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#theres a shitton going on in this but its fine its fine
lavenoon · 9 months
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Past and Present, and their Guardian Angel
Have you read So Cries The Wolf yet? Would you like to? @clxckwork-sun-n-moon :3c
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pixeljade · 3 months
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I do keep seeing posts that say "whys Joe even funding Israel except that he loves Genocide" or "Why is there discussion of leaving NATO in the senate survey" and like. Here. Let me explain this to you. (DISCLAIMER: I hate Joe Biden I'm just doing this because understanding your opponents motivations makes it so you can more effectively fight them)
When you're President, issues are not just single simple issues. Theres a shitton of moving parts, and he cant be obvious about his awareness of all these parts for transparency's sake because that also gives his enemies (which would include those of us who want Both Parties Gone) an upper hand. Joe Biden views Israel as a necessary US base of operation in the middle east to defend the USA in case of an attack by China and (more pressing lately) Russia.
See, with Russia attacking Ukraine, Ukraine is thinking of joining NATO as a means of better defending itself. They've been talking about it for ages but really started getting the ball rolling when Putin attacked. NATO is a treaty organization which, if Ukraine does join, all the other members of NATO would be forced to come to its aid (i.e., literally all of them would be considered At War With Russia). On top of this, Russia has strong allies with a lot of anti-USA powers, including China. I wouldnt even be surprised if North Korea shows up. If this is starting to ring bells relating to the world wars in history class, good, because thats exactly what this scenario would entail. Another, open world war. Yes people scream 'world war 3' over the tiniest provocation but its just as foolish to claim its impossible. Add in that Putin has said he will gladly use nukes if he has to, and...well. you can put two and two together. It wont be a pretty picture.
Anyways, the middle east is, and has been, a central point in our proxy wars against Russia for ages. This is both because of the resources (oil) there, as well as its potential as a strong base of defense for the west against the east. Israel in particular is USA's biggest military defense resource, as they have a shit-ton of anti-ICBM (intercontinental ballistic missile) capabilities. Simply put, they serve as a bulwark against the forces of the east. They're also one of the biggest deterrants against all-out world war; because if anyone DOES try to send a nuke out west, we'll just blow it up before it hits us and then have Israel nuke them back, with far less time to defend.
So lets put ourselves in Joe's shoes knowing all of this. It starts to feel a bit like he HAS to keep giving Israel what they want in order to prevent world war 3 and/or nuclear holocaust, huh? This should also clarify why he said "If there were not an Israel in the middle east we would have to make one", and why he reportedly is very upset with all the Palestinean death yet still gives Israel weapons. Its a shitty appeasement tactic with an eye on global politics. (Side note: astute readers may also note that the actions regarding China are part of this, including the tik tok ban. They are correct.)
But does this make his actions correct? Fuck no. As many have noted Israel wouldnt even be able to continue existing without assistance from America, and Israel would likely be the first place to be destroyed by Russia if they seek to win, if it were weakened sufficiently. Meaning Joe could EASILY turn the tables on Israel and threaten to (or actually) cut them off and say "Fine, if you want to go that way then enjoy the hellfire that comes for us all, chuck." He could also decide to start rebuilding relations with China despite our differences, and therefore deprive Russia of allies in the world war 3 scenario. He could also build up these same defense systems in another middle eastern allied country (which I'd be against because colonialism is part of the problem). And that's simply taking it from the perspective of Joe, I, personally, do not think that America should remain in its current form. It has far more blood on its hands than just the Palestinean blood, and its destruction (preferably without nukes) could allow better things to take root.
Anyways, like I said, this is so that we might better defeat our enemies, so if you're wondering what the implications here are, I'd say start getting involved in politics at a local level. Not just protests, go to city council meetings! Its mostly boring stuff but once you get a hold on what it all means (and you will!) You'll start to see ways to shift the American culture away from this war-dependent fascistic society which has been surging so terrifyingly. You will start to see the glimmers of hope which shine through the sludge that it is American Politics.
Anyways if someone says this is a pro-Biden post im going to stab you with a million knives.
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bwunnipaws · 2 months
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man im not looking forward to my ct scan next week. i went to the doctors abt my vertigo and did sum simple tests in the office that i did completely fine on. vertigo is a very rare symptom of 2 of my meds. since it Is so rare, my doctor decided to order a ct just in case we're missing anything cause theres a shitton of very bad things that could be going on. lets just hope its one of my meds 🤞🏻
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unlimitedhorsepower · 2 years
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been rotating t&b2 cour2 in my mind like a 5D object...
i wanted to write more comprehensive post to air some of my grievances, and of course finally releasing my exclusive statement on my special beast ryan goldsmith.
however when i started to write this i realized i have a shitton of thoughts and could rewrite the entire cour if i really thought about it, so i actually mention most characters in this self-indulgent essay of mine and you can just skim through if you were interested in my thoughts.
i talk a lot of yuri here even if i went into this thinking that ive already talked about him enough, because he fascinates me...
anyhow, here they are, my more comprehensive thoughts under the cut because theyre not spoiler free:
this is unbearably long: ive bolded some key sentences that build up to something if youd like to skim it instead of reading it. i also suggest you using Ctrl+F to find mentions of characters you care about because ive literally mentioned every single character in this in some way and it genuinely is incredibly long and convoluted.
i talk about some characters way more because i wrote those parts earlier and felt more full of energy. i also talk a lot about ryan. perhaps even more than he deserves! but he is my favourite character, youve been warned. i didnt even mean to make him seem so important because hes not, lmfao.
ill say, it can definitely be a bit confusing if its not being read it order but like, meh... i guess it was also more important for me to get my thoughts out so that i can have other thoughts again.
this entire thing got away from me and at many points devolved to me not only ragging on t&b2 but extensively discussing my alternatives which couldve imo built the entire thing into something more worthwhile...
ive added like three screencaps to make it a little more exciting to scroll through, and if i have energy left im gonna add more images to make it less like a huge wall of text, which it is. but right now i just wanna post it because i genuinely spent 10 hours straight writing this and then woke up today and spent another 10 hours writing it.
i think this is my therapy over yuris arc, because that genuinely made me sick. maybe im unreasonable and just pissed off about that specifically, but who knows. not me!
so, to begin... t&b2 cour2.
hmm.
i initially called it “good” and said i enjoyed it besides yuris arc, but that feeling was born from the sheer emotional turmoil yuris death gave me. in comparison, everything else in the cour was fine- great, even!
there can be missteps and flaws that diminish your enjoyment but that are easy enough to fix in your mind, and then theres a misstep of the sort of a character dying after the narrative spends a lot of time giving me what i can only describe as trauma porn.
i already wrote about that here, so ill skip some of the things related to yuri (i just cant get over it... i keep circling back to him throughout this document because hes such a central figure to what we got and what i thought we would get).
cour2 had such a solid basic understanding of characters, but there was just way too much going on at the same time and way too many loose plot threads. cour2 was like building a house of cards on top of a solid brick foundation and expecting it to hold water.
cour1 isnt perfect, but it was pretty good in introducing us to new concepts, new characters (three new heroes to our ensemble cast, one returning talent from the rising who needs less establishing, and the new villains, and more) and the new plot threads, but i also feel that misogyny unfortunately played a great role in who got arcs and what sort of arcs.
season1 isnt perfect either, of course, but one could imagine a sequel follows up tonally with its predecessor and also improves upon it, especially because this has been explicitly suggested by the creators (like improving on nathans portrayal, for example!).
cour2 majorly failed to follow up on the promises of cour1 and the overall promises of what t&b is like in tone and content. there were too many plot threads and too many characters. i wouldve entirely cut out aurora and large parts of yuris/lunatics “arc”. the latter i wouldve tied into LL audun and a greater plotline of mr.legend and heroism.
speaking of mr.legend, yuris hallucinations of him were excessive and felt extremely cheap. i know i said i wouldnt focus on yuri, but i feel like i have to... mr.legends force ghost saying anything will never amount to any healing or retributive action from the man himself, but i felt like i was supposed to feel it was “good” he knew those things.
i felt that the narrative was telling me that indeed, yuri had loved his father once, and he had positive qualities, but i already knew that. i also never doubted that both of his parents had once loved him- its just that those things dont take away from how poorly they treated yuri in the end.
im willing to extend some sympathy to yuris mother, but to mr.legend, never. in one of the mangas mr.legend in the past asks young maverick to wipe his memories of him ever having powers (even though the memories will return to him in due time since thats a major thing to change) so that he can be free of the guilt he feels.
even without that, i already knew that the real mr.legend most likely felt some sense of guilt over his actions, not just the mr.legend force ghost/yuris hallucination.
i know: i simply dont care! he may have been put into a shitty situation and suffered, but it was his choice to hurt others. it was him who used his status to fix fights and beat his wife and child. he was in a position of power, and he took advantage of it to make himself feel better.
side note, alcoholism keeps being equated to evil by it being explicitly referenced with mr.legend and gregory sunshine even if by itself its a taxing addiction and addicts are people who are suffering, not caricaturish evildoers. antonios drinking habits have been equally worrisome sometimes -if you look at his schedule in KOW the rising, he is very much using alcohol to drown his sorrows- and this briefly comes up in cour1.
in cour2, its played up for jokes: antonio took ivan drinking and ivan drank way too much and did funny things while he was drunk (more on this later). antonios just different actually, because hes fundamentally good.
it was shown to us that mr.legend was very active in the match fixing himself... i think it wouldve been more fitting to show child yuri spying on his fathers discussion with maverick trying to suggest it to test the waters of seeing how easy it would be to manipulate mr.legend into it, perhaps about to offer him coffee to signify hes about to change memories if he needs to, and mr.legend jumping on the offer instead of declining it and shattering yuris high opinion of his father.
maverick not being included just reminds me how yuri is somehow a secret child nobody knows about. we remain in the dark on how yuri ended up taking care of his own mother and what he did to attain the position of a judge.
we still dont know the details of who covered up mr.legends death and why and how. it wouldve only made sense it was maverick, but how the hell did he then not know that yuri must be the one with the powerful NEXT power?.. how did he in general not recognize yuri once he became a judge? was he not distrustful?
more importantly, why did he not try to manipulate yuri? wouldnt it have been a huge boon for him to find a vulnerable child who is mr.legends son no less, and to raise him into a tool like he eventually raised barnaby?
i could see that yuris mother olga (i think its officially translated as origa, but its definitely olga) actually protected him back then. after all, he was the only remaining family she had left, even if she too grew to resent yuri at some point for some reason (and somewhat understandable, given how she was portrayed in s1 accepting mr.legends treatment: she had submitted to her fate and become traumatized).
however, olga has calmed down from her potrayal of throwing plates at yuri in s1 and the change happened without explanation but an acknowledgment from the caregiver, and she is never given any depth as to why she could blame yuri so deeply and fervently in some of her more lucid (?) moments.
in cour2, she becomes just a vessel for inflicting more trauma on yuri, and its her only purpose: shes not her own character. shes a woman, specifically a mother, and thats all we need to know about her.
i know that my tinfoil hat theory of gregory sunshine being yuris biological father is implausible at this point after all that talk about hero blood in yuris veins, but it wouldve genuinely given olga much more depth to give her a reason (not a justification) on why shes been so aggressive towards yuri and blames him specifically, if yuri had been an illegitimate child or somesuch. but i wrote about that already in the linked post and its replies.
back to parental figures, i think laras mother zamira was a great character in cour1. shes not a morally good character, no, but i think her portrayal was strong? it was very clear to me that shes treating lara as an extension of herself instead of her own person. she controls her and her life, and she reprimands lara for having thoughts and feelings beyond her control.
it is her who has set lara on this path to heroism, and it is for her benefit. lara is a vessel for her to life through, and this could be easily contrasted with yuri and his burden about being mr.legends son.
however, in cour2 the entire premise is undermined when zamira is proven to “actually care” about lara. if i dont remember wrong, paolin even says that “she reminds her of her own mother”, which i was meant to understand in a positive way. this is presented in tandem with mr.legend(s ghost) somehow “really caring about yuri” in that odd scene they had together.
its also proven that zamira wasnt an unreliable narrator about her prior tennis partner pamela, because we see pamela easily blame NEXT for existing in the news as proof that she is cruel. i get the sense were supposed to think zamira was just sad and trying her best to raise lara and make sure nobody takes advantage of her like she was taken advantage of.
i frankly dont care! she had, undoubtedly, treated lara the way she treats her in cour1 for laras entire life: shes 14. it leaves a lasting mark she can never take back. “im sorry” doesnt even begin to fix it.
i wrote about yuri adopting lara here, so i wont delve into some very specific AU, but it wouldve felt much more reasonable and realistic for lara to be freed from her mother, not even necessarily in the way my pipeline dream describes, in a way that couldve emphasized yuri and his good qualities.
t&b has never been free of misogyny and other issues, but i feel like this cour really brought a lot of those issues to the surface instead of improving on them... instead of a nuanced portrayal of a fractured mother-daughter relationship, we were given something that just felt like underlining the fact that zamira is a mother, of course she cares about lara in more ways than for her own benefit.
zamira is a mother like olga, and thats what we “needed” to know about them in addition to knowing that they experienced trauma that just made them forget about their motherhood for a moment, but we learn that olga cared too, she even made those cookies. their mother-son relationship is similarly glossed over.
lara -like yuri- is done a great disservice in the process of redeeming abusive parents. shes a kid who killed a villain on accident in self-defense in cour1, and it felt significant. cour2 doesnt bring this up as a plot point in any way.
i was imagining her getting a much bigger arc that couldve overall easily tied into revealing mr.legend as a horrible parent instead of being its own distinctly separate arc.
speaking of mr.legend being exposed, it was ridiculous that yuri revealed mr.legends awfulness to kotetsu and barnaby and it fell fully flat due to kotetsus and barnabys reactions, or rather due to their lack of reactions, which was strange for them both.
its realistic enough to have yuri do something like that, even if it was sudden: it feels like he was under a lot of duress and clearly seeking help in any way he could, justifying it to himself in some “logical” reasoning for it because i dont think he would consciously realize he needs and wants someone to believe him.
before i get into that and how i think they shouldve reacted with far more compassion, i want to say that to me its clear that kotetsus career in heroism has led him to neglect kaede, especially in the past when kaede didnt know that her father was a hero. this is brought up a bit in cour1, and for example is prominent in the beginnings additional scene where kaede begs for her father to show up at the ice rink just this once.
the series shows their father-daughter relationship mostly from kotetsus side, so that we know hes trying his best and really wants to be involved in kaedes life but hes genuinely busy, but if you think about it from kaedes perspective, kotetsu hasnt always been a good father to her and kotetsus business doesnt take away from his failings.
misogyny plays a role in this portrayal, and that i cant blame kotetsu for as a fictional character, but the fact that some of his actions are played for jokes and the fact that he continues doing them bother me, like pretending hes doing yoga like kaede suggested and instead of actually doing it. i wish he was more honest with her, even about those little things!
narratively in the rising, again, kaede is forced to adopt a tomoe-like role in encouraging her own father to continue his hero work, which isnt cute to me at all. its extremely emotionally taxing to have to be more responsible than your own parent and give them advice.. in cour2 she is again protecting her father from the truth that his mother is bedridden (nothing, afaik, comes out of that by the way?).
