#they were not- in fact- fine

[haveihitanerve]

Gregor: I’m fine.

Ripred: Lol, no you’re not. But lucky for you, I don’t care. Wanna go fight other rats?

—

Ares: I’m fine.

Luxa: Okay, I thought you were fine, but now I’m worried.

—

Gregor: I’m fine.

Howard: Is no one going to mention the fact that he’s bleeding from a stab wound?

—

Luxa: I’m fine.

Aurora: Going by historical precedent, I have the feeling I should’ve called Howard an hour ago.

—

Ripred: I’m fine.

Vikus: Perhaps I should invest in a dictionary. It seems that this entire family lacks an understanding of basic English vocabulary.

[puppyeared]

these two are so interesting to me

characters belong to @canisalbus

[sunn-mechanic]

[ID in alt]

Some Papyruses :]

+ spreading my papyrus can float propaganda.

[wistfulwatcher]

2.05 The Aftermath | 5.01 Nameless, Faceless

[evansboyfriend]

top ten most gut wrenching heart breaking buckley siblings moments

[inkdemonapologist]

My BatDR Take That Used To Be Hot But I Left It Out On The Windowsill To Cool So You Should Be Able to Eat It Now Without Burning Your Tongue

its not actually that hot, is what im saying

Anyway my BatDR hot take is that BatDR's story is not fundamentally worse than BatIM with one exception; an exception that, for BatIM, covers a multitude of sins:

BatIM has a theme.

I can't presume the intentions of the creators, but if I had to write an essay on the themes in BatIM, it wouldn't be hard to pick one out: the cost of obsession, or even just, the ruin Joey brought on the studio. In the very first chapter, Henry asks "Joey, what were you doing?" and every single thing in the rest of the game revolves around that central question: what WAS Joey doing? Each audiolog is a snippet of the studio's path to this messed up state; each character you meet is someone ruined by Joey. The major antagonists echo Joey's flaws -- obsession with Bendy as more than a cartoon, obsession with perfection, obsession with fame and greatness and legacy -- but even without that, they're also each a picture of how the lives of people caught in the path of Joey's dream were ruined by it. Bertrum, for example, doesn't match the concept of rubberhose cartoons, but as yet another person screwed over by Joey, he fits the central question of the story, so he feels like he belongs here. Ultimately, in a narrative sense, the Ink Demon isn't the story's monster -- Joey is; the Ink Demon is just the consequence of his reckless ambition.

But what's the theme or central question of BatDR?

You can... try to pick out a theme. There's some promising options, because it feels like the story WANTED a theme, stating its emotional intentions more overtly -- "there's always a choice" to leave the darkness and chose hope; family and the struggle of living in a heavy legacy's shadow; or even just good old mewtwo-brand The Circumstance's Of One's Birth Are Irrelevant, It Is What You Do With The Gift Of Life That Determines Who You Are.

I think, even WITH the clumsy execution of Joey's "arc" and Audrey's lack of real choices, any of those could work about as well as BatIM. But unlike BatIM, the majority of the game doesn't tie in. Joey's tour can be considered relevant -- a picture of the family legacy and the "darkness" that Audrey doesn't yet know she's inheriting -- but like, the audiologs and hints and environment of BatDR are mostly teasing the question of What Is Gent Up To, and the takeover of Gent is detached from Audrey's choices, her family, her legacy, and Gent never really becomes a relevant threat to those things in this game. The Cult of Amok and the Ghost Train have nothing to do with any of these ideas. It might've been neat if Audrey had ever considered, "Did my father really drive all these people insane?", a hint of actually having to wonder about the darkness in her past. Even Wilson only barely brushes against these concepts; he doesn't like Joey and he also is trying to escape his family's heavy legacy, but it doesn't really reflect on his actions and we don't find that last part out until he's about to be dead.

