midnightmaliayvonne

[rayssion]

Solangelo fic idea because I love them,

Soulmate au wherein once you're claimed the mark of your soulmate appears as a tattoo on your body, it might be the same place as your soulmate, it might be different. If your soulmate is a mortal then only a letter 'M' appears.

Everyone is so worked up because Will never showed his mark, some of them speculated his soulmate is a mortal, some of them argued that it could be unrequited love like his soulmate might be Annabeth but she found her soulmate so he's destined to be alone. No one knows for sure, except for his sister Kayla.

The helm of darkness? Geez who could it be? The only child of Hades out there is Nico di Angelo. Will is 100% sure that the boy despise his guts, also he heard from Kayla that the boy already has a crush, and he's not sure if the concept applies on roman demigods, but didn't Hazel have a soulmate already?

Will never shows his mark, he felt devastated especially that the son of Hades is quite distanced.

Nico tries to operate between his pitiful crush on Percy, Jason who's urging him to let go and find himself another person, and his own mark.

The little sun tattooed on the side of his torso.

Funny thing, everyone thinks his soulmate is a mortal.

[froglover7789]

luke skywalker getting nervous and just rambling about how moisture vaporators work until the situation resolves itself.

i was going to just post this about him not knowing how to flirt but then i realized it applies in all situations. cute guy? well biggs always seemed to like his vaporator rants. annoying politician? well surely theyll leave him be after this bc no stuffy core-worlder cares about how a single sand particle could mess up the whole karking machine. bounty hunter after him? well maybe theyd be appalled enough that the strongest guy in the galaxy was yapping instead of defending himself that luke could just leave.

many possibilities.... i will simply have to cook up something for this....

[stevieschrodinger]

So what if the gates don't close, after. What if they just sit there, like inert, open doors. Hawkins could be declared a disaster zone and just...cleared out. Zoned off. Under military and government control while men in hazmat suits wander in and out of the upside down.

What if El is the only one let in, just now and again, to make sure she can't...feel anything.

They study the upside down as it repairs itself. The hive mind, the vines, they wither and die but the natural eco system of the upside down starts to revert. Starts to heal. It takes months for the sky to start to clear, for the air to turn breathable, for the plants to sprout new through their withered black skins.

El tells Owens she can't feel a thing.

She comes home and tells the others a different story. There's someone there. Someone who feels like her. Someone...new, and old. Someone familiar but just born.

Someone she instinctively lies to protect.

But there's not a lot they can do, and life goes on, and they party insist on getting together, once or twice a week. If only in the way one who's been through bad things must keep reaching out to make sure the others are still there. Still alive.

Still okay.

And El doesn't put it together until they're spread out, watching a movie. Dustin insisting she needs to see all of the star trek movies.

And they're on something about a search for Spock, who died, El remembers, with his hand pressed against the captains, through the glass.

Spock who died to save everyone. And now he might be alive; his life tied to a planet that's been born again.

El sits up, wide eyed, the realisation of what she'd been feeling dawning inexorably, the confusion clearing, 'it's Eddie!'

[blackjackkent]

Ask prompt fill for @thedarkstrategist from this ask meme: Lord Huron Lyric Prompts

Shadowheart - "I had a name but they took it from me."

Some more Shadowzel for you, friend. :D Low-key kinda proud of this one.

-----

Shadowheart sits on her bedroll next to the fire, slowly working her way through one of the larger bottles of ale from the camp supplies. She squints tipsily at Buddy, who gives a slow blink back at her and gives a sleepy hoot. 

Lae’zel, sitting nearby, looks up from the dagger she is sharpening. “You should rest, fynh duj,” she says with a touch of muted, dry amusement, having watched her lover’s slow progression into inebriation over the course of the preceding hour. It is, perhaps, not the best use of her time given that they make for the Wyrmway in the morning - but on the other hand, it’s the most relaxed Lae’zel has seen her since the House of Grief, so it’s hard to protest too much. 

“Hmph. Not yet,” Shadowheart grumbles. She takes another swig from the bottle of ale next to her. Then, with a grunt, she squirms off of her bedroll and across the ground, until her head butts up against the owlbear’s feathery flank and she can settle in against his side. “There. That’s better…” she mumbles contentedly. 

Buddy has grown considerably in the weeks since he joined the camp; Jaheira says he is almost full-grown now. This causes some trouble, for he still sometimes acts as if he is still the size of a cub, which has led to more than one crushed tent in the times they’ve camped in Rivington and the Lower City. But he’s grown mellow overall, enjoying nights curled up by the fire with whoever happens to be awake latest - which, tonight, is Shadowheart and Lae’zel. 

He still, sometimes, touches that fear of wolves and wild things that Viconia drummed into Shadowheart’s soul. But she is learning to move past that, to push it away, and to find comfort in the rhythm, muted chirp growl of his breath when he allows her to snuggle against him like this. 

She takes another overlarge gulp of ale and leans back into Buddy’s bulk, turning slightly so she can stare at the owlbear’s massive head with sudden intensity.

Lae’zel sets the blade aside slowly, curling her legs under her. “What are you thinking about?” she asks.

Shadowheart starts, as if she’d forgotten anyone else was there. “Names,” she says, slurring only a little on the end of the word. “Mine. And his.”

As if he can tell she’s talking about him, Buddy lifts his head slightly and gives another drowsy, questioning hoot.

“Yes,” she murmurs. A long silence. “I had a name,” she goes on after a little while. “But they took it from me.” It’s loud enough that Lae’zel can hear it, but seems to be directed more towards herself - or perhaps to Buddy, who has dropped his head back to rest on his paws, watching her with his beady, dark eyes. “They took it from me. And they gave me a new one. Jenevelle. Shadowheart. First one… then the other.” 

She frowns. “And you - maybe you had some other name, or no name at all… but now you’re Buddy. We gave you that.”

Her eyebrows knit worriedly and she looks towards Lae’zel with a flash of uncharacteristic anxiety, inner struggle stripped bare by the coating of alcohol. “D’you think,” she asks unsteadily, “he’d rather be called something else?”

Lae’zel raises one eyebrow slowly. It doesn’t even occur to her to laugh, despite the rather pathetically soppy nature of the question. Nuance is sometimes lost on her, but even she is well aware it isn’t really the owlbear they’re talking about. “Perhaps,” she says slowly. “We could speak to him and see. Jaheira has magic for this purpose. If he wishes to be called something different, something he was called before - he has only to ask.”

Shadowheart squirms uncertainly. “Yes,” she mumbles. A pause. She fidgets with the ale bottle, turning it restlessly in her fingertips “He had a mother… and she’s dead now, but maybe she called him something, in some owlbear way… That’s important, right? It matters…” 

She swallows. There’s a subtle dampness around her eyes, flickering where the firelight catches it. “But maybe he likes Buddy. Because… because that’s what he’s called here. With his-- with his friends.” She flushes, her eyes flicking to Lae’zel and then rapidly away into the fire. “With people who love him now… that’s important too.”

