#theories without base

[morganagotinne]

Antikythera Mechanism

Al Naslaa Rock

Baghdad Battery

Ancient civilizations were way too stupid to build these therefore, I’ve got to go for ancient aliens.

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[goldflowerfield]

something something about how if you choose to go by the narrator chara theory it'd heavily imply that chara idolizes undyne and even without that undyne embodies several of chara's traits. the association with the number 9 as undying throughout her stats, taking things to their most extreme during her hangout which lead to her house burning down, her hatred of humanity, her closeness with asgore, etcetera. meanwhile flowey's favorite character is papyrus who also shares several traits with asriel. namely their unwillingness to kill and their desire to impress their best friend to the point they'd set aside their own feelings, for example: the grillby's phone call with both undyne and papyrus.

something something about how undyne and chara are both devoted to the freedom of monsterkind via the extermination of humanity but whereas chara's plan to free monsterkind heavily centered around asriel yet still failed to take the idea that asriel just didn't have it in him to kill into consideration, undyne tries her best to distance papyrus from her plans regardless of both his insistence and his power due to knowing he wouldn't be able to bring himself to kill someone even in a kill-or-be-killed situation. something something about how undyne is a grown adult whereas chara was an extremely young and troubled child. something something about how things could've turned out better if only chara were more mature and in the right state of mind.

(i really have to wonder what chara themself would think when hearing all that from undyne, especially as it only happens in a pacifist run and they'd likely already have had several of their outlooks challenged at that point via frisk. i wonder how it would feel to hear a situation so incredibly similar from someone who is so similar to you, yet made such a different decision and seeing how much better things could've turned out if you were just more thoughtful of your closest friend. if you were just a little more mature.)

[katyahina]

Romina, Scarlet Rot and God of Rot interpretation? What is the Abyss and what 'stagnation' has to do with Scarlet Rot?

(This is a reply for an ask I've got on my other blog) Anon I am sorry I am THIS late, I swear it was just me deliberately avoiding progressing in the DLC because I didn't want it to end + bad timing :pensive: But thank you for leaving this ask because I did want to discuss her as soon as I've met her!

What Happened:

She WAS a victim on Messmer's tyranny, and shown in the second trailer ( x )! Moreover, she originally appears to be from Belurat; not only this trailer shows Messmer specifically burning it, but also this is the exact previous scene before Romina appears:

So I am getting an impression that originally, these buds appeared in Belurat, and somehow Romina knew to relocate them somewhere else:

+ Also, if anyone here can read Japanese please let me know because I've heard that a more accurate translation would be 'she found a divinity and clung to it' or something alike! Here is the Japanese text:

全てを焼かれた教会で ロミナは異形の神性を見出し 禍々しい、朱い腐敗に縋った

焼け跡に、また蕾が芽吹くように

Abyss and Stagnation in this:

My initial interpretation was that originally, this type of buds was growing IN Belurat, and then what she saved got relocated in Rauh Ruins, but "within the scorched remains" part makes it sound as though their fate was being decided right in the moment of the tragedy! So, somehow, what later became Scarlet Rot appeared within the ruin! After all, Formless Mother is another precedent of a god originating from the tragedy:

But why would a plant-insectoid life sprout within the fire? So, basically, I'll dive into headcanons territory for this post, but hear me out! We are not sure what the 'Abyss' is, however.. what IF, when Messmer gets a bit TOO into using his powers, the power of Abyssal Serpent is capable of opening sort of a 'gateway' into somewhere else, and some kind of horror might escape that 'Abyss'?

+ I need to add that Abyss of the serpent plaguing Messmer and Abyss of the woods tormented by Frenzy are different things though; whereas serpent's Abyss is 深淵 meaning literally an abyss, Woods' Abyss is 奈落 that means Naraka (Hindu Hell)! His serpent is AKTUALY named Base Serpent, but he refers the 'Abyss' in his Stage 2 transition: '光無き、深淵の蛇が'. ( x ) In fact, his dialogue in both English and Japanese original suggests the 'Abyss' is a PLACE, where Base Serpent comes from! The mysterious space without light!

Look I can't help using this meme just deal with it fdsgfdgs So, let's say that Messmer got so unhinged that the gravity of his powers still opened up the Abyss a little, even despite the seal Marika gave to him!

The next interesting thing is that there are no traces of Scarlet Rot in Belurat, despite Romina presumably releasing/creaing it right on that spot! There ARE poisoned swamp, the illness that turns people into fly-men, and even giant Spider Scorpions that are a variant specifically developed because of Romina:

+ they likewise deal regular poison, not Scarlet Rot! Some of them developed the wings as well:

So it is more likely that what Romina allowed to live (to the worse or to the better you decide) was not yet the Scarlet Rot itself, however it developed INTO it later, together with her. But what was freed that day and what left its traces in Belurat, as well as spreading across more of the Shadow Realm with at least two villages full of man-fly sickness, was 'stagnation'!

It is a concept commonly addressed across other Fromsoft's games, specifically the stagnation of water 穢れ (kegare)! Poison and Scarlet Rot are connected through themes of poison AND stagnation of water! It is what becomes a poisonous swamp, one of the most Rot places is literally named Stillwater Cave and all that. Scarlet Rot is a 'stronger' version of the venom that becomes of stagnation!

^ (looking through this ( x ) model view video) Additionally, Romina features not only part of the scorpion but also part of the centipede, and centipedes were used as a symbol of human dregs in Sekiro and Bloodborne!

