#theme: Neil's past

[aftgficrec]

I would loveee fics where Andrew defends Neil to aaron and the other foxes (but definitely Aaron), i’ve seen so many of Neil defending Andrew but not a lot of the other way around and Neil deserves to have his man defend his honorrr

In canon, post-medication Andrew does not talk much to anyone besides Neil. Still there are definitely fics with this. Just know Andrew’s defense of Neil can be one sentence in a story, and physical violence is often his preferred method of communication. -A

previous recs  

‘The Ash is in Our Clothes’ here

‘Absinthe makes the heart grow fonder’ here

‘in the common tongue’ here 

‘I hate him,’ ‘One day we'll reveal the truth,’ ‘i'm getting static from my better sense’ and ‘My brother under the sun’ here

‘some1 saying something…’ here

‘Ember’ here

‘Can he play?’ here

‘Surreal But Nice’ here

‘Least Favorite Only Child’ here

‘Fighting Words’ here

‘Trust Fall (And Welcoming Arms)’ here

‘(Don't) Stand So Close’ here

‘In the Eye of the Beholder’ here

‘Beach Bois’ here

‘I'm Not Okay (I Promise).’ and ‘It’s not living (If it’s not with you)’ here

‘soft spots make easy targets’ here

‘Even the Darkest Night Will End’ and ‘The Andreil escapades’ here

in Masterlist for Nicky Kissing Neil: ‘The Kiss,’ ‘History Repeating,’ ‘Andrew Finds Out,’ ‘Something, Nothing & Everything’ (also big twinyards confrontation), ‘A Crack in the Mask,’ ‘Truth Time, ‘Truths Come Out,’ ‘The Unkindness of Ravens’ ch 16, ‘Delayed Reaction,’ ‘Delayed reaction (the fear of falling remix),’ ‘All For The Game Musings,’ ‘andrew finds out about what happened…,’ ‘Hold Each Other’ ch 6 and ch 15, and ‘Slip’. Finally, ‘Lessons in Cartography’ has Andrew defending Neil to both Aaron and Jack throughout

Andrew defends Neil to non-foxes

‘Something About The Sunshine’ here

‘Warmth’ here

Foxhole Tidbits ‘Ch. 22: Silent, but Snarky’ here

‘Through A Glass Darkly’ and ‘Some Things You Just Can't Bury’ here

‘Martyr’ here

‘The Bones of You’ here

‘monsters at night’ here

‘Killer Bunny’ here 

‘you're not next before forever’ here (completed)

‘looking for you’ here

‘Give Me Another Minute (to Lay Here in Your Echo)’ here 

‘Ficlet Collection…’ ch 35-37 here

you may also like

feral protective Andrew here

protective/possessive Andrew here

overprotective Andrew here 

protective Andrew here

protective Andrew gets hurt here

protective Neil/Andrew here

jealous Andrew here

previous recs where Andrew kills Nathan here

our latest Neil & Aaron ask here

Unconventional Therapy by JostenlovesMinyard [Rated M, Twinyards Appreciation Week 2021]

Twinyard Appreciation Week - Day 2 | “bottle episode” Andrew and Aaron attend their weekly therapy session but things don’t quite go to plan when the door handle falls off and they’re stuck in there together.

tw: implied/referenced rape/nocon, tw: implied/referenced child abuse

Nothing is Safe series by hismiley16 [Rated T/M/E, Collection, 7 complete works, Updated July 2023]

Part 4: Written On His Skin [Not Rated, 11344 Words] The Foxes face the Ravens for the first time since Riko's death and things go as well as expected. Andrew is mildly injured on the court and isn't there to protect Neil when the new Evermore captain comes for him after the game. The team sees more than Neil ever wanted them to, including the ghost of Nathaniel he thought he'd buried in Baltimore.

tw: vomit, tw: bullying, tw: nonconsensual touch/assault  tw: dissociation, tw: graphic depictions of violence, tw: blood, tw: implied/referenced child abuse, tw: implied/referenced torture, tw: implied/referenced murder, tw: implied/referenced animal death, tw: implied/referenced self harm, tw: implied/referenced rape/noncon

this is me trying by crownowl [Not Rated, 2142 Words, Complete, 2023]

After Neil has a panic attack Andrew finds out exactly what happened when Nicky drugged Neil and he is not happy.

tw: violence, tw: implied/referenced nonconsensual kissing, tw: implied/referenced nonconsensual drug use, tw: ptsd

Don't let me be by Cutie_Wan [Not Rated, 1983 Words, Complete, 2023]

Neil suffers a major dissociation episode in front of the Foxes.

tw: dissociation, tw: violence

One Step Forward by thecompletebookworm [Rated T, 1665 Words, Complete, AFTG Exchange Winter 2020]

Based on the prompt: “Andrew and Aaron talking and solving their problems” "If you really don't care about Andrew, why does Neil bother you so much?"   Dobson asked during their Wednesday session. Aaron dug his fingers into the couch.  He hated this.  Hated that the only time he could get answers out of Andrew was when he was sitting in front of a shrink.   A shrink who was undoubtedly on his brother's side. And that in order to get answers he had to rip himself raw first.  

tw: implied/referenced rape/nocon, tw: implied/referenced child abuse

Angry Alone by obsessivereader156 [Not Rated, 1799 Words, Complete, 2023]

“Of course I’m not homophobic, you asshole. What are you even talking about?” “Aaron, please don’t use that type of language here,” Betsy softly interjects. “You’ve been very hostile towards Neil,” Andrew says plainly, as if that’s enough of an answer. ______________________________ Aaron has been feeling angry and alone lately. Maybe he doesn't have to be alone about it.

Everything's Alright by DarkD [Rated E, 182901 Words, Incomplete, Updated June 2023]

Souls weren't meant to be left alone, so they split, always looking for their other half. No matter how long it took, the moment a soul existed, it sought the one that would complete it. The main indication is, when one of the halves of the soul turns seven years old, an identical mark appears on both parts. Along with that comes a set of unique abilities that soulmates can only use with each other—for protection, for finding each other. Soulmates would never be alone.

tw: graphic depictions of violence, tw: child abuse, tw: torture, tw: blood, tw: gun violence, tw: homophobia, tw: implied/referenced rape/noncon, tw: implied/referenced csa, tw: murder, tw: canonical character death

A flash of anger. prompt fill by @nickyhenmick [Tumblr, 2016]

All reporters got on Andrew’s nerves. They were invasive and never asked interesting questions, and there was probably a reason he was rarely allowed to be on press duty.

a stupid ass decision prompt fill by @find-yourself-in-passion [Tumblr, 2017]

“I recognize that you have reached a decision,” Andrew replied over the top of Neil’s protests, unwrapping his right hand in such a rush that Neil knew he was going to have red marks where the tap ripped at his flesh. “Andrew-” “But given that it is a stupid ass decision,” He continued on, refusing to acknowledge the other man’s piercing gaze on him as he threw his bag and shoes in the closet, knowing what faced him when he turned around. “I have elected to ignore it.”

Art

3 & 10 art by @thematicallycoherent

im thinkin bout these two art by @wiltkingart

Safe. art by @eislekaj on instagram

exy banquet smoke break art by @twohiddenhalves

Vkook as reference art by @reyko__ on instagram

roof. andrew. tattoos. and two cigarettes. and neil. art by @puhnatsson

Someone strong to lean on art by @fornavn

[stellacendia]

Good Omens does this thing with me where I care about it A Lot for a couple of days (watching season 1, reading the book) and then it goes to wait quietly in the back of my mind until something reminds me it exists and I become obsessed with it again. Gonna need it to go hide quietly again rather quickly this time around just so I can survive the wait for season 3

[fuckyeahgoodomens]

The Season 2 Poster Details

From top to bottom :)

This is a Buddy Holly song Everyday which was originally supposed to be the Good Omens theme :)

Neil talks about it in the Introduction to the Script Book: “In the scripts, Buddy Holly’s song ‘Every Day’ runs through the whole like a thread. It was something that Terry had suggested in 1991, and it was there in the edit. Our composer, David Arnold, created several different versions of ‘Every Day’ to run over the end credits. And then he sent us his Good Omens theme, and it was the Good Omens theme. Then Peter Anderson made the most remarkable animated opening credits to the Good Omens theme, and we realised that ‘Every Day’ didn’t really make any sense any longer, and, reluctantly, let it go. It’s here, though. You can hum it.”