“Perhaps,” Lae’zel agrees placidly. She shifts a little to one side so she can see Shadowheart more clearly, silhouetted by the flames rather than masked by them.

Shadowheart nods slowly. “It’s a good name,” she says, her voice lowering again until it’s almost inaudible. “He doesn’t have to be ashamed of it. Even if he had another…”

Lae’zel lets the silence stretch for a long time before she speaks again. “Who are you, fynh duj?” she asks, the rasp of her voice low and surprisingly gentle. “Who do you want to be?”

“Shadowheart,” Shadowheart whispers. “That’s my name. That’s who I am here, with you.”

[kit-screams-into-the-future]

Okay I saw more of your art and had to come back (if it’s okay)

Maybe this time….King Marty? Like in a kings outfit with the septor

and crown and stuff? Idk

no problem at all! i'm just happy you enjoy :D

anyone with any remote knowledge of historical dress from any vague period or region please avert your eyes.

[little-mouse-adventures]

A Timeline of Events in the Artemis Fowl Series

If anyone's interested, I did do an actual analysis for where I pulled some of these dates from. But because I cannot type succinctly to save my life, it's 5,000 words long, so that's below the cut. I also put the timeline there again, but in three separate images, so hopefully they load well enough to be fully legible if the above isn't.

A thousand thanks to @sadbitchapologist and @zahnie for their help and advice with this, despite neither of them having any more than the barest interest in the series and therefore having no clue what I was on about. Thanks also to @orangerosebush for fielding completely out-of-the-blue questions about the French school system, so I didn't have to attempt to navigate web search results to figure out what mandatory gym classes were like for the sole purpose of plotting Luc's birthday on here.

An Analysis of the Timelines in the Artemis Fowl Series

A Brief Introduction

The Artemis Fowl series is made up of eight books covering a range of years and events. I wanted to see how accurate the timelines present in the books were, as well as try and plot out some other details implied in the novels but not explicitly stated, to have a better understanding of the overall world-building. To that end, I went through the series and made the above timeline. I colour-coded it based on the relevance of the specific items to certain categories, namely Humans, Fairies, Villains, and the Series itself. This does mean that some things could have fit into multiple categories. For instance, you will see some items involving Opal categorized as Fairy-Specific (such as her college years, as those are fairly neutral to the main plot or her villainy), Villain-Specific (such as her setting up her emergency fund, as that is mostly related to her schemes as opposed to relevant to her existence as a fairy, or part of the main plot of the series), and Plot-Specific (such as her opening the Berserker Gate, the primary plot point for the final book).

Before we really delve into things though, we should establish the baseline assumptions I was working with. Firstly, I am only using the original series. I have not used anything written in The Fowl Twins trilogy, given that those books seem to ret-con a considerable amount of the original information, and that is far too many headaches to give myself. Any supplemental series information, such as the short stories found in The Artemis Fowl Files, or anything from interviews is also not included. The premise here is: using just the original books, what is the event timeline of the world? The second thing we need to establish is that I am using the North American releases of the novels. I did make notes on where each bit of information comes from, but there isn’t really a citation style for this kind of thing, so I’m not sure how relevant that is. The third assumption is that the first book takes place the year it was originally published. According to my copy, the original publication was 2001, with the first American paperback edition coming out in 2002, and the first mass market paperback being released in 2003. This means our starting point is in 2001.

For sake of clarity, this analysis will start with setting the dates of the books and continue on from there.

The Basics of The Books

With that out of the way, let’s talk about the first book, Artemis Fowl (AF). It is actually not until the very end of the book that we get a solid answer for when it takes place. It’s only in the last few pages of the novel that Angeline Fowl leaves her attic room after all the plot points are tied up and announces that it is Christmas Day. This might be cause for concern – Angeline had not previously been established as a particularly reliable narrator – but given that we are asked to believe that Holly’s ‘feel better’ mood booster worked, and that neither Butler nor Artemis balk at or question the pronouncement that is Christmas Day, we’ll accept that it’s true and move on. This means that, with Butler’s earlier announcement that he was stuck doing four months of stakeout, we can say with a fair amount of certainty that Artemis obtained and translated the Fairy Book in September 2001, and managed to capture a fairy in December of the same year.

Moving on to Artemis Fowl: The Arctic Incident (TAI), we are given a decent chunk of information, albeit spread out a bit. The first is the announcement that the ransom drop for Artemis Fowl I is to be held on the fourteenth. The fourteenth of what, you might ask? Well, we are told that Artemis is currently thirteen years old. Clearly, things are past September 1, 2002 (we know Artemis’s birthday is September 1 based on information in both the fifth and seventh books). We are also told that Luc Carrere has been trading with the goblins for six months, starting in July. That puts us in either December or January, but we can narrow it down further since Artemis gives us another helpful clue. He mentions they are not expecting to see the dawn while attempting to rescue his father in the Arctic. There are only a few latitudes on Earth where polar night (of any type) occurs, and at Murmansk, polar twilight occurs between December 10 – January 2. Combining all of this, we learn that TAI takes place December 14, 2002, give or take a few days to either side.

This can be corroborated by information in Book 3, Artemis Fowl: The Eternity Code (TEC). After Holly heals Artemis Senior, we are told that it takes over two months for him to wake up. Since we are specifically told two months, as opposed to two and a half or three, we can conclude that the events of TEC take place in March 2003. Mulch gives us some information that confirms this. He was living in LA “less than four months ago,” and since he was conscripted to help with the events of TAI in December, a March plotline fits the bill. We are given further confirmation as well: Spiro mentions that Artemis will be fourteen in six months. A specific date for Artemis & Co.’s attack on Spiro’s Needle can be pulled from the throw-away line that Pex and Chips are “burying” Mulch on the full moon. A quick web search tells us that the full moon in March of 2003 takes place on March 14, and the rest of the events in the novel take place roughly two days to either side of that.

In Artemis Fowl: The Opal Deception (TOD), the fourth book in the series, we are given several very clear indications of when the events take place. Firstly, Artemis is contemplating that at fourteen years and three months old, he is the youngest person to successfully obtain The Fairy Thief. Based on previously noted details that his birthday is in September, the events of TOD must take place in December of 2003. Additionally, we are told that things are the middle of winter and Opal has been in a coma for eleven months and counting as of the end of TAI, another December plot.

Artemis Fowl: The Lost Colony (TLC) requires the most math and interpretation so far to figure out when it takes place. We know Artemis is still fourteen, so the main events clearly happen sometime between January 2004 and September 2004. Beyond that, we are using a fair amount of context clues. Artemis and Butler have evidently been traveling for four months looking for demons, so we are dealing with events in at least May. But that still leaves us several summertime months to work with, so to establish a timeline here, we will need to look forward a bit. In the sixth book, Artemis Fowl: The Time Paradox (TTP), it’s noted that Artemis is not yet fifteen, and has, on multiple occasions, spent the full moon in the study. Ergo, he’s spent at least a few months back from Hybras. If he has been back for two months and not yet turned fifteen, he would have had to have returned by July at the latest, and since he returns almost three years later than he leaves, we are looking at him returning in either May or June. This would have him disappearing to Hybras – and by extension, dealing with the earlier events in the book – in June, July, or August. After his conversation with Minerva, he notes to Butler that they “are planning a June wedding,” which wouldn’t make sense to say if they were currently in the month of June. From all of this, we can extrapolate that the first three-quarters of TLC take place in late July or early August 2004, with the triumphant return of our intrepid heroes occurring in June 2007.

