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#this is what I wrote down for my group discussion question in art history today hehe
stuckfixated · 8 months
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Art History QotD: How do we use art in our modern lives to indicate that a location has special spiritual or religious meaning, especially the resting places of the dead?
All throughout history and continuing on to the modern day, symbolic art, certain elements in architecture, and sculptures are all often used to convey spiritual meaning and religious imagery. Certain motifs in architecture such as the Buddhist stupa (commemorative monument housing sacred relics) signify spiritual enlightenment using a very unique design. There is also the Celtic cross and knotworks which symbolize the concept of eternity and a sense of being interconnected with each other (in Irish and Scottish traditions). One of the most well-known uses of symbolism and religious imagery comes from Christianity, specifically Catholicism. The iconic symbol of the crucifix represents sacrifice, and ultimately redemption. The Virgin Mary, often depicted with symbols like the Immaculate Heart or the Rose, holds deep religious significance as well. Stained glass windows in cathedrals often portray biblical scenes, and the Saint statues represent reverence.
In modern life, we use much of the same motifs that can be seen throughout history. Christians wear cross necklaces, and, in Japanese Shintoism, the Torii gates (seen at the entrance of Shinto shrines) represent "the mundane" transitioning into "the sacred". This is an example of architectural symbolism. Modern Shinto art often incorporates themes of water (purification fountains, symbolizing ritual cleansing) and foxes (specifically "Inari" foxes, thought to be messengers of the deity Inari). We still use motifs and symbolism such as this in the modern day, often harkening back to earlier times.
As for resting places for the dead or monuments made in honor of the dead, in Mexican culture we see ofrendas. They are not the resting place of the deceased loved one; instead they are highly significant cultural pieces dedicated to remembering the loved one fondly and celebrating their life. This includes "offerings" to them such as candles, marigolds (cempasúchil, flower of the dead), sweets, the loved one's favorite foods, and photos of the loved one and their family. The ofrenda can also include artistic pieces such as skull decorations in the Day of the Dead style, and tissue paper flowers.
Buddhist stupa:
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Torii gate at the entrance of a Shinto shrine:
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qqueenofhades · 2 years
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hello! it’s youngin anon once more. we’re giving “Ted talks” in our psych class and I almost thought about giving one on fandom & group psychology before the thought of talking about fandom drama killed me on the spot. so I think I’ll give a talk about the importance of humanities education and how it affects thinking. do you have any good sources/thoughts? thank you!
Hullo, my honorary chillun. As ever, I'm delighted to hear from you, and I hope you're doing as well as is possible in this blighted hellscape. Likewise as usual, I'm always impressed to hear what you're working on, and wish you the best of luck. The idea of talking about fandom drama in class is indeed mildly horrifying, if (I must admit) oddly fascinating. If nothing else, I can guarantee you would get some AMAZING questions in the discussion part.
On the topic of humanities education and its social and cultural importance, I have obviously had many thoughts and written many posts, some of which you can find in my history and school stuff tags. However, to briefly (ha) summarize:
1. The humanities are the essence of what it means to be human (hence the name). The seven classical liberal arts, or the "trivium" (grammar, logic, and rhetoric) and the "quadrivium" (arithmetic, geometry, music, and astronomy) were the foundation of a western university education for centuries, from antiquity through the medieval era and persisting into the modern period. They were intended to teach a person how to think, write, argue, do math and music, and study our place in the world. Medieval scholars and professors also taught, wrote, and lectured on art, literature, theology, history, and other subjects that you would find in the humanities division of a university today. Indeed, the use of the university as a training ground for a career in industrialist capitalist production is a very new innovation, historically speaking. In the past, a university education was meant to teach you how to think, reflect, and engage with humanity's intellectual projects, not how to make money. This began to change during the Renaissance, but the "corporate university" model is a result of modern capitalism. Obviously, this involves questions of elitism, privilege, and access, and who was traditionally eligible for a university education (hint: wealthy men). But the prevailing modern idea wherein you go to college to Get a Degree in a Realistic Field so You Can Get a Job And Pay Back Your Student Loans would be utterly foreign to them.