why is kaede protecting kotetsu, and why does she feel the need to do that? shes a child! she should be able to depend on his father, not feel like she has to protect him just because hes a hero.
those things frustrate me about kotetsu and the narrative around him and kaede, because i think this moment especially couldve used to do something about this dynamic and parenting. however, every parenting-related thing in cour2 was atrocious.
kotetsu has flaws and i think he has done wrong despite trying his best (sometimes your best isnt enough!), but he isnt cruel and genuinely does care about kaede, and he cares about others even if theyre not his family (he is a busybody, after all). he is a single father and a widower whose late wife pushed him into hero work, and his old mother supports him greatly, as does his brother.
despite family being so important to kotetsu, he ends up not reacting much to yuris admission that mr.legend beat his wife and child. doesnt that seem like something he wouldve focused on? good-hearted as he is, wouldnt he have been utterly shocked to hear that someone who “saved” him couldve been so thoroughly rotten?
it shouldve shocked him more than match-fixing and clinging to the identity of a hero: imagining himself becoming a cruel parent (and a husband).
i think he shouldve admitted that his own hero career has caused him to neglect kaede, and that he didnt even properly realize until as of late how much it had affected her- that he has flaws too and cant claim to be special or that mr.legend was an outlier, and that he cant imagine how hard it mustve been for yuri to go through that.
it wouldve been far more compassionate of him, and he really has a lot of compassion for others! i refuse to watch that scene again right now so maybe i remember some part wrong, but still: in my opinion he was a dick to yuri, and very defensive about himself. he didnt try to console him, it felt like he wanted to set himself apart as a better person than mr.legend.
i dont understand why he didnt at least try to find yuri after hes stormed off and hes realized that he said stuff yuri probably didnt want to hear? thats a thing kotetsu does all the time: he meddles. he gets things wrong, sure, but he meddles, and pulls people aside to have a chat with them and to try to help (like he later on does with barnaby).
kotetsu believes in heroism and his ideals of heroes, and its also very personal and family-related to him, so for him to be more shocked by mr.legend clinging to his hero image than the abuse part explicitly was a weird narrative choice to inflict more pain on yuri. i dont think yuri felt understood at all.
i think kotetsu wouldve been able to discern the most important part of this: that mr.legend was a bad father and husband, and he shouldve extended compassion to yuri (even if yuri didnt ask for any). thats what he did with barnaby in s1 as well!
just like kotetsus nonreaction to what really mattered in what yuri told the two of them, barnaby didnt have much to say which made the entire scene feel more callous.
its a deliberate choice, and its as odd as kotetsus reaction.
barnaby saw his parents dead in front of his eyes and was taken in by maverick and regarded him as a parental figure he could depend on up until the moment it was explicitly revealed to him that maverick had killed his parents and used him like a tool.
i could understand kotetsu initially being defensive (hearing someone he was “saved” by being thoroughly awful is not easy!) if barnaby had chimed in and snapped kotetsu out of it, which wouldve also played into the idea that people need others to support them and also to “steer them on the right path” so that kotetsu manages to focus on the most important but also the most painful part even if it also hurts him to think about, including admitting to his own failures as a father.
i think barnaby shouldve immediately been sympathetic towards yuri, and it couldve also signified how far he has come from his first appearance in s1 where he explicitly had closed himself off from others, and perhaps even realized that yuri is acting like he once did and is deeply lonely.
his sudden admittance to being mr.legends son is an urgent cry for help!
canonically, the moment started and ended and neither kotetsu or barnaby cared enough to say anything nice or follow after him. i think it was out-of-character, and they were forced to act like that to make sure yuris downwards spiral would continue. it was cruel.
the plot often felt explicitly manufactured towards a certain endpoint instead of feeling natural and in-character, going so far the narrative took explicit steps to prevent certain things from happening.
the “prevention of things” was especially obvious with ryan.
this is going to be long because not only is he my favourite character, but ever since his introduction in the rising he has occupied a specific niche that couldve played into the theme of questioning who really is a hero and why, and what makes a hero.
because karina forms blue golden with ryan, i dont think i can discuss ryans lack of any real arc without bringing her up, especially because karina and ryan have both been positioned as being more of “main characters” than the rest of the supporting hero ensemble, which is why i especially expected more out of them.
karina has been central ever since the pilot of t&b, in which she is featured: she has a lot of connections to kotetsu including her childish crush, and out of all heroes, it is her who kaede calls when she wants to plan something, and ryan was introduced as a main character in the rising and embodies traits from both kotetsu and barnaby, including visually.
to begin with, ryans themes from the rising arent contradicted by cour1 setting him up as having very personal beef with gregory sunshine, the most prominent antagonist because the heroes never properly meet rosicky and LL audun is a last-minute addition (who wouldve deserved more screen time, more on him later).
in cour1, we come to know that gregory caused ryan collapse a building on himself and nobody helped him, his fellow heroes laughing at him before they leave him bleeding underneath rubble. in cour2, we see more of it and that he didnt only get buried underneath large amounts of rubble, but that he majorly injured (or worse) a large amount of civilians as well.
again, im not sure because im not going to rewatch, but i understood it was supposed to be the same instance as the one where his fellow heroes laugh at him, unless its just a nightmare he has that civilians were injured as well.
regardless, he was personally affected by gregory, and he wants gregory to not to run free, and its a fact that hes actually very emotional and acts impulsively under duress, like trying to leave sternbild the moment he thought karina was going to ditch him as a buddy (because he, like yuri, is actually lonely and wants people to understand him but gives up way too quickly).
he also breaks the door into gregorys apartment without a second thought (this is breaking&entering!), and later on we see him yelling and gesturing at blue goldens manager in a quick background scene about their new contracts.
however, his reaction to mattia allegedly ratting them out to gregory is “slightly miffed” at best, even if gregory was so close to being caught by him. it feels unbelievable to me, especially because i think his loud and genuine emotions are his strength but also his potential flaw.
i think he shouldve acted way more unreasonably emotional about it, instead of only bringing up how anyone can betray you at any time. to take a detour to karina for a bit, it was also ridiculous that karina had nothing significant to say to that.
she has difficulties speaking up sometimes, but karina shouldve been allowed to feel personally slighted by ryan after all the buddy hero arcs being about trusting each other.
it seems that she can only be given arcs that revolve around men and not, for example, her feelings about herself and being able to take pride in being a very hard-working hero, idol, and now a friend too, especially when the new manga shows her reoccurring troubles in trying to balance different aspects of her life like studying and being a hero.
it wouldve stung to hear ryan say that like he was brushing her off: did ryan learn nothing, and was he just saying all that stuff earlier to put her at ease instead of being genuine? it also ties into ryans issue of always being genuine but his eccentric personality making him seem fake/suspicious, like in the rising.
his personality felt utterly stagnant in cour2 with smug quips, however, and he was just positioned as “morally good” instead of the narrative allowing him to reasonably continue his arc and meaning for the narrative by going after gregory as a hero even when its against the law.
some of the themes of ryans character pair off with yuris and any arc he couldve been given with gregory wouldve been perfect to compliment an arc with yuri/lunatic, the truth about mr.legend, how LL audun couldve tied into that.
yuri is positioned as a vigilante, even a villain, but hes shown to save kotetsu on-screen, and he follows his code of justice very strictly. we know his reasons to act the way he does, and he is sympathetic. ryan, on the other hand, is positioned as a hero, but he can be kind of a prick and his idea of justice is remarkably lax in some ways. we can make a good guess why he acts like that, and like yuri, he is sympathetic.
they both are characters kotetsu and barnaby know well, and theyre both more severe than the titular protagonists. kotetsu has bent the rules on occasion to act according to his idea of heroism, but in my opinion ryan is set up as someone who would explicitly break rules for his idea of heroism (or lack thereof).
ryan is a good person and very much a hero, but he isnt the flawed but idealistic hero full of passion like wild tiger, or the humble and pure-hearted storybook hero like sky high, hes the egotistical heracles clad in the golden pelt of the slain nemean lion who knows just how good he is (and thats all he has going on for him, that ego of his).
its obvious that he can be a bit selfish: in the rising he uses his gravity dome to not only to save the building, but he traps all the other heroes in it, including pulling sky high from the air. from the movie commentary track ive gotten the idea that he did it on purpose since he can control the height of the dome he creates.
he also stretches out his dome later, so it begs the question if it was ever necessary to get any of the other heroes trapped in it to begin with.
he does save that building and the civilians within and causes no significant harm because he really is good at being a hero and hes not evil, but the narrative shows that he doesnt treat heroism like the heroes of sternbild do: he lacks the same sense of honorable justice our sternbild heroes have.
being a hero is first and foremost his career, which is why he brings up that “the money is good”, and because hes positioned as an experienced hero, he mustve started out as a child, given that he is younger than barnaby (even if in my opinion is not so much younger than he is).
the rising is strongly themed around justice day and the myth, and its also about him seeing the heroes of sternbild care about each other and their bonds with each other, instead of them all regarding each other as competition like hes used to people treating him, given how unbothered he is by figuring out barnaby didnt only distrust him but outright suspected him of being a villain.
due to seeing the bonds of the heroes of sternbild, he starts to “carry a heart of justice” as per the myth. barnaby suspected that he is a villain and the goddess of the story even if he ended up being more like the people cast aside by the goddess for their selfishness.
in the end he makes a choice: he can stay and keep the central bond between kotetsu and barnaby broken, or he can leave and mend the bond his hiring caused and bring the two of them back together as a duo. in the last shot, the winged lion of apollon media faces away from the camera like the way ryan leaves, while the justice tower smiles.
justice was enacted and she approves of it, and funnily ryan never thought that he could be a part of these bonds which is why he wholly leaves sternbild. in his KOW the rising schedule he meets up with a lot of people but theyre all just acquantaices, and he talks with his iguana. he moves around a lot, its in his title of the “wandering gravity prince”.
he lacks bonds like yuri lacks them, but by giving him a buddy partner in t&b2, he becomes more of a part of sternbild heroes, but its not just going to change who he has grown into overnight.
its intentional that ryan has wings on his hero suit like the ones the goddess is portrayed with, and the rest of his imagery plays into the this theming of the goddess/the sun while echoing kotetsus “tiger”.
lions are associated with the sun, even the zodiac sign leo is ruled by the sun. royals and gods have been linked to the sun in many places, so his old hero suit and title play into it. gold, similarly, echoes this sentiment.
in the opening, ryan “sun” is composed of the streets of the city and missing its center where the sponsor is displayed, but knowing the legend, its where the city was caved in, and it uses the same colours as the illustrated parts of the legend of justice day (in which the sun is displayed similarly, and yes, if you disagree on it looking like the sun, you could be right, perhaps that part is a coincidence.)
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yuri is shown in the opening of the rising as well, his slide after ryans and his red moon the central piece of his background and juxtaposed with ryans hollow sun.
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and i want to be clear, ryans background changes into a sky full of stars before yuris slide is displayed, which also makes sense for ryan because the heroes of sternbild are portrayed as stars more than once (and its funny for ryan to be the sun because the sun is just a star, its just closer to earth. hes not special, hes just loud about it).
its also significant to me that all heroes are portrayed with slides with a side-view of buildings in the background whenever applicable, even keith who can literally fly: it is ryan who has a momentary birds-eye view.
its the opposite of yuris, in which the lines around his red moon are buildings as if someone was looking upwards from the ground and also somewhat echoes the parts, including colour-wise, where the people are trapped in the cave by the goddess.
lunatic features prominently in the rising once yuri figures whats going on, and kotetsu gets to talk to him about how hes trying to save virgil/andrew from the burden of having killed and whatnot. the entire movie is themed around a holiday called justice day and showing mercy and who deserves mercy and why?
i genuinely thought that ryan being brought back indicates that tiger&bunny continues to question what being a hero really means, by giving the titular protagonists and the narrative someone to contrast with lunatic while ensuring kotetsu and barnaby can stay on the side of “good”/heroes for the sake of them being the main characters.
it wouldve been a purpose fulfilled for ryan to go against the law and becoming a vigilante because of how badly he wants to catch gregory: he has a huge personal reason to do so.
instead of the narrative following the logical conclusion of ryan going rogue due to how badly he wants to see gregory out of the streets, we get a scene specifically to explain why ryan cant follow through with the logical next step of his arc?
what a waste of everyones time, and i get the sense that the writers understand how strongly ryan feels about it (the foundation is there!) because it required both the company owner and manager to hang karinas fate over his head to ensure he doesnt just go on his merry way.
(i dont, by the way, understand that scene, and i cant bear to look at t&b2 scenes again... if you can explain it to me, then please do lol. like i specifically dont understand why ryan doing anything would cause harm to karinas privacy.)
not only wouldve it been meaningful for the entire narrative and ryan, this couldve so easily been used to give karina a satisfying arc that also shows that she is just as capable and deserving of an arc as the guy heroes of the cast, especially as the most prominent woman hero. now, instead, she ends up being a plot device to make ryan feel one way or another.
even if blue goldens buddy arc included ryan realizing that he doesnt need to protect karina, it was immediately undermined by “protecting karina” being his only reason to not go rogue to find gregory?
instead of letting ryan go rogue and giving karina agency in going after him by his own choice, we get that. what was the point?
one buddy pair explicitly going against the (unjust!) law couldve served to put lunatic in a different light and interrogate the hero system as a whole, and it wouldve make sense for it to be blue golden due to their proximity to the titular main characters.
realistically i imagine ryan would have enough respect for karina to tell her beforehand what hes about to do, but unaccustomed to working together with people, he would imply that hes going alone and karina puts her foot down about it: shes not going to stop him, but shes not letting him go alone, because shes going with him.
it is her decision, and it gives her agency and an active role.
they cant have a character essentially say “yeah misogyny and gender roles and that shit is kinda fucked up” and then follow it up with Absolutely Nothing and also give karina an another arc about her crush on a man.
karinas potential as a character is squandered time and time again. in s1 its incredibly easy to miss that shes almost always the 2nd on the hero leaderboard because more attention is paid to her funny moments like her “cutie escape” and general fanservice which is awful by the way, considering that for the most part of it she is a child.
its also realistic for the idol industry, and at times the show comes close to making some sort of commentary out of it but it never quite manages, in no small part because karina is never allowed to really shine.
either way, shelving the heroes couldve been more impactful for muddying the waters about the hero industry. the cartoonishly evil interference from the cops only serves to promote the view that the heroes are acting Morally Good because theyre being hindered by not the hero system and the law but the individually selfish police chief and ouroboros interference, and serves to imply lunatic is definitely Morally Bad for acting outside of the law.
it is eventually agnes who “gets everyone to break the law, together!”, and it undermines any reasonable narrative meaning for the entire thing and makes it feel like our heroes couldnt be heroes for a bit for the sake of a meaningless and boring shock twist included for some shock value because nothing really comes out of it.
having blue golden go rogue and the police going after them wouldve forced their hands into actually fighting against non-heroes and the law, not just being on the run while they try to find gregory. ryan and karina could cause significant infrastructure damage very easily to make sure the police dont catch up, and it wouldve been easy to summarise it as collapsed roads frozen over.