I've also noticed that Blood of Formless Mother, Scarlet Rot and Deathblight are all connected by shared themes of plantlife and spontaneoutsly sprouting winged insects! With the cursed blood, flowers quite literally grow from it and flies spawn from impurities within festering blood swamps. Deathblight are literally roots with multiple flies spawning along them + often getting to fly free too. Scarlet Rot IS associated with flowers and butterflies, and whereas Malenia herself never got insectoid wings (since wings of Goddes of Rot ARE the butterflies, like stated by Romina's incantation), her knights did:

(Close look by Zullie the Witch ( x ) as I've never took a picture)

These three scourges feel like three ugly siblings to me fsdhhfds Needless to mention that Blood Oath, Scarlet Rot and general poison incantations are crammed into the same category, and Death ones aren't here only because they're sorceries!

More interestingly, in Rauh Ruins we find not only Scarlet Rot, but also the Bloodfiends (so, the Formless Mother guys) AND Deathblight:

^ I forgot to take the picture as a proof that the Dancing Lion in Rauh uses Deathblight, so here is screenshot from this ( x ) video of battling it! There are NO Deathroots anywhere near its arena, however it summons Basylisks in the second stage and deals Deathblight damage itself! Divine beasts, additionally, are Belurat thing too!

So, we have all three of these 'affiliations' in Rauh Ruins, giving a strong impression that it is full of Belurat survivors! Whereas the man-flies sickness is found here too, Romina, Bloodfiends and death-dealing Dancing Lion all feel like they've went separate Pokemon Eevelution from the same initial 'stagnation' concept that is the sourse of fly sickness fhhsdgfds I think that either 1) it is exactly what I just joked about, and stagnation is able to naturally develop into one of these stronger "branches" over time or 2) it develops into something specific under influence of an outer god; Deathblight doesn't need 'Prince of Death' since Outer God of Death IS a thing!

Survivors of Belurat here found their affiliations, initially getting afflicted by the "clean" form of it, fly sickness Romina allowed to escape and live!

^ So yeah @ second anon, I do also think that Romina in Rauh guards what is left of her civilisation! Such as one of like, two Dancing Lions and other Hornsent that unfortunately got manfly sickness too! Except, she is not antagonistic to the Scarlet Rot or sees it as her tragedy, but on the contrary: she sympathised with it!

I know it sounds more like a fairytale than an solid theory, but my impression is that a lot of 'waste' goes into the Abyss space and supposedly should have been burnt by the Base Serpent forever! Not as something inherently evil, but just a natural part of the course of life! Eiglay is the God-Devouring serpent, too! Both of them serve as the forces that ensure everything and everybody meets their end eventually, they might even be related! Again, Dark Souls for one had ten Primordial Serpents! We know three here (Base Serpent, Winged Serpent and God-Devouring Serpent) but it could be still a throwback like Fromsoft loves doing!

I think maybe someone, at some point, believed that living forever was a better idea and might have "killed" Base Serpent and Eiglay both! As we know from Rykard's last words though, 'serpent never dies' and he probably was right!

^ Whereas Eiglay had to grow back from a tiny snake again, Base Serpent settled in Messmer's body being so tiny that it could curl behind his eye! Both needed to recover their former power, so whatever eventually slipped in the Abyss was free to persist, rot further and escape back into the living world given the chance!

+ bonus:

Trina ends up having a lot of petals and flowers as part of her body, not unlike Romina, whereas Miquella had insectoid wings at the moment of being kidnapped! The same trademarks of the 'stagnation' again!

I questioned whether it was just Crucible at first, since it also features flowers and wings! In the DLC we've learned that the Fell God himself was connected with the Crucible (Furnace Visage) and Radagon has his red hair due to the curse of his Fire Giants (Giant's Red Braid) 🤔 But.. crucibles are MANY things. It is also horns, spikes, feathered wings, scales, you name that! A LOT of aspects of organic life and not just these two! So I think the Crucible Curse is safe to stay within Morgott and Mohg, and this more likely refers to Miquella himself getting infected at some point! Whether it was having sucked Scarlet Rot out of Freya's wound, or napping in the Haligtree that was getting slowly scarlet-rotten, or both! Sure there are no traces of it left when he becomes a God, but Trina was discarded before that of course! Alternatively, he was a victim of stagnation himself due to not being able to age physically. He, himself, was a lot like Scarlet Buds that are "never to bloom". Endless child state of a body and buds that can't bloom are like eggs that can't hatch but will go terribly bad over time.. what is MORE stagnant?

Who is the God of Rot and why the pink color?

Another side of Romina is a tail of a scorpion, and the giant variant of Spider Scorpions is said to be the result of her actions! At the same time, God of Rot itself was scorpion-like!

I think this makes it... oddly coincidential, that God of Rot is a scorpion at least partially, whereas scorpions are native for the Shadow Realm AND were important animals for Belurat! Like I said before, Belurat strangely has no signs of Scarlet Rot for a place where Romina presumably created/unleashed it!

So, maybe rather than God of Rot already existing as is, it received a particular form in the 'outside' world! I'd say the same for Formless Mother, but her form is ABSENSE of form kind of fdhshdfs Maybe 'receiving the character' is a better way to describe it! Formless Blood, Scarlet Rot and most likely Deathblight didn't exist "outside" but developed from the shared source, and their gods (at least two of them) were born thanks to people! God of Rot might have manifested from a giant scorpion Romina took special care of, or a scorpion who got the 'divine' energy for another reason since giant variants are still not JUST in Rauh! Again, like how Formless Mother manifested in the shadow of a corpse of someone else! The Scarlet Rot became a thing thanks to Romina, developing within her over time!