2. The humanities prioritize the development of rigorous and independent thinking (and not in the way of the conspiracy-poisoned "Do Your Own Research!" internet mantra). You have to read many different things, write persuasive arguments, compare and contrast authorities, and form cogent rhetorical strategies that can stand up to challenge, contrast, and revision. And if you're in the humanities in particular, you will get a lot (a lot) of criticism and feedback, from peers, professors, students, and colleagues. If what you're doing isn't working, you will have to change your argument and your sources and strategies accordingly. If you're doing it as a professional, you have to submit for publication, get other people to look at what you've done, and see if you correspond to what's being done in the field. If you get too far off the ranch, people know. That doesn't mean that it's tyranny by majority (though of course academia does have other problems in that direction), but it does force you to be accountable, honest, and receptive, and able to change your beliefs to fit new evidence, rather than going further and further down your own fantastical whacko rabbit hole.
3. The deliberate devaluation of the humanities has taken place to prevent people from being able to broadly challenge the unjust status quo. How many times have you heard jokes about how English degrees are worthless, teachers get paid shit, or anyone in the arts will starve and live in their parents' basement? (And yet, during the pandemic for example, we all desperately consumed or made art -- music, movies, films, books, fics, paintings, creative projects, etc -- just to keep ourselves remotely sane, and we all rely on it every single day.) Why do you think there's this cultural wisdom that a humanities degree is basically as good as setting your money on fire for four years? Do you really think that our current system of /waves hand/ All This Shit wants to make it lucrative and possible for you to actually study and critique it, and thus be able to propose alternatives and make people understand why the current oppressive systems of power and control also sucked in the past, and how they came to an end? Welp, no. We had definitely better not do that. HAHAHA ENGLISH DEGREES ARE DUMB!
4. The idea that the only good education is the one that will make  you money or is a "hard" science is, yet again, an industrialist-capitalist fallacy. Apparently, studying anything that isn't computer engineering or math isn't actually Real Larnin'. Do we need more trade and vocational schools for people who might not want to do a full four-year college education, especially since a college education is supposed to get you a better job and often does anything but? Obviously! But is the idea that literature or poetry, or art, or dance, or music, or whatever, is “stupid” or “not intellectually rigorous” or “inferior” extremely ridiculous (and sexist, since the humanities are often gendered “female” while the hard sciences are “male,” since lady brains supposedly can’t cope with them thar STEM)? Indeed.
5. In our current craptacular land of terror, it’s helpful and comforting to be able to understand the broader picture and make informed predictions. Look, things suck right now. We all know it. But it’s empowering to work through the underlying causes, the overall situation, and all the doomsday messages and pithy soundbites that are thrown at you from all sides, and all the less-than-truthful spin that’s put on it for various reasons. If you don’t know how to interpret any of that or what to believe, it’s easy to sink into total paralysis, paranoia, and an insular bubble where you just want things to make sense (whether or not they actually do). That’s why conspiracy theories are so popular; at least they offer the comforting reassurance that all this does have a reason and someone’s ultimately in charge, even if it’s [insert nefarious evil cabal of the week]. If people don’t know what’s going on for real, that’s why they turn to whoever’s talking the loudest and sounds the most assured, even if it’s say, Fox News. They want the comfort of someone telling them what’s going on, and if it’s someone with bad motives, well, that leads to more problems.
For example: when the invasion of Ukraine first started in February, there were plenty of people panicking about nuclear conflict, world war, etc. Understandably so -- it all sounded fucking terrifying! I had a bunch of questions at the time, and I did my best to explain the situation and its historical-political reasons and where it came from and why it probably was NOT going to end up in a giant apocalyptic conflagration. People found it helpful and asked follow-up questions and it seemed like a useful exercise that helped calm everyone’s fears during a genuinely very scary inflection point. This isn’t to brag about how great I am or whatever, but simply to point out that if you’re more able to understand a situation and can discard the worst of the fearmongering, it will help with your own mental health and ability to react and think logically about what to do next and the kind of response that you want to put out in the world.
Anyway. Hopefully that was useful in re: what to think about and how. Hugs.
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nealiios · 3 years
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The Supernatural 70s: Part I - Corruption of An Innocent
"We're mutants. There's something wrong with us, something very, very wrong with us. Something seriously wrong with us - we're soldiers writers."
-- with apologies to the screenwriter of "Stripes"
Dear reader, I have the darkest of revelations to make to you, a truth when fully and wholly disclosed shall most assuredly chill you to the bone, a tale that shall make you question all that you hold to be true and good and holy about my personal history. While you may have come in search of that narrative designer best known for his works of interactive high fantasy, you should know that he is also a crafter of a darker art, a scribbler of twisted tales filled with ghosts, and ghouls, and gargoyles. I am, dear innocent, a devotee of horrors! Mwahahahaha!