while i wouldve in this hypothetical scenario loved an extensive focus on this because ryan is my favourite, i think the whole “going rogue” part couldve been conveyed without taking up an absurd amount of screentime, and couldve easily been condensed for time by having the other heroes watching a news segment about it which wouldnt have felt an out-of-place gimmick given that heroTV exists as a central thing and the fact that this has happened more than once in t&b...
kotetsu and barnaby, and the rest of the heroes could be watching a live feed, and surprised to spot ryan and karina on the run because its unlike they wouldve announced thi. our hero ensemble, especially the protagonist pair, would know that theyre not evil and that they definitely havent turned against the people of sternbild, no matter that theyve now been labeled dangerous NEXT vigilantes.
they couldve been compared to lunatic, which is a very overt way to make the hero ensemble question lunatics status as a vigilante both loved, hated and feared by the general public.
it would be ridiculously easy to play up ryans “evilness” by including a reporter from that introductory press event in the rising where he just randomly used his power on all people in the room to introduce himself (why did he do that. hes so quirky and random.), and then another shot from the rising where he traps all heroes in the gravity dome and thats feels like proof enough? they couldve also recycled the animation.
the narrative couldve made a statement on positioning medias reaction to the beloved idol blue rose on the run as “ryans bad influence” instead of granting her agency, and maybe some of the heroes couldve thought that as well, leaving it to someone else (most likely kotetsu because he is our main character!) to remark that karinas not the type of person to let ryan talk her into this sort of thing and that she mustve instead agreed with him.
having ryan on the hunt for gregory feels natural, but it couldve also been meaningful for karina.
another established thing about gregory is that hes a fucking creep. and karina has dealt with creeps her entire life due to being objectified idol. in cour1, we see that guy trying to hug karina “just this once!”, and it wasnt made into as much of a big deal as it shouldve been because we focused on ryans feelings instead.
that wouldve been fine if it was brought up again, and its utterly wild to me that it feels like they perfectly paved the way for karina to have some sort of arc with gregory herself with ryan bringing up “hug the gregory”, but then the show entirely bailed on it? why the hug theme, then?
it couldve been plot-relevant for karina and the narrative to question what being a hero means for her when her career in heroism has notably led her achievements being belittled in favor of “cutie escape" -moments and even now the media thinks shes out here because of “ryans influence” and not her own choice.
frustrated karina affirming the media somehow that shes doing this for her sense of justice, not because of ryan when some civilian fan of hers tries to save her, the poor little girl, from this vigilante escapade: what wouldve yuri thought of that?
to give karina cool moments wouldve been more impactful and couldve been plot-relevant instead of the disjointed ~girlboss moments~ of rosicky telling gregory to stop being a creep which equated to so little when rosicky is also killed by gregory.
capturing gregory couldve meant something, not been a footnote, and by showing us that fight with blue golden and gregory, they couldve showed us what they half-heartedly tried to show with the quick LL audun fight scene, with karina being the one who ends up protecting ryan after he was knocked out first?
ryan doesnt even need to have his skull caved in like that, all they wouldve had to do is to give ryan a reason to use his power and not be able to let go by having to continue holding something down with his gravity, calling back to barnaby accidentally letting him get knocked unconscious because he wanted to save schneider, except karina actually saves him.
in the process of capturing/pursuing gregory, karina wouldve had a reason to give us some sort of opinion on what she thinks about creeps without it being shoehorned in and how she has to tolerate them because theres so many loopholes in the law but finally, gregory is the one she can fight back against and its because now other people agree that hes evil!
also i genuinely think ryan wouldve loved to not only capture him but to beat the shit out of gregory because he really is different than our heroes from sternbild (and i think he wouldve been justified to do so too, lol).
to exemplify the themes of bonds, karina couldve stopped him but remarked that she feels like gregory wouldve deserved it, and she couldve vocally acknowledged shes having doubts on whether lunatic is so wrong or not, because has anyone or the hero industry itself ever really protected karina from creeps? no!
lunatic is actually making some sort of point when he kills a guy who is a serial killer of women? a bit drastic but hey. it works. that guy cant kill anyone ever again.
it would mean so much for karina to acknowledge that there indeed is something wrong with the hero industry as it exists now and heroes and heroism isnt just “morally good” by default, which also begs the question whether vigilantes etc are ontologically evil by default.
and personally, i dont think ryan would disagree with her? he is well-traveled and has seen so much more than just sternbild: im sure he has met corrupt heroes and heroes who arent even nice or “good”. im sure some places have very fucked up hero systems?..
they couldve made both ryans and karinas arcs mean something by having them face off against gregory (ive been talking of capturing, but they wouldnt even had to been successful and instead gotten captured by the police themselves or been forced to retreat), and it feels so obvious to me?
both members of blue golden wouldve gained something out of it, the overall plotline wouldve gained something out of it, and the setup of the plot wouldve benefited?
the viewer would also know that gregory deserves anything coming for him regardless of the media/public opinion because he is a freak, and the heroes too could explicitly acknowledge that maybe theyve been too harsh on lunatic by not trying to understand him like how blue golden is now misrepresented by the media without any grace? is lunatic just a killer, or... he does keep talking about that justice, after all.
both ryan and karina have interacted plenty with our protagonist pair, so it wouldve served well to draw kotetsus and barnabys attention to it. continuing to question lunatics “evilness” feels so central!
some of the children already said in the cour1 in that that law class of yuris that they thought lunatic was really protecting them and kotetsu was there to hear it, and then nothing came out of that? are you fucking kidding me? he was just like nope, wrong! its evil, end of story.
its like they were given the perfect foundation to do something interesting and valuable, and they didnt end up do any of that just to punish yuri for daring to exist in the way they forced him to exist since t&b is who made yuri the person who he is... but anyways.
yuri is prominently featured in cour2 for all of the wrong reasons, but his prominence couldve been interesting instead: he couldve been standing there looking over the heroes reacting to two of their friends gone rogue and given a cryptic statement on how it seems theyre no different than lunatic in the eyes of the public now that theyre pursuing their own brand of justice...
and everyone couldve been like alright director petrov:)! but also genuinely considered this while yuri is just there, observing the discussion and wondering how their bonds with the two new vigilantes makes it harder for them to be so sure who is a villain to be stopped and who is not.
unrelated to things i think explicitly realistic or in line of t&bs spirit, if i could choose i wouldve also had ryan and lunatic interact.
i think it wouldve been in-character for lunatic to show up to question what ryans going to do with gregory once he finds the man, with ryan answering genuinely but flippantly while karina is bewildered ryan is just trying to have a casual conversation with an fire arrow dramatically pointed at him.
lunatic questions his end goal, like are you gonna kill that guy maybe, and ryans like i dunno, i didnt think that far. now that you mention it maybe i should lol? and karinas like im sorry what is wrong with you?
we couldve gotten the yuri petrov comedy hes hard to rope into by having ryan act like he usually does with lunatic? you try to be dramatic and brooding when some guy is arguing with his emotional support buddy hero girl? ryans only prior interaction with lunatic is in the rising and saying that he looks creepy: he didnt care about a vigilante showing up because he knew the mecha flying over sternbild was the thing he should stop.
its funny because ryans notable trait is “treating everyone equally”, i dont see why he wouldve acted differently with lunatic, and to imagine karina interacting with lunatic because he showed up and ryan isnt having a normal reaction to it by being concerned. but why would ryan be concerned?.. hes good at insight and im sure he knows lunatics justice is very serious to him, and ryan knows hes not a killer so why would he be concerned right now?
but yes, the barebones idea of using ryan especially as a vessel to force the hero ensemble to reconsider vigilantism and lunatic couldve in my opinion been done without the two of them ever interacting directly, because its about what they stand for in the narrative.
what we needed to see was kotetsu (and barnaby) forming some sort of opinion on this, since we mostly see the hero side through kotetsus eyes: he is the main character, after all. all the narrative had to do was let ryan to go do what he clearly wants to.
my description of this all is very elaborate and keeps the entire thing somehow separate from the other heroes, but i think the idea or something akin to my elaborate view couldve been conveyed in a fairly conservative amount of scenes, because the cour only has limited time!
theres also a huge potential for the other characters to join in on the vigilante shenanigans like what ended up happening in the end in canon with all of them “going rogue”, and ryan and karinas involvement couldve been greater than other heroes but still far more smaller once kotetsu and barnaby get their ball rolling over the matter...
t&b2 has a lot of characters, and i think they couldve made it work, but the scenes wouldve had to been carefully picked without wasting scenes on counteracting things they had already set up?..
i dont feel like i can answer the question of “what narrative purpose did it serve to make sure ryan doesnt try to capture gregory on his own?” without pivoting back to “it had to be like this so that yuri would suffer and die and our heroes would stay morally Good unlike lunatic!”.
like, i LOVE ryan, hes my favourite character! and many of the scenes he was in i couldve lived without, because they didnt really add anything of worth to the overall narrative or plotline save for reminding us that he exists.
the entire thing where blue golden separates from the other heroes to go try to find gregory in the jail itself was similarly needlessly drawn out and condensed all the same?..
i understand it as necessary somehow (for the current plotline) to introduce LL audun, but because ryan and karina dont really have anything to do with the guy, it feels wasteful.
the pacing felt awkward to me overall. i was actually bored in some of the first episodes of the cour! and after that, everything starts happening so fast: the LL audun situation is especially sped through.
in cour1, heroes got progressively taken out until only “the essentials” in completing the arc were left, which was a great idea for the sake of stretching the limited screentime available.
it also had real in-world impact, unlike blue golden getting up a while later even if gregory flaunted that “it was so easy for LL audun to kill heroes”. it served so little purpose and was a waste of everyones time for a cheap “shock” because since it happened off-screen, i easily guessed they wouldnt kill a character off like that.
in cour2, we start knocking out heroes very late to the episodes and its not even semi-permanent. it wouldve been way more sensible to have some of the cast get knocked out somewhat early to let the remaining heroes to shine! they couldve even made to go berserk by gregory, so that we couldve then knocked HIM out and then gotten most of the heroes back for a grand finale of sorts, probably facing off LL audun and accompanied by lunatic.
even in the canon scenario, subaru couldve charged in (his whole thing is that hes hot-headed and a bit stupid even if his heart is in the right place!) and thomas couldve shown up earlier, eliminating many scenes that had little worth and focused on efficiently introducing LL audun.
they couldve had that fight with him and thomas couldve swiftly explained key details about him for exposition and made it natural because we already knew hes a fan. i also think their arcs werent so bad i suppose, but them fighting together was the conclusion to the mr.thomas buddy arc, so getting knocked out for a few episodes because theyre still rookie heroes and a bit silly wouldve made sense...
especially when they already were in the last fight in cour1!
it wouldnt have been a disservice to their arcs and wouldve given others more time to shine, and it wouldve been interesting to have other heroes react that the rookie team is presumed dead? they wouldve been fighting even harder against LL audun!
which leads me to say that the one good thing about cour2 for me was LL auduns character, but his potential wasnt realized. he was so prominent as imagery in cour1, with the twins and thomas both idolizing him.
we also know that mr.legend was a corrupt hero and there probably were others? instead of auroras introduction (it was such a gimmick), and gregory getting so much screentime for being creepy, it wouldve been far more interesting to focus on the fact LL auduns time active in vigilantism overlapped with mr.legends time as a hero.
i keep coming back to this, but LL audun couldve been the perfect setup for mr.legends crimes becoming public? it wouldve added intrique to the viewer too by have mr.thomas presumed dead and LL audun fighting the remaining heroes.
that wouldve made it harder to believe mr.legend really sucked so much by the general public and many heroes! kotetsu and barnaby wouldve felt inclined to share some part of what they learned from yuri earlier?
i feel like this wouldve been such an interesting way to make kotetsu and barnaby realize even more things about mr.legend, the hero system itself, medias part in who gets to be a hero and whos not, and lunatic... in a deeper way than the canon, half-hearted attempt at sympathetizing we got, because i just think its not in-character to have them react like that!
in-show its mentioned that LL audun “started to think hes a true hero around his tenth year in prison” but it felt like pure ouroboros/maverick interference to me (even if the current narrative mightve meant it for real).
wouldnt it have made more sense that LL audun was actually a "true hero” fighting against the establishment of the hero system itself, not because he hates heroes, but because he had figured out it was already rotten to the core becasue of maverick?
his simple nature was refreshing (in the same way i really liked fugan and mugan because they were villains but also funny about it) and kept the scenes with him light-hearted, a quality ive always been fond of in tiger&bunny. i do like intense scenes, but i think tiger&bunny should also be a little bit funny and not hard to watch.
he couldve lost his grip on reality a little bit since he spent decades in solitary confinement and focused very hard on his idea of heroism, or maverick couldve even fucked with his thoughts and made him into a ticking time bomb of wanting to destroy so many random people if he ever got out?
how the hell did maverick, mr.legend and the heroes of that time, realistically defeat LL audun back then? its not explained (again i could misremember) and its not important to the canon as-is, but imagine if the canon had focused on idk, being nicer to yuri and on the angle of mr.legends crimes and what if maverick, with mr.legend in tow, had promised to destroy sternbild if LL audun doesnt let them have their way?
it wouldve been, i feel, very easy to let us catch on that maverick was manufacturing LL auduns crimes and spread them on the media for the benefit of mr.legend and heroTV, and that LL audun couldnt stop maverick because he had been honorable about it, like a “true hero”?
hundred power is extremely versatile since it heightens all senses and weve seen that it can even boost recovery, and he can activate it almost continuously: what was it that stopped him from cracking mr.legends skull like an egg once the man himself had fully lost his power, given the canon itself features mr.legend worried about having to face someone he cant realistically win against?