As previously stated, TTP mentions that Artemis is still not fifteen, but is nearly there. He has also been home again for at least two months. This would put the events of the sixth book in August 2007. At least, the events set in the current time period. TTP does bring back time travel, and with it some problems. We are told that Artemis and Holly jump back nearly eight years to Artemis being ten and trying to fund searches for his missing father. This would put the events of the past in early 2000. However, other details presented regarding Artemis Senior’s disappearance, which we will discuss later, make that impossible. Artemis also admits, in TEC, that he was eleven when his father disappeared, not ten. If we take a bit of creative license with our interpretations and base the time-jump to the past on other presented information as opposed to the dates given in TTP, we can say that Holly and Artemis instead return to early 2001. This lines up with further details, such as the sinking of the Fowl Star (as calculated a few paragraphs down in this analysis) occurring in December of 2000, and the textual confirmation in TTP that it’s barely two months past that sinking when Artemis brokers the deal(s) regarding the silky sifaka lemur. Since, at the end of the day, the time jump impacts very little in the grand scheme of things, and the year 2001 actually fits in better with other textual evidence and events, that’s what I’m going with for this timeline.

The seventh book, Artemis Fowl: The Atlantis Complex (TAC) gives us a very helpful base point! It takes place on Artemis’s fifteenth birthday, September 1. From our previous results on setting dates for book events, that would be September 1, 2007. The sections in which Butler and Juliet are fighting mesmerized wrestling fans and meeting up with Mulch are noted in the novel as happening “the day before,” which would fall on August 31, 2007.

Artemis Fowl: The Last Guardian (TLG), the eighth and final book in the series, creates some problems. If we assume that Artemis starts receiving treatment for his Atlantis Complex immediately after diagnosis in TAC¸ that would put him receiving treatment in September 2007. We are told he is certified as cured after six months. Yet we are also told that the rest of the events of the book take place in the week or so leading up to the Christmas holidays. Everything so far has said that the Artemis Fowl series follows the current calendar, in which case there is no way that six months can fit between September 1, 2007 and December 25, 2007. However, the only reference to Christmas is in two lines noting that the Fowl parents were planning on holidaying with their children on a foreign beach. If we simply say that six months have passed, and they are instead planning on spending the Irish school system’s spring holidays in the French Riviera, everything else lines up much better. So that’s what I’ve done. This would also put the resurrection of Artemis, after the events of the book and a further six months have passed, at roughly September of 2008. There is a pleasing symmetry to Artemis being born and then re-born in September, though if you want to get really technical and say the events of TLG take place during the 2008 March full moon as Opal claims (as noted in another web search as March 28), a six-month wait time for the clone to grow would put the resurrection in October. Still, there is something to be said for having a boy’s ghost haunting a clone of himself close to All Hallows. Since it’s the last plot point of the series, you can choose which you’d like; it doesn’t have to lead to anything else after it.

Let’s Talk Timelines: The Beginning of the Line to The End of The 19th Century

Now that we have our baseline book time periods established, we can get into the math used to determine some of the events in the timeline above. Several events are easy; we are given specific dates for them. Turnball Root meets Leonor in 1938, Juliet wins the Miss Sugar Beet Fair beauty contest in 1999. Other things are based on some basic math, such as Artemis claiming his parents got married fourteen years prior to AF¸ putting that event in 1987.

The majority of the items on the above timeline, however, do take some mathematics, extrapolation, and interpretation to plot out. To try and keep everything organized, we’ll start at the far left of the timeline, and work our way forwards, looking at events oldest-to-newest to explain why they are where they are on the graph. I won’t be getting too in-depth on everything in the graph, since I’m not sure how relevant the notes on the very minor side characters such as Carla Frazetti are, but I’ll at least try to touch on some of the more relevant points.

To start with, the Battle of Taillte was noted in the 2000’s as being ten thousand years ago, putting that at 8000 BCE. Similarly, the last dome breach at Atlantis was apparently eight thousand years ago in the 2000’s, so that would be 6000 BCE. Troll sideshows were legal in the early middle ages, which implies they were not legal after that. A quick web search says the early middle ages ended around 1000. The first crusades were in 1096-1099, and as those crusades are the start point of the Butler-Fowl working relationship, a point for noting that comes next on the graph.

From there, we get into more modern – relatively speaking – events. Briar Cudgeon and Julius Root are noted as attending the LEP Academy together and being raised in the same tunnel, as well as having about 600 years of history together. If one assumes “being raised in the same tunnel” is similar to the human equivalent of “growing up in the same neighbourhood,” we can assume the two were born roughly 600 years ago, in the 1400’s. Vinyaya is portrayed as being of a similar age to Root, so her birth can also be put in the same general era. We are also told that Fowl Manor was originally a castle built in the fifteenth century, that in the early 2000’s the theories of timeline corruption were first introduced over five centuries ago, and that cloning has been banned for over five hundred years, so those three events are also tossed into the 1400’s.

Julius Root is noted as doing his LEP basic training 500 years ago in Ireland, so that would have to be in the 1500’s. He would have attended the Academy before then, putting that in the mid-to-late 1400’s. As previously stated, he was in the Academy with Cudgeon. Opal also met Cudgeon in college, and competed with Foaly for science prizes there, so they were all in school at the same time.

Mulch now enters the picture. We aren’t ever given a specific age range for him, but we are told about his career. He has, apparently, spent three centuries in and out of prison after a couple centuries of success as a thief. This would make him at least five hundred years old. There is a brief mention that he tried the athletic route at college before becoming a thief, so he would have to be an adult at that point, putting his age at roughly 550 years during the events of the series.

We then enter a period filled in from one-off lines throughout the series, presumably added to give some depth to the world. Things about the wine cellar at Fowl Manor being a seventeenth century addition, Captain Eusebius Fowl and his crew dying in the eighteenth century, and Mulch first faking his own death over two hundred years ago.

Time Marches On: The 20th Century

There is nothing of much relevance to linger on between the 1550’s and the 20th century, so we’ll jump ahead to the 1900’s, when we have Holly Short’s birthday. She is in her eighties during TLC, and her father died “over twenty years ago” when she was “barely sixty” as of TAI. Based on that, she would have been in her early eighties in 2002, putting her birthday sometime in the 1920’s. What a doll.