And there is also the Buddy Holly Everyday record! :)

Book The Crow Road by Iain Banks. The novel describes Prentice McHoan's preoccupation with death, sex, his relationship with his father, unrequited love, sibling rivalry, a missing uncle, cars, alcohol and other intoxicants, and God, against the background of the Scottish landscape

Book Lord Jim by Joseph Conrad. An early and primary event in the story is the abandonment of a passenger ship in distress by its crew, including a young British seaman named Jim. He is publicly censured for this action and the novel follows his later attempts at coming to terms with himself and his past and seeking redemption and acceptance.

Important themes in Lord Jim include the consequences of a single, poor decision, the indifference of the universe, and the inability to know oneself or others.

There is book The Body Snatcher by Robert Louis Stevenson. Its characters were based on criminals in the employ of real-life surgeon Robert Knox (1791–1862) around the time of the notorious Burke and Hare murders (1828). Neil said: Oddly enough, episode 3 will take us to a little stint of body snatching in the era.

There is Catch-22 book by Joseph Heller that coined the term Catch-22: situation from which an individual cannot escape because of contradictory rules or limitations.

Is there only one hand or are there two? :) EIther 6 ;), or 6:30 :).

Through the window we can see the coffeeshop Give Me Coffe or Give Me Death where Nina works! :)

Azi is wearing his nifty glasses :).

Crowley is wearing his new glasses, they are RIGARDS X UMA WANG - THE STONE ECLIPSE (VINTAGE BLACK/BLACK STONES) - $435

There is the Holy Bible Aziraphale used in Season 1 :)

There seems to be a broken phone :).

The cakes behind Aziraphale are Eccles cakes :).

Azi is reading A Tale of Two Cities by Charles Dickens published in 1859, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris, and his release to live in London with his daughter Lucie whom he had never met. The story is set against the conditions that led up to the French Revolution and the Reign of Terror. 

Another book there is Pride and Prejudice by Jane Austen - Neil said said that we will learn a lot about Jane Austin we didn’t know before.

And finally the Treasure Island book by - again :) - Robert Louis Stevenson, an adventure novel with pirates.

There are three geckos cuties. Who are they? Pets? Is Ligur haunting the bookshop? Who knows :).

A mysterious pamphlet, 'The Resurrectionists’ leaflet. (unofficial spoiler :)).

Also there is an old camera... mmm 🤔 Did Azi made some photos (of what? Him and Crowley, ducks? :)) Will we see them? :)

Their positions is an homage to the book covers! :)(x)

Will update this as fandom discovers new things! :)❤

[quinton-reviews]

Hi Quinton!! I have been a HUGE fan of your stuff since a friend sent me the Tobuscus Fallen Titans (I used to watch him back in high school and was like "huh, wonder what happened to him after those allegations") and I gotta say, it is REALLY FUNNY every time my fiancé and I watch the iCarly videos again, because when you cover Gibby's stunt double breaking his ribs, you cut to a clip of The Official Podcast. I used to play D&D with one of the main dudes from the podcast, so when he talks during that clip I do a goddamn double take literally every time.

Anyways, I remember an original Patreon stretch goal being a Fallen Titans on Homestuck! I was really big into Homestuck in my early 20s, and was wondering if that's still on the table at some point? If not that's fine, I understand plans change! I just love Fallen Titans lol, the Fred episode and the Neil Cicierega unFallen Titans are some of my favorite videos of yours!

That's a real funny story!

So here's the rundown on the Homestuck video. When I first started making long videos, they were actually inspired by the relationship I had with other YouTubers at the time. I used to watch, like, H3H3 and Filthy Frank, etc; and I'd always see people obsessed with the versions of creators from the past. Like, "Oh 2015 H3 was the best" and "Oh 2012 Frank was peak." So I had this idea that it would be crazy if H3 posted, like, a video he spent a decade on and you got a new video with 2015 H3 10 years on. (I don't watch H3 anymore ironically)

So the original idea for the "long video" format was that it would be cool if, throughout a long, analysis/review/recap video, you kept noticing someone get older. Maybe my months, maybe by years. That's why I always like to get a haircut when I start one of these videos. If you scrub through and you see my hair get longer and messier as it goes on I think that adds something magical you can't fake.

So... My pitch to the Homestuck video was that it would be funny to work on it just once per year. To record one segment, say "That's it for 12 months", and then come back around to it. And when I was making the iCarly and Victorious videos I actually recorded a few minutes of the video! I think it was two segments in total. But then I had a bunch of personal stuff happen and my work drive has been much lower, so any "back burner" video hasn't gotten much attention since then.

Now that the iCarly mini-series is done with, I want to focus on some short one-off videos I can make before April. But once that's done with, I would REALLY love to start work on a few more long-term projects which will take months or years to finish. I think returning to work on the Homestuck video, to at least get the first 20-30 minutes done, would be a great idea this summer.

Now, if you want to know my pitch for that video, here it is. The video is not a recap of the creative history of the franchise. I do not get into drama, community hell, lawsuits, or other YouTubers. My idea is this: you always hear about Homestuck as an outsider but you never hear about the actual content. Most franchises on Earth I know something about, even and especially if I've never been interested in them. I can tell you a bunch of facts about wrestling and MLP and the Fast and the Furious simply through cultural osmosis and having friends who are into those things.

I can't tell you the plot of Homestuck, who the characters are, what the themes are, nothing. I've known a lot of people who were into Homestuck but nothing about the series!

So I thought it would thus be funny to make a video about a bunch of people who know nothing about the series starting from the beginning and giving their reactions, even if it's been years since it all started. I call this part of the video the "Homestuck Book Club." So the next step is me picking out the members (who all have to have no history with it) and making sort of a podcast setup. We'd then read and record every six months or so, IDK.

This is why the video has been stuck in production hell! Everyone who wants to work on it and messages me about it already knows the franchise. I don't want spoilers, I don't want people writing for the video who get it already. I want to capture the "what the fuck is this" energy of three dudes just getting in the middle of it.

Also, I think that I really like the theme of the video capturing our lives as they go by, capturing us aging and changing. If you came back from the future and told me this video comes out in five years, I'd say great. If you told me it comes out in ten years, I'd say awesome. Until then, the latest edit will always be on Patreon, even if you have to dig a little.

[thenightling]

Dead boy Detectives review

I've watched all eight episodes of Dead Boy Detectives and it was a decent show. It's not something I may obsess over like The Sandman, or The Witcher, but it was decent.

Dead Boy Detectives is the story of Edwin Payne and Charles Rowland. Edwin was killed during a Satanic ritual in 1916. Charles died from hypothermia and internal bleeding after some bullies drove him into an ice-cold lake while throwing rocks at him.

(Note: That was not how Charles actually died in the source material. In the comics, Lucifer had quit and shut down Hell (the basis for the TV show Lucifer) so many evil souls returned to Earth, including the boys that sacrificed poor Edwin. They badly burnt Charles' back on a hot stove and Charles died from his injuries.)

The two ghosts decided to dedicate their afterlife solving mysteries to help other ghosts find peace. They are aided by psychic, Crystal Palace, who is haunted by her abusive ex-boyfriend who happens to be a demon.

Both Edwin Payne and Charles Rowland originated in Neil Gaiman's The Sandman: Season of Mists, The Sandman: Volume 4. Issue 25 of The Sandman comics, and within Act 2 of The Sandman audio drama.

The Dead Boy Detectives made their TV first appearance in Doom Patrol for HBO Max (now Max). During a shakeup at Max the show was moved over to Netflix as to better connect it with The Sandman since that is where they originated.

The show features different actors from the ones that played Charles and Edwin on Doom Patrol.

The Dead Boy Detectives is a decent show but ...it feels a bit like a CW teen drama. I had been told that some of the show's writers were originally writers for the CW... and it shows.

There are some deliberately surreal elements of the show that I think are a callback to their appearance in Doom Patrol.

I love the variety of supernatural entities in the show, including the appearance of two of Morpheus's siblings. Death and Despair. The things I don't like about the show can be considered CW tropes or cliches. The angsty romances and unrequited love. The ham-fisted abusive ex metaphor between Crystal and David The Demon.

And of course the most tedious of CW tropes, the end of the episode pining and angst while a sad pop song plays in the background.

If you look past the CW-ness of it, the show is enjoyable.

The only other things I can complain about is the "connecting thread" subplot of The Afterlife: Lost and Found feels like unnecessary filler. And I wish they would openly establish that Edwin, being an innocent, would NOT return to Hell if collected by Death now. I don't think that should be left hanging over his head. Especially since we're supposed to see Death as a kind entity. Also I think Charles says "Aces" a little too much. It's very distracting and makes me feel like the writers didn't know much late 80s English slang. It would be like if he was an American and they had him say "Radical" all the time. I get that it's kind of his catchphrase but it also got a bit annoying.