LL audun outright refusing to kill mr.legend and/or maverick feels like the logical conclusion to the question of why he could be defeated. it would also give kotetsu something to think about, to realize this on the screen as our main character!
mr.legend was the hero who saved kotetsu, and then he learns from yuri that mr.legend was actually an awful person, and then, as i suggest, he sees a buddy hero pair go rogue- and then they all have to go rogue?
and to bring all of that to a satisfying conclusion, he faces off against LL audun, with the man questioning gregorys claims about who the real villains are because theyve all protected each other.
some further exposition later he could learn that mr.legend wouldnt have been able to be so awful if LL audun had just killed him when he had the chance, and that maverick couldnt have manipulated barnaby and been evil overall if LL audun hadnt taken up my suggested deal from maverick to voluntarily get imprisoned to protect sternbild and had gone the lunatic route instead?
kotetsu has always been so against killing people, and i dont think hes wrong to think so (well yes i think he is wrong. i think its morally okay to kill evil people! albeit not without emotional consequences for the person taking up that burden like lunatic. but i think its important for kotetsu to disagree with killing) and he wouldnt have had to abandon that principle of his, but this troubling reveal couldve given the narrative way more depth?..
and when kotetsu talks of the goal in the rising being saving virgil/andrew from himself: couldnt he have recognized the emotional toll lunatics actions take on him, and the emotional toll LL audun has taken due to his inaction?
like a real bit of some gray morality that actually has a purpose!
thinking about it makes me want to break something- i feel like everything was so perfectly set up for something like this, and not even this scenario but the concept of sympathizing with yuri further and helping him heal!
it couldve happened without revealing that lunatic is yuri and letting yuri continue in his position as the director of the heroes after the season has concluded (i wouldve enjoyed this personally so that i can imagine him out there), because i feel that revealing mr.legends crimes wouldve changed yuris position so significantly, and for the better!
kotetsu, as the main chracter, wouldnt have had to reveal judge petrov is mr.legends son either, maybe just lunatic for example! imagine yuri seeing people condemn his father? that wouldve been incredibly cathartic? that people agree that whoever mr.legends family was, they mustve suffered, truly and deeply?
yuri couldve gotten a scene like what kotetsu got at the end of the rising, with heroTV broadcasting random people having various positive opinions on him instead as he stands somewhere, contemplating taking off his mask and killing himself for his sins and his justice and whatnot while kotetsu and barnaby arent able to calm him down?
we couldve had a dramatic scene like that, and one of the manga chapters features that scene where yuri revealed his face to the terminally ill woman who had wanted to know who the man behind the mask is: he couldve even revealed himself to kotetsu and barnaby at least since theyre the main characters and still retained his anonymity by using his fire to shield himself from heroTV.
and on the broadcasted heroTV screen people from across sternbild could thank him for what hes done: could yuri, at that point, deny himself the possibility of being forgiven in some way?
it couldve also given us the hilarious dynamic of kotetsu and barnaby at least (and just for me, as a treat, ideally most if not all heroes) knowing that yuri is lunatic but they have a pact to keep his secret.
lunatic half-bleeds to death before jumping off but he doesnt set himself on fire and we dont see him fully fall but it serves as a momentary death fakeout.
then theres an ending scene of judge petrov opening the door to the hero lounge to give a briefing (returning us to the start of the season with yuri briefing everyone about buddy heroes) and he looks incredibly beat up.
agnes asks what the hell happened to him and he says he “got caught by one of the rampaging NEXT” or something else not unbelievable but ridiculous with a straight face, and none of the heroes contradict him.
like, wouldnt it be on-brand for kotetsu to try to joke about it while barnaby tried to shush him and causing someone like keith to quip that he doesnt really get it, isnt it a secret? and agnes could just scoff because whatever are the heroes talking about now...
my dream scenario is everyone laughing about this with yuri who is also laughing a little in confusion because now he has those bonds he hasnt had before? ngl i dont care i just want to see him happy lmfao<3
anyways see how ive lost the plot of this opinions document? bible-length and ive rambled about various topics, jeez. i also said i wouldnt talk about yuri so much but he just feels like such a central character and i like it- i just wish theyd been gentle with him instead of whatever we got. and yes, im about to talk about yuri again...
its unfortunate that with such a big cast, again, only the titular protagonists are often given scenes to interact with plot-relevant matters personally and with any depth...
of course, kotetsu and barnaby should remain at the centre of it all since theyre the protagonists, but cour2 especially included us seeing tidbits from the perspective of so many random characters, it begs the question why add so many bits from characters when i think its pretty clear the fans are interested in tiger&bunny for the ensemble cast too and want to see more of them?..
sorry to fervent mario the announcer fans or something i suppose, but if cour2 had used its time more wisely, we couldve gotten great moments from various heroes in the same time we didnt get anything done?
wasnt a single writer aware that the fandom adores the titular protagonists but theres also large fandom pockets for the other hero characters AND yuri? didnt anyone think that s2 and its buddy hero premise couldve more effectively been used to give us more lore and funny moments also for the supporting cast?
this makes me, for example, think of the scenes where everyone is deliberating X rampages and gregory things.
youre telling me that weve got all of these characters in a room and youre capable of making them act in-character while interacting with each other, but you chose the most boring ways to do it in pursuit of some sort of unneeded seriousness?
those scenes by themselves couldve been majorly improved by playing into what ive seen as the strength of tiger&bunny, with the way every hero has a distinct personality easy to play up for light-hearted moments without making it unnatural or forced?..
for example, they could be trying to talk of something serious when ryan, kotetsu and subaru get into a nonsensical argument because theyre all so loud and kotetsu and ryan actually get along well, so they couldve argued on purpose to ease the mood, while subaru got really serious about the argument because hes 17 and goofy?
barnaby, karina and thomas are all collectively sighing because of course their buddy partners are acting like this, and this goes on while keith is trying to get a word out on something actually valuable he thought of but hes too polite to interrupt the conversation, so nathan has to raise her voice and be like “boys can we please calm down keith wants to say something<3 you have 30 seconds before i get mad!″
and kotetsu, ryan and subaru are forced to apologetically sit on the floor or something, just to let keith convey an actually good point he came up just now while listening to them argue. expositional scenes dont have to be boring and lifeless?
of course its sweet to have them work together, but giving them light-hearted moments wouldnt have diminished that. theres just so much potential with the cast we have, and while they had a great foundation, the real potential was never really reached.
the way they neglect the strength of their ensemble cast repeats with who interacts with lunatic/yuri. and i know- kotetsu and barnaby are our main characters here, but sometimes i feel like hes in protagonist jail, because there are so many great interactions to pursue with him that could actually add something to the narrative!
nathan was kind of accidentally framed by him in s1, but we dont really get any follow-up on that. and for me, one of yuris greatest moments is in the manga when he saves keith (civilian) from dying while keith is trying to save the two criminals from dying himself, and keith is never none the wiser about it.
but thats more of a self-indulgence than a realistic critique, i imagine. however, from this i can get to talking about the heroes i didnt yet mention, because i can see so many ways to tie the supporting cast into the narrative and not just include scenes for “fanservice”.
the peripheral material has done this and more, why not include some of it in the show?
this is all mostly just a lot of musing on how underutilized everyone was, and how a lot of it felt disjointed and a bit wasteful of the time they had to convey the entire story.
ill start with keith: it was disappointing how he only smiled through the entire cour2, especially when you think about LL audun, who pretty much shares his “simple” worldview on heroism. we didnt even see him fight LL audun at all if my memory serves me right.
he didnt have any reaction to when the heroes get shelved, and keith arguably has pretty much no other life than being a hero, but he never has any sort of thoughts about the matter.
closest we get is firesky reminiscensing on the moments they had respectively gotten their hero suits, and keith remains one of the heroes whose backstory we know absolutely nothing about. i actually thought keith would drop some backstory lore there, but he didnt.
i feel that cour1 did a fantastic job on telling us what sort of guy he is in the episode nathan complains about him to kotetsu and barnaby: he is insecure despite all of his fame and how “perfect” he is without trying by nature, and he still he tries to act even more perfect to make sure other people would like him.
cour2 didnt really give us anything? i was genuinely expecting keith to break down at some point and that he was trying really hard to act unbothered to not make anyone else lose heart, especially after kotetsu remarked in cour1 that its keith and nathan who are really doing most of the advising around here and not himself and barnaby, the real senior buddy hero pair.
it wouldve not only given us a continuation of things from cour1 and given keith some sort of arc for the 2nd cour, but it couldve given us a character-driven moment used to show us why its kotetsu who is the protagonist even if we all know keith is such a picture-perfect hero.
ive always thought that kotetsu is more approachable than keith on purpose: hes a very normal person with normal concerns that are easy for many to relate to, and that is his charm and his strength, and he doesnt particularly stand out or excel, hes in the hero business purely out of his conviction and doing his best.
wild tiger isnt the most popular hero, but he has dedicated fans, okay! hes goofy and easy-going and meddlesome, and hes trying to make the world better, whereas keith could never be the protagonist in the same way kotetsu is because hes just too good, like how nathan found his projected perfection unnerving.
to let kotetsu participate in reassuring keith (since hes the protagonist and a busybody!) besides nathan as his buddy partner couldve served as a plot point to strengthen the idea that kotetsus various flaws are a part of what makes him great, and it couldve been used in tandem to again, interrogate the narrative about what heroism is, who can be a hero, and so on and so forth.
and with regards to my earlier thoughts about LL audun, keith represents the same type of ideal LL audun at least thinks himself to be, and the sort of ideal LL audun couldve embodied if they let me write t&b2, lol.
there couldve been some sort of plot-relevant parallel there that lets kotetsu actually figure out that LL audun is genuinely thinking hes doing the right thing and gregory was taking advantage of him- something to let kotetsu take the initiative in making LL audun question whether he actually is fighting against villains or not, because LL audun randomly questioning it himself was a bit too convenient.
it couldve been a time for kotetsu to shine with what he does best, trying to talk his brand of sense into the people hes fighting against, like how he always has a lot to say when hes facing off lunatic, or how in season1 his entire plan for making people remember who he is includes him showing up in his old hero suit and talking to them.
isnt that part of kotetsus charm as a protagonist?.. and LL audun wouldve been perfect for a discussion, because his personality wouldve lended itself to a very campy “two heroes having a dramatic discussion during a fight”.
i suppose i also personally dont need or want kotetsu be really good at fighting with the most powerful NEXT power, because thats not what makes him a fun protagonist. him goofing off and slipping on a banana peel on his way to an arrest makes him fun, and him talking the socks off of his opponents is just part of his way of being a hero.
kotetsu is into the whole “superhero flair”: heroes need to have secret identities, and heroes need to be a bit campy with thematic outfits and have dramatic discussions while they fight, and thats the spirit of tiger&bunny, isnt it? isnt that what were here for?
i at least never watched tiger&bunny for a yuri petrov suffering arc, when tiger&bunny has had an uplifting message throughout even if it tackles more adult issues due to the adult protagonists?
either way, to return to keith, i just feel like hes overdue for having that sort of very human moment to his character, because his nuance has largely been confined to manga and peripheral materials... it wouldve been nice to see him get a big moment on-screen.
even in cour1, the episode with firesky is largely shown to us from nathans perspective. having keith break down wouldve also been a great way to show how serious the shelving of heroes is and making the situation feel tense because keith especially is always so happy.
it couldve been a tipping point of sorts, where everyone starts to lose heart whether theyll manage to figure out the X rampage issue or not, because despite the boring seriousness of those scenes, i at least never felt a real sense of urgency or huge concern about them not being able to be heroes?
keith confessing that he is having a very hard time with the circumstances and making everyone visibly falter wouldve actually left an impact, and couldve let kotetsu shine as a protagonist by him trying to pick up the pieces.
it couldve also have bit of a callback to that scene where in the beginning movie hes called everyone together and claimed that the heroes and barnaby want to meet each other and everyone gets upset and leaves, one by one, but i guess it couldve been more that everyone leaves buddy pair by buddy pair since the season makes a big deal of pairing them up with them buddy pairs whenever possible.
it wouldve made me sad but not in an utterly desperate way because i know that the heroes will pull through and save the day, it wouldve been a good sort of sad.
this couldve also given nathan more of a spot to shine, because shes keiths buddy hero partner! she wouldve been there for him, but i also dont want to suggest any sort of reduction of nathan to a mammy stereotype-adjacent spot where her main function in the narrative is to take care of others, but more on nathan later.
the scene where nathan offers to hire keith as a secretary especially perplexed me and was left in the forefront of my mind. it was funny and cute, but thinking of keith losing his hero status and not immediately looking into civilian ways to help like finding volunteer organizations to sign himself up for them is so unbelievable to me, sorry...
and because i think cour2 shouldve used their episodes and screentime wisely, any such things with keith couldve been, again, tied to the bigger themes of heroism and such, right on the nose in fact! i dont think its far-fetched to have a moment of hopelessness by having keith break down and then reveal later on that hes signed himself up to ten different volunteer organizations when prompted by kotetsu.
one remark and everyone figures keith is so sad too, but hes still trying so hard to help?
keith is in many ways the best of them, and even if he was so crestfallen and suffering, hes juggling ten volunteer jobs at once even as people have complicated feelings about NEXTs due to the X riots and whatever. hes trying so hard to get people to like him and hes troubled by having NEXT powers and possibly putting people in danger if he lost control somehow (like, is he bad by showing up as keith goodman without admitting first thing he has NEXT powers, and also maybe without admitting hes sky high, as if it was a crime).
it was actually so odd how none of the heroes were ever really concerned about losing control?.. especially the heroes with powers that have the capacity to be really destructive?
and to return to keith, in my opinion he wouldve also suffered with the very human desire to be a hero again: its a huge part of his identity and it occupies almost all of his time! i think he would feel guilty that even if hes helping still in his own way by volunteering, he would specifically want to be reinstated as a hero.
it would feel selfish to him, that he has such a private desire. hes also extremely introspective and he canonically spends a lot of time thinking. he couldve delivered a very neat and conscise but very human monologue on the topic and it wouldve given the other heroes a great character-driven moment to share a bit more about how they feel about the situation?
to have our hero ensemble shelved from hero work and dedicate no scene for them to talk about how they feel about it specifically is such a waste, when it couldve showcased their personas and furthered the plotline by having them remember why theyre heroes in the first place and/or why they want to continue being heroes, etc...
what bothered me with firesky was that they also felt oddly separate from the rest of the cast at times during cour2 and the trailer made their role seem far bigger than it ended up being.
they had a bunch of nice scenes together that very funny and showcased their personalities, but i was very disappointing how those scenes kind of failed to tie into the main plotline so that they were just... there. even though theyve been a part of the main cast since the start:/
they didnt even get a major fighting scene with a big bad because LL audun knocked them out off-screen.
nathan suffers from many of the things keith suffered... she also didnt really have any significant role and well, it wasnt too bad i suppose, it was just oddly disjointed.
the heroes met up at helios energy, i think, but they couldve done so much more with nathans position as the CEO of helios energy.
it has always been a footnote in the show, even if the new manga shows us that nathan is aware of various changes in the hero system before anyone else by getting to participate in the discussions about those changes as her own boss! which is also weird ethically, but i guess its not taken so seriously.
it could have been easy to make nathan more prominent because of her CEO status. what if wed gotten to see the mayor talk to a wider board of people that included the owners of the hero companies etc and nathan was allowed to be there, hearing the talk about shelving heroes and being like wow! that certainly is a suggestion, but!..
this couldve also been used to emphasize that as his buddy partner nathan knows how important keiths job is to him? she couldve even alluded to how some heroes have really dedicated their entire lives to hero work and this is no joking matter!
instead of us getting scenes of the mayor and the assistant or somesuch, we couldve literally had a character there and given her a moment to shine while keeping it plot-relevant?.. she couldve given kotetsu and barnaby some insider knowledge on how to talk with the mayor, too?
i think her being a CEO and a hero is interesting because i dont think “CEO” is a very heroic civilian job, but i dont know if id want the series to ever delve into it overmuch because i dont know how it would be respectful to nathan who has suffered from being reduced to a homophobic/transmisogynistic stereotype before...
not like nathan is the only rich hero either, its just very different to gain income from only from hero work versus being a CEO. the peripheral material sometimes comments something about it like a gag strip making nathan say she wishes the heroes wouldnt go on a strike due to her being one of the shareholders.
what this does remind me of is that i dont think t&b2 really had any significant commentary on how money makes things go around? in s1, it felt kind of prominent. kotetsus old hero company literally went bankrupt and antonio suffers from his unpopularity driving down his sponsors profits.
its why the heroes have to also keep up appearances- its not enough to just be a hero, you have to work to be popular as well. in s1 kotetsu & barnaby cant go to a crime scene because theyre doing an interview and other popularity stuff so their hero alerts were cancelled for the duration.