There's also the question Wilson poses of "real" people versus ink creations, and what counts as valid "life." It would be an interesting theme with a lot to build off of in this setting, it ties into Wilson more as Wilson seems to represent the opinion that Inky Things Aren't Really Alive, which could've tied to Audrey (as an ink-person who has yet to accept that part of herself) and maybe given Wilson a reason to think it's fine to sacrifice her, it could've even tied to Gent (who don't even seem to value human life) -- but after Wilson asks the question, it doesn't tie into the direction things go. He smooshes a little Bendy, we see hints of his disregard for Betty, and then everyone continues with their plan to destroy the Ink Demon without any further moral quandaries about inky life.

The thing is, when you compare an element like, say, audiologs, there's a lot of differences you can point to -- but I don't actually think Lacie Benton's audiolog is notably better, taken on its own, than Grace Conway's or Kitty Thompson's, and yet tons of people were intrigued enough to flesh out Lacie. None of them are big plot points or compelling characters on their own; Lacie and Grace both give us a little note on what it's like working in the Studio, and Kitty shares a little bit on how Gent's expansion is affecting people. But when Lacie talks about Bertrum trying to make a creepy animatronic, that ties back into Joey's ill-fated schemes that are the point of the whole story. The question we're asking through the whole game is "what happened here?" so the fandom is interested in who Lacie is and what her life was like and extrapolates a whole person out of a couple sentences. But that's not the question in BatDR -- what has Wilson done to the Cycle and the Demon? Why? Who is Audrey really, and why is she here? Telling us new things about the Studio's fate seems strangely irrelevant to those questions, just an attempt to create a Mystery To Speculate On like the previous game did... but what question you're asking and how it fits into your story's main theme, like, matters. I absolutely believe that one clock animator guy would've been in EVERYONE'S crew if he'd been introduced in BatIM, but the context makes a difference; fleshing him out feels less relevant here.

The explanations of how and why Wilson did everything he did are baffling and handwavey, but in and of itself that's not a worse problem than anything else in the franchise -- I STILL don't understand why the Ink Machine needs pipes in the walls or even how it works, there's no good reason for Sammy to believe the Ink Demon will "set him free," most of Alice's motives don't make sense, etc etc etc. But the thing is that in BatDR, the wibbly bit is the closest thing to a central question we have! Wilson, what were you doing? The theme doesn't really explore or connect to that question, so the explanations that are finally tossed our way feel lacking in a way that BatIM's handwaved elements don't. There's a lot about Joey's motivation in BatIM that we can't know, but the heart of it resonates -- Joey wanted something, he was willing to exploit people to get it, and he became obsessed and prioritised that dream at any cost. We'll weather a thousand logistical inconsistencies if it's got heart.

But all of that said.... to be honest, I don't think Lacie overtly fits that theme anyway. Even, like, Sammy is iffy -- we don't really know what happened to him, only that he didn't used to be made of ink and worship Bendy, and now he does. We assume Joey's nonsense had something to do with what happened to him (though the books later assert his influence was indirect at best), because when there's a pattern, we can fill in the blank. So many fan creators found a place for Lacie, Grant, and Shawn in the cycle as butcher clones or lost ones, so many people imagined that Wally must be the Boris we meet, because that would've fit the pattern, the idea that the point of what we're seeing is the downfall of the studio. It's not actually that BatIM did a great job tying everything together -- it's that BatIM gave us a compelling idea and that was all it took to make everything else SEEM like it could find a place to fit. This is what I mean when I say BatIM's theme covers a multitude of sins. There's a LOT of characters in BatIM that don't make sense. There's a lot of inconsistencies and things that just sort of happen without any real reason. Characters don't really have "arcs" so much as different states they happen to be in at different times. But because there's a central question and the story doesn't wander away from it, our pattern-loving human brains will slot in all the pieces and do all the work to make the story feel at least somewhat coherent.

The things that happened in BatDR aren't a whole lot less coherent than BatIM imo, they just don't tie into a bigger theme or any of the questions the story's asking, making "how do they fit into all this" feel irrelevant, making it easier to forget entire sections and harder to get invested in audiolog characters. I think a lot of the other criticisms people have for BatDR's story are very valid, but I also suspect that if BatDR had a more successful theme/central question, then a lot of its flaws would be easier to overlook -- just like BatIM.