The parts I don't like are CW tropes and what I'd consider to be late 90s Vertigo edginess.

The thing I liked were plentiful though. The protagonists were and are likable. The ending is satisfying enough so that if there is only one season this was still good. I liked that it appears that one can ascend out of Hell after some self-reflection as is indicated by the boy Edwin confronted in Hell. The blue light was established to mean ascension, a good afterlife.

I also LOVE the opening credits theme music and animated sequence. It reminds me of the intro to Showtime's Creature Feature movies. (See the trailer for 2001's She Creature, not the 50s version. Watch the trailer at thirteen seconds in, on Youtube, and you'll see what I mean).

That's two Gothic themed shows from Netflix in the last two years with great opening credits sequences. The first being Wednesday. That one won Danny Elfman an Emmy.

It's funny, Wednesday and Dead Boy Detectives (which is a spin-off of The Sandman) have great opening credit intro sequences but The Sandman does not. Apparently Neil Gaiman was told people don't watch the opening credits anymore so The Sandman doesn't have them.

I feel we were cheated out of what could have been a great opening sequence for The Sandman.

Episodes 7 and 8 of Dead Boy Detectives were probably the best of the series. I liked it well enough that if Dead Boy Detectives gets renewed I'll happily watch season 2.

[meatballlady]

It's time for the fandom to start Looking Where the Furniture Isn't

For a bit of background, one of my irl professional responsibilities is to identify and avoid making undue assumptions. There are a LOT of things that we humans assume. We assume that terminology means the same to other people as it does to us. We assume everyone has the same context of a situation we do. We assume that we aren't missing any information.

We operate on the information we have.

There was an ask before season 2 aired asking whether many of the plot points had been revealed by the clips (which almost all took place during the first half of the first episode). Neil's response was something like "oh you sweet summer children you know nothing yet." And boy was he right.

Neil Gaiman is a master of controlling assumptions. Just look at his Tumblr askbox replies.

Here's a few s2 examples of assumptions we all made (as I'm starting a rewatch):

Why did Crowley do the (very fun and distracting) apology dance? You might say it was because he walked out on Jim, but he never specified, did he? And Aziraphale was surprised that he proposed they would hide him "together"

How did Shax get a rumor about something going down in the Up (presumably) before Gabriel even went downstairs?

Did Jim need to bring Aziraphale something other than the box? He never actually specifies; Aziraphale just assumes it's the box.

Why did Aziraphale assume Maggie could feel [Michael, Uriel, Saraquael] arriving?

Why does Aziraphale say Heaven would notice even a small miracle? Crowley is seen doing a miracle before their large miracle (traffic light), and later Aziraphale makes the guy leave the table at the pub

To go deeper:

Are we assuming that characters are telling the truth? Example: "Miracles don't work like that," "[Extreme sanctions] was just something we said to frighten the cherubs" etc.

Are we assuming that nothing of note happened between apocalypse v1 and s2? (ex. the claims that Crowley didn't tell Aziraphale about the trial in heaven despite him referencing it in s2s1) What if we the audience are just jumping in near the end of this story?

Are these assumptions correct? Or are we just working with the information that we have?

Now that I'm looking for it, there's also SO many corrections of assumptions (usually for the sake of a joke, but still) (these are just the ones that happen while I type them out while watching e2):

"Can I be a blue one?" "You haven't annoyed me yet" "But can I be?"

"You recognized [Michael, Uriel, Saraquael] those people who were in the shop just now?" "Of course, they were in the shop, just now!"

"oh my god!" "blasphemy, angel, that's not like you", "no, oh, my god"

Many of the themes were about hiding things in plain sight: the kids (and kids), Jim, "aim for my mouth but shoot past my ear." Clue (1985) was heavily referenced in the lead-up. The whole point of that film was looking at what was going on elsewhere. Looking where the furniture isn't, you might say.

The more I watch s2, the less certain I am that any of it makes sense on its own.

I'm currently combing through it to see if there are any discrepancies with where people are (easiest example is when Crowley just disappears from the bookshop while they're reviewing the Job story). It'll be a lot of data and might not lead anywhere, but I'll definitely share once I finish looking into it.

I will also honestly admit that these things are all circumstantial, and I could be going insane. But they just keep cropping up all over the place. I've got a lot of time before S3 comes up and I intend to investigate the furniture. And try to not make assumptions.

[neil-gaiman]

Hi Neil,

I know you’re a big fan of dogs and integrate animals into many of your stories. This puppy is coming home to live with me soon. He’s an Ibizan Hound, which is a type of Spanish greyhound. They run fast, bounce, and have great senses of humor. My puppy is bold, engaging, and friendly. The litter theme is names inspired by your works. I’ve narrowed it down to two sets of names and was wondering what you thought? Or if you had another suggestion? If you say it, it’s your works, right? Puppy needs an every day call name and a fancy registered name. So I have call name: Noodle. Registered name: Phantom Acires Mobius Strip -or- Call name: Crowley. Registered name: Phantom Acires Have a Nice Doomsday. Would love to know your thoughts. I’ve long been a fan and reread and listened to nearly all of your works over the past two months in preparation to name my new puppy. So it’s been such a great journey. Thank you for your stories. -Michelle

Your puppy is glorious. I'd go for Noodle because it has a consonant in the middle.

[queerfables]

The Rules of the Twist

Given the themes of deception and sleight of hand in Good Omens season 2, I think most of us agree it's at least possible there's some kind of twist waiting to be revealed in season 3. We're bouncing around a lot of theories, but I wanted to take a step back and look at the general shape of what we might expect.

The big twist we've seen before in Good Omens is Crowley and Aziraphale's body swap. (Okay, technically it was an appearance swap. But that just doesn't sound as pithy.) Rather than anticipate an exact repeat of this trick, I'm considering the swap as a sort of model. What does it tell us about the rules Neil plays by when he pulls a twist in this story? What clues can we expect, and what can we not count on? Sure, there's no guarantee that a season 2 twist is going to map exactly onto what we've seen in the past, but I think it's a reasonable place to start. Take these as guidelines and take them with a grain of salt, but if you're sorting through all our fascinating Good Omens theories and trying to decide what you think, you might find them helpful.

So then, what are the rules?

Broadly speaking, Neil plays fair with twists. He foreshadows and includes enough hints for the audience to make a reasonable guess at what's going on, or at least to look back after the reveal and go, "oh, of course". But he still keeps some cards close to the chest.

During the body swap, there are two big gaps in the information we're given:

Key events happen off screen The swap happened between scenes, during a time that it was only suggested, not confirmed, that Crowley and Aziraphale would be together. The transition between these scenes also used film and tv conventions to make that passage of time "invisible" - we see Crowley and Aziraphale get on the bus, and then we see them in the morning going about their days separately, and we're conditioned to think nothing important could have happened in between.

Key tools (eg abilities, items, information) haven't been shown before The swap was not something we'd ever seen Crowley and Aziraphale do, and it wasn't something they'd ever talked about either. It fit comfortably into the established world building but it hadn't been specifically signposted as a possibility.

The other big twist that Good Omens pulled was the romance between Gabriel and Beelzebub as the explanation for Gabriel's disappearance from heaven. Both of these information gaps are involved here too. The offscreen event is obviously the meetings between Gabriel and Beelzebub that lead to them falling in love - up until Gabriel's flashback sequence, the only indication they'd ever met each other was a brief conversation at the airbase during Armageddon. The tool that we haven't seen before is Beelzebub's ability to create a fly vessel for Gabriel's memories (protecting him in much the same way that Crowley and Aziraphale protected each other with their body swap, in fact).

These are pretty big gaps, really. And given that Neil knew there'd be years between seasons 2 and 3, I expect he would have leaned pretty heavily into them if he wanted to hide something. So how do we predict a twist if we can't know where it is and haven't seen what it might involve?

Unanswered questions

This is the big one. Looking at where the furniture isn't, you might say.

What's interesting is that the questions that point to a twist aren't usually subtle or ambiguous. For the body swap, the two converging questions were: what did Agnes' last prophecy mean, and how could Crowley and Aziraphale survive their executions? In season two, some of the unanswered questions signposting Gabriel/Beelzebub were: how did Gabriel lose his memory, why was he carrying a box, what was the significance of the song he kept singing, who was he at the Resurrectionist with...

