#the world is so much bigger than you think it is

[smollsmule]

Ok ok but you wanna know the real tea?? I've read several beach fics at this point (which are all awesome btw, y'all are amazing writers) and it's a beloved staple to have Edwin be somehwat scandalised at everyone's beach outfits not to mention all flustered from seeing Charles in swim wear. Which is a Good Trope, don't get me wrong, I love that just as much as the next person

HOWEVER

I think actually it's Charles who should be more shooketh about Edwin in his funky lil edwardian two piece!!

Picture this. The year is 1916. You are 16 year old Edwin Payne with a bunch of repressed gay thoughts. Much unpleasantness happens, you die and get dragged to hell, even more unpleasantness happens, 70 years later you finally manage to claw your way up and suddenly women are allowed to vote. There's been not one but two world wars, several countries you grew up reading about in the news don't exist anymore and mini skirts are a thing now.

All I'm saying is, for all the teasing Edwin gets for "What is a handjob?" and "Crystal's internet", this kid was essentially thrust into a scifi world full of weird shit and gets mostly by via an attitude which can only be paraphrases as "fuck it, this might as well be a thing (maybe ask Charles about it later)". King of adaption, master of radical acceptance.

Charles on the other hand, and I say this with only love in my heart, is at his core a boomer. He was there for every tiny gradual shift from '89 to modern day. Sure, he was dead for most of that time, but that's not really relevant. All I'm saying is, seeing the bbc announce marriage equality was probably a bigger shock to Charles than it was to Edwin. That's a guy who already had to accept he will never fully wrap his head around home television.

Also consider the states of undress they've been exposed to seeing the other in. Edwin was stripped to his underwear in hell and still had his knees and elbows covered. And that was probably a more exposing outfit than he'd ever be comfortable with. His usual casual get up features a sweater vest for crying out loud! Meanwhile you have Charles going full 'ceps out in his undershirt first chance he gets. Edwin either got real cool with a lot of shit real fast or he would have combusted several times over those 30 years.

And yes yes, we've all seen Edwin "Haunted By Gay Thoughts" Payne's mental slideshow of abs n hips close ups after getting one (1) glance at the Cat King's stomach. But to his credit, the man was going through a full blown sexuality crisis at that and has since emerged victorious.

So all I'm saying is. Edwin seeing Charles shirtless at the beach? Probably not even the first time this is happening, a lil flustering for sure but just last week he saw two people making out nasty on the tube so hell if he knows. Charles seeing Edwin's kneecaps and upper arms for the first time? Incredible, show stopping, pride and predjudice 2005 hand flex level of suppressed horniness.

Anyway. I'm writing this fic now and none of y'all can stop me.

[wosoluver]

Oh, baby

Georgia Stanway x reader.

I know nothing about giving birth so bare with me. Also please don't kill me for the plot changes, Hope you like it!

Other players masterlist

──✩₊⁺⋆☾⋆⁺₊✧──

"Fuck!" you said feeling the warm liquid run down your legs. "No, no, no." You were staying over at her parents' house. Tomorrow would be the final match at the 2023 world cup and you would be gathered to watch the game there.

"Jo! We need to go, my water just broke!" you said grabbing her mother's attention. Her dad had gone to Australia to support her, but her mom refused leaving you, pregnant and alone. And you thanked the universe. You were 36 weeks, you were to give birth only next month. You had been feeling small contractions, that were apparently normal in the third trimester.

That was the only reason Georgia agreed to go.

A million thoughts went through your mind. Would the baby be okay? Would they have to do a C-section?

Would your fiancé be okay, knowing she missed the moment se was waiting so excited for? Were you even ready for this?

You started to cry immediately.

"Don't worry love, I'm calling her as soon as you're in the hospital."

"No please! You can't! You know her!" you said followed by a scream when you felt the sharp pain of a contraction hit you. "Please, please wait as much as we can. This is important for her, she needs to be a hundred percent focused."

"But seeing her daughter's birth is too..."

"I know but even if she knows, she'll won't get here in time. Please."

She only nodded agreeing with you. And you asked her to call your parents instead.

──✩₊⁺⋆☾⋆⁺₊✧──

While you walked around the room, preparing yourself for the ride ahead, in attempt to stay sound, you thought about what had led you here.

You and Georgia had been together for almost six years.

You had met at Man City, both came from a small town and were around the same age, sharing the dream to become big players.

You started dating, and your relationship went through a lot.

You endured for years a long distance relationship, when you moved away to play in Spain and she stayed back in Manchester.

A couple of seasons later you transferred to Bayern, where your girlfriend soon followed suit.

And you both finally managed to start your life together.

She didn't want to wait any longer, all that time had been enough.

From living together to her proposing, life felt like pure bliss.

And after the 2022 euro's title, you felt like it was the right time to have a pause on your career.

It wasn't an easy decision, since the World Cup was around the corner.

But differently from your teammates, you now had a bigger dream, Georgia fully supported you, she herself had always wanted to be a mother.

You didn't expect for it to work so soon.

Along with the risks the doctors had told you, it could take more than one try.

Fortunately the whole pregnancy had been very healthy, and nothing gave you any reason to think something like this could happen.

You questioned yourself if you were doing the right thing, by not updating her on the matter.

──✩₊⁺⋆☾⋆⁺₊✧──

Georgia's head was buzzing, Spain was winning by a goal. England had slightly recovered at the end of first half, but it wasn't enough.

She sat on the locker room, trying to cool down, zoning out a bit. All she could think of was winning this, to come home as a champion. For her girls.

She could have never imagined you had been in the hospital for the last couple of hours, let alone giving birth. So she didn't bother to look for her phone.

And before she knew, she was walking back to the field for the second half.

──✩₊⁺⋆☾⋆⁺₊✧──

"Just one more push, yeah?"

And you did as a loud cry filled the room. And they placed her right on your chest.

You felt like you could pass out from how tired you were.

But you couldn't, yet.

"You did great darling." her mom cooed you in between tears.

"Is the game over yet?"

"Yes, they won second place." she handed your phone over.

You cried hard a the sound of that. She had been deprived of being champion and seeing her daughter's first moments in the same day, at the same time. You tried to recompose yourself while you pressed to facetime her.

ongoing call...

"Hey love, what took you so lon-" she managed to get out before shutting up at the realization. A big smile appearing in her tear stained face. "She's beautiful."

before she could say anything else, Lucy, who was prying at the video call, loudly announced to everyone.

"The baby is here!" and you could hear the girls cheering loudly. Running to try and congratulate you.

"You guys are so loud, geez." your soon to be wife said after a few moments, walking to a more private place, so you both could talk.

"I am so sorry." you said eyes filled with tears.

"We couldn't have known." she said giving you a reassuring smile. "I was going to show you this baby here," showing her silver medal at the camera. "But it seems like you're already holding our baby right there."

And for over ten minutes you two sat quietly, just admiring the angel you had brought into the world.

"Is she okay? I mean she clearly looks like it, but since she's early..."

"Better than expected actually. They said she's around 6.30 lbs and over 19 inches. Pretty big for a preterm. They'll run some tests in the morning, just to be sure." you said letting out a yawn.

"You need to get some sleep. And I'm getting on the first plane home."

"I love you, and I'm so proud of you."

"Oh baby, I'm the one who's proud. I love you. Both of you."

──✩₊⁺⋆☾⋆⁺₊✧──

Maybe another part with G meeting baby Talia?

like & share pls!

[kiddotarot]

Why you are your future spouse made for each other

Explanation = We only brings our personality ( Ascendant) and 7H according to our past life karma and this is why you and your partner made for each other to balanced the complete you . Check your Ascendant and sign sitting to your 7h . Thank you jay for jay ( astroid) regarding too much help and teaching and learning from his vedios .

Aries = Libra

Aries = person are more related to themselves. " me" is a perfect word to describe them cause this associate with ego , level of growing, what can you do to yourself. If you ask this person to do charities and donations they may be not intrested in this but if you ask them to help in surgeries and body related help they surely going to help for example = Salman khan do a lot of donations for operation and also donate is born marrow for a child. So this thay have opposite sign libra in there chart because you alway think about yourself and focus on only you with your future spouse you going to learn how to work in a partnership and work for others and manage things and resources in a relationship you can fi d ot difficult but it is the basic rule which god decided to teach you .

Libra = you are a person who always focused on relationship and how to satisfy everyone need . You can always find yourself stuck in a web of relationship from your family and friends and society because you think you need to make good relations with everyone . And with libra ascendant you have gain house leo (11H) so you want popularity from there but you need to understand that you are slowly loosing yourself in this that's why you have Aries as a partner which can show you how and what you can do to yourself always doing for others not always give you acceptance. They can show you to take desion for yourself too first look at yourself then others.

Taurus = scorpio

Taurus = you are more focused on external things family, society and recourse and outher validation . You always work for them or always think about them and of by chance your ascendant in afflicted then sure you going yo have problem from speaking for yourself your own people can insult you but you are not able to answer back. You always pit more focus on those things like you want your name mention in a donations if you do charity . That's why you have scorpio in you 7h because sure you future spouse going to teach you to go silent and why you need to be alone and cut out from others. Because god want you to learn internal expension. And these people spouse stand up for them and speak no matter if your family stand against you . If they have strong moon and venus as scorpio ascendant they going to be a obsessive lover. I am sure your sleep cycle is disturbed now for sure but after marriage it going to be improve.

Scorpio = you are a reserved person and sure rigid also . You have a bigger world in your innerself than outer world . Very private person you always cut off from society and peoples it make you feel you are enough alone but that's not it we are humans the social animals we need to do coperative with each other so your 7H Taurus person going to show you how to put efforts in a family after marriage because familys runs from both side and efforts they will sure bring you out of your zone and make you a coperative person . Because your partner know how to deal with enemies and diseases and coperative situation these three things going to add in your life for sure.

Gemini = sagittarius

Gemini = you are immature by subconscious mind like a kid so this is a little baby Mercury house which is not mature enough do your nature is like that . You either take desion very fast or always stay confused in your life even in your career. And your 3H rule by moon regarless its position in chart you always dpeak by your emotions and you less you mind in speaking caure you are pure heart like a child can be emotional speaker. Always take random action. Thats why you have sagittarius in your 7H according to me it is best placement cause your future spouse is really mature and knowledgeable going to tach you a lot of thing and act like a guide throughout the life they are the best person to take advice in life. Your luck can be rise after marriage cause they are supportive towards your desion are correct them . If you have bad 7h still check your partner jupiter it can still give good effect in some cases.

Sagittarius = you are always lucky and ethical and most of the time right in tyiur life but its make you a person who never be so experimental and may be find it difficult to accept chsnges. Its a jupiter ruled sign and no other planets is exalted here so we can say you never listen to others. You can have habit of procrastination in trying new things and experience. That's why you have Gemini in your 7h your partner is going to shake your world . They going to teach you how to be more changable and accept it. They going to teach you who be easy going on life and chill and be curious sure you going to have a hard time for that but they will be bright and open up your world.

Cancer = capricorn

Cancer = you are very emotional person and carying people often take advantage of it. And you may be get ashamed up for showing your emotions and you learn how to keep thing to you only not share them. That's why your house have capricorn 7h your spouse belives in more taking action and karma. They really don't have any filter when it comes to speak of fight for what's right in there eyes. And if Saturn placed goid your spouse can take stand for you always no matter what throughout your life.

Capricorn = you are always rigid and can have not do good experience in your life. Which can make or developed your mind set in a way thst you believe thst if i want something i need to do work hard and neglected your own emotions. You never forgive a person and aldo not forget what they do you believe in punishment that's why you have cancer in your 7H your person going to show you do not be hard on yourself and others . And you can believe in uour emotional side and not to shut it . They make you believe that innocence and purity still exists. You can work for others without selfishness.

Leo = Aquarius

Leo = you are wtical and may be main attraction in your own group . You carries a king qualities and believe in doing justice but on the negative side it can give you too much overconfidence and rudeness you are not ready to surrender in front of someone thsts why you have 7H Aquarius your future spouse going to make you humble and grounded cause Aquarius is mixture of rahu + saturan so its make a eclipse situation to a leo person but don't worry you are blessed by god only ehy this person can control you by his duality and expension. You sometimes you can't understand or can't handle there duality because they are always two step ahead from you.

Aquarius = you are a person who is deciplined but also have a great social contact you are like mass personality which is just expanding. And if your saturan placed bad i am sure you are not ethical. You can have a low immunity system and that's why you always fall sick fast and have some mysterious decease. That's why you have 7H leo your person going to show you how to be more ethical and justice. Because god give solution not punishment so your spouse is solution they ga e great immunity or they can creat a environment that can help you to stay healthy. Like tsking care of you routine and food a lot of good stuuf included a great person.

Virgo = pisces

Virgo = you are always more technical in your life because you always deal with enemies and problems so your mindset is developed yo use a strategy often and may be you get succeed most of the time and jave a thought that i am god or i am enough that's why you have pisces in 7H because your partner is a perso who never think. They will teach you how to get free from your active defence system and urge to controll everything they hsve a very flowing energy which make you to leave yourself in life flow. And everything is not logical something are out of our mind and in god hands.

Pisces = you are a person who believe in spirituality and often judt dream about things . You mostly not use your mind and think its all god wish but god is busy so thats why you have virgo in 7H your partner going to teach you a lot about how to work logical mostly in matters of enemies and life. They going to teach you its ok to make plans and give your hundred percent because as a human atleast we can do what's in our hands.

©️ kiddotarot

[icarryitin]

Hell Hath No Fury

spencer reid/gn!reader

THE CANYOUNIVERSE RETURNS FROM WAR🥳🥳🥳🥳🥳🥳🥳🥳🥳🥳🥳🥳🥳🥳

series masterlist

word count: 1.5k // warnings: a couple of swears, ya boy gets anthraxed bc we’re getting into canon events now, Foreshadowing™️ (is it foreshadowing if i’ve already posted the part that’s foreshadowed??)

summary: Spencer forgets to use his brain (again), puts his life on the line (again), and it’s down to you to remind him (again).

“I’ve got Reid on the line for you.”

Something about the way Penelope’s voice trips over his name makes your blood run cold. It’s not unusual for her to pass someone over, but it’s different this time - you can feel it in the pit of your stomach.

“Hey, you.”

Spencer barely manages to suppress a cough as he greets you over the line, and that’s how you know you’re right. God, you hate being right.

His exposure is minimal.

We can’t be sure it’s the new strain.

He dosed up with the rest of us.

You know why your team leader decided not to tell you just how bad it is but oh, Hotch is getting an earful when this is over - and he’s not the only one. Because while you’re quietly seething, while the remainder of your lunch is rolling around in your stomach, Spencer Reid is asking if you’ll check in on his mother for him. Just in case anything happens. Yeah, like you’d let it. The universe, God, whatever forces that be? They’ll have to go through you first if they want to get to him.

“I don’t think you get a dying wish if you’re not actively dying.” You sound braver than you feel, phone firmly held to your ear as you slide behind the wheel of your car. Nichol’s address isn’t far from here, Emily and Rossi can handle whatever lies within Chad Brown’s house by themselves. You have bigger fish to fry.

Fish that have a penchant for throwing themselves in front of bullets and unsubs and into anthrax riddled houses.

“But you’ll do it?” He asks, choking back yet another hacking cough that sets your teeth on edge. Of course you will, it’s a ridiculous question. You’ll call and you’ll visit and you’ll write, what’s another letter in the mail after every case anyway?

“Obviously I’ll do it,” Your eye roll is audible, you’re sure of it, “But you’re not dying, Spencer.”

You don’t say goodbye before hanging up, because you don’t need to. Because he’s going to be fine. Of course he is, frankly he’s got no choice in the matter. Even if the number of hazmat trucks at Nichols’ house sends your heart leaping into your throat.

“Respectfully, sir,” You call across the lawn the moment you’re out of the car, squinting in the sun, “You’re full of shit.”

Hotch’s face doesn’t move, but you’ve been at this long enough to register his tell. A split second twitch of his fingers grasped around his phone - he meant well, keeping the severity of the situation from you, most likely because he knew you’d drop everything. And here you are anyway, so much for his genius plan.

Speaking of genius…

You follow the trail of CDC officers, suited and booted from top to tail in PPE around you, through the maze of tents until you spot Derek - arms folded, signature eyebrows furrowed in frustration at whoever stands behind the flimsy plastic shield. As if you didn’t already know.

Spencer Reid looks reminiscent of a kicked puppy on a good day, and getting hosed down in a hazmat tent does him no favours in that department. Soaked to the bone and shivering, the state of him does nothing to quell your frustration at his actions. If anything, it starts to boil over because - well, doesn’t he know? That you’d only feel like half a person without him beside you at the round table or in the bullpen? That the early Sunday morning breakfasts keep you sane? That he’s your best friend in the world and if anything, anything, ever happened to him you wouldn’t know how to exist?

“You,” You’re breathless, suddenly, in the face of it all, “Are fucking in for it.”

He has the decency to shrink back a little from the heat of your anger and the accusatory finger you’re pointing at him, even though there’s a layer of protective plastic between you. Even Derek takes a step away from where you’ve sidled up beside him. And you let rip.

Because, for the smartest guy in every room, how could he be so stupid? Walking into a place that is almost definitely poisoned with no protective equipment is basically step one of the ‘How To Die Immediately, For Dummies’ handbook. Staying in that place is even more ridiculous.

Spencer’s relief in seeing you outweighs the anxiety tensing his muscles, even if you are bussing with the fury of a poked wasp’s nest, even if it is his fault. The very real possibility that he might have finally signed his own death warrant is softened by the sight of you, warped as it might be through the tent’s window. He finds the water warmer, the brushes softer, the incessant scrubbing gentler, just by watching you. Even your yelling is reassuring, because it means he’s not dead yet. He gets to watch you a little longer. He’s not so far gone that he misses the sunlight catching in your eyes as you rant and rave at him. It isn’t the first time you’ve struck him as beautiful, and it won’t be the last, but it doesn’t paralyse him anymore. He’s long since come to terms with that fact, Although, the thought might be a little misguided given your anger at his poor decision making.

But it’s not anger, it’s fear.