[cue thunderclap, lightning, pipe organ music]
Given the genre of writing for which most of you know me, I forgive you if you think of me principally as a fantasy writer. I don't object to that classification because I do enjoy mucking about with magic and dark woods and mysterious ancient civilizations. But if you are to truly know who I am as a writer, you must realize that the image I hold of myself is principally as a creator of weird tales.
To understand how and why I came to be drawn to this sub-genre of fantastic fiction, you first must understand that I come from peculiar folks. Maybe I don't have the Ipswich look, or I didn't grow up in a castle, but my pedigree for oddity has been there from the start. My mother was declared dead at birth by her doctor, and often heard voices calling to her in the dead of night that no one else could hear. Her mother would periodically ring us up to discuss events in our lives about which she couldn't possibly have known. My father's people still share ghost stories about a family homestead that burned down mysteriously in the 1960s. Even my older brother has outré memories about events he says cannot possibly be true, and as a kid was kicked off the Tulsa city bookmobile for attempting to check out books about UFOs, bigfoot, and ESP. It's fair to say I was doomed - or destined - for weirdness from the start.
If the above listed circumstances had not been enough, I grew up in an area where neighbors whispered stories about a horrifically deformed Bulldog Man who stalked kids who "parked" on the Old North Road near my house. The state in which I was raised was rife with legends of bigfoots, deer women, and devil men. Even in my childhood household there existed a pantheon of mythological entities invented explicitly to keep me in line. If I was a good boy, The Repairman would leave me little gifts of Hot Wheels cars or candy. If I was being terrible, however, my father would dress in a skeleton costume, rise from the basement and threaten to drag me down into everlasting hellfire (evidently there was a secret portal in our basement.) There were monsters, monsters EVERYWHERE I looked in my childhood world. Given that I was told as a fledgling writer to write what I knew, how could anyone have been surprised that the first stories I wrote were filled with the supernatural?
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"The Nightmare" by John Henry Fuseli (1781)
My formative years during the late sixties and early seventies took place at a strange juncture in our American cultural history. At the same time that we were loudly proclaiming the supremacy of scientific thought because we'd landed men on the moon, we were also in the midst of a counter cultural explosion of interest in astrology, witchcraft, ghosts, extra sensory perception, and flying saucers. Occult-related books were flying off the shelves as sales surged by more than 100% between 1966 and 1969. Cultural historians would come to refer to this is as the "occult boom," and its aftershocks would impact popular cultural for decades to come.
My first contact with tales of the supernatural were innocuous, largely sanitized for consumption by children. I vividly remember watching Casper the Friendly Ghost and the Disney version of the Legend of Sleepy Hollow. I read to shreds numerous copies of both Where the Wild Things Are and Gus the Ghost. Likely the most important exposure for me was to the original Scooby Doo, Where Are You? cartoon which attempted to inoculate us from our fears of ghosts and aliens by convincing us that ultimately the monster was always just a bad man in a mask. (It's fascinating to me that modern incarnations of Scooby Doo seem to have completely lost this point and instead make all the monsters real.)
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ABOVE: Although the original cartoon Scooby Doo, Where Are You? ran only for one season from 1969 to 1970, it remained in heavy reruns and syndication for decades. It is notable for having been a program that perfectly embodied the conflict between reason and superstition in popular culture, and was originally intended to provide children with critical thinking skills so they would reject the idea of monsters, ghosts, and the like. Ironically, modern takes on Scooby Doo have almost entirely subverted this idea and usually present the culprits of their mysteries as real monsters.
During that same time, television also introduced me to my first onscreen crush in the form of the beautiful and charming Samantha Stevens, a witch who struggles to not to use her powers while married to a frequently intolerant mortal advertising executive in Bewitched. The Munsters and The Addams Family gave me my first taste for "goth" living even before it would become all the rage in the dance clubs of the 1980s. Late night movies on TV would bring all the important horror classics of the past in my living room as Dracula, Frankenstein, the Wolf Man, the Invisible Man, the Phantom of the Opera, The Creature from the Black Lagoon, and Godzilla all became childhood friends. Over time the darkened castles, creaking doors, foggy graveyards, howling wolves, and ever present witches and vampires became so engrained in my psyche that today they remain the "comfort viewing" to which I retreat when I'm sick or in need of other distractions from modern life.