Again, this is just my idea that Outer Gods are "born" in "our" world rather than simply exist as is, especially since 'outer' is just a type of gods meant to be discerned from Marika's family and who are like Lovecraftian mythos! I just think so because the scorpions connection is a bit too coincidential! It is not necessary!

Eiglay is a God-Devouring Serpent, not Demigod-Devouring Serpent, however, so I think in either case her purpose had more to do with not letting guys like this to ruin the world! Things just must die eventually, not endlessly exist via endless rot/rebirth cycle not allowing for any truly new life to sprout. It makes it double awesome that Base Serpent, and maybe even Eiglay herself, are connected with the fire element as fire itself is ALSO not just an evil force of destruction! It is meant to help the nature to "clean" so it doesn't rot; this power simply must be kept in check to not burn SO much that there is nothing left to be born from the ash and ruin *looks at Frenzied Flame*

Lesbian flag colors joke aside, it seems that color pink is a mark of lacking the master and/or the capacity to bloom! I do think that blooming is a thing only a Demigod is able to do! +remember that Millicent is a unique sprout of Malenia, carrying more of her signs as a Demigod than other girls!

Orange/red is the color of 'true' Scarlet Rot, and you could see even God of Rot itself was orange from Scorpion's Stinger look! It craves the buds that will bloom to grow stronger and increase, similarly to how Formless Mother craves wounds!

+ I also think that Bloodflame is the mark of more "perfect" form of the same concept similarly, as it becomes self-cleaning this way! It similarly could only be accomplished by getting a Demigod (Mohg) involved, whereas regular Bloodfiends are using just the blood itself! Then, Deathblight was not receiving the big roots as we could witness by Dancing Lion in Rauh, without getting a Demigod (Godwyn) involved! The cringe triplets........

________________________

So in the conclusion, Romina reached out for the 'twisted divinity' she witnessed somewhere in the middle of the ruin of everything she knew before, similarly to how Bloodfiends chose to revere the 'twisted deity' found in a corpse of their ancestor as they've lost everything! These two affinities have connotation with strong misery, and it is additionally confirmed by how Millicent can only bloom if she experiences the pain of betrayal! Some sinister power only appears within a lot of pain and death, but on itself it is just "flowers and wings", and a concrete God is born in the place it appears at, depending on the circumstances. It needs the miserable person as much as the miserable person needs it; a call is nothing without the receiver. Together, they define more specific purpose and affinity for it to continue existing and poisoning everything!

...not 100% sure that Deathblight is just as similar, because how do you birth death? Maybe it similarly came to be through the first person to die (Nito, you?????)

P.S.: I'll be damned if the water Dancer Fairy didn't originate from Rauh and simply freaked out upon seeing Romina telling the God of Rot "may you find your worth in the waking world" fsdhfhds

[serpentface]

SPIRITUAL POLLUTION, THE GESTURES AGAINST EVIL, AND ABLUTION: A POST

The concepts of spiritual purity and pollution are central to the Faith of the Seven Faced God (and similar takes on the concept predate it throughout and beyond the immediate Wardi cultural sphere). There is no clean cut distinction between physical and spiritual health in this belief system (these concepts exist as a heavily overlapping venn diagram) and many methods intended to cleanse spiritual pollution address both realms.

The word for the concept referred to as spiritual pollution is 'mesechitse', which can translate to 'blockage' or 'severance' depending on the context (its underlying meaning is a pathway that has been stopped in some capacity).

At its core, spiritual pollution is a corruption of the living spirit (which is carried by/IS the blood). It causes both physical and spiritual problems. Polluted blood flows improperly and does not maintain the body’s natural stasis or integrity, causing or allowing disease or other bodily dysfunctions to occur. Many ailments are seen as wholly physical and internal in nature, occurring directly due to polluted blood flowing improperly and affecting key organs. Other diseases (particularly contagious or infectious disease) are known to be caused by dagi, which are harmful spirits that enter the body through orifices or wounds. A limited number of ailments (most notably pronounced schizophrenia-spectrum disorders or cognitive disabilities, unfortunately) are thought to be caused by possession by more powerful evil spirits.

At its worst, severe spiritual pollution is thought to impact or sever one's connection to God. Summarized very basically, severe pollution = blockage of flow between one's own living spirit and the greater spirit of God, which deprives a person of God's blessings and protection, severs them from the natural cycling of life and death (and prevents their necessary participation) and can put their afterlife in jeopardy.

Some degree of corruption to the living spirit is seen as completely inevitable and managed by the body, which physically expels some polluting agents via urine and feces, as well as menstruation (thus all of these substances are themselves dirty and polluting agents). It is reckoned as impossible for any living body to exist in a Completely spiritually pure state. The goal of cleansing (and broader practices revolving around spiritual integrity) is rather to maintain stasis of the body's natural cycling (and by extension a connection to God's living spirit) and to keep pollution contained and minimized.

If one's immortal soul successfully reaches the afterlife, it is then reborn into a spiritually pure existence incapable of being 'severed' from God in any capacity. God Itself is a spiritually pure being, but Its body and living spirit (the world and its cycles, manifested as Faces) is vulnerable. The purity of God's living spirit (and therefore the life-sustaining functions of the world that all beings depend upon) must be sustained, protected, and restored through right practice, which is what much what the public religion revolves around.

