#the tubs

[stephenmalkmusofficial]

Top Albums of 2023

Hello everyone!

It's that time of year again! For me personally, it's been a hectic year, but an exciting one too. I did my best to keep up with new music, and listened to new albums with pretty good regularity, however I didn't find myself revisiting a lot of new records, at least not yet. In the list to come, I definitely see most of them as growers, records I'll fall in love with in the years to come, that already have left a strong impression on me. Just this year alone I spent a lot of time with 2022 releases I adored like Alvvays' Blue Rev and Panda Bear & Sonic Boom's Reset, and another record I'll give special mention to in a minute. I'm hoping to fall more in love with these records, and all the records I missed this year! Let's dive in

My Favorite Record from 2022 That I Listened to For the First Time in 2023: MJ Lenderman - Boat Songs

Ripping off this gimmick from Steven Hyden, who actually put this record tied for the #1 spot last year (with Big Thief's fantastic double album that was in my own top 10). I really became enamored with the alt-country sound this year, and this record was just the perfect scratch for that itch. The songs veer from aching to rocking, sometimes in the same track. My absolute favorite song of the year was "You Are Every Girl to Me" on this album, which evokes such strong feelings in me it's hard to describe. MJ had a big year being part of Wednesday, but I'm excited to see where he goes next as a solo artist!

Honorable Mentions: The Replacements - Tim (Let It Bleed Edition) M83 - Fantasy Alan Palomo - World of Hassle Greg Mendez - Greg Mendez Olivia Rodrigo - GUTS

10. Sufjan Stevens - Javelin

I've been a Sufjan fan for a long time now, probably around 8 years or so. I've always admired his ability to capture such intimate feelings with such sweeping and varied instrumentations. His last full length under his own name, The Ascension, came out in 2020, when a lot of new music wasn't really sticking with me. The Ascension had the same vastness that I came to know in Sufjan's work, but it felt slightly distant. Javelin closes that gap. From social media posts, it seems like Sufjan has had a tough year, and this record is about grappling with pain and loss. Removed from that narrative, the songs here build and grow with such beauty that although I've only listened in full once, I'm almost saving myself from the full wallop I know this record will give me once I really dive in. Thank you Sufjan, for everything.

Crucial track: "Shit Talk"

9. Squid - O Monolith

Squid are an exciting band to come out of the vibrant post-post(-post?)-punk scene in England. I really liked their 2021 debut, Bright Green Field, but it was sprawling and epic, and it could feel tough to revisit. O Monolith takes everything that was great about BGF and builds on it, while also focusing in a bit more. With 8 songs at about 40 minutes, this record experiments with post-rock-esque tension builds, vocoders, and engaged, involved guitar work. I feel like these songs will work well live as well. Excited to see how this band continues to grow!

Crucial track: "Siphon Song"

8. Wednesday - Rat Saw God

I know, I know, how surprising. I am not immune to Wednesday's Rat Saw God being on my year end list. Despite not having listened to this record a ton, I can definitely already feel like this is going to go down as a critical cornerstone of where alternative/guitar-oriented rock music will go for maybe the rest of the decade. As I fell in love with MJ Lenderman's Boat Songs, I grew to appreciate this record more and more. With huge, crushing fuzzed-out electric guitars mixed with beautiful pedal steel, it's really hard to resist this record's charms. Even revisiting their 2021 record, Twin Plagues, was a delight. Can't wait to listen to it more!

Crucial track: "Chosen to Deserve"

7. JPEGMAFIA & Danny Brown - SCARING THE HOES

Another hyped up album I couldn't help but put on my list. While not being super long to begin with, this record flies by, and it can be hard to miss everything. I've been a fan of Danny Brown for awhile, and have skirted around JPEGMAFIA's work, so this was a good introduction to hear them work so well together. JPEG's production here is insane, and both are firing at full mischievous speed. Just check out that sample at the end of "Fentanyl Tester".