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ABOVE: Elizabeth Montgomery starred in Bewitched (1964 - 1972) as Samantha Stephens, a witch who married "mortal" advertising executive Darren Stephens (played for the first five seasons by actor Dick York). Inspired by movies like I Married a Witch (1942) and Bell, Book and Candle (1958), it was a long running series that explored the complex relationship dynamics between those who possess magic and those who don't. Social commentators have referred to it as an allegory both for mixed marriages and also about the challenges faced by minorities, homosexuals, cultural deviants, or generally creative folks in a non heterogeneous community. It was also one of the first American television programs to portray witches not as worshippers of Satan, but simply as a group of people ostracized for their culture and their supernatural skills.
Even before I began elementary school, there was one piece of must-see gothic horror programming that I went out of my way to catch every day. Dark Shadows aired at 3:30 p.m. on our local ABC affiliate in Tulsa, Oklahoma which usually allowed me to catch most of it if I ran home from school (or even more if my mom or brother picked me up.) In theory it was a soap opera, but the show featured a regular parade of supernatural characters and themes. The lead was a 175 year old vampire named Barnabas Collins (played by Johnathan Frid), and the show revolved around his timeless pursuit of his lost love, Josette. It was also a program that regularly dealt with reincarnation, precognition, werewolves, time travel, witchcraft, and other occult themes. Though it regularly provoked criticism from religious groups about its content, it ran from June of 1966 until it's final cancellation in April of 1971. (I would discover it in the early 1970s as it ran in syndication.) Dark Shadows would spin off two feature-length movies based on the original, a series of tie-in novels, an excellent reboot series in 1991 (starring Ben Cross as Barnabas), and a positively embarrassingly awful movie directed by Tim Burton in 1991.
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ABOVE: Johnathan Frid starred as Barnabas Collins, one of the leading characters of the original Dark Shadows television series. The influence of the series cannot be understated. In many ways Dark Shadows paved the way for the inclusion of supernatural elements in other soap operas of the 1970s and the 1980s, and was largely responsible for the explosion of romance novels featuring supernatural themes over the same time period.
While Dark Shadows was a favorite early television program for me, another show would prove not only to be a borderline obsession, but also a major influence on my career as a storyteller. Night Gallery (1969-1973) was a weekly anthology television show from Rod Serling, better known as the creator and host of the original Twilight Zone. Like Twilight Zone before it, Night Gallery was a deep and complex commentary on the human condition, but unlike its predecessor the outcomes for the characters almost always skewed towards the horrific and the truly outré. In "The Painted Mirror," an antiques dealer uses a magic painting to trap an enemy in the prehistoric past. Jack Cassidy plots to use astral projection to kill his romantic rival in "The Last Laurel" but accidentally ends up killing himself. In "Eyes" a young Stephen Spielberg directs Joan Crawford in a story about an entitled rich woman who plots to take the sight of a poor man. Week after week it delivered some of the best-written horror television of the early 1970s.
In retrospect I find it surprising that I was allowed to watch Night Gallery at all. I was very young while it was airing, and some of the content was dark and often quite shocking for its time. Nevertheless, I was so attached to the show that I'd throw a literal temper tantrum if I missed a single, solitary episode. If our family needed to go somewhere on an evening that Night Gallery was scheduled, either my parents would either have to wait until after it had aired before we left, or they'd make arrangements in advance with whomever we were visiting to make sure it was okay that I could watch Night Gallery there. I was, in a word, a fanatic.
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ABOVE: Every segment of Night Gallery was introduced by series creator Rod Serling standing before a painting created explicitly for the series. Director Guillermo del Toro credits Serling's series as being the most important and influential show on his own work, even more so than the more famous Twilight Zone.
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doshmanziari · 4 years
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Musical Offerings for the New Year || What is “Radical Music” in 2021?
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Near the end of 2020, a bunch of musicians populating a chatroom, including myself, each submitted ten minutes’ worth of our work to another musician, Chimeratio, who generously compiled it all into a set totaling nearly ten hours.¹ The work didn’t need to be new; just what we thought might best represent our abilities/style(s) and/or perhaps what we were especially pleased with. The set premiered in late January. Since I have some tentative plans for reorienting Brick By Brick this year, while not overriding its emphases, I wanted to share that music with anyone who’s interested.
I compiled the four videos into a playlist, although you can also access them individually: here (1), here (2), here (3), and here (4). If you care to, and are on a computer, you can also view the accompanying chatlog and read people’s responses from when they were listening to the live broadcast.