Spiritual pollution is a separate but overlapping concept with:

-Metaphysical vulnerability, the word for which is 'namne couyibase' (literally ‘lacking integrity of Being’). This is a state in which the body and living spirit is considered vulnerable to great change, for good or for bad. These states can have vital and positive uses (they are utilized in many rituals, and it is what allows for conception and birth), but must be entered with caution and intentionality. Uncontrolled namne couyibase can otherwise leave one open to forms of spiritual harm. -Curses, which are targeted infliction of harm (of all sorts- bad luck, evil spirits, etc) onto a person, place, or thing. A spiritually polluted body is has less resistance to curses, and curses can intensify this pollution. -Possession, which is when evil spirits attach themselves to or inhabit the body. In the vast majority of cases, possession does not mean an evil spirit is Controlling the body, merely harming it. A spiritually polluted body has less resistance to possession, and possession can intensify this pollution. -Ritual uncleanliness, which is a state of intensified spiritual pollution that requires complete prohibition from a person from entering sacred spaces or participating in certain rituals until they are made clean. The most common reasons for ritual uncleanliness are active menstruation, being in the mourning period, or having performed a known dirtying action without its required ablution (see below).

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Multiple levels of religious-medical practice are centered around maintaining the body's stasis and cleansing it of mesechitse whenever possible. The methods are both active and passive.

Passive methods include the wearing of protective objects/amulets or having the motifs on household items or as decoration (the most ubiquitous are charms like the pelatoche (lit: '(ocean) eye') or odatochent (lit. 'Gods eyes'), the skimmer woman, or phalluses, and the wearing of gull feathers), in addition to other beneficial/protective iconography (guardian lions are most common, though physical representations of each Face of God have beneficial functions).

Active methods cover a broad swath of rites and behaviors (which is even broader in non-doctrinal folk practices). I'll be focusing here on the two main everyday methods of protection/cleansing (rather than more specialized rites) that are supported by core doctrine and may be performed by anyone, rather than being restricted to priests.

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Gestures against evil

These are the absolute most basic protection methods, comprised of three core gestures.

Purity of intent: the hand is held with the palm facing upward, the pointer and pinky finger extended and the thumb and inner two fingers pressed together. This is the most directly ‘cleansing’ gesture, it attempts to bind uncleanliness within the body and thus to prevent inevitable background level spiritual pollution from the body infecting a pure environment or another person. You mostly perform this gesture while entering/leaving a protected or vulnerable space (literal or figurative).

Protection of spirit: the hand is held with the first two fingers pointed together, held upwards for generalized use or pointed for directed use. This is the simplest of apotropaic gestures, aiming to protect the body and spirit from outside harm. This is commonly used before or while entering contexts seen as physically and/or spiritually dangerous, or to un-aggressively counter an evil eye curse.

Dispelling of evil: The hand is held with the first two fingers pointing together, touched to the lips, and flicked away from the body. In practice, this is most commonly used to prevent attachment by malicious or otherwise harmful spirits that may have been evoked (you might perform this after you speak of someone believed to be an earthbound ghost or refer to an evil spirit directly, or immediately after touching a potentially contagious sick person (ideally followed by ablution)). This will not help you if evil spirits have fully Attached themselves to you, but can remove ones that have been attracted to you. Doing this gesture and flicking in the direction of another person is very rude.

These gestures have separate uses, but will often be performed in conjunction (usually in the order given) as a quick means of protecting oneself and the spaces around them. It is not considered a doctrinal replacement for ablution as it does not actually cleanse the spirit, but it attempts to reduce harm (both sustained and produced by the user).

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Ablutions:

Ablution is spiritually and physically cleansing the body with clean water. The metric for clean water is fairly expansive- ocean water, any flowing water, any clear lake, shallow water sources that are clear and free of (obvious) polluting elements such as animal corpses or unclean animal feces, any clear collected water.

The core requirement of an ablution is for the hands to be cleaned in all circumstances, and for other body parts to be cleansed in addition if the situation requires it. One must fully wet the hands/other affected areas and scrub thoroughly, and then use fresh water to rinse. If you have to clean other parts of your body, you save your hands for last (as they will be used for the cleaning).

It is appropriate to perform ablutions cooperatively, but the person assisting you should participate as well (ie- if you have someone washing your back, they should scrub and rinse their own hands after). Someone considered to be in a ritually unclean state that ablution will not immediately fix (the most common are actively menstruating or being in the midst of the mourning period) should not perform ablutions on others.

Note that there is no Hard distinction between bathing for spiritual cleanliness and bathing for physical cleanliness (there is a separate set of cultural standards for physical hygiene, but most hygiene expectations are Covered by ablution). In most circumstances, ablution is just a regular, sometimes tedious everyday activity rather than a solemn or special occasion.

The ritualized requirements denote that only the hands + any given affected body parts Must be washed, but ablutions will often be an aspect of a full-body bathing routine to meet other hygiene standards. (ie: someone performing ablution before making offerings or eating a meal is only Required to wash their hands, but will very often wash their whole bodies and clean their hair- offerings and a meal are (typically) daily activities, so this is a good time to just get a full bath in while you’re at it). It may additionally involve washing the skin with oil or soap, moisturizing the hair with oil, scraping away dead skin, and applying perfumes. This is not a ritual requirement and is performed because generally, people like to feel clean and smell nice.