Crucial track: "Fentanyl Tester"

6. Mitski - The Land is Inhospitable and So Are We

Yay! Mitski! After the kind of underwhelming Laurel Hell from last year, this record finds Mitski back at nearly full strength. Again, my weakness for pedal steel bleeds through, and I love Mitski experimenting with a new, more acoustic and natural sound. This is another record I haven't listened to more than once or twice yet, but I'm still excited to fall more in love with it. She's back!!

Crucial Track: "Bug Like an Angel"

5. The Tubs - Dead Meat

As a huge fan of bands such as Los Campesinos! and Martha, I've always had a soft spot for British rock bands with heart. The Tubs are no different, and in my year-end revisit, this record really stood out to me. It has the jangle of old British folk and early R.E.M. with the propulsion of Joyce Manor, not forsaking sweet melodies and harmonies along the way. At 28 minutes long, I insist you give this a spin!

Crucial track: "That's Fine"

4. Yo La Tengo - This Stupid World

For a long time, Yo La Tengo admittedly did not click with me that much. I'm not sure what changed, but their ability to vary between raucous, distorted shoegaze to calm, reflective instrumentals really stuck with me. On This Stupid World, they've once again found that sweet balance. Bolstered by arguably one of the best concerts I went to this year, I've really come to love this record a lot.

Crucial Track: "This Stupid World"

3. Avey Tare - 7s

Avey Tare has always been my favorite member of Animal Collective. His 2019 record, Cows on Hourglass Pond, is my favorite solo release from anyone in the group. Avey has apparently been sitting on 7s for a little bit now, and I'm so glad it's in the world. Avey continues his unique blend of experimentation with profound moments of beauty, melody and depth. He's also been working more with the bass guitar on his and AnCo's latest albums, and it really works well on tracks like "Invisible Darlings" and "The Musical". Hey Bog is an epic in a year full of Animal Collective epics. Very happy with this one!

Crucial Track: "Lips at Night"

2. Animal Collective - Isn't It Now?

Animal Collective have always inspired a dedicated, eager fanbase. After a few years doing their own things, the four core members of the group have reunited to make an ultimate "for the heads" record, with Isn't It Now. Last year's Time Skiffs built on a lot of things the band as a four-piece did well, and made it more melodic and accessible (again, Avey's bass playing and Panda Bear sitting behind a proper drum kit have changed their sound in a way you wouldn't expect), however this record takes it one step deeper. As typical with Animal Collective records, the band often plays songs that will appear on the *next* record on tour for the one they just put out. As a result, when I saw Animal Collective twice last year, they played most of the songs that ended up on this record. However, I did not fall victim to demoitis, and these songs sound magnificent. Definitely their densest record, but full of rich sounds, melodies and just the right amount of melancholy. Really really love this one.

Crucial Track: "Genie's Open"

1.Jeff Rosenstock - HELLMODE

Jeff Rosenstock is my favorite musical artist. For nearly 20 years, everything he has put out, whether under his own name with his backing "Death Rosenstock" group, Bomb the Music Industry!, or Antarctigo Vespucci, has been great to amazing punk music. On HELLMODE, his first full-length since moving to California in early 2020, has Jeff more level-headed and reflective than ever, but also bursting with the sheer kinetic energy that has made his work a joy to listen to and experience since i became a fan in early college (seriously, go see Jeff live if you can!). There's a maturation here that doesn't sacrifice his passion in the slightest. This feels like a big budget record, but in all the right ways. Songs like I WANNA BE WRONG, 3 SUMMERS, and LIFE ADMIN capture the feelings of trying to work through your own life with so much crashing down around us. This has been the most in-love I've been with a new record in a long time, where I could really not get enough of it in the first month when it was released.

Thanks for reading if you made it this far! Here's hoping to a peaceful, loving and fulfilling 2024. Much love to all!

[bandcampsnoop]

9/4/23.