A few more birthdays now appear, and we’ll ignore, for the most part, some of the irrelevant ones. I don’t think we are at all concerned with Gaspard Paradizo’s birthday, or Mikhael Vassikin. We are, however, rather more interested in Jon Spiro, Domovoi Butler, and Artemis Fowl I.

Jon Spiro enters the series in TEC, as a middle-aged American. A quick search on the Internet says that middle age is generally noted as being between the ages of 40 to 60. We are told that Spiro has worked in three main industries over the past two and a half decades. Additionally, we are told that law enforcement has been “trying to put [him] away for thirty years.” If we assume he entered the working world at twenty, spent five years developing his professional self, and then started going down a path of questionable legality to get the police after him, that would put him at fifty-five in 2003, and born in the late 1940’s.

It was a bit easier to determine Domovoi Butler’s age, and we can get more specific with his actual birthday. We are told that he is forty at the start of TEC, and he is still forty during TOD. From that, we can assume his birthday is not between March – December, which means it has to be between January – March. Now, we can just leave things there, but contextually, Butler says in late March 2003 that “a lot of people know [him] as a forty-year old man.” Since I doubt he’s the kind of person who introduces himself by announcing that his birthday was last week, we can assume that his birthday is not in March. Since about half the books in the series take place in December, and there is never any mention of Butler’s birthday coming up soon, we can likely assume it isn’t in January. We can therefore conclude Butler was born in February, 40 years before 2003, which puts his birth year in 1963.

We then have Artemis Fowl I. This one took the most extrapolation to determine. We know he has run an ethical empire for a few years as of 2007, which coincides with his return to his family after being kidnapped by the Mafia. He apparently ran a successful criminal empire for two decades before that, though, so in 2007 he has been working for at least 25 years. Based on the interactions he had with his own son, I’ve assumed he was also taught to take over the family business from a young age. If he started working at his age of majority at 18 (as possible in the 1980’s in Ireland, based on a web search), we can assume he was born in roughly the mid 60’s.

Billy Kong, born Jonah Lee, is one to touch on. He plays a large role in TLC, during which we are given possibly the most backstory of any villain in the series. He was evidently born in the early 1970’s, and was eight years old in the early 1980’s. Mathematically, that can only lend itself to so many birth years, so it’s easy enough to put his birthdate somewhere in 1973, and his brother’s death date in 1981.

While we’re here, let’s talk about the 1980’s. A lot of things happen in the 80’s, so we’ll be here for a few paragraphs. Butler would have graduated Madam Ko’s Academy in the early ‘80s, Artemis I would have started working in his family’s business and stolen some warrior mummies (of note, the theft is only noted as being in Artemis Sr.’s “gangster days,” but if you are a young, rich criminal, you’d likely commit a wild theft in your early years as opposed to your thirties, which is why this is put in here). Additionally, in the mid 1980’s, Holly graduates the LEP Academy and her mother dies, as noted in TTP when she is contemplating missing three years of her friends lives.

Butler would have started his five-year stint in Russia with an espionage unit in the mid-to-late 80’s, and become a big brother in 1985. Juliet is noted at being four years older than Artemis in AF in 2001, and he is twelve then, making her sixteen at the time. We can extrapolate the month from TEC, wherein she is apparently eighteen when she is called regarding her brother’s apparent death. At the time, we are told what gifts she received for her birthday, implying it was fairly recent. Additionally, Artemis was only thirteen at that time, which would make Juliet five years older than Artemis. If, however, we trust that acolytes at Madam Ko’s start their training on their tenth birthday and get one chance to graduate per year, it would make sense for that one chance to be on their birthday, or within a day or two to allow for as much training time as possible. Since Juliet was in the midst of this one graduation evaluation when she gets the phone call and joins the crew for the March heist at Spiro’s Needle, she’d have to be born in March. (We can also corroborate this with some details from AF: if AF  takes place in mid-September, that would be just after Artemis’s birthday, which puts the 4-year age difference back into play.)

Spelltropy begins for the People in 1987, if it appeared 20 years ago from 2007. Artemis I and Angeline Fowl would get married in 1987. They would have their first child, Artemis Fowl II, in 1989, as calculated by Artemis being twelve during the initial siege of the Manor in December 2001. Artemis II’s grandfather was noted as having been dead for over ten years at that point, and it was mentioned in TEC that Angeline married her husband before he really took over the family business, so those events would likely happen when Artemis was but a baby in 1990.

The ‘90s are a period where a lot of things are happening, but few are particularly important. Spelltropy has a cure found, Minerva Paradizo is born, Juliet begins her bodyguard training and her brother refuses to let her shave her hair. These, and other events in the 90’s, are mostly calculated by math along the lines of “Event A happened X number of years ago,” but since the 90’s was mostly a time of worldbuilding events rather than plot events, we’ll just skim over the specific details.

‘You Are Here’: The 21st Century, and Where The Storytelling Begins

Welcome to the 2000’s! The kick-off point of not only the 2000’s, but also the entire series, is the sinking of the Fowl Star. We aren’t given a specific date for this, but we are given enough information to extrapolate the date. Specifically, in September 2001, in AF, we are told Fowl Sr. has been missing for almost a year. In TAI, in December, we are told he has been missing for almost two years. That does have the potential to have the ship go down in either December or January, so we need to use a bit more details from TAI to make a final determination. Mikhael Vassikin and Kamar were told to dump Fowl’s body in the Kola if he didn’t wake up in “another year,” so they’ve been looking after him for one at that point. Fowl Sr. wakes up two weeks before the deadline, and as noted earlier, the ransom drop for him takes place December 14, after he has been awake for perhaps a week. From that, we can tell that the deadline for “another year” was mid to late December, putting the initial sinking of the Fowl Star in late 2000.

The analysis gets a bit confusing at this point, because 2001 is when future Artemis and Holly join the party via time travel, as well as having their regular selves in the timestream. Essentially, we’ve established the timeline for the events of TTP above, so we know the whole lemur fiasco takes place in March 2001. Artemis wakes up at the end of that book thinking about fairies, which ties in rather neatly to him then dragging Butler across three continents for six false alarms (with an assumed approximate 3 weeks between each jaunt) before striking metaphorical gold in Ho Chi Minh City in September. During their time-traveling, Holly also gets a chance to talk to Root, who wonders why she isn’t in Hamburg, which was noted in AF as Holly’s first major failure as a Recon officer and was nearly preceding the events of AF. The time-traveling would also mean that Opal would have had to harvest her DNA for future diabolical plans before March 2001, when her younger self travels to the future. Since it takes up to two years to grow a clone to adulthood, and her clone has to be ready in September 2003, we are a few months off in the time requirements, but really, for a practice that’s been outlawed for 500 years, I can offer a bit of leeway.