we get the whole “ouroboros controls everything, actually!..” and a vague allusion to affecting The Economy, but thats it?
anyway, disregarding all of that, i feel like they couldve used nathans CEO status for something. what if she had put her career and status on the line to use her connections and money to reacquire the hero suits of those whose companies had really put them under lock and key...
i also think back to momentarily developing some sort of mega optimism brain rot and thinking that karina couldve had some sort of gay crush plotline with the girl who was trying to pretend shes rampaging and how incredibly sweet it wouldve if the noted LGBT icon of our lineup, nathan, gender-haver extraordinaire, had been able to support karina with that... like yeah ryan wouldve been there for her but... hes ryan. lol
overall, i thought the buddy pairs were fun, but man, i want to see the hero ensemble interact with everyone and not just one assigned "important” character per hero. it also made a lot of scenes a bit disjointed with how buddy pairs were a bit separated, in my opinion... it worked better when it was just kotetsu and barnaby, because theyre the main characters! of course theyll have more plotlines than the others.
one thing i already found a bit strange at the start of cour1 is that nathan didnt talk with antonio almost at all, and we know the new director is a huge antonio fan (which is actually funny to me, and you can see the antonio love shining through).
but.... in prior content nathan has also been regularly paired up with antonio, and i dont mean in a shipping sense (even if that has happened as well but it has only really been to make gags on nathan being creepy because of her poor portrayal before), just that theyve specifically been portrayed as friends before.
so it feels like nathan got sidelined purposefully while making antonio have that entire thing about agnes seep from mainly peripheral content into the main show... (i have a huge brain and am a gay antonio truther, btw.)
it left a bit of a bitter taste in my mouth that someone who has some say over the happenings in the show (?) and loves antonio hasnt acknowledged their friendship in any way... and nathans portrayal prior has been unfortunate, so it wouldve meant something to see nathan get to be friends with antonio with the gross sterotypes removed?
its not enough to say things have changed and you want to improve on nathans portrayal: i want to fucking see it!
while their dynamic is funny, the above has made me worry that nathan and keith were paired as a buddy pair because the writers didnt have anything better to do with them and keith is “naive enough” to hang out with nathan without them having to address anything about nathan properly, and cour2 really didnt ease my fear about it.
like one thing nathan has done explicitly in various material is to behave in a specifically “boy crazy” way which i as a lesbian dont really care about, but i think it wouldve meant something to let nathan act in that way without making it weirdly creepy and uncomfortable, and instead let nathan be a whole person of her own.
i am a serial friendzoner of everyone except characters who havent interacted in canon (lmfao) but the purposes of respectfully portraying nathan and proving that the horrible stereotuping is over, i think there couldve been real narrative worth in her being canonically romantically interested in keith and have that relationship develop, to show that nathan is so much more than those creepy stereotypical actions forced on her characterization before.
it wouldnt have to be keith in the case they didnt want to introduce any romance between the hero ensemble, but any romance plotline for nathan couldve been used to show they really did want to improve on nathans portrayal like nathan would deserve.
it couldve easily been used for a scene in which nathan properly brings up their identity because sure, its been discussed some more in peripheral material and the rising improves on what she was given before, but still retains multiple harmful elements... and it just makes me mad to imply youre going to improve on stuff like this and then not do anything with nathan.
as far as i know, her civilian outfit in the rising seems to be inspired by a japanese comedians gag character called “hard gay”, whose ensemble includes a leather bodysuit, and hard gay isnt exactly a respectful portrayal.
i also love to read tiger&bunny opinions online through google translate, from people who would understand nathans identity/possible tropes better than i do by the virtue of being LGBT+ and japanese.
one of the things ive seen raised is that nathans declaration of self-love in the rising is more compassionate than their prior portrayal, but that it unfortunately is somewhat of a trope in itself given the wording of it, which i think further explains how i think nathan wouldve deserved a bigger role?
theres also the recurring issue of misogyny, because nathan specifically says (dirctly copied from netflix translation): “they say a man is made of courage, and a woman is made of love. so what does that mean for people that are gay? we are invincible!”
men being courageous and women being loving is a cliche, which they included as a narrative choice and is not nathans fault... and t&b2 really didnt improve on the baked-in misogyny, which ive already talked about...
and ill be honest, i dont know how nathan romance shenanigans couldve tied into the main plotline lmfao, but they couldve called back to s1 and keith asking the girls for romantic advice, except now it wouldve been keith with the younger girls in tow trying to advise nathan, which wouldve been funny.
it wouldnt even had to have been a fuck you to people who like firesky romantically, because nathans plans couldve fallen through (by for example having the guy have been an antagonistic force in some way, perhaps interested in getting close to a hero after theyve been shelved just for the gossip, like an evil reporter, to make a point about media) and they couldve included a buddy hero scene afterwards where nathan remarks how keith would not do that.
because its true, keith would not do that, and it wouldve given people something fun to elaborate on?..
instead of remarkable improvements for nathans character besides the passive “no more creepy things”, we also get that scene at the end of the skyfire episode where subarus quip comes across as somehow homophobic to me, and i genuinely dont know what im supposed to feel about it. if youre wiser, then please enlighten me.
at this point i realized that talking about each character individually might kill me, because i have so many opinions, and maybe i should focus on buddy hero pairs a little better since thats how they were given to us in s2.
i also probably have more opinions on keith and nathan than the rest because keith is one of my favourite characters and i do really like nathan too, im just frequently haunted by the narratives past crimes against nathan and the currently occurring crimes as well, lol.
talking of subaru, his buddy partner thomas, and his sister ruby, why didnt they do something with thomas and the fact that nathan has been mentioned to have a little sister she cares a lot about? that couldve tied into the plotline?
i was very surprised ruby had no particular role and felt very separate from the rest of the narrative, and how nobody except subaru seemed to notice thomas wasnt present?
subaru begrudgingly (because hes 17 and wants to be independent) asking nathan or the firesky duo for advice because kotetsu saw he was acting weird and pulled him aside to talk about it and directed him to nathan on the subject matter couldve been a fun addition.
it couldve again showed that kotetsus strength is more than just some imaginary scenario where hes the smartest and strongest with all of the answers, because its not true. kotetsu couldve put himself down about it like oh bunny, i couldnt do anything, see! its those two giving advice again!
but barnaby wouldve correctly assessed that its only because of kotetsu subaru is doing this, and without kotetsu meddling, nathan or keith wouldnt have noticed to help subaru either.
mr. thomas overall had an alright arc. ruby was introduced, but much wasnt done with her. i sincerely thought she wouldve been adopted by ouroboros after everything that happened in cour1 and the mentions of orphans.
this drives me up the wall, because yet again, they had an obvious route to question heroism and villainy, and who is a victim of their circumstances and what acts exactly are evil.
kotetsu and barnaby wouldve had a lot of sympathy for ruby just because of their own backstories and personalities, and nobody else wouldve been unsympathetic either?
ruby is reduced to “little sister who loves and supports thomas”, and thats all: she barely has any real agency, even if it was her who sought thomas out. her personality is “gentle and understanding”. she continues the theme of being a woman in the show being reduced to narrative vessels to make the guys of the show do or feel something...
i also talked about them a bit earlier, so i dont have much else to say.
but one huge unresolved plot thread is their entire company? why did they even introduce the owner and manager of jungle when they werent relevant? and why did they seemingly sabotage subaru in cour1 by having his PDA not go off when heroes were called?
i thought it was significant? i thought jungle was sabotaging him?.. nothing came out of that?!
origami rock kinda won... they had a lot of good scenes. antonio was clearly beloved by the narrative. ive also spent two days writing this post so im kinda sick of writing it and this is one of the last parts im bothering to comment about so itll be kinda short, but...
like i mentioned earlier, alcoholism was kind of painted as something evil people do and antonios drinking problem was kind of bypassed entirely, when i feel like its a major thing for him? in the KOW the rising schedule, he really goes hard in on drowning his sadness and loneliness in alcohol.
it was also made into a joke moreso, with antonio and ivan apparently having gone drinking together?.. i feel like a more healthy direction for antonio wouldve been them focusing on things ivan wants to do... like, ivan went out drinking? seriously?
i guess that does feel like a major step for him in the sense that hes less shy and far less mortified by knowing he did silly thinks while drunk which is good for him to be less self-conscious... but its also like... i dont know, just weird me out that antonio would introduce ivan to that part of his life, which i felt was just his loneliness coping mechanism.
last but not least, kid cat... they really got the short end of the stick. they even lived in a dorm together and nothing ever really came out of that? it felt like a waste. i already talked about them a little bit.
paolin didnt really get a separate arc but she did really shine in cour1 at least, and maybe its just me but the whole situation around laras mom and kid cat being shoved into it soured their entire thing for me, especially the part of paolin comparing laras mom to her own mom, again... oof. that shit hurted.
i disliked that paolin was pushed into somehow vaguely motherly/caretaker-esque role with lara with her even looking up those damn parenting books and her fun energetic and somewhat goofy personality wasnt so well preserved. i wish a girl character was allowed to be goofy while still having serious and cool moments: they could do this with subaru but not paolin.
i already talked about karina earlier, but again, even if its actually incharacter and natural for karina to be be “the responsible one” in her dynamic with ryan which i do enjoy, i cant help but notice the narrative forcing all girl characters into that sort of role... i would include nathan (haver of gender) in this, because i feel like being goofy on the occasion is very central to her as well, but hmm.
its not even that i dislike karinas and nathans dynamic with their buddy hero partners, its just unfortunate that all girlies had to do similar things, because i cant ignore it... t&b2 really goofed with that.
it disappoints me personally that even if i dont understand how it wouldve made any sense wrt the narrative, i wish paolin had allowed to show her gender non-comformity somehow?.. i probably had my hopes up after hearing about them essentially saying they want to add a bit of representation into t&b2.
but i suppose that mainly meant ruby mentioning she has two dads and the girl with an ex-girlfriend.
all of the girlies got sidelined, which ive already talked about...
i feel like karina got the most major arc which does make sense because shes more of a main character than the rest, but it was also taken a little bit too seriously in my opinion, i wish the characters clearly treated it as karina being a teen who has a crush on some old guy because teens do that.
it was also kind of like a waste for me... i didnt need so many scenes about it personally. shouldve made karina do things for herself.
i have to admit that for a moment i genuinely thought that karina talking to that fake rampaging girl about her unrequited love for an ex-gf was going to awaken some feelings in karina, lmfao.
another thing about mr.legend i didnt manage to fit anywhere is that we still dont know his name? hes just mr.legend, even yuri doesnt say his name. it makes sense, but narratively, this ensures that mr.legend remains the stuff of myths. it feels like this is what they wanted, but it sucks!
to give him a name behind the hero gimmick wouldve brought him down from his status to that of a normal human. ive always been certain that petrov is yuris mothers maiden name as well, so dropping mr.legends name wouldnt have immediately implicated “yuri petrov” of anything.
nobody even knows he had a family! it feels like maverick scrubbed all of that clean, just in case.
as for mattia, i think his character has worth but is used wastefully: not only is he the one to develop the drug that drives much of the plotline, he gives us more insight to the worldbuilding of t&b and normal peoples opinions on NEXT powers. he doesnt hate the NEXT, but if he could choose, he would have NEXT powers himself.
this sets him apart from other similar characters like ben or saito, who are both normal people at the periphery of the heroes without NEXT powers who have been portrayed heroically in the past, since he explicitly wishes he could attain a sliver of the heroism he sees barnaby have, and he thinks he needs a NEXT power to be able to do so.
this couldve been, yet again, used to reinforce the theme that heroism is so much more than just having a powerful NEXT power. mattia couldve also been used more intelligently, and while connecting him to barnaby is nice to give him a new friend, some of his functions couldve been covered by kotetsu or some other members of the hero ensemble.
it couldve worked better if, for example, the hero ensemble had more strongly reacted to suspecting mattia to have ratted them out. i already said that i think ryan wouldve been more than annoyed about it, but the moment couldve been used to showcase various characters and their reactions to it!
i think the moment couldve been drawn out instead of being immediately resolved, maybe even included something about how mattia needs to prove himself to not to be a spy for ouroboros, not because i think its reasonable, but it couldve meant something to have our heroes be utterly wrong about someone!
i come back to this again and again, but it couldve been used as a point that the heroes arent necessarily right just because theyre heroes, and that mattia couldve worked with saito and proven himself to act more “heroically” (alongside saito!) than how the heroes treated him.
and, unfortunately, the narrative itself undermines mattia because of auroras existence.
she introduces a huge plot hole for me. mattia has worked hard to try to develop a NEXT drug, and has actually gotten results, its just that he hasnt gotten the specific result he wanted: why doesnt he just mail that drugs composition to aurora and have her complete it, since her unclear NEXT power seems to have no limits and gives her a vast intellect without even trying?
in fact, when theres any sort of problem, why dont we ask aurora about it? if shes so important, why havent we ever heard of her before? her inclusion didnt feel natural at all.
i really hated aurora, because her character felt so cheap and gimmicky in every possible way. sure, she was foreshadowed in cour1, but since she obviously didnt exist in s1, it felt incredibly stupid that there conveniently is one single person ouroboros has to assassinate to ruin all relations between people who have NEXT powers and those who dont...
her power makes no sense: if shes so fucking smart and has been Thinking of ways to better the world for literally decades, then why capitalism all over the world?
i do think its realistic to expect she cant force the world to become an utopia, but the way shes introduced and dealt with doesnt really give me a well-nuanced view of her. she looks to the side and saves some lizard species form extinction with an idea.
i think her character couldve been interesting if they had used the whole season to set her up and i guess made the themes of the season somehow align with her and “not being able to fix the world alone no matter how smart you are etc” and included her as the brain and LL audun as the brawns and how neither of them could ever fix the world alone according to their opinions, and only in their bonds can our heroes find the most of their strengths, including connections with other people like how kotetsu could chat with a child in s1 to ease him down from his rampage at the ice rink etc.
buuuut i feel like that couldve been the plotline for some other season altogether. now that we know LL audun, he could get him back later and see how hes doing, etc... in the case he was given more nuance or something and not just sent back to jail, i mean.
theres also the moment where aurora opened her eyes and i guess i was supposed to feel it was significant but i genuinely didnt care. like okay. yeah i noticed that. no i dont care that the day was saved and “she felt comfortable closing her eyes again”.
was that purposeful?.. the implication that shes closing her eyes from the world?.. and she only opened them when she realized she personally was in danger?..
that was so wild to me, i still dont know what the purpose behind that was, but that certainly was how the overall arc felt about yuri. eyes closed, who cares if some guy suffers for no reason.
rosicky was interesting to me, and it was a waste she got shot before she could have any sort of discussion?.. she just felt like a cheap trick to get yuris body fucked up. it couldve been an interesting moment overall, but, well...
not like were going to get anything about yuri reacting to how all of that went down? so it was just... weird.
and then rosicky died and gregory "won” their little squabble, and i wish gregory had fucking exploded because lunatics been making some points and i fucking hate him...
also just to return to the ouroboros ties of the season, they made ouroboros so all-powerful it was stupid and lost a lot of meaning to me. like alright, they can do anything, why are we even fighting, and why is rosicky alone in charge of this operation... makes no fucking sense, its such a forced situation.
