#this is only very neat to me but the design!! it's so deliberate i love it

[sang8262]

just some passing thoughts about the default pose/ keyart for every character, and noticing some design choices for JP (obviously, who else would i be talking about in detail)

so this is JP's:

..but it's easier to talk about it after looking at some of the other casts' artworks first

Marisa's is clearly connected to her stage, The Colosseum

the background is a sandy brown and the effects are an eruption of rose petals, which also litter the ground of her stage floor

the shape of the rose petal explosion is also impactful and passionate, almost like a spray of blood. it all fits her character well

then, we have styles like Blanka, which reference the electricity of his attacks. it's also got this hand drawn and comical look to it that work well with his personality.

the blue background is simple: just keeps in line with his overall color palette, so ofc it's going to work well

finally, we have ones like Juri's. more abstract, but you get what kind of emotion they wanted to convey with it. it's miasmic, the black and pink/ purple looks like an evil aura, which fits her perfectly.

her background also has these, action line like smears that suggest movement, or how the lights of the city blur past as you speed on a motorcycle

i could go through the full cast's, but the point is that many of them are quite easy to identity what and why they chose what they did.

Cammy's is in the shape of a triangle: a delta symbol, for Delta Red. Guile's got stripes that are like the US flag, green for military. Kimberly's is basically her spraypaint, AKI has flowers for her 'snake among the flowers' theme. etc etc

which is partially why i couldnt help but look at JP's and be a bit confused at first (prompting this post lol)

the background is more straight forward: the same burgundy, velvet-ish red that's used in his title cards. it's a luxurious color that fits him well

most of the other artworks also have this, vignette effect towards the bottom, so im not surprised that JP's does as well. but his seems emphasized more, making the red look like running blood stains on a wall. regal and sinister, i like it but then the grey paint smear behind him. so far, a lot of the 'effects' use the colors for each character's drive impact. JP's, does not. his in game is a bright, gold-cream white (much like his default costume's cape), that turns into a darker purple, for his psycho power.

but the smear here is a concrete grey, streaked straight down making it look like torn wallpaper. if the velvet red background is his outer appearance- the nice paints that everyone sees on first interaction- then the grey is what it's really like underneath: the cold, uncaring foundations of a building, exposed by being ripped off the canvas

it also runs vertical, giving a very, oppressive look to it compared to if it were horizontal or some other gesture-y smear anyway, just some thoughts about what they might've been trying to evoke with his key art. i like it a lot, even though his pose is just. him standing there lmao. not literally a t-pose, but it's got the t-pose energy yknow what i mean

[lopposting]

translation notes on deleted lines + why translation is truly so important

[long post]

Hello everyone... As I'm sure you've seen, the deleted lines here that were leaked have been a wrecking ball on both this fanbase and my heart!!! (thank you to the users who put that together.)

OKOKOK more translation notes!!! This is a little too out of my level in Korean for me tbh, but I'll try my best to explain my point of view.

기억은 없지만 저 역시 당신의 아들임니다. I may not remember, but I'm still your son.

Pino is using the form Dangshin (당신) here and not father (as in 기억은 없지만 저 역시 아버지의 아들입니다?), probably because he isn't directly talking to Geppetto, and it's a general formal version of "you".

Grammatical notes aside and getting to the main point, this line shows that translation is SO finicky and SO important

This line is such a completely crazy example of how translation can change an entire story; how one word can make something entirely different.

Let's look at that line with the two different interpretations.

기억은 없지만 저 역시 당신의 아들입니다. I may not remember, but I'm still your son.

Alternatively, where 역시 (yeokshi) is interpreted as "TOO":

기억은 없지만 저 역시 당신의 아들입니다. I may not have [his] memories, but I'm your son, too.

Here's the thing... "but I'm still your son, too"...

that "too" changes EVERYTHING. That little three letter word, at the end of that sentence changes everything, and has the power to steer an entire story. Because why would he need to add the "too" modifier if Geppetto only had one single child?

At my level, I cannot say that it's one or the other with 100% certainty. Translation always requires some form of interpretation, and either one is "accurate". But, as you know, a translation being "accurate" is often not even enough. [note: In the process of writing this post, and giving it some thought. I would say that yes, considering the context, the second translation is more accurate (because in this context he is referring to Carlo's memories when he uses the word "역시") ]

Deleted lines are deleted for a reason

Over the many days I've been deliberating over this (lol Lies has taken me heart and mind), I've realized that maybe I've gotten caught up in a bit of survivorship bias. As in, I think I was focusing on the content of the deleted lines, and not that they were deleted in the first place.

[Among other reasons,]

I think these lines were likely deleted because the (almighty gods) Developers wanted to keep it more ambiguous and up to interpretation whether or not P is Carlo. It's a very intriguing choice. That being said, I really appreciate that people shared this so we can see the creative decisions that were even made in the first place.

I'm reminded of Antonia's letter, because I still find it that profound. (she really was the best ;_;) When she sees Pino, she doesn't mention carlo at all to Pino, lady Antonia just treats him exactly as he is.

And her final letter is so touching. Perhaps guessing what complicated emotions Pino might be feeling about his relation to Carlo.. she tells him, not that he is or isn't Carlo, but that

"Whether you are that child or not -"

he is worthy of love and that he is precious.

"Whether you are Carlo or not, You are precious to me."

Director Choi's message on the Special Release Vinyl:

This is from discogs, the quality is hard to read so I've transcribed this portion here.

Lies of P harbors a plethora of concealed enigmas and artful subtleties, and there are no wrong interpretations to them. Piece together the scattered fragments and unravel the puzzle to craft a narrative of what is true to you. ... With sincerest regards, Lies of P Director CHOI JIWON

Seems to directly confirm that some things being left up for interpretation is by design. Very very neat!! I love it!! :)

[dapperrokyuu]

Alright now that I’ve seen the end Slay the Princess, who’s your favorite princess?

Ill do you even better and give you my top 5/the ones Id love to get if I played the game, just to see their sequences in the end and how itd reflect on that version of the player (literally made a list for fun just before you sent this ask, hehe).

Admittedly, a lot of this is informed by aesthetic and then enjoyment of their routes because I came into (watching Manlybadasshero play) the game after some fandom osmosis–thus, understanding I wouldnt have all my thoughts together within one playthrough. So I cant say Ive devoted my satisfactory amount of attention to speak on the princesses’ narrative presence... But I did rewatch their routes and “Thoughts on this vessel?” sections a bit to formulate a stronger opinion. Here we go...! (Buckle in, fellas, haha ha h a…)

1. Adversary/Eye of the Needle

The Adversary and the Eye of the Needle are very hand in hand imo, and I love the progression into a dragon-like appearance for the latter, especially in combination with the cabin becoming akin to a dragon’s den. This (combination of) routes stands out the most to me (as far as Manly has played) because I personally feel its the one where the princess is the most active and engaged. Whether its being beaten to death or running for one’s life, the route was very exciting for me! And it was intriguing how the princess and player felt the most on equal ground because they are both intent on pursuing some objective. Its just that in this case–and this is how this princess exceeds and is an overwhelming presence compared to the player–the princess is set on a choice they dont care to deny and the player is a creature of the habit called “deliberation,” as narrator aside, in-universe reasons aside, the very structure of Slay the Princess has taught you to constantly pause and consider your choices.

It contributes to the tone of the routes so well! Even if you can sit forever in the Outside World, the game progresses like a split second decision and/or that any time given to you is at the princess’s turbulent discretion. In a game where your choices tend to matter most (which, frankly, they do, its kind of the whole point, but you may not know that your choices are what caused this situation yet, lol), the princess seeming to supercede you and the narrative and the concept of death is!!! Powerful and quite something, lol. And poignant, considering *gestures vaguely but particularly at the Narrator*.

Otherwise, I love how theres apparently many more and amusing divergences in this route (that Manly did not showcase) and the ending is pretty cathartic. And to keep this a bit short, yadda yadda, dragon dens is where they store and protect their treasure and in this case, the treasure is fighting you, yadda yadda, as the vessel of growth, the princess’s embracing of the cycle of violence between you two is her latching onto the only avenue of growth she can perceive (as opposed to escaping–since you didnt offer that option prior–and dying since thats tend to be the stop to the concept of growth), yadda yadda- 

2. Spectre

This princess’s voicework is probably my favorite! The whispering under the regular voice acting is just really neat, doing a great job setting a tone of something delicate, chilling, and unnerving. The princess’s design shifts between cute and scary very well too! Her personality is probably my fave overall; while her “thoughts on this vessel?” section highlights her embodying kindness and understanding, they only exist to an extent that is fair. Which is, well. Fair. And I think it extra emphasizes the understanding aspect, with how the princess is aware of her circumstances and the injustices that have occurred yet is willing to let bygones be bygones. Shes coy, sincere, and pragmatically deadly, which is a full spectrum of delight for me!

The moment that really gets me regarding her character is when you say youre gonna leave her. Other decisions lead you to working together or demonstrating you have no intention to with some form of violence–both resulting in the Spectre just responding fairly. But the “leave” option truly shows that the Spectre doesnt/never intends to act out in malice, since Spectre responds out of desperation to avoid perpetual loneliness, pain, and emptiness. Theres an aspect of “fairness” here too (youre abandoning and hurting her more after having murdered her), but the choice comes after a breakdown and deliberation as opposed to an immediate retaliation. Even then, Spectre laments that she didnt want things to be this way but youve made her worse. Other stand out moments are when Spectre goes, “Youre funny when youre confused. But I didnt give you permission to touch me,” and the player’s moment of patheticness, lol. 

This route really hints onto the meta aspects of Slay the Princess too, which is neat! The whole “want to end the world” convo, Spectre just wanting to go home, reality being what is in front of us vs. static truth/objectivity, whether destruction being one thing leading into another vs. the same thing reborn, glass on the floor, and the narrator being like Spectre as a memory of a person…I dont have much to say here currently–still need to ponder, itd be a whole other conversation, Im a bit tired, lol–but its tons of food for thought that I enjoy! Yay, Spectre!

3. Prisoner

Fun fact: this is a rewriting of the extreme word vomit that was me lamenting over how I was kind of confused about the Prisoner but chose her for the sake of a 5th (note the placing change) and then discovering the absolute genius she is!!! Basically, my only exposure to the Prisoner I had was Manly’s recent playthrough, which contained (what Ill call) the Chained Together variation and didnt even have her “thoughts on this vessel?” section due to the game going into the final sequence immediately after. The Prisoner’s section in that final sequence befuddled me because I couldnt connect much other than a theme of “inevitable change,” and even when I dug up the Prisoner’s “thoughts on this vessel?” elsewhere, I couldnt put it all together…until I watched (what Ill call) the Head Trophy variation in the middle of my initial writeup.