The hard physicality of cleansing WITH WATER is KEY to this practice. Per core doctrine, there are no DIY cleansing methods that replace washing with water. If one does not have access to clean water for ablutions, they should not perform offerings whatsoever (but are allowed to pray) until they can be cleansed, and accept that they are receiving spiritual pollution by performing ablution-required tasks in the meantime. A blessing from a priest is the only doctrine-supported spiritually cleansing replacement for water ablutions. In practice many people will use the gestures against evil as a replacement (which is not supported by doctrine and is more common in folk religious practice), and virtually everyone will find ways to get physical contaminants off of their body either way (if you step in dog shit and don't have any water nearby, you're going to wipe it the hell off even if that doesn't make you ritually clean).

Times when such an ablution is generally considered a hard requirement:

Before bloodletting in prayer or making other offerings

Before meals

Before assisting in a birth

After menstruation ends

After receiving penetrative sex

After defecating

After urinating (this isn't as ubiquitously seen as a hard requirement, in a lot of cases people interpret it as 'only if you actually get pee on your hands')

After touching urine

After touching feces (many lines of thought make exceptions for the excrement of cattle and khait due to their clean and sacred status- this makes life a easier for the majority of people who have to use dry dung as fuel)

After touching a dead body (human or animal)

At the end of your mourning period for dead kin (traditionally as part of a larger ritual involving full body submergence in flowing water, rather than as a common ablution)

After touching someone else's blood (aside from rites that require it, in which the blood is expected to be clean and the cross-pollution of living spirit is intentional) (technically includes semen but this does not come up very often)

After touching most sick people (particularly with contagious diseases or any skin ailments)

After recovering from an illness (ablutions will be performed as an aspect of treatment as well)

Before entering most temple's inner shrines (and some temples altogether)

Also a requirement for participation in certain specific rites and/or festivals

The exact nuances on how hard these requirements are sometimes vary, particularly in instances revolving around touch. Official doctrine is that any unclean touch requires ablution, but in common practice this is sometimes reinterpreted as only a hard requirement when the touch occurs to the hands. Most practitioners do not perform an ablution immediately after an unclean touch occurs (if you're a field laborer and step in dung, you're probably going to wait to wash until you retire for the night), and not everyone performs ablutions every single time they 'should'.

Only drawing I have related to ablution under the cut (nudity)

This is one way to do it

[the-sol-eater]

Honestly, I think that if Kotoko doesn't have any kind of tragic backstory or deep-ridden trauma and did have a relatively normal upbringing like she says she does, it will probably heighten my enjoyment of her character and her narrative even more. I've said it before and I'll say it again, my favorite thing about Kotoko's narrative and role in the story and why she is my favorite prisoner is the fact that she is the perfect encapsulation of what I think Milgram is trying to teach. It is unfair to put her, or any of these prisoners into boxes of good and bad because both are cruel oversimplifications that only serve to dehumanize them regardless of if the audience's intentions are good or bad. By dehumanizing them and partaking in the fucked up justice system that is Milgram, you are emotionally distancing yourself from them. When you emotionally distance yourself from these people, you become more ignorant to the possibility that you could do the very thing that they're doing. That Haruka, Yuno, Fuuta, Muu, Shidou, Mahiru, Kazui, Amane, Mikoto, and especially Kotoko could all be you and you won't know it before it is too late. That is why even within this system that pushes black-and-white nuance-less thinking, the narrative itself encourages you to look beyond the surface depiction of these prisoners that we are presented with. Because in the words of one Will Wood - "If you were in my shoes, you'd see I wear the same size as you" But what does any of that have to do with Kotoko and her backstory? Well, @/archivalofsins / Gunsli made a very good post that explains exactly what I'm going to talk about in more depth, but I'll give it a rundown nonetheless. It would be very easy for someone to look at a person who has gone through tragedy or trauma who has done bad things, and say in response: "See, I can't become like that because she is abnormal. I could never do that, that would never happen to me.". Now I would hope that you don't need me to tell you that this way of thinking is a white lie cake rich with ableist frosting, but that is a discussion dug into by Gunsli's post. And I do believe, if Kotoko is revealed to have a tragic traumatic backstory, this will happen to her. Because it happened to Amane. And that is why Kotoko having a 'normal life' would be so important to me and, in my opinion, heighten her already amazing narrative and writing. Her role in the story is to be a audience parallel, she is an embodiment of the system and mindset Milgram as a story criticizes and her actions are a direct consequence of our involvement in it. Milgram is already not subtle about this fact, but Kotoko's ordinary upbringing is the thing that fully hammers the nail in the wood. Anyone can become like Kotoko Yuzuriha, trauma or not. Her beliefs, her bigotry, her fascism, her violence, and her fantasy to be the chivalrous hero who protects the weak are not things that are alien or only things that form within an "abnormal" brain. In fact, they are very normal things that a lot of normal people across the globe perpetuate wholeheartedly whether they realize it or not. Kotoko isn't some one-of-a-kind individual She is literally just a girl

[hearthomelesbian]

who would win: the devs literally saying that glados is into chell and writing that into the text of the game via multiple songs and scenes as well as deleted scenes and interviews VS 1 fan theory that glados is chell's mother based on exactly 1 easter egg and the lyrics to a song that were improv-ed by an actress in a language she doesnt speak and that doesnt line up with the canon information or timeline

[randommle]

S2 Spoke acts so different from S1 Spoke. He narrates his own actions, speaks directly to the audience, and overall constantly breaks the fourth wall. Why?

Because he realized he was just a character in a scripted universe.

He realized the world he was in were never real. The people around him were never real. He decides "Fuck this" and just decides to fuck around with the fourth wall and have some fun. He no longer cares about things within the universe because he realized nothing in the world was real, therefore none of it truly mattered. (He's only partially correct. He doesn't believe anything that happens leaves any impact on anyone. But even characters do experience things from their own perspective. Spoke is simply seeing the world from the perspective a viewer might see it: a stage set for a scripted story.)