the ending of cour2 was... well, it existed. i mean, i dont personally mind kotetsu retiring for good overmuch i suppose, but i think with everything that happened (especially in the way i think things should have happened) he couldve just continued as proof that even people without NEXT powers can be superheroes...
and also as a some sort of proof that it was mr.legends refusal to change any part of his hero image that really did him in: kotetsu could cling to his heroism while accepting hes just a guy without powers and not make it such an issue.
and i suppose if he retires, i wouldve loved to see him take some sort of director-like role instead: i dont think he would be able to let hero stuff go completely, but him being a senior you ask for advice would still give him a lot of things to do.
right now its also a bit of my fear, if they have any thoughts of continuing tiger&bunny in any way ever and yuri had to die so that kotetsu could take over the spot he ended up occupying as a director...:( genuinely makes me make a sad face in real life.
by the point we got to the end they had already fucked up the entire premise and any message they wouldve hoped to send and if they had some sort of uplifting message after yuris death, i failed to understand it. but it felt like a giant fuck you to the fans of the show called “tiger&bunny” to get that last bit of tiger&bunny pair disbanding because of reasons.
i mean, theyre not even remotely my favourite characters and i dont think about them overmuch, but leaving it more open-ended wouldve been so much more fun for so many fans? they really fucked up the shows undercurrent of interrogating who can be a hero and why in the first place, but like...
yeah that shit sucked ass sorry. i dont even have anything to add. people who showed up to see more kotetsu and barnaby content getting that half-hearted discussion about where theyre gonna go from here and then showing their plaque in the “true heroes” hall...
i feel like it undercuts kotetsus character so much, because hes always been the “underdog”, and hes pulled through everything that came before this. they explicitly mention that hes been working really hard to supplement his waning power, and then leave it at that: if i was supposed to understand from that part that kotetsu isnt really retiring or anything, it didnt really come across due to the other circumstances.
and again, i dont even really care about kotetsu! its just that he really exemplifies the tone of the show as a fact, and i like to think i have a modicum of media literacy. and by undermining the uplifting message of the show, they directly undermined him, and by undermining him, they further muddied the spirit of t&b.
i feel like an ending i wouldve killed for is one that couldve included that sort of tour of a museum, but it wouldve showed mr.legend paraphernalia being moved away from “true heroes” and also included our protags being inducted in there if they so wished, but leaving it more open ended... and definitely proving that mr.legend was not worthy of being thought of as a hero.
it was weird that the second league isnt brought up at all during the entire season from what i can remember? i dont even have anything significant to say about it, but i think second league heroes are and have been important, just by existing, to the narrative asking the viewer who really is a true hero and who insnt and what it all means.
they just didnt care, just like they didnt care about that question and yuri. again, they fully ignored anything they had set up before, and kept introducing new characters when old side characters couldve been brought back.
i have some thoughts on the police chief being a younger version of the police chief from double decker... im unsure if the implication is that double decker is more than a spiritual sequel and its not just cameo, or if its something more.
mattia did off-handedly mention that hes developing now trying to develop a drug that takes NEXT powers away if i read and understood it right, which would, i guess, make a canonical disappearance of NEXT powers possible.
i have actually never seen double decker myself, but i understand it references tiger&bunny while being separate and clearly “in the future” from it, and as far as i understand, it doesnt have people with superpowers.
i personally think that imagining double deckers world as a canonical sequel to the world of tiger&bunny sucks, but i dunno what the real implication there is.
i also want to talk about the art direction of t&b2 since im airing out my opinions and complaints, so why not: the art direction kinda sucks. everyone has been smoothed and thinned down and the essence of t&bs charming style has been lost in some ways.
you can really see the jump between older art and the newer art with ryan, for example... ill talk about ryan now because this is my post and i love this guy.
he is downright ugly in some parts of the rising, and i love calling him ugly, but in a serious way, yes, i think hes explicitly supposed to be handsome (because what else does he have going on for him even except being loud and looking good lol).
hes just a different kind of attractive than barnaby who is pretty, and theres various scenes in the rising where you can see that barnaby has more of a button nose while ryan has a sharp, short nose, unlike yuri for example, who just has a large nose overall (and its his charm point!).
ryans most notable quality is that his eyes are drawn to look hooded and deep-set with straight eyebrows that make his strong brow even more prominent, and he usually has a very distinct wrinkle across his forehead.
and what does he look like in t&b2? certainly nothing like that.
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i know that the rising has a much larger budget for the designs than the episodic show, and either way they wouldve had to simplify ryans design to translate it into the episodic format. and we all know the goofy parts of season1 they fixed in the bluray release...
that never was a huge problem, and i wouldnt mind it. yes, i guess ryan couldve been changed for marketing, but he looked like that through-out the entire movie and was hugely popular regardless and BECAUSE of how he looks. but its not just ryan, its that the art direction changed drastically, and it made all the characters look so much more generic and samey.
just after the scene i screencapped above, you can see barnaby and ryan from further away with less detail for a scene that passes by quicker, and you can see that less care was used to make them look good but they still were kept distinctive and different. (and sorry to barnaby, i caught him in in the middle of a movement, so he looks extra goofy.)
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t&b2 doesnt even have a lot of scenes that i can remember that really let the chracters emote and make goofy faces: kotetsu has always been hugely expressive! i want to see him make a funny face! kotetsu is also the main character, and part of his thing is being an Old Man (even if he isnt even that old for real, but thats beside the point).
he has wrinkles around his eyes in that shot even if its not hugely detailed, and in contrast i feel he was very smooth in t&b2. the art direction felt as aimless as the bullshit plotline, and equally as uncaring towards established characters!
everyone was drawn very samey. another example to me is the scene in cour1 where thomas inspects keiths pectorals is just sad, because hes been thinned down like everyone else. what was there to inspect? absolutely nothing.
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this screencap from s1 has more to inspect than the scene where keith is supposed to be noticeably buff. by the way, this entire scene with the girlies and keith has more personality and goofiness than most of cour2.
and heres a screencap of keith from that episode, where his face shape and features are distinct.
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ts been a decade and i know that anime production has gone through changes in this time and netflix-style mass drop of episodes may be harder on people in general, but comparing my s2 screencap below to the screencap above just makes me miss the old style because im scared to but s2 keith next to the one above... his eyebrows were so sadly thin and so were his face and body.
you know, lunatic doesnt even have a distinctly large nose, and his eyes arent even particularly sunken and he doesnt have many wrinkles around his eyes like i think is charming for him, because everyone is just smoothed down... and the above screencap isnt even a good example of it, but the charming thickening of lines at some parts is entirely missing in t&b2 from what i can remember? i feel like the linework used to be stronger and more interesting overall.
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anyhow, yes, t&b was also fixed up for the bluray release but i feel like the atrocious-looking parts are kind of funny to look back on. i wonder if theyll be editing s2 visually? (and please revise the entire storyline for yuri too, thanks.)
speaking of s1, where did this entire sentiment disappear to? into the ether?
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also, i cant help but be plagued by thoughts because the episode i got those keith screencaps from, kotetsu & barnaby are interviewed by kids who are taking the reporting very seriously, and their reaction to kotetsu saying the person he looks up to is mr.legend is lukewarm at best.
then barnaby talks of his parents and robotics, and they light up, which is funny because barnaby is way more popular, but it also narratively, in my opinion, shows that especially the new generation of sternbild thinks mr.legend isnt that impressive and would be more willing to accept that despite the myths around him, he was a man who severely sucked.
theyre ready for new heroes to commemorate, ones that really deserve it, and they (even in cour1!) dont see lunatic as a villain but an antihero who protects them.
oh well.
thanks for reading, even if you didnt read all of it and just read interesting parts or skimmed through it! i guess writing this was like free therapy for me because i need to deal with how deeply yuris cour2 canon arc affected me lmfao.
i dont think ive ever been so blindsided and taken aback by the total surprise i felt at the direction his arc took and that definitely factored into how deeply it fucked me up because if i couldve anticipated that yuri could for example die, i wouldve been a lot more normal about it.
but out of all things, i cant believe that tiger&bunny would do that to me, and make me see all of that pain... genuinely fucked up not going to lie. fugan and mugan and their father being shot to death is one thing because its shocking of course, but yuri has been in the show since the start.
yuri has existed in the minds of people for over a decade, now, so it feels so unexpected they would so callously kill him off, it feels entirely uncharacteristic, and i feel like its not something that anyone couldve expected, and maybe it wouldve been less shocking if season2 had come out like, say, an another year after the rising...
but still, i dont understand how we make the jump from yuris portrayal and the overall themes of the rising into t&b2 and his role in cour2. its wild, i dont know how to get over it.
breathing through gritted teeth how i published a few fanfics with yuri in a huge hurry before cour2 dropped because i wanted to have them started in case some major yuri details drop and ill feel compelled the rewrite the yuri parts of them but huh... well.... cry laugh
i love imagining scenarios with my favourite characters, but i tend to include yuri in the core ensemble cast of heroes: trying to imagine any post-canon shenanigans feels so hard right now like watching a VHS reel that ran to the end and has to be rewound, and actually makes me incredibly sad.
theres that new audiodrama coming out with ryan featured in it and i cant even be excited because i just get sick, like physically... i guess imagining myself casually engaging with tiger&bunny content makes me feel like im spitting on yuris nonexistent grave. woe is me. fuck you tiger&bunny2 cour2. TL;DR - my opinions, this entire post condensed somehow:
the whole arc for yuri felt like a giant fuck you not only to him and all of the fans too, and same with the ending kinda
ryan was brought back for a fun cameo only because he never became plot-relevant really so what was the point lol? screentime waste
plot points set up in cour1 and further before were ignored and scenes were specifically used to counteract them?!
big misogyny moment for all woman characters of the show
hero ensemble overall was underutilized
new characters/excessive focus on side characters like the fucking mayor and the police chief in cour2 felt gimmicky and unnecessary and generally didnt add much worth. i dont care show me my funny heroes instead
they tried to do too many things and lost sight of why t&b has been so great and why the idea of a more self-conscious t&b is so exciting: of course the show has had a lot of flaws, like nathans initial portrayal, and to imagine a show that has the same spirit but improves on those flaws is amazing. its just not even remotely what we got</3
never expected a flawless show but there are flaws that you can headcanon away and there are flaws that undermine the entire theme of the show this far. i dont know how to make s2 any better after seeing cour2 without totally ignoring any of it happened
cour1 wasnt even bad. it was solid. shit just hit the fan in cour2
the art direction was a huge downgrade, but maybe it was just budget constraints, so i dont know how harsh i want to be about it.
leave a comment if you want, lo, i love to talk, its relaxing. i also mightve mixed shit up so dont embarrass me too much if you notice any overt mixups since i really did marathon the cour once and i dont know how i can bear to look at it again. i also have some confusion over some parts of the story which i detailed above in my manifesto so if you wanna educate me, please do, lmfao...peace out...
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bishiglomper · 1 year
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I'm kinda glad its not just me my sister gives a hard time about being away but I also dont think she needs to be pissed off about mom going over to see her boyfriend. She did a shitton of things before she left and told us to vacuum. But my sister is mad at her for walking out. Like. 👀💧
Also she's anxious about the landlord doing his walkthrough ans i keep telling her to LEAVE, ALSO. I DON'T MIND BEING HERE ALONE.
I'm always saying "as long as he doesnt involve his wife, everything is fine". I do not expect his wife to be involved. Shes only involved when theres a big problem or project. I dont expect to see her. So i told my sister to go have a Valentine's day with her husband or something.
But she just took it as "shut up about being anxious about the inspection"
I wanna shake her. 😤
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I think living in a city is gonna make me stop snacking and eating unhealthy food out of fear of driving
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dyketubbo · 3 years
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when you get a chance, thoughts on seer of space tubbo?
(i am also open to maid of space tubbo, and many others, but i am currently seer leaning)
*wakes up* oh boy time to classpect! under the readmore because seers are interesting enough that i ended up going on a tangent
of course no argument about the aspect because hes 100% a space player, ive discussed heir before i believe, so seer analysis it is, because i havent thought about it before (seers slip my mind sometimes, i love them, my brain is just the equivalent of a ground with a bunch of banana peels and cant handle having more than 4 coherent thoughts at a time).
like said with knights, he doesnt exactly try to tell anyone what he wants to come off as, sure he wants to be intimidating enough that people leave him alone, but, well. he does fit the intimidating thing, its less a facade and more a warning, he doesnt want to hurt anyone, but he will should he deem it necessary (thankfully, tubbos kind enough that he deems it unecessary in most cases). hes a bit too likely to follow through, and its bred from feeling unsafe, rather than feeling insecure. c!tubbo knows he can do things, the cc is more likely to downplay what he does than the character is (not that c!tubbo doesnt, but he does still believe in his abilities, he just doesnt think hes important enough to emphasize his impact. difference between going "oh no it was all __" and going "oh no it wasnt just me" when theres something hes done most of the work on)
so, he almost fits knight, at least in abilities, after all knights are capable and they know theyre capable, and hes very good at the exploitation aspect, pushing limitations and using them for their benefits. i could see him as maybe a knight thats actually gotten past the insecurity and facades already, if we're to consider his spy history as him being pre-actualization. being a space player doesnt really change how solid knight arcs are, so the combination of knight and space doesnt make knight much more fitting for tubbo
similarly, he does fit a few aspects of being a seer (having similar struggles, talking a shitton sometimes, sitting back and observing the world around him when he finds it beneficial to do so, generally very smart especially within their group), but not so much others (seers are often overbearingly smug in a way tubbos a bit too humble for, learning through education rather than experience, having a habit of getting too focused on their goal, and theyre overall passive, being too active is actually how they get themselves into shit, while tubbo gets hurt when hes too passive). seers of space focus more on the present than the future or past, which almost fits tubbo.. if it werent for the fact that he doesnt focus on the future or past out of repression cknsks. not that he would much anyways, but the intentional focus on the present is out of stubborness and trauma rather an actual trait of staying in the present. notably, theres quite a few times where tubbo does think about the past and future, especially when he was younger, and he does try to work towards his ideal future, he just doesnt talk about it much.
funnily enough, because of where seer falls through, he ends up being closer to the mage struggle of, well, getting their asses kicked when theyre too passive because things work out best when theyre involving themselves. mages also have that posturing thing as well, though its connected to intelligence (desperately trying to come off as smarter because they believe theyre still too dumb and naïve, even though theyre actually doing fine), so again, not exactly tubbos kind of posturing. plus, hes pissy, but not pissy enough for a mage, as theyre more likely to get caught up in how fed up they are with everything, while tubbo gets caught up in how much he still cares no matter how much he seems like he doesnt. the space aspect adds that theres.. a shitton of shit happening to and around him, which does fit, at least, and mages of space usually suffer because of their passions, knowledge, and experience, as well as they're rather hands on. again, fits, but, well.