Regarding what I enjoyed prior to recognizing genius, I really enjoyed how the Prisoner conducted herself–her curtness and resignation was very unique. Her form was created as a result of the player cutting off her arm, instilling a matter of fact-ness to her that allows her to slit the player’s throat later (got this from the Wiki, Manly didnt show this part). Upon waking up once again chained and chained even more, I interpreted the cleverness aspect from the Prisoner’s “thoughts on this vessel?” section as being able to come to terms with her situation, play along, and bid her time in hopes that her patience (that she emphasizes) would eventually reward her. After all, the Prisoner was willing to pretend she and the player met for the first time until the player prompts otherwise, even saying they dropped “playing the game”--very meta of her! Thus, I interpreted the Prisoner as the princess completely embodying/accepting her role in the game; she couldnt leave when she defied her role last time, so she was fine continuing to wait this time. As a character who realized they were a character and systematically changed their behavior to attempt a new avenue of escape, I thought that was the extent of the Prisoner’s cleverness and was satisfied…enough.

AND I WAS WRONG. DELIGHTFULLY WRONG. I assumed the Prisoner was completely fine with her potentially only means of escape becoming not one, since she didnt seem upset or disappointed. Which was frankly incorrect, as her rude curtness is a result of her being miffed with you. Why? Because her cleverness actually alludes to the fact she had a plan for escape the entire time, and you utterly fucked it up! Which, tbf, she shouldve shown more reaction than curiosity to dissuade the player, but I digress- During the Head Trophy variation, you realize that the Prisoner had a plan this entire time to deceive the Narrator and she succeeds so well because she also got me and got the player. How often do I get got? It was amazing! From the stare as the Prisoner takes the knife away from the player, to the smile before That All Happens, to the wink as it occurs and after, it may speak to an underestimation thats set up due to the Prisoner’s appearance and behavior, but reflecting on all the signs that She Planned This dismantles that perception and reaffirms that the Prisoner is a person with depth beyond what you expect from her and those in her role. As I viewed the Prisoner as a caricature of the princess’s role in the first place (the whole point is that the Prisoner is exactly like the princess in appearance except the chained/locked up aspect is exaggerated), this route is so striking for me with its interrogation of victimhood, how victims are treated/viewed, and how that may be unintentionally stripped of their personhood and reduced (into a caricature of solely “a victim”). The Prisoner puts it quite nicely when the player attacks and she “suddenly” has a ton of fight in her, stating, “Im not a damsel to be helplessly murdered!” …Im not sure if I put it into words the best, but I hope this is understandable. To top off the topic of Prisoner’s cleverness, its a neat detail (I dont know if this is intentional) that the Prisoner does the opposite of what her prior princess form did: the player cut her arm to free her last time, she cut herself out this time and the player “died” the last time, she “died” this time. Beyond recognizing there was a Narrator beyond them she should fool, the Prisoner also reasoned that since having the player kill her is likely not favorable, dying by her own hand might just be fine! The Head Trophy variation is just more poignant when you note that her “thoughts on this vessel?” section talks about how the Prisoner protected herself when others could not but for her plan to work, she has to put complete faith in another.

As 1000% better the Head Trophy variation is in the Prisoner’s route, I do have a soft spot for the Chained Together variation since, from both the Prisoner and the Narrator’s perspective, it must be a hilarious emotional rollercoaster. The Prisoner’s plan failed and shes now stuck with the loser who made it so…for potentially forever! The Narrator probably oscillates between an uneasy concession that while both gods are not dead, they are locked up forever and an utter dread that things may fall apart at any time and thus, the world is practically doomed with no way to change that. The Prisoner doesnt have to decapitate herself, which makes her freedom extra cathartic in the relief she likely felt and didnt expect…and also extra sad in how she found it was nothing but cold and is quickly taken away. Theres also something to be said about how the player joins the princess in her perspective by chaining himself up and that they both inform each other’s perspective, leading to their escape together: (1) since the princess isnt starving to death, the player also doesnt, which is a surprise to the Voices and (2) the player showing up again signaled that change is indeed possible to the princess, perhaps causing the ability for the world to erode around them. Maybe the latter is the Voices informing the player, causing the change…? But I like to think its the initial thought since the cabin could and shouldve have eroded prior to the player’s arrival, assuming the Prisoner understands the concept of erosion…which, I assume she does- Anyways, the route is as emotional as it is kind of wacky, which is up my alley!

4. Witch

This princess is the one I enjoy the most aesthetically. Im a sucker for both witches and cats, what can I say? The allusion to the fable The Scorpion and the Frog really tickles me, and ultimately, whatever decisions made in this chapter are some form of hilarious. Whether we’re both dying on the floor with broken backs or handing a blade to someone who immediately stabs you, its great. I do enjoy the progression into the Thorn chapter, especially with the immediate regret from the Witch and the following reconciliation in Thorn’s chapter, but Thorn is not as funny and aesthetically pleasing as Witch princess for me, which is why she is not here, haha.

Her “Thoughts on this vessel?” section adds a lot of depth to her, since the way the Witch presents herself is very superficial and guarded. Particularly the statement about the Witch making for a “righteous” heart, in combination with her ability to just slip out of her chains. She couldve freed herself at any time, but chose to stay and confront you. Which I feel speaks to the bitterness aspect, as the Witch feels its only “right” to pursue an answer to her pain–whether it be the player’s penance or punishment. The game’s thoughts on bitterness are made even more poignant when you realize the Witch’s ends are either death (hers and/or yours) or a transformation into another state.

5. Tower

This route is just incredibly cool in how she takes over the narrator and the little divergences of the narration’s phrasing to be in her perspective in the voiceover. The progression into that route was amusing for me to think about because I think the shift of perspective that transforms the princess boils down to either “the princess had the might of a god to have defeated you,” “your sudden stop during the fight was a blessing from god to the princess,” and/or “your sudden stop was because your recognized the value of the princess’s life as larger than your own (‘larger than life,’ referring to her bigger form as the Tower and godhood itself).” The Tower calling you disappointing is funny, but what also sticks out is how she said she wanted company before turning into the Tower. Even as the Tower with the ability to just free herself, she chose to wait for you because thats what she wanted, and I think that plays on the relational idea of “What is a god without a believer?” since she’s willing to have the player as a priest or pet, lol.

How this route differs from the Adversary route is interesting, as the Tower is indeed also an overwhelming presence whose decisions matter more than yours not because her single minded relentless pursuit of it but because of the power to overwrite yours. Its a twist on the player’s and princess’s roles until now, but instead of making them equal like in the Adversary, the roles were reversed on who decides and who is forcefully changed as a result of that decision. Of course, you cant take the ability to choose from us, as a player completely, but its about the best you can do, I imagine. And not to mention the “defiling” aspect when you slay the Tower, dragging her down from godhood to an equal (humanity?) or perhaps her original state of someone who responds to your decision as usual… I think this route connects deeply to the meta aspect of Slay the Princess, since this state is where the princess is closest to the “concept of change” and the concept of their true self as a god. It makes the “thoughts on this vessel?” section very poignant because change in itself is indeed a constantly dominant, terrifying, and arguably divine force in its inevitability.

Honorable Mention to...the Damsel!

I really like the deconstruction of her concept, but that also means I feel that liking her is completely counterintuitive to that very deconstruction, lol. Her route is very straightforward in what it does, but it kind of has to be. Meaning it does what it set out to do very well.

This took a bit and is so much more than you asked for, so thank you for your patience and acceptance. Im just bonkers and bananas, so if I have it partially done, I might as well go all the way instead of going in depth on only one, lol. It was a fun exercise in pondering deeper about the princesses and dipping my toes in the ~meta~, but I will also readily say that Im not at all nearly deep enough into Slay the Princess as a whole to be confident on my takes, so this may have just been a session of Talking Out Of My Booty. Nonetheless, I hope this was enjoyable and thank you for prompting me to think about it! The order of the princesses changed throughout this answer, and it may be fun to guess what order they were written in, lol. Id love to hear about your fave/faves if youre interested in sharing as well~! And please, have a lovely day too!!! c:

[amyreads]

I had some questions if that's alright with you.

1. What inspires your characters appearance and sense of fashion? All of your characters have such great character designs.

2. Would you say there's a difference in genre between what you like to read and what you like to write or is it the same?

3. And last but not least, what are your favorite genre of IFs to play? Is there a specific genre or type of ro/trope you enjoy?

Of course! I love these kinds of questions! Long post warning!

1. What inspires your characters appearance and sense of fashion? All of your characters have such great character designs.

Thank you so much! I worked really hard to get them to fit a vibe that felt perfect for me. I really wanted them to be fashion-forward since a lot of being fame and being visible is being on top of trends. Characters like G have stylists so G is very trendy. The characters are also very expressive not only with their music but their clothes. None of the characters are very shy when it comes to their sense of fashion was is exciting because I love describing outfits. I know some authors find it tedious and 'amateur' which I kinda see why since it's a bit juvenile but I love love love it.

For G, I was inspired by 80s rockstars with long curly hair as well as Cher in the 70s haha I knew I wanted G to have a very prominent detail and it's their long (straight, in their case) black hair. G's tattoos are sort of a mark of their growth as an artist. When they first started, they were essentially 'pure' in the sense that they had no tats and were very young. As they grew older, the tats also grew in number. Touched by fame. SO poetic /j G is very flamboyant and they are very experimental/adventurous with their clothes.

This goes for Victoria. As a model and actress, she's very fashion forward. She prefers dresses over pants and that's kind of her brand haha ! Her red hair and the fact that her stage name ends in Valentine made red her brand, and she takes advantage of that. Branding is very important for her and G, so it helps when you have that *thing* that reminds people of you.

For Seven, the infamous (lol) bandana was something that just came to me. I also wanted Seven to have a "staple" look and I just think it looks cool! Again, it's very reminiscent of the old age rock stars. If Seven were a cartoon character, the outfit they wore at the party (industrial shirt/red and black striped undershirt) would be their "everyday outfit" I think. It really shows their personality; Seven's oversized, messy look reflects them in a way. The fact that it looks deliberately disheveled but Seven worked hours to look good is very telling of who they are. Seven likes to pretend they don't care but we all know that's not the truth!

August has a very calming quality to them. Very grounding. In a story where the ROs are all messes, August's penchant for silence and calm shines. Their colors are a nice brown, green, beige. Very neutral and low-key. They wear a lot of sweaters and cardigans and linen pants because it's comfortable and cozy. Their clothes reflect their personality the most. Kinda reminds me of pajamas in a way!

Orion is pretty self explanatory. While everyone else considers BOTB and everything an outlet for their creativity, Orion sees it for what it is: a job. He dresses professionally to set him apart from the band and everyone else. He's there to work. He's very clean-cut, and very neat so it shines in his clothes.

Seb is well, I wanted Seb to be very unassuming and just normal hahaha. Everyone else dresses really stylishly and I wanted Seb to be really low-key. It's obvious he has no desire to be in the spotlight and that shows with his plain, basic clothing.

2. Would you say there's a difference in genre between what you like to read and what you like to write or is it the same?