I think guesses about upcoming twists are most convincing when they seek to tie up loose threads from the show. For this reason, I'm a little skeptical of theories proposing the kiss between Crowley and Aziraphale involved some kind of twist. It isn't impossible, I just don't see any unanswered questions there. (Savvy readers may note that I too have speculated about a twist hidden in the kiss. I do find the possibility fun, but it's not a theory I'm seriously committed to). If I was going to really buy into one of these theories, I'd want it to explain one of my big unanswered questions other than "but how could they get into a fight that hurts me so deep in my soul?" That's definitely a question I have, but not technically a mystery.

It's worth noting that in the case of the body swap, we were initially given a false answer to the question "how did they survive their executions?" The angels and demons watching attribute it to Crowley and Aziraphale having "gone native", believing that their natures had fundamentally changed, making them immune to holy water and hellfire. It might be the case, then, that some of the apparently resolved questions this season warrant further investigation. Is there more to the story of Gabriel's disappearance than we know, for example?

2. Unexplained details

If examining an unanswered question is looking at where the furniture isn't, then this is where we take all the pieces of furniture piled up in storage and see if we've got anything that fits. Everything is fair game here: script, acting, music, props, sets, costumes, editing, camera angles, audio effects, visual effects, everything. If it's on the screen or coming through the speakers, it was put there on purpose by multiple teams of highly skilled and attentive creators all working together to create the final product.

I think you could probably do an entire meta on all the little details pointing towards the season 1 body swap, but here are some of the big ones:

"Crowley" sees the restored Bentley, but takes a taxi instead of driving it

"Aziraphale" circles "Crowley" when they order their ice creams, the way Crowley more typically moves around Aziraphale

"Crowley" says "tickety boo", an extraordinarily Aziraphalean phrase

The collar on "Crowley's" jacket is a beige tartan rather than its usual red

There are general differences in the ways David Tennant and Michael Sheen embody the characters throughout the swap

Similarly, Gabriel and Beelzebub's romance has lots of small details pointing to it. The big one that keeps showing up is the connection between Gabriel and flies. He mentions them and interacts with them repeatedly, and although it isn't obvious at first glance, there's a fly in the box that he carries to the bookshop. This all culminates in the reveal that it's the same fly, Beelzebub's gift to him.

Here's the problem, of course: if everything in the show is intentional and crafted with meticulous attention to detail, how do we know what actually matters? This is why I think it's so important to look at the unanswered questions first. There's a joy in seeking out Easter eggs and connecting all the dots, and sometimes you might strike gold this way, but there's also a lot of noise in the signal. It's helpful to know the general shape of what you're looking for, so you'll know when you've found it.

You can reverse engineer this. Start with details that jump out at you and then look for a puzzle they might explain. This works, but it's a little easier to get lost in the weeds, struggling to sort out what's significant and what's a fun reference to another piece of media or a hint to a question that's already been resolved. Going back to the twists we've already seen on this show, the unanswered questions around them were really big and obvious, so I think it's a good idea to ask: if I hadn't noticed this detail, would I have thought this was a mystery that needed solving?

Okay, but what do we do with this?

Well, maybe nothing. These criteria can't confirm or rule out any theories, after all. I'm laying it out like a rubric but it isn't really, I'm just describing a few storytelling patterns we've seen before and making some rough guesses about how they might show up again. If I were really serious about this I'd probably take a look at other examples of Neil's work and see how well my model holds up there, but the truth is I'm not really familiar with enough of his other works to do this. (Confession time: I was always more of a Pratchett fan).

The main reason that I've laid everything out like this is it informs my thinking when I stress test my own theories, and I figured other people might be interested in it. I'm also hoping it will help me to be able to refer back to this when I write meta in the future. For my own purposes, I find a breakdown like this helpful because it gives me a sense of how a writer approaches their story, where they'll tip their hand and where they'll hold things close. It's no guarantee and it wouldn't be any fun if it was, but in a lot of cases we're not aware of our own patterns, so it can be surprisingly illuminating.

[creamenjoyer]

𝙨𝙖𝙡𝙫𝙖𝙩𝙞𝙤𝙣.

18+ only content, mdni

✰content: neil lewis/f!reader, kink discovery, sub!neil, use of "puppy," use of "goddess," face riding, religious themes, mild bondage, 1.1k words.

✰do not repost to any other platforms.

“there’s.. there’s, uh,” neil’s voice cracks, “this- this porno…”

you stare back at him, patient. 

“i was wondering if.. if you’d wanna, i dunno, uh..” you can see sweat forming along his brow. “if you’d wanna, maybe, reenact it?”

you only blink back at him. “i guess i’d have to watch it first,” you murmur, fingers carding through his hair absentmindedly. he swallows; you can almost hear his heartbeat.

“we, um, we could watch it together,” he replies, all too quickly. a smile creeps onto your face.

the porno is, as you expected, fucking filthy. it’s different from what you’re used to, though. the woman binds the man to the bedposts and he begs to fuck her and it’s - well, it’s really hot. neil is practically vibrating next to you throughout the entire viewing experience. he’s nervous; it’s cute.

“we could try this,” you find yourself mumbling as the woman in the porno coaxes the man through his second orgasm. he thanks her. you feel something tighten in your gut. 

neil perks up beside you. “you think so?” he asks, somewhere between hopeful and afraid. the man on the screen before you cries for mercy. you nod. 

✰✰✰✰

neil’s wrists are bound to the bedposts. he tugs weakly at the restraints as your lips travel ever so slowly up his thigh. his bottom lip nearly bleeds as he sinks his teeth into it - a futile attempt to muffle the pathetic, gleeful noises creeping from his throat. 

“look at you,” you whisper against his flesh, “my pretty boy.”

he outright whimpers. “yes,” he chokes, “yours.” his hips threaten to buck. this earns him a nip to the inner thigh. 

“be good,” you warn, “or you’ll be.. punished.” the words sound strange to your own ears, but they must do something for neil, as you feel his muscles flex beneath your lips. empowered by the movement, you continue, “you want to be good for me, don’t you?”

neil nods desperately, another pathetic noise slipping past his lips. this isn’t enough for you. suddenly, you recall a moment from before, during the film, that made his grip on your hand tighten. “you want to be a good puppy, don’t you?” 

your cheeks redden at your own attempt. but neil keens in response. “fuck, i do,” he whines, “i want to- to be a good puppy!” his hips move without his control. you force them against the mattress with a firm hand. 

“for who?” you demand, teeth still grazing closer and closer to where he really wanted them. this sends him over whatever edge the two of you had been toeing. 

“for you, goddess,” he cries. he sounds so much hotter than the guy in the porn. “i wanna be a good, fuck, p-puppy for you.”

you reward his obedience with a light kiss to the tip of his dick. he throws his head back as more of his pretty sounds fill the room. “should i suck it?” you ask him, bringing a hand to stroke his cheek. he presses his face to your palm. “do you deserve it?”

he’s thrown. of course, he wants it, wants it so fucking bad - but does he deserve it? has he earned it? “not yet,” he decides breathlessly. you cock an eyebrow, leaving your place between his thighs to bring your face closer to his. “let me.. let me eat your pussy, goddess,” he pants. 

neil’s shitty apartment suddenly feels a lot like heaven. 

you brush your thumb against his bottom lip. “since you asked so nicely,” you whisper, before pulling him into a tender kiss. it grounds you both; you can’t help but grin into it. 

when the two of you finally separate, you slowly position yourself above his face. you look down to ask if he’s ready, if he’s sure he wants to do this, but - fuck. he’s looking up at you with pure adoration, unabashed love and longing. your heart leaps against your ribcage. you sink.

sparks fly as his lips meet your clit, then your lips, and your clit again and oh shit, he’s sucking it the way he knows you fucking like it. you can’t stop the filth that comes pouring from your mouth, “that’s right, baby, that’s my good puppy,” you thrust yourself harder against his face, “such a good little mutt. so.. shit, so obedient.” 

neil’s whimpers are muffled, vibrating against you. you guess he really enjoyed the part of the film that made you the most nervous. until this moment, you could never have imagined degrading your boyfriend this way - much less fucking his face while you did it. now, though… 

“how long have you wanted this, hmm? how long,” you tangle his hair between your fingers and yank him impossibly closer to you, “have you been fucking your hand - fuck - to the thought of being my stupid, slutty puppy?”

frantic, desperate licks and kisses are pressed to your entrance as he cries, “too long, goddess - i’ve wanted it.. for so long.” 

a particularly well placed kiss has you keening, baring your neck to the sky. “good boy,” you gasp, “that’s my good puppy - fuck!” the next words out of neil’s mouth are muffled as you rock your hips against his lips, desperate for more friction. 

stripe after stripe is licked against your pulsating cunt; frantic kisses are again pressed to your clit. “neil,” you whimper, “i’m gonna.. you’re gonna make me-”

“please goddess,” neil rasps. his pretty blue eyes meet yours as your cunt coats those soft, pillowy lips. it’s a heavenly sight. “please, let me make you cum.”

who are you to deny a sinner’s prayer?

your orgasm is holy. a rebirth. 

you both feel it; neil whimpers and whines with every throb of your swollen little clit. your vision spots - glowing stars, entire constellations fill your view. 

“yes, more, thank you, goddess- please,” you hear, muffled by your own euphoria. as you come back to earth, neil is still worshiping at your altar, gentle licks against your sex causing pleasant and torturous aftershocks. 

“good puppy,” you hear yourself cooing, “that’s my good boy.” your fingers in his hair curl and tug his head backward. his lips are a beautiful shade of red, a maddeningly sexy contrast to the desperate blue eyes staring back at you. “my pretty puppy,” you whisper before falling against his chest, meeting your lips to his. the kiss is so full, so passionate, you can’t help but roll your hips against his weeping erection. he groaned into your mouth. 

“you were so good,” you hum between kisses, “i think my pretty boy deserves a reward, yeah?” neil makes an angelic sound as you pull his bottom lip between your teeth. 

“please goddess, anything,” he prays. your heart swells. 

“don’t worry, baby,” you murmur against the skin of neil’s neck, trailing hot and wet kisses all the way down to his collarbone. “all dogs go to heaven.”

[weirdly-specific-but-ok]

a lil good omens brainrotted update from your mascot

Hello my maggots it's nearly midnight here's how the brainrot's going (spoiler alert, there are no, uh, ripe braincells anymore).

I just spent a rather significant amount of time drawing leaves into my bullet journal (because it's Crowley themed this month).

That whole time I listened to first Crowley's apartment ambience and then to a bunch of Good Omens edits and got extremely emotional about it but in the best way. God I love this show.

Every day (it'S a-GEtTinG clOSeR) I have a stare-off with the Good Omens book that keeps me company on my desk.

It laughs in my face, daring me to read it.

I recall the last time I opened it (to summarise, I read a line about Crowley and burst into tears like the macho guy I am). I refuse.

We are locked in a battle of wills. Who will win, the book or I? I'm torn between wanting to read it so bad and the fear that I will never be emotionally stable again if I do.

Speaking of books, just for vibesies an update on the one I'm writing, I've written 7,200 words in the past six days (when I pulled the WIP out of its musty folder because of that post Neil made).

The page I made in the bullet journal was actually a writing tracker here lemme show y'all because I'm proud of the progress I made:

[Yes, that is the Good Omens book lurking in the top left, it's never far away. The battle is perpetual.]

Crowley quotesssss all the Crowley quotes I love them so much it's insane.

Also, I'm gonna go get yarn to I can continue my endeavour to learn crocheting to make a Crowley-beanie. @singalongpoppet is my guru and leader in this journey. Not sure if I'll manage it, but a guy can dream. Channeling my non-existent cottagecore era.

I am also considering getting a Plant.

Weirdly enough, this is not entirely brainrot, I was supposed to grow a plant back in January because my word thing of the year was Grow (the burden of prophecy is real).

However, I am dreadful at taking care of them, even succulents. I managed to kill a wild cactus that I brought home from a roadside. It survived several months but in the end being around me was too much for it, poor thing.

I assume there is a bit more to plant-parenting than misting them and screaming at them to GROW BETTER, so any advice, please?

End of update, I have no idea how to write conclusions so have a snapshot of the dynamic of Rian and Avi, the characters in the book I'm writing [spoiler alert: their dynamic is dumpster fire].

Love you my maggots have a wonderful brainrotted day xxx

[vladdyissues]

We Have A Problem

Danny could scarcely contain his excitement. After eight long months, the wait was finally over: Tonight was the premiere of the hotly-anticipated new television docuseries, Knowing Universe.

The product of decades of research and collaborative efforts from the world’s greatest minds—astronomers, physicists, astronauts, engineers—Knowing Universe was rumored to have had a production budget somewhere in the hundreds of millions and boasted the latest advancements in computer graphics and long-range photography. New lenses had to be fitted to NASA’s telescopes to provide viewers with high-resolution images. Helmed by a famous Hollywood director and scored by Hans Zimmer, Knowing Universe was expected to go down in history as the most pivotal science documentary ever created, eclipsing even Carl Sagan’s beloved Cosmos.

A year ago Danny would have eschewed such blasphemy, but the litany of promos and sneak peeks on The Science Channel had finally won him over. It was all he had talked about for the past month.

Every member of the Fenton family knew what a monumental occasion this was to Danny, and had marked their calendars accordingly. With the big day finally here, a festive atmosphere descended upon Fenton Works. Pizza was ordered. Living room furniture was rearranged around the TV, the windows blacked out with construction paper. Glittery blue streamers festooned the ceiling. Glow-in-the-dark stars and meteors spackled the wall. Jack made three enormous batches of “galaxy brownies”, a regular brownie recipe but studded with white chocolate morsels and multicolored candy sprinkles. Maddie and Jazz took care of the music, arranging a playlist consisting of space-themed songs that featured such hits as David Bowie’s Space Oddity and anything by Daft Punk. Sam brought over a tray of veggies that had been cut into star shapes, and Tucker had printed out cards for an astronomy-themed parlor game to play while they waited.

At eight o’clock the lights were dimmed. Everyone gathered in front of the TV. Danny, hyped out on too much sugar, grinned like a maniac, practically vibrating with anticipation.

Sam passed a smirk to Tucker. “I think we know what to get him for his birthday this year.”

“Yeah,” Tucker laughed. “Posters, t-shirts, the DVD set—”

“Shh, shh,” Danny hissed. “It’s starting!”

Six pairs of eyes glued themselves to the opening sequence: a panning, high-definition shot of Earth, complemented by a gentle, sustained note on flute. Then, a voice:

“For as long as humanity has existed, we have looked to the stars…”

The ecstatic grin slid off Danny’s face.

It wasn’t David Attenborough’s educated gravel, or Neil deGrasse Tyson’s friendly, conversational baritone. No, this voice was intimately familiar, lightly accented, arrogant, with phlegmy fricatives and a rolling, almost musical modulation.

Tucker clapped his hand over his mouth. Sam goggled at the screen.

“Oh, my God, no,” Danny murmured.

Jack Fenton popped to attention. “Hey! That’s Vladdie!”

“No.”

“Vlad’s narrating the show!”

“No.”

“Hey, Danny, isn’t this—”

Outside Fenton Works, a howl rose over the rooftops, and every dog in the neighborhood took up the call:

“NOOOOO!”

Read on AO3

[aftgficrec]

hi I'm so excited I caught you guys open :D

I was wondering if you guys could find some fics where Neil brings up his past in casual conversation or his past gets brought up because of something he said or did

Also I've read a lot of the older soulmate fics where they can feel each other's pain or communicate telepathically and stuff like that but was wondering if there are any new ones :)

Ty u so much <333

There is so much material here I decided to split it into 2 parts, one with fics about Neil’s past, and one devoted to soulmate aus.  Enjoy! - S

references to Neil’s past:

people Neil met on the run here

Foxes learn about Neil's past here

The Foxes react to Neil’s life here

The Foxes react to Neil’s scars here

The Foxes react to Mary’s abuse here

videos of neil on the run here

Neil’s secrets unravel here

Neil says ‘it’s fine I’ve had worse’ here

Neil shows off his knife skills here

‘The Bet’ here 

‘here I am, there you go again’ here

‘I'm not broken (I'm made for a mosaic)’ and ‘More Afterthoughts, Chapter 39’ here

‘arrivals/departures’ here 

‘TFC minifics...’ Ch 23 here

‘heavy hands, heavy hearts’ here

‘"I've endured far worse"’ here

‘it whistles through the ghosts still left behind’ here

you may also like:

Neil with languages/accents here

Neil with languages/accents 2 here

‘No straighter path than to struggle’ here

Neil also shows off his knife and language skills in ‘I Hope You Lie To Me’ here (ch. 9)

Neil’s past:

Andrew, I'm fine by AceSirenSinger [Rated T, 2081 words, complete, 2023]

Andrew passes through the door into the ensuite bathroom, and he freezes an instant before he understands why. The bathroom tile is smudged red, just so. Someone bled here, and then wiped it, too quickly. Andrew wants to call for Neil, but he is suddenly unsure if he is alone in his apartment.

tw: nightmares, tw: implied/referenced rape/noncon, tw: knives, tw: violence

Killer Bunny by godless_writer [Rated T, 6661 words, complete, 2023]