seers and mages are a bit too focused on knowledge for the kind of person tubbo is. hes smart for sure, has a lot of knowledge, and even when hes not a spy he does want to know things and looks for that knowledge, but while he fits the goals and positives of seers (and mages), he doesnt exactly fit their flaws or what happens when theyre unhealthy. not that he needs to show signs of being unhealthy, but even healthy players still show an ability to be the unhealthy versions of their classes. he doesnt get his ass kicked for being too active and tunnel visioned like seers do (and it can sometimes come from ego trips, which tubbos very unlikely to have, even if he fits the "my solution is the most correct here, so we have to follow it" part of it all) like seers, he doesnt have any moments of just refusing to learn and complaining about how everything sucks rather than doing anything about it (nor is he likely too) like mages. he does vaguely fit where the unhealthiness of a knight can come in, propping up a shield to a ridiculous extent and lashing out when their insecurites are picked at, but that feels a bit too reckless to be tubbo (though it does fit tommy).
overall, i can kind of see seer for a slightly different version of tubbo, but it feels too passive for tubbo, if that makes sense. he is passive at least, in terms of classes anyways (note- despite how some classpectors define it, passive doesnt really mean you serve others, its not an insult, it just means you weave your aspect through others, rather than yourself. its the difference between a prince destroying x/destroying through x and a bard allowing destruction of x/inviting destruction through x. still listen to passive classes, thats what seers fall into after all, and seers are very important). its just that tubbo usually gets hurt by being too passive rather than getting hurt by being too active (not that it couldnt happen, which is why i say it could still fit under other circumstances).
speaking of passive v active, if i had to pick a passive class i feel fits tubbo the most, probably heir. active wise, id say maid does actually fit rather well. i feel like ive talked about maid tubbo before but i might be remembering a different analysis so just in case ill generally say i feel he fits the arc of going from a "doormat" to taking their life for themselves. theyre stubborn, stressed out from listening to others, like banter, occassionally silly and can start arguing in circles due to the stubborness (think that one patrick id scene, but smarter). maids are also heavy repressers, they fear being seen as weak, and are unwilling to ask for help. they rely on their environment and hate it.
and, painfully enough, some classpectors state that when pushed into being unhealthy, maids explode. maids are already intimidating on their own, being powerful and smart enough to know what to do with that power, and when they get stressed out enough, they, well, explode. they hurt everyone in one big event (think aradias actions in make her pay). its not necessarily a reckless lashing out at everyone like knights, but a giant burnout that happens to effect everyone. tubbos not at a point where it seems likely for this to happen, but i wouldnt be too surprised if something like it did happen were things to get too be too much. he is the mf with nukes after all. healthy maids are independent, with maids of space specifically, well, making space for themselves and others (sound like a certain snow commune anyone), attempting to start new lives. an independent maid, allowed to be their own person without anyone stepping on them, is a healthy maid. unfortunate for tubbo that his life fucking sucks too hard for him to really get to this point KEKW
heirs fit a similar "followed others then became more independent" arc, mostly unaware that theyre being lead around but, if whats happening aligns with their own ideals, dont really care much that theyre being a follower when they are aware of such. heirs have an instinct to stick to comfort, rather than an instinct to be independent like maids. heirs still need to find their independence and autonomy, but need to do so because they can change things, theyre also very powerful when they play correctly. however, going against what they may feel is best and is more comfortable for them can be actively painful, early heirs often would rather be comfortable and happy even if things arent going well than take the difficult route, know that theyll suffer, and temporarily risk comfort and happiness in an attempt to reach an end they dont know will be there for sure. they can deal with suffering, but choosing to stay constantly aware of this suffering hurts and they struggle with dealing with the fact that they need to be aware to stop the suffering.
heirs change by picking up on subtle details naturally, subconsciously effecting those around them, making either themself or others interact with their aspect differently (or actively not think with their own aspect, in a positive way). heirs, when self aware, want to help. thats an important detail, and its why heirs are often protagonists, they dont have the ambition to do things that only benefit themselves when they realize theyre in a position of power. at their core, heirs usually want to make things better, but learning to move on and better themselves can hurt, and it takes a lot for heirs to to let it be apart of the process.
unhealthy heirs fade. they get so stressed out by getting hurt that they shrink back into themselves, they stick with what makes them comfortable and refuse to acknowledge that they and others are hurting, wrapped up in their more selfish instincts and becoming hard and stressful to deal with. "i want everything to be okay" becomes "i dont want to deal with the idea that nothings okay right now", soon getting to "im okay and you cant tell me otherwise, fuck you if you want to take this away from me, you cant stop me but i will stop you". of course, that last one can be useful if a heir were to use it to change things for the better, but the tunnel vision on "i want to be comfortable even if im making others uncomfortable" is, well. shitty. unhealthy heirs wont actively try to hurt anyone unless pushed, but they can they can still manage to through a lack of acknowledging that they have to help. and well, that sounds somewhat like tubbo, the hurting through a lack of helping, at the very least its present in things like him not visiting tommy during exile (partially because it was safer to just not challenge dream, partially out of guilt and belief that tommy hated him)
heirs of space specifically are about flitting from project to project, learning about what interests them, impatient when others dont share their excitement, and learning when to adapt and move on from things. generally, if i had to put a scale on it, id say tubbos most likely to be a heir, then a maid, then a seer. it all depends on what aspects of him you wanna focus on, really. seer tubbo is really interesting though! i think seers are more smug than he is though, not that he doesnt have his moments, but his tendency to believe hes right isnt all too prominent compared to other traits of his, and its less from a smug "i know whats right" and more just a firm "this isnt right, i have a better idea". he wants to do whats right, but if he feels like he doesnt know whats right, hes willing to rely on others, it just.. takes him a bit of pushing to admit such
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girlarmand · 3 years
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here are the snaps i saved when watching jane eyre 2011 on april 10 2017. i noticed that besides all having jane in them they all have netting. maybe i was onto something. now, of course, thats just historically accurate. theres a ton of netting and lace and tamboured muslin going around in the 19th century. something existing doesnt mean it plays into the main message of a piece. yeah, true, but i want to flex my literary analysis muscles, so were going to pretend that light fabrics mean a shitton in jane eyre!!
jane eyre themes speedrun: jane is poor obscure plain and little. she doesnt have a high position in society because of her economic status and gender. therefore, she doesnt have a lot of power. everything she does have is precarious. thats why her main thing is being independent. if everyone fails her, she is still okay. she cant be someones mistress, because then what happens when they dump her?
okay and if we transfer that onto fabric...yes jane owns sturdier fabrics than those little netting gloves. but what she wears at climactic moments and during shots that are set up to be noticed matters. she has to be shown wearing something in every scene, unlike in the book, where she is of course always clothed but charlotte brontë doesnt need to mention it, which is why we are focusing on the movie.
we are skipping her childhood and the evil school because she doesnt have much choice in what she wears and because i cant be bothered
at the window, relatively early in her stay at thornfield, the lace isnt on her, it’s next to her as a harbinger of doom. lovely shot, atmospheric (atmosphere is substance in gothic media). shes feeing pretty good about having her own job with a paycheck and a lot of freedom over how she spends her days, but one ugly guy can come along and change that, if she lets him.
she is wearing a nightgown at the window and when she puts out the fire and shares some Intimacy with rochester afterwards. duh: it’s at night. but it being at night is in itself a choice; these things dont always happen when jane is most prepared. she doesnt have a bunch of layers on to provide a buffer against rochesters influence.
which brings us to the wedding, which has big close-up shots of janes face under a veil. this is when her situation is at its most precarious because it is all a lie. shes been warned about this by mrs fairfax and now it is coming to pass! there was a scary omen when bertha ripped her veil, the most delicate part of her ensemble and the one that represents her marriage the most! jane let her guard down for a second and she almost died. whoops.
when shes on the moors where she almost dies, she is wearing sturdy fabrics. she put on that nice lace, everything fell apart, and now she has no money and is going to starve or die of exposure or probably both. youd think shed be like naked at this point to prove my point. precarious! but no, at her lowest, she has her determination. this is where she can build herself up. oh, and then she gets a ton of money, but that isnt important because she already had a job and a desolate little house. she is fine because she has the basic needs for survival, and no one can take them from her. sounds really pathetic, but that’s from my not in 19th century england perspective.
then we have some weird kissing which is less weird than the bed scene in 2006 jane eyre but still weird and we are at the end of the movie. rochester has been brought low. the house, his privilege marker where janes is fabrics, is destroyed. hes also now disabled, which knocks more power off of him. hes still male and rich and all, but whatever. close enough for jane, who decides she can risk being with him as his lawfully wedded wife. youre still reminded that shit can still go sideways for a woman (like it did for bertha) by janes gloves. sure maybe were just being seasonal! but theyre there which means i get to analyze them and thats how im interpreting them.
so. you can say im totally off base and missing vital historical context or whatever and i wont mind. i just felt like doing this to get back into the groove. i love jane and her survival instincts. i have some diaphanous curtains that im going to hang. have a nice day
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catbotbrian-archive · 4 years
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PLEASE tell us about scenepunk partyghoul
you do not know what you have askd for. i have so many thoughts. you are getting an entire not!fic/fic outline here (also its 4am prepare fr typos this took so long to write my wrists hurt)(also put it under a cut bc it got LONG)
so basically it started with me Hating the pastelxpunk trope and making it Better. that is not important context but i also want it to be known
party is. Obnoxiously scene. they can and will pretend it is still 2007. the world past 2012 does not exist in their eyes. absolute king of kandi bracelets and neons you WILL get a headache from looking at them. they are the reason their school changed the rules about what hairstyles arent allowed and they r proud. did i mention this is sorta hs au. anyway they end up goig 2 a lot of local shows bc when it comes 2 alt music you cannot pick and choose in a relatively small city. reminder they are WILDLY scene they CAN and WILL glow in the dark from the amount of glow sticks they wear
ghoul is PUNK. and i mean he is properly PUNK he has the aesthetic the mindset the music. all r nothin baybe! and also. Doesnt like scene kids. bc headache inducing. he always has a shitton of patches on everything and makes most of them himself r they were gifts and like. hngh i just think he is Neat. patches nd denim jackets and doc martens that are falling apart nearly. so hes from the Big City and jus moved 2 party/kobra/jets town (they r childhood frendz) at the start o summer (YES TIMING IS IMPORTANT U WILL SEE) and is getting in2 the local alt scene.
and at one of these super cool shows he sees party poison fr the first time and is. Woah. theyre BRIGHT. and party is like used 2 ppl staring bc theyre the only super scene kid around but GOD, that guy doesnt seem 2 b staring in the GOOD way bc ghoul is fucking blind but refuses 2 wear glasses and cannot see anything other than Neon Blur (i am projecting here. also thats a cool kj name) but he KNOWS thats a scne kid so hes glaring bc this is a misfits cover band Why Are You Here kinda thing i guess? and partys all “whats up with you, fucker?” bc theyre defensive and impulsive and ghoul flat out punches them (he swears he was aiming fr their shoulder. but he also couldnt see very well. so he hit their face) and they end up getting thrown out fr fighting and they hate each other now.
and then. one day. kobra jet and party are all chillin sewhwere public. and party goes off probably to claires bc theres a sale and they Need more gloves and when they come back That Kid from the show is there???? talking to kobra and jet???? and party is like “kobes wht rh FUCK???????” and koba nd jet r just like. uhm. s this is fun ghoul? the guy? we told you about him? and party is like OU DIDNT SAY HE WAS DOUCHEBAG PUNK GUY!!!!!! and ghoul is like gay panicking bc they can actually See party now and Fuck Theyre Pretty but also PARTY POISON YOUR SIBLING AND TRUSTED FRIEND IS ANNOYING SCENE KID?????????  ANDALSOREALLYCUTEOHDESTROYAHELPME but kobra and jet catch on and are like “nuh uh ur both coo people no fighting when we r around keep ur dumb little spat between urselves” and ghoul nd poison r like “>:( fine >:(” except secretly ghoul is :flushed: :pleading: :flushed:
so we fast forward 2 school starting in september and since i dont fuking understand the american school system, kobra is a year below ghoul&party and jet is a year ahead but somehow ghoul has classes w kobra bc i want them to and it is plot relevant. so ghoul and kobra bcome friends bc obviously they do and ghoul jet nd kobra hang out a lot bc party is Busy With Things i guess?? but like ghoul and party have a class 2gether and even tho they both have 2 tone down the aesthetics fr school they still intentionally annoy each othr in discreet ways
nd they sorta? keep that up? but ghoul and poison both realise “aw fuck, theyre actually. super cool” but both have chroic Cannot Admit My Mistakes disease so they resort to no longer plotting murder but PINING bc “oh noooo they hate meeee how sadddd” but theyre BOTH pining and think the other hates them. so to compensate thy keep doing little flirts in their own ways? party special orders darker kandi beads so they can make ghoul a bracelet that matches their aesthetic but ghoul of course knowns nothing of kandi and just. accepts it. and kobra and jet are like :bonk: bc WHAT THE FUCK???? cause they have baincells sorta kinda. and of course ghoul flirts by handsewing a patch fr party with ALSO special ordered neon thread and party is ALSO oblivious. this happens bc i think it is hilariously adorable that in their own subcultures thy r basically shoving signs saying DATE ME!!!!! I LIKE YOU!!!!!!!!!n each others faces but they dont know enough abt eachother to know that. miscommunicaion and gay pining. mmm yummy.
nd at this point they r Very Close 2gether and ghoul hands party the choker back ad is like ,,,csn you,,, help me put it on,,,? and it is very very charged as ghoul moves their hair out of the way for party to reach up and fasten the hoker and ghoul KNOWS they should TURN AOUND so party can see better and party KNOWS they should move their hands away from the ghouls neck even when theyve fastened it and they BOTH know theyr standing Very Close and partys hands r sota half holding ghouls shoulders nd partially his face and ghoul is just. Staring. and then they both sorta lean in and :)))) kith. and jetndkobra are like THANK FUCKING GOD FINALLY and party nd houl r like WE WERE HAVING A MOMENT also wdym FINALLY i totally couldnt tell they liked me! then they look at eah other like. HOW DID YOU NOT KNOW I LIKED YOU??????? HOW???? I GAVE YOU PATCHES/KANDI BRACELTS THATS BASICALLY A MARRIAGE PROPOSAL and then kith more. :)))) liddol homos
then,,,,,,,, one day the four r at the mall and the tension is THICK bs ghoul has an Extra Special patch they spent ages on and party has a very awesome kandi/chain? choker they spent ages designing and they r both convinced This will b the gift that shows the other how they feel (spoiler alert It Does Not) and jet and kobes r like. right fuk this WE are gonna go. to the food court. or something. somewhere Not Here. and ghoul nd poison r just :heart eyes: yeah sure,,,,,  and they both like,,, shyly reach in2 their bags,,, nd are like :flushed oh? you uh :flushed: u got me smth too? :flushed: bc gay idiots. and party is like OH MY GOD GHOUL THIS IS SO COOL WHERE D YOU GET ALL THESE PATCHES THIS IS LIKE MADE FR ME I LOVE IT andghouls like ,,, i made it,,,,, for you,,,,,,,, uhm,,,,,,, and party gives him the choker nd is like ,,,oh,,, well uh,,,, i also,,,, made this,,,,, for you,,,,,, like you specifically,,,,,,,,
anyway. you were not expecting this. it took almost an hour. its 5am. this was very fun though cant wait for the day (never) that i write this as a real fic
jet and kobra watch every interaction with amusement and horror bc they like. understand what the two are doing. and they both TRY talk 2 party nd ghoul bc party nd ghoul are convinced the other hates them bc theyre fucking idiots.