The compulsion for this project was sparked by excited discussions over and usage of the term “digital fusion”, most helpfully propagated by Aivi Tran, designating a computer-based body of work that for years lacked the rooftop of a commonly agreed upon genre-name. While describing my music has never been a big concern, even if it’s usually felt impossible (what, for example, is this? or this? I dunno!), I’ve appreciated how the spread and application of this term has brought together people who may have felt isolated.²
As “digital fusion” gained designative traction, I witnessed the activity in the aforementioned chatroom explode over the course of a few days. Before, a day’s discussion might’ve been a few dozen messages; now, there were dozens of messages every half-minute. This had positive and negative ramifications, the negative being that conversations often proceeded at a pace of rapidity which precluded concentrated thought. Eventually, I bowed out because the rapidity exceeded my threshold for meaningful interaction; but I was glad that significant invigoration was going on.
I wanted to share this music also because it intersects with thoughts and talks I’ve been having stemming from the question, “What is ‘radical music’ in 2021?” This was stimulated by a 2014 talk given by the writer Mark Fisher, wherein he contends that, were we to play prominent “cutting edge” music from now to people twenty years ago, very nearly none of it would be aesthetically shocking, bizarre, or revelatory (think of playing house music to an audience in the early 1960s!). Fisher also observes a trend of returning to music which once was seen as the future -- as if, deprived of a shared prograde vision, imaginations turn hazily retrograde; ergo, genres such as synthwave or albums like Daft Punk’s Random Access Memories.
It isn’t my goal here to argue about the “end of history.” Fisher’s time-travel hypothetical, however, rings loud and true to me. Visible musical radicalism has, for at least a decade, been strictly extra-musical, in the sense of songs like “This is America” or “WAP”, where one’s response is primarily to the spectacle of the music video, the performer’s identistic markers, and/or the manner in which the lyrics intersect with (mostly US-centric) ideological hotspots. Musically, there is really nothing radical here. Any vociferous condemnations or defenses of a song like “WAP” deal in moralizing reactions to semantics or imagery: how progressive or regressive is the political aspect? how propelled or repelled are we by the word “pussy”?
It would be a mistake, and simply wrong, to assert that the only music one can enjoy escapes the parameters outlined above; and my inability to coherently categorize some of my own music hardly raises that portion to the status of radicality. But the question here pertains to what is being made, and I think that if we’re going to seriously consider the nature of truly radical music today, we do need to question if such a quality can prominently exist when our hyper-fast consumerist cycle seems to forbid not just sustained, lifelong relationships to artwork but also the local, unhurried nourishment of creative gestation. Now, in my opinion, there are good, even great, examples of radical music still being made in deep Internet-burrows, and for evidence of that I would offer some of the material contained in the linked playlists. Moreover, I’d say that this quality can exist in part because these little artistic communities are so buried.
Let me share a quote that another person shared with me recently:
For culture to shift, you need pockets of isolated humanity. Since all pockets of humanity (outside of the perpetually isolated indigenous people in remote wilderness) are connected in instantaneous fashion, independent ideas aren’t allowed to ferment on their own. When you cook a meal, you have to bring ingredients together that have had time to grow, ferment, or decompose separately. A cucumber starts out as a seed, then you mix it with the soil, water and sunlight. You can’t bring the seed, soil, water and sunlight to the kitchen from the get-go. When you throw those things in to the mixture without letting them mature, the flavor cannot stand out on its own. Same thing with art and fashion. A kid in Russia can come up with a new way to dance, gets filmed on a phone, it goes viral quickly but gets lost in the morass of all of the other multitudinous forms of dance. Sure it spread far and wide, but it gets forgotten in a week. In the past, his new art form would have been confined locally, nurtured, honed, then spread geographically, creating a distinct new cultural idiosyncrasy with a strong support base. By the time it was big enough to be presented globally, it was already a cultural phenomenon locally. This isn’t possible anymore. We’re consuming too many unripened fruits.
The main impression I have here is that radical music today will, and must be, folk music. Our common idea of folkiness might be the scrappy singer strumming a guitar, but my interpretive reference rather has to do with the idea of a music being written, first of all, for one’s self, and then shared with a small-scale community, which in turn helps the artist grow at their own pace. This transcends a dependence upon image, the primacy of acoustic instrumentation, or the signaling of sincerity versus insincerity. It is a return to the valuation of outsider art, so rare nowadays. As someone who I was recently in dialogue with wrote, “Where can you find new genuine folk music? Pretty much just with your friends, imo. Even then, the global world is so influential and seeps into any crack it can find. I think vaporwave was radical and folk for a while. Grant Forbes made that music way before the world knew about it.”