Neil started his second year in college thinking his past was behind him. His father was dead, Riko was dead, he was no longer running – nothing left to hide from. At least that is what he thought before six FBI agents barged into his team’s practice one day. Or The team finds out Neil had to kill some of his father’s men while on the run.

tw: implied/referenced murder, tw: implied/referenced abuse, tw: panic attacks

Bound for Error by confusedtoadd [Rated M, 22759 words, incomplete, last updated July 2023]

“You claim you’ve left your truth bare, yet you still lie, interesting don’t you think Nathaniel?” Neil was paralyzed, stuck between begging for her to stop and strangling her. They were a mix of his parents' wishes, his father's anger was bubbling over, his mother's survival instincts charged his legs with vigor. “Perhaps I should have stepped in sooner. No matter, they will know the truth soon, you did promise no more running, Nathaniel.” OR The foxes react to Neils life, pre-canon included.

tw: implied/referenced suicide attempt, tw: implied/referenced suicidal thoughts, tw: implied/referenced self harm,  tw: violence, tw: blood & gore, tw: torture, tw: abuse, tw: psychological abuse, tw: panic attacks

Secrets by The_stars_ship_us [Rated T, 1265  words, complete, 2023]

Matt sees Neil's scars for the first time and Neil wakes up, still sleepy, and feels comfortable and safe enough to speak in his true accent

tw: implied/referenced abuse, tw: scars

The Best That You Can Hope For (is to die in your sleep) by Major_816 [Not Rated, 10840 words, complete, 2022]

The first time O’Malley saw the kid was in a low-level underground gambling ring, walls crawling with asbestos and next to every bastard inside armed with something sharp if not something packed with warped metal and gunpowder.  He couldn’t have been more than thirteen, but he surveyed the crowd of the room with years more experience than he should have. There were scars cutting across exposed bits of skin, sick looking in the light of the place and stretching hotel-bible-page-thin over crooked bones.  He was a wispy thing. Nothing more than a scrap of a boy stitched together. O’Malley was half-convinced a strong wind might blow him over, but the kid turned, those quick and clever eyes burning across the room and O’Malley could recognize that sort of fight instinct.  He saw him again half a year later in Northern Florida.

tw: implied/referenced child abuse, tw: scars, tw: panic attacks, tw: dissociation

Broken bones by All_for_the_andreil [Rated T, 1126 words, complete, 2021]

Neil gets injured during a game and freaks out. Andrew finds out what exactly happened to Neil in Baltimore.

tw: implied/referenced torture

I guess I can drop the accent now by poly_pr1nce [Rated M (we say T), 495 words, complete, 2020, locked]

Neil reveals the final thing he's been hiding about himself after the Foxes win against the Ravens and Riko's death

...'ah yes, my shirt will cover this'  by @jingerhead [tumblr, 2021]

This prompt is great, I've read some angsty fics about Neil getting hurt and they're great BUT I love the idea of Neil getting stabbed and he's just like.....'ah yes, my shirt will cover this' and everyone notices right away. I think something super angst or something more lighthearted would be equally great haha!

tw: injuries

Art

what’s life on the run like? art by @meaucrow

Thinking about all he went through trying to survive art by @microolli

[willowmaidsworld]

Good Omens s3 clue

I realised I never posted this, although I made it ages ago! So here y'all go!

This is going to be long, and I hope it will make sense. Please bear with me to the end, I will eventually get to the Judgement Day, Armageddon, Death (and four horsemen of Apocalypse) and I will mention goats.

I noticed this tiny clue when watching s2ep3. Aziraphale drives to Edinburgh and the Bentley plays classical music. But not just any classical music – it’s Danse Macabre by Camill Saint-Saëns.

I am a musician and I've played this piece in the past, so I knew there was a lot of symbolism to uncover. And that thing is deeper than I thought. I will be speaking about some music theory, but I will try to make it as understandable as possible. 

I think it would be best, if you listened to Danse Macabre: https://youtu.be/…zrJ 

I would like to speak once more about the scene in which Danse macabre appears. Aziraphale is driving to Edinburgh in now a yellow Bentley, and he even has his "car sweets". He is quite satisfied. And he plays this, certainly dark-themed, music. It is a major contrast. 

Danse Macabre, "the dance of death" is a memento mori. Memento mori is a theme we see in art, and it originated in medieval times as reaction to the plague. It should remind us of our own mortality. “Memento mori” literary translates as "remember death". And mark my words, do remember death!

The composition uses tritones, a special kind of a music interval. (Interval is the tonal distance between two tones, you can play the tones together and/or separate.) Tritone is seemingly dissonant because it uses seemingly inharmonious tones. (You can hear tritones just at the beginning, the violins play it.) Because of its dissonance it was called "the devil in music" and was considered forbidden and associated with Hell/demons/death.

Since the music piece and the poem is based on the theme of Memento mori, I had to look into it as well. Turns out Danse Macabre was inspired by a poem by Henry Cazalis. Here is the poem: https://oxfordsong.org/…bre Memento mori doesn't only remind us of death and our mortality, it also reminds us, that everyone's equal in death. Henry Cazalis, the poet, writes: Long live death and equality! The poem is called, of course, Danse Macabre, but I found that it is also called Égalité - Fraternité (when reading stuff about it in French). This is a reference to the French revolution motto: Liberté, Égalité, Fraternité (Liberty, Equality, Brotherhood), but Liberty is missing. Is there then no Liberty in death and we are all doomed to obey someone's will, The Ineffable plan? (Good Omens book and season one also deals with topics of free will, look at Crowley and Anathema. She has been doing only the things her dead ancestor told her to do, she overcomes it in the end. I think it nicely illustrates the problematic of a free will. And Crowley values free will a lot.)

Memento mori says one thing - remember death, no one can outrun it. And there I would like to get back to season 1, because who else we meet here than Death itself.

Death is one of the Four Bikers/Riders/Horsemen of Apocalypse. But I always thought Death has a higher rank than the others. If you think of it, War, Pollution and Famine all lead to one thing- to Death. Why would you need all three then? Isn't Death qualified enough to do its job? Also, rewatch the scene where Adam and his friends battle them! War, Pollution and Famine all get destroyed by the flaming sword. But not Death- it spreads its wings and says (quote from the book): "You cannot destroy me. That would destroy the world." And later he adds that they are never far away. And he flies of. He isn't destroyed.

Death didn't appear in season two and I think people are starting to forget it, but Memento mori! Remember Death!

I would also like to remark that Neil Gaiman says the whole story is plotted out and that he has done this with Terry Pratchett. In every Discworld series book (the magnum opus of Sir Terry Pratchett), apart from two or three, there is the character of Death. And I think it would make sense that Death would appear in Good Omens as well, after all, it is also Pratchett's book. I think we might see Death returning in season three, because the Day of Wrath/Last Judgement/Armageddon is coming. And this music piece could serve as a literal memento mori - remember Death, it has not exited the scene yet. (A lot of Pratchett's humour is based on puns, and this seems like a joke/plot twist he would try to use. It's my personal opinion based on how I know his style from his books.) 

And what's next? Armageddon is coming, the Day of Wrath is here! Both sides are pretty eager to do this ending-of-the-world thing and after all, it's what they have been trying to start from the begging of the show. It was delayed by Gabriel's "disappearance", but things are now getting into motion, I think. 

But back to the Danse macabre, because it (surprise surprise!) has quite some things to do with the Judgement Day. In the middle of the composition Cammille Saint-Saëns uses a musical theme from a different work, a Gregorian chant called Deis irae ("Day of Wrath").

Here is a link to Wikipedia page about the chant, you can listen to it there. (I didn't find any recording on YouTube, only other musicians using the quite popular words of the chant and not the actual music.) https://en.m.wikipedia.org/…rae 

About the chant itself. It is written from the point of view of a sinner/normal person, and it describes how the Last Judgement shall be. Before dealing with the themes of the chant itself, I would like to say, that Saint-Saëns has used the Deis irae in a major key. Allow me to do a quick music theory intermission.

You can play in two keys, major and minor. These are, if I oversimplify things, sets of notes with different intervals. The melody, played one tone at a time, can be used in both major and minor key. The melody isn't the thing that determines the key of the song, the tones played with it do. And depends on what tones you use, you either get major or minor. Major is (in western culture) associated with happiness and good things, while minor with sadness. (It's not always like that, but for the sake of understanding we are going to pretend it is.) Now, the Deis irae is usually written in the sad minor key. Saint-Saëns decided to use the happy major key with this depressing chant, once again creating contrast. I'm stumbling over contrasts more than usually, so this may be important. End of the intermission. 

In the third and fourth strophe of Deis irae, it's described how the sound of a trumpet will sound everywhere and the Death will resurrect all dead creations to be brought to the Judge. (Death is back again and resurrecting, that sounds familiar, where have we seen that before?)

In the fifteenth strophe, the writer, a sinner, prays for this: Put me with the sheep and separate me from the goats, guide me to the right side! Goats again, there they are! This strophe of course references the chapter 25 in the Gospel of Matthew, the Separation of sheep and goats. Sheep go to the right and goats to the left. I think the side symbolism is pretty clear in Good Omens. Right is the righteous side and left is the sign of sin. And we also know how Crowley cares about the goats. There is also the Jewish tradition of scapegoat. Either way, goats are connected to Crowley, their symbolism of being “on the left side” is clear. This interesting bit can play part in Armageddon.

In the fifth strophe of Deis irae the Book, that is exactly and perfectly worded and that will judge all world, appears. And this book is no other than The Book of Life.

We know about Book of Life from the season 2, Micheal threatens to force "extreme sanctions" (erasing them form the Book) upon anyone who knows about Gabriel. 

Enter a fan theory I read: Nor Heaven or Hell actually have the Book of Life, we never see it on screen. This was mentioned in a tumblr post, and I will probably never be able to dig it up from the depths of the internet, so remember this is not my theory. (Although I find it very interesting.) The post continues and remarks, that when Crowley in the first episode of the second season learns about the Book and the "extreme sanctions" from Beelzebub, he doesn't bat an eye. He is pretty calm and doesn't seem surprised. (He literary says: "That will teach them a lesson", man, we're talking about being wiped from the earth's surface completely!) The writer of the post thinks, this is because Crowley knows that Heaven doesn't have the book and he knows where it is. The writer claims, it was Crowley, who took it as a little souvenir before his Fall, and later has hidden it in Aziraphale's bookshop. ('Cause one single book will definitely stay hidden in all those piles of old books.)

I think this is really interesting because of Crowley’s reaction. He knows what Aziraphale is risking, and he loves that angel, yet he seems so calm. When the bookshop burned down in the fifth episode of season one and Crowley thought Aziraphale died, he went feral: he was angry and furious, and he was destroyed by the fact that he has lost Aziraphale. He mourns and gets drunk. Nothing of this happens in season two! 

So, what are my thoughts on season three? It will get really dark and serious, the Armageddon is coming, after all. I think we will see Death return and the Book of Life will appear. The goats may not be used literally, like on screen, but I think we will get some metaphors.

In all of this, I tried to say one thing. All of the cards are laid out, we have all of the clues. It would be pretty cheap trick to use some ineffable "deus ex machina", that's not Gaiman's and Pratchett's style.

I think everything is now foreshadowed; we have been given all the information. We just haven't made the links in-between. Given the uproar the second season has caused, I think people are forgetting the first season a bit. But it must end with what it started with.

I think we should look at both seasons equally and try to pick up as much as we can, after all the third season will not be based solely on the season two...

We have all the clues, now it's Neil Gaiman who plays an ineffable game of his own devising, a poker that nobody has the rules for and the dealer, Neil himself, is smiling all the time. Ineffable, indeed. If you ask me, he's enjoying it bloody-well.

[dragonsareawesome123]

Hey, Nancy Drew CW fandom! Do you guys want to watch another teen supernatural drama about found family and young people solving crimes that uses supernatural storylines to tackle irl issues that young people go through? Then you should all check out Dead Boy Detectives on Netflix! It's a show based on comics created by Neil Gaiman and Matt Wagner and is about two teenage ghosts named Edwin and Charles who run a detective agency that investigates supernatural crimes and helps other ghosts move on to the afterlife. In one of their cases, they meet a teenage girl named Crystal who is a psychic and has amnesia because her abusive demon ex boyfriend stole her memories of her past from her after Edwin and Charles exorcise him from Crystal's body. The boys then team up with Crystal to solve supernatural crimes together and to help her get her memories back. The show tackles issues like abusive, homophobia, and bullying. The women in this show are so complex and well written (Crystal's storyline about her dealing with her demon ex and discovering just how powerful she is as well as uncovering her past is one of my favorite storylines in the show and Niko, the other main character who befriends the boys and Crystal after they save her life, is so sweet and fun). It also has really great queer rep and Edwin's storyline where he figures out that he's gay and in love with Charles is so well done and handled with so much care (he also has all the gay supernatural boys in town falling all over him which is very fun). If you're into shipping, this show also has so many ships that you can get invested in. It's such a fun teen drama full of found family and themes of love and acceptance. The show is in dire need of a boost in streaming numbers so I really recommend checking it out so it doesn't get canceled!

[97keanu]

Ted Logan x Historic!Reader

Premise: Reader and Ted have been dating for a short while, but had met on one of Bill and Ted's many time adventures. Reader is from the past, and is going to her first Halloween party in 1992. Reader who was stuck with the expectations of women in the past who finally feels free to do as she pleases. Reader experiences 90s twenty-something culture to it's fullest with her wonderful boyfriend.

Tags/CW: Fluff, autumnal/halloween themed, boyfriend!ted, stoner!Ted + Bill, reader gets high but is a lightweight, drinking/drug mentions, anxious!reader, shy!reader, soft!ted, ted reassures reader and is the sweetest boyfriend, dancing the night away, ted tells you he loves you, ted who loves PDA.

Authors Note: tiny text just to save room, rest of post is normal. This one has surprisingly no smut, so if you've been wanting to read a cute, fluffy fic, this one is for you! I kept which part of the past reader is from vague so that you may fill that in as you like! ʚ♥︎ɞ

The house is already lit up, the sounds of heavy metal blasting through the open windows, while the rustling of leaves crunch around your red heels. You look over to your boyfriend Ted with a bit of worry, trying to gauge his reaction. You haven't lived in San Dimas long, in fact, you haven't lived in 1992 for that long either. You still can't believe this loveable goof had dazzled you into his phone booth, taking you from the past and so far into the future. There are times where you wonder if it was the right move, but Ted has always assured you that he would take you right back home if you ever said the word.

And here you are, dressed as what Ted described as a "cartoon" character (which you're sort of becoming familiar with since he and Bill insist on their "Saturday morning cartoons") who supposedly solves mysteries of some sort. You think Ted looks pretty normal tonight, his shirt a particular shade a green and his pants a reddish brown. He completes the look with joint he has stashed behind his ear for later.

You pull your attention back to the big house, it seems almost abandoned, or at least well partied. Tonight, the barren trees outside sport toilet paper waving in the wind, and the orange glow from inside occasionally flashes to green or purple. The thump of Motley Crüe can be heard as you two walk up, and other twenty-somethings adorn the rickety porch their own costumes. Ted laughs as he greets someone dressed as Freddy Krueger (he made sure to get you up to date on your horror movies this month) with a chest bump before glancing down at you. He sees your worried expression and reaches to hold your hand.

"Don't worry babe, everyone's going to like, totally love you!" He smiles that earnest, puppy dog smile of his, and you feel some of the worry subside. You hold onto his hand as you enter the loud, crowded house.

Vince Neil is just finishing his last 'Shout at The Devil' as you squeeze between two Ghostbusters to keep up with Ted. Everything here is so new and strange to you, you hardly understand half of the costumes, even with Bill and Ted spending extra time to keep you culturally in touch with the early 90s. The glow of the kitchen beckons Ted, and you follow.

Inside you see Bill, dressed up as in a giant brown dog suit. Ted sees him and immediately throws his arms open into a happy hug.

"Scoob!!" He yells to Bill, pretending to be in character for the moment. Bill responds with a 'Raggy!' and the two embrace with a smile.

When the two part, Bill looks over your costume approvingly.

"You make an awesome Velma!" He exclaims and throws up a hand to high five. You do so, getting better at the timing these little rituals require. You glance down at your orange sweater and short red skirt, feeling happy that you've overcome your first Halloween hurdle.

Bill and Ted begin talking, and you listen in. You've always been shy, even in your own timeline you were praised for being such a quiet and obedient child. Now, you feel happy to be around such a ray of sunshine like Ted, and he is always ready to oblige your want to listen more than talk when it comes to the social situations. He makes sure to check in, even without saying, like now, when he wraps a hand around your waist and pulls you closer with a quick kiss to the top of your head. He's never shy to give you PDA, and anyone who would feel bold enough to say something about it would be met with a happy indifference by Ted.

Eventually Bill pulls Ted, who in turn pulls you, towards the semi crowded living room. A couple is just getting up, the woman dragging her man longingly to the bathroom, so Bill let's you and Ted take their seat, Bill props himself happily up on the couches arm rest. The room is filled with smoke and laughter, and Ted gives your hand a warm squeeze and a look to make sure you're doing alright. You nod.

Even though the youth culture is so seemingly bizarre on the outside in this time, you know it's not all that much different from what you and your friends did back at home. People laugh into bottles of beer around you, and you remember the taste of the bitter liquid from your time as well. Ted pulls the joint from his ear at Bill's request, and Bill offers a helpful lighter from his jeans. They both take turns inhaling what the joint has to offer, holding it in their lungs, and releasing it to the orange streaked sky. The smoke swirls in the lights and the colors stream through it like hands through hair.

Ted passes it towards you. You pause for a moment. This substance is newer to you, but you've experimented with it with Ted before. Usually you would have a puff or two in the night, especially when Ted had gotten the next day off work from the Cheesy Pretzel. You were surprised to find you actually really enjoyed the feeling of 'being high' as Ted called it. And he was right to call it that, you quickly found.

You take the joint from Ted, giving a small puff, and trying to hold it like them, but ending up in a small coughing fit. Ted laughs a little at your lightweightness and rubs your back gently and kindly. You smile back at him when you've finally recovered, happy to be leading this young, strange, life. You pass the joint back to Bill and lean into the warmth of Ted's body.

You glance at the tiny TV before the couch, feeling your mind slowly getting more relaxed and thoughts slipping away one by one. The TV glows with the image of Laurie Strode having her own smoke session with in her friends car and you feel more connected to this time. Maybe it wasn't such a bad idea after all. Even though sometimes you wonder if it was worth it to leave your whole life behind, moments like these, enclosed in your boyfriends arms, listening to his soft and happy chatter with friends, enjoying new and exciting life experiences, washed away any doubt. You can't believe how far you've come, how much expectations of your life you've lost. The hedonist in you is pleased, certainly.

You continue to quietly watch party goers until one of Ted's favorite songs comes on. He looks to you, his usual goofy smile appearing.

"Can I have this dance, m'lady?" He says with a laugh, despite not knowing if that's from your time or not. You find his humor and effort endearing, returning his smile and taking his outstretched hand.

He pulls you up gently, and moves to where others are enjoying the makeshift dancefloor. Dancing in this time is so different for you, but you laugh and try to follow Ted's movements, jumping about with him. He teaches you how to head bang to the fast song, his long hair a flurry about his fast when he does it. You copy him the best you can, but what matters most is how alive you feel right now. Whatever shell you had crawled into and begun to live in from your time was slowly cracking here, and Ted was the perfect light shining through those cracks.

You two continue to dance along to metal and rock, and you feel lighter with each jump. Soon enough, Ted pulls you in by your hips and places his forehead to yours as another song ends. Someone has to flip the tape, so the sound of the rest of the party is a blur in both your ears. He holds you close, obviously a bit worn out, but happy to be having such fun with you. You lean into his and he tilts your chin up for a kiss from his soft lips. You love when he does this, you had never been kissed before you met Ted, but now you feel as if he breathes more life into you with each one.

Ted pulls away and gazes into your eyes with a softness about him. He mouthes that he loves you, but when you miss what he said, he kisses up your neck to your ear, telling you his love with each kiss. You blush hard as he does this, shivers across your skin. You feel goosebumps under your orange sweater and have to adjust your fake glasses when he's done. He is blushing just as much as you, and you are grateful to be here with him.

The night continues and ends with laughs and fun for you and Ted, and you slowly find yourself not needing to think about the past, or future. You're here, in the present, with someone who loves you. That's all that matters.

[captainkirkk]

✩ WEEKLY FIC ROUND-UP ✩

All the fics I’ve read and really enjoyed in the past week-ish. Reminder: This list features any and all ratings and themes. Please look at tags and warnings on ao3 before reading.

The Magnus Archives/ What We Do In the Shadows (Crossover)

gaslight gatekeep girlboss by thepolysyndetonaddictsupportgroup

"Look, believe it or not, I had no intention of killing the Vampiric Council when I came here,” declares Nadja, sitting alone on the couch. “But Guillermo and I arrived at the first council meeting and did the whole, you know, the whole thing, the first day thing. Introductions and all that, yes hello wonderful to meet you, yes this is my bodyguard, yes he has slaughtered a tremendous number of our kind”--she flaps her hand absently--“normal first day things, you know? It was fine.” She pauses. “It got really fucking weird on the second day."

Or: Nadja and Guillermo seize control of vampiric politics, puppeteer world powers, and have the hottest of hot girl summers.

Unfortunately, they also really miss the stupid assholes they're in love with. With no way left to find them, they have no choice but to consult an Archivist.

DC/Danny Phantom Crossover

Teenage Hero Burnout #56: Interview With A Ghost. by STOVE

Red Robin, (aka Tim Drake) decides to host a YouTube series called "Teenage Hero Burnout'' after he makes a video by the same name talking about his own experiences. He interviews current and past heroes who started their careers as teens and discuss how it shaped their outlook on heroing & life in general.

(This fic is a one-shot. Teenage Hero Burnout is a hypothetical series that I will not be writing, but others are welcome to write their own episodes.)

All For the Game

One More Time (With Feeling) by elesary

Andrew Minyard went to sleep next to Neil Josten in their bed in Denver six years after graduation. He woke up on plane to Tucson between Wymack and Kevin, on their way to recruit Neil Josten, striker sub.

boyfriend privileges by mostly_maudlin

Andrew knows he treats Neil different. So why is it so bothersome that everyone else seems to know it, too?

Five times Neil gets boyfriend privileges, and one time it doesn't piss Andrew off.

SVSSS

The Peace Between Divine Pec- ah-hm sorry - uh…Peaks by AceOfDivineChlorophyll

Well, being kidnapped and tied up had to be the worst part of Shen Qingqiu's day right? Surely it couldn't get worse even if he was being presented to some new and upcoming demonic warlord as tribute after all it would all be mote when Luo Binghe escaped the Endless Abyss right? Well... unless the demonic warlord in question WAS Luo Binghe.

Thankfully... it might not end up going at all how he, or the demons, thought it was going to.

invasive blindfold removal surgery by postcardorigami

Part 1 of side effects may include indefinite photosensitivity

Oh, he thought absently, dizzily. Oh. I love him. I really, really love him.

That wasn’t a new thought—Shen Qingqiu had always known that he loved Luo Binghe. Thinking otherwise wasn’t a concept that had occurred to him. He’d loved him as a fictional character, as a sticky and eager-to-please disciple, as a troubled young man. He loved Luo Binghe the same way he loved the world around him: easily, wordlessly, endlessly, and in full acceptance of all faults and flaws.

But this- this felt like-

I think, Shen Qingqiu thought, for the first time in this life or the one he’d left, I think I’m in love with him.

And- and then-

I want to tell him where I come from.

or Shen Qingqiu, in order: hits the ground, pulls himself back up, and comes out. About several things.

Dreaming of Gardens in the Desert Sand by TGP

Huan Hua Palace master Luo Binghe never thought there'd be any reason to worry about the master that threw him away all those years ago. Surely, he was safe and cared for by the martial siblings he'd so thoroughly enamored.

Luo Binghe was wrong.

(Or, the one where the Jinlan City event doesn't happen and Luo Binghe's plan to slowly show he can be a righteous cultivator actually goes as he expected, with consequences he did not)

starry-eyed by shoutowo

"Shi-Shizun,” Luo Binghe says, going cross-eyed in an effort to see what Shen Qingqiu just placed on his forehead. “What is this?”

“A star,” Shen Qingqiu explains, while not explaining at all.

or, Shen Qingqiu has a sticker sheet.

Clone Wars

(you were) meant to save them by cjwritesfanficnow

The building was only five stories. With the gravity on Melida/Daan, it should’ve been over in seconds... but he—

just—

kept—

falling—

And then there was nothing around him, but he was still falling, down down down, infinitely, through space, stretched thin, twisted and pulled and the Force curled so tightly around him that he couldn’t tell where he ended and it began, and then—

And then he was falling straight out of a clear sky and down down down—

Onto another battlefield.

-

In which Obi-Wan is abruptly transported from the civil war on Melida/Daan to the Clone Wars.

(Alternately, in which I noticed how few clones there are in all my other fics, and this wouldn't leave me alone.)

Tactical Engagements by elwenyere

Even before he managed to open his eyes, Obi-Wan felt the tug against the base of his neck, the snarled thread of energy that only ever meant one thing: something had gone very, very wrong.

-----

Or, Cody, Obi-Wan, and the 212th are sent to Ringo Vinda with Anakin and the 501st, and it changes the field of engagement.