[petrichara]

Young adult life can be very isolating if you don’t drink alcohol. The response to that isn’t “okay so drink”, it’s “how can we make our activities more inclusive”

[tommystummy]

“I never thought the leopards would eat my face” says person who spends 90% of their time posting hate in the main tags.

[nymphaeya]

Why yes I'm completely normal about Joel being Grian's go-to guy for hearts. Yes I'm also fine with the fact that Joel admits he would help Grian with anything. Oh? Jimmy got assigned Grian as the person he was going to guide? Ehhh... nothing to think about, I'm neutral

After all, it's only "For the Bad Boys".

[toxintouch]

how do you think the lis would respond if mc sheepishly asked if they could fondle their tiddies? (even mhin, even though i KNOW they'd shank a bitch.)

Here ya go, Anon!! :3 They pronouns & non-specific language/MC used. Suggestive, but no other warnings.

AIS:

Pretends he doesn’t hear them.

“Hmm?”  He holds a hand to his ear, a toothy little smirk on his face, his scarred eyebrow raised.  The way he’s making direct eye contact is an unmistakable challenge.

“You wanna what now, Sparrow?” 

He knows exactly what MC said and they can tell.  He just wants to see if they'll say it again.  They didn’t sound so sure about whatever that request was just now…

His smirk grows when– (if?? But c’mon he’s so clearly saying yes, please) –

His smirk grows when they don’t back down.  He spreads his arms out in invitation, haori splaying open.

He’s patient for as long as he can stand once they get their hands on him but it isn’t long before he finds himself grabbing them by the wrists, pulling them closer.  Pressing his palms against the back of their hands to encourage them to make full, firm contact.  Haven’t they been warned?  He’s awfully greedy.

(And: if he purposely presses their touch against his heart for a moment, no one needs to know but him.)

VERE:

He gives them a blank look– a look unsettlingly similar to his hungry, flat eyed stare.  Though, it’s gone in an instant–so quick they might even be able to convince themself that they imagined it.  One blink and his entire expression is different, his tail swishing elegantly and with a flourish that can only be described as pleased.

“Well,” he purrs, “aren’t you just adorable?  I did tell you to ask next time you wanted to touch…  Very well then.  I’ll reward your ability to follow simple instructions.”  He relaxes luxuriously into the cushions of the divan that he’s resting on.  “Come along, then.  Fondle to your heart's content.  Don’t leave me waiting.”  He beckons to them with a crooked finger, tempting them closer, a haunting echo of their first meeting. 

Survival instincts be damned…he did give them permission…

He breathes a chuckle out as they touch him, his mouth hot against their ear as he buries a grin into their neck.

In the space of another breath, he’s flipped the two of them, leaving them pinned against the divan.

“You didn't think you were getting a single thing for free from me anymore, did you?  Tut tut.  After you treated my generosity so callously before?  From now on, I’ll be expecting payment in kind.  Quid pro quo, darling.”

KURAS:

He looks at them, eyes crinkled with amusement.  “Am I to take it that your interest is academic?  Studying anatomy, perhaps?  I do have a few select texts I could offer you which you might find quite beneficial.”

The embarrassed look on their face seems to amuse him further, the corners of his lips tugging up as he takes in their expression.

“Of course, the benefits of a more hands-on method of scholarship should not be overlooked.”  He takes pity on them, beckoning them over as he takes a seat on the doctor’s stool, right next to the cot where they first met him.  He neatly removes his coat, folding it and laying it to rest beside him.  Despite their fears, he doesn’t start listing out the anatomical names for things as they lay their hands on him.  His eyes slip shut as they rest their hands on his  shoulders–he’s still so tall, even sitting on the low stool–sliding their hands down, admiring the sturdy form and shape of him.

His own hands come up, clutching around their waist with surprising strength.  His eyes are bright and intense as he looks up at them.  They expect him to say something but he merely squeezes them–Possessively?–

Like he might be able to trap them in this moment with him forever, through will alone.

He closes his eyes again; his grip loosens. His self-control back is back in its necessary place, and he finds himself repentant.