We are now well and truly in the thick of the main events of the series. Most of this will be tied into the initial assessments we made way at the beginning of this essay, where we established when each book occurs. Because of this, we aren’t going to spend time on anything plot-related. However, a brief note on Turnball Root and Artemis’s Atlantis Complex is likely in order. Artemis was, as previously stated, dealing with his return from Hybras and the after-effects of stealing magic during July and August of 2007. His Atlantis Complex, and Turnball Root’s plan to escape the Deeps prison, are in full swing in September of that year. We have a brief note in TAC during the evacuation of Atlantis, that Turnball had, a month before, spied on Artemis and noted his Atlantis Complex developing. Therefore, Artemis’s Complex likely came into play in late July or early August 2007. This is close enough to Artemis’s magic theft to make sense for the deterioration of his mental health, and enough time for Butler to have started to notice something was wrong, as he did. We can therefore assume that Atlantis Complex, at least in the case of magic-stealing humans who have a propensity for time travel and getting involved in supremely complicated and improbable plots, develops relatively quickly.

This leaves just one major discussion point from the last few books: the age of Artemis’s twin brothers, Beckett and Myles. The twins are first introduced at the very end of TLC. They are written as being two during the events of TTP, three during the events of TAC, and four during the events of TLG. Regardless of the time-traveling shenanigans of their elder brother, it is impossible for the twins to age two years in the eight months between Artemis’s return from Hybras in June 2007 and the finale of the series in March of 2008, so we need to look at what makes sense.

Myles has already potty-trained himself, and done so at fourteen months, so they must be at least that old. Their other behaviours would make sense for them to be two in TTP. Diapers are still a part of their lives, and their language and vocabulary fit what a two-year-old would have, at least in Beckett’s case. Since Artemis was surprised by their existence, it doesn’t seem likely that  Angeline would have known she was pregnant, or at least not have told Artemis yet, when he went to Limbo. Ergo, they can’t be any older than two, since (one would hope) Artemis would have noticed his mother’s pregnancy if the twins were any older.

Additionally, in TLG, we know Artemis gave his brother a birthday present, so he had to have been around during the twin’s birthday at least once. With this fact, the twins cannot be born between March – June, which just leaves the question of when are the twins born?

 The most logical answer is February 2005. If Angeline was early on in her pregnancy, say six weeks (which is when most women start noticing symptoms), when Artemis disappeared in July 2004, she wouldn’t necessarily have told him yet. Then, if we assume that since most twin births occur around the 35-week mark, that would math out to having the twins be born in February of 2005. Fast forward, and they would turn one in February 2006, and two in February 2007, which puts them at the correct age for the events of TTP. [One could argue, of course, that a twin pregnancy in an older woman (unfortunately, there is nothing in the series to indicate Angeline’s age) and in a woman already dealing with significant stress could result in a very premature birth, thereby voiding any of this math and leaving the whole question of the twin’s birthday unanswered. However, since I’d rather not subject the Fowl parents to the strife and misery of having one son missing and presumed dead, and their younger children in the NICU with a low survival rate, I’m working with the assumption that the pregnancy was a healthy and normal one.]

The brief comment from Juliet in TAC about the twins being three can be passed off by them being a little over two-and-a-half and Juliet not being around as she is touring in Mexico. By the time TLG takes place, in March of 2008, the twins would have had their third birthday, allowing for Artemis to give Myles his chair as a birthday present, Beckett to be old enough to no longer need diapers, and the behaviours to act more like children than infants. While this doesn’t quite allow for the repeated textual confirmations in TLG that the twins are four, we’ll go with what mathematically makes sense.

That brings us to the end of the timeline! Not everything is touched on in the timeline, and not everything in the books is plotted (we are never given enough context to know Foaly’s or Opal’s birthdates, for instance). But the main events of the Artemis Fowl series are all analyzed, mathematically or logically or textually corroborated, and plotted out, for use or ignoring as personal preference dictates.

[lizpaige]

new hc just dropped bestie: adam buys a cell phone the same day he sends in his acceptance letter to harvard. he’s gotta keep in touch with that dumb dreamer bf of his yaknow

[beanghostprincess]

A lil question: What do you all think about Ko-fi for writers? The writer being obviously me, lmfao.

I've seen quite a huge, huge increase in the amount of asks I get per day, usually with prompts and concepts that, even if they're not for fanfiction technically and anons aren't asking for them, it's quite obvious that they're asking me to give my opinion or to write something based on that. Because you all know I always end up writing fanfics about asks or just a long, long analysis that could end up being a fic. Anyway- The thing is, I gladly do it for free because I absolutely love it and those are not commissions or people actively asking me for fanfics. But I was thinking that if there are so many people interested in my views and writing (apparently you all like my writing and want more, which is, wow, fucking awesome to me) maybe you'd be interested in me opening a Ko-fi?

It would work kind of like this (please, if somebody has more ideas, tell me. I have no idea how these things work and it'd be great if you could help):

Ko-fi for donations and commissions. Simple as that. Because I want to write my own original book and I also keep writing fics. It's a good way for some of you to donate if you ever feel like supporting me and my work. Because, I mean, let's be honest, I need the money. It's not directly paying for a service, just donating to motivate me to keep writing! And then I'd just take commissions of whatever fandom I'm in (or damn, maybe you want me to write something original with a concept of yours!). The commissions would be posted anyway in my AO3 account however, they'd be that, commissions for the people who specifically want me to write something they want. I don't have in mind yet how the prices would go, but you would not pay for a genre of fic, but for the amount of words. Like, you pay an amount of money for 5k-10k words and more money if you want something in between 10k-20k (with obviously a range. Dw, I'll think about it) etc, etc, etc.

I am aware of the whole stigma surrounding fanfic writers profiting off their fics, but I am not selling anything, actually. Ko-fi would be for donations to support me and commissions.

Let me know what you think, please, because when I say I get a ton of asks per day I am not joking and I thought "oh, well, if people like my opinion/writing so much they'd be willing to pay a lil bit for new, specific content". That being said, you can send asks like normal and I will always give my opinion on things and even write fanfics if I like it a lot, but if you truly, really want me to write something for you, I could open commissions.

[fuckyeahdindjarin]

The real tragedy of The Last of Us is that they never got to see The Return of the King.

[fortune-maiden]

Random TGCF AU of the day:

Space-time shenanigans result in main canon He Xuan wandering into an AU where the fate swap didn’t happen.

He ascends as a civil god, and is doing quite well for himself, only his presence has unexpected ramifications for a few people

SWD can no longer save his brother via fate swap. He is not giving up obviously and will find another way no matter who he has to screw over (though HX would really really like it if he didn’t screw someone else over thank you very much), but in the meantime he is very much devoted to keeping his little brother safe and under control.

A necessity probably given that this little brother is an anxious mess afraid of his own shadow, with only shades of the bright determined Shi Qingxuan of the main timeline. He’s got all the comfort and wealth he could ever need and zero sense of confidence or independence.

