defeated and sirius was exonerated and several deep family feuds had been laid aside, to dispense twinkling paternal wisdom.

draco would kick him in the fork.

THE END.

[zenixromeave]

THE FINAL ROUND OF APHBLR'S SADDEST, MOST PATHETIC, MOST SOPPING WET, POOR LITTLE MEOW MEOW

In one corner, the man who waited 15 years for his Lord's return, who wandered the world with no family to remember him except the brother he was responsible for the execution of since 12 years old, who was an accidental absent babydaddy... DANTE

In another corner, Garroth's son-like figure who betrayed all of Phoenix drop and perhaps the only person he cared for, went on a mad killing spree of his fellow Shadow Knights in a pursuit of power, and whose motives have never been explained... ZENIX

And finally- you know him, you love him: the man who died and came back wrong by his beloved wyvern for Aphmau, who he knew for like 2 weeks: the cassanova of Meteli: the man who was a tied-up catboy for most of season 2, and the only one here with a last name... LAURANCE ZVHAL

(Note: if you think the same character from a different series, such as emmalyn from mystreet versus emmayn from MCD, fits the "kitten left outside in a wet cardboard box" criteria more, just vote based on that. or don't, have fun.) (emmalyn used as an example because she does not appear in any match.)

[fanficwriter284]

How would u rewrite the chucky series?

OH BOY!!!!! How I would personally rewrite the series?

Ok if we're going to keep the generic plot the same, Chucky going after teens.

I would keep most of the episodes the same. Season one wasn't horribe....well.....

Ok I would ENTIRE REMOVE NICA X TIFFANY.....because it's toxic and horrible. Second, I would remove the awful backstories given Chiffany. Because that's what really made them one-dimensional. To make an enjoyable character they need layers and REASONS behind their motives. Because I'm still trying to figure out the whole purpose of Nica x Tiffany......there was no point.

And the stupid take over the world think can go too. I'd picture Chucky having a bigger motive than that, because the whole point of him being a doll was to commit murders with nothing tracing back to him, if people know what he is then what? People will just stop the production of Good Guy Dolls.

Tiffany ratting Chucky out to the cops? OUT THE DAMN WINDOW! Don needs to take some lessons on how to write a damn plot twist. Because NO. DOES NOT MAKE ANY SENSE. And how would she know to ask for Detective Mike Norris specifically? She loved that man with every inch of her heart and she ain't a petty bitch.....well not that petty.

And making Chucky born a killer? Uh uh....this can only be achieved by characters with no personality such as Michael Myers because he is portrayed as a killing machine. BUT CHUCKY, he has a life and is capable of loving others (Tiffany in bride and Seed). He was given depth, and emotion, and making him born evil just doesn't make sense. If someone is born evil and a killer, they are a psychopath and aren't capable of emotion or loving others.

I enjoyed Jake and Devon I loved their relationship, it was so cute from beginning to end. I liked Lexi's character development.

Season two was kinda everywhere.....

So the whole doctor Mixter thing? NOPE....uh uh.... Cannibal Chucky no makes no sense. I came out of no where, that was Chucky's other plan for Andy? To just eat him? No.

Glen and Glenda must be protected at all costs.

Oh and bitchy Tiffany? She can be dropped into hell for all I care. I don't care that they tried to give her a mini-redemption arc by saving Glen. That wasn't earned at all. I would want Glenda to just end Tiffany and put her soul into the Bell doll....AND NO SHE AIN'T WALKING FREE....Glenda's going to get some info out of Tiffany and that cage? Oh, that would come in handy.

Tiffany doesn't get a free pass NO....after all she's done? I would make her redemption arc long and earned.....and she has to give something up....something of value.......a sacrafice.....or punishment..... which is where Glenda comes in to learn about the past.

I don't understand why Jennifer Tilly was brought back and immediately killed...I want her to get some revenge.....because she has one of the saddest lives. Forcefully impregnated, losing her two twin babies, her potential lover, her life and career, ALL IN THE SAME DAY.....now that's tragic.

Back to the church

All the OG characters meeting YES, Andy and Kyle, YES....only highlights of the show, as well as the twins.

Nadine.....my precious little angel!!!!!! AHHHHH it still hurts my heart.

I'll keep the rest the same....but oh god was this show a train wreck.

EVERYTIME A CHARACTER GETS DEVELOPMENT THEY EITHER LOSE SOMETHING OR DIE

Lexi's mom? Dead

Junior? Dead

The Priest? Dead

Nica? LOSES EVERYTHING

Glen and Glenda? Dead (Thankfully they no longer have that hole in their chest and are together again)

Devon's mom? Dead

Bree? Dead

LIKE SERIOUSLY!

Oh and that random twist with Caroline at the end turning bad....no makes no sense. Sure, they hinted towards it, but I wouldn't expect it to happen so soon. Especially with what happened to her dad. And knowing Chucky's BAD....Like come on.

Ok so off topic, but what made Chucky interesting as a villain in the first films, was that we didn't know anything about his past. Which left him a nuanced character. Which is something good in writing, we didn't know anything about him or his mindset only his goal. HOWEVER, when we find out about his past all that goes to shreds, learning that he does it because he was born that way. Which completely ruins his whole character. Making h

im a trope, which is something you don't want. There has to be a balance.

AND ANOTHER THING I NEEDED MORE BONDING TIME WITH CHUCKY AND THE TWINS........He didn't even get to met Glen...and that scene where he threats to teach them a painful lesson because they disobeyed him.....no......in Seed he showed genuine care for the twins. I would write that out, and add some more moments in with him and the twins.

Lol sorry, I need to make another one of these that's clearer.

[cauldronofmorning]

BCS scrimblo bimblo!

@fiona-glenanne-westen too!

blorbo (favorite character, character I think about the most): Kim my fave control freaking emotionally stuck at fifteen hasn't processed an emotion in her life queen <3 scrunkly (my “baby”, character that gives me cuteness aggression, character that is So Shaped): Jimmy is coming later so Nacho. Fave dog man with sad wet eyes and getting in so far over his head. scrimblo bimblo (underrated/underappreciated fave): does Howard count? @andthroughthewire was right that his death kinda overtook everything fandom-wise, and he's so interesting in how he literally stood up to Chuck once after twenty years of deferral and blames the suicide on that. glup shitto (obscure fave, character that can appear in the background for 0.2 seconds and I won’t shut up about it for a week)L Ernie deserves far better than just to show how Jimmy is nicer than his brother. poor little meow meow (“problematic”/unpopular/controversial/otherwise pathetic fave): Chuck is tragic and pathetic and such a good depiction of emotionally abusing everyone around you in different ways. horse plinko (character I would torment for fun, for whatever reason): he's the saddest girl in the world and deeply tragic, but what is Better Call Saul if not an exercise in how much can one guy take before he metaphorically kills himself. (Kim too, as long as the whump is in character... fandom) eeby deeby (character I would send to superhell): Lalo. I'm sure he'd have fun.

[juszar2]

I miss the days when my writings were of politics and socioeconomic conditions plaguing the world. Sprinkled in was a little humor and later observations. Now the rot that had been stalking my life... Found a toilet paper low life very possibly. Lower than the worst options I could have had.

Not a shred of strength, zero dignity, no truth and do not leave your bag around. When I get an answer about even a general matter, I'm sure that it is quite likely a lie. I caution do not tell him anything personal nor of importance, he is not wise and is really like nothing. It's strange, if you would be pocketed by your spouse's enemies after all of the disappointments you brought in the past, you really have no foundation as man, but really even as a person. It just takes me back to him promising me after he'd just been bitched in front of me by those guys and did not even say to them they'd have to see him when not with his lady... He stuttered was quiet and it was really tragic especially because I didn't even know he'd tried to get the advantage on the other guy like a coward and that is what had them standing there bitching him. I stood up for him without a hesitation and was furious. I'd not known what he'd done, but I protected him. He swore over and over that he'd never not protect me nor let anything like that happen again. That he'd stand every time in the future. Repeatedly apologizing saying he was not a coward and here we are are the craziest display of cowardice and bitch-ness ever. Shocking, but I can say that God had shown me and so it is my fault. God made me beautiful inside and out for a real man with skills he could rely on to get us so far and.... This, a 15yr old girl with my homosexual adolescent enemy, criminal record, 4the degree new felony charges, evictions, a vile arrested development, kid stalker spread it open on forums, talking about what it calls pus** and calling other women babe and pics of them and their bodies...And doing nice artwork stalking me and I did not even know it was tailgating my life. This tissue discussing my childhood acquaintances as it questions him about my life and sexuality. It is severely concerned with my sexuality when I'm sure it understands. Just turtle neck and slacks and they have a hard time. It knows for certain. To Even Know anyone who would let this gross near my life is unforgivable to myself.

The most general matter. I would believe nothing and I would consider it false information. It is the saddest and a star, penny in a well, finding a coin flipped on heads cannot give me my life back and never have sat around here wasting it on... Nothing.