The same kind of fear that grips his heart in cold hands every time you end up on the wrong side of a gun, it’s not unfamiliar. Although Spencer’s never been on the receiving end of it from you. The fear of a loss that might be just too great to overcome, amongst all the others. You’ve mentioned, in passing, the friends that have moved on or married or simply faded away in the years you’ve been with the Bureau - it’s not uncommon, the job becomes a person’s whole life and anyone who claims otherwise is a liar. He knows it as well as anyone. You have each other, you have the team, they’re your family as much as they are his and - a nudge at his shoulder breaks his reverie.

“Can we talk about this later? I need, uh,” He struggles, there’s no way to put it delicately, “They need to scrub me down properly.”

“Well I’m not finished, so start stripping, Doctor.”

It’s his race against time versus your stone cold fury - unstoppable force, meet immovable object. Because you’re not budging, just standing there expectantly with your arms folded over your chest. Morgan breaks the stalemate after a long minute of eye contact, hands on your shoulders, steering you away with a meet you at the hospital thrown over his shoulder at Spencer. Ever the mediator.

“That was a bit dramatic, I know.”

“A bit?” Derek exclaims, and you spare yourself the embarrassment of looking him in the eye.

You’re not sure how you manage to blag your way out of the final takedown, but you do. An argument made for having a presence at the hospital, making sure the victims have received the suspected antidote, that it’s working; you decide to leave out the fact that the only thing your brain is capable of right now is wondering if Spencer is choking to death yet.

Hotch finds you after it all, sitting on a bench in the hall outside Spencer’s room. Feet tapping nervously on the floor, you’d slipped out as the doctor came in to check his numbers - you made it in the front door, you’re pretty sure you’ll be forgiven for missing out on all the needle sticking. You’re trying to collect your thoughts enough to articulate a sentence, something calm and composed instead of the anger that almost boiled over earlier. And he waits, because he knows. There’s a lot of people in this world who have a lot to say about Aaron Hotchner, but not a single one of them can claim he doesn’t know his team inside out.

“I know why you downplayed things, but this team is my family. I don’t have anybody else,” you look him dead in the eye, unwavering, even though your words tremble ever so slightly, “And I will not be lied to about it.”

There’s a beat of silence; long enough for both of you to acknowledge that he can’t promise you anything, and then he relents.

“Understood.”

You leave him sitting on the bench, digesting your words in the hustle of the hallway, in favour of the uncomfortable armchair at Spencer’s bedside. Derek joins you after a little while, and you greet him with a soft smile as he settles into the chair on Spencer’s other side. One he returns, as he always does, and you settle back into the silence. It’s a waiting game now.

“There’s an ass kicking coming your way, I hope you know that.”

Spencer has barely opened his eyes when he hears your voice, floating somewhere to his left, over the steady beeping of machines and muffled chatter. The hospital, he’s at the hospital. He’s at the hospital, and you’re here, and Morgan’s here, because //of course// you are. Where else would either of you be?

“Can it wait until I’m out of here?” His voice is hoarse at first, but it’s enough to get a giggle out of both his visitors.

“Well yeah,” You couldn’t keep the fond smile off of your face if you tried, relieved that his sense of humour has made it through intact, “I want a fair fight.

if you’ve stuck around for my 3 months of radio silence, i am kissing you on the mouth🧡🧡🧡

[miaoua3]

Heyyy girl I hope ur doing well. Thank u for the amazing works ur doing it never fails to make my day and I love u for that 💗 anwys I'm so excited to ask u this...could u do a girl and boy dad cheol hcs(or whatever u called it) or one shot or both?! It's up to u which one u want to do first. Thank uuu in advance mwahhh 😚🤭

hii! first of, im so glad to hear that you enjoy my work, it always makes me happy when you guys say something like that, it’s the bigger part why i do this😭🫶 and sure i can, i will do hcs because at this point it’s my trademark haha. anyway i hope you enjoy this!❤️

Girl/Boy Dad! Seungcheol Headcanons:

girl dad! seungcheol who cried like a baby when they first placed his little girl in his arms, who cried even harder when she immediately stopped crying once she was placed on his bare skin, as if she knew that it was her papa who was holding her❤️

boy dad! seungcheol who made it a competition with you to make your son say “dada” as his first word, always whispering to his son “say ‘dada’, can you say dada? hm? cmon, make daddy proud son, if you say it dad will buy you every toy that you want to” he’s so…ijbol i can’t with him lmao

girl dad! seungcheol who can go nights without sleep if it means he can stay next to her crib the whole night every night, looking at her with eyes filled with so much love, gently rubbing his finger against her chubby cheeks, softly humming to her until he gets discovered by you and dragged back to bed because it is the third night in the row he has done this

boy dad! seungcheol who put hours and hours of work into decorating his son’s nursery, making his own stencils to paint on the wall, putting on those glow in the dark stars all over the ceiling❤️ (if you’re wondering the theme of the nursery is the universe, with little rockets and planets painted all over the walls)

girl dad! seungcheol who cries more than his daughter on her first day of school, who literally had to call in sick because he couldn’t stop crying, wailing to you how much he misses his little princess and how she isn’t ready for the real world (read: it’s not her that isn’t ready, it’s him)

boy dad! seungcheol who puts so much effort into his son’s interests-if he’s into football count on seungcheol to have a whole day reserved just for his baby where they will play football and he will show him how to do some tricks, he knows all his favourite characters, knows all the names of his plushies, knows everything about his son, he’s just so attentive with him it’s so-😭

girl dad! seungcheol who has his first ever heartbreak when his girl comes home from school and admits that she has a crush on a boy from her class, he will literally go to the bathroom and stare at his reflection, trying so hard not to cry😭 that night you will have to assure him so much that he’s still her number one man and that she still loves him the most while he’s crying quietly (so so dramatic)

boy dad! seungcheol who has a talk with his son before he gets together with his first girlfriend about how he should treat women correctly and to not even think about doing anything stupid like cheating on her or something like that or he will be very disappointed in him

girl dad! seungcheol who cries like a baby on his daughter’s wedding day because what do you mean she officially won’t be sharing his last name with you two anymore? what do you mean she’s all grown up? what do you mean she now will have her own family and she won’t be able to pick up every call of his anymore because she will be busy with her own kids? he will cry so much on his day that the daddy-daughter dance will actually kill him

boy dad! seungcheol who is his son’s best friend and biggest fan and supporter, as well as his son’s biggest idol, so it’s only natural that his son makes him his best man on his wedding day, and what an honour it is to see how well his son has grown up to be, what a blessing it is that he turned out to be just as he predicted he would-and even more

dad! seungcheol who loves his kids unconditionally and raise them to be good people, who teaches them to choose their own happiness every day of their lives❤️

•••••••••••••••••••••••••••••••••••••

this was so much fun to write! if you liked this and want to see the same about the other members pls request it, i would love to do it for all of them!

[childrenofcain-if]

Fuuuckk! *Throws some angst for W*

Childhood Friends to lovers are really my weaknesses when it comes to stories and I am left just craving for more when I see this trope because most of the time it's just never executed right. Forgotten Childhood Friend with the other pining for MC, while MC (can) remain obvious 👀👀👀 Now that's a great setting for angst if I ever saw one!

Because in a scenario where MC has a trinket, a stuffed toy, a keychain, and W sees it and freezes, because it's the same one they gave MC years ago. MC mistakes it for interest and tells them "Oh, I don't really know where I got this from but it looks cute, don't you think?"

Just *ASDFGHJKL* What would be their reaction? Because MC still kept something that symbolizes their time together. But on the other hand! MC forgot about them and only kept the trinkets!

Also crying over this song that reminds me of W. The story within the song is different but the longing and yearning is there that rips my fucking heart out. I could not find the song cover that I really liked on YouTube so, here's one that seems close.

https://youtu.be/YiVpWPkbdPY?si=R2csRdrSsRFsO9K6

Also I can't wait for Sept 22! So excited to play the demo!

the moment W spotted the red muppet, everything about them stilled—their breath, their posture, the casual air they usually carried around you. their hand froze mid-motion as they’d been reaching for something else, but now their fingers hovered above the clumsily stitched muppet, their gaze glued to it as if the sight had transported them somewhere else.

the stuffed elmo sat on the dresser, slouched and frayed at the edges, its stitched seams visible in uneven lines—clearly done by an unpracticed hand. it was amateurishly repaired, the kind of haphazard work a child might do when they were trying to fix something that was once beloved, not caring how it looked as long as it was whole again.

it was the same one. there was no mistaking it. the muppet’s orange nose was slightly off-center, where their stitches hadn’t lined up properly, and one eye was smaller than the other.

their heart clenched, an ache so familiar it was almost comforting, and for a second, they were eight again, sitting cross-legged on the floor of their childhood bedroom, hands trembling as they tried to patch the torn elmo plushie back together. it had been torn to shreds by paolo, your mom’s neighbor’s pitbull, and you’d cried—they hated seeing you cry.

the memory hit them like cold water, their body suddenly stiff, eyes wide as if they’d seen something that didn’t belong in the present.

and then, you speak, completely unaware of the weight they were carrying.

“oh, i see you found my favourite plushie. don’t really know where i got this from, but it looks cute, don’t you think?”

your voice was light, casual, almost dismissive as you twirled the stuffed toy in your hands. like it was just an object, a relic of some forgotten childhood. but for them, it was the artifact of a time when the world was bigger, when the two of you were inseparable, when they would’ve done anything to fix even the smallest thing for you.

W’s breath caught in their throat, and they had to force themselves to blink, to remember how to speak. their heart pounded, not from excitement, but from the disorienting rush of memories. they had given this to you. or tried to.

they had stitched it back together so carefully, spending hours making sure it was perfect before nervously handing it over. you’d smiled back then, said you liked it, and they’d believed it meant something. something more than just a token, more than just a toy.

but you didn’t remember. you didn’t even know where it came from. a part of them wishes you didn’t still have it. wishes you’d forgotten completely, because this—you keeping it, but not remembering them—is so much worse.

they swallowed hard, trying to keep their voice steady. “yeah, it’s... cute.” the word felt wrong in their mouth, like it was somehow betraying the weight that muppet plush carried for them.

their gaze lingered on it, their mind racing, wondering if you had kept it because you cared, or if it was just some forgotten relic of a time you no longer remembered.

you smiled, tilting your head. “it kind of feels like something special, you know? like it was given to me by someone important. i just wish i could remember who.”

W’s chest tightened, the claustrophobic feeling spreading through them. someone important. you didn’t remember them, but you still felt something. they looked at you, at the elmo plush dangling from your hand, its threadbare form a little sad, like a reflection of something lost. something that was once held together, but now, you didn’t even recognize the hands that put it back together.

they wanted to say something, wanted to tell you the truth, but the words tangled in their throat. what was the point? you didn’t remember, and the idea of reminding you now—of laying bare this vulnerable part of themself—felt utterly terrifying.

W laughed, though it sounded strained, and ran a hand through their blonde locks.

“i, uh…” they cleared their throat, glancing down, hands gripping the edge of their denim aviator jacket. “i used to know someone who had one just like that. torn by a dog, actually. i stitched it up for them.”

your head snapped up. there was something flickering behind your eyes, something W couldn’t quite read. it almost looked like jealousy, but that was ridiculous, wasn’t it? you couldn’t be jealous over a stupid story from childhood.

“really?” you asked, your voice carefully neutral. “who was it for?”

they paused, their heart hammering in their chest. they didn’t want to say it outright—they didn’t want to ruin this delicate, strange balance between you. so they shrugged, trying to seem nonchalant. “just... someone i knew. a friend.”

you nodded, but there’s a glimmer in your eyes, something that was very close to envy.

“i bet they were really important to you, huh?” your voice has an edge, and W can hear the undercurrent of an unspoken emotion which you were trying to suppress.

they want to laugh, but it catches in their throat. “yeah,” they mutters, their gaze flicking to the floor. “they were.”

you glanced down at the toy again, running your fingers over the uneven stitching, and W’s stomach twisted. they wanted to reach out, to tell you it was theirs, that they’d sewn every stitch with clumsy hands, that it meant something to them because it had been for you, only for you. but instead, they just stood there, rooted to the spot, their mind spinning with the weight of what you didn’t know.

“was that friend really close to you?” you asked softly, your voice almost too quiet, as if you were afraid of the answer.

W froze, caught off guard by the question. they hadn’t expected that. they hadn’t expected you to ask, hadn’t expected you to care. but now, standing there with the past pressing down on them, they realized they couldn’t lie—not about this.

“they were... they meant a lot to me,” they said carefully, their voice barely above a whisper. they looked away, not wanting to see the confusion or the hurt or whatever it was that might show on your face. “it was a long time ago, though.”

you nodded slowly, though something about your posture had stiffened, like you were trying to process what they’d said, trying to make sense of it.

“i see,” you murmured, your eyes flicking back to the toy in your hands. “that’s really nice. i don’t really remember much about my childhood.”

W swallowed hard, feeling the weight of those words. you didn’t remember. of course you didn’t, the last summer you spent together was the darkest period of your life. how would you remember them, or the hours they’d spent trying to make that muppet perfect for you, or the way they’d felt when you smiled and said you liked it? and yet, you’d kept the plush. you’d kept it all these years, even though you had no idea it had been them.

“yeah,” they said quietly, their voice heavy with understanding and empathy. “i guess a lot of things get forgotten once you grow up.”

you didn’t respond, but you didn’t need to. the silence between you said enough—that painful, lingering silence that wrapped itself around the two of you like a python of what could’ve been.

the muppet sat in your lap, a symbol of a shared past that only one of you remembered, and W felt that ache again—that deep, hollow ache of being close to you but so far away. like you had travelled to the stars and they had no way of reaching you anymore.

they took a deep breath, trying to pull themself back together, trying to focus on the present, on the fact that you were still here, even if you didn’t remember.

“anyway,” W said, forcing a smile, “i’m glad you kept it. even if you don’t remember where it came from.”

you smiled, though it didn’t reach your eyes, and W wondered if some part of you did remember, somewhere deep down. whether it was an actual possibility or W’s wishful thinking, you didn’t say anything else about it, and neither did they.

and in the end, all W could do was smile back at you, pretending like it didn’t hurt. like they hadn’t been completely forgotten as well.

[delopsia]

nosedive | rhett abbott x reader

Word Count: 18,900 Cross Posted on AO3 Warnings & Notes: 18+, AFAB!Reader. Storm chasers AU, Kate, and Tyler appear but are so inconsequential that they can be read as OC's. You do not need to watch Twisters to understand and read this fic! Arguing, brief food mentions, undisclosed past trauma, storm chasing, vehicle accidents, anxiety attacks, friends to lovers, grinding, unprotected sex, includes a sketch that I traced from stock photos I stitched together. Brief Summary: You swore off storm chasing a long time ago. You haven't been able to look at that old truck since the accident, and if you could have your way, you'd never think about that part of your life ever again. You've moved on. Every time you touch that damn truck, something goes wrong. But when your friend and her so-called business partner become wrapped up in a never-ending quarrel, it's Rhett who becomes your biggest supporter. You think you're beginning to remember why you used to love this. How you used to live for your out-of-this-world builds and ideas. Or maybe…just maybe, you're beginning to fall in love with something that isn't a truck.

"So, at what point are we going to tell them?"

"What would that be?" Speaking with the straw against your lips, seconds away from taking another sip of that cheap gas station coffee. "That I'm the one who keeps filling Rhett's truck with tiny ducks?"

"No," Kate's eyes roll, her head shaking ever so slightly, not quite ready to admit to her part in it. "About Dallas."

A gust of wind blows past. Entirely invisible to the eye, and yet you catch Kate's head following as it twists through the field, the wheat rippling in waves. Strange how something you can't even see can cause so much trouble, ripping up the garage roof, blowing Rhett's hat down the driveway, and taking that long-awaited Amazon package across the lawn.

Worse, it blows your straw around, leaving you to gape like a fish as you blindly try to find it again. "Do we even want to tell them?"

Her brow furrows. Confused.

"You can't convince me it's not entertaining to watch them puff up like a bunch of peacocks when we mention him," you can't help but giggle, memories flickering through your head like a slideshow. Rhett grumbling about Dallas under his breath. Tyler pulling up his YouTube channel to prove he's done bigger things than this Dallas guy ever could. Overhearing them griping about him in the hotel gym. "Can you imagine the look on their faces when they finally see him?"

A smile bursts onto her face. "You drive a fair point."

Something clangs to the left. Appearing so suddenly that both of your heads swivel toward it.

Speak of the devil.

Rhett and Tyler. Hauling some kind of unnamed contraption to the trucks. You're pretty sure that it's supposed to put extra weight on the chassis to prevent them from being blown around as easily. Rhett's been muttering about having to build a new one ever since his original build cracked a few days ago.

If you weren't distracted, you think you would be able to recall more of the details, but all you can focus on is...

"Are they allergic to shirts?" Kate chirps after a long moment, but she's not making any effort to peel her eyes away.

Neither are you. Too wrapped up in the way Rhett's bicep flexes as he readjusts his grip on the steel frame. Not quite as bulky as Tyler, but he's got a wiriness to him that almost seems to hypnotize you, stuck staring until you run the risk of being caught. "Are we complaining?"

"Absolutely not," and you only peel your gaze away when you realize that they're walking toward your little afternoon coffee party. You're not dealing with the misery that is Tyler's cockiness again.

Kate's got the same idea, her cheeks dusted with a subtle shade of pink that wasn't there a few seconds ago. Something flickers behind her eyes, the same kind of glint you're used to seeing when she's caught the trail of a brewing storm, but she doesn't say anything.

You wonder if this new frame means they'll focus on upgrading those drills next. Anchoring two feet into the ground was likely an impressive feat when they first installed that onto the rigs, but the technology has progressed so much further since then. Longer augers would be a start, twisting deeper into the earth, harder to be ripped out by high winds. 

"So, do you know when Dallas is coming in?" Kate asks once the boys are within earshot, like she doesn't know the answer to her own question.

Rhett's head perks. Tyler peeks over his sunglasses.

"Few more days, I think," feigning interest in your drink, swirling the straw in circles, anything to pretend that you haven't noticed them yet. "Sunday at the latest."

"Dallas!" Tyler crows. So loud and sudden that you jolt in your seat. "Finally comin' to meet us, huh?"

Rhett peeks at you through the corner of his eye, either too focused on the task at hand or not quite bold enough to match Tyler's antics. Even from a distance, it's difficult to miss the way his gaze rakes up and down your frame as if transfixed by your pajama shorts and the beauty that is your half-awake face.