Also different is the new civil god Ling Wen. She’s closed off and unpopular and may or may not be responsible for some sabotage He Xuan keeps encountering. Oh well it’s nothing to worry about. With dwindling followers she’s well on her way out anyway…

[quaranmine]

random firewatch au detail that has basically no impact on the story unless you want to psychoanalyze fw!grian even further than i did as the author, but it's very intentional that i always refer to both of mumbo's parents but only grian's mom. did i give him daddy issues? i guess so, but not in a way where i really deeply examined the implications as meaningful to the story. it was just a detail i stuck with from the beginning as a way to keep fleshing out the story's background subtly. the idea behind grian's dual citizenship was always that he was born in america to an american dad and british mom, and that his mom moved back to the UK when he was very young since she wanted to be closer to her family. perhaps his dad didn't go with them? or perhaps his dad did, and then later they split and he went back to america? whatever the cause, grian never even mentions his dad in the story, and it wasn't because i intended him to be dead (because that would have come up in a story about grief) if you get me

[darkwingsnark]

Duckvember: Gaudy Duck

Every few months Bugs Bunny recieves what Daffy calls ‘rich people selfies’. You know, the kind with professional photographers? It’s the trashiest thing, and yet... he can’t seem to throw them away. Call Bugs a sentimental fool, but he’s happy for the guy.

Fowl Shipping lives forever, babeh~

[anon-unofficial]

hi. hello. would you mind if I threw my own silly little ideas for this horror documentary of which is very hello jon, apologies for the deception, but i

ahem anyway

hear me out. hear me out.

an au where the gap in reality is just enough for our world to leak into theirs

and

and

what if we ended up using the tape recorders as our domain

what if we finally get a chance to help Jon, but in the process, we have to make sure that we don't divert too much from the canon to the point where we won't know what happens next

what if

what if

guys what if

[samwhump]

Supernatural committed many crimes over the course of its run but imo one of the most grevious was not doing cute and fun things with Sam’s hair

Like. have him toss it in a loose bun when he’s reading, a low-slung ponytail with a single pin holding back the strays on long runs. when he wants to feel fancy he does a tucked French braid but it’s still messy and there’s just a couple of loose curls falling against the shell of his ear

[puhpandas]

Take Me Home 1, 2

(to see new chapters release, sub on ao3 :))

(3227 words)

When Cassie wakes for the second time, it's not with a pounding head and limbs as heavy as iron. No. This time, her awareness of the world rolls in smoothly, and all she feels when she wakes fully is faint buzzing throughout her body.

She revels in it; the fact that theres no pain. She doesn't think too hard about why, she just shifts, moving to stretch her limbs, but hisses when going to move her arm sends a wave of soreness pain up her arm.

She grits her teeth, yelping and suddenly re-entering the world fully when the pain throws her into alertness.

Her eyes shoot open, and she moves to sit up in bed, heart racing when all she can remember is last being in the dark, dingy, falling apart Pizzaplex, but she calms when all she can see is someone's bedroom.

"...Huh?" She mumbles, her mind still not having fully caught up to her yet. She glances around the room, painted a pale blue, with furniture tucked against the neighboring walls and flowing curtains covering most of the sunlight filtering through the window, a light breeze ruffling them.

Movement catches her attention in the corner of her eye, and she glances over just in time for Gregory to snort awake, eyes trailing across her, not really seeing her, until they blow wide in recognition.

"Cassie!" Gregory exclaims, rushing to stand up from the position he was in where he had been sitting in a chair, laying his head in his arms, hunched over on the bed. "You're finally awake!"

Cassie feels her heart warm when she realizes that Gregory had been waiting for her to wake up by her bedside, never leaving her prescence. Long enough for him to fall asleep. Her heart slows to a normal rate when she sets eyes on him, immediately feeling at ease, and she breaths a deep breath, shifting to sit up more and allowing Gregory to help her when he rushes over.

She hisses when the movement jostles her leg and arm, and she finally takes a good look at them, realizing that at some point, in her sleep, her cardigan had been taken off, leaving her in her button-up, and her shoes and socks had been discarded, leaving her in her dark purple tights and shorts.

Gregory notices her staring at her foot, which is propped up on a pillow, peeking out from under the thick comforter, with some sort of makeshift splint made from cloth wrapped around the ankle.

"We had to improvise." He informs her, that lopsided grin Cassie'd always see in her dreams and on her homemade missing posters stretched on his face. "Ness cant exactly take the chance of getting involved with authority."

Cassie furrows her brows, her mind still kind of foggy from her -what she guesses- long sleep. "Ness?"

Gregory perks up. "Oh. It's a nickname we use for Vanessa a lot. Y'know, that blonde girl that was with us in the pizzeria?"

Cassie nods in recognition, remembering her blonde ponytail with rainbow streaks. "Yeah, um... how exactly did--"

She gets cut off when the door clicks open, and speak of the devil. "Oh, you're awake." Vanessa peeks her head in the room, a smile on her face when she sees Cassie sitting up and awake. "We were just making dinner, and I wanted to see if you were up."

"Um..." Cassie trails off. "Dinner?" She settles on.

Gregory senses her uncertainty, and settles a hand on her shoulder. "Vanessa's makin' chicken alfredo. And since you're awake, now you can finally eat."

Her stomach rumbles as if on queue, and her cheeks redden. Gregory has no problem laughing at her. "How long has it been?"

Cassie tries to think. "A few hours before you came and got me, since I ran to the Pizzaplex as soon as I got the message. So... that plus however long I slept for."

"Eighteen hours." Vanessa supplies helpfully.

Cassies eyebrows shoot up to her hairline. "Eighteen hours?!" She exclaims.

Gregory laughs, and Vanessa just looks at her with a crooked smile that reminds her of Gregory's. "Yup. You were exhausted physically and emotionally, and were injured, kiddo. The fact that you slept for so long checks out."

Gregory giggles. "Remember when we first got back, you slept for twenty-one."

Vanessa rolls her eyes. "I think I had a perfectly good reason to sleep the whole day away. Unlike you." She points two fingers from her eyes to Gregory. "Its not my fault you have the same amount of energy as a hyperactive dog."

"You mentioned a dog! So is the dog talk working?" Gregory asks, smugly. "Come on, Ness. Just concede. Its only a matter of time before you cave."

Cassie just watches, unsure of what to do when Gregory and Vanessa talk. Theres a grin on Gregory's face, not one she's used to. Not like the mischievous, pointed ones when Gregory was brewing something up, or the slight, hopeful ones, when Cassie would talk about when they got older, and she and Gregory could work towards getting a car and finally being able to give Gregory a life where he doesnt have to worry, and they can just live. Just a few more years, they'd always say.

This one is easy. Its gentle, with no kind of edge to be detected, and it looks so right on his face. It doesn't look forced, it doesnt look rare. Cassie can tell just by looking that Gregory has smiled like this often, and hes been allowed to be used to it. To smile without the quirk of worry.

It warms Cassies heart, to see that theres been change. But it also hurts.

Because he'd been away for so long, and although Cassie is so, so glad to have him back, she can't help but wonder why he never reached out to her. If he'd been able to smile so easily like this, while she couldn't muster one at times, too empty from his absence.