The new 7" single from The Laughing Chimes is up for preorder on Slumberland Records. It took me over a day to realize this wasn't Slumberland band Chime School, but rather The Laughing Chimes who we covered in May 2021. On that LP, it was clear that the Seurkamp brothers loved Flying Nun band The Bats.

These three songs have more of a U.S. 1980s jangle feel. I mean, The Laughing Chimes are based in Athens, Ohio, but really sound like an Athens, Georgia band - R.E.M.

This 7" is also available via Prefect Records (London) - a great label responsible for EggS and The Tubs to name a few.

[rastronomicals]

2:45 AM EDT April 28, 2024:

The Tubs - "Round The Bend" From the album Mojo / The Best of 2023 (November 2023)

Last song scrobbled from iTunes at Last.fm

Free giveaway with Mojo # 362

[theeroticlover]

Mhmmm !!! Come here you ...

[mcducky1356]

I just watched the 1990 movie for the first time, so now I’m redrawing some scenes with the Rise boys!

[voodoochili]

My Favorite Albums of 2023

The world of music is in a strange place. It is constantly moving forward, with microtrends popping up in an instant and stars being born overnight, yet in a strange stasis, with the stars of the past ruling over commercial fiefdoms with iron fists. One thing that has remained the same is that the sheer volume of music released is higher than ever, and it keeps growing. It's a bit intimidating, but I love it! It’s in my nature to seek out the fresh and new, and I am faced with a bounty of goods every day–I press play on every record believing, honestly believing, that it could become one of my favorites ever.

While I didn’t find any all-time favorites this year (give it time), I did find dozens of albums worth recommending. I listed 75 here, and could have listed 75 more. And I know I’ve barely scratched the surface of the great music that came out this year alone. Nothing you can do but keep digging!

Here’s my list of my favorite albums of the year, with blurbs for the top ten. Scroll down to the bottom to find selections from all 75, plus some honorable mentions.

10. Lankum - False Lankum: This June, the skies burned. Wildfire smoke from northern Québec funneled into New York City and stayed a while, filling the air with toxins and turning the sky blood red. My soundtrack to that apocalyptic moment was False Lankum, the latest by the Irish group Lankum, an album that sounds like the last gasp of a dying world. Spellbinding with both traditional tunes, like the stunningly haunting version of “Go Dig My Grave,” and excellent originals, False Lankum is one of the year’s most harrowing, transporting, and life-affirming listening experiences, underlying spare folk music with ominous drone. Sometimes, the noise builds slowly, like on “Lord Abore and Mary Flynn,” but in other songs, like “Netta Perseus,” the atmosphere collapses at once, drowning beauty in an all-encompassing darkness. Facing down that darkness armed with only their gorgeous harmonies, Lankum sound like the remnants of a lost society, protecting the embers of civilization and refusing to surrender to the void.

9. bar italia - Tracey Denim: Tracey Denim is the musical equivalent of a text translated into a foreign language and then back into English: the original text is The Velvet Underground & Nico, and the translating software is the thousands of bands that album inspired. Tracey Denim subsumes decades’ worth of alternative music into its existential murk. At times, Bar Italia sound like The Modern Lovers on anti-anxiety meds, at others the most melodic incarnation Pere Ubu, or a version of Pulp with every ounce of romanticism beaten out. The band creates miniature psychodramas out of the moments when a night’s vibe shifts from hedonism to malaise, its three vocalists passing the mic back and forth to recreate the profoundly banal conversations that occur after the party ends and only the saddest attendees linger. The real trick of Tracey Denim is the way it transforms this murky malaise into something truly enjoyable–it’s a world you want to revisit, a dogged companion for late nights. 