Hm, up until recently I used to only read fantasy. I think one of my first if games was Choice of Rebels, among a few others. Writing fantasy is what helped build up my skill. All I've ever wanted to be was a fantasy author until one day...I just started hating it. I hated writing fantasy. I LOVE LOVE reading it, but I hate writing fantasy. I don't know why. I think it's because I fail to convince myself. My suspension of disbelief is very strict when it comes to my own writing, while another writer can convince me of anything in fiction so as long as it makes a lick of sense. It's weird!

I still love fantasy as a reader but I don't think I could ever write it. I do want to try one day though!

I'm more strictly slice-of-life nowadays, aside from Body Double. I think it's easier for me. I love romcoms. I love romance, which hasn't changed. I find it funny that I'm not very romantic in real life but romance is like a baseline requirement for me in stories.

One thing that stays the same is that I love angst. Reading and writing it. I don't like fluff, it makes me cringe. (There will be fluff in Infamous aha). I don't like power fantasies or any of that. Ah, I don't know!

3. And last but not least, what are your favorite genre of IFs to play? Is there a specific genre or type of ro/trope you enjoy?

I'll read anything! I don't have a favorite, I don't think, but I do love urban/modern fantasy. A mixture of slice-of-life and fantasy is the sweet spot for me.

Specific type of RO I like are the emotionally unavailable/closed off ones or the mean ones haha. I do not like easy romances. I like working for it and I think when an RO doesn't want my character it makes it so much more fun and the payoff is so much more satisfying. I need yearning...longing. I need slow burn!

I know there are readers who like playing games where the MC is important loved but I'm not a fan. I like my MC being a regular person that's treated accordingly depending on the character and the story. I don't want my MC to get special treatment or to be powerful just because they're the MC. It has to make sense to me. For me, the ROs should have a greater purpose that goes beyond just romancing the MC.

I get a lot of flak for making the MC an underdog in infamous, but MC is not meant to be the most important person in the room at the start of the story. They need to earn it, which I think feels better.

My favorite RO from any IF game is Nash so <3 I guess that says it all hahah

I hope you liked my answers! This was really fun for me lolol

[muninnhuginn]

So, going to link a couple of things before I start with this.

Firstly, the new MV for the Vortex/Overthink/Tides medley which is going to form the basis of my observations.

Secondly, this post, which makes a strong argument that Link Click is deliberately drawing from other time travel media. In this case, the 2002 version of The Time Machine. Also, a fun fact not mentioned in the linked post, but that I recently discovered is that the name of the girlfriend the time traveller is constantly trying to save is *Emma*.

Now that I've linked these two, I just want to say that this rest of this post is me having fun and I would love for these to be deliberate references, but let's be real, a lot of time travel media understandably shares a lot of visual language. Hourglasses, butterflies, and clocks are all fairly recurrent themes.

Click the read more for a mix of potential references to other time travel media and screenshots of specific details of the new MV I found interesting:

Left: Link Click (note the photo reel design). Right: Doctor Who (specifically one of the intros for the Twelfth Doctor)

And to add to the photography aesthetic present throughout, the photo reel clock resolves itself into a camera lens:

Next, we have a main character centred within a clock. In both cases, the character casts multiple shadows that resemble clock hands.

Left: Link Click. Right: Steins;Gate

The shot where Qiao Ling is stood still amongst a moving crowd is neat for two reasons. First, the people she's surrounded by seem to be those related to the cases CXS/LG have taken on. You can see Emma just behind in the above screenshot. And the other thing is that the first time this sequence plays the moving characters are too blurry to easily make out. When the sequence reverses however, and the lyrics speak of "pausing" the scene actually freezes with all the characters clear for a tiny bit. (I didn't screenshot purely because it was a pain to get the exact moment but you can check this if you want)

Upper left: Link Click. Upper right: Higurashi Gou/Sotsu. Bottom: Steins;Gate 0.

Next up: fragments! This one is honestly a real stretch, but hey, there are at least two other time travel adjacent shows that use them as visuals in their openings. I would really like the use to be similar to in Higurashi (the example screenshot is from the anime sequel Gou/Sotsu but the sea of fragments is present in the og too). In Higurashi, each time "loop" is actually an alternate timeline (wherein events would differ slightly even without intervention) and so each fragment represents another timeline. For Steins;Gate, it's more a visual that exists purely in the opening sequence to play into the whole shattered clocks aesthetic.

Left: Link Click. Right: Steins;Gate.

This one is inspired by me watching the opening only to go "Okabe Rintaro????" when Qian Jin showed up. But also. We can clearly see some of Qian Jin's scars in this shot. There appears to be one on the back of his neck and two over his left shoulder. These have to be relevant and obviously his eye colour has me side-eyeing but I don't think we have all the pieces for this character yet. (Him being a former cop with a connection to both of our focus cop characters though makes me think)

And a final one with generic anime trope no 58382929:

Left: Link Click. Right: Steins;Gate

I know, I know. This is typical anime/donghua. But! It's deliberately a shot in Steins;Gate that returns again and again throughout the series. It's also very associated with the character of Mayuri so take that as you will.

Bonus whatever this is:

Multiple Cheng Xiaoshis in different states of doing badly. I wonder if the centremost one is the one Lu Guang appeared to be thinking of in episode 1? Possibly another "fragments" situation or if not then it may be various things Cheng Xiaoshi will go through in this season

Anyway, the Steins;Gate opening visually has a lot of similarities and of course a lot of it is natural overlap because they're both time travel series. And they both draw inspiration from The Time Machine (especially Steins;Gate's sequel, Steins;Gate 0). But I find it pretty neat how all these series from different times and places do have these recurring themes.

[healerelowen]

Okay, so I just finished watching a play-through of Poppy Playtime chapter 3 and um

I have a lot of thoughts/pos

Btw, I don't support MobGames or anything in that nature. I just like the game for the story and cool characters.

Rant under the cut + Spoiler warning

My first thought is I love this chapter. I do enjoy the story telling while still being able to add more horrifying visuals that still are realistic in the world of the game. Especially with the whole 'dream hallucination' thing, which allows them to get creative.

Second, CatNap is so cool. I think he only says one line of dialogue and it's pretty hit or miss depending on whether or not you're listening. But that's why I liked Huggy Wuggy so much as an antagonist in Chapter 1. Huggy doesn't say a single word yet still manages to be perceived as threatening. CatNap is similar, in which he doesn't say much because he doesn't need to. Also purple cat, cool heckin design.

Another thing I like about CatNap is that people knew he was going to be the antagonist, he was always seen as a threat prior to the release of Chapter 3, but in the moment of seeing him in action, it pulls the rug from right under you. And I think that's really neat and it does a lot to establish how terrifying CatNap actually is.

Who the heck is Ollie. I mean, I don't hate him, and the name does ring a bell. But I'm not sure if I can recall an Ollie anywhere in the Poppy Playtime story pre-Chapter 3. Maybe it was in Project playtime somewhere and I missed it. But yeah, mysterious character I guess.

Umm, didn't really like Miss Delight that much. I mean, she works in the narrative of having a school at the PlayCare and the whole Bigger Bodies Initiative and what not. But I feel like she could've been more provoked or maybe get a little more of her character. Though there is more than one according to the tape showing The Hour of Joy, so that's probably the reason. It's fine I guess, I just want to see less filler characters going forward, if any at all. Some fleshing out of formerly introduced characters would be interesting.

Dogday, man. It honestly makes me feel so bad for him. Like, from what we can gather from what he says, the Smiling Critters all collectively agreed that the Prototype wasn't really okay with them. And CatNap, seeing that as protest, either did what he did to Dogday or potentially worse to them, or even maybe just straight up killed them. And that's so sad to think about. Also his whole bit actually unnerved me quite a bit. Usually I'm not disturbed with stuff from Poppy playtime (i.e what happened to Mommy Long Legs in Chapter 2), but that was the first time I got an uncomfortable feeling in my stomach.

One hell of a final fight holy shit. CatNap just going full out truly shows that he knows what he's doing, he knows who you are, and we don't have any other mention that CatNap has done that with any other Playtime Co. employee. It's very deliberate, and I like it. Also his death is brutal. All of them are, and Dogday definitely got the worst of it, but holy shit man. Looks like Huggy, if he is dead, got a more merciful death.

I mean, yeah he fell after hitting a bunch of pipes, but also we don't know if he's dead or not. Mommy Long Legs had a pretty gruesome death, being grinded up alive by a machine while knowing that if you die you'll become a part of presumably the Prototype is quite the troublesome death. I already talked about Dogday and how disturbed I was with his technical death. CatNap's was surprising, because it wasn't an 'if he was going to die', it was a 'how he was going to die'. And um, yeah being electrocuted, set ablaze, burnt to a crisp then stabbed in through the mouth by the Prototype will do it. Though I would like to see more of CatNap and Mommy Long Legs in future chapters, they're definitely my favorites.

Kissy Missy, oh my lord. The sounds of her screams from above the lift was so upsetting. I love Kissy Missy, please don't let her be doomed by the narrative please I'm begging I can't take the emotional turmoil.

Those are most of my main thoughts, though I will say more if people want to hear me talk about Poppy Playtime some more.

[nettleshuttle]

I'm gonna ask for a character too! Who?

My girl Akiza! :)

ooh very gladly, one portion of thoughts on aki coming right up! (disclaimer: i’ve watched up to 80 eps of 5ds until now, so that’s the scope of my opinions)

how i feel about this character: if my tumblr layout wasn’t enough of a hint, i really love aki. she’s definitely the best love interest in ygo, both in terms of my personal favs (though asuka and yuzu are neat too) and, like, objectively (as in best written, most complex). she’s got some great tropes in her character, fantastic intro and development and her relationship with yusei makes me tear up at every duel they play. also her design and deck make-up are just >>>

all the people i ship romantically with this character: yusei. i’m so glad this is a canon ship because this content brings me undue amounts of happiness. the start of their relation was what particularly hit me, with their initial duel and the one in the hospital, then how he consoled her after the whole thing with divine, taught her to ride a d-wheel (built one for her??) — yusei’s as precious as can be and she deserved someone like that so bad. as an optional no. 2 in this short list i’d put sherry — their ship appeals to me far less, but, y’know, lesbians on motorcycles. i’m a weak human sometimes.

non-romantic OTP: hmm. actually, i feel like aki has little to no relationships apart the one with yusei — she was deliberately isolated from others by divine, then when he died yusei seems to be the only one she really trusts. crow and jack appear really distant from her, although they are friendly towards one another — it struck me when crow specifically mentioned how aki hangs out with the signers not so frequently and i just get the impression she doesn’t fully consider them as her friends. i’d put sherry here because they’d have a nice vibe also as besties on motorcycles and also maybe rua and ruka? aki taking care of them is really nice and though, of course, they won’t be her friends the way a person her age would be, it’s still a good relationship.

unpopular opinion about this character: i wrote that i like the make-up of her deck, so, to clarify: black rose dragon is just great and the overall aesthetic of the cards fits her perfectly, but the way it’s constructed, game-wise, is absolutely garbage. why does she have a plant based deck and plant effects for a non-plant ace? why are her best tuners suited to a different star rating than 7? why does she not have cards that would alleviate black rose’s self destruction? i play rose dragons in duel links and it makes me just livid how stupidly this all was planned out because it doesn’t make sense even with adjustments that konami introduced later — and, consequently, they’re making her play some really bad duels in the show. i mean, she could be so damn strong if they admitted her some properly designed cards? i get that she’s one of the more powerful love interests anyway, but, come on, asuka could have gotten a playable deck and not aki?

also idk if that’s unpopular, but i want to say it: she’s probably the only character in the whole series whose psychic powers feel justified and make sense. they have more downsides than anything else, but they’re still ironed out into a real strength in the end, they add a lot to character, her personality is built accordingly, everything clicks together.

one thing i wish would happen/had happened with this character in canon: apart from giving her a better deck and a chance to kick some ass with that? definitely a better ending to her relationship with divine. yeah, he was a toxic, manipulative bastard who fucked her up bad in the head, but he was the single most important person in her life for so long (if not forever, before yusei) that randomly killing him off feels so unsatisfying. let her defeat him in a duel? let her break free of him on her own? the guy caused her so much trauma, she should have had the chance to overcome that (and him) on her own, instead of such a bland resolution.