"I can barely take care of you and Freddy, kid." Vanessa points out, and Cassie is thrown back into reality. "And now I got another destroyed animatronic to fix and another kid. Not even mentioning a dog."

Cassie gasps, big and sudden at Vanessa's words. "Roxy!" She exclaims, and she winces when her voice rasps, and her dry throat burns from dehydration. "Roxy! Where is she? Is--Is she okay?!"

When Cassie starts to shift, arms moving to roll the comforter off of herself and somehow leave the bed, Gregory and Vanessa both rush to gently push her back down.

"Its okay, Cassie." Gregory says in that soft voice of his where it feels like it's only reserved for Cassie. "Shes in parts and service. While you were asleep, we wanted to fix her up a little, so we took turns watching you and fixing Roxy up."

Cassie feels the tension melt off of her body when she hears that Roxy is here, and has been fixed a little, but she still furrows her brows in confusion at 'parts and service', because are they not in a house right now?

Cassie can see Vanessa roll her eyes and go to explain. "He means that shes in one of the spare rooms we use to work on animatronics." Vanessa tells her. "We used it to build Freddy a body, and once Freddy started calling it parts and service, Gregory jumped on it, and it just stuck."

Cassie nods slowly, taking in the influx of information that she cant fully sort through right now. "So thats why Freddy didnt have a head."

"Do you want to see her?" Gregory asks. "Roxy, I mean. I'm suprised she hasnt barged in here already. I had to fight her to get her to trust me and Ness enough to work on her and watch you."

Cassie smiles, but it doesn't quite reach her eyes. Because Roxy is so worried about her, and Cassie is happy that she cares, but shes upset that Roxy and Gregory are so hostile towards eachother. "Yeah. Um. I would like to see her."

Gregory nods, and smiles. "Kay. She wont look the exact same, since I tried my best to restore her some, but at least she isnt about to fall apart."

Vanessa leaves the room with a curse, and Cassie ignores the slight burning smell coming from outside the door. "...Okay. Just... when you get her, can we have some alone time?"

Gregory nods, halfway out the door. "Okay. Sure. I'll be right back, okay?"

"Okay." She says, and then Gregory is gone.

Cassie breathes deep, playing with the frayed edges of the comforter when theres nothing else to do. She can hear the clattering of kitchen utensils from further in the house, and hushed voices.

The silence stretches further in her room, and when Gregory doesnt return, not right away, Cassie can feel her chest tighten, and something grip her lungs.

She breathes harshly through her nose, and notices how her hands begin to shake slightly.

Something grabs at her chest, something akin to panic, feeling like a giant hand and squeezing.

Gregory. Is all she can think about. He said he'd be right back. Where is he? He shouldn't have been gone this long, right?

Have I lost him again?

She squeezes her eyes shut, trying really hard to keep still, to keep calm, but her brain is jumbled, like its tied itself in knots, and all she can think about is how Gregory isn't here with her.

She has half the mind to get up, to tear through the house to search for him, to make sure she hasnt lost him again, that she wont have to look for him again. But one look at her ankle thats wrapped in cloth and she knows it isnt possible.

She makes a pitiful noise, breaths huffing out of her mouth now, short and heavy, and Gregory hasnt come back yet, and she cant do a thing about it.

It's only when Gregory pops his head back through the door, nudging it open with a creak that Cassie is ripped away from her thoughts and actually realizes how much shes panicking.

Gregory steps inside, a smile on his face, mouth open ready to speak, but it drops right off as soon as he sees Cassie.

Cassie cant find it in her to speak when Gregory rushes over to her, asking if shes okay. Her brain feels like its fogged over, or like its signal is blocked, and she cant think enough to respond to his questions.

All she can do is reach out to him when relief overwhelms her, enough for tears to slip past her lashes, and Gregory pauses in his rapid fire questions, seeming to understand something.

"I'm here, Cassie." He tells her, getting on the bed with her. He let's her wrap her arms around him and squeeze him as much as she needs when she moves to. "I'm not leaving again, okay? I'll be here with you. Nothings going to take me away from you. You arent going to lose me."

Cassie relishes in the reassurance. It reaches past all of the fog into some part of her brain, and it's like hosing down a wildfire. Her breathing slows down as she soaks up the feeling of Gregory right here, with her, and not going anywhere.

The panic that gripped her heart loosens some, and shes finally able to breathe, breathing deep breaths when Gregory does too.

"Sorry." She says after a moment, wiping at her eyes. "I dont... I dont know why that happened. I, um..."

"Separation anxiety." Gregory says, and Cassie startles. When shes finally able to unfuse herself with Gregory enough to look at his face, he has a knowing, serious expression on his face. "I had my rodeo with it, too... me and Freddy didnt have too good of a time with it."

Cassie furrows her brows, and it feels like she has ten thousand more questions added to the pile to ask, but Gregory stops her before she can speak.

"I'll tell you another time, okay?" He says, gesturing to the door where Roxy stands, waiting patiently for someone who was, when she last checked, willing to rip apart the guy Cassie just hugged to death. "Just... I promise I'll help you with it, okay? I dont think I'll be too different from you, after trying to reach you all night, and also..."

His eyes glaze over some, looking like a thousand different memories are playing over them, but he shakes it off, offering one more smile. "Itll be fine, okay? I'm gonna go make you a plate, cuz I think dinners ready, and you can talk to Roxy. Sound good?"

Cassie doesnt know what's wrong with her, because she almost tears up again at Gregory's words, because hes being so kind, and so understanding. She shouldn't be surpised, she guesses, Gregory had always found a way to catch her off guard with kindness when she'd been so used to being brushed off or disliked.

She nods, smiling back ag him, and he offers a thumbs up, moving past Roxy and shutting the door behind him.

It's only now that Cassies able to fully pay attention to Roxy, and she gasps, almost not recognizing her.

Before, she hadn't had anything resembling a face. Just her endoskeleton skull exposed due to broken casing. But now, she somehow has her face casing back. The colors are a little off, and it looks dusty and unused, but she looks like herself. Her last remaining strands of hair are fuller now, some new strands added. They've been shifted, too, styled to look adjacent to her old style, just shorter.

Her body isnt much different, one of her arms has its forearms back, a bright, clean purple compared to her filthy leg warmers, and she has her other foot back, just a larger size and different color.

But the most prominent change are definitely the eyeballs, glowing blue LED's, stuck securely in their sockets.

Cassie laughs disbelievingly, joyously, putting her hands up to her mouth with a wide smile.

"Roxy!" She exclaims. "You have eyes again!"

It's only now, when Roxy laughs along with her, that Cassie realizes her voice box has been replaced, too. Cassie laughs even more when Roxys voice filters through, sounding happy, instead of angry, no warbling or static to be found.

Roxy heads to her bedside, and shes walking much more surely, now. Not like her long, wide strides, always careful to not collide with something. She sways from side to side, ever confident in her looks.

"How do I look?" Roxy asks, fluttering her eyelashes now that she has some again and fluffing her new hairdo up with her hand. "The brat gave me a makeover."