I love nature, water, and so much more... Lest I not tell my interests as stalkers may be watching and they'd contort their face to copy a photo of mine and emulate aspects of my personality and real simple attributes. Like being provided a full record of the obsession and stalking and realizing this rot was following me and my life

Never use a filter on my face. And not very photogenic either, so much better in person

[peanut-tyrug]

TW: Loss of family member

Rework Short Rambles

Chapter 8 - Wish You Were Here

Goofy and adorable little bean :)

Idk if it’s true that Abigail died bc she fell, but if it is

WHAT

THE

FUCK??

WENDY WOULD HAVE WATCHED HER SISTER FALL TO HER DEATH WHAT THE FUCK

Bbys

Wendy’s little giggle just made me go “awwwwww”

And Abigail’s face…

“It’s just like mine, Wendy!”

This short is on a whole other level

The fact that Wendy imagined that whole bit… does she normally do that? Does she just do that to escape?

No child should ever experience what it’s like to lose a family member. They don’t deserve to. They deserve to live freely and happily.

I felt like crying typing that man wtf…

Her loss fucking ruined her world view. Like her quotes are scary to read, caught me off guard. No child should be talking like that.

I’m gonna say this again. WENDY DIDN’T DESERVE THIS! She, and no other child, do not deserve to experience this sort of grief. It’s even worse that she’s holding on to that grief bc she feels memory of Abigail will be lost like STOP THINKING ABT THAT!! THAT’S FUCKING HORRIBLE FOR YOUR MENTAL HEALTH!!! YOU’RE JUST GONNA FEEL LIKE SHIT FOR THE REST OF YOUR LIFE BC YOU WON’T LET IT GO!!!!

This short is the saddest one of all of them tbh. Wendy is also the most tragic character in this game. There is no changing ANYONE’S MIND on that.

[linkspooky]

Who in you’re opinion are the 5 best written characters in jjk?

1. Suguru Geto

Geto is the type of character I refer to as an "empathy monster", his genuine feelings of empathy for other people just make him all the more monstrous. Empathy isn't a positive or negative trait, it's just one personality trait that makes a person. It's just the ability to inuit other people's emotions naturally. It's not some magical trait that makes you a good guy. Suguru starts out his story as someone who strives to be good, but in a "self righteous" way. He's trying to assure himself that he's a good person, that his beliefs are the right ones.

Geto and Gojo work so well as character foils, because they are essentially the same person. They're both "the strongest" and that makes them see themselves as apart from normal people. Geto at first believes it's his duty to help weak people, but that still comes from a place of looking down on them.

Then Geto is put through something no normal teenager should have gone through, he gets close to a girl, only to watch her die right in front of him when he promised to be the one to save her and fall away from his best friend shortly after, because when Satoru became the strongest it seemed like he didn't need him anymore.

Geto sees himself above normal people, but it's actually him genuinely connecting to someone he and Gojo would have dismissed as a normal person before in Riko Amanai, and seeing her desire to live in this world the same as everyone else, only for it to be taken away that breaks Geto. Geto feels this empathy deeper and stronger than everything else, and because he cares the loss absolutely devestates him and the only way for him to go forward is to just cut off that empathy. He starts seeing everyone, except for the sorcers closest to him as being human. He disqualifies them.

Geto works so well as a character, because it's his good qualities that drive him to tragedy not his faults. He shows how uncaring the world of sorcerers is, if trying to be a genuinely caring person can be a fault that drives you off the edge.

2. Satoru Gojo.

Gojo's writing is well done because it's balanced, the entire character is built around the idea of being "the strongest" but instead of it being a power fantasy, Gojou's character revolves more around how much it sucks to be him.

Gojo can win any fight alone, but it doesn't get him what he wants. He can't use his strength to solve every problem. There are several things he can't do, he can't teach that well, understand or relate to other people, play politics with others.

What Gojo wants is a better world, and comrades that can stay by his side without getting left behind, but he can't have those things. Gojo actually has an insecurity around being the strongest, because he thinks it's all that defines him. He sees his strength as insufficient ultimately because there is so much he failed to do. He has strength, but he couldn't save Geto. Gojo is the strongest man in the whole world and still he fails, he makes mistakes like any other human. Just like his character profile says, Gojo can do almost anything, but there's nothing he particularly wants to do and when he does find something it slips out of his fingers.

3. Okkotsu Yuta.

Jujutsu Kaisen writes main characters well, and it does this by not allowing them to be "the main characters' of their stories. In most stories the world revolves around the viewpoint of the protagonists. However, in the case of both Yuji and Yuta every time they try to view themselves as the heroes, or act self-centered in their viewpoints, they get slapped in the face and reminded that they're not the only ones fighting here.

Yuta is a well thought out version of the "nakama" trope, in that Yuta's entire problem is how codependent he is. He can't function without people around him. He was so afraid of losing Rika when he was young, that he cursed her and bound her to him for years after her death which inevitably made her suffer.

Yuta's passivity is also a serious flaw. Maki calls him out for "playing the victim" as an excuse to avoid responsibility. If he lets others push him around, then he doesn't ever have to make decisions for his actions because he's "not at fault." Yuta's arc in Zero is forcing him to grow up and take responsibility, otherwise he'll keep hurting the people around him like he did Rika, and I hope we can see the conintuation of that arc.

4.  Kokichi Muta.

Kokichi is a perfectly executed tragic character. His circumstances aren't his own fault, but he still makes bad choices in those circumstances.

Kokichi's desire is to be together with everyone else. However, Kokichi is so afraid of his friends hating him, because of how worthless he believes his own body to be that he can't let them close. Kokichi has internalized the idea that he's weak, so he takes all the burdens on his own shoulders in an attempt to prove he's strong.

That, is what leads him to try to challenge Mahito all on his own. He wants to be closer to the others, but he can't bring himself to rely on them. It leads to one of the saddest scenes in the manga, and expresses the tragedy that's repeated again and again in the jujutsu world, that these are all just kids that want to be friends, and have the normal lives everyone else have. I want to be together with everyone. That's what Riko said. That's what Kokichi said. That's what Yuji tried to promise to Junpei. We want the characters we like to be happy, but to the ones with unhappy endings their story still matters.

Kokichi couldn't leave his room in the end, but even so there was still someone who loved him in Miwa, there's still someone who will remember him - and there's a power in someone who tried their hardest to live and love even if they failed in the end.

5. Mahito.

Anyway, now I'm going to praise the asshole that killed my other favorite.

Mahito is a frankenstein's monster like Dabi, he's just a little uglier. Mahito serves as an embodiment, a walking, breathing, id of human selfishness and desire. What's so interesting about his character are all his nasty traits are perfectly human ones. Human pettiness. Human jealousy. Human fickleness. The things that Mahito does are all things other humans do with each other. A confrontation with him is like an acknowledgement of just how terrible people can be to each other.

However, there's more to him than that Mahito is basically an infant, he is frankenstein's monster, a creation of humanity but distinctly not human and unaware of what he truly is. What I'm invested in is the potential of a character like Mahito. His starting point si the absolute worst of humanity, but humans are ore than just their bad traits. Just looking at the bad parts of people you're not looking at the whole truth. I'm interested in what kind of character that Mahito can grow into as he gains a wider view of the world around him, because he is a curious learning thing.

I actually hope we see him come back in canon after being eaten by Getwo, because there's a lot more that could be done with a character with so much potential as him.

[vidavalor]

Lokius/Mobius thoughts...

The part of the jet ski conversation that gets lost in the shuffle is the most interesting bit to me. It's not when Mobius expresses why he loves jet skis but when he expresses what he feels about basically all of history that causes him to love the rare bright spots like, to him, jet skis. He says that all of history is basically terrible and then it nearly all of it gets destroyed. Listen to that. Sit with that for a moment.

This guy is exhausted. He admitted to Loki in another scene that he has no idea how long he's been at the TVA but we know it's been awhile and no one really ever seems to do anything but solve time crimes. Mobius is the only real subtle rebel we see in the place-- he has his jet ski magazines and there's a novel on his desk. He's smart and a little bored and a little depressed and Loki-- *this* Loki-- is the human equivalent of jet skis to him.

Mobius has seen and knows about history and while he has not lost a sense of empathy and compassion towards humanity at all, he has lost something of a sense of hope that things that are dark and repeated traumas can maybe end for the better. 'Most of history is terrible and then it's destroyed' is also basically the story of Loki's life-- most of it was kind of awful and then he was brutally murdered. The end. It must have depressed the living hell out of Mobius to watch that. Loki's life was essentially Mobius' favorite story, only it was real and he knew it was, and he just absolutely *hated* the ending.

He hated it so much that at some point, he actually took a tempad and *went into the movie*, which is not what the TVA is supposed to do. They are supposed to halt stories that deviate from what they are told the plan is. The changes they make are to prune and shape, sure, but to a specific end goal and there's no reason to go roaming around time and space without that. Yet, Mobius went into the story and while Thor is meeting the Guardians of the Galaxy, Mobius is seeing Loki-- this Loki, *his* Loki-- in person for the first time and it's when Loki is still very dead, having been floating on a rock in space until Mobius probably pulled his body into a ship.