"He was supposed to be here earlier, but..." motioning toward the empty beer can blowing past. Budweiser's aluminum version of a tumbleweed. "Another wind delay."

Tyler scoffs, the heel of his boot thunking against the can and sending it flying. "How many more times is he gonna use that excuse?"

"As many times as he wants," Kate's stolen the words right out of your mouth, her shoulders shrugging as she turns her attention back to her cell phone.

Wind howls in your ear, rolling the ballpoint pen across the table and right into your cup. It tips before you can even comprehend what's happening, the remnants of your coffee spilling into the dirt. 

"I reckon that's my sign to head inside," you sigh, defeated. This battle was lost the moment you quit paying attention to your drink.

There's not much for you to gather, but nature herself had might as well be interfering with your every move. Blowing the cup toward the garage, rustling your notebook pages when you scoop it up, the pen jumping off the edge of the table just to rub salt into the wound. It's not bothering anything else, not Kate's hair, not the dumb hat on Tyler's head, just your things.

Talk about a personal vendetta.

At least the garage has never betrayed you like this. Cozy and windless, albeit a bit dusty, depending on the day of the week and what project Rhett is working on. The loveseat tucked into the far right corner is much softer than that sunbleached wooden chair, the beaten cushions enveloping you in a loose hug. The thick armrest is the perfect size to fit your notebook. Doesn't have you trying to cram yourself into an itty bitty space. 

And with the back of the couch being up against the wall, there's no opportunity for someone to mosey up and peek at your notes, either. 

The side of the pen is dented, the groove creating the perfect space for your finger to settle into as you begin to draw. This must be the pen that you forgot on the roof of your car and wound up driving overtop of. 

Ink drips from the tip in spurts, scattering across the page in small, ugly blotches. What's supposed to be your delicate sketchings of an idea are starting to look more and more like an interpretive art piece in a museum. Is it a component for one of the storm vehicles, or is there an underlying message about the beauty of mistakes and brokenness?

Whatever. The answer only matters if it's attached to a big, fat check from a private collector looking to hang it next to a myriad of other, questionably produced works. 

"Whatcha ya doin' over there?" Rhett's voice echoes through the garage, seems to come from so many directions that you don't realize where he is until you spot him in your peripheral. Red dirt and grease smeared across his forearms, sweat glistening in the overhead light. You already know he doesn't smell the best, but you can't say you hate the sight of him.

Your pen drifts across the paper once more, streaking through a blob of collected ink in your efforts to build the general shape of a truck. "Sketching." 

It's such a bland reply. Shouldn't intrigue him in the slightest, and yet you can hear the soft thunk of his boots against the cement floor, drawing closer. "Sketchin' what?" 

"A fantasy for an advanced anchoring system," your pen darts across the metal arms, extending from the roof of the truck, one on the passenger side and one on the driver, anchored into the ground. "Buildable, but it's not a feasible idea." 

The light reflects off of his rodeo buckle. Amelia County's bull riding champion. "Can I see?"

You're not sure why he wants to look at your fantasy sketches, but you don't have the energy nor the will to tell him no. Certainly not when he's bending down next to you, so close that his bicep bumps into your arm, hot and swollen from hauling around that heavy frame. You're making no effort to move away, either. If anything, you're moving closer, turning the notebook for him to see.

As if to guide his thoughts, his index finger traces across the lines, grease-stained and so, so much thicker than yours. "What's makin' ya think it won't work?"

"It's not realistic." Easy answer. There's a reason why nobody else has done this. 

But Rhett's head just tilts to the side, a thought visibly crossing his mind. You know it's there; can see it glisten in his eyes as it passes by. "Yes, it is." 

You feel the tug of your arm and the warmth of his hand around your wrist before you realize that he's pulling you up from the couch. There's a creak in your knee as you rise, helplessly stumbling after him.

"What are you doing?" You're chirping, but Rhett doesn't reply, too dead set on hauling you to the other side of the room.

He spins. So do you. The garage blurs into streaks of gray.

Then your back bumps into his sweaty chest, and you're staring at...a newly built drill for the frame. 

"Does this look unrealistic to you?" His voice rumbles straight through you, low as the thunder that you've spent too much of your life chasing. 

"Well...no," you croak after a long moment, "but you already know that it—"

"What about that?" His hand darts out, pointing toward the old radar, built out of scrap material and the sheer power of will. It doesn't work anymore, not after that hunk of debris split it down the middle, but it did for a good few weeks. 

Rhett isn't waiting for you to reply, already pointing toward another contraption. The roll cage, and the rest of the steel exoskeleton frame that hasn't been welded onto Tyler's truck. Then he's guiding your attention to the windshield and window cages; lord knows those glass replacements are getting expensive. The armor plating that has yet to be welded to the vehicles, the reinforced overhead spotlights, the custom grill guards, and all of the little, unnamed crafts that you have yet to see in action.

"None of this was feasible, either," his words are solid, fleeting things, dancing around your head like words from the gods above, "but we still gave it a shot." 

A puff of air breaks past your lips. 

All of that happened long before you and Kate stumbled across them crammed into the corner of a Waffle House. Their trucks were already built. Field tested beyond belief. But...well, you suppose his ideas had to have started the same way yours do, a random thought that evolved out of control until it became a reality.

"Your ideas are no more unrealistic than these were," Rhett murmurs, and it almost sounds like he's sharing a secret. A whimsical little thought meant to stay between the two of you.

...maybe he has a point. 

You turn, twisting to face him. The tips of your noses bump. Piecing blue eyes staring right back into yours, wide as can be. Too close. Way too close. But you don't make any effort to move, and neither does he. He should. Fuck, any closer, and you'd be kissing him, can already taste his minty toothpaste on his breath. 

"Rhett!" Boone's voice arcs across the room like lightning, sends you jumping apart as if struck by it. "You fixin' to bring that upper frame or what?" 

Whatever that moment was, it's gone in an instant. 

Your head comes so close to hitting the ceiling that you can feel it graze past. Seatbelt cinching tight around your chest. Ass bouncing against the seat. Struggling to keep both your hands on the shivering plastic handle overhead. Something clatters across the floor, landing in the mess of components and contraptions that met their maker three bumps ago.

You'd complain, but Tyler's rollercoaster of a truck looks even worse than whatever the hell you just experienced. 

"I'm shocked this old truck has survived this long," you're trying to sound calm, but it comes out resembling a yelp more than anything else. "I remember you driving to high school with this thing." 

Rhett's hands flutter across the wheel, a wave of mud kicking up from under the back tires. "These ol' ranch trucks last forever if you take care of 'em."  

"Doesn't care involve things like...not driving into ditches?" Your shoulder presses against the glass, sliding around as the truck veers to the left, loosely chasing Tyler's messy trail. 

"Probably," he laughs, "but we survived, didn't we?" 

"I'm not too sure about that," frankly, you think half of your soul may still be sitting on the road, milliseconds away from experiencing the horror of Rhett's truck diving into the ditch.

"Oh, c'mon," his hand darts out, nudging your arm, "ya worry too much."

You haven't forgotten about the clouds twisting up ahead, downward spiraling, growing thinner and thinner as it nears the earth. A plume of red dirt rises, staining what was once a perfect, white funnel cloud. Wind squeals around the edges of the truck, wedging its way through the nonexistent gaps between the windows and wailing in your ear. 

Tyler's truck rips straight into the center, unhindered by the mud and soybean plants being hurled against it. There's already a drone dancing around the upper part of the funnel, bobbing and weaving, serves as the eyes for however many people are watching the live stream it's broadcasting. 

Rhett's a little more conservative, looping out to the side and into the path of the tornado instead. Leaves scatter across the windshield, wedging beneath the windshield wipers. But the nose of the truck turns to face the cyclone, and the wind is already beginning to tear them away. 

"Wanna press the button?" You can hardly hear him. Only realize he's talking when you notice his mouth moving.

You're already reaching out, pressing the little green button on the dash. 

The drills whir to life, entirely inaudible, but it's impossible to miss their vibration as they dig down into the soil, the truck gradually sinking lower. 

One blink and the world around you turns to dust. The little ranch truck shivers under the battering of the wind; feels like you're going to blow away at any moment, but nothing around you is moving. 

Hesitant, you peek out the passenger window up at the tornado overhead. It's almost calm. A little quieter now. The crystal sky peeks through the twirling clouds, and if you tilt your head just right, it kind of looks like one of Rhett's gentle blue eyes. 

Rhett's elbow nudges yours as you settle back into your seat. 

You know what he's going to say before he's even opened his mouth. 

"Now, is this more fun than it is with Dallas?" Always comparing your ventures together to what you've done in the past, like he's aiming to jump up to the top of your 'Best Experiences' list.

"Nah," repeating the same thing you always tell him. He should have expected this answer from a mile away. "Dal still has ya beat."

His eyes roll, but he laughs nonetheless. Defeated again. "One of these days, I'm—"

Bang.

The truck jumps. 

Something sharp scatters across your face. Wind screams in your ears. 

The world flips on its head. Upside down. Rightside up. Upside down again. It jars you so hard that your teeth snap together, head smacking against the seat, and there's something yanking against your chest, and your ears are popping and, and, and—

You should have known that was coming. 

Why didn't you know that was coming?

You don't feel the pressure on your shoulders until it's gone. Replaced with something warm that you can't identify. Can't think to try and identify where it's coming from. Something about your head doesn't feel right, but it doesn't hurt. Tickles. Like something is running down the side of it.

The truck flipped. How did the truck flip? 

Fuck.

You, from three years ago, would have seen that coming from a mile fucking away. How have you gotten worse at the one thing you're supposed to be good at? You should've checked the drills, the circuits, the wires. Why didn't you run through any of the safety checks before you left? What if the tornado had been stronger? Sucked you up and spit you out several hundred feet into the air? 

Did you not learn from the last time? 

This was entirely avoidable.

There's something muttering near you. Sounds like thunder in a strange sort of way. Deep rumbles, rolling in one ear and out the other. But thunder doesn't pause in the middle of its booming, not like this. 

"We're okay."

Your throat is so raw that you can hardly speak. Dry, too. Chest heaving, sucking in air faster than your lungs can handle it. What, what...what...

"We're okay," Rhett. That's Rhett's voice in your ear. "We're okay." 

And he keeps saying it. Over and over, like he's trying to convince himself just as much as he's trying to convince you. But it's not working. You're still shivering, and his voice is lodging in his throat, and...

Your head goes dark. 

You don't necessarily know if you pass out or if your memory decided to stop writing things down. 

One moment, you're in the truck, and the next, you're sitting in the middle of a hospital room, squinting as a nurse shines a blinding light directly into your eye. She hums something to the woman next to her, then turns the light off. 

There's a spot in your vision now. Dead center, lingering as you turn your head to look at whoever is sitting next to you, entirely blocking out their face. Their hand over top of yours, thumb swiping idly across your skin, back and forth in a rhythm that you haven't figured out yet.

"What failed?" You know it's your voice, can feel your mouth shaping around the words, but it sounds nothing like you. 

"Hm?" Rhett's hum nearly disappears amongst the commotion going on around you. 

"The truck," trying again, a little more specific now. "What went wrong back there?"

Stitches line his forearm, probably sliced open by the same thing that left the cuts on the left side of his cheek. Glass from the shattered windshield, you think. 

"You'll never believe this," he leans closer like he doesn't want anyone else to hear what he's about to say. "We got hit by a tree."

That doesn't... "A...tree?" Parroting him. You're expecting for him to furrow his brows and ask how in the world you've managed to mishear him, but all he does is nod. You heard him perfectly. 

All of that was because of a tree hitting the side of the truck. Probably struck hard enough to rip the drills from the ground and gave the tornado all the leverage it needed to start throwing you around like a children's toy.

...huh. 

"Hey, is there a lug wrench sittin' over there?" Rhett asks, his foot kicking out toward the tool cabinet as if to try and point you toward it. Whatever he's doing up under the truck, he must not be able to see that you're already standing in front of the damn cabinet. 

You already see them, sitting amongst the mess of tools resting on top of it. "You've got two." 

His head pokes out from the side. "I do?"

"One is silver, the other is black," lifting them both for him to see. You don't see a difference between them; they both do the same thing, but you're not the one needing them.

"Give me..." his lips purse, "the black one."

You bend down, handing the tool off to him, but the silver one is still in your other hand. "Remind me again what drawer these belong in?"

He taps the thing against his chin. "Any of the middle ones is fine." 

"And here you wonder why you can never find anything," you tease, an ache blooming in your chest as you laugh, still a bit sore from being rolled around like Mother Nature's bowling ball.

Something metal hits the floor, audibly rolling away. A bolt, you think. Rhett swears, boots squeaking as he clambers out from beneath the vehicle. "'ts hard to stay organized when ya share a garage with someone like Tyler."

"That bad?" You would look to see what he's chasing, but organizing this mess is higher on your priority list. 

There's so much junk on the top of this cabinet that you can't figure out what is what, in such a disarray that it seems to swallow up everything you sit on top of it. Somewhere in here is your ten-millimeter socket. 

Kate's voice echoes from outside, loud enough for you to hear her but not enough for you to understand her. Tyler shouts back, the slam of a truck door punctuating whatever he has to say. You think he's still talking when Kate blurts something that sounds like an "I don't care!" Tyler doesn't seem to like that at all.

You turn to look at Rhett right as he does the same. Defeat. Confusion. An overall look of being absolutely done with hearing it from them. You recognize it all; you're feeling the same damn thing. 

And here you thought you'd found a place to escape from them.

"Are those two ever gonna get together?" Rhett whines after a moment. 

Your head shakes, "Kate's got a strict 'no dating business partners' clause." 

They're getting closer now, slowly but surely carrying their argument to the garage. You're not sure why. Everyone was there when the argument started in the restaurant, gradually clearing all of you out of the booth with to-go boxes and a migraine to boot. 

Rhett reaches through the open truck window, pressing the garage door opener. With a groan, it starts to close, taking away your fresh midnight air but granting more silence in return. "Does that rule apply to you, too?"

"I'm not sure," you'd never actually...considered if you were wrapped up in that law or if it was Kate-exclusive. "Why?"

Rhett's eyes dart away. 

Have his ears been red this whole time? Or maybe it's a trick the light is playing on you because it seems to disappear as he rushes toward the side door, sliding the deadbolts into place and twisting the locks. 

There's no way that he's... "Are you seriously locking them out?" 

"Do you wanna hear them argue for another hour?" He doesn't need for you to answer that; he already knows the answer. "Get me that padlock off the table."

Padlock. Shit, where did you last see that?

There's so much on this table. Jumper cables. Tools. Tools. More tools. Bolts. A box of nails. Your missing socket. A chocolate candy wrapper. Tootsie rolls. Another box of nails. Shit, is that a broken phone case? You push your hands through the mess, shoving it all to the side, but you don't see it. Where is it? Where is it? 

Someone knocks on the garage door. Rattling across the garage.

Fuck, fuck, where is it? You don't see—

There it is.

You don't feel it in your grasp until you're halfway across the room. Shoving it into Rhett's open hands. The garage door rattles. But Rhett's shoving the hook through a hole in the tracks, squeezing it closed until it clicks. 

"Are y'all in there?" Tyler's muffled voice is the last thing you want to hear. 

Something moves in the window. 

Your body moves on its own. Grabbing Rhett by the bicep. Diving toward the couch. 

He's too big to be tumbling after you, but he does, the loveseat squealing as he lands on top of you. An elbow finds its way into your ribs. Your knee slots between his thighs. His hair is in your face, and you can smell the vanilla of his cologne, and his hand is on your waist—

"Rhett?" Tyler tries again. Knuckles tap at the window. 

You know they can't see you. If they could, then they would be calling you out on it. 

This couch isn't wide enough for you and Rhett to be lying on it like this, your shoulder hanging off the edge, his knees awkwardly bent to make room for your legs. He's finding a way to make it work, though. Wedging himself up against the back cushion, granting you enough room to roll onto your side without falling off. 

You're not sure if you want to comment on the arm that drapes around your waist, securing you to him. 

"I entirely forgot about the window," he whispers. Does he think Tyler can hear him talking from outside? 

Laughing, you tap him on the nose. "I know you did." 

So much of his hair has fallen into his face that you can no longer see his expression, concealed under a mass of unruly, brunette curls, untamable by any means of the word. He can very well push it out of the way himself, but for some reason, you find that your hand is beginning to do that for him. Collecting locks of it with your fingers, sorting them to their respective sides, tucking some of it behind his ear. 

"Watcha doin'?" He asks as you unveil his hidden eye. It looks bluer than it was before.

Your touch falters. "I wanted to see your face." 

"Yeah?" The corner of his lip lifts a little. 

"Yeah." Nodding. 

And your hand just...falls onto his cheek. Idly resting there, like this is exactly where it belongs, where it's always gone after you've finished fixing his hair. 

Worse. He doesn't make any effort to stop you, lets your thumb swipe up and down his skin, meandering across the tiny cuts that linger there. If you didn't know any better, you would think he nicked himself while shaving, but there are far too many of them for that. Too high, too. There's even one up beside the corner of his eye.

"No!" Even the garage door isn't enough to muffle Kate's voice. "We're not doing that, Tyler!"

Tyler isn't quite as loud. You can hear the general sound of his voice, carrying through a sentence or two, but you can't make out a single word. 

"Because—because it's ridiculous," Kate's still going. Tyler says something a bit louder.

You don't know when Rhett started moving, but all of a sudden, you're way too aware of how close his face is getting. Inching closer and closer until...

He rubs his nose against yours. Slow little motions that don't stop until you can no longer fight off your smile.

"What're you doing?" You giggle, making no real effort to stop him. 

He's too close for you to see his mouth, but you recognize the way that the corners of his eyes turn upward with his grin. "Distractin' ya." 

It must be working because you no longer have the capacity to think about what's going on in the driveway. His hand smooths up your back, making its way up to your face, and he's so warm, heat radiating off his palm like he's got a small fire burning in his veins. Rough fingertips brush against your cheek, hesitant to make any solid contact. 

"Your cheek is still swollen," his palm gradually comes to flatten against your cheek, his hand so big that it seems to cover your entire face. 

Kate's voice echoes in the back of your head. No dating business partners. But something about his touch...it's addicting. "Well, that's what happens when you get thrown around by a tornado." 

He doesn't seem to have much else to say to that. 

To be fair, you don't know what you would say to that, either. 