[acaplaya-musings]

Voiceplay-adjacent Visuals: The Headless Horseman

As IF I, a certfied Geoff Castellucci Stan, wasn't going to talk about any of his solo cover videos! I'm not gonna talk about all of them (though I can be tempted into doing more if there are ones I skipped that you want me to talk about!), maybe only like 45% of them or so, including all four of his Halloween uploads - the first of which is what we're starting off with!

Geoff's cover of The Headless Horseman was uploaded on the 11th of October, 2020, and is actually only Geoff's third song cover uploaded on his channel (after Bare Necessities and Blackbird). The song is from the 1949 Disney film The Adventures of Ichabod and Mr Toad, which is actually two stories in one: the first being about Mr Toad (an animated adaptation of The Wind In The Willows), and the second being about Ichabod (an animated adaptation of The Legend Of Sleepy Hollow, a story which Geoff actually did a full narration of on his channel back in October last year), and the latter is of course the section that this song stems from. But enough background info for the time being; let's get into this!

Neat set design, very spooky! Apparently this was filmed at Geoff's parents' house, and this is what he had to say about it in the description: "I filmed this at my folks house... IS ANYONE ELSE TERRIFIED THAT THEY JUST HAD ALL THIS STUFF LYING AROUND?! I mean... i thought I knew those people. My life is a lie..." 😂😂

(Well I guess having a love for Halloween and spooky stuff is apparently a genetic trait for the Castelluccis! 😁)

*deep evil laughter*

(Geoff does evil/creepy laughter in a fair few videos across the two channels - he seems awfully comfortable doing it! 😝)

Also cool ghostly fade-in effect for "Lead Singer Geoff" here!

Geoff had fun with the visual effects for this one, as I shall further display in this post!

There are only 3 frames of motion blur between the two frames here, but it absolutely works. Just enough to make it look deliberate and as if he/his character actually moved from point A to point B super quickly.

"and some with fangs, about this size!"

(You would know a thing or two about long fangs, wouldn't ya, Geoff? 😉)

Won't post a screencap because I can't get a good one, but the little moment with floating pumpkin face thing is pretty neat (on the line "when he goes a joggin, 'cross the land, holding his noggin in his hand, demons take one look and groan, and hit the road for parts unknown")

"well that was unexpected"

(Frankly, a little bit of a mild reaction to three disembodied heads suddenly singing backup for you, but I guess it can't be much weirder than having them there in the first place! 😆)

(Also the Disembodied Geoff Heads having their hair be tied/pulled back made a lot more sense after I watched Golden Hour (which I say a little bit about in the post for that video as well).

Geoff assured people in the description that "no Geoff's had their hair cut for this performance" 😄

(Oh and I know I'm not meant to talk about vocals, but I feel like I'd be doing the video a disservice if I didn't mention the clever detail of how the Geoff Heads only sing in "head voice" for the song!)

Now this was a really cool/creative visual effect. No clue what it's called or how to describe it really, but it further makes him seem like a ghost/phantom/spirit in this video

Pfft, what're you reading there, Geoff? 😂

(Also I just spotted the necklace!)

Is it just me or does Geoff have a thing for making his eyes look different in videos, whether with contacts or post-production effects? 😄

(Quite frankly if there's any video that proves that Geoff's not actually human, it's this one /j 😝)

"You cannot reason, with aaaaaa h e e e a a d d l e e s s s s

m a a a a n n n n"

Amazing, fantastic, always such a fun cover to listen to, we stan forever!

In the movie, the song is sung by the character of Brom Bones, who is voiced by Bing Crosby (who also serves as the narrator for both stories in the movie), but the soundtrack/album version of the song was sung by a dude by the name of Thurl Ravenscroft, whom you might know as the original voice of Tony the Tiger (the Frosted Flakes mascot), as well as the original singer of the song "You're A Mean One, Mr Grinch". Thurl was a fairly notable bass singer back in the day and is one of Geoff's idols/inspirations, and honestly, I think Geoff did the guy proud. In fact I would even say that Geoff is the modern-day equivalent of Thurl Ravenscroft! And I just can't get enough <3

[lundgreenmccann85]

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[el-im]

i think generally in terms of visuals enterprise is trek's sweet spot, while i love the slight campness of 90's trek ent just has something about it that makes it feel really believable. the makeup costume and set design is great and the effects are just right, impressive but not over the top.

from what i've seen discovery just looks very overproduced, it's so huge and glossy. i actually kinda liked the ferengi redesign but was pretty mad about the klingon one, i think it's good that they're trying not to code them as brown/black anymore but the actual dimensions of the prosthetics should have stayed as they were

agreed !!! i've always thought enterprise was an overlooked/underappreciated show in terms of their alien presentation, especially in terms of some of the mechanical elements they included in their makeup (the moving antenna of the andorians installed as a headpiece under their prosthesis--i'm lookin at you).

the... vastness of disco seems a little overwhelming to me. i understand there's a lot of appeal in showing the great expansiveness of the ships/how sleek they are but... boy if those cramped ent nx-01 quarters won't always remain near and dear to my heart...

and i tend to agree--while the disco work is very technically proficient from a makeup standpoint, it doesn't... scream.. klingon to me. which--again--i know is something deliberately done to link the tos-era and tng era klingons but... !

anyhow--it's so funny to hear you mention that about the coding--while i'm aware of the issues people have spoken about with klingon representation as black/brown, i've always found (as a japanese person) that my first impression of the klingons (albeit--in tos) was seeing them as a stand-in for a post-war american view of japanese cultural phenomena. sort of reminds me of armin shimerman talking about how people ask him if he finds the ferangi to be an offensive jewish stereotype...

“In America, people ask ‘Do the Ferengi represent Jews?’ In England, they ask ‘Do the Ferengi represent the Irish?’ In Australia, they ask if the Ferengi represent the Chinese,” Shimerman said. “The Ferengi represent the outcast… it’s the person who lives among us that we don’t fully understand.”

it's only tangentially related, but i've always thought it was neat to see how different cultural biases/experiences inform the common and personal analyses of trek media. the notion of 'other' is represented in such diverse ways that it calls so many historical analogies to the table. how neat to think there's so many appraisals of these species--how incredible that they were created with intentions so nebulous that they might never be clear!

[tratserenoyreve]

Some people speculate that Ralsei is actually a drawing made by Kris of themselves as a Monster (the green crayon missing and Ralsei having pink horns). What's ur opinion on this? I personally like it because it makes the situation extra "oof" and I love suffering

that’s a neat concept, tho while my conclusion leads to the same thing my belief is instead that ralsei’s light-world item is the red horn headband kris used to wear! couple things support this one, which is why i lean into it most:

- toriel bringing up the headband and wondering where it went when it was so dear to kris is such an interestingly specific bit of dialogue in chapter one.

- if we follow my theory that text in parenthesis is more personal mental narration from kris, kris’s response to looking at the mirror in chapter two reads heavily of body dysmorphia or dissociation. (it could arguably also be kris making a pointed remark about how they are now very aware of Your presence, and the mixing up between people referring to themself as you or “You”.)

- ralsei’s horns and eyes are pink! this is such a cute and yet odd detail, as we know the dreemurr family’s horns are all white, so to have differently colored horns is deliberate on ralsei.

- now, this one had me screaming and shouting, and i’m hesitant to put full weight into it because it is technically fanart but like. there is an art piece by guest character designer kanotynes (who made the designs used for spade kingdom, lancer, king, etc) of kris susie lancer and ralsei and… ralsei is wearing the red horn headband for his horns. this art piece was made before the release of chapter two.

and since we know from ralsei and other assorted darkners that they exist to serve and likely act as wish fulfilment for lightners, ralsei being an embodiment of kris’s childhood desire to fit in with their family is very likely and in-line with the game’s storytelling. ralsei is kind and seeks to appease to a fault. perhaps kris, not just resenting being human but being disliked as they are, not only wished to be a monster like the family they love but may have even thought once about the idea of the dreemurrs instead having the “perfect kid”, instead of this troubled and rowdy and imperfect human being.

because, going by implications of the room ralsei makes for kris, how it copies asriel’s only now all the trophies and stars belong to kris, how people in town are less interested in kris themself and more in knowing how asriel is, because everyone loves asriel, it would make complete sense for kris, who already seems unhappy with existing as they are, to imagine someone “better” than them to take their place. someone who everyone would love, sweet and friendly, a perfect monster kid to fit in with a loving monster family. (which sounds like asriel, which sounds like a reality where kris is not, which sounds like an unhappy wish to have made)

but, kris is not like that, and being faced with that idea of what you are Not in person must be. a lot.

[sepublic]

Through the Looking Glass Ruins!!!!!

         …

         SO! Onto other things first…

         WRATH IS BRAXAS’ FATHER!??!!? HOLY SHIT, Wrath is a canonical dad, I’d always expressed my… OH MY GOD WRATH IS DAD! And of BRAXAS, that sweetie… How is Braxas such a sweetie with a father like HIM, also-

         Wrath was in casual wear? Either he has a day off, or he got fired by Belos/Kikimora after drawing Luz a map to Eda in Young Blood, Old Souls! Either way this guy has a sudden new level of NUANCE that I am reeling from, and yes I checked, that really is Wrath according to the credits! Dang this puts everything in a WHOLE new light…!

