heres MY rambly black sails analysis for the day, after watching the show twice in as many months i wholeheartedly believe in the "long john silvers quote unquote missus in treasure island is max, not madi" theory
the most obvious thing, as others have pointed out, is that in treasure island long john silver runs an inn with his wife, a black woman, in bristol, which is absolutely not madi behavior-- i cannot imagine madi would take him back in the first place much less move with him TO ENGLAND-- but IS maxs exact area of expertise. but theres so many other things that cement it for me
as early as episode 2, max tries to convince eleanor to buy out the inn and run it together with her when england takes nassau back. this is her dream-- to share power over her life with a woman she loves, free of the pressures of the outside world. (youll note this also happens to be silvers dream for himself and madi. the parallels)
in season 4 shes faced with the suspiciously similar option to take a husband to be the face of her business, completely on paper, for the sake of the public eye. and she refuses! she doesnt want to give a man that kind of power over her. not only that but she desperately wants to retain some kind of truth in her identity-- she admires anne for her honesty, her courage. these are things she can rarely afford to express. in refusing a marriage of convenience, she asserts her autonomy.
But. black sails tells us over and over again that an oppressive society will always find ways to batter down these private boundaries. there is no island safe from colonial rule. mirandas peaceful house in the interior is burnt to the ground. the maroons are forced to accept a freedom that comes at the price of abandoning those still enslaved and taking part in their continued subjugation. the things it takes to make these spaces are terrible, and unsustainable, and when it comes to being gay in the 1700s there is a tightrope to walk between privilege and privacy, one that destroyed flint and the hamiltons, thats even narrower to max as a self-made woman of color.
given all that, i do not believe she can girlboss her way out of her circumstances no matter how many lessons she took from what happened to eleanor. nor do i think the show believes it. i think the political-marriage-offer plot point is another illustration of that theme-- maxs desire, and silvers desire, to build a warm, happy room in the middle of the imperial machine, without meaningfully striking out against the machine itself, is destined to be futile no matter how strong they are as individuals.
max and silver are mirror images of one another. each of them is essentially the narrator of one half of the story. it is absolutely agonizing how BOTH of them tried to convince their lovers to abandon their ambitions, to settle for a quiet life with them, and in doing so saw that relationship destroyed by their own fear of an uncertain future....
....And its even MORE agonizing to imagine them finally securing the trappings of a domestic life... but without the love. and they know the love was what mattered! theyre always going to know!!!
it bookends PERFECTLY with their alliance at the start of the series. theyre right where they started, trusting no one, pretending to be humble and harmless, planning to steal the EXACT SAME TREASURE, except now theyre 50 years old and jaded and bitter and both pining after their lost loves. silver probably pictures madi whenever he tells people about his wife. when he and max have time to themselves they talk solely about finances and nothing else. its honestly impressive how miserable this is for every single person involved. im losing my mind
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tv show reccomendation: Scavengers Reign!
adult animated series on HBO Max about survivors of a spaceship wreck surviving on an alien planet, a pal originally pitched it as "Nausicaa meets Annihilation vibes" in terms of whimsy + body horror elements, and I think that both fits and is a compelling way to describe it. the plot isn't the most in depth but I think that allows the show to wrap everything up nicely in the 12 eps and maximize screen time on the best part which is the alien planet's ecology and worldbuilding.
it was also just very refreshing i feel like theres been a divide in western animation in recent years where a lot of "adult" shows are that way solely because they're crude/sexual/edgy, and meanwhile anything "whimsical" gets slotted into kid genres and is therefore limited in how far it can push anything. so its nice to get a show that balances whimsy with body horror elements without relying on like, sex or fart jokes.
also the last episode has a really gorgeous animation sequence nearish the end, you rarely see animation of earth-biology/geology/evolution done with such care and attention to detail, and it was really wonderful to see how much effort the writers/animators put into that aspect of the show and clearly loved it + wanted the viewer to love it too
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Would love to hear about potential parallel stories/lore in judaism 👁👁👁👁💞
i realized that i actually havent thought very in depth about parallels and themes in the bible in a LONG time but let me think...
one that jumped to the forefront of my mind is something that idk if its a theme/parallel or not, but it has to do with moses.
in the torah (really in the talmud i think which is a bunch of rabbi's headcanons about the torah that were then accepted as canon later on), when moses was taken in by pharaoh a test was performed to see whether moses would overthrow him, and by extension whether he was safe to keep and raise. that test was to show baby moses two pots: one of gold and riches and one of hot coals, and whichever he grabbed would be indicative as to what kind of son he'd be. so obviously, being a baby, moses starts to go for the shiny stuff. but (so the story goes) since moses has plot armor an angel (of death [?]) reached out and moved his hand to the hot coals. this is important because not only did it secure his safety to grow up under pharaoh's watch, but it burned his hand, which he then put in his mouth which permanantly burned his tongue and gave him a lisp.
now the lisp isnt really talked about much more until later on, and its kind of minor so i get why its often left out, but it changes the whole feeling of the story! because of the lisp, moses gets nervous to speak in front of pharaoh's mages, and so it's aaron who does the talking when they turn their staffs into snakes. it's aaron (iirc) who speaks to the hebrews and tells them the word of god. moses is the one who speaks directly to god and does his bidding in the stories, but aaron is the one who conveys the information.
and AND i just remembered this continues!! it continues to be true that moses doesnt always tell his own story!! in the scientific world it is generally accepted that there are a few different authors/compilers of the torah, but in judaism there is one main accepted truth of how it was written with two endings: moses wrote the whole thing up until the last chapter when he was on mount sinai, writing down word for word what god told him to. the ending, though, changes because at the end of the bible moses dies there is a debate over whether moses wrote his own death before it happened (since god is omnipresent blah blah blah) or whether joshua took over for him after he died. if the latter is true, that would be the second time someone tells moses' story for him!! first aaron tells the mages and the hebrews who moses is and why he was sent to save them, and then joshua tells the story of his death and his exile from the holy land! there are THEMES and MOTIFS i can SEE THEM
i have no idea if this is what you were asking for but thank you for inviting me to infodump XD <3
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