His thumb swipes across the upper portion of your cheek. Your fingers find their way down to his jaw, pushing through the stubble there. It's soft, has had time to lose the stiffness that comes with being recently shaved. 

It seems that you may have finally lost Kate and Tyler; you don't hear them bickering outside, at least. You lift your head, craning to look over the arm of the couch and at the door. The window is impossible to see from this angle, but you get the feeling that they're no longer standing outside. 

"What's that?" You ask, nodding toward something that you know he can't see.

Rhett's fingers trace their way over to the shell of your ear, not interested in trying to look at what you're asking him about. "Hm?"

"The little contraption sitting next to the door," clarifying, "it looks like a bunch of pipes welded together."

"Oh, that's...supposed to be a tree to hold a bunch of different instruments," he tilts his head back a little, realizes he can't see anything without sitting up, then immediately lets himself fall back against the couch. "I can get everythin' on it, but I can't get it to stay on."

"Industrial glue and steel hose clamps." You have to pause for a moment, sifting through dusty memories, trying to recall how you used to protect Kate's old contraptions. "Maybe build a thin cage around it in case those two things fail."

Rhett's quiet again, his brows knitting together. 

Is he confused, or is he just thinking about what you said? 

It takes him some time to find his words, half-built sentences flickering behind his eyes. You can practically hear the gears turning up in his head. And then, hestiant, his lips part. "I feel like you know a lot more 'bout storm chasin' than you let on."

Something in your lower belly twists. "What's telling you that?"

"You're confident when you're in here," he doesn't need any more time to think on this, his thoughts flowing off his tongue like a waterfall, "most of the folks who walk in here don't have the slightest clue what we're building, but you recognize almost all of it." 

Your eyes dart away, looking down at your intertwined legs, bent and crammed onto this tiny little couch. His fingers curl around your jaw, gently guiding you to look him in the eye.

For reasons unbeknownst to you, you don't fight him on it. 

"You draw up some of the coolest concepts I've ever seen, you...you..." the corner of his lip wobbles up and down. The sight of it makes your head feel funny. "Shit, you make me feel like I'm not the only person here who knows how to do this kind of stuff." 

You suppose you should have expected this. It takes one to know one, and you haven't done yourself any favors by always working with him in this dingy old garage. But you don't entirely know how to respond to that or where you should even start...

"I used to work on an old storm truck that Kate and I owned," it comes out so easily that it almost surprises you, "but that was...god, that was forever ago."

Rhett's eyelashes flutter, his head tilting like that of a curious puppy. "Why'd you never tell me?" 

Shattered glass. The snap of hydraulics splitting in half. Blood blurring your vision. Ear-splitting howling. The world flipping on its head. Rain in your eyes. Steel digging through your back. Your chest tightens. Hail pounding into your skull. The screaming. It's your fault. It's your fault. It's your fault. 

And you're...warm. 

"'m sorry," Rhett murmurs, and you don't know when he got so close, but you can feel the vibration of his voice against your nose. A careful hand smooths up your back, another arm securing you to him, tucked up under his chin, shielded from the glaring openness of this too-big garage.

He doesn't move, and neither do you. But this time...this time, you think you know why. 

Rubber squeals against the pavement, so shrill that it soars above the roar of the engine. Your shoulder slams into the window, seat belt cinching tight as everything spins into a blur. 

"Tyler!" Kate yelps.

"Kate!" Tyler. Ever so mocking.

"You're gonna get another ticket." Her hand darts out, smacking his arm. Tyler's got something clever to say about that; you don't hear any of it. If you start listening now, you'll have a migraine before the funnel cloud touches the ground.

Rhett meets your gaze out of the corner of his eye. Telepathy must be real because you know exactly what's running through his head.

Here we go again. 

If you'd known this would start up again, then you probably would have faked an illness to stay home. A headache, an upset stomach, or a sudden onset of death that will miraculously cure itself when the storm chase ends. Anything.

Tires squeal again, the truck seeming to tip onto its front wheels. The seatbelt yanks on your shoulders, throwing you back into the seat. Rhett's phone smacks against the console. A scattering of papers, nameless weather instruments, and unlit rockets scatter across the floor. 

Wind rocks the vehicle back and forth. Squealing through the crack in the window like a kettle boiling over. Or maybe you're just hearing things because nobody else seems to hear it. Tyler's shouting into his camera. Kate's rattling something off about how the tornado is forming directly above the town you're driving through.

A wave of rain pelts the windshield. Hail pattering on the roof. Something silver flies past the nose of the truck, striking the building to your right. The brick splinters, debris falling like rain. Kate yells something. Tyler shouts back at her.

"Hang on, hang on," Rhett jumps in his seat, blindly smacking his hand on the console, looking at something you can't see, "stop the truck."

But Tyler is saying something into the CB radio, veering the truck to the right with one hand. Kate doesn't lift her head from the scanner. And they're still fucking arguing. You don't know if they even hear Rhett over the clash of their own voices, nevermind the storm.

Rhett yanks on the door handle. It peels open, rain spewing through the gap. "Ty, stop the damn truck!" 

"Rhett?" You yelp. Scrambling.  "Rhett, wait!" 

You can't stop him. 

He's jumping out of the truck before it's even stopped moving. Bricks and sheet metal hurl past. The door slams closed. You don't see where he went. Where is he? Where did he-where did he go? Why is the truck still moving—

"Stop the goddamn truck!" Screaming so loud that it doesn't even sound like you. 

The truck lurches. The seatbelt rips the air from your lungs. Taking it off is the last thing you should be doing, but it's already unclipped. Papers crunch as you scurry into Rhett's seat. Wind beats against the door. Does everything in its power to keep you from forcing it to open. You can't see a thing. Not even with the damn door halfway open.

"Where's Rhett?" 

You don't know which of them asked that. You don't care to figure that out. "If you two could stop fighting for two fucking seconds, then maybe you would know!" 

It's like someone flipped a switch. The wind and rain just...dies. There's a reason for that, a term and definition that Kate probably memorized in college, but you're not sticking around to hear it. Slipping out of the truck, you dart out into the mist. Fog already licks at your heels, so humid that it feels like you're wearing a second skin out here.

"Rhett?" Calling out. 

You don't see him. There's nothing but debris and disheveled produce stands, all the cracked open watermelons and runaway apples in the world, but no cowboy. But where did he... Turning around. Where did he get out of the truck? It was further back than this. Yeah. He must be further down the road. 

"Rhett?" You're trying again, toeing through the mess. 

There goes the rain again. Starting up so quickly that you wonder if Mother Nature accidentally pressed pause on her remote. Something carries over the rumbling thunder. Something that sounds like your name.

You hear him, but you don't see him. "Rhett?" 

"I'm over here." He's already walking toward you, must have seen you coming before you even realized where he was. The rain thickens, but you can see the rip in his shirt clear as day, blood pouring from his shoulder like the water falling from the heavens. 

"God, Rhett—don't do that!" It comes out a little too loud. A little too quick. "You can't just go hopping out moving vehicles—"

He throws his hands behind him, gesturing at something. "She needed help!" 

You hadn't seen the little old lady standing on the other side of the road until now, being helped back into the safety of an untouched house. You suppose that's who he's talking about, but... "And what if something happened to you?" 

"Nothin's gonna happen to me!" Thunder booms behind his words. Just as irritated as he is. 

Your hand flies out, gesturing to his bloody arm. "Clearly, it already did. Look at your shoulder, Rhett!" 

"God, why are you always so worried?" He spits. Doesn't hear a word you just said. 

"I don't know; maybe it's because we almost got sucked into a tornado three days ago?" You can feel your face getting hot. Teeth grit, jaw popping under the strain. "Maybe it's because I've seen storms kill people, Rhett!"

He stiffens. 

So do you. Glued in the middle of the street. Even the rain stabbing at your eyes can't make you blink. But the wind is one of those things that forces you to move—swaying sideways, shielding your gaze with an arm. A horn honks, headlights piercing through the silver veil. 

Getting back into the truck with him is the last thing you want to do. 

Gravel crunches beneath your feet. Shifting under your weight, seeming to drag you in like a thin layer of quicksand. Tiny little pebbles leap into the tops of your shoes, wriggling down through the gaps and working their way up under your foot. Walking barefoot would have been more comfortable. 

Ugh, but then you would have to worry about dodging the sharp metal hiding beneath the rocks, leftovers from experiments gone wrong, and backyard-tested explosives. 

The spare garage isn't much further up the driveway. Smaller, built to hold only one or two vehicles, depending on their size. There's no point in adding all of the extra space, not when the main garage is on the same property, fully decked out with its fancy tools, wifi, and air conditioning. 

Understandable, but you wish someone would have stopped to consider installing a light all the way out here. You can't see a damn thing this far out. Is there a bobcat standing between you and the building? Nobody knows!

There doesn't seem to be anything lurking in your path. You certainly don't feel anything brush past, even when you peel open the door and blindly feel along the inside wall, looking for the light switch. 

The grill of a truck glares back at you. Same old golden paint, still the same diamond-shaped chip beneath the left headlight. The dust is new, and yet, somehow, it's the same too. Exactly how it's always been.

And how it will stay if you can help it. 

It's a beautiful truck, really. Only one previous owner, still relatively new, decorated in gadgets that you've long since forgotten the specifics of. It's got everything. A roll cage. Bulletproof glass. Window cages. Augers hang on either side of the vehicle, in combination with the overhead arms, and those are only the things you remember installing.

There's a wire sticking out of the cables for the drills, has inexplicably wriggled its way out of the covering. That's what you get for choosing the cheapest company to haul this piece of junk all the way out here. You don't want to touch it, but...it's a simple fix. You've just got to slide this strip of metal up and—

Sparks scatter. A shock bolts through your fingers.

"You mother—mmh!" Yelping. Yanking your hand back. A twitch runs up your arm, the muscles in your hand shivering. 

And here you wonder why you quit messing with this goddamn truck. 

You peel the door open, blindly feeling around the console until you find the stupid tool you came all the way up here for. This old hunk of metal can sit here and rot for all you care. Why did you even try to mess with it? You know full well what will happen if you do more than open the door. 

Something always has to go wrong. 

You don't even feel your hand touch the light switch, but the room plunges into darkness all the same. To hell with—

"Am I interruptin' anything?" 

The door slams shut behind you, the knob jabbing into your spine. "Rhett?"

It's so dark out that you nearly miss the way his hands twist together, his head tilted toward the ground, not quite bold enough to look you in the eye. "I just...wanted to come and tell you I'm sorry," he pauses, peeking up at you through his lashes. You've never seen someone look more like a kicked puppy in your life. "I was actin' just like Tyler back there."

...huh. 

Can't say you were expecting that. 

"It's...uh..." What do you say? You can't say that it's okay. It's not okay. "Thank you?"

That seems to be enough for him. Shoulders falling, finally lifting his head to look at you properly. But then, his brows knit together. It's too dark to see where he's looking, but you can almost feel the heat of his gaze fixating on the garage behind you. "What're ya doin' out here?"

"Working on something?" This is what you get into focusing on creating an excuse and not rehearsing it beforehand. An amateur surrounded by Hollywood stars would be more convincing than you are.

"Top secret stuff, huh?" Is he buying it? He sounds like he is. "Somethin' broke on that gold truck of yours?"

...

Son of a bitch.

"How did you..." you don't...you don't know what to...say... "know about that?"

He jams his thumb over his shoulder, pointing blindly toward the heap of metal a few hundred feet away. "Was over in the scrap pile when ya brought it in a few weeks ago."

He's fucking with you.

He's got to be fucking with you.

"And you never said anything about it?" You feel like a deer caught in the headlights of a bullet train. Nowhere to run. Facing down your doom as it barrels toward you at a hundred miles an hour. 

"Figured you'd talk about it when y' wanted to," Rhett says it so matter of factly. Like this isn't a big deal. Like you haven't had Kate thinking that the truck has been delayed for the past month and a half.

It takes a moment to gather words on your tongue. It takes even longer to arrange them into a comprehensible sentence. "Does anybody else know?"

Rhett shrugs. "Not that 'm aware of."

You don't entirely know what it is that leads you to reach for the doorknob and twist it again. Nobody is forcing you to show him the truck. Hell, he's not even asking or acting like he wants to see it, but your body seems to be moving on its own accord. Maybe it simply can't handle another day of carrying around the secret, or maybe it's something else. Something that words aren't capable of describing. 

Rhett doesn't say a word. Quietly following you into the dark garage, winces when you flick on the overhead lights without warning. 

And then his eyelashes begin to flutter in that dumb, endearing sort of way. Intrigued. "What made ya wanna hide this?"

"Because if Kate finds out it's here, I'll have to work on it," you almost lean your hip against the front bumper. Almost.

Damn thing would probably blow up if you actually followed through with that impulse.

"I'm not followin'." Rhett runs his fingers across the hood, leaving behind little trails amongst the collection of dust. 

"Every time I touch this truck, it ends badly," now that you're saying it out loud, it sounds like you're trying to convince him that the thing is haunted. "I drove it here, and a headlight blew. Tried to fix that exposed wire on the driver's side and shocked the hell out of myself."

"What, two—"

"Time before that, the hydraulic arm snapped, and we turned into an EF3's playground toy." Not giving him any time to wiggle into the gaps of your argument. You're not touching it. End of story. 

He doesn't push it any further. Doesn't downplay what you're trying to tell him or try to sell you on the novelty of coincidences and misinterpretations. No, he just...hums and nods his head as if this is a story he hears all the time. 

A part of you hates that you ever expected anything less of him.

The cicadas take over. Singing their shrill, repetitive tune that somehow manages to get louder when you're inside. You don't know if it counts as silence when there are hundreds of bugs screaming the song of their people, like nature's rejected choir.

"Do y' want me to fix it?" Rhett's voice is like silk against the grating little pests lurking outside.

"Fix what?" You're lost.

"The headlight," he taps his knuckle against it, visibly disturbing the dust there, "and the wire that shocked ya." 

You're not entirely sure if you want to put the time and effort into this old piece of junk. There's a fairly large possibility that something internal has dry-rotted over the years and is bound to break at any moment, something that will cost a whole lot more than a cheap little headlight. But...

"Only if you want to," you don't mean for it to come out so miserable. Like you've had to strangle the words out of your own throat.

Rhett doesn't seem to notice it, his lips pulling up into a meager smile right before he moseys off to mess with the exposed wire. He taps his finger against the metal casing, following it up to where it ventures over the roof, then follows that until it guides him toward the driver's door. 

It's like he's got a blueprint of how you rigged this together, knows exactly where you've got the electric control box sitting, and which of the wires belong to the exposed one. The cover snaps back into place with the slightest bit of pressure. Easy as can be. No sparks, no shocks. 

The headlights are a bigger pain in the ass than they should be. You remember that all too well, the tediousness of removing the internal cover, several screws, and the grill, all to reach what should be an easily accessible headlight. 

"At the risk of soundin' dumb," Rhett's talking funny with that screw resting in the corner of his lip, "but you really built this thing?" 

"Once upon a time, yes." It doesn't even feel like you were the one who came up with all of this.

 The countless sleepless nights spent tweaking and redrawing plans. Building or scouring the ends of the earth for specific little parts. The perpetual stiffness in your neck from building your inventions into the truck. God, the grease stains that claimed so many of your t-shirts. 

The memories are all there in your head, and when Rhett tugs at the grill housing, your hands still twitch with a muscle memory you've yet to lose. He needs to tilt it up and towards himself. It's easier that way. But the memories don't feel like your own. Belonging to a past life, a glimpse of something that was never really meant for you. 

A stray thought draws to the forefront of your mind. "How's your shoulder?" 

"Hm?" He lifts his head, staring at you. Then, realizing what you said. "It's a'ight, jus' needed a couple stitches." 

You wonder what he defines as 'a couple'. But he doesn't push for any more history between you and the truck, so you don't push him for anything, either. 

There's a bunch of spare bulbs hiding in the main garage, and that really should be the end of it. Once the hood slams shut, there shouldn't be anything left to tinker with. The light works, the wire is no longer exposed, and everything is in order. You have absolutely zero reason to lay eyes on this truck again. 

To be fair, that's exactly what happens. 

For a day. 

"I thought they were s'pposed to quit arguin'?" 

You hear Rhett before you see him. Half-open eyes and messy hair stumbling down the unlit hallway, his arms full with his fuzzy brown blanket. Must have had the same idea that you did, seeking out the room furthest from Tyler's, hoping for another minute or two of sleep. 

You hate to tell him that there's no peace to be found in this damned house. 

"Bold of you to believe them," your attention darts back to the notebook resting in your lap, pen idly drawing across old lines, darkening them. Four in the morning is too early for creativity, but you can't fall back asleep, and you didn't bring anything to distract from the never-ending quarrel.

The couch cushion dips, Rhett's heavyweight settling in next to you. His cheek finds its way to your shoulder, landing there so naturally that you hardly even question it. "What're ya drawin'?"

"Same thing as before, just making it look a little less..." You don't know where you were going with that. Rhett isn't awake enough to catch it.

His gaze is so warm that you can feel it following your hand around the page, drinking in the careful strokes of the pen. 

It's almost enough to distract from Kate's muffled swearing, but nothing short of a speaker at full blast is going to drown them out. So the pen continues to dance across the paper, and the silence remains battered by two people who need to suck up their pride and kiss already. If not for the sake of their own mundane love lives, then for the sanity of those around them. 

"Have ya ever considered buildin' this idea?" Rhett reaches out to trace his finger around your crudely drawn wheel, the only spot he can touch without getting in your way.

"I started on it a long time ago," rattling it off without much thought. You don't have the capacity to consider what you're saying right now. "The sockets and connections are already built into the roof, but I could never get the hydraulic arms right." 

"I could help."

"Yeah?"

He tilts his head up to look at you, and you're just awake enough to realize that those aren't actually stars sparkling behind his eyes. But damn, does it sure look like tiny galaxies are lurking beneath the sea of blue. 

You don't know why you let him lean up and rub his nose against yours, but it must be the reason why you nuzzle him back. 

If there is one thing more awkward about sitting through Kate and Tyler's never-ending argument, it's having to survive their new form of fighting—the silent treatment. Each refusing to say a word when the other is in the room, resigning to comments filled with double meanings and glares out of the corner of their eyes.

You, quite frankly, might combust if you have to sit through another silent meal. If you wanted to be put in timeout, you would go back to elementary school.