         AMITY HAIR OHMIGOD IT LOOKS SO ADORABLE SHE’S SELF-ACTUALIZING I AM FUCKING SCREAMING HOLY SHIT OH MY GOD!!! OH MY GOD OH MY GOD, it’s PINK and not green… They acknowledged it, Emira did! And they CHANGED IT I AM LOSING MY FUCKING MIND OVER THIS-

         She looks so BEAUTIFUL and I love the kind of foreshadowing with the bookends of our first shot of Amity having her hair down, and now it’s changed! And she looks adorable and EMIRA AND EDRIC BEING GREAT SIBLINGS I LOVE IT SO MUCH! This… THIS is everything I wanted! I was resigned to not much of them but HELL YEAH they’re being good siblings and we get a look at their rooms, we see them doing MAKEOVERS together this is everything from my favorite fanon content and MORE,

         Also Edric has a date?! Emira says ‘their’ mom… Unless the Golden Guard has a mom, DARN! Not gonna lie, I half-expected a big twist at the end that Edric was dating the Golden Guard, who was doing some sort of reconnaissance as his unrecognized normal self and/or screwing around with the Blights even further, but in a GENUINE sense… But then who knows Kikimora could be posing as GG’s ‘mom’, this is a stretch anyhow-

         JUST HELL YEAH Blight Twins! Blight Twins being sweet and mischievous and supportive of each other, Blight SIBLINGS being siblings, Emira being an older sister and giving advice! And AMITY, Amity mentioning how much Luz has changed stuff, I love that they acknowledge it openly how her life has completely shifted, and now… NOW…!

         No necklace! Red leggings! PINK HAIR?! Is this why Amity in the intro hasn’t been updated yet… She was getting TWO updates, so the animators decided to only animate a change after this final update?!

         King and Gus are also friends it seems, and they even recorded some fun together! I’m surprised at how much Bria and the others mock Gus’ illusion skills… Obviously Belos is kinda terrible but like; I don’t think he’d set aside an entire subset of magic into Illusions without reason! Also that nightmare trip… I LOVE IT, I love Gus applying the creativity of illusions in their ability to completely warp and distort someone’s sense of reality! And I called that dragon-thing being an illusion!

         A graveyard… I wonder if the Gallderstones (is that how it’s spelled) have any relevance or if they’re just neat? I hope Mattholomule and Gus help hide the Looking Glass Graveyard… Damn, that’s another Death reference with Gus, huh! Is it culminating in his respect for the dead, or will it continue further with Gus being a necromancer, or an Oracle who can commune with the deceased, and he has their respect as someone who treats them properly?!

         Also not to get dark but… What if all those Illusionists are dead because of Belos? I’m JUST SAYING…! And not gonna lie, every time someone insulted Illusions, I kept imagining the Illusion Head just suddenly waking up and feeling like there’s a disturbance in the force, as well as a weird compulsion to beat up some Glandus kids. It’d be even funnier if he had beef with the Construction, Plant, and Abomination Heads as well!

         Speaking of which, more confirmation on Construction Magic being related to earth! Glad to see Bria give us a look into that, which furthers my idea of Belos using construction magic… Also dang, Bria and the Glandus Kids really are the parallels/foils to the Detention kids! You’ve got the short ‘nice’ girl, the tall lanky kid, the furry… But the Glandus Kids start off looking nice and cool, but turn out to be rather nasty!

         Meanwhile the Detention Kids seem like bad news and delinquents, but no! They’re just demonized and actually very kind and chill! The Detention Kids are looked down upon, the Glandus Kids are appraised… The Detention Kids are dual-track, the Glandus Kids are singular; Glandus Kids from, well, GLANDUS, Detention Kids from Hexside… One’s ‘mischief’ is actually very neat and cool, the other’s is literal grave robbing.

         I guess that’s how the bleeding statues got past the censors- It’s technically just an illusion! Also more insight into how Glandus works with its Survival of the Fittest mentality, I wonder if we’ll get confirmation on which coven heads came from there, how that might influence them as adults…

         What is Glandus like, is it more whole-heartedly accepting of Belos’ rule, hence its harsh ideals? Was it made after Hexside? Does Bump hate it for being so cruel like that, or is it just school bias? And dang poor Mattholomule, I always had a feeling he sort of felt and knew that he wasn’t much, so he accepted and compensated by deliberately doing whatever he can for power…

         They confirmed he’s from Glandus, and I appreciate this new look at him! This new leaf turned… Hot take but he’s honestly not as bad as Boscha, his stint with Gus was a one-time thing that Gus was able to live with! And that seems pretty good to set them up as friends! Speaking of Boscha, Willow was injured by pixies? And the last time we heard of pixies, they belonged to Boscha and caused the school to get shut down… Did BOSCHA DO THIS I SWEAR SHE IS DEAD TO ME-

         (Also she’s mentioned in the credits for this episode but I don’t remember hearing her? I might’ve gotten distracted with so much other things.)

         Gus! I like the insight into his relationship with Illusions, and I appreciate how he’s considering other forms of magic… But this hesitation might just serve to reaffirm his believe in Illusions, which is okay! It’s all about choice… And yeah, it seems Gus also has a case of impostor syndrome like King, no wonder they get along so well! I love the glimpses into Gus’ house and the confirmation that he has a library card, no Perry though alas…!

         I appreciate how Gus feels overlooked, like he has no real substance, which is how his Illusions reflect a desire to draw attention, but also the idea that there’s nothing real beneath them… Again, very much like King! And Gus, he’s not a powerhouse like the rest, he’s SKILLED and smart, but strength isn’t his forte, it’s not brute force he operates on, but cleverness! Trickery, I like it…! It’s a nice callback to his last A-plot episode, SVSF, where instead of fighting Mattholomule physically, Gus’ solution is to think outside the box and pull the alarm!

         You go kid, not relying on brute strength but showing that some clever tricks and thinking are just as valid! Kinda wonder if this episode is lowkey a discussion on masculinity for young boys, especially with Gus growing older with puberty, though the latter is mostly because his actual VA grew… But maybe the writers rolled with that and incorporated it, or it’s just a very neat coincidence! Also, it is me or did Mattholomule’s voice change? And the gag that Gavin’s dad looks identical to him, even moreso because he’s NOT supposed to have a moustache… That’s great!

         Malphas! Love this reference to a classic demon, I wasn’t sure if Malphas was the librarian with glasses whom I’ve always headcanoned as a father figure to Amity… But maybe it’s actually this bird dude! He seems adept in Bard magic, and I love the reveal of his true crow appearance… Guess those theorists were right that the one-eyed figure is from the Forbidden Stacks! Also Malphas NOT COOL with Amity, but I’m glad Luz changed his mind, and I wonder how that adventure looked…

         Which- DAMN, the RSD with Luz! She looks so UTTERLY BROKEN when Amity mentions doing stupid things, and she didn’t mean it like that, but Luz just looks so completely shattered and you can tell she wants to cry but instead she bottles it up and tries to take it in stride, and that plays into her trying to overcompensate for her mistakes AGAIN… SOMEONE GET IT TO HER HEAD that she doesn’t need to! I’m scared for Luz, and I was SO scared this episode would end on a bad note…

         BUT DOAHLDdFAEONDKFHN LUMITY KISS LUMITY KISS! ONE-SIDED BUT THEY FINALLY FUCKING KNOW AND AMITY IS LIKE WHAAAAT AND I WAS WAITING FOR IT AND I COULD FEEL IT HAPPEN AND GAY KISS! GAY KISS ON-SCREEN!!! And the way Luz just FLOPS to the ground on her knees AAHJJFFKHGGK and no Alador nor Odalia to ruin this, UTTERLY PERFECT and the twins WATCHING OOOHHHHGGGG YYYEEAAAAHHH-

         This is EVERYTHING I ever wanted!

         What an AMAZING episode with wonderful characer beats and reveals! Again, Amity’s growth as a character, that brief insight into how Luz as a person is very chaotic and sometimes frustrating for Amity and forces her to reevaluate, but ultimately it’s good and Luz DOES try her best, and Amity clearly wanted to make things up for Luz and apologize, they’re BOTH doing things, just the little moments!

         Also, Alex Lawther voices Philip Wittebane! He has long hair and a vaguely british accent, he’s… He’s Belos isn’t he? And they got a new VA because having him voiced by Matthew Rhys would be really spoiler-y right? He’s got the long hair and he’s a nerd… And with how he talks of finding a way back home, maybe Belos really DOES just want to return home, after all? He talks of making a way back home…

         And we see a glimpse of the Portal, so it might’ve brought him there? Or did Philip succeed in making it, and that was his blueprint designs? Did he arrive by Titan’s Blood? What happened to the portal if it brought him there, or if he made it? Why the scar, why near Eda’s house, partially buried?

         Was it lost before he could finish his work, and Philip got side-tracked into something else… Perhaps going on a crusade, on behalf of a curse/demon that possessed him? A demon that killed King’s father…? Was the portal broken and he had to discard it, but then it naturally healed- Or did it just need to recharge, maybe Philip DID make it back home, WHAT IS THE ANSWER?! Is there some sort of doppelganger for Philip, is BELOS his doppelganger?! What is THIS WHAT-

         WHAT AN EPISODE!

[synthaphone]

I want to know how you feel aboutt all the pokemon bears (teddiursa/ursaring/ursaluna, beartic, pangoro... ive forgotten all of their names. bears!)

alRIGHT LETS GO lets see how many i remember

teddiursa: nice cute and simple teddy bear design. i like the moon marking on the face a lot, and i also love the old dumpy gold and silver sprites, they have a real charm to them

ursaring: tbh this ones kinda boring to me but i dont actively dislike it or anything. its a perfectly functional normal type bear. the big round tail is an element where i cant decide if its weird in a fun way or if its weird in an awkward design way

ursaluna: oh hell yeah now THIS is bear. i love how the dirt on its face both serves as clouds over the moon marking, and also funny eyebrows. love that its quadrupedal too, we needed a good quadrupedal bear. oh fuck i just realized its the only one. (unless you count stufful) damn!

spinda: love this thing. its honestly probably not enough of a bear to be on here but fuck it i love it its going here. i think they should come in even more colors; give gamefreak even more of a challenge

cubchoo: this thing’s cute enough! i like that the head is blue- the snots kinda weird and i dont love it but i can deal. i caught a shiny one in a horde battle in gen 6 when i was staying at my grandmas house in florida; it was very exciting. for some reason i feel like these things would smell like soap… maybe thats why the snot doesnt bother me much, my brain is like ‘this is actually a soap creature’

beartic: sorry beartic. i do not like you. the idea of the snot having frozen into a beard works well enough for me designwise but it being shaped like a mountain… its just not appealing to me. rip. pinhead larry

pancham: ok i dont think about it that often but i really like this one. i went through a phase where i was drawing it all the time back in 2014 or so and its just an expressive little guy with a fun design

pangoro: YEAAAA COOL BADASS this thing rules, i love its jacket and its eyespot eyes and its personality. i had a shiny one in X from a friend safari that i named Ana Ng after the. tmbg song because i was thinking about tmbg at the time. i kept trying to use her in competitive battles, but i suck at them so it didnt go great- i still remember her fondly though.

stufful: its cute! i like it. i think the animations really make it for me. real powermove for them to make a deliberately cute stuffed animal pokemon and then be like ‘it HATES to be hugged’

bewear: yea this guy is fun too. i think its dex entries really make it, like Ah this is the guy that KILLS you

kubfu: its alright i guess. i dont love it but i dont hate it.

urshifu: i like its face better than kubfus- its fine. i prefer rapid strike style, i think. neither of them nor kubfu really feel like legendaries to me though. ah well neat enough bear

[dreamii-yume]

So, in the event, Rook has shown that he just carries rope with him. You may do whatever you wish with that information 👀

This was an ask from a few...weeks ago? I don’t remember exactly how long this was sitting in my inbox because I was waiting for the perfect time to answer it (//∇//)

Rook had been a very kind and helpful senior to you this year. You’ll be lying if you say that you didn’t think he was a bit strange like the others, but he has that certain charm in him that makes it difficult for you to complete look away from his direction. Besides, it got to the point where you just got used to him and even thought his actions were somehow entertaining...If you were the spectator, rather than the target that is.