8. Meshell Ndegeocello - The Omnichord Real Book: Invented in 1981 by the Suzuki Corporation (not the car company but given the dual domains of Yamaha, I would understand why you’d think so), the Omnichord is a rudimentary drum machine and synthesizer, producing a tinny approximation of a string section, along with several pre-programmed basslines and drum rhythms. In the hands of an artist as versatile and intelligent as Meshell Ndegeocello, the limitations placed by the Omnichord are a mere starting point for flights of fancy that reach the cosmos, the innermost regions of the soul, and back again. With The Omnichord Real Book, Ndegeocello creates perhaps her most ambitious work to date, surrounding the titular synth with a universe of post-bop brilliance, created by a diverse and accoladed ensemble of musicians that includes guitarist Jeff Parker, trumpeter Ambrose Akinmusure, harpist Brandee Younger, jazz pianists Jason Moran and Cory Henry, drummer Deantoni Parks, saxophonist Josh Johnson, vibraphonist Joel Ross, and fellow Gen X singer-songwriters Joan As Policewoman and Thandiswa. The 72-minute epic is as soulful as any record by Roy Ayers and as adventurous as any by Prince, but radiates a warmth and wisdom that could only come from Meshell.

7. ML Buch - Suntub: The latest album by Danish guitarist-songwriter ML Buch is a gooey, tactile record, filled with sounds that shift and mold into different shapes like Playdough. Many of the songs on Suntub don’t so much as progress as they burble like a mudpot at Yellowstone, melding heavy shoegaze guitars with lumbering drums, airy synths, and a litany of found-sound effects to create a euphonious mush. With song titles like “River mouth,” “Pan over the hill,” and “Clearing,” it’s not surprising that this is an album best enjoyed outdoors, where the guitars can fade into the atmosphere and become one with streaking rays of sun. Maybe that makes sense, maybe it doesn’t. I know I can’t say anything more convincing than this meme.

6. Amaarae - Fountain Baby: Blessed with sharp songwriting sensibilities and the voice that could charm snakes, Amaarae is a pop star perfectly suited for our international age. Fountain Baby is the pop album of the year, stacking bangers back-to-back-to-back, each elevated by Amaarae’s sensual singing and IG-ready bon mots. Using the syncopated rhythms of Afrobeats as her bedrock, the Ghanaian-American singer creates an enchanting tapestry of border-crossing bangers, borrowing elements of Bollywood, alternative R&B, and Neptunes-era hip-pop to fill out her sound. Highlights? Look no further than the majestic “Co-Star,” a charming astrological lyrical exercise, “Counterfeit,” which transforms the Clipse’s “Wamp Wamp” into a tropical dancefloor filler, “Wasted Eyes,” soaring atop thumping bass and a subcontinental swing, and the bold, brash “Princess Going Digital.”

5. Jonny Nash - Point of Entry: A singularly absorbing bit of ambient folk, Point of Entry glistens like morning sunshine. The soundscapes are intimate, but expansive, each pluck of Jonny Nash’s guitar echoing through the cosmos. As the founder of the New Age label Melody As Truth and a member of the group Gaussian Curve with Marco Sterk and Balearic legend Gigi Masin, Nash is heavily experienced in creating understated bliss, and Point Of Entry is most likely the best work he’s been involved with to date. True to its title, the album is a sonic doorway, slowly but surely transporting the listener to a poignantly tranquil new reality.

4. The Tubs - Dead Meat: Formed from the ashes of Welsh punk band Joanna Gruesome, The Tubs is the brainchild of the band’s former guitarist, Owen “O” Williams, in which he is free to be his jangliest, nerviest self. The London-based outfit’s debut album, Dead Meat, melds the best of 80s college rock into a fresh package, at times echoing the romantic cynicism of The Wedding Present (on the strutting, feedback-laden “Sniveller”), the pop maximalism of Bob Mould’s Sugar (on “I Don’t Know How It Works”), and the chiming beauty of Felt (check the gorgeous closer “Wretched Lie”). While the familiarity is comforting to a record nerd like me, it wouldn’t mean anything if the songs weren’t excellent, and Dead Meat is lean, mean, and full of enough excellent riffs and melodies to last far longer than its 26 minutes. Throughout, Williams belies the taut instrumentals with a serrated sense of self-deprecation, painting one of the finest pictures of a hopeless sad sack since A Confederacy of Dunces. On “Sniveller” alone, he admits that he is a "bootlicker," who “wriggles like a worm” and “cowers in the dark,” prostrating himself in the most unflattering of ways to win the affections of his intended. On Dead Meat, he doesn’t need to debase himself to win our sympathy–he just needed to write nine crackling tunes.