"I see we had the same idea," you yawn, fighting to keep your eyes open as it takes over. One wrong step and your food is going to find itself in the gravel, and you're not looking to brave the wall of silence for a second time. 

"Great minds think alike," Rhett kicks his foot at you, perched up on the tailgate of his truck. "Unless your mind belongs t' two people I cannot name."

The initial plan was to wait until the weekend before you spent any time working on your truck, but it's hard to put it off when Tyler and his fleet of vehicles tear out of the driveway before noon, taking away damn near ever project Rhett had on the drawing board. You don't see Kate leave, but her car is missing from its usual spot, and you're in no mood to learn any more than that.

They'll get over it.

...once hell freezes over.

It's like you become caught up in a time loop. Every day, you wake up expecting to be put to work, to chase a storm, or to go on a supply run for weather equipment that you don't know the name of. Every day, you eat breakfast in the back of Rhett's truck and watch as every vehicle on the property flees the premises. Every day, you walk into that spare garage, roll up your sleeves, and begin tinkering with last night's project.

And Rhett just keeps coming around. Always the one to attach your creations to the truck, races you to pick up the heavier things around the shop, pokes at your sketches until you've explained every little thought and whim that went into why you created that particular part. 

Working with him is so much different than it was with Kate. She was never difficult to work with in the past; nothing big stands out in your memory, but you distinctly recall every frustrating moment she asked to change something that she didn't fully understand. Builds like these were nothing like what she was familiar with. She knew weather, not cars, and that was okay, but...

Fuck, it's like Rhett shares a brain with you. It's strange; he looks at what you're doing, and he just...understands it. Like you've finally found someone who understands a language that only you have spoken until now.

It's two weeks before the parts begin to fall into place, but once they do, it's all uphill from there. The hydraulic arms fit like a glove, and the batteries built beneath the seat offer more than enough electricity to operate them without sucking power from another operation. The drills spin as they're supposed to; they don't even warp when they sink into the rocky Arkansas soil for the first time.

Sunlight reveals that the cage protecting the windshield has rusted to hell. Rhett's sputtering about an improved design before you've even realized how bad it has gotten. A few of the tires need replacing, and if you don't let him fix those mismatching rims, he might just lose his mind.

"How d' you just let it look like that?" He's gotten heated so quickly, but that growing smile suggests he's only trying to bother you for the fun of it, "'n how did I miss this for so damn long?" 

"It doesn't affect the performance," you shrug, don't really recall when or how you wound up with one rim that doesn't match the others. Don't particularly care, either. 

"It's affectin' mine!" 

Your afternoon plans didn't originally include running between three shops in search of rims that match the aesthetics of the truck, but it's hard to say no when Rhett grabs you by the hand and guides you along like he does. 

And he...doesn't really let go. 

Maybe he does a few times, but he's loosely holding your hand in his while you walk from one store to another, and he's grabbing it to show you a set that he thinks is perfect for the truck's aesthetic. He's squeezing it when someone starts eyeing you up in the checkout lane. He's toying with your fingers at the stop light. And he reaches for it again at the end of the night when the rims are finally, finally on.

Now that you think about it, 'no dating business partners' almost definitely applies to you, too, but...

Oh, what the hell, why do you care? 

"Do you...want to try something?" Rhett's thumb swipes across your knuckles, idle little motions that seem to burn into your skin. 

You think you know what he's about to try and do, but... "Okay." 

He's gentle about it, guiding you forward toward the shimmering gold vehicle, sparkling in all of its post-bath glory. His other hand finds your waist, drawing you to stand in front of him, back kissing his warm chest. 

"What are we doing?" You know what he's doing. 

"Nothin' huge," he murmurs, voice low in your ear, so close that you can almost feel his lips brushing against the shell of it, "just...touchin' the door, a'ight?" 

His hand slips behind yours, grasping it from behind. Gently, he pushes it forward, so light that you can hardly feel his touch at all. Your stomach twists. That paint is too close.

Your arm stiffens. He doesn't push any further.

 It's too...well...if Rhett's not afraid of it, you suppose that...

It's cool beneath your touch, like ice, when you compare it to the burn of Rhett's palm. There's a scratch in the pain that you hadn't noticed up until this very moment, just deep enough to feel when the pad of your finger drifts across it. It feels...well, like a perfectly normal truck. You're not sure what else you were expecting. 

Your eyes dart to the window, peering at the silhouette of the steering wheel. 

Rhett's hand disappears from behind yours, leaves you cold and alone, up against this truck, but he makes no move to step away. Still here, even if you can't necessarily feel him. "That's not so bad, is it?"

"You're not gonna make me drive it next, are you?" You don't mean for it to come out sounding so annoyed, like a petulant child. 

His laugh echoes through the room and out the open door; doesn't seem to mind your tone at all. "Nah, we can wait on that." 

You don't touch it again until a few days later, your hip idly coming to rest against it during a conversation. And again, when Rhett's on the roof of the vehicle and needs you to climb up and hand him something. It doesn't shock you. The door doesn't magically slam shut on your fingers. It's...normal. Hell, it's at the very bottom of your list of inconveniences.

That's mostly because two names have taken over the rest of the page, but you digress. 

There's a moment when you catch yourself climbing into the driver's seat; you accidentally spilled a jar of bolts all over the floor, and the only way to fully clean it up is to get the truck out of the way. The key finds its way into the ignition without question, twisting so easily that you hardly realize what you're doing.

But then the engine rumbles to life, vibrating beneath your feet and echoing around the tiny garage like thunder, and ice forms in your joints. Stiff, freezing you into place like someone's pressed the pause button. 

Rhett tilts the broom handle toward you; those blue eyes are warm enough to melt you back into motion. Something about him keeps reining you in. Stops you before you can force yourself beyond your boundaries before you're ready. 

You're starting to love that about him. 

"I thought we were past this," you mutter, chin resting heavy against your knee. 

A midnight breeze swirls past you, bringing a chill that has you drawing your legs closer to your chest. At least the night is quiet, even the chirping cicadas have turned themselves down, nothing but a distant melody that you can hardly hear. Your ears catch the sound of a fork striking a plate, so sharp that it carries through the window and out into the parking lot. 

"'m sorry," Rhett's knees crack as he bends down to sit next to you, back coming to rest against the cool exterior of his truck. He's so close that you can feel the heat radiating off his arm, warm and cozy like the flames of a campfire. 

"You've got nothing to apologize for," it's not his fault. Nobody could have expected that bringing up the YouTube channel would end in...that. 

He hums. "I know."

Wind slams against the truck behind you, rocking it just enough for you to feel the motion against your back. Rhett's hair lifts. Dancing. Twisting along with it. Blowing into his face until he sputters and forces it behind his ear once more. If you had known you would be sitting outside, then you would have grabbed your coat before you came all the way out here.

But hindsight is twenty-twenty, and you've got nothing but this thin t-shirt and the warmth of your own body to get by on, hugging your legs even tighter. They've been in this position for so long that they've begun to go numb, but you prefer this to shivering.

"Cold?" Rhett leans over, nudging you with his elbow. You think he leaves a small fire behind, burning a little spot into your skin.

"Little bit," biting back the waver in your voice. 

"C'mere," and he's not really waiting for you to give him a yes or a no, already lifting his arm, beckoning you into his warm side. You shouldn't, but...

Oh, what the hell.

One little motion is all it takes to scoot under his arm, your head dropping to nestle against the expanse of his chest, and fuck, he's burning up. It's like snuggling into a big, cozy flame, one that envelops you before you can think twice about it. His head tilts, his chin coming to rest against your forehead, freshly shaven and a little bit prickly. 

You can hear his heartbeat right here. Deep little thump, thump, thumps, following an unnamed tune that you've never heard before. It seems the cicadas have drums now. Performing their little melodies for their barely-there audience, punctuated by the drone of a car crossing through the lot.

"What if I drive us to McDonalds?" Rhett's voice vibrates through your skull. Your head goes quiet. "Think there's a Taco Bell down the road, too."

Finding the ability to speak is...hard. "I'm not sure if I'm ready to move yet."

"That's a'ight," his lips press to your temple, "we can stay here, too." 

He doesn't say anything about what he just did. Neither do you, but it sticks in the back of your head like glue. You could convince yourself that it's just a ghost, one who has decided to follow you around and kiss the side of your head every time you think about him, the lingerings of a memory that refuses to leave. 

It's there when you lean up against the passenger side door, bent legs lazily slotting between Rhett's as you eat your greasy fast food. It bubbles to the surface when you run into each other in the living room and become sucked in by the Dr. Phil episode blasting from the neglected television. You can feel its presence when you spot him outside the garage while you and Kate are having coffee on the porch. 

You don't know if she realizes that you tune out of the conversation right then and there, mindlessly following the sight of his pale shoulders as he hoses something off. Muscles flex with the mundane effort, thick enough to cast a shadow. 

"I mean, can you believe he said that?" Kate's still going, the ice rattling in her cup as her hand moves about. "Yes, I'll admit I have feelings for him, but you know how that would affect the business!" 

"Who says that kind of thing?" You wonder what it would be like to dig your nails into those shoulders. What it would feel like for those jean-clad hips to slip between your parted—

"Exactly!" Kate hasn't the slightest clue what kind of daydream she just interrupted.

The memory of a kiss has zero reason to make itself known in the middle of an auto parts shop. When your hands are stained in indescribable grime that has no doubt managed to mar your face, the rattiest clothes you own hanging from your body with all the grace of a cardboard box. If you don't already look your worst, then you certainly feel your worst.

So why do you have the audacity to think about crossing the aisle and kissing him until you get kicked out? What provoked you to start thinking about this? You're supposed to be looking for that stupid...battery...damn which of these...did... 

"Which brand were you looking for?" The question is so prominent in your mind that it slips out of your mouth before you can realize it, already turning to look in his direction.

"The purple one," he rattles off, staring down at something in his palm. 

The...purple one? 

Huh, you'd thought it would be a lot more complicated than that. 

"I..." Rhett lifts his head, a lone curl casting across his cheek, wide blue eyes staring back at you. There's not a thought behind them. "I...forget the name." 

Not your truck, not your fight. If he wants the one with the purple label, then that's what you'll pull off the shelf—

Shit, you forgot how heavy these damn things are. Your elbow pops, shivering under the sudden weight. It's not too heavy; you were just...not ready to actually carry something heavy. If you'd remembered, then you would have lifted it differently.

Rhett's arm drifts past your chest, his hand curling around the plastic handle, taking it from you so easily that you hardly feel it leave your grasp. "I got it." 

You understand why you were so unprepared now. 

It's because he makes the thing look light as a feather, only needs one hand to hold it as you walk to the checkout together. He doesn't even need help to put it up on the counter, so nonchalant about it that he doesn't even pay attention to what he's doing.

An ancient little television buzzes in the top right corner, directly above the chair of the missing cashier. You don't think it's been touched since it was hung when this place was built, a mountain of dust resting atop its boxy shape, but it still plays. A blurry newsreel crosses the screen, a bald-headed man pointing at a live weather radar. 

The nameless man waves his hand across a patch of red and purple on the screen, rattling off words that take you a moment to process. "As this growing storm bears down on—"

"Y'all ready to check out?" The cashier is right in front of you all of a sudden. Rhett says something that you don't entirely catch. 

This is the storm Kate was muttering about earlier, up in the northwest corner of the state, projected to produce conditions ideal for one of her beloved little tornadoes. The tiny ones that do nothing but rock the trucks back and forth, maybe striking a few unlucky houses but not taking out entire towns.

Your lower belly twists. 

You're not entirely sure why it happens, but it does. Stomach churning back and forth like you're about to be sick, all over the sight of a television screen. Something in the room begins to ring, quiet but gradually growing louder, right in your ears, this piercing noise that you can't seem to shake. Your tongue is numb in your mouth, the air cold in your chest. 

The scene changes. A woman in a raincoat, holding a microphone to her lips as she gestures broadly at the road behind her. Cars rush past. A Prius, a minivan, two Volkswagen Beetles, a silver truck, a red truck, an ancient motorhome...

"There they are," Rhett mutters, just barely audible over the ringing. You and he are supposed to be out there with them. 

You think your hand is shaking. 

Again, the cameras change, jumping back to the same bald weather forecaster as he points to something you don't understand. But they've laid it out for people like you, all of Kate's unexplained terminology has been dumbed down into vague, simple terms that you recognize loud and clear.

"That storm is gonna be too much for their trucks to handle." It darts out of your mouth before you can think about what you're about to say, teeth chattering around the letters.

Rhett tilts his head. "What do you mean?"

"The storm trucks," your jaw shivers, muscles fighting to disobey your every command. "Are any of them rated for tornadoes stronger than an F2?"

"None of 'em are," he reaches to pull his card from the reader, then, pausing, "the only rig that can handle that sort of thing is..." 

You tear your gaze from the television, the reporter's voice droning on and on about something you don't entirely understand. Rhett's already looking back to you. Still frozen in place. You think you catch one of your own thoughts flickering behind his eyes. 

But you can't help yourself, looking back up toward the grainy screen. The weatherman is still talking, his warbled voice drowning in the squealing filling your ears. You think you catch the card reader beeping, yelling about a forgotten credit card. The storm wasn't this big when it crossed Kate's screen; you remember it fit perfectly between these two towns. The forecast entirely covers them now, extending out to the areas nearby.

Something warm curls around your hand.

The ringing stops. 

You don't know where the cashier has gone or when Rhett walked up next to you. But you can hear the shallow sound of your own breath, the sharp ins and outs that mismatch with the slow puff of Rhett's. 

It's still audible, even as the room changes. Ever so present when the tile floor morphs into smooth concrete, that familiar musty scent swirling around your head, assaulting your nose and drying your mouth out. Shimmering gold paint glares back at you. But your right hand is still warm.

"You've got this," the keys jingle as Rhett talks, awkwardly holding them out with his other hand. They're right there for you to take. You don't even have to reach. "I know y' do."

You're still not so sure about that. But the radio in the corner is blaring its muffled severe weather alert warnings, the old television screen is burned into your retinas, and this damn old truck isn't going anywhere, regardless of how hard you glare at it. 

Rhett's shoulder nudges yours, his hand squeezing a little tighter. "It's just a grumpy ol' truck."

The truck roars. Back tires squealing as your hands fly across the wheel. Cinching all twelve thousand pounds of machine to the left. The guy behind you blares his horn.

"Prick." Rhett snarls under his breath. His hand on the overhead handle tightens. Muscles and veins flex so harshly that you can see it in the corner of your eye. The front right tire dips off the pavement, the steering wheel almost ripping itself to the right. 

Where are they? Where are they? 

"I thought you were navigating!" You don't mean to yell. Too focused on jumping your foot between the brake and gas pedals, fighting against a speed limit that you know isn't being enforced right now. 

"I am!" Rhett's nail taps angrily at a screen. "Wherever they are 's got no fucking service."

The storm seems to be further to the east, right might be your best bet. But this road doesn't look like it goes on for at least another mile, and you can't take another dead end. Not with the rapidly darkening sky overhead. Looming. Waiting for the right moment to drop an ocean's worth of hail and rain upon you.

"Right!" Rhett yells. "Go right!" 

The tires scream. Foot tapping the breaks. The steering wheel spins. You're vaguely aware of your body tilting in the seat. Shoulder bumping into the glass. 

But you never teeter off the road. 

Even if you come close to it. 

"What made you decide that?" You feel as if you're still spinning, even as the road straightens out in front of you. 

His hand lifts, middle finger pointing toward something you don't have time to identify. "I remember them passin' them grain silos before the live stream cut off." 

You see them. A cluster of six, up in the distance, towering over the corn fields that have swallowed you whole. Maybe a mile or two up the road, give or take. Plenty of time for you to lean on the gas pedal again, the floorboard rumbling as the speedometer crawls back up to seventy. 

Everything still seems attached. No sensors are going off on the control panel crudely built into the center console. You know Rhett would have said something if one of them lit up, but you're looking at them anyway. Just in case one magically decides to light up with a catastrophic error in the next thirty seconds.

You've already got to tap the brakes again. Stupid, winding country roads forcing you to crawl back under fifty to avoid tipping over. It would be so much easier to cut through this patch of field that has already been harvested, barren, until spring rolls back around. Dodge the curves and jump right back onto the main stretch. Actually...

If Kate can accidentally drive this truck into a small river and come out fine, then a little offroading shouldn't hurt it in the slightest.

What's stopping you? 

"What the hell?!" Rhett squeals. "You coulda damaged the damn—!"

"Dallas has handled worse." There's no way you're doing this. There's no way you're really driving this rig. Never mind hauling it straight through someone's old cornfield. Bouncing up and down with every little bump in the soil. 

Rhett's head whips toward you. Still clinging to that oh-shit handle. "Dallas?"

...well.

He had to find out eventually.

All it takes is the slightest nudge to the left to jump back onto the road. And you never realized how quiet driving on the pavement is until now. Virtually silent as you reach for the turn signal, easing through a turn that you were definitely supposed to stop for. 

The cornfields break apart up ahead, diving down into the much shorter soybean crops, expanding as far as the eye can see. No police cars around to catch sight of you blowing through another all-way stop, straddling the thin expanse of pavement. 

There's a van parked on the side of the road, tucked away in a little patch of gravel. Lights and cameras flash. Yellow and white ponchos scurry back and forth. Dressed in t-shirts and shorts and flip-flops, not one of them prepared for more than mild rain. 

"There's no way they didn't come this way," Rhett's echoing the very thought that just crossed your mind.

The first drops of rain come in one thick sheet. Slamming against the windshield. Blurring sight of the rapidly deteriorating road. You've only just turned the windshield wipers on, but they're still not enough. Whirring back and forth as fast as they can possibly go.

Everything around you has gone white. You can't—shit, you can't see the road. "Can you see anything?"

Rhett leans forward, chin bumping the dashboard. The tablet in his lap beeps. Once. Twice. Three times. "Not a fuckin' thing." 

The console lights up. Purple in color. The wind gauge. 

"What does...?" Rhett doesn't finish that question. Doesn't really need to.

"The wind speeds are higher than a hundred-fifty miles an hour," your mouth is moving, but you don't recognize what you're saying. Don't have time to focus on that. "Tell me if the green one comes on."

Gravel abruptly appears under the tires. Panging against the sides of the truck like hail. 

Rhett reaches for something on the dash. "What does green mean?"