Sometimes, a lot of fuss is made over what’s seen as “gatekeeping” within certain communities. It can be, depending on the context, justifiable to question and critique this behavior. At other times, the effort of maintaining a level of exclusivity, of retaining an idiosyncratic shapeliness to the communal organism, can be a legitimate attempt to protect the personal, interpersonal, and cultural aspects from the flattening effect of monoculture. Hypothetically, I welcome the Castlevania TV series and Super Smash Bros. Ultimate having introduced new and younger demographics to Castlevania. In actuality, stuff like “wholesome sad gay himbo Alucard”, image macros, and neurotic “stan” fanfiction being what’s now first associated with the series makes me want to put as much distance as possible between my interests and those latecoming impositions.
The group-terminology David Chapman uses in his essay “Geeks, MOPs, and Sociopaths in Subculture Evolution” is kinda cringey, but some of the cultural/behavioral patterns he lays out are relevant to the topic. Give it a look. If we cross his belief that “[subcultures] are no longer the primary drivers of cultural development” with our contemporary consume-and-dispose customs, we’re left with the predicament of it’s even worth attempting to bring radical/outsider art beyond its rhizomatic habitat. This is troubling, because it would mean that artistic radicality no longer might not only refuse to but cannot encompass cultural upheaval. It would be like if dance music were invented and -- instead of progressively permeating nightlife, stimulating countercultural trends, and ultimately being adapted as the basis for pop music globally -- only were listened to via headphones by a few thousand people on their own, stimulated a group meeting once a year or two, and never affected music beyond a niche-within-a-niche. That’s a very sad picture to me.
¹ Chimeratio has also maintained an excellent blog on here dedicated to looking at videogame music written in irregular time signatures, far preceding higher-profile examinations like 8-bit Music Theory’s video on the same topic.
² For myself, creative isolation has had its uses, because it has led me down routes that are highly personalized. The isolation can be dispiriting too. Although a lot of my music is videogame-music-adjacent, almost none of it uses “authentic” technology, such as PSG synthesizers or FM synthesis; and the identification of those sounds is fairly important for recognition.
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photos by Frank Ockenfels
The Long Journey and Intense Urgency of Aaron Sorkin's 'The Trial of the Chicago 7'
by Rebecca Keegan September 23, 2020, 6:00  am PDT
The director of the Netflix film, which stars Sacha Baron Cohen, Jeremy Strong, Eddie Redmayne and Yahya Abdul-Mateen II, reveals why it took nearly 20 years to get the project about the politically motivated prosecution of protestors made and why it couldn't be more timely: "I never imagined today would go so much like 1968."
In October 2019, hundreds of protesters marched down Chicago’s Michigan Avenue toward the Hilton, chanting phrases like "No justice, no peace!" and "A people united will never be defeated!" as police in riot gear descended on the crowd with billy clubs and tear gas. Earnest and energized, clad in 1960s period costumes and flanked by vintage police vehicles, this group thought they were acting out the past, staging a scene from Aaron Sorkin’s The Trial of the Chicago 7. As it turned out, they were performing the future, too.
Sorkin’s film, which opens in select theaters Sept. 25 and hits Netflix on Oct.  16, tells the story of the riots at the 1968 Chicago Democratic National Convention and the circus-like trial of political activists that followed the next year. Thanks to Hollywood development hell, the movie is arriving 14  years after Steven Spielberg first mentioned the idea to Sorkin but just as its themes and plot points — civil unrest, a self-proclaimed "law and order" president’s vilification of protesters (Nixon then, Trump now), the police’s excessive use of force, tensions within the Democratic Party over how far left to move — have become bracingly current."I never wanted the film to be about 1968," Sorkin says in an interview over Zoom from his house in the Hollywood Hills on Labor Day weekend. "I never wanted it to be an exercise in nostalgia or a history lesson. I wanted it to be about today. But I never imagined that today would get so much like 1968."For only the second time in a career spanning nine films as a screenwriter, Sorkin serves as director with Chicago 7, helming a sprawling ensemble cast that includes Eddie Redmayne as anti-war activist Tom Hayden, Sacha Baron Cohen as Youth International Party (Yippie) provocateur Abbie Hoffman, Succession’s Jeremy Strong as counterculture figure Jerry Rubin and Watchmen’s Yahya Abdul-Mateen II as Black Panther party co-founder Bobby Seale. There are undeniable parallels not only between the film and the present political moment but also between the performance-art activism of the actors and the men they’re playing, most vividly Cohen, who, like Hoffman, has made a career of political self-expression through comedic stunts, including crashing a far-right rally in Olympia, Washington, this summer while pretending to be a racist country singer. (Cohen, who shoots most of his satirical projects incognito, impishly calls reports of his appearance at the rally  "fake news.")Eight months after Sorkin filmed the protest scenes in Chicago, Abdul-Mateen was marching in Black Lives Matter protests in West Hollywood, as was Strong in Brooklyn. "There’s power when a lot of people come together to protest out of anger, out of frustration," Abdul-Mateen says. "Everybody has a role in the revolution; this film shows that.