Rook is a very doting person as well, you are by no means an exception to this peculiarity of his. He’ll appear when you least expected it, often startling you out of your skin just by a mere greeting alone. He would always talk to you as if he’s reciting a poem ever so often, making you think that you may or may not have completely lost his point here, it’s almost like he’s talking in a different language. He always acts like this towards you, and to everyone else as well, you could never know what he’s thinking or what he wants in the first place. Part of you just thought that he may just have been built differently than others, but then again, Rook is an elusive individual to begin with so everything could all be an act in the first place.

Long store short; you were both fascinated and terrified of this man.

But as strange and conflicting your relationship with Rook is, you still respected the guy as your senior to some extent. Say what you want about the the Pomefiore Vice Dorm Leader but you can’t deny his wide range of capabilities. When you are at a lost for things that you think you can’t do, he was the one who provided you with the advices and help that you needed during those times. Before you knew it, you had already owe him in many ways and yet, Rook had never once asked for anything in return.

“Worry not, mon petite chérie. For I am only doing of what I must.” He would say to you as an excuse, often filling you with guilt sometimes. Especially whenever he would ever so gently pat your head, chuckling to himself as he towers down upon you. “Seeing the beauty in your smile is enough to make my own heart flutter in happiness. Oui, believe me when I say that it’s that marvelous.”

Huh...So, people who accepts things like that as payment still exists in this time and age too. Forgive yourself from being too suspicious of his behavior though, you just don’t think a single smile is worth all that trouble but you guessed this was just another “agree-to-disagree” kind of situation. Who knows? The two of you did grew up in two different upbringings. Or quite literally, two different worlds.

Anyways, although you respected his choices after all this time, you thought it was just common sense to at least provide him with a simple gift in his birthday. You saw how everyone else such as Epel, Vil, and Trey were preparing their own gifts, so you don’t think he’ll be able to reject yours this time. You made your way through the Pomefiore lounge where the party was being held, but was unable to see a single glimpse of your peculiar senior around. It was a lively party and he may be busy with the other dorm residents, so you felt a bit out of place and proceeded to ask people you personally knew about his whereabouts.

“Rook? I was talking to him earlier but now, I have no idea where he went.” Vil said with a sigh as he crossed his arms. “That guy is as elusive as always, even I wouldn’t know exactly what’s running through that mind of his. It puts me in an unsettling position actually.”

“But it’s his birthday for goodness sake, he’s the main protagonist of the day. He should be the one to at least entertain the guest out here, not hiding in plain shadows, seriously.” You laughed nervously as Vil ranted in irritation, huffing by the end. He then glanced at you and soon took notice of the gift you’re holding. “If that gift is for him then, just leave it at his room. It’s unlocked, I believe. We stacked the other gifts he got earlier there too so it wouldn’t clog up the lounge.”

“O-Oh, is that so...Thank you very much.” Thus, ended your conversation with the Dorm Leader with a bow, watching as he walked away saying how Epel had been consuming way too much sugar for the night. With no more leads to follow, you chose to go with Vil’s suggestion and headed out to his room, still at a lost for where your senior could be.

It was true, the moment you spotted the room and turned the doorknob around, it easily spun open. “...Pardon my intrusion...” You slowly said as you took a peak before entering, unsure if anyone was actually inside. There was no one, just some elagant room design as expected with the Pomefiore dorm, with neat furnitures decorated all around. You could feel your own heart cry when you compare to your own dorm which trademark lies within the ghost residents.

You felt slightly anxious, it was your first time visiting his room like this so you couldn’t help but to gawk at some things you’ve never seen before. This was your chance to explore another man’s room, albeit only for a few seconds and by the looks of it, it really hits different that of Ace or Deuce. It has the exact same smell as Rook and the sense of familiarity was somehow calming, probably because you’re so used to being in close proximity with him now. His belongings were all well-organized, the books are neatly stacked on the bookshelves, along with some...questionable collection of bows and arrows stuck on the wall. You also noticed a spare hat and a single telescope lying on his desk, you could ask what it was for, but you preferred to keep the question for yourself.

You shook your head eventually, quickly but carefully prancing inside to place your gift on his desk. Finally, your quest has been conquered, although looking around, the other presents that Vil mentioned was nowhere to be found. Maybe he has them already opened and kept at a certain storage of some sort? Anyways, that wasn’t your problem now, you did what you needed to do, it was your time to bounce out of this room, feeling as if you’re invading too much of his personal privacy. Rook did told you that he never liked that in a person.

...Until, something else caught your eye.

You stopped, eyes blinking repeatedly at the slight tear in the wallpaper near his bed. There was something hidden inside, no, it doesn’t seem like it’s trying to hide at all. It was deliberately placed in a place like that for everyone to see. So, like a cat overwhelmed by curiosity, you stepped close to inspect it, even going as far as stepping on the neatly draped bed sheets of his to get a closer look.

“Eh...?” It was a mass of pictures of almost everything and everyone you can think of upon coming to this school. It was stuck inside the wall like a collection of some sort and it took you a while to actually get what all of this meant. “There’s so many pictures...Pfft...!”

You ended up laughing at yourself for feeling so tense, you honestly felt stupid for the amount of suspense you gave yourself. Of course, this was definitely something that Rook Hunt will do, what did you think it was going to be? Sure, it is creepy to think that someone is keeping tabs at everyone and everything through photography but this is just normal in this school. At least, to those who knew Rook to some extent, it’s not really a big deal nowadays, especially at this school. Anyways, you calmed your laughter down and stared back at the pictures to actually admire them as despite it all, every one of them are all well-taken.

Humming throughout your exploration, you thought it would be interesting to see if you could spot yourself in one of these photos. You looked around and at first, it was tough since you weren’t anywhere in the photos that the wallpaper could reveal but after a while you found a glimpse of your own face at the very edge. However, the tear in the wallpaper stops there so it filled you with disappointment to not be able to see the photo he took of you. “That’s a bummer...” You pouted slightly.

However, combined with overwhelming curiosity, your mischievous side couldn’t help but to come out. You peaked through the small hole inside the wallpaper and confirmed that there is more, as you expected Rook would have, just not visible from your angle. You didn’t want to damage anything but you carefully slipped your fingers in the small opening, trying to get a better look of the picture. You were mainly trying to shine light on them, just a little bit more and you could make out of its content. It got your heart pumping somehow, eager to see what kind of photo you were in.

“Bonjour~”

Screaming almost immediately due to panic and shock, you made the mistake of instinctively gripping his wallpaper tight, dragging them down completely by accident. You turned around, face flushed and clutched your chest as your heart beats so fast that it feels like it could jump out at any moment. “R-Ro-Rook-san!?” You stammered out, your butt hitting the bed while your legs shook. “W-Wha-When...!?”

Rook only gave out a chuckle as you frantically try to calm your nerves, which was nearly impossible after the stunt that he just pulled. You knew he loved doing this and to think you’d be used to it by now, but this one felt so different than the other times you were startled by him. He was so close to you with that greeting, too close in fact. Just where the hell does he keep coming from, you didn’t even hear a single sound from your surroundings. Rook stood straight before glancing over at the mess you had realized you made when his expression turned that of worry.

You were still gripping onto the ruined wallpaper at this point so, you gasped and quickly turned around, preparing for any damage you may have caused. However, at that moment, you stopped once your eyes had finally caught what kind of picture were inside those wallpapers all along.

“Aah...To think mon chére fleur herself would be the one to unravel my collection! How embarrassing~!” Rook said, placing a hand on his slowly heating up his cheeks. He bats an eye to your direction, looking all embarrassed as you stared, unblinking at his work. He soon smirked and chuckled darkly, leaning in closer to you from behind, in which you shivered at. “...But how does it look in your perspective? Aren’t they all beautiful?”

Yes, they were harmless pictures, that’s all there is supposed to be on it. But these pictures striked a nerve in you, one such that you didn’t know could cause this much wave of alarming fear in your body.

They were harmless but they were not normal in the slightest. For almost all of what the wallpaper had revealed was all about you, and only you that it makes you sick to the stomach. Everything that you remember doing in your daily routine had been taken into consideration, from a picture of you yawning as you wake up in the morning, to a picture of you sleeping peacefully at night. Pictures of you seemingly eating, walking, talking, everything that you’ve been doing is pasted on the same wall before you, all taken in such high resolution. If that wasn’t enough, even a few photos of you in the nude was in there, bathing and changing, you unconsciously wrapped your hands around yourself as goosebumps quickly formed.

Rook had literally been watching your every movements, documenting your life with a camera and capturing everything, including things that hits way too close. Deeply disturbed, your eyes tried to glance everywhere but the pictures, only to find no escape to them. Some pictures had even been tampered with before taking the shot, like that one photo where his hands shows his hands deliberately spreading your legs for the camera as you slept. You shivered, unconsciously thinking about that other one where it was your breasts that was fully out for the world to see and oh, god...That one with your sleeping face covered with a suspicious white liquid, you almost gagged at the mental image.

“...W-What is this...” You slowly looked up at Rook with fear in your eyes, trembling like a leaf as the same guy looked down upon you with a chilling smile. It was honestly too nauseating that you instinctively brought a hand to your mouth, just in case something does come out.

“Beauty, my Love.” Rook purred closer to you, his eyes brimming with desire. “Your beauty.”

He caught your chin in a gentle yet tight grip. “I had it preserve in a memory that I would forever see. Just keeping them in my mind alone was not enough.” He said, closing in on you on his bed, preventing any possible escape routes. “...For I am a greedy man.”

And with that, you found yourself in his bind, pinning you down on the bed with your hands on each side of your head. “Now...The reason why you invaded my sanctuary was...?” Rook asked but he was not expecting you to answer at all. Instead, his eyes glanced to the side, eyeing the gift you left on his desk. “...Ah, of course. Vil must’ve given you permission to hand your gift in.”

You were as stiff as a rock, too tense to even act and move. The hands on your wrists doesn’t seem too tight but a feeling in your gut screams at you to not even try if you didn’t want to get hurt. You were left gulping down your own nervousness as Rook turned back to you with the same smile. “Merci. I’ll be sure to treasure whatever you have given me.” He whispered as he leaned closer, giving you a delicate kiss on the temple in which you squeaked at. “...But nonetheless, you trespassed on someone else’s territory, petite proie. A predator’s territory, on top of that.”

“I-I’m sor-“

“Non, an apology is not what I need. Someone as beautiful as you should not make that kind face.” Rook cuts you off, before suggestively licking his lips. He sat up, confident enough to let go of your wrist, knowing fully well that you wouldn’t have the guts to push him off. He straddled above your stomach, which left you confused and wary to wonder what he was planning to do. However, looking back at him, your eyes widened in caution as he suddenly pulled out a long and thick rope, one that would certainly burn your skin if you struggle too much. Where in the hell did he... “Lift your head up high and reap what you have sowed. That is the beauty that can justify your crimes.”

“Now...” You breathe heavily as he tightened his hold on the rope, biting his lip eagerly. You can’t even imagine how much he has planned inside his head. It made you visit the terrifying possibility that he was ready for this moment from the very beginning, curiated and planned. Your heart drops at the thought, if that is really the case, then...Just how much? How much further into the future did he plan exactly? “Allow me to indulge myself to this fine opportunity you gave me, beloved Trickster.

“...A fine opportunity, indeed. Beautifully so.”

Allow Yume to flex on her non-existing French skills along with her companion, Google Translate. i sincerely apologize to any French Darlings out there yume did not attend a single French class in her life lol

Someone teach me French so I can write more things about this sexy bitch.

[amphibious-entity]

TMBS Book 1 Brain Dump

~An Embarrassingly Long Post~

I don’t know why I’m writing this or why I’m so determined to do it. Maybe to finally assume my true form and become a mega dork on main, or maybe just for fun!

This is basically a compilation of all the main points running through my head after reading The Mysterious Benedict Society (2007) for the first time. Rather than posting a ton and spamming the tag, everything’s here in one neat package! (hopefully this gets it all out of my system rip)

Contents:

The Book Itself

The Book Itself, for real this time

The Characters

A Funny Parallel

The S.Q. Section

Lines & Scenes I Liked

Spoilers abound!

The Book Itself

Upon acquiring the first three books (don’t judge me pls), I was surprised at just how long they are. Like, they’re still pretty light being paperbacks and all, but these books are hefty lads.

The first book has this Disney+ Original Series circle thing printed on it, which is kind of unfortunate. Regardless, I love the cover illustration and yellow is actually my favorite color :D It made me weirdly quite happy whenever I saw the book lying around in my room

Also, it’s really cute how there’s a letter from Mr. Benedict at the end! (It only reveals that you can find out his first name if you “know the code”, meaning the bit of Morse printed below the summary on the back.) Shock and horror, though, as I realized I’m starting to recognize some of the letters

The Book Itself, for real this time

It’s wonderful how the tone of the book really shone through to the show adaptation. Something about the deliberateness of the aesthetic, from the set designs to the fashion to scene compositions, that really sells that particular style— like it’s very clear that this story is being told to us, rather than one we’re seeing unfold, if that makes sense.

Where that narration style stood out to me the most was the first chapter. We are told (rather than shown) how Reynie gets himself to the point of the second test, and there’s this whole twisty time maneuver for that whole sequence of events that’s really interesting

A super secret fun fact about me is that I wanted to be a writer when I was younger! So this particular balance of show vs. tell is really neat, since it runs counter to my own tendencies. The sheer amount of commas in every sentence is also kind of comforting, since Ahah, I Do That in those few serious-ish attempts at writing lol

Overall this book’s style reminds me a lot of Roald Dahl’s books, which are very nostalgic for me :D The whole “kids are more competent than adults” angle helps a lot too haha

The Characters

Oh boy here’s where I get a little bit critical! Overall I did really like this book!! it’s just that that expresses itself in all this weird “”analysis”” lol

Reynie - much better in the books than in the show

It’s sort of a lukewarm take but I feel like show!Reynie is kind of boring? He doesn’t have a lot going on flaw-wise, and obviously since he’s the protagonist he can’t have too many weird traits or else the kids watching can’t project themselves onto him as easily

(I call it the difference between an aspirational protagonist and a vessel protagonist. Going off of the Roald Dahl vibes, think Matilda vs Charlie. show!Reynie is more of a Charlie)

Thus when we get to see him really struggle with the Whisperer and doubt himself it gives him a lot more dimension, at least in my opinion

It is a federal crime that the white knight scenes were not adapted into the show

Sticky - my son

I’ve long held to no one besides myself and my long suffering sister that Sticky is The Best Member of the Society

He happened to hit a lot of the Bingo squares of Stuff I Like In Characters: glasses, anxious, nice :), kind of a coward but ultimately is there for his friends, etc

For some reason I don’t talk about him nearly as much as you-know-who, but I love him just as dearly

Kate & Constance - I don’t have much to say

Kate is really interesting in this book! I like how we get to see more of her depths, in particular that one passage about her belief that she is invincible being the only thing that keeps her from falling apart? :c

Also her constant fidgeting is relatable lol

Constance is somehow a lot more tolerable in the book. I think I’m just one of those people with no patience for small children, unfortunately lol

(Some of) The Adults

It’s interesting that they had such an offscreen presence for most of the book. Giving them more time was probably one of the stronger changes of the show

However if that decision was made at the expense of the white knight scenes I think the choice should have been clear

I like the way Rhonda and Number Two are written

Milligan always on sad boy hours 😔✊

The “mill again” passage is touching but kind of messes up the pacing of the getaway, at least for me. Maybe I should read it again to make sure I didn’t miss something

Miss Perumal is much better in the show. We see so little of her in the book she doesn’t function well as an emotional anchor for Reynie, imo

The Institute Gang

Jackson and Jillson serve their purpose well, and Martina was surprising to say the least. I like the direction they took her in the show! I can’t imagine how funny it must have been to watch the tetherball subplot come out of nowhere lolol

These sections were written out of sequence, so random tidbit I couldn’t fit in The S.Q. Section: I like how he stumbles over his words. relatable

Mr. Curtain

While I think I know why they decided to not give Curtain the wheelchair in the show, we were totally robbed of Actor Tony Hale’s performance for the reveal during the final confrontation

Speaking of the wheelchair, it’s such a powerful symbol of his need for control or rather, his fear of losing it

The Contrast between him and Mr. Benedict. This point is expanded on in A Funny Parallel

Mr. Benedict

Oh boy, Mr. Benedict… How do I say this

I find it hard to trust Mr. Benedict, unfortunately

I mean to say, I do in the sense that I know he would never hurt the kids, thanks to knowing that a) this is a children’s book series and b) the meta (tumblr) states that he is really nice and lovable and stuff, but seriously. Why do the kids trust him at first?? I probably missed something somewhere

I like to think I’m an optimistic person, but unfortunately I’m also super paranoid. The premise of “a bunch of vulnerable orphans team up with a strange old man” is just so odd to me I don’t know how to explain it

I don’t know!!! I really want to trust Mr. Benedict

One of the strengths of the show is that we get to see him more often, and thus he gets to acknowledge more often that the plan is weird and that he feels really badly for putting the kids in danger and that he’s trustworthy and genuine

But his lack of presence for most of the book just makes him into something of a specter, invisible and unknowable, speaking only in riddles from across the bay

Which is why the white knight scene is so important!! I loved that scene ;-;

Because here’s an actual emotional connection! We can actually see it happening, rather than only being told that it exists

Reynie asking for advice and receiving encouragement, in words that demonstrate that Mr. Benedict actually cares about him and worries about him and agghh

It is a federal crime that the white knight scenes were not adapted into the show

But overall this whole issue didn’t ruin my enjoyment of the book at all! It’s just ->

A Funny Parallel

Okay, ready for my biggest brain, hottest take ever??

Mr. Benedict and Mr. Curtain…. are… the same

I mean obviously not entirely, given that one is benevolent and kind and the other is… Mr. Curtain

But seriously. Genius old man seeks out children (mainly orphans) to enact a plan. Said children often end up incredibly devoted to his cause and deeply admire him this is a little flimsy

Undoubtedly that’s intentional and is supposed to show the difference between them, like some kind of cautionary tale? “Let yourself be vulnerable and let others help you, lest you turn eeeeviiillll”

I guess that’s where the aforementioned epic contrast comes in. You get Mr. Curtain, strapped into his wheelchair and hiding behind those mirrored sunglasses, terrified (but unwilling to admit it) of ever showing the tiniest hint of vulnerability, vs. Mr. Benedict, who can let himself fall knowing that someone will catch him :’)

Anyhow I have nothing against the parallels, I just think it’s funny

The S.Q. Section

The S.Q. Quarantine Thread so it doesn’t leak out everywhere else <3

I’d like to meet the emo angstlord genius who read this book and decided to make SQ into Dr. Curtain’s son. What in the world

Okay I should probably preface this by saying that I absolutely adore both book!S.Q. and show!SQ with all my heart. Somehow, despite being a completely different character in both mediums, he has managed to be one of the best characters in either and certainly one of my favorites (besides Sticky of course) in the entire franchise, despite the fact that I’ve only read the first book/watched the show so far. I am confident in this statement.

But seriously! How?? Why?? I could probably write a whole other essay about why show!SQ is such an interesting character, and the change works so incredibly well. I’m just. Baffled

Okay, focus. book!S.Q. is such a sweetheart, oh my goodness. Like, 100% one of the most endearing characters in the book. Poor guy. I don’t even know where to start!!

He just seems to be a genuinely good guy at heart, despite being technically one of the bad guys. He’s genuinely happy for Reynie and Sticky when they became Messengers and helped Kate when she “fell” and was concerned about Constance when she looked sick and how he was in that meeting with Mr. Curtain and Martina?!!? aaahhhhghgh ;-; he just wants people to be happy TT-TT

Comparing him against literally every character at the Institute is probably what makes him so endearing tbh. When everyone else is so awful to the kids, it really makes him stand out. Like a cheerful little nightlight in the worst, most humid and rank bathroom you’ve ever been in

It’s kind of pointless to theorize about a book series that’s already concluded (I think?) but. Is the implication of S.Q.’s forgetfulness supposed to be that Mr. Curtain used him in brainsweeping experiments somehow? The timeline probably definitely absolutely doesn’t line up but like. How did he get to being a Messenger being the way he is now, given how cutthroat the process is? And then of course Mr. Curtain keeps him around as an Executive because he’s fun to mess with and presumably his loyalty. I’m very curious as to how their relationship develops in the other books, if at all. Those are probably where the seeds of the “let’s make them family” logic were planted

But wouldn’t it be hilarious if the reason we don’t know what “S.Q.” stands for in the books is that he just. Forgot

Another thing that occurred to me. Given that he and the other Executives were Messengers at some point, what were their worst fears? What is S.Q.’s worst fear?? Inquiring minds need to know

One last horrible little anecdote: I was thinking about book!S.Q. while eating breakfast, as one does, and suddenly it hit me.

I want to believe The Author Trenton Lee Stewart had the name for a character, S.Q. Pedalian, and was like, “Hm! What sort of quirky trait should this young fellow have?” Because, of course, in this style of fiction every character has to have at least one cartoonish or otherwise distinguishing trait to stand out in the minds of children. (For instance, Kate has her bucket, Sticky has his glasses, Constance is angry, and Reynie is Emmett from the Lego Movie)

Anyhow, he looks around the room, searching for inspiration. Suddenly he comes across a jumbo box of plastic wrap. Completely innocuous in design, save for one line of text. 300 SQ FT.

“…large… S.Q. …feet? THAT’S IT!” i’m sorry

Lines & Scenes I Liked

In no particular order!

Sticky quotes Sun Tzu, The Art of War

Evil combination aerobics/square dancing in the gym with the Executives

Everyone being happy at the end :’)

Everyone partying after Sticky reunites with his parents, and later finding Mr. Benedict asleep at his desk from the moment they shook hands :’’)

Literally any scene with Sticky in it

Any time Kate says “you boys” or “gosh”

[“Um, sir?” S.Q. said timidly, raising his hand. “A thought just occurred to me.” / Mr. Curtain raised his eyebrows. “That’s remarkable, S.Q. What is it?”] clown prince of my heart </3

S.Q.’s determined monologue about searching for clues after he bungled up the first time

Literally any scene with S.Q. in it (please refer to The S.Q. Section)

Reynie trying to resist the Whisperer.

[Let us begin. / First let me polish my spectacles, Reynie thought. / Let us begin. / Not without my bucket, Reynie insisted. He heard Mr. Curtain muttering behind him. / Let us begin, let us begin, let us begin. / Rules and schools are tools for fools, Reynie thought.]

NO MORE HURTIN’ WITH CURTAIN

Milligan showing up on the island!!

Remember the white knight hhhhhh

“controle”

A Super Secret Bonus Section

I would be extremely surprised if anyone read through all the way down here lol. Regardless, here’s a little acknowledgements section :D not tagging anyone since I don’t want to bother all of these people

Special shoutout to tumblr blog stonetowns for unknowingly yet singlehandedly demolishing my reluctance to read the books by posting a ton of cute quotes. Thank you for your service o7

Thanks to the two OGs that liked the post I made right before this one, for being my unwitting enablers and for sticking around despite being a) technically an internet stranger (hello!) and b) someone I haven’t spoken to irl in literal years (hey!!)

Last but not least thankz 2 my sister for putting up with me ranting about the book when I first got it and for asking about “CQ” sometimes lol. (i desperately hope you’re not reading this orz)

[fabdante]

Not to keep on with this but right so I made a post about Vergil and Bernini  and in that post I mentioned what art works and pieces I think represent the other parts of the DmC trio, Kat and Dante. And I just wanted to follow up on that with more focused posts because yall have no idea, I’m very into this whole thing.

First up: Dante

So Dante I go into a good deal in the Baroque essay already so some of this is a rehashing but I just wanted to go more in depth about Dante and Caravaggio’s Davids. 

(David and Goliath, 1599)

(David with the Head of Goliath, 1607)

(David with the Head of Goliath, 1610)

More about Dante, Caravaggio, and especially that last David under the cut! This one got a little long.

Ok so first things first, like discussed in the Baroque essay, Dante is Baroque and the game is based around Caravaggio’s Baroque to a point where many of his paintings are directly referenced. That last David in particular is referenced directly in the game. See below:

so I’m not really saying anything the game hasn’t really done itself here. Dante is the main character, he is represented by Baroque and Caravaggio. That’s his vibe, that’s the parallel. And it’s a very intentional one I mean in Talexi’s art book he discusses picking Caravaggio as an influence and the overlap between Dante’s whole deal and Caravaggio’s own. But I’m like really into Caravaggio’s David’s and want to talk about that and the neat way this plays with Dante’s whole deal so, let’s do it.

To quickly summarize Caravaggio and the background of his last David: Caravaggio was an angry guy who worked in Rome during the Baroque period until he killed a guy for Reasons (probably a bet, possibly a woman, possibly a tennis match or something, probably the bet). He gets kicked out of Rome, does some stuff (joins a knighthood? at some point then leaves the knighthood?), gets word that the pope wants to pardon him. He goes back to Rome with some art but dies on the way at the ripe age of 38. One of the paintings with him that makes it on this trip is the last David. 

What I like about Caravaggio’s David’s is how different they are then other David’s that come up in the art history canon. Just for comparison I’ll share the famous David but also Bernini’s David from the same time period.

(The David, Michelangelo)

(David, Benini. Pain to get a photo of s2g)

The first key difference is I mean, all three of Caravaggio’s David’s are wearing clothes which I think is neat in that I imagine he would be wearing those given the situation. But beyond that, what strikes me about Caravaggio’s David’s is their youth. In the biblical story, David is more the age Caravaggio consistently depicts him at. Which is about approximately preteen or teenage. The second thing that strikes me is the confidence and power displayed in Bernini and Michelangelo’s David’s evoke. But Caravaggio’s are not confident, not the way these one’s are. And especially that last one. 

Caravaggio’s David is unsure. He’s just done this thing, killed this man, but he doesn’t seem to have quite processed it in the first two. But in the third, he is processing it. And he’s not processing it well. This is a David who is unsure. This is a David who seems to pity the man who’s head he now holds by the hair. This is a David who is not strong and unwavering and confident and elegant, this is a child who just killed a man. This echo’s in the games interpretation of the scene, that same worry echoing in Dante’s brow that’s in Caravaggio’s. It’s a sympathetic David in that he seems to be unsure if this choice was worth the personal toll but also in the sense that the viewer is sympathetic to him, they feel bad for this child who has just been forced to make this choice. 

Reboot Dante’s life is not one about choice, it’s not really something he seems to be able to do often. Sparda put him into the orphanage and the orphanage put Dante into the foster care system. And ever since then Dante has had to fight. Not by choice, but by necessity. It show’s in his combat style, in his clearly untrained movements focused on power and strength rather then tactics. Vergil, if you watch him fight, he’s much more elegant, his style reflecting practice and technique. Dante, though, throws everything into his movements to kill as fast as possible. That if he just swings hard enough, this’ll all be over faster. He even stumbles in his combat because he’s put so much power into his swings, it’s my favorite little detail. 

In the game, it’s mentioned that Dante’s first recorded demon kill was when he was eight years old. It was one of the ‘caretakers’ at the facility he was in. I often wonder if that’s the moment that they were trying to depict in this image, the moment after that. I'm not really sold that he looks eight here but I mean you be the judge of that but bare with me. It’s the mood, that moment right after he’s been forced to enter his new reality for the first time. That he is going to have to fight like this the rest of his life. That bewilderment and regret and just general disbelief that he’s done this, that he’s just killed something. That sorrow for the Dante he was before, like that sorrow that David must be feeling for who he was before as well. 

But there’s a second layer here I haven’t gotten to yet. And that’s how Caravaggio’s David is also thought to be a self portrait. No, he’s not David. Caravaggio has painted himself as Goliath. A portrait of Caravaggio for reference: 

(Caravaggio as depicted by Ottavio Leoni in 1621)

Usually this is read as a tongue and cheek thing to the pope, like Caravaggio is offering himself in the ultimate repentance for his crimes. He’s sorry, here’s his head on a platter. But there’s something about it being a self portrait coupled with David’s pity for this Goliath that feels kinda...sad in a way. 

Further context to this is Caravaggio, on the run or not, did not have a studio. He was a solo artist, which is a bit odd for the period at his level. He did not take students, so his techniques died with him. No one else worked on his paintings, they’re all by his hand. This in particular David was not commissioned either, it was done as a gift. So this was a deliberate thing entirely thought through by him, painting himself as Golith, painting David so full of pity and grief. 

It’s sort of this idea of pity for the monster when you yourself are the monster as well as a sort of self hatred. Which reboot Dante is familiar with. Either Dante, preboot or reboot, kind of has this arc about trying to cope with being half demon while hating being half demon. It’s not a part of himself that he likes. The reboot goes further with this though because he doesn’t even have the solace of being half human, he’s also half angel. Reboot Dante goes from seeing himself as a human being to being told no, your not, your the things that you hate and it’s your job to protect people anyway. You are both the out of control monster and a threat, but also their protector. 

In either reboot or preboot this isn’t like the most explicit character beat, though it does come up. In the reboot we see it peak through in moments like Dante’s interactions with Phineas. The ‘my father was a demon and I’m nothing like him’ mentality. The reboot makes this more pressing to in that like, the reboot makes it clear that demons are not a hive mind. While they seem to vary in intelligence and free will and all that, the game does not imply that Phineas and Sparda are alone in their grievances where as the preboot paints demons like Sparda and Trish as complete oddities. But part of either Dante’s rejection of Sparda is always rooted in ‘Sparda is a demon, and I’m nothing like the demons.’

This is interesting in the reboot because, unlike Vergil, reboot Dante is always visually contrasted with demon imagery. His world is very red. His color is red. The colors on him, even the blacks and grays, are warm tones. His devil trigger is designed in such a way that the abundance of reds in it are even more prominent then his initial design. The only time he’s not is the scene with the graffiti where he’s positioned on the side with the angels. But visually it’s still made clear. Dante is the demonic twin, Vergil more angelic. On top of that, characters in the reboot love to point out how Dante reminds them of Sparda. Phineas does it and Mundus really does it (the ‘just like your father, too big for your fucking boots’ line). Which further puts Dante at odds with his identity. As much as he thinks he is nothing like Sparda, he’s his fathers son. He’s the demon half of this twin relationship. 

I think to like Caravaggio’s David’s just...they don’t want to do this. They’re just kids. They don’t want to kill their Goliaths. But they have to. Which is the spot we see reboot Dante in. He doesn’t want to save the world. He doesn’t want to fight for his life as often as he does. He doesn’t want this. But he has to do it. He might say he doesn’t give a shit, but what’s his choice? When has he ever had a choice? He’s the unwilling savior.

This runs through the game to. Dante doesn’t really want to be here. He makes that clear a lot. And his bravado is constantly a cover to keep him from being too vulnerable, too exposed. But it’s that last fight with Vergil where it all falls apart. He did this because Vergil asked him to, and Vergil didn’t even tell him the truth. And just like everything else, Dante doesn’t want to kill Vergil. He doesn’t want to fight him. But he’s provoked him anyway and got himself in this fight and he can’t let Vergil take the throne. David can’t just let Goliath go.

It’s the end of the game where we finally have Dante completely free of his walls and completely bare and entirely unaware of who he is and what he’s supposed to do next. It’s the same sort of vulnerability that I feel is abundant in that last David. Who is he now after all of this? Does he like this person? What’s he to do now that he knows what he’s capable of, knows what he’s done?

What makes him any different then this head in his hands?