"That we should go in the opposite direction." And you don't want to remember if that light is meant to detect two hundred mile-an-hour winds or two hundred fifty. 

Fog melts from the windshield. You didn't recognize it was even there. Fading away into a clearer world. You can see the fields again, mere feet away from the vehicle, as you tear down a road too tiny for your tires to fit on. 

Clouds stir overhead, so dark that they're visible even through the rain. Twisting in a slow spiral, gradually descending to the earth below. But she's not here yet. She still needs a minute to gather her momentum before the clouds can kiss the ground. 

Red flashes up ahead. 

Your stomach drops.

"Take this left!" Rhett's order is your command. Shooting off onto an even smaller dirt path. A windmill shudders to your right, swaying back and forth. 

There they are.

Drills whir on either side of Tyler's truck. Digging deep into the earth. But there's nothing to help the aluminum trailer hitched to it, shivering violently under the wind. 

"You're sure they don't have this covered?" Rhett has to shout for you to hear him. Even then, you don't think you do. 

The back of your throat is sour. It's crawling into your eyes, clawing at your belly. Your hands shiver. The steering wheel briefly slips from your grasp. 

Something isn't right.

Your foot slips off the gas pedal. Sporadically tapping around, struggling to jump back on. Dallas's engine roars louder than the winds squealing past. 

"It's not working!" Tyler's voice arcs across the radio.

Hail crashes into the roof. Scattering across the windshield cage.

"The barrels aren't deploying!" Kate. 

The backend of their trailer jumps. The left auger slips through the soil. Tyler's truck twists a few feet. Was never meant to withstand this kind of wind. 

Dallas is slipping. Tires fail to cling to the ground as you rush forward. 

"Rhett—"

"I'm on it." He's already got his hand on the overhead button. Thumb hovering over the red light.

You're almost—you're almost. Just a few more yards is all you need. Almost. Tyler's door parallels with your passenger side. Little more. Little more—

The brake pedal spurs beneath your foot. Kicking back. Dallas lurches. Something internal shrieks. 

"Now!" 

Drills spin. Digging into already saturated ground. The engine roars impossibly louder, and the lights begin to flicker. All power concentrates over your head. Groaning to life, the hydraulic arms resting overhead begin to extend. Arking high into the air. Twisting outward. The tip of a drill bumps into the trailer, but it's still moving. Swinging over top of Tyler's rig, drills sinking into the ground on the other side. 

A blackened wind takes hold of the outside world. Dallas shudders. But the steel arms never let Tyler's truck out of their hug. You don't think they're slipping any further. Fuck. Fuck you couldn't tell even if they did. Why did you think this was a good idea? Why did you think this was a good idea? Why did Rhett let you do this? It's too loud to hear if they've blown away. And you can't see a single—

"Hey." 

Your shoulder is warm. And that sensation is crawling up the back of your neck, forcing your head to turn. Rhett's hands crawl up to your cheekbones, blocking out your surroundings. You're trying to look out the windshield, but he's not letting go. 

He's the only thing in existence. 

The console digs into your side as he pulls you toward him. His forehead kisses yours. Noses resting against each other. It's so dark, but the blue of his eyes is still as bright as the sky lurking above the clouds. The howling tornado softens into a hum. 

"We're okay," it's nothing but a whisper in the rampage, "we're okay." 

You hear him. There's no reason you should be able to. His mouth is moving. The words never greet your ears. Lost. Drowned out by a muffled sound that you're no longer capable of comprehending.

But you hear him. 

This mattress...is the lumpiest thing you have ever felt in your life. A bed made of bubbles would be more even than this is, digging into the curves in your spine and nudging awkwardly beneath your hips. But you can't bring yourself to move. Not when the tension is easing from your back and shoulders. Has been there for so long that it almost hurts to let it slip away.

The television is on, multicolored lights flickering across the screen, playing what you think is another newsreel, but you can't look at it. Not today. Not tomorrow. You're dying here in this cheap motel bed. The last thing you plan to hear is either the slow drone of the weatherman or the boom of thunder outside. 

Someone knocks at your door. 

Once. 

Twice. 

Three times. 

"Who is it?" Using your voice requires far too much effort on your behalf.

A muffled sound works its way through the scratched wooden door. You don't know what he says, but you know who it is.

Your body tells you that getting up is impossible. Your heart already has you sitting up, sore feet falling onto the thin carpet without complaint. Something twitches in your back as you walk toward the door, wordlessly begging for the comforts of that shitty bed.

"Hey," you breathe.

Rhett's eyelashes flutter. "Hey."

Neither of you say anything further. It's as if all of your words have spilled out of your brain and carried off with the breeze, venturing off into the storm, never to be seen again. You think the same thing must happen to Rhett because he doesn't seem to have any words left, either. 

Wind twists through his hair, whirling past and into your hotel room. Its invisible hands find your backs, pressing until you fall together like a pair of dolls. Like two trucks who needed one last nudge to nosedive off the cliff. His arms curl around your waist, and your nose is buried into his shoulder, and he's so warm and real. 

"So Dallas, huh?" His breath tickles your ear, almost enough to make you shudder.

"You gotta admit, I had you convinced," talking into his shoulder, unbothered by how muffled it makes you sound.

"Sure y' did." It's his laughter that does it, sends a shiver racing down your weary spine. You think you're going to collapse into a million tiny pieces. "I would've never guessed that it was your fuckin' truck." 

There's a part of you that wonders how he never figured that out; you're pretty sure that you scribbled Dallas's name into the license plate of your sketch that he's looked at so many times. Or maybe he did and simply didn't make the connection that Dallas was a truck and not another man.

"Found out why those two losers were always arguin'," he makes no effort to draw away from you, his arms remaining comfortably looped around you.

"Really?" Perking up. Maybe you've got a little bit of energy left after all. "What was it?"

Rhett leans back a little bit, enough for you to see his face, but he's yet to let you out of his grasp. "Dallas."  

"Oh, so you both fell for it!" You giggle, and you're only vaguely aware of the door slamming shut on its own, cutting off the shrill embrace of the midnight air. 

"Hey, at least I didn't make snide remarks about 'em," but you can still see the lingering embarrassment coloring his cheeks, unusually rosy. He fell for it, hook, line, and sinker, but...

Your hand darts up, pushing a strand of hair behind his ear. "To be fair, you have always been the sweet one."

The corners of his lips quiver, gradually curving upward, but his eyes refuse to meet with yours. "Y' think so?" 

You know so, but those words don't dare to make their way out of your mouth. Even if they did, it would be no use because they fizzle away the moment the bridge of Rhett's nose bumps into yours. He's been eating those butterscotch candies again; you can taste them on his breath, sweet as can be.

You could kiss him if you wanted to. 

All it would take is the littlest nudge forward for your lips to collide. A clever gust of wind could even do it, forcing you to take that final step forward, throw yourselves into fate's palm, and see what she decides on the matter. You could spend the rest of your life doing just this, gazing into soft hues of blue, kissing him through every storm that will ever pass. Or, this could be the only night that you ever experience this. 

Thunder rumbles outside, the overhead light flickering with it in perfect synchrony. There's no stopping this one. No amount of magic powder can ease up the onslaught of rain and hail raging outside of your window, pelting everything in its sight. 

"'s probably my cue to get out before the rain picks up too much," he says, so suddenly that you're almost shocked to realize that this isn't a dream. 

He disappears so easily. Slipping away as easily as an afternoon daydream, those eyes daring to linger for a second longer before he turns to reach for the door. That big, bruised hand of his dwarfs the knob, gingerly wrapping around it like it'll break at any given moment.

Your lower belly coils. Sour. 

You should kiss him. 

And that might be how his name tumbles out of your mouth. That might explain where you get the nerve to grab a fistful of his t-shirt, yanking so hard that he stumbles. His gasp is the last thing you hear.

It's messy. Chapped lips collide, and noses crash. His chin bumps into yours too hard, and his chest hits you with the force of a freight train. But he exhales when you do. He tilts his head forward, and you think you're beginning to fall, plummeting off the cliff and into the nebula. 

Rhett draws back just as quickly. His eyelashes flutter. You release your grasp on his shirt. Maybe you shouldn't have—

The corners of his eyes curve with his smile. You blink, and he's leaning back in. 

You're not falling into the abyss alone.

Except, you literally might be falling because you're vaguely aware of the world spinning around you, seemingly weightless for a few fleeting milliseconds, before your back finds home in the lumpy mattress you paid fifty-something dollars to sleep on. 

"Shit—" Rhett blurts, jerking away as if burned. "'m sorry, I..."

You only realize you're moving when you see your hand coming to rest against his cheek, coarse and unshaven. It's been a few days since the last time it was trimmed, has had time to soften and lose that sand-papery texture. 

"I don't mind this," you confess. Lightning crackles outside, so bright that you can see the flash of it through the curtains. 

Rhett meets you in the middle. Your noses bump once more as teeth unexpectedly clash, such a disaster that it ought to make you embarrassed, but you don't have the capacity to think about that right now. Not when he's letting himself settle against you, his heavy body slipping between your parted legs, fitting against you like he was built just for you.

Kissing him is...kissing him is like running into a tornado head first. He's so strong, pressing you down into the bed, anchoring you here with his weight alone, and he's just...Fuck, he's everywhere. His hand is curling around your face, and his belt buckle is digging into your lower belly and he smells like the rain that has enveloped the outside world. 

He's traveling. Working his tiny, open-mouthed kisses across your cheek, the tip of his nose tickling the side of your neck as he finds his way to a spot beneath your ear. 

Your hips jerk up into his.

He gasps.

"Is this...can I...?" Breathy. Hesitant. Like he's lost the ability to think.

It must be contagious. All you can do is nod. Dumb. But it's enough. It's more than enough.

No dating business partners, but surely they'd make an exception for a pretty cowboy, right? Kissing him doesn't count. Tangling your fingers in his hair doesn't count. It doesn't count if they never find out. Whatever the repercussions may be, they're not enough to stop you. 

They would understand if they knew he tasted this sweet. If they knew that he hums when he tilts his head, leaning deeper into you, as if he hasn't gotten enough of you yet. His chapped lips tangle with yours so easily that you almost think you've danced to this tune before, falling into a routine that you haven't thought about in years.

The hand on your cheek disappears, fingertips idly tracing across your skin, down your neck, and then up to the corner of your eye, doing nothing but feel you. Something rumbles outside, in perfect tune with the slow roll of his hips, grinding down into you.

"Rhett," your head is spinning, idly grabbing at his biceps like that will somehow anchor you down. 

"I ain't goin' nowhere," uttered like a sacred promise.

But the need for oxygen strikes you at the same time. Reeling back. Gasping. Eyes peeling open for what must be the first time in hours. Days, even.

Oh, he is something. Swollen lips and pink cheeks, his unruly hair ruffled and stubbornly falling into his face, so long that the ends of it tickle your face. You can only tuck so much of it behind his ear before some of it escapes and falls forward again.

Your eyes meet.

He laughs. "I feel like a damn mess."

"I'm sure I don't look any better," your thumb wanders out, tracing across his bottom lip. His tongue darts out, timidly wetting the pad of your finger. It's the last push you need to lift your hand and tap him on the nose with it. 

Those eyes scrunch shut. Overreacting just a little bit.

Thunder slams into the ground with its heavy iron fist, shaking the motel and rattling you back into motion. Leaning back up to drown in him once more, almost sighing as he meets you, grants you the luxury of settling your head against the pillow. You think he only means to shift his position, but the bulge in his jeans grinds into you all the same, a little spark of heat bolting up your core.

"This is okay?" He whispers against your lips, those big forearms settling on either side of your head, seeking more leverage.

Your tongue is limp in your mouth, distracted by how the dim light catches on his bicep, illuminating a bulging vein there. Thick, winding down into his forearm and into his big, meaty palm. 

Rhett's nose finds your cheek, gently nudging. 

It takes a moment to recall his question. "More than okay." 

Rhett's chuckle is a fleeting thing. There one moment and dissolving the next, overtaken by your sudden movement, too impatient to wait any longer. But you miss. It's hard to find any leverage when you've got him between your legs. 

His hips roll down; you're convinced that you feel him twitch in his jeans. "That what yer after?" 

There's no reason why this should work the way that it does. These layers between you should be making this harder to feel, but you're nearly convinced that the clothes are a minor hallucination because they do nothing to stop the feeling of him slowly rutting against you. The coarse material of his jeans drags against your thighs, the tent in his jeans heavy against your core.

You can't help yourself. One of your hands are tangling in his hair, and the other is grabbing hold of his bicep, greedily squeezing the thick muscle that you've spent too much of your life staring at. It flexes in your grasp, shamelessly showing off. You'd call him out on it if not for—

"Your ass is vibrating," you can feel it against your knee, a steady buzz that wasn't there before. 

"Think it's Ty," he doesn't reach for his phone. Instead, his finger curls into the pearl snap buttons of his flannel, raking down and popping them open one by one. 

His pale chest is...distracting.

"Are you gonna answer?" You croak, already fixating on that bucking bull tattoo. Old. Faded. Some little thing he picked up right after he turned eighteen, a discount job that has already begun to wear down. You recall him saying that his momma almost kicked him out of the house for it. 

"Nah," the thin fabric falls from his body like a distant memory, landing somewhere on the floor. "Whatever it is can wait 'till mornin'." It's the tiniest motion, reaching into his pocket and tossing his phone off to the side, but the light catches on his chest just right, and...

"Rhett, this is..." You had a feeling it was worse than just a few stitches, but the image in your head wasn't this.

It's just below his collarbone. Healed at the top but opening up into a wide gash that is far too wide to be stitched closed, scabbed over, and surrounded in a sea of yellow and purple. You can see where the stitches once were, little red dots following the space that has already scarred.

"I know," he mutters, almost sounds ashamed. 

You don't know what makes you do it. But you lean up, lips delicately pressing to the thin line of pink skin. Just two slow pecks, steering clear of what you know is a sore wound.

"'re you kissin' me better?" His voice is right in your ear, his smile shifting the tone of his words. 

"S'ppose I am," there's an unexpected twang to your tone; you're starting to sound like him. 

Your foreheads meet. Softly thunking together, noses rubbing back and forth in their own unspoken dance. He squirms, pulling himself a little higher on the bed, and—

"Shit." He's hissing, dragging his hips against yours again—something about that angle, fuck. 

Rhett's the one who's taken charge of this, deliberately grinding himself into you like he can't think of doing anything else, but it's you who pushes things further. Craning your head up to find the prickly underside of his jaw, pressing your lips to the space beneath his ear. It's just so hard to stop yourself, lightly sucking on the skin there, enough to hear him gasp and leave a faint red patch in your wake.

One after another, gradually making your way down his neck, his heavy breaths enough to make you dizzy. Only stopping when you can no longer reach, forced to reel back before the ache in your neck begins to grow. 

Rhett picks up right where you left off, his tongue poking between his lips as he kisses down your neck, leaving behind little wet spots that seem to freeze over in the chilly bedroom air. His big hands dip beneath your shirt, callouses dragging against your sensitive skin. You know what he's about to ask, and you're already arching your back off the bed.

But he doesn't take it off. Stops right as he pushes the fabric up to your neck, skipping across it, lips finding your naked chest instead. "You'll get cold if I take it all the way off," he murmurs as if he can hear the question floating through your head. 

Without warning, his mouth finds your nipple. Delicately pulls it into his mouth like you'll shatter if he's too rough, his tongue swirling around the little bud in such a way that your head spins in tune with it. Your hands are in his hair, clinging to those curls resting at his nape, a little noise whistling out of your throat. 

He draws away, and—shit, it really is cold in here. 

Your hips jerk on their own accord. Impatient for something you weren't thinking about. 

"Hang on, hang on," Rhett's chuckling at your antics like this is a little game you've been playing for years on end. 

You're playing into it. Lifting your hips when his fingers curl beneath your waistband, shyly drawing your legs together when you realize that he's taken your underwear with your shorts, all in one go. It's easier to ignore the sudden over-exposed sensation when he reaches for his belt, pinching it open and squirming out of those too-tight jeans that have no right to cling to him like they do. 

He's here before you hear the clothes hit the floor. Slipping between your legs once more, his body so warm against your chilly skin. Melting away the metaphorical frost that has already begun to call you home.

Oh.

You didn't realize he was—fuck, that's so much better without clothes in your way. His cock slipping between your folds, the thick underside massaging against your swollen clit so easily. 

"Rhett..." aimlessly babbling, grasping at his biceps before you can think twice about it. 

You don't know if it's because you never gave it much thought or if it's because it's been a while, but he's so much bigger than you thought he'd be. Just the sight of his thick, weeping tip is enough to make you dizzy, the kind of size that almost makes you feel minuscule in comparison.

"So fuckin' wet already," you don't know when he got so close to your ear, a violent shiver quaking across your body as he whispers in that stupidly low voice of his. "were y' wantin' me that bad, sweetheart?" 

You can't respond. Not when he's using his own body weight to keep you pinned to the mattress as he ruts his big cock against your pussy, deliberately targeting your poor clit over and over. Little fireworks rattle up your spine and explode in your head with every motion, glittering behind your eyelids, staining your view of his face. 

"I...shit, Rhett..." speaking is like swimming through a tsunami, words there and gone in a matter of milliseconds, washed away to the back of your mind. "Rhett..." It's no use. You can't...you can't...

The bridge of his nose kisses yours, one of his stray brunette curls coming down to tickle your cheek. You fear the day he cuts his hair short. "Say it again." 

He's said...something, you know he did, but it's so—it's so hard to focus. Too distracted by the way precum obscenely spills out of his slit, mixing with your own wetness, sickening the glide of his length, his every motion punctuated by a quiet squelch that's too loud for this little hotel room. Kate can hear it from down the hall; you're sure of it. 

Hell, maybe she's too busy with Tyler. Maybe she'll throw that 'no dating business partners' rule to the wind and shut that loud-mouthed cowboy up once and for all.  

"...huh?" You think you were supposed to be figuring out what Rhett said. Still haven't done that. 

"Say my name again," he sounds a little breathier now, his sharp hips forcing your thighs to rise and fall with the motion of his body, clinging to him like he's the only stable thing in this big, blinding world. 

"Rhett." It slips out like you've been uttering it your whole life, tongue hand-crafted to do nothing else but form the shape of his name. Can't really stop yourself now that you've begun to say it. Mindlessly mumbling his name with every long thrust. "Rhett...Rhett!" 