[unordinary-diary]

I think Keon and Kassandra might be related.

... ok hear me out.

first of all, their hair colors are similar, which is often a narrative shorthand for “these two characters are related”, especially in stuff like anime where hair colors are much more unique. Additionally, their speech bubbles are almost the exact same color.

But if you want actual evidence? Keon is the first character in the story to show suspicion of Headmaster Vaughn.

Much much later in the story, Kassandra also shows suspicion, and launches an investigation on him.

It’s reasonable to assume that Keon could have planted that first seed of suspicion in her head, if the two of them have some connection. This goes especially since they both work for the authorities, but Keon doesn’t work for a department that could authorize him to launch an investigation like that. Kassandra has the authority to do all the things with Vaughn that Keon is frustrated about not being able to do. If they’re related, Keon probably asked Kassandra to launch the investigation.

It would also explain Keon’s interest in Wellston, considering he used to work in or near New Bostin which is far away, if Kassandra went there.

Keon also looks like he’s old enough to be her dad. He doesn’t have to be her dad specifically, but my age estimate for Kassandra is 24 (assuming I mathed right), and Keon looks like he could be in his 50s or 60s, which is a reasonable age to have had Kassandra. (Kassandra’s age calculation is a maximum btw. She can’t be older than that unless she was held back or sm.)

So basically, it could be true.

[At the time of this prediction, the latest chapter is 345]

[iristial]

Since it's Gavv day and the debut of Kamen Rider Valen will be in a few hours' time, I'm popping in to say I'm somewhere between thinking Hanto's shishou will actually die or the show making it look like the shishou died, only for an additional flashback scene to reveal the shishou didn't get turned into a Hitopress because he's a Granute - specifically the one who ate Hanto's mum - and he was 1) trying to harvest his prey's son all this time or 2) genuinely fond of Hanto and when he discovered the Granutes will essentially give Hanto the power to fight the monsters, Hanto's shishou decided to go along with it for Hanto's sake

[purplecelestial-buddy]

After unknowingly becoming the leader of every freaking group I've had to work in (and let me tell you, my major is all about group work) I've concluded that being told what to do must be x100 times easier than doing your own part + being in charge of telling other's what to do (since this entails being fair and analyzing each team mates capabilities)

[depressedraisin]

Parklife (1994) and Tranquility Base Hotel and Casino (2018): What does it mean to be an album of the times?

At face value Blur’s third studio album Parklife, released in 1994, and Arctic Monkeys’ 2018 release Tranquility Base Hotel and Casino, their sixth, are very very very different albums. One the Britpop classic, the other a widely divisive experimentation -- they don’t even seem like they could hang out in the same sentence together. Then what the fuck am I on about?

Both albums are individually iconic in the respective band’s discographies -- with Parklife Blur conquered the heights of the Britpop war and firmly cemented its place in British music history while TBH&C marked a pivotal turn in style for the Monkeys, which in my very humble non-musician opinion, will make it historic sometime in the future. If you have spent as much time as I have overthinking the lyrics and pondering over interviews of another British rock band you are hyperfixating on though, you might see something more connecting these two albums. Written about 20 years away from each other, in wildly different times,  the two weirdly enough, have these faint threads tying in their themes and subject matters. 

Damon Albarn, the principal author of Parklife, described the album to NME as, “a loosely linked concept album involving all these different stories. It's the travels of the mystical lager-eater, seeing what's going on in the world and commenting on it."  Rings a bell? That’s extremely TBH&C coded! That one has often been called a concept album based on a luxury hotel and casino on the moon with various eccentric characters and their stories, wryly commenting on issues plaguing life in the 2010s. 

Parklife was a kind of a study of middle class English life of the mid-90s. With an extremely catchy pop soundscape and cheeky-cockney-laced lyrics about London parks and bank holidays, it became a quintessential symbol of Cool Britannia. They say the album never took off in the States because it was so British. In the years since, however, the band has described it more as sarcastic critique rather than a celebration of Britishness. Going through the lyrics with a fine toothed comb  with that in mind then, you can feel the impatience a bunch of 20s somethings were feeling with the ideal 9-to-5 picket fence lifestyle as well as exhaustion with the hedonistic decadence of youth in the backdrop of an unpopular Conservative-led economy in decline. A similar, if updated for 30 year olds in 2018, sentiment can be sensed in the absurd surrealism of the lyrics of  TBH&C. What do you do when you are fed up with tribulations of life and the ghosts of mistakes you’ve made along the way-- you fuck off and escape into whimsy of science fiction. 

The political context of the time when Parklife and Tranquility Base were released does matter. Opens up another perspective to reading the album.  It’s quite a stretch but bear with me.  

 The 90s in the UK began with Thatcher resigning and the Conservative government which dominated the 80s, becoming increasingly unpopular. There was a recession plaguing the early years of the decade. Britpop happened smack dab in the middle of this, and it was all about reacting to grunge and shoegaze and bringing back what is essentially British back to its music scene. Oasis, Suede, Pulp, Elastica (Justine Frischmann is the queen of Britpop btw) -- and ofcourse, Blur, were reviving guitar pop, singing in working class accents and about working class life and bringing back memories of the Swinging Sixties. Though each drawing from a wide variety of influences, these bands were becoming the face of a wider movement in music, art and youth culture.  The political scene took note.

In the mid-90s, the Labour Party led by Tony Blair quickly aligned itself with Britpop and Cool Britannia. Noel Gallagher and Damon Albarn were being courted by politicians , label execs getting party membership invites, headlines went like “What’s the Story? Don’t vote Tory”. Britpop soon acquired nationalist undertones --- never forget Brett Anderson showing off his twinky waist with Union Jack in the background and “Yanks go home!” headline. 

By the end of the 90s, when Britpop had begun crumbling, the economy had recovered and Tony Blair was in Downing Street.

TBH&C and the Monkeys in general, perhaps have less political currency. When they burst onto the scene with their Sheffield accents and garage rock riffs in the generally stable pre-2008 economic climate, the Arctic Monkeys did occupy the space in British pop culture left vacant by Blur and Oasis in the wake of post Britpop, at least for a time. Their debut broke the record of being the fastest selling one, which used to be held by Elastica previously. The Monkeys were indie rock darlings in the UK and with 2013’s AM, became darlings in the US (and Tumblr) as well. Tranquility Base though, came out in a whole different world. 

2018 was a fucking atrocious time, to put it mildly. The world was in total freefall inching rapidly towards disaster, which ultimately culminated in the pandemic of 2020. Trump had been elected in 2016 and 2018 was arguably one of the peaks of his shitshow. Over in the UK, Theresa May and her Conservative Cabinet were deep in the quagmire of Brexit negotiations. (Gotta note that Turner has said he voted against leaving in the referendum. Albarn is of course, a very vocal critic of Brexit.) Right wing governments were coming into power everywhere it seemed like, the climate crisis took on a new sense of alarm among the larger public - and things only spiralled in the years following. I can’t think of another album which could accurately capture the sheer fatigue of seeing outrageous headline after headline, how desensitised we had all become, how disillusioned with life- in a mason jar like TBH&C has.   

That’s what makes an album legendary doesn’t it? You listen to it and immediately remember what living at the time was like. Even if 1994 was 10 years before I was born. 

Now that we have gotten that out of the way, let’s look at the two albums a little more closely. 

Some lyrics which give me very similar vibes: 

sexual hedonism // start treatment (tbh&c) and girls & boys (parklife)

mundanity of relationships // four stars out of five (tbh&c) and end of century (parklife)

the performativeness of middle class activism/social work // tranquility base hotel and casino (tbh&c) and parklife (parklife)

losing friends and losing touch // the ultracheese (tbh&c) and badhead (parklife) - now these aren't really similar, but i feel a connection. in my bones trust me bro. the whole "i'll grin and bear with it" thing about badhead is very reminiscient of the sense of insouciance about life that haunts tbh&c....almost??

the myth of america // the ultracheese (tbh&c), golden trunks (tbh&) and magic america (parklife) - magic america is making fun of reagan era the american dream while a disillusionment with the glitz and glam of life in la is pretty much consistent throughout tbh&c

a pathological dependence on technology as escapism // jubilee (parklife) and start treatment (tbh&c) - digital cameras and the internet and tvs were taking baby steps into invading our daily lives back in 1994, and by 2018 we were all fully under the vice grip of tech addiction. this parallel i find particularly funny so.

astronomical references // far out (parklife) and star treatment (tbh&c) - alex james, the blur bassist wrote and sung far out about his love of space. it's a pretty nice parallel hey.

For the last one, let's talk about Tracy Jacks from parklife. I couldn't really draw a direct parallel with a song from the other album, but that song spiritually fits right in I feel. An average Joe in the throes of a midlife crisis, teethering so so close to the edge and one day just snaps - that's a character one would expect dwells in the lounge of the Tranquility Base Hotel to drown themselves in the decadence and escape from all their shit, when all is said and done.

Now what's the concluding point of all this rambling. I don't know lolz. Y'all just read a thousand words of nothing.

Just kidding. Actually I read somewhere Damon Albarn was inspired by the 1989 novel London Fields, a science-fiction adjacent black comedy set against the backdrop of an impending nuclear crisis, while writing Parklife. That kinda rung a bell. (Yes, I did wonder if Alex has read this)

I just wanted to see if we can find any interesting connections parrallels or references between Parklife and Tranquility Base Hotel and Casino. I dunno if I've been successful in getting any point across, or it's just pointless waffling on. But one thing that did get confirmed to me once again, these two albums are really the Albums of Their Times. Captures the zeitgeist in such a specific but unique in their own ways, it's really wonderful.

And also studying the legacy and impact of AM with reference to other musical outfits is always fun. I think we can all safely say that AM is well on their way to capturing a seat in the pantheon of great British bands, where somewhere in a corner Blur also sits. Damon Albarn is a fucking legend of course -- from the pretty posh boy of Britpop he has gone to becoming one of the most versatile, experimental and prolific songwriter/composer in the contemporary music scene. He is apparently working on the music for an Goethe's fragmented libretto of Magic Flute Part 2. How many rockstars do you know have composed operas - how fucking dope. I wanna hope that we'll get to see Alex exploring crazy paths in music like this, he definitely has the potential. This whole exercise would probably have made more sense with one of Damon's post-Blur works, his first solo record Everyday Robots or even Blur's last album The Magic Whip, but I started this essay so had to finish it.

Maybe another day eh.

[ennard-is-near]

Hot take? It gets on my nerves when FNaF has mysterious lines just for the sake of sparking theory.

“Remember what you saw,” (4) “Off to that place again,” (6, Midnight Motorist) “The one you should not have killed,” (UCN) are all examples of this phenomenon.

To me it feels like a lot of theorists dedicate time and energy to solving these little mysteries and they abandon the bigger picture or worse, abandon entire theoretical timelines based on one line that doesn’t really mean much.

[ceramicbeetle]

Desperately trying to make sense of Alex's motivations in Season Two and you know, I do eventually have to wonder if maybe Alex wasn't actually lying in the majority of those tapes.

Like, we tend to assume that Alex's motivations have been a consistent throughline since the college years, but do we actually know that that's the case? Do we know for sure that Alex was acting in deliberate, calculated ways in 2006; or could it be that he's telling the Truth on those olds tapes when he says he's blacking out and can't remember what's happening to anyone? After all, if we're assuming that Season 2 Alex's motivations are the exact same as his motives in Season 3, then it doesn't make any sense at all that he spend months working with Jay to try to find Amy; Season 3 Alex would have attempted to kill Jay like, on sight just to get things over with as quickly as possible and contain the spread of contamination as best as he could.

But, maybe, if Alex really had been separated from Amy after the events of the 04-04-10 tape, and if he really doesn't know where she is, then maybe that could make things start to make more sense. Maybe he really had been watching Jay's channel, and seeing Jay start going through the same things he went through in college without things devolving into violence and disappearances, and wondered if things maybe could play out differently this time. Maybe he really did send that tape to Jay to ask him for help, maybe he really was just trying to find Amy.

But then, instead of actually being helpful, Jay makes it extremely clear that he's a lot more interested in stalking Alex than he is in finding Amy. Alex asked for help, and instead there's a bunch of masked dudes on Jay's heels that keep attacking him, Jay is breaking into his house, stealing his things, leading the Operator right to him all over again, keeps trying to get other people (namely: Jessica -- if Alex is being honest when he says that his call reassuring her that Amy had been found was an effort to make Sure she stayed away from everything that was happening) involved; and instead of anything getting better, instead of anyone finding Amy, things are just getting worse all over again.

It's not until after the incident at the tunnel that things seem to start rapidly devolving. Rather than a calculated attempt to finally follow through with his need to curb the spread of contamination, this is very clearly an outburst of rage and terror. Alex's "I told you not to follow me" line in conjunction with Jay speculating that Alex didn't know who that guy was, to me, pretty firmly seems to speak to Alex having mistaken that stranger for Jay. From his point of view, Alex knows that Jay and totheark know where he live, have broken in before, he suspects that Jay stole a key to make it easier to get into his house, and he's been followed on the daily for months -- Alex is sitting at the tunnel because he doesn't know where else he can go without being constantly surveilled, hunted, and assaulted. And instead of getting a moment by himself to breathe, Jay followed him out there all over again (it feels like Alex looks directly at the camera in Jay's footage of him from this day; he knew for a fact that Jay was there), and then to make matters worse now 'Jay' won't even keep his distance anymore.

So Alex lashes out. And it's not until afterwards that he looks down and finally recognizes that this wasn't Jay -- it was someone completely innocent. Things have finally reached the low point he was at in college all over again; maybe even worse this time. If Alex doesn't remember attacking anyone in college, but he was at least partially conscious of it this time, then things have reached an entirely new rock bottom, they've reached an absolute point of no return.

He has no idea what happened to Amy, and he's spent months trying to find her with no hint of where she could be; he doesn't know where Jay actually is or what additional trouble he could be causing at this point; he does know that now innocent people are getting caught in the crossfire (in regards to the stranger in the tunnel, and also Jessica now that Jay has her phone number, and the untold number of people Jay got involved when he started posting videos to the Marble Hornets channel); things are spiraling out of control and there's no one left to ask for help. The situation isn't getting better, it's getting worse; things aren't getting easier to handle, they're just getting more out of hand; the negative impact is spreading and who knows how much further it can still go?

So, Alex decides to go scorched earth. He disfigures the body with the rock either to hide evidence or to make sure the guy would actually stay dead and not just get back up to start his own cycle of contamination in a few years. He tries to give Jay one last chance to back off, and Jay instead admits he's been talking to Jessica, acts obstinate and lies about not having Alex's spare key, and then breaks into Alex's house a second time (minimum). If Alex doesn't stop him now, who will? Alex met with Jay planning to kill the others, and then himself, so he could put a stop to this once and for all and keep things from getting any worse than they already were.

Maybe it makes a lot more sense if, rather than being a strangely incomprehensible detour on what should have been a straight path, the events of Season Two were the breaking point that put Alex on that path to begin with.

[angy-grrr]

There is gonna be more than that coming from the poll, but whatever it is vote Kacchan/Deku for best hero. Idc who wins i just need them to be together again

if they just announced it today without saying anything before, I would probably immediately do it.

Right now im just bitter because of the hype -I thought it would at least slightly relate to the actual story (adaptations of other stories, extra content for the volume which once again may I remind everyone is extremely short, almost half what a manga volume usually looks which is a huge problem).

This disappointed me extremely, as its not even related to any content from the manga beyond the characters it uses. I get that many ppl will work on this, and that artist will get excited over being able to get the spotlight, some will be able to ask specific questions, and a character will get a statue and a movie.

Still extremely disappointed because of the "special project will be announced on the 5th *wink wink*".

I can't feel excitement over it as, in my mind, I lost something that felt better -more content related to the story. So at best this would be "oh cool I can try it", a feeling pretty similar to the other announcements -not my favorite thing in the world, but I wont reject it and try to see what comes out of it.

This isnt at best to me right now

[sysig]

Jersey Boy (Patreon)