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botanyshitposts · 6 years
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Ive never tried submitting before so i hope this works but here have a gif of my baby boi Mimosa Pudica (submitted by @babyfaceddemon)
aaaaaa i LOVE these guys!!!!! when i worked at a community greenhouse we had a few and i would call kids over and ask them to touch them. the responses were either amazed cries or fear that they hurt/killed it (i would reassure them that they were fine and that they would come back up in five minutes or so lol). 
fun fact, the movement of these plants works through the same mechanical mechanism that plants use to open/close the guard cells of the stomata, and its REALLY smart!! the mechanism uses the concept of osmotic potential, which basically is the rule that wherever theres a higher concentration of solvents (salt, sugar, minerals, whatever), that’s where the water wants to go. this is why you would get dehydrated if you only drank salt water; the solute concentration in your blood (now full of a shitton of salt from what u just drank) pulls water from your cells, because water is more inclined to dilute solutions. here’s a demonstration; the ‘selectively permeable membrane’ in this gif represents the cell wall/membrane. notice how the water goes from the side with no solutes (in this case sugar) to the side with more solutes. 
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so whenever a plant like this wants to move water around, all it needs to do is move solutes around, and the water will follow. if the plant wants something to be full of water, it can just pump in solutes and the water will diffuse in and fill it up, and vice versa.
Mimosa pudica has a set of cells at the base of each leaflet/branch that specifically are made to quickly fill/empty themselves of water. when sitting normally, the plant as the ‘up’ cells (’extensor cells’ in the diagram below) full of solutes (and in conjunction, water), and the ‘down’ cells (’flexor cells’ in the diagram below) empty of both. when it’s touched, all the plant needs to do is pump the solutes from the ‘up’ cells to the ‘down’ cells, and the water just shifts with it, causing the sudden ‘drooping’ effect. 
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(notice how Cl- and K+ (both solute ions) are moved out of the cell to shrink it from its ‘turgid’ state to its ‘flaccid’ state. the water goes with it! this is reversed when it’s ready to go back up again. the ‘H+’ are hydrogen ions that help initiate the pumps that move those ions in and out of the cell). 
anyway this was really long and im gonna be late for class but yea this apparently took a really long time for scientists to figure out and it’s a really smart way to do this??? 
(paper explaining this mechanism in pudica and similar responses (like the kind in venus fly traps) more in depth, also where i got the image above from) 
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canthelpbutimagine · 5 years
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guys i fUCKiN hate living in the country sm sometimes!!
like... i live in the middle of assfuck nowhere! my nearest neighbour is about 5 minutes down the street, not counting the massive laneway lol. and honestly thats pretty close. its really just farm upon farm upon farm. and bush sometimes. which means that theres a shitton of coyotes at night. and normally its just really annoying because theres loud and whiny but then u hear multiple different howls and its spooky cuz coyotes don’t typically hunt in packs so you know whatever’s happening out there, shits gonna go down. but ur in the house, its fine. just kinda annoying cuz its nearly midnight and u wanna sleep. and u wish ur window was closed to help quiet it down and help calm down your cat. but you cant fucking close your window cuz you live in an old ass house and everythings broken so you gotta go OUTSIDE to close ur window. and im not boutta do that in the dark. cuz its spooky.
so u try to ignore it. then maybe 15 minutes into the coyote bs, you hear a new sound. at first ur like “hey fuckhead its midnight stop driving ur fuckin fourwheeler down my street” cuz thats sorta what it sounds like. then it stops for a second. then it starts again. and the more it happens the more it sounds like a chainsaw and ur probably just pysching urself out but then again you live in the middle of farm country baybeeee so literally everyone owns a chainsaw and could hypothetically be abt to slice u up.
then, to add insult to injury, your cat jumps off ur bed and starts staring at your window. now not only are you lonely, ur scared as hell cuz ur cat is staring at the window where all the creepy noises are coming from.
so u REALLY wanna close ur window at this point, right. but u dont wanna go outside. so, like the pussy you are, you ask your mom. she says no. thats fair. its almost midnight. she says shell stay up while you do it tho if youre that scared.
and thats how you end up running around your house at nearly midnight, trying to push your window closed at top speed before u get killed by something or other, holding this bigass flashlight that isnt really bright but you chose it over the bright one cuz its heavy as hell and could MAYBE give you a headstart if the chainsawman is outside.
then you end up sitting in ur room eating chocolate chips and trying to burn off the adrenaline so you can SLEEP DAMMIT!!
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quowreadspact · 6 years
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“Until such a time as I am released?”
“Period.  Ever.  All things with any connection to me, my family, my friends, or my possessions are protected from you, across the board.”
“Hm,” he mused.
“What’s the issue?”
“Merely considering.”
Bad things can have a connection with you too. Also this is a tall ask Blake. Doubt he is gonna go for it as is. 
“I need the guarantee that, once we set you on the Lord of Toronto, you aren’t going to harm me, my family, or my friends.”
“I can affect the remainder of the city?  The region?”
“You wouldn’t accept the deal if I forbade it,” I said.
“No, I wouldn’t,” he said.  “I shall prevent harm to you and yours, from my hand, my power, my word, and my servants, to the best of my ability.”
He pointed at the paper.  I bent down to scribble it out, paused.
“You… and any other being you work with,” I said.  I didn’t want him bringing another demon in to hurt me.
“Granted.”
Or I guess he will. 
I hesitated.
“Any other power you interact with must agree to the same, and they must agree to bind anyone they work with to the same, in turn, ad infinitum,” I said.
“Hrm,” he grunted.
“Yes?”
“Granted,” he said.
I thought of Tiffany… “Tell me you haven’t done harm to others.”
“You’re delaying.  Write.”
“So are you.  Delaying, I mean.  Are my friends okay?  You didn’t send your animals to harass anyone or hunt anyone down?”
“I’ve done nothing direct.  As for incidental damage?” he smiled.
“As for incidental damage?”
“I couldn’t say for certain,” he said.  “I would have to visit the people, objects, or locations in question.”
Here comes the ***Collateral Damage*** 
That is very ominous. 
Worrisome, but the only real solution would be to hurry through this and check on my friends when all was settled.
I wrote it out, tore up the paper, so each paragraph was a separate block, then spaced it out.  Sub-clauses and stipulations were effectively indented.
A field mouse limped closer.
“If they interfere, I’m liable to consider it a sign of your disinterest,” I said.  “We got this far, let’s not spoil it.”
“Mm,” he said.  “Git!”
The mouse scampered off, running off the table.  The thump it made as it hit the ground caught me off guard.  Mice were light enough they wouldn’t necessarily make a sound like that.  I leaned to one side and saw that it had broken its neck in the fall.  Head first.
RIP Mouse. 
Was this it?  It didn’t feel like enough.
“Rather than suggest a penalty,” I said.  “We say the contract takes effect the moment you are bound.”
“Yes.”
“The terms do not end when the binding does.”
“Hmm, yes.”
“My binding will be weak, in addition to being temporary.  You will not take any action to free yourself in the meantime, nor will you take actions before or after to work against the contract’s terms, or you will be considered to be acting in bad faith, with a penalty I’m free to designate,” I said.
“No,” Pauz said.  “We’ll stipulate a penalty now.”
“Fair enough,” I said.  “If you act in bad faith-”
“Clearer,” he said, sounding annoyed.
Wonder how many similar things he has gone through. Probably a shitton. 
“If you free yourself, if you bend or abuse the terms in such a way that suggests you are not acting with the intent of being bound and delivered to Conquest, and subsequently freed-”
“Clearer.  Narrower.”
I almost refined the terms further, then stopped.
That was interesting, that he wanted it narrowed from that.
That was very, very interesting.
Yeah, I’d say thats about how clear and narrow you want it. Now what is the loophole he is going to exploit... 
“Are you telling me that there’s a loophole you’re already planning on abusing to slip from your duties?” I asked.
“I’m telling you I want clearer, narrower terms,” he said, growling the words.  “And defined penalties.”
Which wasn’t a no.
I leaned on the table, trying to ignore the greasy film on the surface, looking down at the paper, reading over everything.  The parties involved, the objective, the responsibilities of each party, my penalties for failure… I shifted the remaining papers down to leave an obvious gap where his penalties for failure and ill-faith could go.  Protections for me and mine-
“You define the penalties first,” he said, interrupting me.
“I will,” I answered, “After.  Right now you’re trying to distract me.”
“Right now I’m trying to get you to define the penalties,” he said.  Talking more for the sake of distracting me than to add something to the conversation.
“Where was the trap?
Harm?
He would prevent harm to me and mine, by his hand, his word…
Wait.
Okay, I was pretty sure I saw it.
His hand?  Archaic language, or was he justified in using his foot, his teeth?  Even his claw?
I made a mental note.  Something I could use, maybe, and something I would have to come back to in a minute.
His aura? 
“Alright,” I said.  I looked down at the scraps of yellow paper, bright in the relative gloom of Dowght’s home, covered in my scrawled print.  I’d never had tidy handwriting.  “Let’s talk penalties.”
He seemed satisfied with that.  I was backing down.
“If you fail to keep your end of the bargain,” I said, “You forfeit every hold you have in this world.  Every person, every animal, every place, idea, every whatever.  You undo it all.”
“I am starting to think,” the imp said, his eyes flashing in the gloom on the far side of the table, “I should kill you after all.”
From relaxation and satisfaction to a death threat in a matter of seconds.
I stared across the table at Dowght.  The wretched man.
I wasn’t sure what he’d done to give the imp an in.  Good and evil apparently didn’t have much weight in the grand scheme of things, it was about right and wrong.
Had Dowght committed some wrong?  Some betrayal to himself or some personal code?
Whatever the case, if I could free him of his burden through some side-clause… he probably wasn’t going to have much of a life, whatever happened, but hopefully the burden wouldn’t drag him down to some horrible afterlife.
“I take it you don’t like the terms,” I said.
“No, I do not.”
But I thought you were patient Pauz- you could just start allll over again. 
Okay.
I knew he wanted me to miss the ‘hand’ thing.  He wanted to slip it through.
Could I use that?  Divert his attention, then resolve it later?
“There’s the question of the actual terms,” I said, staring at him, “What justifies the penalties.”
“Too broad, mortal.  The penalties too weighty, considering the very small parcel of land you offer for your own failure.”
“Seems fair to me,” I said.  “Hell of a lot at stake.  I’ll tell you what.  I’m going to read over what we have so far, look for any sneaky issues in wording, and you can decide what you’re willing to offer as a penalty.  Take your time while I read, come up with a good offer, and I can give it a serious listen.”
“Or,” he said, drawing out the word, “We can talk it out.”
“I’m doing most of the suggesting, you’re dismissing my suggestions, and I really should be reading this over to look for mischief,” I said, knowing full well that there was mischief, and he didn’t want me to look.  “Take a minute.”
I started to pick up the papers, carefully ordering them.
He really does not want Blake to look over what they’ve written. I bet theres something other than the hand thing here. 
“We define the conditions for penalties,” he said, interrupting me.  “I break free of my own will, or I take action that interferes with the goal, or I take action to harm you or yours, as we covered in the other part.  Connect it.”
Suspicions confirmed.
“And… you agree to the penalty clause, then,” I said.  “Forfeiting all that you have claimed and corrupted?  Undoing the damage?”
“Yes.”
I exhaled slowly.  Better than drawing in deep breaths, with the reek of this place.  The cold made smells easier to handle, but it was still filthy.  I laid out the pages again, then started writing it out.
The lingering animals, I noticed, were gone.  They must have started slinking away when the mouse was killed.
A part of me wanted to think it was ominous, but… I felt pretty damn relieved the beasts weren’t around.
No, I think that is a bad sign. Something coming? Or someone they are trying to prevent from coming? 
My gut told me he was getting rid of them to put me more at ease, in the hopes that I’d let my guard down and let the loophole slip.
“Two more things to cover,” I said, “Unless you have ideas on what goes into a contract?”
“If I had specific knowledge,” Pauz said, “I would not be free.”
“Okay,” I said.  “I would like to say that, should there be a grievance in the contract, mediation goes to a third party.”
“Who?” he asked.
“A neutral party, or a party professional enough to be neutral and unbiased with both a mortal human and an imp.  Someone we both agree on, with further stipulations to prevent one party from simply refusing every suggestion.”
He cackled.  The little bald, shark-toothed, clawed baby was surprisingly good at cackling.  “Fine.”
If the contract goes bad, I doubt he will leave Blake in a good enough position where that’d be helpful. 
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letslonely · 6 years
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i left dinner early because i ate a shitton after work and while i told my dad i was full and didnt want to eat for a few hours he still brought home food and expected me to eat it. after eating like a half of it i left the table saying i shouldnt have eaten that much and i felt sick, and was going to go lie with my tummy under the shower water, which should have been plenty of an explanation as to what was wrong. but no he texts me at 3am because he's anxious i'm not okay because i left the table "so fast"? 7 hours after i left. like, i left the table before 7pm. you coulda texted me AT ANY TIME instead of waiting until i was definitely asleep. for fucks sake i wish he could figure out when to leave me the fuck alone because theres no need for his help, or at least have the fucking disgretion to realize that he shouldnt text me at 3am about how anxious i made him because i didnt even wake me up. and thus i didnt respond saying i was fine and it did nothing to help his anxiety. it just annoyed the shit out of me when i woke up this morning to it and texted "i'm fine i just ate too much" and he still asks if i want ginger tea, now over 12 hours later, which is what i sometimes do when my stomach hurts. no, i dont want any help or tea or shit from you. i want you to leave me the fuck alone and give me my space. i dont want to have to check in with you to make you feel better. i know its all because he cares but he cares too fucking much and its overbearing and annoying. i'm 20. i hode all my problems from him because its so hard not to get pissed off when he keeps asking me how he can help when i told him theres nothing he can do and that i want to be alone. ugh im fine with living with my mom but my dads making me really wish i had the money to move out.
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sol1loqu1st · 7 years
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isaacathom · 7 years
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well. today went fine. i had a sac first up and i finished it in 20 minutes and it was very annoying in that sense. so i left and got a book to do work in.
then ive got a shitton of vc work to do. annnd. ive got an interview with the careers lady next monday?? that i wasnt told about? i had to go find out? like theres gotta be a bunch of kids whove just missed their interviews because ~they didnt fucking tell us~
also its in the period i HAVE class and its like, bitch, you put that interview literally the period just before and everyone wins??? why you gotta do that. id feel worse if theyd scheduled me for like, a tuesday morning, because id lose my mind. or friday 4th period? wouldnt want it. but monday second? go the fuck ahead! but noooo, monday 3rd period, when i have vc, my most important subject behind english, thanks miss youre really looking out for me and my education.
also dont want the interview anyway because itll just be her saying ‘you should look at other unis!’ im good honestly like theres next to no way i COULDNT get into deakin??? like......... i cant not get into deakin unless i fail english. im going to fucking deakin. let me be comfortable and confident in my decisions and let me go to class!
that or itll be her telling me to get a job and its like haha no im getting a job after my yr 12 exams, ive made that choice, the ONLY thing that will change that is if my local eb suddenly advertises in which case ill make a damn good try on that. im good.
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