"Though the movie feels crafted for this political moment, it was born of another. At Sorkin’s first meeting with Spielberg, "I remember him saying, 'It would be great if we could have this out before the election,'" Sorkin says. The election Spielberg was talking about was 2008’s, when Barack Obama and Joe Biden faced John McCain and Sarah Palin.The film hit multiple roadblocks, beginning with the 2007-08 writers strike and continuing as financing faltered repeatedly, a fate illustrated by the more than 30 producers who can claim some sort of credit on Chicago 7. It took another unscheduled detour this summer after Sorkin finished it as the pandemic worsened, and the odds of original distributor Paramount mounting a successful theatrical release before the Nov. 3 election seemed increasingly slim. For some involved with the film, there is a question about the ethics of Hollywood inviting audiences to return to theaters before a COVID-19 vaccine is widely available. "
There’s a moral quandary that we, the motion picture business, have to be careful that we don’t become the tobacco industry, where we’re encouraging people to do something we know is potentially lethal," says Cohen.Before his visit to Spielberg’s Pacific Palisades home to discuss the project on a Saturday afternoon in 2006, Sorkin knew next to nothing about the Chicago 7. The federal government had charged seven defendants — Hoffman, Rubin, Hayden, David Dellinger, Rennie Davis, John Froines and Lee Weiner — with conspiracy for their participation in the protests against the Vietnam War outside the Democratic National Convention. (Originally the men were known as the Chicago 8 and included Seale, who asked to have his trial separated from that of the others and postponed so that he could be represented by his preferred lawyer, who was ill; that trial never took place.)
When Spielberg proposed a movie about the riots and the trial that followed, Sorkin, who was 7 in 1968, said, "'You know, that sounds great. Count me in.' As soon as I left his house, I called my father and said, 'Dad, do you know anything about a riot that happened in 1968 or a crazy conspiracy trial that followed?' I was just saying yes to Steven."Despite his ignorance, Sorkin was a logical choice to write the project: Having penned Broadway’s A Few Good Men and its 1992 film adaptation as well as the long-running NBC series West Wing, he’d shown a flair for dramatizing courtroom procedures and liberal politics, and he turned in his first draft of the Chicago 7 script in 2007. Originally, Spielberg planned to direct the project himself, but by the time the writers strike was over, he had moved on and a number of other potential directors circled, including Paul Greengrass, Ben Stiller, Peter Berg and Gary Ross, though none was able to get it off the ground. "There was just a feeling that, 'Look, this isn’t an Avengers film,'" Sorkin says of the studios' move away from midbudget dramas and toward action tentpoles in the 2010s. "This isn’t an easy sell at the box office. And there are big scenes, riots, crowd scenes. How can this movie be done for the budget that makes sense for what the expectation is at the box office?"As the project languished, Sorkin tried writing it as a play, ultimately spending 18 months on a fruitless effort to fashion a stage treatment. "What I didn’t like was having a script in my drawer," he says. "I was just thinking, 'Jeez, this is a good movie and it feels like it’s stillborn.'"It was the confluence of two events that ultimately revived the film with Sorkin in the director’s chair in 2018 — the 2016 election of Donald Trump and the 2017 release of Sorkin’s well-received directorial debut, Molly’s Game, which doubled its production budget at the box office. "This is before George Floyd and Breonna Taylor and police protests or confrontations," Sorkin says. "This is just when Donald Trump was musing nostalgically about the old days when they used to carry that guy [a protester] out of here on a stretcher and punch the crap out of him."With Trump’s throwback rhetoric lending the subject matter a new timeliness and Sorkin’s directing chops confirmed in Spielberg’s eyes, the movie moved forward with its screenwriter at the helm.