“Forgive me.  You are quite endearing.  I simply find you…difficult to resist.”  He admits.

MHIN:

You are so correct anon.  Shanked immediately.  But MC bonks their head into Mhin’s chest on their way to the ground, so…  Achievement Unlocked? Or, for MC’s sake, I’ll assume that they have earned a level of trust/intimacy with Mhin that makes Mhin a lil' less likely to get stabby.

Mhin’s eyebrows furrow as Mhin crosses their arms, physically creating distance between MC and their…

Mhin’s cheeks go a little red as they realize how obvious their body language is, their pale eyes darting to the side as they worry about what other things they’ve accidentally telegraphed to MC. How many of Mhin's true thoughts and feelings are they privy to...?  Shaking themself mentally, they quickly snap out of it, pinning MC with a pointed glare.

“If you value your life at all, you’ll never ask me that again.”  Mhin marches away.  “Staying at the Wet Wick–around Leander–has ruined your brain.  You need to get out of that place while you still have some grey matter left.”

. . .

Later, escorting MC back to said Wet Wick, ducking through the lesser known and narrower streets after a long day of following dead ends together, Mhin finds the thought ruining their own brain.  It must be the heat of MC pressed against them in the alleyway, the comforting, all-consuming scent of them, the memory of MC’s flushed face while they were asking Mhin’s permission...  MC’s much braver than them, Mhin thinks bitterly, so much more willing to let themself have what they want, despite their cursed hands.  Mhin sighs, stopping abruptly.  Turning.  Pinching the bridge of their nose.

“Look–you can–”

Mhin feels themself blushing all the way down to their chest.  They open their mouth and close it a couple of times, attempting to articulate what they want.  They make a noise of aggravated frustration.  Carefully–very carefully, and very slowly, so that MC knows exactly what they are doing, they reach for the bandaged hands at MC’s side.  They rest MC’s hands lightly on their chest, shivering as they feel the brush of fingers against their clothed ribs, thumbs pressing into their sternum.  They bite down a noise that would surely make them perish where they stand.  Stars above, how long since–

“...Does your heart always beat this fast, Mhin?”

“Quiet.”  They snap.

Wow Mhin.  Right there in the alleyway huh?  Well ok then. I see what ur about.

LEANDER:

The two of them are alone in the room at the Wet Wick, just sitting together innocently on the bed when MC asks.

Well–they try to ask.

He hears them start the question and his coat and shirt (and tiddie belt) are coming off before they can even finish.  He gives them a quiet chuckle, blushing as his shirt(s) get caught at his shoulders. 

Though the perfect way it frames his boobs might convince them he did it on purpose…

“You meant skin to skin, right?”  He laughs again, leaning back on his hands and looking entirely too appetizing–is he arching his back a little more than necessary? 

“I don’t mind at all! Though, if you could help me with…”  His eyes crinkle as he smiles at them, head tilted like a puppy, waiting expectantly.

They get up from the bed to help him discard his remaining topmost layers of clothing, standing above him in order to better assist.  His eyes are pinned to theirs the moment the fabric barrier is fully cast aside.  “I…can’t say this is a bad view,” he admits, eyes roving along their form, tongue darting out to wet his lips.  Then, more sincerely: “I’m glad that you asked me for this.  Don’t be afraid to touch, all right?  Nothing bad will happen to me, promise. Remember: whatever you want.”

They find themself feeling along the edges of his scar, tracing the line of it across his pectoral…  His breath catching when they accidentally scratch him a little with their nails (MC is just a little clumsy–that was completely unintentionally, really) is dangerously addictive.

“Ah... Anywhere else you’d like to touch?  It would be a shame to waste this opportunity…”

If they're feeling shy, he could offer a few suggestions.  He really, really wants to help in any way he can. :)

BONUS!ELYON:   “You can, but I will have to charge.”