Consider that the tape of Loki's life ends with his death in Infinity War. That's where his file ends, officially, with the TVA but Mobius was the real ending. Long before he and Loki would figure out how there could be no consequences in the moments before the death that is an apocalypse, Mobius had figured out there would be no consequences for him if he hid away the dagger he took from Loki's body-- the one that Loki had conjured to kill Thanos, that he had *made* from his own magic, that was then a part of *Loki himself*- as no one would know Mobius was here, hiding in the bit of time after Loki's file-- and life-- had ended.

It is, in all likelihood, Mobius who closed Loki's eyes and draped something over him, probably his own TVA jacket. It is, in all likelihood, Mobius who recovered Loki's body in Infinity War and buried him somewhere.

Mobius buried Loki before he ever met him.

He and Loki look at one another for the first time, meeting with Loki alive for the first time, as Loki is shouting about how the TVA will not dictate how his story will end, having no idea that Mobius was his epilogue before and has since decided to help Loki rewrite all of the last chapters. History is terrible and then it gets destroyed. Mobius thought that true but didn't let it completely best him into cynicism-- it made him seek to be someone who would try to make proverbial jet skis happen. History might be a series of dark times upon dark times but Mobius can find the joy in it and when he's broken by Loki's horrible ending, he wants to change it because Loki, too, is to Mobius a rare alignment of form and function-- a perfect, beautiful, god equivalent of a jet ski that should not be destroyed.

When was the moment that Mobius decided to go back for a second dagger? Did he take it from some point in The Dark World, off of the illusion of a dead Loki, so he again would not disrupt time as Loki would not be able to interact with him? The two daggers from The Dark World and Infinity War look alike. Why does it matter? Because one would have sufficed for Mobius to have for himself, to keep as a memory of the Loki he only ever got to see in person in death, but two? Two daggers means he meant to give them *to* Loki. Two daggers of Loki's own making, to protect himself with and help him rewrite his story because Loki is always better with two than with one alone and one alone is too reminiscent of his murder for Mobius' taste.

Mobius was a man tired of the order of bad endings, tired of just observing, tired of reading and watching a story unfold and not being able to be a character in the story of his own life, let alone Loki's. He was already beginning to burn down the TVA just by wanting so desperately to inject it with a dose of the literal God of Mischief. He had fallen in love with the protagonist of the saddest damn story he'd ever watched and then decided to go from watching it-- yet another tragic tale in history, yet another beautiful part of the world destroyed-- to deciding that he was going to become a part of the story himself.

The movie is now his story, too, and he is determined for it to have a different ending this time around. One day, this Loki variant-- the same man Mobius fell in love with watching, really, just stopped at the point of the beginning of his terrible demise (taking the Tesseract)-- this Loki variant will have a different movie that ends with the end of his life again but Mobius will be in this movie now, too, and with any luck, it will not end with a tragic murder but some happiness and peace. History might be terrible but Loki, now, maybe won't be destroyed and Mobius was already burning down his world for that before he ever walked into Ravonna's courtroom to save Loki and step not just into Loki's life but more fully into his own. That's just... really romantic and lovely. This damn show is going to slow burn the living hell out of this, aren't they?

[sahesha]

~30 days challenge~

Day 15: Saddest Death

Schizo Bird intensifies

I'm starting with any death is sad. When someone dies, we lose thousands of opportunities, even if it was the most dangerous and the evilest person. For example, if a person who has committed terrible acts dies, we will forever lose the opportunity to see how they will become better and atone for their guilt. Yes, likely, we wouldn't see it anyway, but if they're dead, that possibility disappears at all. When someone dear to us dies, we lose the opportunity to feel again the peace and happiness we experienced only next to them. Death is always the unfulfilled promises life gives us.

Therefore, every death in this anime is the saddest. I don't think someone's death can be more tragic than another one. So the question is about whose death I took to heart more than others. And my answer is — it's the Donquixotes: Homing, his wife, and Rocinante. Yes, it was clear from the beginning because you know I'm an apologist for the Donquixote family. But let me explain in more detail.

The Tragedy of Donquixote: The Last of The Family

1st Act: Mother

Madame Donquixote was a kind and loyal woman who dutifully followed her husband. The woman trusted the man she loved and expected a happy life with her family, but everything turned differently. The local citizens hunted them like medieval peasants hunted witches. She became ill because they lived in terrible conditions and then died. It's how fragile flowers fade when they're transplanted from a warm greenhouse into a wild field with salty soil, where only spiky weeds can survive.

And it's the fault of her naive husband. Homing had not sufficiently studied the world beyond the Holy Land Mary Geoise and the people living there before moving with his family. When someone's small-mindedness causes the death of their loved one, it's more than sad. It's the kind of absurd accident that is tragic.

2nd Act: Father

Homing's attempt to return his children and his wife to the Mary Geoise failed, as Celestial Dragons refused him. Realizing his guilt and the fact he's a burden to his sons, Homing decided death at the hands of his eldest son is the way out for all three of them. This act again proves Homing failed as a parent. Instead of letting his ten-year-old child kill him, he could tried to fix something, but he chose suicide.

Yes, it's suicide. Is it so difficult to fight back against a small kid, even if he has a gun? No, Homing decided to punish himself, and thus he made Doflamingo responsible for his death and Rocinante's life.

"Doflamingo, Rocinante, I'm sorry you had a father like me."

Then we turn to the third act of this tragedy.

Final: Brother

Doflamingo thought he had freed himself and his brother from the burden by killing their father. For him, it's a typical way of care, which he'll later show again (remember he killed Baby's grooms because they were inappropriate for her.) At the same time, it's revenge for the death of their mother.

So. Doflamingo eliminated the cause of their suffering and decided to return home. However, Rocinante didn't appreciate such aggressive care and ran away. We can only guess what Doflamingo thought of it. Perhaps it was a betrayal for him, so he didn't look for his brother. When you genuinely care about someone, but they reject your care, you can be hurt.

Also, Doflamingo didn't have time to do it. The severed head of his father could decay and become unrecognizable. It hasn't shown anywhere, but it's a logical explanation. Celestial Dragons should have realized he brought Homing's head, not someone else's. The little child had no formalin and no vessel to keep it intact. So Doflamingo didn't have much time.

Perhaps he assumed that after regaining the title, he would find and protect his runaway brother. However, the boy didn't achieve his purpose, and he had to go back. Most likely, after that, Doflamingo decided clumsy and timid Rocinante left without his supervision had died.

Rocinante didn't return until many years later, and Doflamingo accepted him back. It shows Doflamingo was glad that Rocinante survived. Anyway, he loved his brother. Even so clumsy and clueless, Rocinante was needed. Given the younger Donquixote was hiding his actual level of strength, Doflamingo still assigned him the title of Corazon. It's a sign of trust and attention.

Now imagine how a person feels when he realizes that his closest one lied to him. All this time, it was not his clumsy little brother he cared about, but an enemy spy who took advantage of a loophole in his heart and got inside. Doflamingo at that time wanted to rise above Celestial Dragons, and Dressrosa could be a good launching pad. Understandably, he wanted his younger brother to stand by him at the moment when he would take revenge on those who rejected them both. However, it turned out Rocinante didn't share his plans and worldview.

Doflamingo realized Rocinante was a copy of their father, a small lacquered box, locked inside another such box. Again: Homing was responsible for their mother's death and the calamities they went through. Despite Homing's guilt, Rocinante chose his side.

And Doflamingo broke this little box, eliminating the cause of his pain again. The blood family turned out to be false, and it remains for him to trust the found one.

"My brother is a monster."

The box he broke was heart-shaped.

Conclusion: a bit about weeds, flamingos, and boxes.

Doflamingo had to become the weed, which survives on any, even the most unfavorable soil. It's the same weird flower that isn't similar to other flowers of its species initially. Once in different conditions, it begins to mutate even more than before.

Flamingos feed their chicks with fluid, which is known as bird's milk. It's crimson red because it contains a pigment that turns flamingos' feathers pink. And also, it contains blood. Doflamingo is a bird that had to feed on the blood of its parent. But Homing didn't support his son well enough, so Doflamingo killed him and severed his head.

There was another heart-shaped box inside Rocinante's one: Law.

I hope it was interesting to read!

[cherry-interlude]

Lana Del Rey Unreleased Ranking (3)

This is a re-ranking of Lana's unreleased songs, after making a first a few years ago. This is all my opinion, which I don't mind anyone disagreeing with but don't come for me for it - honestly, I like every song, despite any criticism, and this ranking is very vague. It's based on objective and subjective opinion.

This is the third of five posts, with the middle songs.

Dreamgirl

Purely wholesome and dreamy, Lana adds some very fifties “shoo-wops” to play a fifties starlet whispering, her vocals soothing and soft along with the looping piano that guides the song.

Jimmy Gnecco

Breathless over the brisk guitar, Lana gushes over Jimmy – mixing her adoration of her lovers with wannabe-starlet fangirling. It’s one of her best acoustic tracks as she smirks and requests a trip to the park.

Elvis

Lana’s acoustic dedication to her icon Elvis Presley is memorable despite how stripped back it is. It could have been cleaner but Lana’s sorrowful desperation to be close to this man who she is such a fan of works well in being decent output from her.

Boarding School

It’s a difficult listen, considering Lana’s nostalgia is for a “pro-ana nation” and a school where “makig love with your teachers” is revered, but it may just be a satirical look at her time in boarding school when she was younger. I don’t enjoy listening to such worrying topics being handled in an upbeat song but the song itself has well-written lyrics and a great instrumental.

Television Heaven

This song is incredibly sweet, with lovely lyrics, dreamy verses and a distinctive pop feel, but it is definitely a strange mash of instrumentals. It’s not too jarring but it does make the song fall lower in ranking. It feels indecisive as it goes from sugary pop to a slightly darker feel in the choruses, and the lyrics aren’t the most imaginative in Lana’s library of tracks.

Be My Daddy

Lana’s full on sex-kitten in this song that opens with twangy guitars and her hushed “what’s up?” as she greets her potential “daddy”. With dirtier lyrics that she’s “open like a Christmas present” and how she’ll “fuck you”, Lana avoids keeping the sex in just the vibe of the song.

Break My Fall

Another song made for another artist, Lana this time sounds like she’s doing her own track. The pop sound is still ideal for actual music charts but Lana pulls the song off well, playing a strong woman far removed from the tragic women of many of her songs. It’s strong in quality and doesn’t stray into more experimental territory where many of Lana’s unreleased songs reside.

Hit and Run

With three versions to pick from (the poppy original, the Born To Die style slower version and the demo Criminals Run The World that’s a little more overt about Lana’s violent intentions), all three of these songs have something special about them. The pop version is bouncy and chaotic, perfect for a wild spree of gun fights and car chases. The slower version is much more seductive and measured, but a little too reflective compared to the manic power of the upbeat version. Criminals Run The World ranks much lower, not as smooth compared to Hit and Run but still with that insanity that makes Hit and Run a wild ride.

Heavy Hitter

With a jazzy introduction, Lana gives us a glamorous tale of a star having an overdose (somehow she makes it glitzy). However, following the suggestive chorus in which Lana asks her man to open his butterfly doors of his car (to drive her to get help, somehow delivered with seduction rather than horror), the lyrics get lost in Lana’s generic praising of herself and her wicked ways. However, it’s a staple of Lana’s unreleased music, even if I do skip after the (if you think about it) harrowing first verse and chorus.

Behind Closed Doors

The instrumental is a little bit all over the place, but it does work when Lana details her ill-received romance to her lover, then jumps right in the chorus to eagerly tell him how much she enjoys sleeping with him.

Gangsta Boy

Lana is inspired by Betty Boop as she croons and gasps her way through the track. The vibe is great, though the music falls a bit, but Gangsta Boy is playful, light-hearted fun.

You’re Gonna Love Me

Lana may be raw in her vocals and basic in her instrumentals (only a guitar) but Lana takes control, self-assured she will make the listener adore her. Her confessional whisper that she might just want to be loved gives this song a knowing edge despite the pondering questions and realism-on-the-edge-of-pessimism feel tone.

Living Legend

Lana’s Living Legend was intended for Ultraviolence, and whilst the song fits in it is definitely one of her more slumbering songs. Yet her sentiment is strong, her lyrics thoughtful and thoroughly enjoyable. All of the versions bring something a bit different but it is underlined by great song-writing.

Hey You

Lana has fun greeting a potential lover with this track and I have as much fun listening to it. The chorus is sparse and repetitive but Hey You is all about grabbing your attention rather than going to deep.

Is It Wrong?

Claustrophobic and guided by a smart riff and technological glitches, Lana pulls off the perfect unhinged groupie as she questions whether or not she is wrong for wanting the star of her dreams so much. The glitching is great for really seeing how Lana teeters on the edge of sanity for this guy she can’t resist, going from being the starlet to the foaming-at-the-mouth fangirl.

Playground

Lana becomes a rapper apparently in Playground and hits back at anyone who doubts her and her music. With a cloying chorus that compares the music industry to a playground of bitchy comments and school yard, Lana’s verses are smooth and her references overall decent. It can be a little bit clunky in places but it doesn’t take itself too seriously.

Motel 6

A cute little dance track which namedrops Jim and her sister, Chuck, Lana brings the party to her favourite motel, downplaying her glamour to throwback her ��lore’ and her old life pre-fame. Though it’s very much just describing one night rather than anything complex, it’s harmless fun.

Dynamite

Like the explosive dynamite itself, this song is punchy, restless and powerful. Lana layers this dominating track with innocent references to ice cream and pillow fights whilst also not holding back from the sexual references.

Afraid

Neat and mournful, Lana finally breaks off from her toxic partner. Lana is either sick of being worried for the future or terrified of her partner, and its reflective sadness as she plans to go back home still leaves hope that she will be able to be happy.

Wayamaya

Rolling calmly like a beach wave, Lana takes us straight to Hawaii and paints us an image of handsome surfers and Mercurys. Wayamaya is simply a soothing, short, cute little track that keeps very much surface level.

Hawaiian Tropic

Plinky music paired with non-stressful verses and imagery of Hawaiian shirts, this is the (in my opinion) better version of Every Man Gets His Wish (which shares the same chorus). The subtlety of this track compared to Every Man Gets His Wish helps to convey the hurt feelings a lot better, with the nostalgic feel and mournful longing in the vocals.

Dum Dum

Lana plays the alcoholic star who name drops Scarlett O’Hara and Bugsy Malone as part of her identity. These lyrics are pretty witty and the song snappy but, like some of her unreleased music, is a bit too overproduced and not cohesive. The verses and choruses don’t quite gel which doesn’t make for a song that flows well but with tweaking it could be even better.

Hollywood’s Dead

Lana fits perfectly into the era of fifties with this mid-20th century driven track. It sounds perfectly in place for the decade she frequently romanticises (with a modern twist) and Lana’s crooning, tearful references to her icons drips with glamour.

Fake Diamond

For an anti-romance song, Fake Diamond is quite upbeat. Lana complains of her ‘lover’ who is one way with her, a different way with others, whilst comparing their relationship to all manner of Lana-themed aesthetics (diamonds, movie projectors, etc.). Comparing herself to a child, she practically has a tantrum in the chorus, stamping her feet lovingly as she demands he loves her. I do think this song is joyful, making fun of her inattentive lover whilst keeping one step ahead of his games.

I Must Be Stupid

Lana’s live unreleased track lets Lana enjoy her life despite the hurt that surrounds it, showing strength in the face of heartbreak and other such topics in her music. It was performed post-Lust For Life, an era in which Lana embraced the light side rather than simply the dark.

Live Or Die

The version that is a little bit more lowkey and, in some ways, mature in that it matches a lot of her early albums sound is good but it’s not my favourite. There’s the heady, ultra-pop second version that has plenty more sexy references, a little meow (iconic) and an overall vibe of just having fun on the run. The former version is a bit more serious, but the second is – though less good in terms of production – full of soul.

Velvet Crowbar

Velvet Crowbar is a song that shows the dark side of fame and bad boys, namely the way they self-destruct to the point that their adoring lovers (already addicted to these gangstas of course) are falling with them. This song is a warning to these destructive souls that they aren’t invincible, and an equal warning to the people that love them that they might just fall apart and lose them. Lana puts her emotion across so well, with her stark lyrics, anxious guitars and growling third chorus. Even her more flowery imagery doesn’t cover up the overt fear that runs through this song.

Your Band Is All The Rage

Probably one of Lana’s saddest songs (which could be a great deal many since she knows how to tug heartstrings), Lana lets go of her rock star lover despite still loving him in this acoustic track. She makes soulful promises to be there when he needs him, her love lingering until he wants her back, and utilises the country music theme to her advantage.

1949

The studio version is my favourite but the charm of the original, acoustic demo is unmatched. Despite the controversial inspiration for this track, Lana puts us straight in the world of the 1950s, with American motels and Kmart. It has a note of sadness – perhaps because of the unfortunate tale of Lolita that much of this song seems based on – but it works as one of Lana’s aesthetically pleasing and classic tracks.

Because of You

The spoken intro is a little bit cringe but the song is lovely. Lana plays an immature brat who fell in love with a good man who essentially tamed her (a little bit questionable for some in 2021). It’s got some of her most flowery imagery and it details how her relationship bought out the best of her. The casual comments she throws in throughout the song give this a real bedtime story feel, though this song is anything but sleepy.

Resistance

Frustrated but fun, Lana’s catchy and upbeat Resistance brings to mind surfers and sunny days set in the noughties. Even though she’s furious with the guy who’s causing her so much trouble it still, for a change, stays perky and pleasant. A song that needs more attention, it’s the type of song that gets people singing and dancing along to it.

Dangerous Girl

With a rock-feeling patriotic opening, Lana launches into a track about her prowess as a dangerous girl, like a deranged beauty queen with a gangsta on her arm. It’s simply fun, complete with wolf-whistles and an impression of a siren.

[djemsostylist]

Djem's Legion Thoughts

About three years ago my brother joking suggested I read the Horus Heresy, knowing literally nothing about Warhammer. (Literally nothing. I just thought Space Marines were big dudes in armor and I had never heard of Primarchs and I still know nothing of 40k. Have no idea how the Heresy ends--I'm spoiler free babes.) Anyway, what follows are my feelings on each Legion at the following times:

As of midway through Fulgrim

At the end of First Heretic

At the start of the Master of Mankind

Halfway through the Siege

This is very long. I'm not sorry.

Dark Angels

idk I haven’t met them yet, but their name tells me they are either going to be amazing or fucking awful

Um I still dk

God I fucking love these stupid idiots. Like, they are stupid, for sure, but I dunno, I dig their bizarre sort of pseudosecrecy thing. Plus, aesthetically I’m all about weird monk orders. Also, nothing kills me quite like Farith Redloss having anxiety attacks over trying to figure out Lion.

Corswain showing up like the living embodiment of the dude with the pizza where the apartment is on fire is just so deeply on brand for these chucklefucks like, Lion is all “I’m deeply uncomfortable where Imperial Secundus is concerned so instead I’ll just go ahead and attack home planets because that will demoralize the traitors and then I’m Doing My Part” like fam, pretty much all the traitors sans Perturabo are actual literal demons rn and they all had zero qualms betraying their immediate brothers and also the emperor (and Perturabo already fucked over his own) why in the livid fuck would you think this is in any way helpful, but this is Classic Lion and I love him now on account of that one time when he hugged Roboute because he was proud of him and also because he calls all of his sons “Little Brother” bc he is afraid of being a dad and also because I too am deeply avoidant of issues I don’t want to deal with.

Emperor's Children

mostly wonderful, because they are fabulous and also extremely extra, but they have the most ginourmous fuckwad as a Lord Commander, BUT they have a very good boy as another one, so idk really. Plus the whole betrayal thing and the fucking lodges, but they are purple and fabulous, so, +1?

These are the saddest boys ever in the whole world, and they didn’t deserve what happened to them. I loved them all except for Eidolon and they didn’t deserve anything bad to happen to them ever bc they were precious and I loved them. Also Fabius because he was bugnuts and he hurt my boys.

Jesus, I’m so fucking over them all

Honestly I’m so tired

Iron Warriors

I totally confused them with the Iron Hands. Idk even, boring? But Perturabo (while he has a fucking terrible name) also hates Horus so +15

I still know nothing about them, but I think they are buttholes because of the whole Isstvan V thing. Dick move guys, dick move.

I literally can’t. Like, their entire shtick is besieging and being besieged, and then being pissy bc it is what they are good at???? Like, they are literally traitoring bc their dad got a hair up his ass bc he wasn’t a good independent thinker and didn’t think he was allowed to build castles or whatever? Idk they are exhausting except for the ones that aren’t

I still don’t really get them at all except like 99% of them who aren’t named Barabas Dantioch are asshats and are not independent thinkers who are literally still traitoring for reasons unknown except to stick it to the emperor like?? Get an actual culture??? Just literally stop???

White Scars

I dunno, haven’t met them, but since no one else talks about them, I’m gonna guess, boring?

I dunno but they are worried about them hooking up with the Rout so I guess they are cool?

Oh bless your tiny little souls. They are so sweet, and so, so dumb. But sweet.

They are very, very good boys. They don’t have a ton of range per say but their simplicity is sort of the point I think. They are what space marines are supposed to be, and I love them for that

Space Wolves

ehm, oh, I’m sorry, The Rout. Whateverthefuck, they’re boring, over-the-top fuckheads who are giant fucking hypocrites who suck and probably don’t ever shower. Honestly, they rival the Emperor’s Children in extraness, and not in the loveable way. Fucking awful, 0/10.

Okay, honestly, not as awful as some. I mean, hella extra and I hate what they did at Prospero, but in a world full of awful things, we gotta pick and choose.

They are just so, so...Space Wolfy. Bless them they try, and some of them legit crack me up. I’m just not about their aesthetic, you know?

Much like the other fuckups amongst the Loyalists, they are a blunt instrument used for a specific purpose and do better with like...direct instruction. I’m saying they are not the kind to do well with metaphor and also a lack of like, a dad. They need TE:BBA is what I’m saying.

Imperial Fists

Literally only met them briefly, but they seem a good sort. I like their Primarch? -3 tho cause damn that color scheme.

Still good boys.

Omg I love you all, you precious little bbs. They are just so calm and stoic and honestly even though yellow is a hideous color they are literally like Templars and that is fantastic?????

Listen, the amount of love that I have in my heart for these precious, perfect boys is rivaled only by my love for Rogal Dorn, who might possibly be, and I don’t wanna sound dramatic here, be the love of my life but anyway.

Night Lords

idk but their name sounds sick.

Right, these guys are also dicks. I hate them on principle.

Every time I think of them all I can think of is that one video of the goths dancing under the bridge. They are so. Fucking. Extra. Christ alive, get a hobby that isn’t fucking skinning people.

Yeah idk they still mostly suck and to be perfectly honest I’m still not entirely sure what their point was, even pre-heresy? Like what role did psychopaths play in TE:BBA’s plan for a glorious human empire, someone explain

Blood Angels

I dunno cause I’ve only ever met their First Captain (who was consorting with fuckheads) but Sanguinius is literally Top Tier Fabulous, like Prince Extra, so I hope they don’t let me down

I’m still holding out hope. Don’t let me down boys.

OH. MY. GOD. Honestly, kill me, I love them so, so, so, so, so much, it’s a lot. And I suspect something terrible will happen with them but I don’t care because they are perfect. All of them. Wonderful, perfect, lovely, caring boys who love their dad and I love them. Sweet, loving, precious little bbs who occasionally suffer from tragic vampiric tendencies but I don’t love them any less. They better stay perfect forever. If I could, I would be like Sangy and just take them all everywhere with me so that they could always be safe <3 On a less gushy note, I think one of the most important aspects of the Blood Angels (and of their primarch) is that while they acknowledge their differences from unmodified humans, they also love humanity, deeply. They see them as worth fighting for and protecting, and acknowledge that their abilities allow them to create a universe that is safe for the common man to live in. There is a sort of profound love and tenderness that they have for humanity, and I think it really does make a difference in their legion. (That scene is Master of Mankind with the Blood Angel and the Custodian really highlights what I’m saying here.)

Listen, this may sound dramatic, and I don’t wanna like, go over the top, but I would literally die for them, which would seem counterproductive since that is what they do for humanity but the amount of love of I have for this entire legion and one Angel is too big to contain in my heart okay

Iron Hands

I don’t know them well yet, but they seem like good boys overall. I’m sure one of them is bound to be a crazy fucker tho.

They are good boys. I don’t know them very well, but my favorite moment is when Ferrus had to thank Lorgar for his help so he made him a crozius and then threw it at him because he didn’t want to have to talk awkwardly.

Poor sad bbs

No, but really, poor sad bbs

World Eaters

literally terrible people, but I guess when your Dad is bugnuts….

Definitely should have been put down. As in to death. They should have been killed. Probably.

Still fucking crazy. But I love Kharn, and honestly Lotara (who I know isn’t technically a World Eater but close enough.)

No but they probably should have all been just euthanized? I mean not Kharn bc I love him but also like--they are not viable. Long term? Tbh still not entirely sure what TE:BBA’s plan was here with them and Angron (I’m gonna assume something along the lines of ignore it and hope it goes away, since that is mostly his plan for everything)

Ultramarines

probably enormous squares, but tbh in a galaxy with World Eaters and the Rout, we could do with some squares.

Honestly, I have no issues with them. They do their duty, they are loyal. I hope to love them though. They actually believe in colors.

HOLY FUCK DO I LOVE THEM. ALL 200,000 OF THEM. (Which is probably what Roboute thinks tbh.) Like, I literally haven’t met a single one that I don’t adore and love with my whole soul and entire being. They are precious, soft, beautiful bbs who I adore with my whole heart. And who will make great leaders of the world someday I’m so proud. On a less gushy note, much like the Blood Angels, the Ultramarines really have a sort of profound feeling of protection and duty towards humans. They may not always like dealing with them, but Roboute is of the firm belief that they must understand what they are truly fighting for. Saving humanity is not enough, you have to fight for the humans who live there. (See, the one short story where they find a baby and I died.)

No but what you don’t quite get is that I literally love them. Every single individual solitary one of them, and while some may say “But Djem such a thing is impossible you haven’t met every Ultramarine” I need you to understand that the depth of my love for them and their Primarch is such that I know, in my bones, that I don’t need to meet them all to love them okay bc I already do.

Death Guard

Okay, so honestly I wanted to hate them (because BETRAYAL) but tbh its only the First and Second Captains who suck a lot and idk really the rest are sort of tragically precious??

Seriously, what is Mortarion’s issue?

No, seriously, what the fuck is their problem? Get the fuck over it.

Okay, I do feel bad. For Mortarian. Of all the traitors, him I understand the most. However, that being said, while I can understand his issues, I feel like giving yourself over to demons, turning into actual demons, and also turning on and killing your brothers who refused to become said demons makes you terrible awful people who really need to like, die.

Thousand Sons

okay, I fucking love these lame Warrior Monk Priest Wizards who live in a literal glass city with restaurants and teach random people Tai Chi in the park or whatever. Overall 10/10

I am v. worried that they are going to do something dumb like join the rebellion in order to affect change from the inside and then like, adopt demons or something. Pls don’t be dumb boys.

I don’t even fucking--look, I’m just tired okay?

What the fuck Azhek. No seriously, ⅞ is good enough? What the fuck is wrong with you?

Sons of Horus? Luna Wolves? who the fuck knows

my precious sons. You did not deserve what was done to you. This is why we don’t do frats. I believed in you and you failed me. D:

I love my precious sons. The Sons of Horus however, can go die.

I just--why are you the way you are?

I think the best thing about these absolute morons is that half the legion isn’t even demon fuckers, they just woke up one day and Horus told them to kill their brothers and they went “sure okay” and then just did. They are so fucking pretentious and stupid, fucking speartip, honestly die. I take it back. You all deserved exactly what you got, you dumb fucks.

Word Bearers

look, I haven’t met the rest of these dudes yet, but Erebus is a terrible fucking ambassador. -60/10 for not controlling their boy

HOLY LORD. I cannot--there are not actually words to describe how much I loathe these ignorant dumbasses. Like, seriously. Honestly, the ones who were purged were probably lucky, because the rest of them fucking suck.

God, eat a fucking landmine. Except, that would probably turn them on or something. Fucking assholes.

Just--imagine being such a fuckup that even when you were the first to the “become a demon, save the world” thing you still somehow ended up last. I hope the Ultramarines put down every. Single. One.

Salamanders

idk but this name is dumb. Salamanders are cute and slimy, and while Astartes are fucking adorable, they are not slimy. -1 for the dumb name

They are loyal, which is cool, and they seem like chill bros.

I just, like, they are sweet, but good lord are they simple.

I’m not sure? What they are doing? With their lives? Guys, idk if anyone told you but like, um. There is a war. And I get they’ve had it rough but also the loyalists could use their hope so maybe, idk. Do something? I mean I know there are like, 50 of you left and also you think your dad is dad and I feel you but like-

Raven Guard

idk but I like Ravens and Black, plus their Primarch’s name is Corvus? 11/10 they better not suck.

OMG I love Corvus?? Flies with a giant jetpack and tried to gut Lorgar? Yeah, he’s wonderful. Plus, their Captain seemed cool before he was fucking murdered.

I love them all, bless. They are sweet and simple and kind of stupid, but they make me feel things in my heart, so like, idk, stay precious.

Look, I cried over Branne fucking Nev, I don’t wanna talk about it rn

Alpha Legion

seriously? Lame.

Fuck these guys. What is their deal?

I can’t even really. I really, truly can’t. Nothing has ever satisfied me the way I was satisfied when Alpharius literally lost his head. God, that was beautiful.

Or Omegon? It was actually Omegon? I don’t even know anymore man

[99adelheid99]

cool so since I’m procrastinating anyways on my school work im just going to write a character study on beast! dazai

because I re read it and im sad and asagiri just loves to make everyone suffer

so spoilers for the beast au

((BTW IM SO SORRY TUMBLR MOBILE ISN’T LETTING ME CUT THE POST TO A READ MORE SO IM GOING TO TRY TO DO IT ON MY PC AND HOPE IT WORKS IF IT DOESNT IM SO SORRY;;;; ))

asagiri has already decided to make dazai a tragic character and break our hearts once, but he decided to also rip them out and spit on it.

in the canon world, we see dazai struggle through depression. ever since he was young he found there was no value in living as he says to mori in the fifteen arc. he tries throughout his life desperately to understand just why humans strive to live, why they fight so hard for their lives and work hard to live life to the fullest.

it’s no different in the many other worlds The Book had created, and that lonely hole in his chest is probably much bigger.

as explained by dazai in the light novel, the power of The Book does not effect him because of his ability, since The Book itself is an ability, dazai naturally cancels it out. because of this, dazai can practically “read his own memories” from the canon world. so he knows everything that happens in the original universe, that goes for every single dazai in every single au. every single one.

this in itself is probably one of the saddest things. if people not understanding dazai didn’t hurt enough in the canon world, imagine how horrible it is that the beast! dazai had suffer with this knowledge alone, because as mentioned, it’s not wise for a lot of people to know about The Book since the world they reside in will become unstable, and have a chance of disappearing.

at the end of the light novel we also learn of dazai’s plan. why he captured gin, and why he wanted to bring akutagawa and atsushi together.

it was for odasaku.

because dazai has the memories from his “original” self, he remember odasaku. he remembers how he died, he remembers that they were best friends, he remembers how odasaku was the only person who understood dazai to his core, he remember how much odasaku means to him.

but odasaku of this world doesn’t remember it at all. because to him it never happened. there is only the beast world and the beast world alone.

this is where the angst hits (harder lol)

dazai figures out (at some time idk when) that this is the only universe that odasaku survives (im not sure how exactly, im assuming he can read the memories of the other dazais? Idk)

he remembers odasakus passionate of becoming a writer, he remembers odasakus determination not to kill just so he could write his own novel.

and because I really do believe dazai has a heart shrouded in all that darkness, dazai wants the best for odasaku, dazai wants to make it so odasaku can continue to survive and write his novel.

so dazai being dazai makes this extremely elaborate extra ass plan to make sure it happens.

dazai knows that this world has a chance of disappearing since every time something is written down in The Book in any other au (I think? I believe it can be any one of them not just the canon one) The Book doesn’t create it out of nothing exactly, but borrows from other worlds to create what is written in the book to reality.

dazai’s afraid that this world might cease to exist, and if it does odasaku won’t get to write his novel in this only universe he survives in, odasaku won’t he happy and dazai doesnt want that.

now extra ass osamu here uses a lot of cruel tactics to get to his end goal, and it isn’t right at all, but I still have to sympathize because its just so painful lmao

during akutagawa and atsushi’s final battle, dazai goes to the lupin bar where he meets odasaku for the first time in this world. I feel like dazai fought with himself a lot not to visit odasaku during this time, probably wanting to do nothing else but to run to his old friend that he missed so damn much. and I think he couldnt resist in the end, I think he desperately wanted to see him one last time because from the very beginning he knew his own fate.

one of the many (lol) things that hurts me during this meeting is how dazai immediately jumps happily into conversation with odasaku when he sees him, how he invites him quickly to sit down with him (in which odasaku does but doesn’t sit right next to him, which seemingly hurts dazai, ouch my heart) and how he picks up conversation that dazai would normally have with odasaku in the real world, asking him if anything interesting happened to him that day or telling him about new suicide methods he tried, which leaves odasaku heavily confused as he kind of awkwardly replies to each question.

now because the pov during this scene is in oda’s, we don’t get know exactly what dazai is thinking, but oda describes his posture and reactions well for us to take a guess of how hard it is for dazai to not have probably the most important person in his life not know or care about him.

dazai tightening his grip around his glass, or dazai looking like a happy child in one second to trying to compose his emotion with a small smile in the next, these reactions happen when odasaku keeps bringing up how he doesn’t know dazai and how confused he is. and dazai trying to hold onto something, someone, who made him so happy. trying to ignore the pain he feels and grasp on to the good memories he has but odasaku doesn’t.

and then there’s the part in the bar that asagiri decided to write because he’s a writer and like all authors, lowkey likes to see his audience suffer.

when dazai calls oda by his nickname odasaku once again trying to get him to understand him, the man replies:

“Don’t call me Odasaku. There is no reason of an enemy to call me that.”

yeah I cried

I cried a lot

dazai’s reaction didn’t help either.

The young man suddenly seemed to have trouble breathing…He fought against something invisible.

in this world, dazai probably mastered concealing his emotions (he does in like every world, but he’s much more grim in this one so) he put up this wall and put on a mask for everyone but odasaku, he let his wall down and odasaku didn’t acknowledge it, didn’t bring him some sort of comfort like he did in the canon universe. not intentionally of course, not because odasaku was cruel, but odasaku didn’t know dazai as anything else but his enemy. for all he knows, dazai could be trying to manipulate him.

theyre enemies. they could never be friends in this world. but dazai seems to still try, even a little.

in the end, they part ways. dazai putting on that mask once again, and acting like this whole meeting didn’t just destroy him. because it would be worth it in the end, odasaku would live, be happy, write his novel.

dazai would suffer, but that’s okay. odasaku hates dazai, but that’s okay.

because odasaku is alive. odasaku is happy. and to dazai that’s enough.

we get to the ending that no one wants to read because we’re already in pain and we know asagiri is waiting there with a shotgun to deliver the final blow.

dazai arrives after akutagawa and atsushi’s fight to reveal his reasoning behind his plan. how atsushi and aku have to work together protect The Book to make sure this world doesn’t disappear just for oda, and he mentions how no more then two people can know about the existence of The Book also for the protection and stability of their world.

atsushi decides to so some quick maths then, and realizes in horror that dazai has slowly made his way to the edge of the building.

he pleads with dazai to not do it, but theres obviously no stopping him.

and in that moment I believe for the first time in a long time dazai is truly content.

the hatred towards him is heavy, but it doesn’t matter to dazai because odasaku is safe. he completed his mission.

dazai planned all of this from the very beginning up to his death. now, arguably, despite dazai’s heartwarming end goal he was still an awful person. he was abusive and manipulate. he hurt and killed others to get what he wanted. he was not a good person

but he suffered so much for the sake of one person, he knew his ending wasn’t going to happy, but the end goal was enough. the end goal made it worth it.

osamu could never tell anyone about his pain, not even his best friend. he had to instead put on the mask of the cruel boss of the port mafia. people either had to hate him or fear him. no one could ever love him, no one could ever care for him. and osamu knew that. from the very beginning. asagiri truly wrote a tragic but beautiful character.

now if you’ll excuse me im going to go cry :)))

[hidelaney]

Hi Delaney!

Ah, yes the quarantine. It’s getting to me. Definitely. Suddenly I have no office to go to. But it’s good, I think. Make the CEO realize the upper management has no literal reasons to keep us in the office. Like at all. Seriously, everyone from my team is working from home and the level of productivity is actually better. Because guess what? Not having people breathing down our necks is SUPER helpful. So HA!

Okay, about Larry Stylinson. You’re right, I did fall into YouTube Blackhole. And Twitter. And I just watched 1D San Siro concert. By watching, I mean I actually paused the work I’m doing and looked at the screen while it played. Admittedly I was also doing chores but! It wasn’t just background music! It counted!

When I said I could put Larry Stylinson in a microwave and be done with it, I mean the theories and compilation videos are so readily available and easy to digest like, comparable to instant meals.

It’s so neatly packaged, too. Like, I was introduced to Larry Stylinson basically yesterday. Now I could recite the storyline in my head whenever I please. Or when I want to please you, in this case.

Let’s see if I can get it all summarized down here. FYI, I’m borrowing your assumption that Taylor was in on it the whole time. And Eleanor, too. Because I actually know of her existence now! Character discovery! Except they’re real people so I feel the need to point out that I’m making all the assumptions all over the place. I’m doing this for you, my dear Delaney.

Keep in mind that we all need character growths and personal developments when I make non-flattering assumptions toward your favorite people here, ok?

First up! HS & TL met in a toilet.

Now it’s debatable whether it was during an X-Factor audition or Battle of the Bands. For the sake’s of my next argument, I’m going with they knew each other before X-Factor. Likely during their time in White Eskimo and The Rogue, respectively. Their (unconfirmed?) first words to each other were ‘Oops!’ & ‘Hi’

Up next, the X-Factor audition and getting put together in a band.

So here is where I kind of needed my first assumption for this to work. Their chemistry was so obviously through the roof. It made so much sense if they were already sort-of friends and then got put together in a band. Plus, I don’t think the way Louis jumped into Harry’s arms is something a relative stranger would do. And if they only knew each other out of everyone there, it’s no wonder they were both so apparently clingy and codependent. It’s like a situation where both of them went ‘I have no idea what’s gonna happen next, but at least I know you and you know me. So we’re bestie now. No take back!”

And then there’re video diaries, twitter cams, radio interviews, and other broadcasting media they appeared in. These need no explanation because you’ve probably seen all of them and I have functioning ears and eyes. So, yes, I saw videos of them being all disgustingly cute all over the place. During the so-called ‘Fetus’ phase (a wording which I personally find rather disturbing, no offense to your anatomy textbooks or anything.) They’re so sweet. Especially whenever there’s a mention of how they moved in and lived together. Their interactions must’ve been responsible for so many tooth cavities. So many aww-worthy moments. On stage, on screen, behind the scenes, potato cams. Basically everywhere in front of everyone.

Then 1D blew up and were well on their way to become their label’s biggest and brightest BCG-metrix star. It’s not hard to see why investors’d be invested (lol) in employing every marketing strategy possible to keep 1D in the spotlight.

There’s a twofold marketing exploitation to Larry Stylinson that I see from miles away.

Hard sell the heteronormative version of the boys. (To capture major market shares)

Never had Harry or Louis explicitly confirm nor deny their relationship status. (To capture additional market shares with queerbaiting)

But let’s say Harry and Louis were actually together and making 1) too difficult to achieve. Otherwise this whole thing falls apart like a wet house of cards.

Thus, here came what I’d like to call ‘dousing a fire with gasoline’. This is where there’s a sudden drop of their interactions in public and Larry Stylinson isn’t a cutesy smashup name of two boys who got along like a house on fire anymore. This is the part where a ship turned into a full fledged conspiracy theory. And it’s MEGA COOL WICKED awesome.

I say this in the nicest way possible. A tragedy is the grandest form of entertainments. Misery loves having friends.

Also, I’d like to say this. I’m having fun thinking of this as a fictional arc. Because I still feel like it will shatter my heart in to a million pieces if anything resembling what I write next was true.

Since breaking into US market was the Kickstarter into a global one, to the US 1D went.

This was where the heavy closeting got way more difficult to handle. Elounor had the excuse of Eleanor being a private citizen and therefore should be left alone for the most part. Haylor was the complete opposite. Taylor Swift was and still is an American Sweetheart. Harry Styles might have been the most famous British Harry if it weren’t for a (former?) prince and a wizard. (Seriously, we should not call any of our hypothetical future children ‘Harry’ unless you thought ‘Albus Severus Potter’ was a good idea. Poor kiddo.)

The saddest part about Harry Styles public image was how reminiscent of Emma Watson it felt. The minute they turned eighteen, their media portrayals immediately became hyper-sexualized. Suddenly, they left the human zoo into an open hunting game. Famous lives are terrifying.

Anyhow, say, Taylor Swift knew what the US music industry was like. She’s been playing the long game for quite some time. She got to know Harry and then became rather protective of him. Her conclusion was that ‘hyping up Haylor’ would: 1) increase media exposure for both Taylor and 1D which would translate to bigger channels of revenue for all involved, 2) hold the speculation about Harry’s sexual orientation at bay because, as horrible as it sounds, gays don’t sell in America.

This one fit nicely with your ‘Out of the Woods’ interpretation. Taylor wasn’t just spending time with Harry. She was actively enforcing the lock on the closet. Which explains why Louis seemed to resent Taylor quite obviously and quite a lot. His own heteronormative scripts with Eleanor had been relatively tame. Harry’s whirlwind series of romances in public had only just begun.

As Harry started gaining a womanizer reputation in earnest, so did the Almost-Subtle Couple Tattoo Sprees.

If ‘Always in my heart @Harry_Styles . Yours sincerely, Louis’ tweet was a sign that circumstances were about to go south for them. The tattoos were signs that the circumstances had already gone to shit. The tragic package had been shipped, signed, and delivered.

This is where non-flattering assumptions rise to the surface. I think 1D had been overworked past the point of exhaustion. Self-destruction as a coping mechanism became rather prevalent and pervasive within the band. The boys gleefully collected regrets as a new favorite pastime, some more than others. Consequences were nipping at their heels.

Then Zayn left right in the middle of a world tour and all hell broke loose.

Here comes the biggest Assumption Affair!

Louis and Liam, the last to release their solo debut albums, were the most prominent songwriters for the band. I’m not going to go on about Liam because I’m here to give you Larry Stylinson. And this is already way too long as it is. But, needless to say, the first discussion of a prospective solo career probably hit them the hardest.

If each song they wrote was a battle scar, Louis was still bleeding for the band when Harry, of all people, brought up the idea of a hiatus and solo careers. Realizing how many songs Harry already had waiting in the back catalogue must’ve felt like a slap in the face. Or a punch in the gut. Whichever you think is worse/more dramatic. I’m not picky.

Remember self-destruction as coping mechanism? What about relationship-destruction as coping mechanism? Louis cheated and had a baby with someone else. Infidelity at its finest.

ALERT! THIS IS A NEON SIGN OF ASSUMPTION AFFAIR! Please don’t kill me. I told you I was gonna make unflattering assumptions toward your favorite people. I just did as I promised!!! *run for cover*

Anyway...

I’m gonna take you back a little. I mentioned earlier how Eleanor was a private citizen and therefore should be left alone. At times when Louis desperately needed to be left alone, Elounor makes so much sense. If she’s a PR-only girlfriend, she’s a stellar employee. If it’s not just a PR thing, she’s as forgiving as a saint. Just, if it’s Harry and Louis, they likely both messed up and hurt each other badly. If it’s Louis and Eleanor,... I mean... Have you seen a meme where you misspell a word so badly that the autocorrect goes, ‘I don’t know what to tell you, man’?... Louis would be that misspelled word and Eleanor would be the very best autocorrect that practically brute force through every word in the Oxford AND Urban dictionary to find out what that word was. If that’s who she is, then bless her soul. However, for the sake of this argument, we will proceed with the assumption that she’s the star employee of the decade.

Losing loved ones and grieving for them are inevitable parts of human lives. Nothing put more things into perspectives than losing someone so fundamentally dear to you. When I heard Louis Tomlinson’s ‘Two of Us’ for the first time, I remembered walking through an actual forest my grandpa planted for us because he wanted to make sure his great grandkids would have a nice home to grow up in. Do you remember when you called and told me that he died the night I got on my first solo international flight ten months after the fact? I wanted to hate you for keeping something this big a secret from me. I wanted to hate everybody at home for that. But then you told me that it was what my grandpa had wanted. That he didn’t want me to be a sad sack of an exchange student. That you decided to not listen to my parents and call to tell me just before I was due home. So that I’d have time to feel hurt about being lied to. So that I could get all the angry words out. So that I wouldn’t scream at my parents when I got home and learnt the truth. So that you could take the brunt of my grief instead.

I just took a break to have a little cry. Where was I? Oh, yeah. You did the best you could for me when I lost my grandpa. I still managed to effectively shut you out for months. Just because you were the messenger of the bad news. What I’m trying to say is that grief changes people. It changed me. For the worst for a bit. And then for the better once I came to term with what it means to me. There’s a quote from Rosamund Lupton that sums it up neatly.

“Grief is love turned into an eternal missing.”

I guess this is the part where I connected the dots back to Harry and Louis. Well, their music definitely give grief different names. Both albums talk about coming to term with it and moving forward. Every songs they wrote could be woven to fit the narrative of Larry Stylinson and events surrounding them. If you buy the theory, then the good news is both Fine Line & Walls seemed to have a positive ending. One thing I know for sure, though, is that no matter how convincing a conspiracy theory maybe, it could all be built upon a faulty assumption. I’d probably have a way easier time disregarding Elouner if I didn’t have you as a solid proof in my life that, yes, people like the best autocorrect exists. It’s funny how I feel no hesitation at all in categorizing Haylor as a calculated move. Because in my head that’s just par for the course in business. And it genuinely terrifies me in a way. Who the hell I could’ve become if it weren’t for you knocking me off the ground and pouring kindness on me.

I know I skipped a lot of stuff. Missing names like Caroline, Danielle, Kendall, Freddie, Camille, Xander, etc. But HS and LT have a decade of history on public record and, frankly, my interest ran out four paragraphs ago. So just let me conclude this.

I think it’s tiring, spending this much time speculating on someone else’s relationship history. I must admit that I had to get it out of my chest because it was way too interesting to let go off. But now, I feel like I’m just going to stream Heartbreak Weather and listen to ‘No Judgement’ on repeat. Nile is my favorite non-problematic celebrity. I could spell his name so wrong and it probably won’t be an issue as long as I politely say, “Sorry, Mr Niall Horan”

This quarantine clearly leaves me with too much time on my hands.

Virtual hugs and kisses

Your Incredible Sasha 😘

[myktchp]

Top 6 Episodes of One Piece

If there's a series that attempts to test the diminishing return hypothesis, it's One Piece. The monstrous epic of Eiichiro Oda is the highest selling manga of all time, but its ridiculous duration still prohibits many people from checking it out, and that hill will only get steeper as we barrel towards its end (eventually).

The One Piece anime, which is a much greater commitment to time and does not boast the brilliant artwork of Oda as a selling point, is even more of a conundrum. Yet, for the first time, so many fans perceive the story this way and fall in love regardless... Over the course of many long binges, there is something special about cuddling up in front of a screen and getting lost in a world, and the powerful spirit that burns just below the surface, even during the not-so-hot days of the anime, still keeps us building up to a new "best" chapter. Everyone has their favorite shows, the ones they feel emotionally attached to, and we would love to share yours in the forums with you. Here are my own 6 best One Piece episodes, in chronological order (but not superlative):

Episode 19 - The Three-Sword Style's Past! Zoro and Kuina's Vow!

In the modern age, where the manga is so informative and comprehensive, it's hard to believe that there was once a period when the anime really successfully expanded on the plot. The anime version of Zoro's flashback is so amazing that it is the "true" version of the story in my heart, which comes a little later than it did in the manga. What once was a fast and blunt page is turned into a wonderful piece of sound, letting us live for an episode in the Japanese countryside as we hear the story of a young Roronoa Zoro and his original opponent, Kuina.

In its obsession with gender, this episode also ends up being easily the most empathic the show has ever gotten. It portrays Kuina, the prodigal swordsman, dissatisfied with the awareness that the gap in intensity between her and Zoro will increase drastically as they become adults. This is a moment for a young Zoro to take seriously his female rival, and in the present day, Tashigi finally takes up whatever thematic baggage is left behind by her death. This is One Piece's tender side at its finest.

Episode 119 - Secret of Powerful Swordplay! Ability to Cut Steel and the Rhythm Things Have!

This is another fantastic episode of Zoro that places us in the middle of the Straw Hats and Baroque Works' climate war. The adversary of Zoro is Mr. 1, who really isn't a swordsman, but a man who can turn his entire body into a weapon. Not only does Dice-Dice Fruit from Mr. 1 allow for some of the anime's imagination, but this episode manages to offer one of the coolest battles in the entire series. It's bloody, it's raw, and Zoro throws a guy into a building.

Towards the end, the episode is at its best, when everything gets quiet and builds up to the final blow. It sells the show with so much conviction that I believe it's cool. I believe this is one of the series's most driven episodes, and a great example of the show's cinematic narrative eye.

Episode 278 - Say You Want to Live! We Are Your Friends!

If 151 was the episode that made me a fan, the episode that made me a lifetime fan is 278. This episode and the one before it are older examples of "one-hour specials" from the series, which are gradually split into two episodes until released on home video and streaming sites. This episode is jam-packed even as just the second half of a special, as we conclude the tragic backstory of Robin and transition into the present where the Straw Hats make their greatest gesture yet to save their friend from the greedy World Government.

One Piece can become astonishingly sad for being such a vibrant and enjoyable series, to the point that it almost competes with itself to see how unhappy it can get. If the highs were not so gosh darn consistent, these lows would become tiresome, and Straw Hats' assault on the government flag, followed by Robin's major "I want to live!" One of the most cathartic moments you'll ever find in literature is the scene. At this point in the plot, the Straw Hats are still underdogs, so their bold "never give up" attitude in the face of their greatest enemy hits particularly hard. This episode illustrates the chasms that One Piece can jump to be the saddest and happiest tale it can be, from baby Robin surviving the genocide of everyone she's ever loved to adult Robin pleading for another chance at life.

Episode 396 - The Fist Explodes! Destroy the Auction!

In One Piece, Luffy punches a Celestial Dragon so hard that he knocks the color off the screen, still one of the most frequently referenced and applauded moments. If there is one thing that One Piece is unbelievably good at, it's payoffs. It sets the pins up so that in the most bombastic way possible it can knock them down. To this day, the Celestial Dragons are the most heinous villains we've seen in One Piece, and the repercussions of (again) defying the World Government are obvious, but Luffy still has to do his thing with Luffy.

The emphasis that the show places on Luffy's pledge to Hatchan not to intervene, no matter what, is what really captures me about this moment. You get the feeling that Luffy is the kind to keep an earnest promise, but watching a hero get pushed beyond that stage is always fascinating.

Episode 574 - Back to the Present! Hordy Makes a Move!

The general opinion, as far as I can tell, is that Fishman Island is the series' worst arc. With this sentiment, I don't agree. I think it's one of the heaviest, most three-dimensional instances I've ever seen of fantasy-world-racism-as-metaphor-for-real-world-racism. Basically, the mid-arc flashback covering the plights of Fisher Tiger and Queen Otohime is a film-length drama, and it's one of the series' best flashbacks, for which there's fierce competition. It's very underestimated.

Aside from being an exceptionally pretty episode, both halves of it are extremely strong, one at the tail end of the flashback and one coming out of it. Neptune mourning the death of his wife, distraught that the difficulty of race relations implies that he can not convey his frustration, is a great scene, as is the forgiveness of Jimbei by Nami for his connection to the pirates of Arlong. The push and pull between hope, cynicism, remorse, rage, and love is what makes this arc perfect. You just ever feel like you're halfway through everything life's going to bring you through, even at its worst. As for its place in the big picture plot, this episode is a significant step in the relationship of Jimbei with the pirates of the Straw Hat, and it establishes the purpose of the Ryugu Kingdom to join the World Government and attend the Reverie, a heavily built-up political event that is due in the manga any day now.

Episode 616 - A Surprising Outcome! White Chase vs. Vergo!

This is a particular stand-out episode in the series for fighting animation, since it's so much more physical than normal. Even with the powers of Smoker and Vergo flying every way, the effect goes down to their good ole fists. The personal investment between two marines duking it out is already very intense, but it's put over the edge by the great choreography and style, and that alone would put such an episode on my radar.

That said, once Smoker vs. Vergo turns over to Vergo vs. Rule, there is a cherry on top, with the real villain of the arc, Doflamingo, listening in from a distance. The rest of the series gives too much consequence to the law defeating Vergo in such an over-the-top manner.

So those are the episodes I feel are worth revisiting the most! Obviously, I'm expected to have skipped a few or omitted incredibly significant episodes in this top six list, with a series that long. If you enjoyed this top list of mine don’t forget to leave a like and share it with your friends. If you have any suggestions for my next top list just mail it to me at ramos.rf.bsmt@gmail.com and i will feature you for my next article. Stay tuned and stay safe everyone!