Cassie giggles. "You look beautiful, Roxy."

"I know." Roxy says, but then turns her attention towards Cassie. "How are you doing, Speed racer?" Roxy asks, voice soft. "That elevator couldnt have felt good."

Cassie shakes her head, gesturing to her splinted arm and ankle. "Nope, but... Gregory and Vanessa fixed me up pretty good. I'm not hurting that much."

"I'm glad." Roxy smiles, because she can now.

It's just Cassie and Roxy, now. And like with Gregory, everything she'd been feeling, all the thoughts she'd been having all bubble up to the surface, and now that everyones here, and safe, she just wants to get it all out.

So Cassie furrows her brows, and goes to tell Roxy I'm sorry, I didnt want to, I shut you down and you still saved me, why? But before she can, the door clicks back open, and Gregory steps inside her room, balancing two plates on his hands.

"Dinners ready." He tells her, smiling, and Cassie doesn't know why shes suprised when after Gregory hands her her own plate, he crawls up on the bed with her.

So she doesnt voice it. She just smiles, a big, wide one, but still small and soft.

Vanessa walks inside the room with her own plate, and Freddy, looking everything like the home-built animatronic he is, follows behind her, extra pillows and blankets in his arms.

"I was thinking we have a movie night." Vanessa says, sitting in the same chair Gregory was when she first woke up. "Better than you having to sit in here bored, right, kid?"

Cassie nods, and her mouth waters when she catches a whiff of the chicken alfredo sitting in her lap.

Gregory snatches the remote from Vanessa, holding it away from her arms when she tries to take it back. The TV in front of them that she just now notices is in the room comes to life, Disney+ appearing on screen.

Gregory hands the remote to Cassie when Vanessa finally gives up, and shes able to pick the movie, putting on a happy, animated movie, where all the characters have their happy endings and nothing bad really ever happens.

The chicken alfredo was delicious, and they sat in her makeshift room, pillows and blankets built up like jenga around her to make her as comfortable as possible for hours, laughing together.

Cassies cheeks hurt by the end, and although shes so thrilled after hanging out with Gregory again, just having fun together like they used to, she cant help but notice that Roxy was really quiet the whole time. Really quiet.

Cassie doesnt think shes very good at reading animatronics yet, not like Vanessa and Gregory seem to be able to with Freddy, but Cassie cant help but feel like Roxy wasnt really able to relax this whole time, and shes surrounded with people she feels unsafe with.

By the end of it all, when the suns long set and Cassie feels tiredness drag her eyelids down, she cant rest, even when Vanessa's retired to her room, Gregory's left, and Roxy and Freddy went to parts and service.

She feels the same panic as earlier grip her heart. It's not like a panic attack; she's had a few of those, it's more like any chance of relaxation has left her body, and all that's left is feeling tense, on edge, and like something bad is going to happen. Like Gregory isnt going to be there when she wakes up.

But she needn't have worried, because it isnt too long until Gregory re-enters her room, wearing pajamas and Roxy and Freddy plushies clutched in one hand, with a night light in the other.

"This helped me and Freddy when it'd get bad, too." Gregory explains, tucking the Roxy plushie into her own arm as he lays down with her, clicking the night light shaped like Sundrop on. "That way, you can see me if you get scared that I'm gone."

Cassie can't put into words how grateful she is, or how glad she is that Gregory's back, and that she finally has him again, so she just doesn't, even though she wants to. Instead, she just clicks the lamp off, and when she lays down, wraps her arms around his middle.

Once Gregory is pressed up against her, with her forehead against his collarbone, and she can feel his slow, calm breaths, she feels relaxed. She finally feels herself slip into dreamland, and has no nightmares.

2nd ao3 link

[daddyplasmius]

okay, so, I've collected a bunch of DP fandom stuff that I remember off the top of my head, specifically in chronological order & colour coded here in this post (fics/comics, tumblr posts, important imo) for no reason other than I saw a post asking for Phandom history & it triggered my biggest, most long-running hyperfixation & now I'm curious if anyone else remembers stuff.

this link is going to be the permanent version I will be updating, but I'm posting what I currently have (gonna go through my old laptop later for more) just to let people know. you can also find the link on my blog, but only on desktop. It isn't colour coded there, sorry.

please share more if you got anything else cuz I'm 100% sure I'm missing a lot of stuff & am too interested now. the biggest reason a lot of stuff isn't here is that I simply can't find it. second biggest reason is i forgor. things not included here aren't "unimportant," this is just the first stuff that comes to mind.

putting it under a cut 'cause it got kinda long

Mars by JadeRabbyt (2005)

Checkmate by pearl84 (2006)

Conversations of a Ghost Gabber by Cordria (2006)

The Foley Maneuver by bluemoonalto (2007)

One Thousand Years by Nylah (2008)

Lab Rat by AnneriaWings (2009)

Lost by Cordria (2010?) [1] [2] [3] [4] [5]

Phantom of Truth by Haiju (2011)

Ghost Deaths (2012)

Through Coals and Rain by Kakawot (2012)

Shadow of a Doubt by Haiju (2013)

Pink Pants (2013?)

Wes (2014) [original] [1] [2] [3] [4]

this "I'm Inevitable" gif (2014)

Space AU (2014)

Treading Water by The Full Catastrophe (2014)

Danny, you dead IDIOT!! comic (2014)

wash away the darkest days by anthrop (2014)

Reverse Trio (2014)

Inverse Trio (2014-2016) ALT

Halfas are "feral children" (2015)

Burn the Streets, Burn the Cars by anthrop (2015)

It's Not Gay if He's Dead by phantomrose96 (2015)

You Smell Like Death by starfleetrambo (2015)

Ghost Bird AU by @rest-in-peachs (2016?)

Things I Can(not) Do In Amity Park by RedHeadsRock1010 (2016)

KEtTLE by Cordria (2016)

Deeper, Darker by Silvermoonphantom (2016)

Danny Phantom Punches Butch Hartman In The Face by MistressVintage (2017)

Dannypocalypse (2017)

Ghost Train (2017?)

Ghost Physics by jayrockin (2017)

Ghost Infographics (2018)

The Taxonomy of Ghost Cores: An Observational Study (2018) Communicating with Ghosts Professionally: A Study (2018)

Species in Danny Phantom (2018?)

Diddles Piddles by diddly-darn-ghost (2018)

Broken Ectoplasm by ghostanimal (2019)

Ghost of Heroes by Enigmaris & ScarletNightFury (2019-2020)

do not stand at my grave and cry (i am not there, i did not die) by blueh (2020)

Undercover Phantom by artistfingers (2021)

Corruption is a Two Way Street by datawyrms (2021)

Things That Bleed by artistfingers, kkachis, & Perfectly_Inconspicuous (2022)

10,000 works on AO3 (2022)

Ghost Speak:

Danny's handwriting (2015?)

Cordria (2015)

Fiver-Rivers [1] [2] [3] (2019)

Rubber Chicken Sounds (2019)