[quietwingsinthesky]

it ever hit you out of nowhere that castiel is living in a dead guy's body and the show just does not care. it does not care. jimmy novak might as well not exist the moment he or claire is out of sight. cas stole a guy's body and his face and his life, and we can't ever talk about it or discuss it in detail because of how fucking horrifying it is that sam and dean's best friend just walks around in a dead guy suit. there's not even a human soul in there anymore. it's just a corpse. stone-cold body snatcher indeed.

[daily-hanamura]

[bookshelfdreams]

hey do y'all ever think about the fact that Charles probably has told Edwin about being beaten as a child at some point during their 34 years of friendship? And that Edwin likely never found it remarkable enough to ask further questions because back when he was alive, beating children was completely normal

[naamahdarling]

I fucked so much, so good, this weekend that I can literally barely walk. My ankles are stiff, my shins are clicking with every step, and my upper back hurts. My right shoulder and wrist ache, my grip is weak, and one finger (not even one that saw any action) inexplicably is painful to bend to the left and keeps seizing up. My left foot hurts, which isn't surprising considering I broke it a couple months ago, but the right foot and ankle hurt too. I don't know why. My problematically over-tight pelvic floor currently has the structural integrity of an unbaked tear-apart pretzel and the back of my bladder is sore. I feel like a dollar-store Barbie left outside for six years and now the fragile plastic of my hip joints is going to shatter the instant I try to spread my legs.

We went for several hours and when we surfaced I saw this text from my best friend:

Boyfriend is doing better than me, fortunately, because I am demolished.

What I'm getting at is we are two middle-aged trans-masc queers who have not physically transitioned beyond T. Please don't let ANYONE tell you that having a bio-penis you can penetrate with is required to pleasure someone.

[heartslobbf]

hater alert! far too many people say that juri’s character arc ‘isn’t about her being sad about being gay, it’s about being sad about unrequited love that happens to be gay’ and. well. that is not true and by saying that you are completely flattening the brilliance of juri’s character arc which literally culminates in her being able to accept her own lesbianism despite her unrequited love, despite all her shame and self-loathing, despite this pursuit by Some Fucking Guy to try and ‘save’ her from these feelings. like if you think juri’s entire character is just ‘sad about shiori’ how do you appreciate even a modicum of the emotion packed into that final juri duel. it is both about shiori and, even broader, her lesbian identity and what that means to her intrinsically as a person, removed from romantic relationships and just purely as like. you know. Who She Is. the idea that even when juri’s locket is cut from her neck she is still a lesbian that’s still who she is and she cant change that and, crucially, she doesn’t want to even as she is agonised by these feelings. that’s why she forfeits the duel!!!! she’s clocking out she’s quitting she’s saying no!!!!!! this is me and ive got to be ok with that this is me and i can accept that this girl might not love me and i can keep living despite that. like. god im so normal arisugawa juri im so sorry that no one understands you and your intrinsically unapologetically lesbian storyline like i do

[ruvviks]

PLEASE DO NOT TAG AS YOUR OWN OC OR PAIRING.

Nathan and Ruben share a bond more powerful than most; mutual understanding through past experiences no one should ever have to go through, and through past actions so horrible they cannot be spoken of. Their grief and the blood on their hands binds them to the STEM technology they created, which has alienated them from the rest of the world— but they give each other the comfort they have both longed for so desperately for years, and that is all they need. They are each other's counterpart; you cannot imagine one without the other, like two sides of the same coin. Through their pain, their grief, their desire, and their regret, they have become one.

anna akhmatova, the guest // bones; equinox // 'i won't become' by kim jakobsson // agustín gómez-arcos, the carnivorous lamb // by oxy // achilles come down; gang of youths // czeslaw milosz, from 'new and collected poems: 1931-2001' // 'extended ambience portrait from a resonant biostructure' and 'migraine tenfold times ten' by daniel vega // a little death; the neighbourhood // marina tsvetaeva, from 'poem of the end' // by drummnist // katie maria, winter // 'nocturne in black and gold the falling rocket' by james abbott mcneill whistler // micah nemerever, these violent delights // body language; we are fury // 'the penitent' by emil melmoth // chelsea dingman, from 'of those who can't afford to be gentle'

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree