People are leaving some very kind words on that post I made on the depth chart and the significance of tpwbyt ending at the depth it does (tysm!!) so while I do not have a concrete answer on the other depth numbers beyond a basic assumption, I will add two more things
1. The depth chart starts at 914m, with Atlantic.
Dozens of different factors contribute to how deep light can penetrate in water, but by definition the Mesopelagic Zone is specifically the transition between where ~1% of sunlight can still reach the water and where it can no longer be seen at all. It begins at a depth of 200m and ends at 1000m.
In other words, with Atlantic, 914m below the surface of the ocean, Vessel's starting the album already in the absolute last vestiges of where any light from above could possibly reach him.
2. The underwater speed of sound reaches a minimum around that depth as well.
This also varies greatly by composition and conditions but between about 600 and 1200m, with an axis usually depicted at around 1000m, various oceanic conditions align to allow sounds to travel up to several thousands of kilometers with little change before dissipating.
So, if he was singing loud enough, at similar depths you would theoretically still be able to hear Vessel's voice from halfway across the ocean. As could any other creature occupying the same range, provided it has the means to hear it!
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ive got a ton of old* songs i need to try to find again, but im worried that they're basically lost media to me. pretty much all of them are japanese songs, some of them touhou vocal arranges, others just misc stuff from singers/bands i do not know the name of and they are not popular songs at all. (possibly indie?)
the thing is, i do still have them, but they're on my ipod. ideally, i would like to not just have them on my ipod but there's no official way of getting songs from the ipod back to your computer, unless you use 3rd party programs. and im too paranoid of my stuff being wiped forever to use them.
many of these songs were saved to my old computer, even being downloaded from a weird app thing that might not exist anymore so even if i booted up the old thing, i could be unable to access them.
so my only solution is, one day i guess i need to like... plug my ipod into my computer and play the song on my itunes there, while recording my screen with audio capture, and then turn it into an mp3?? theres a LOT of songs, so its going to take me forever, but i guess if i can motivate myself, i'll do it within the next couple weeks/possibly months, knowing me.
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Не моя вина, что ты решила спать в моей постели !
(user @/sneakydraws what the hell have you done to me.)
[ ID: A digital drawing of Andrei Bolkonsky and Anatole Kuragin waist-up. They are engaged in close contact, Andrei facing the left and Anatole facing the right, while Andrei grabs at Anatole's cravat as he is appearing to lean on something. Andrei is coloured in desaturated pink-reds, and Anatole desaturated in yellow-greens. Anatole smiles up at Andrei while he looks down angrily at him. Around them, small sparks of pink and green fly as well as hearts. They are both shaded messily in black, and the background is black. There is a green and pink wiry frame. In the bottom left, white calligraphic text reads, "Poor Andrei". END ID ]
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Do you have an Artfight account? 👀
I do not! :’) I don’t have the stamina to do attacks all the time and I feel like I’d want to do a counterattack for everyone… but I hope werewolves wins
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Like. Folklore came out and absolutely rocked my world, and that album got me all through the summer of 2020 when everything was up in the air and scary and uncertain. The album was my lifeline, one of the few good things it seemed to come out of the “outside” world.
Then Evermore came out and it felt like the perfect sweater weather companion, and I fell even harder and faster for it. Evermore got me through my cat dying and getting laid off the job I worked at for 10 years lol have I mentioned “it’s time to go” made me cry the first time and starting a new job and friends moving away and life moving and being still at once. There were so many songs that grabbed me, but the first time I heard “evermore” at the end of the (standard) album, it just felt like the most perfect bookend. Like a hug, despite the heaviness of the song. The “you were there” at the end of the bridge turned it around and infused the song with hope, like your eyes finally fluttering open after a bad dream, leading to the final, “This pain wouldn’t be forevermore.” The way the song went from the “I had a feeling so peculiar that this pain would be forevermore,” about the the crushing weight of grief and despair swallowing you whole, to the way the clouds lifted at the end of the song about knowing that it was going to get better one way or another. The melody, the harmonies, the story — it just consumed me.
(There’s a reason it’s my blog title.)
To watch Taylor finally sing it on stage was so, so special. And she made it even better and infused so much more meaning into it. I won’t ever get to hear it live myself, but I’m so glad we live in an age where this is going to be recorded and shared. I’m honestly so blown away.
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