Pressure unexpectedly blossoms. Air catches in your throat as his cock head dips into you. 

"Shit—!" Rhett's yelp dissolves into a muffled groan. "I didn't mean..."

But your legs are curling around him, your heels digging into the swell of his ass, urging him deeper. More. You want more of this. 

Oh, and he gives you exactly what you want. Softens and lets you draw him in, so overtaken by the sensation that he visibly fights to keep his eyes open. You weren't ready for this at all and you don't even care. It's hard to think about the ache when he's already dragging against a sensitive cluster of nerves, his cock so thick that it rubs against them without even trying.

"'s it feel good or 'm I hurtin' ya?" Rhett's voice is like gravel. So much lower than what you remember it being. 

"'s good," you're whining, absently squeezing at his biceps as he sinks further and further into you. There's just so much of him to take, slowly splitting your poor pussy wide open inch by fucking inch. 

Thunder booms outside, but it's not near as scary as the monster between your shivering thighs. Lightning flickers as you feel him bottom out, buried to the hilt, and you don't...you don't know if you have room left to even breathe. 

There's no real waiting. He can't, with you taking it upon yourself to dig your heels into the bed and impatiently rutting yourself against him. Shallow little ins and outs that very nearly punch the air out of your lungs.

"So fuckin' impatient," his chest settles against yours, anchoring you into the bed and forcing your squirming hips to hold still. "Needin' my cock that bad, baby?"

You've got just enough of your bearings left to glare at him. No, you were wanting him to buy you a snack out of the vending machine. What else could you want?

"Hey, I didn't say I wouldn't give it to ya," he chuckles like he can hear every little snarky thought that crosses your mind; maybe he's been reading your mind ever since the day you met. 

All of a sudden, he's moving, drawing those strong hips back, only to rock back into you, doing nothing but shallowly rut his cock into you. If it were anyone else, this wouldn't work, but fuck he's already got this figured out. Massaging against those little nerves you haven't touched in so, so long, such a simple thing that has you clenching around him. 

And you're helpless to do anything but cling to him and take it. Pinned to this shitty motel mattress as the storm rages on outside. 

"'s that better, hm?" He coos, nuzzling your noses together as if to soothe the pitchy noises he's gently punching out of you. "I can feel your little legs just a shakin'."

There's nothing you can say. Stunned into mindless sounds that you can't seem to stifle, all too aware of how he's beginning to pull out further, fucking you in long, heavy strokes that leave stars sparkling in your vision. 

Your hips involuntarily buck. The angle shifts. 

"Aha—!" You're crying out. Way too loud. The neighbor absolutely heard that.

But you can't think about that because Rhett's caught onto it, swiveling his hips. Misses on the first try. Drifts closer on the second—

Not a thing escapes your lips, but your back rises up off the bed, clenching around him as he strikes that spot again, and you're only vaguely aware of how you're getting wetter. Absolutely dripping around him, every little motion punctuated by a sickening squelch that you can't possibly ignore. 

"This poor lil pussy of yours," he's so talkative, purring those filthy words against your lips like they're gospel. "Gonna have ya limpin' all tomorrow."

You can't...you can't keep still. Wriggling helplessly, not sure if you're pushing up into him or trying to pull away; whatever it is, it's not working. That fat cock of his is still sinking into you at his own pace, balls lightly smacking into your ass, heavy and full and...

"Probably have to tell 'em a little lie or two," kissing him only briefly shuts him up. He's talking the moment you part ways. "'s not really acceptable to tell 'em the shop mechanic was—mmh between your pretty little legs all night long." 

Your hand finds its way up his arm. Crossing his shoulder blades. On a one-way track to tangle in his messy hair and pull. It's enough to yank his head back, that pretty, pale throat on full display as a warbled moan jumps out of him. 

Rhett's teeth sink into his bottom lip, muffling something you wish you could hear. "Talk to me, baby."

"Wanna...wanna hear you," that doesn't sound like your voice at all. If you couldn't feel it coming out of your own mouth, you'd think it was someone else entirely. "Please." For extra measure. 

You'll fuss about begging on another day. When you're not—oh, when you're not...

The tiniest noise stumbles out of Rhett's throat. Music to your fucking ears. You want more of it. 

It takes a moment. Gathering the strength to use the rest of your body. But then you do, and you're deliberately clenching around him, shivering thighs squeezing his pistoning hips as tight as you can, and he whines.

"Fuck, I...I..." Stumbling out of him. Aimless, but it's damn near enough to make you dizzy.

"Uhuh," is all you can utter. Dumb.

Lips collide. Crashing so clumsily that it's a wonder you don't knock a tooth out, nothing but open-mouthed entanglements and tongue. Calling this a kiss would disgrace the very word. Kisses are meant to be elegant. A beautiful sort of dance that no language will ever be able to properly describe. 

Soft little whimpers creep past his defenses. Faint at first, but it's so hard to stop once he starts crying into your mouth when you clench around him once more. You don't know if it's the sound itself or the delicious drag of his cock that sends the wave of heat roaring into your lower belly. Hell, maybe it's both. 

"Sound so fuckin' pretty." He's the one who says it, but you utter it in the back of your mind, too.

This room is so damn hot all of a sudden. A familiar pull has you fluttering around him, spasms that you feel just as much as he does. And he's driving directly into those little nerves so easily that your entire body is beginning to tingle with it, his weeping cock head striking them over and over and over.

Rhett shivers. A bead of sweat runs down his flushed face. "Fuck, I'm—"

"Close!" You blurt. Didn't mean to finish his sentence for him, but it's already out there, and oh, oh, oh.

His motions are quickening, unexpectedly thrown off of his rhythm, only for his hips to slam into you so hard it rocks the headboard. An unfamiliar heat blossoms, and you can feel his cock twitching inside of you and—Oh, he's cumming in you. 

That's all it takes. 

Your ears go numb as your back arches. Heart hamming in your chest. Crying out something that you never get to hear as you cum around him without warning. Little sparks firing across your nerves, and for the briefest moment, you think you've been swept up into a twister. Swirling 'round and 'round, nothing but Rhett's sweaty body to keep you from flying away entirely. 

And the storm whispers your name, barely audible over the hammer of your own heart. Echoing as the color drowns to black, warping until you can't no longer hear that, either. 

One of your eyes peeks open. 

Did you fall asleep? 

Because you feel like you fell asleep. Don't quite recall feeling so groggy, gravity weighing heavy on your eyelids, fighting against all odds to stay closed. Your tongue is almost stiff in your mouth, difficult to move. 

Rhett's hand has long since curled around your face, his thumb stroking the thin skin beneath your eye. Delicate. You don't think he's realized you're back yet, so distracted that the proof of it is evident in his face. Those deep blue irises flickering across your face, trailing across your forehead, your cheeks, your bitten lips, cracked and dry from the elements. 

You're far from looking your best. That you know for sure, but something about the way he looks at you...has you feeling like the prettiest thing this side of the country.

The corner of his lip rises the moment your eyes meet. "There ya are."

"I think I fell asleep," you croak. That still doesn't sound like your voice, but there's nowhere else it could be coming from. 

"'s only been a few minutes," pausing to press a kiss to your temple. That might be a faint hickey forming beneath his ear. "had me thinkin' I killed ya."

You can't help but giggle, an image emerging to the forefront of your mind. "Could you imagine having to explain to everyone that your dick killed me?"

His eyes roll as hard as they possibly can. You're almost disappointed that they don't get stuck. "'s not that big."

"You'd sing a very different tune if we could swap places," you mumble, reaching for his hand. So much bigger than yours, you can hardly even cover half of it. 

"Who says we can't?" He says it so...bluntly. 

...is he already implying that pegging is on the table?

You can't find your words. Neither can he. All too quiet as you stare back at each other. 

You crack at the same time. Sputtering into laughter like a pair of dumb kids, collapsing into perfect synchrony as you scramble out of the bed. Don't need to utter a word to Bare feet stumble across horrendously patterned carpet. His hand guiding you along on a one-way race to a too-small bathroom.

You're beginning to realize that cowboys and mechanics are just nerds with a very specific niche. 

There's no way that Rhett is still out there poking at Dallas, running his hands over the different components, pressing on buttons just to see what they'll do if anything at all. Even from the door, you can see the gears twisting and turning in his head, processing every little detail and scratch like it's a work of art he's never laid eyes on before.

Except he has laid eyes on Dallas before. More times than you can count, and that beat-up old thing is far from a work of art. At least it's still prettier than Tyler's rusty old rig over there in the back...

No, it's not there anymore. 

Did they leave already? 

"Where's thing one and thing two?" You hope he doesn't notice the way you waddle across the parking lot, an ache plaguing you with every step. It was cute, the idea of being sore from a night in bed with him, but hell, is the actual experience a lot less romantic to deal with. 

"They ditched us fer a date at some kind of storm chaser convention."

And here you thought Kate would at least give you the luxury of sticking around to tell you where she was going. Better yet, sending a text. 

"A date?" Tilting your head to the side, like that'll somehow make you hear better. 

Rhett presses another button. Every light in the truck turns on. "'s what it looked like on Ty's Instagram story."

You've already dug your phone out of your pocket, thumbs fumbling over each other as you search for your friends. Kate's account is the same as it was three days ago. No new posts since July of last year, but Tyler's...

There they are. Posing in front of the camera, spinning it around to unveil a line up of storm trucks. There has to be at least two dozen of them, sidled up next to each other in a perfect line with little white boxes resting on their hoods. A blurry sign sits behind them, forces you to replay the video and squint in order to read it. 

Voting opens  @ 4 PM.

"You have got to be kidding me," deadpan. Damn, not even an invite? After all that arguing? After yesterday? They wouldn't even have a truck to enter if it weren't for Dallas! 

"Hm?" Rhett blinks at you. If this were a cartoon, he'd have a question mark hovering over his head right now.

You turn the phone around, showing him the video he's already seen. "They entered a competition for the best storm rig in the state!" 

He bites the inside of his cheek, watching it again. After a moment, those big blue eyes flicker up to you. "...we could beat 'em." 

"You think so?" Is this what you're doing now? 

"I know so." Grinning.

They'll never let you hear the end of this. 

And that's exactly why you find yourself bouncing up to him, your hands bracing themselves on his chest as you lean in to steal a kiss from his waiting lips. Curling a fist in his t-shirt, don't even need to tug for him to fall into line, boots thumping along as you dart back into the room. Scrambling to collect your bags, tripping over him in your effort to shove your pajamas back into the suitcase. 

"Who's drivin'?" He giggles, leaning across you to get the room key. 

The answer is obvious. "I am!" 

Kate and Tyler don't realize you're there until it's too late. 

[raayllum]

Invert Life and Death Theory

Yesterday, the fandom received two season seven synopses that detail similar mysterious concepts:

The stakes have never been higher as Aaravos and Claudia are on the warpath, determined to destroy the Cosmic Order and invert life and death. With the world’s fate on the line, our heroes must be ready to sacrifice everything to save it.

As Aaravos and Claudia seek to destroy the Cosmic Order and invert life and death, our heroes must be literally ready to sacrifice anything and everything love and believe in to save the world!

I will touch on the 'sacrifice' portion likely here, and then further in another meta that was actually already sitting in my drafts about it (as we've known for a while that S7's main theme is sacrifice, even if I didn't expect it to be so blatantly spelled out in the summaries). But I digress.

Aaravos (and Claudia) want to destroy the Cosmic Order. They want to invert life and death, to turn it upside down (much like Aaravos' chest star I might imagine). Presumably this is to make the Cosmic Order mortal-mortal so that they can be permanently killed and Aaravos can have his proper revenge. He might also be working towards trying to reassemble Leola's spirit somehow.

But what is that attempted inversion going to look like? Well... It does contextualize the weird consistent emphasis his plans have had on the Moon and Sun specifically:

And we might finally know why:

Sun and Moon, Life and Death

In previous posts, I'd speculated there was more than just politics or revenge at stake in Aaravos seemingly killing Luna Tenebris and Queen Aditi 300 years ago. Of course the in-story explanation that's most obvious is that he wanted political instability, which I think is certainly true.

However, thus far there's not really a Reason in-text that it had to be those two. Why not another Earth dragon instead, or a Tidebound king? Throughout the series the elves that have gotten the most focus and worldbuilding have routinely been Moonshadow and Sunfire elves, and it didn't really have to be. And of course we could get into the weeds and say that Earth could've been associated with Life and Sun with death, etc etc. but the point stands that I think this series long focus on Moonshadow and Sunfire elves/philosophies in addition to Aditi and Luna Tenebris' deaths/disappearances makes a lot of sense if Sun = Life and Moon = Death, and these are the things that Aaravos wishes to invert upside down.

The fact that this reflective relationship between Sun and Moon possibly ties into Aaravos being in a mirror, characters having shadow selves running around in the narrative, and the emphasis on mirrored images in the dark magic dreams we see also makes sense.

Aaravos already toppled the Sun Forge and thereby Sun Primal on his way through to the Storm Spire. Going back to the Moon Nexus in S6 was a welcome callback to Through the Moon, but the Moon Nexus specifically having a portal between life and death... reminding us of that location because it's going to play a much bigger role next season (potentially like other characters, like Aanya) could be on the table. In taking Lux Aurea, Aaravos got the corrupted Sun staff after all.

Speaking of which, let's talk about

Rayla and Claudia

I don't think I have to explain why or routinely how Rayla is associated with the Moon as a Moonshadow elf. Secretive yet open, caught between love and duty, life and death, truth and lies, light and dark, Rayla embodies all this and more. Callum has also asked for her to be his Death if push comes to shove and he's possessed again, but she's also what has saved him in S6 from said threat of possession (and likely will again). This isn't to say that Aaravos needs a Moon arcanum and is going to take Rayla's (though I suppose he could), I think the likelier outcome is corrupting the Moon Nexus (and hence why you animate/rig Lujanne, Allen, and a new Phoe-Phoe design under your software at all). But it does mean I think Rayla will be a mirror to Claudia / whatever is happening with the Moon Nexus as a way to manipulate Callum, per usual.

Conversely, Claudia has wielded the corrupted Sun staff — a literally corrupted light that represents dark magic to her outright in S6, and one that she uses as a literal and metaphorical crutch — since season three, only occasionally using her father's staff with Viren only using the Sun staff for the Hearts of Cinder spell. She's a sun that's already been eclipsed by Aaravos, by death, in more ways than one. Someone who's walked a continually bloodier, darker path the further the show has gone on.

If and when Claudia gives up dark magic, she'll be 'restored' as the Sun — uncorrupted, bolstered by the truth ("Careful, if you tell the truth you will lose her"), shining brightly again. In the meantime, though, if Claudia is brought home in parallel with Callum being saved from dark magic corruption in S6, I think someone else will be Claudia's 'sun'. So let's talk about it.

Trials and Tests of Love

While we might see more — I could see Karim getting a trial on a technicality in S7 — as it stands now we see three former trials in the series. The first is in S4 among the Sunfire elves with Lucia, who ruined a sacred ritual by putting out a light, and is declared not innocent but worthy of life over death. Then we see Leola, who despite being truly innocent is condemned to death by the Star/First Elves and is made into nothing more than a light star known as Leola's Last Wish. Finally, we're going to seemingly have Rayla, whose actions did lead to the death of her troupe of Moonshadow assassins in the Silvergrove.

Just like with starlight vs moonlight vs sunlight with the Celestial elves, and Astrid + star magic creatures like Sir Sparklepuff in particular....

AARAVOS: Otherwise the sun will rise, and you will not.

We see this pattern of sun, star, and moon again with the trials alongside ideas of mercy, innocence, and concepts of paying the price.

Meanwhile, in season six, both Claudia and Callum were searching for their deep truths. Their path. Callum found his in Rayla and accepted it wholeheartedly. Claudia thought she'd find hers in Viren ("I'll look at him and I'll know / I need him to show me the right path"), but found only his body and the prison he left behind. Of course, the main reason that Viren died in season six was that he wanted to save Katolis, and more than that, he wanted to save his son.

She said that this was my home, and that my brother and I needed each other.

If Claudia is an eclipsed sun, a form of life turned death, than Soren is the uncorrupted version of the sun, ready and willing to guide her back if she'll just give him the chance. And in going back to Katolis, in sparing/saving Soren, Viren did help give Claudia what she needed in order to find her true path some day, too: a life with her brother and Terry at her side.

Claudia's first real test of love in the series was whether to choose the egg — the world, her father's wishes — over the safety and wellbeing of her family — her brother. She made the right choice.

I'm here.

It'd make sense if one of her final tests of love was a similar trial — maybe even if Callum under possession/Aaravos' control hurts Soren ("Oh I've been stabbed by the stab-prince!") — and Claudia once again chooses her brother over everything, just as he chooses for and fights for her. She ultimately chooses life over death, reflecting the massive change in herself and her character arc.

Likewise, Rayla being a Moonshadow elf saved from death ("I leapt to my certain death, but you spread your wings and you saved me" / "Finnegrin was going to kill you, I didn't have a choice") from Callum means breaking his promise, yes.

However, it also frees her up from needing to be an assassin and therefore from needing to behave like she's "already dead" or that Callum is. The possession/corruption would be a fate worse than death / metaphorical to literal death and rather than delivering either, Rayla would save him in turn. Like Claudia, she chooses life over death, symbolizing the same turning point. Callum, meanwhile, could get the Moon arcanum by realizing he has dark and light inside him; this may not mean a total blank slate (idk if they'd repeat that) from corruption, but a way to permanently throw off Aaravos' control of him regardless.

Life, over death.

Life and death working in harmony under principles of justice, mercy, and compassion.

Conclusion

This is more of rambling "notes on top of all this" place than a proper conclusion, but just a summary of stuff / some speculation for later:

Aaravos needed Moon and Sun stuff specifically from Luna Tenebris and Queen Aditi and that's why he killed them

Aaravos is going to successfully make the Cosmic Council mortal, even if that means making himself mortal.

This makes him more powerful than the Council and they may have reason to ally with our main team in order to take down Aaravos and/or be destroyed themselves

Rayla as Moon and Claudia as Sun reflect both life and death, but each will likely choose life over death; for Rayla this is about a certainty, for Claudia it's more up in the air if she'll have her redemption arc yet (I could see it getting pushed further to arc 3).

I think it'd be really nice if the inversion of life and death had broad implications meant some characters got to say goodbye, like Callum and Ez having a moment with Harrow and/or Sarai

And I think that's about it! What do you think inverting life and death may mean?

[vidavalor]

How do you think the Ineffable Husbands reacted to the 1914 Christmas Armistice?

Also, it is autumn now and very cloudy and soggy, so here is a seasonally-appropriate recipe: https://www.hairybikers.com/recipes/view/caramelised-apple-cheesecake

Aw, a recipe! You're lovely. 😊 That looks amazing!

I envy you being in one firm season over there. September is a transition month here in New England. Half-summer, half-fall. It's very strange, though, not terrible. One day is lemonade and watermelon and the next is where's my blanket? and I need an apple something and looking up what day Bake Off starts to air over here. Another week, though, and it'll be pretty much fall from here on out. Definitely going to make that cheesecake. 😊

I think they probably reacted to the Christmas Armistice the same way many of us do when we learn about it-- that it's both beautiful and morbidly depressing at once. It showed people coming together to express a sense of shared humanity but then they went back to killing one another afterwards. It wasn't a new story for Crowley and Aziraphale because they had seen that in people all throughout history but I'm sure they found the same mix of hopefulness and sadness in it that a lot of people do.

The one who understands what it takes to bring about peace now best in the series is actually Gabriel, imho. It's because he understood the deeper meaning of Sandalphon's words that Sandalphon didn't actually understand himself: "you can't have a war without war."

Some short thoughts on ties between war, frozen peas, and one of my favorite of Agnes Nutter's prophecies beneath the cut.

When Sandalphon said: "you can't have a war without war", what he meant was: "Look how clever I think I am to use this word twice in two ways in one sentence! You can't have a war without War: The Character! Mirelle Enos is playing a character that shares a name with large-scale killing and destruction and I pointed it out! I'm so smart!"

Gabriel, though, heard the potential of bigger ideas: "You can't have a war (a large-scale military conflict) without war (people willing to fight in a war and, also, a person's inner struggle leading them to be willing to fight in war)."

Meaning: A war can only happen if people are willing to fight the war.

Meaning: No soldiers, no war.

Gabriel knew Aziraphale heard it like that, too, and was like lol Aziraphale, this guy thinks he's a poet omg let me flatter him enough that he won't notice that I just tried to help you sell more erotica and didn't murder you for having a lover and then we'll get out of here...

Gabriel saying that he "might use that one day" about what Sandalphon says is a line that-- delightfully-- ages quite differently the more we get to know Gabriel.

We know he said it in that moment to make it sound like he was telling Sandalphon that what Sandalphon had said was just so profound that Gabriel was tempted to use it himself... but we also know that Gabriel is neither as dumb nor as vapid as he strategically lets people think he is and that he understood the deeper way of looking at what Sandalphon said more than Sandalphon did.

Looking back on it, it's Gabriel actually joking about mutinying in front of Heaven's most fervent Metatron-worshipping fascist in a way that is very much going over Sandalphon's head. Gabriel is all can't have a war without war-- yeah, true dat, Stasi a Fond. I'm slowly losing it over here and my favorite fantasy is just peacing out entirely of this whole 'Commander of The Heavenly Host' shit and wouldn't that really completely eff up The Ineffable Plan? Oh, my secret daydream... if only I could...

Then, what happens, though, by the end of S1?

Gabriel sees a kid do just that.

The eleven year old spawn of Satan is all yeah, no, you can't have a war without war. I don't want to start a war. I like the world. I've got enough on my plate dealing with my own life-- I don't want to rule over everyone. I want everyone to feel at peace and be happy and take care of each other.

Gabriel was freaked out because of the consequences of this and the fact that he, at the the time, thought The Metatron might kill him for failing to start Armageddon but, after the day was over and Gabriel had a moment to breathe and think about it, you can't tell me he didn't hear Adam saying that it was too much pressure to be in charge of every other living being in existence and he just wanted to chill with the people he liked and live his own life in peace and let everyone else do that, too and think to himself:

Yeah, kid. Me too.

The dude who is told he's responsible for everyone in Heaven and who sees angels falling as partly his fault and whom the humans deify and to whom they make statues was like fucking hell, the little antichrist brat was right.

He realized that it's not about Armageddon, it's about living and building a life until you have all the world you need. It's about what Crowley and Aziraphale have been trying to do and about what he and Beez were as well. Gabriel's proposal to Beez is a simple one:

What if, instead of Armageddon, there was no Armageddon?

What if, instead of war, there's no war?

So, he ended up fulfilling his own prophecy a bit when the one day came when he used what Sandalphon said-- just not in the way that Sandalphon meant it but in the way that Gabriel himself and Aziraphale heard it: you can't have a war without war... no war exists if enough people refuse to fight it.

That's the way to stop Armageddon.

Gabriel came to realize that the best thing he could do as a leader in Heaven and commander of its armed forces was to refuse to fight, come what may. He quits the army and defects to the embassy of the only independent country that exists in the supernatural world: the United States of Crowley and Aziraphale.

As Agnes said:

...the calm cometh when Redde and Whyte and Black and Pale approache to Peas is Our Professioune.

In this case: Redde/Red (Crowley), Whyte/White (Aziraphale), Black (Beez), Pale (Gabriel). To profess: to state. Peas = the talking of frozen peas because homophone: peace.

The calm cometh when Crowley, Aziraphale, Beez and Gabriel talk and each get closer to their own peace and to peace with one another and help each other to spread that mentality throughout all those willing in Heaven and Hell and Earth.

That's what you feed the other ducks-- your frozen peas. Your own stuff that is disturbing your own inner peace and creating inner wars and small-scale conflicts that, if left unchecked, can build into larger-scale ones.

If you break that shit down and talk about it, there needn't be any war.

Sometimes, it means shedding some armor, keeping an open mind, and admitting that you were wrong-- all things that can be difficult...

...especially for those are secretly tender-hearted but put up that armor to survive in worlds steeped in toxic masculinity...

...and, sometimes, it's maddening because people are scared and get set in their ways and do dumb shit and you have to upend power structures and reinforce more positive behaviors to get them to shut up long enough to start listening to one another...

...but the more who learn to unlearn the harmful stuff at the core of their own struggles and who open their minds up to listening to others, the more we're professing our peas to our fellow ducks and getting closer to peace within ourselves and within the world as a whole and that's what it's all about. It might always be approaching Peas is Our Professioune rather than a perfectly peaceful world but the point is the effort of the approach and to just keep making steady progress as much as we can while we're walking the Earth. After all...

[3rdvoice]

New letter column

--- Question about visual design... I believe that making stuff that’s fun and exciting to you, the author, is hugely important to staying engaged in a project. That said, there are times when the direction that most benefits the work isn’t the one that you’re most interested in. 1. How do you approach finding that balance self indulgent design/writing/whatever (things that you find personally appealing or enjoyable to draw) and design that’s less "fun" but serves a purpose. 2. When are "sacrifices"-- exchanging fun for variety or cohesion or flow-- worth it? How much do you think about "fun" when designing? --- Question about "secrets"... The story may not really be *about* the world’s secrets, but given your considerable, cross-platform efforts to avoid spoilers, them nonetheless seems important to what you’re trying to accomplish. 1. How important do you think "secrets" are to this kind of story. Would it be the same if you had a lore blog where you answered everyone’s burning questions? 2. How do you cultivate the self-discipline to avoid blabbing about your ideas. Maybe you don’t struggle with this, but I definitely do. C * September 9, 2024

I’m struggling a little with this framing around self-indulgence! I maybe don’t think of it in a parallel way to you. The whole thing is kind of self-indulgent to me… like cohesion, everything feeling of a piece and moving forward to build a big structure, this is self-indulgent, this is my aesthetic, basically. In terms of vis dev at least, I definitely HAVE built my approach around things I like to draw. I made this setting with room to mess around in ways I can’t predict… A lot of “staying engaged” for me, I have discovered after some thousands of pages of comics, is about planning in ways that don’t lock me in too tightly, and allowing the whole process to have some room for exploration throughout.

The avoiding revealing setting-details thing is firstly just a big central philosophical principle I have about this stuff, which maybe isn’t as widely-held as it used to be. Any story is about sequential information revelation… I am designing the story in every moment to reveal information in a particular order, and I don’t want to undercut the integrity and cohesion of the story by revealing things elsewhere out-of-order. This feels like a basic principle people making stories have kind of always had to abide by! You can’t rely on a reader knowing stuff about your story that’s outside of the text in question (I am interested in how habits of writers and readers seem to be shifting around this lately however). So it’s not ABOUT the secrets maybe, or calling them “secrets” puts too fine a point on it, but I am intentional with how things are laid out!

This info-revelation thing is maybe a little complicated by the literary device of the “INVENTED SETTING” that figures so loudly in my comics. The way we do invented settings lately depends on a shared illusion of an objective PLACE, with its own existence outside of the story. The TRICK, as a writer, is I think to see this illusion itself as something that serves the story. The thing LOOKS bigger than the story in order to lend gravity and evocativeness to the story, but it ISN’T bigger than the story. Or if it IS bigger, it’s only bigger in my own personal notes and inside my own personal brain, so in no way that is relevant to readers. I know that I have broken the rules and done word-of-god stuff sometimes in the past because the “real beyond the story” thing is compelling to me too! But I aim for this. The “self-discipline” question I don’t really have an answer for; it is always kind of a struggle but I’m interested in making comics because that is how I want to reveal the stuff, so that is how I reveal the stuff!

If I were to do a lore-blog it would be me on-the-spot making up answers to questions based on the broad setting-principles I’ve established for myself. It would probably be useful for me as a writing exercise, but I’d lock myself into all sorts of decisions I would later regret, or I’d agonize over how seriously to take material “canonized” in the lore blog. It would extend the space of the story beyond the bounds I’ve so far established, and make it flimsy and untenable!

Picking up on some of this thinking in an answer to another letter, will post in a few days.

lettercol archive

rice-boy.com

[wings-of-ink]

I was thinking about an ask I wrote some time ago where MC asked Duri to teach them, if possible, to also be able to turn into a wolf. And Duri, in your answer, used the opportunity to make fun of MC.

But here is a funny scenario: What if against everyone's expectations, MC did end up turning into a wolf after following Duri's instructions. After all, we don't know MC's true origins. By all we know, MC may have some God blood in them, and may possibly be able to turn into an animal and just didn't know.

If you want it would be lovely if, like the original ask, both Oswin and Duri were present. But I understand if you want to limit the scenario to just Duri.

Hilarity and chaos would ensue. This is a fun one, lol. ^_^

Link to the first post:

Picking up where we left off:

You feel the burn of embarrassment as you turn your back on the laughing god and start to follow Oswin. You can't help but pout too...you wanted it so badly. Duri may have made a fool of you, but it doesn't stop you from admiring their wolf-form. You want that for yourself, it calls to your spirit. There's a pull, an unspoken link with your soul.

As you make it through the trees, Oswin sighs heavily. "I should have interrupted sooner...I shouldn't have left you alone with that idiot..."

"It's fine. Maybe I was silly to ask such a thing." You shrink in on yourself.

Oswin stops. "I don't think it's silly. This world is more fantastic than either of us thought...it's not wrong to want to play a bigger part in that."

You can't help but smile a bit. "You really think so?"

"Yeah. Yeah, I do. You're already fantastic in other ways - you don't need to be a magic wolf or anything to be great." He turns to you with a wide and sweet smile, his eyes shining with something unspoken.

The humiliation you feel slowly drifts away as you match his gaze...until his brow begins to furrow. "What's wrong?" you ask.

"Your...well, your eyes..."

"What about them?" You touch the side of your face, perhaps you have dirt near your eyes.

"They're...um, they're glowing." Oswin looks a mix of fright and wonder as he stares at you.

You can barely register what he says before the light bursts from your eyes and surrounds you. You see Oswin flinch from the brightness as you feel a sudden warm sensation in all your limbs. And then, it's over. You look around, and nothing seems unusual...except...now you feel shorter. Why am I shorter? And your clothes...are on the ground. Why am I naked!?

Oswin looks down at you, mouth agape.

You make to speak, but it comes out as a yip. Oh...oooooh.

Duri rushes through the brush behind you. "What was that? I felt..." They spot you.

As you meet Duri's eyes you feel a flood or warmth - a connection - and your heart pulls in excitement. Whatever feelings you had for Duri before are amplified and a whine leaves your throat without your realization.

Duri cups a hand over their mouth and looks from you to Oswin and then back. "They're so cute..."

You growl.

Oswin kneels. "I don't know what to say..."

You watch him closely and notice he's smiling. He's giving you the same look he gets when he sees puppies and seems to be resisting reaching out to pat you. I think he likes this...

Gently, Duri turns your attention back to them. "I had a feeling you had secrets, lambchop, but nothing like this...I hope we're not related..."

You show your teeth - are you smiling or snarling - that's a gamble Duri will need to take.

"What a pretty coat too." Duri guffaws.

I wonder what I look like...

The demigod grins. "Difficult to describe, but your face is black and so are your ears, but the rest of you is a lovely mottled silver. Your eyes are the same color but much lighter than normal - they sort of glow."

You tilt your head.

"And, yes, I can hear you...in a way."

Oswin scoots into your line of sight. "Would you...would you permit me to pat your head? Please?"

Your tail wags.

Oswin gently rubs your head and ears - it feels spectacular. Duri joins in and scritches your chin. No wonder wolves and dogs scramble for this.

Humming in thought, Duri looks you over. "I wonder why you are normal wolf size...maybe you'll grow into it - I was really small when I started. You should get as big as me and we can terrorize the forest together...scare the shit out of the locals." A wicked grin plasters across their face.

Oswin is cupping your furry cheeks, smiling as he gazes at you. "This is wonderful, but I do hope you know how to change back..."

Shit.

[emilsgrippers]

I’m in a sprout x cosmo era since I’m back into Dandy’s world so guys ……….

FRUITCAKE HC!!!!!! let’s do this ..

So

—Cosmo is pretty chubby, and sprout is super just thin. Like if you blew on him he’d just go with the wind

—While cosmo was always kinda chubby, he gained some noticeable weight after meeting and becoming acquainted with sprout because sprout is always baking treats and yummy goodies for him and cosmo doesn’t have the heart to turn him down

(I love characters who gain weight happily)

—Sprout uses comically large oven mitts to get the food out of the oven while they cook, and cosmo just laughs at him because they look so stupid

—They both have little tails—Sprouts is just a large wispy leafy tail, while Cosmo’s is bigger and it looks like a cinnamon roll

(only it’s not but like…yk what I mean? Think of a Pomeranians tail but made out of the same chocolate Cosmo is made of.)

—Sprout is super forgetful when he’s not in the kitchen so Cosmo tells him something like “hey sprout can you grab some ___ for me later..?” And sprouts like “yes I can!!” he never does and he lets cosmo down

—they watch movies every weekend and they make special little pastries and junk to eat while they watch said movie. Cosmo always falls asleep on a full stomach wayyy before the movie finishes, so sprout just cuddles him until he falls asleep himself.

—they’re both idiots . Like Cosmo grabs the oven rack while it’s hot to pull it out with no mittens or anything… “ow I burnt myself..!” sprout turns without his own mitts on. “Here, let me try!” …. “Ow I burnt myself”

—Sprout doesn’t like cinnamon and he just crinkles up and writhes on the floor when fed cinnamon. Cosmo LOVES cinnamon so guess who gets all the yummy cinnamon flavored treats. More for him I guess

—Cosmo has the attention span of a fruit fly. Sprouts talking to him one second and the next cosmos’s like “eeuuuuuuyyghhhhhhhhhh” just zones out.

—Sometimes sprout tries to bring someone else in the kitchen to help them make bigger/more complicated things , but Cosmo gets an anxious because he’s so used to it just being him and sprout ..

—Cosmo is also very prone to colds and stuff…(if a chocolate cream roll can even get sick.) Sprout brings him all kinds of treats as a get well gift—like warm cookies…fresh and warm crossaints.. you know.

—Sprout has a much bigger appetite than Cosmo does, and sprout could probably eat about six times of whatever Cosmo does. If Cosmo tries to eat more than he can then he just makes himself sick (wow shocker)

—They also have a big big BIG thick and heavy recipe book. They decorated the cover and the book themselves, and they’re always adding new recipes into it. It sits on a high shelf that neither of them can reach though so it’s always a struggle to get it down.

Yayyyyy!!!!!!!!!!!!!!!!!!

Some sprout main come carry me in the hit Roblox game dandy’s world please

[floating--goblin]

you know what hill i'll die on? terzo is not the sluttiest emeritus

I mean sure, he's the most dramatic and the most outspoken about sex, and he gave us Mummy Dust which is its own discussion-- but I sincerely don't see him, in his private life, being so promiscuous. Like out of all of them, I'm the most certain Terzo would be either monogamous or have a few regular partners at most, but I don't think he'd be big on casual flings. Frankly I don't even see him having sex that much at this point, he seems more attached to it as a concept than an actual activity he regularly engages in.

You know who's the inverse of that, though? The one Tobias himself calls a pervert? Secondo. There's your whore. I know he looks big and mean and authoritary but let's be honest, half of Infestissumam is about ritual sex and he's out in Vegas on the regular with more women than he can reliably satisfy. He says it himself that he became Papa because "he likes a sexy beat". THERE'S THE EMERITUS WHORE, AND I'M CERTAIN OF IT

[mechieonu]

something about the togachako fight feels so PARTICULARLY vulnerable. the violence, the gore, the spitting, screaming honesty, the grief, oh my gosh, the GRIEF. toga realizing that jin is fading away at the same time ochako hugs her close has done horrible things to my brain. i just want to grab hori by the shoulders and shake and ask what the FUCK was the inspo for them

[liquidstar]

oc req i got from a friend on cohost for these two hanging out! which eventually turned into me thinking "what if this is just saiph walking up to ramus unprompted on Guild Beach Day, but ramus fully forgot who he was since they last met" and that concept was funny enough to me that thats what the drawing became

but still, here's an edited (technically original) version under the cut bc i think eventually they start to talk for real anyway lol

[carnivalcarriondiscarded]

The way I wanna learn so many silly hobbies!! Like I wanna be able to walk on my hands and contort and speak fictional languages, just so I can entertain people with a mystery bag of talents

But alas I am poor

no i know right. but. you do know that you don't have to pay to learn how to walk on your hands, right? or speak fictional languages? you should probably pay for a contortionist coach tho yeah