3. Sufjan Stevens - Javelin: Twenty years ago, Sufjan Stevens announced himself as indie folk’s premier auteur, wielding orchestral grandeur, raw nerve emotion, and exquisite songcraft like a weapon. Arriving after a time of incredible hardship–marked by the death of his longtime partner, a bout with Guillain-Barre Syndrome, and more–Javelin is perhaps Sufjan’s most devastating record to date. No longer hiding behind geographical oddities or childhood stories, Sufjan confronts his trauma head-on. On “Goodbye Evergreen,” a plaintive lullaby gives way to cacophonous chaos, as Sufjan seems to experience all five stages of grief at once. The nakedly vulnerable “Will Anybody Ever Love Me?” articulates a feeling that we’ve all had while illuminating nuances we might not have considered: to the Sufjan of “Will Anybody Ever Love Me?”, to be loved is to be free; to be seen in full and unshackled from earthly concerns, finally able to ascend to true selfhood. The album’s centerpiece is the astounding “So You Are Tired,” an almost unbearably sad and beautiful ballad in which Sufjan struggles to see a path forward without the person who gave him that kind of love. Javelin ends on a hopeful note, a lyrically re-arranged cover of Neil Young's "There's A World," as Sufjan finds solace in his faith: his lover isn’t gone, he is everywhere; in the trees, the air, and the ocean. Even if I don’t share Sufjan’s faith, I am still inspired by the singer’s strength, as he journeys through hell and back.

2. Veeze - Ganger: Before 2023, Veeze was the Winston Niles Rumfoord of the Detroit rap scene, appearing at irregular intervals to slay a guest verse or drop a new excellent single before disappearing back into the studio. His unkempt appearance and laid-back-bordering-on-comatose delivery added to the mystique, making him one of his city’s most mercurial figures. Years in the making, Veeze's first full-length album Ganger delivered on the hype and more, demonstrating once and for all why he's your favorite rapper’s favorite rapper. The 21-track project is as dense as a dying star–Veeze packs punchline after punchline into his songs, his barely-there rasp unfurling dismissals and flexes with an astonishing hit percentage. Each listen, I find a new favorite bar, and am surprised anew by an unexpected reference: on "Not A Drill," he relegates his enemies to the "UIP" (unimportant persons); on “OverseasBaller,” he arranges his multi-colored racks into an edible arrangement; on “SEXY liar,” he apologizes for accidentally flexing on his opposition before he “throws shells like taco food”; on “7sixers,” he cracks himself up when he says his money is as fat as Norbit. The first half of Ganger culminates in “Boat Interlude,” a stylistic curveball in which Veeze goes toe-to-toe with Lil Yachty and delivers one of the verses of the year. If the first half of Ganger demonstrates Veeze’s bar-for-bar supremacy, the glistening second half is a testament to his ear for production. DDotFreezing lives up to his name with his frigid beat for “tramp STAMP”; G-Lok’s beat for “Weekend” mixes gentle acoustic guitars and ambient pianos with a Michigan drumbeat that subtly shifts the song off-kilter; 614ASE’s blissed out “Kinda$” is a tape highlight, allowing Veeze to push the tempo; Rocaine and Koncept P’s “Safe 2” is trap music for the chillout room, as Veeze works a sing-song flow before succumbing to the atmosphere and slurring his words to oblivion. That’s a lot of words, and not a lot of insight, but what can I say? These are just very, very good rap songs by one of the funniest and most skillful street rappers in Detroit, or anywhere else. It’s a crowning achievement, possibly the defining album of the deepest and most exciting rap scene of the 2020s.

1. Nourished by Time - Erotic Probiotic 2: One thing about me is that I absolutely LOVE sensitive, dark-night-of-the-soul sophistipop that attempts to elucidate the human condition over a bed of luscious synthesizers–think Prefab Sprout, The Blue Nile, Tears For Fears, Peter Gabriel. I was under the impression that people stopped making this kind of music as soon as they heard the drums hit in “Smells Like Teen Spirit,” but Marcus Brown, the artist known as Nourished By Time, created a worthy successor to that noble lineage. Erotic Probiotic 2 is a showcase for Brown’s deep reservoirs of wisdom, laid over primitive synths and driving beats that take inspiration from freestyle. The soundscapes are warm and inviting, giving gravitas to Brown’s spiritual pronouncements, which they deliver in a graceful, throaty baritone. Opening diptych “Quantum Suicide” and “Shed That Fear” immediately set the tone, as Brown pleads for us to transcend our mortal selves and prepare for the next life. Track three, “Daddy,” breaks the reverie and drags us to the club, adding a bit of ballroom campiness as it floats over a programmed 4/4 stomp. “The Fields” and “Rain Water Promise” bring the best of both worlds, offering revelry and profundity in equal measure. “Soap Party,” with its dancing piano breakdown, begins the comedown, while closer “Unbreak My Love” ends the album by repeating the titular mantra until all tension dissipates into the ether. In an uncertain year, Erotic Probiotic 2 was a balm, a paean to the power of positive thinking–a radically optimistic work that dares to posit that a cold and unfeeling universe can become joyous and loving, if only you play the right notes. Nourished By Time plays those notes for me. ------------------------------------------------------------------------------

Thanks for reading! Below are a bunch more albums that I loved this year, and please check the Spotify playlist sampler that contains music from all these albums and more.

11. Rắn Cạp Đuôi Collective - *1 12. Sampha - Lahai 13. Corinne Bailey Rae - Black Rainbows 14. Being Dead - When Horses Would Run 15. Babyface Ray - Summer's Mine 16. Laurel Halo - Atlas. 17. Avalon Emerson - & The Charm 18. Pépe - Reclaim 19. Chief Xian aTunde Adjuah - Bark Out Thunder Roar Out Lightning 20. Armand Hammer - We Buy Diabetic Test Strips 21. Everything But The Girl - Fuse 22. Sexyy Red - Hood Hottest Princess 23. Marina Herlop - Nekkuja 24. Asake - Work Of Art 25. Leo Takami - Next Door 26. Youth Lagoon - Heaven Is A Junkyard 27. Ryuichi Sakamoto - 12 28. Liquid Mike - S/T 29. Hayden Pedigo - The Happiest Times I Ever Ignored 30. Arooj Aftab/Vijay Iyer/Shahzad Ismaily - Love In Exile 31. feeble little horse - Girl with Fish 32. Boldy James & Rich Gains - Indiana Jones 33. Sofia Kourtesis - Madres 34. Maria BC - Spike Field 35. Freak Heat Waves - Mondo Tempo 36. Lana Del Rey - Did You Know That There Is A Tunnel Under Ocean Blvd 37. Jim Legxcy - homeless n***** pop music 38. H31R - HEAD SPACE 39. Hotline TNT - Cartwheel 40. Animal Collective - Isn’t It Now? 41. Empty Country - Empty Country II 42. Idris Ackamoor & The Pyramids - Afro Futuristic Dreams 43. Jamila Woods - Water Made Us 44. DJ Danifox - Ansidedade 45. Zulu - A New Tomorrow 46. Navy Blue - Ways Of Knowing 47. awakebutstillinbed - chaos takes the wheel and i am a passenger 48. Cleo Sol - Heaven/Gold 49. Call Super - Eulo Cramps 50. Mari Montana - Outstanding Member 51. Brent Faiyaz - Larger Than Life 52. Peso Pluma - GÉNESIS 53. Irreversible Entanglements - Protect Your Light 54. Paco Panama - The Matrix/The Wire Vol. 1 55. Yazmin Lacey - Voice Notes 56. Home Front - Games Of Power 57. Buggin - Concrete Cowboys 58. Swami Sound - Back In The Day 59. MIKE - Burning Desire/Beware Of The Monkey 60. Loraine James - Gentle Confrontation 61. Anjimile - The King 62. Peter Gabriel - i/o 63. Fire-toolz - I am upset because I see something that is not there. 64. Eddie Chacon - Sundown 65. HiTech - DÉTWAT 66. Julie Byrne - The Greater Wings 67. Yo La Tengo - This Stupid World 68. The Clientele - I Am Not There Anymore 69. Antony & The Johnsons - My Back Was A Bridge For You To Cross 70. Slowdive - Everything Is Alive 71. Home Is Where - the whaler 72. Ratboys - The Window 73. Kara Jackson - Why Does The Earth Give Us People To Love? 74. BandGang Lonnie Bands - Bam Bam 75. That Mexican OT - Lonestar Luchador

[transbeeduo]

mutuals i fucking love you all so much forever btw. If you care

[shakespearian-love]

Getting wet with you ❦

[ilovenycee]

[total-derangement-of-the-senses]

Song of the Day

5 Oct., ‘23

[teaboot]

I've received asks on the topic a few times so I think I'd like to address the subject as clearly as I can

Okay, so like. You're on vacation, right? And you decide you want to go swimming. And you could go to a pool, or a lake, or the ocean, or the river. Wherever you want. And you see on the map that there's this one place called The Alligator Hole.

So you go there, and there's a sign on the shore that says "WARNING: ALLIGATORS", right? And you decide to go in. And when you get there, there's alligators. So you get out!

But then you go back in, with a stick, and you start hitting the alligators.

Because you don't want alligators where you're swimming!

And the impulse is understandable, because lots of people don't like swimming with alligators. Alligators are scary. Being in the water with alligators can be very stressful and damaging for people who aren't prepared to deal with alligators.

But at the same time, you must understand- there will probably always *be* alligators. Hitting a few with a stick probably won't eradicate them from the planet. There are SO MANY alligators! All over the world! And the vast majority of them will never ever hurt any swimmers!

And at the end of the day, nobody pushed you into The Alligator Hole, right? You saw a place literally called The Alligator Hole and decided that you wanted to go in there, and then you made life miserable for all the alligators.

Sure, there are places you like to swim where alligators probably shouldn't be- like suddenly, in your bathtub, uninvited and unwelcome, in the middle of the night- but alligators have to go *somewhere*, you know?

So if there are going to be alligators, no matter what, and we don't want to be surprised by them, then isn't it nice that we have places like The Alligator Hole

[bandcampsnoop]

8/3/23.

Sharp Pins "Turtle Rock" is recommended by none other than Brian Kelly of So Cow. Safely ensconced in Tuam (near Galway, Ireland) he recently mentioned he'd been listening to The Tubs and Sharp Pins (among a few other bands).

Sharp Pins definitely have a sharper edge and feel than The Tubs but come from the same indie-rock/guitar-centric tree. Sharp Pins can sound like The Clientele one moment and Jay Reatard the next.

Sharp Pins is the vehicle for the music of Kai Slater. He's a major part of the burgeoning Chicago scene. He's also a member of Lifeguard and Dwaal Troupe.

[deadmotelsusa]

1994 vs 2024

[jaubaius]

undefined

Catical illusion/  This kitty is in a bathtub

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[peachyvibesworld]

Hot tubs 🛁 get me

[canisalbus]

✦ Revolting ✦