Cross Creek Pictures came in to finance, and Paramount bought the domestic rights. But all those years in development had left an expensive imprint on the project — a jaw-dropping $11  million had been spent on casting costs, producing fees and the optioning of Brett Morgen’s 2007 documentary about the event, Chicago 10, leaving just $24  million for the actual 36-day production.
One way Sorkin attempts to achieve a sense  of scope despite that budget is by intercutting real black-and-white news footage with his dramatized protests. He rounded out his large cast with a deep bench of experienced and award-winning actors including Oscar winner Mark Rylance as defense attorney William Kunstler, Oscar nominee Frank Langella as Judge Julius Hoffman, Joseph Gordon-Levitt as prosecutor Richard Schultzand, Oscar nominee Michael Keaton as former U.S. Attorney General Ramsey Clark — with the filmmaker and many of his actors working for scale. (Abdul-Mateen and Strong both became first-time Emmy winners Sept.  20.)Sorkin shot the protest scenes on location in Chicago and built a courtroom set in an old church sanctuary in Paterson, New Jersey, because none of the available courtroom locations in the Garden State conveyed the scope he wanted. "If we’re saying the whole world is watching, I want a packed courtroom for six months full of press and spectators," Sorkin says. "I wanted the big, cavernous feeling of the federal government and its power coming down on these people."
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Julian Wasser/The LIFE Images Collection via Getty Images/Getty Images           "The movie is tribute to the bravery of the protesters of 1968 [pictured] and today in Belarus, on the streets of America, in Portland," says Cohen.            
Among the vestiges of Spielberg’s original plan was the casting of Cohen as Hoffman, which required the London native to affect a Boston accent and return to a subject he had studied as an undergraduate at Christ’s College in Cambridge, where he wrote a thesis paper about Jewish activists during the civil rights movement. At 19, Cohen had interviewed Bob Moses, the leader of the Student Nonviolent Coordinating Committee, which Hoffman was involved in before he founded the anti-war Yippie movement. "Honestly, I was very proud of the fact that Jews were involved in the Black civil rights movement in the '60s, and there wasn’t much written about it," Cohen says, explaining his youthful scholarship.
There’s a clear line to draw between Hoffman’s 1960s theatrics — which included throwing fistfuls of money into the gallery of the New York Stock Exchange and vowing to levitate the Pentagon — and Cohen’s contemporary TV and film pranks. Perhaps among Cohen’s most memorable and pointed gags was getting Vice President Dick Cheney to gleefully autograph a waterboard kit, which the comic did while posing as an admiring Israeli anti-terror expert for a 2018 episode of Who Is America?, his Showtime series. “What I wanted to do was to show that he was proud of torturing," Cohen says. "I could not believe how happy Cheney was to be sitting next to an uber-fan. So, yes. Ultimately in the shows and the movies that I do, I’m trying to be funny, but yeah, I’m trying to get out the anger that I have within me."
Cohen sees Hoffman’s unorthodox protest methods as pragmatic. "The Yippies were underfunded, and he was using theatricality to gain attention for his aims," Cohen says. "He wanted to stop the war. And how do you do that? You use stunts and absurdist humor to try to effect change." The actor estimates that, after researching Hoffman, he pitched Sorkin hundreds of lines the activist had really delivered. "As an annoying person with a lot of chutzpah, I was emailing Aaron every other night until morning, 'What about this line? What about this line?'" Cohen says. The writer-director, known for his exacting prose, politely tolerated the suggestions while largely sticking to his own script.
As Rubin, Strong is playing Hoffman’s conscientious jester sidekick, a role wildly different from the tragic, wealthy approval seeker he portrays on Succession. Strong added some of his own dramatic flourishes, including painting words on his chest for one courtroom scene and bringing a remote-controlled fart machine to disrupt Langella’s imperious judge. "I wanted to channel as much as possible that spirit of the merry prankster and of joyous dissent," Strong says. Hoffman and Rubin’s real-life personae were so large that Sorkin at times asked his actors to dial down their faithful portrayals, requesting, after one particularly jubilant take, "less cowbell."
Sorkin’s script draws a sharp contrast between Hoffman and Rubin’s campy methods and Hayden’s more reserved approach to the anti-war movement, with the tensions between Hoffman and Hayden supplying the film’s key relationship in a kind of begrudging brotherhood of the peace movement. To learn more about Hayden, Redmayne studied remarks that Jane Fonda, who was married to the activist and politician from 1973 to 1990, made upon his death in 2016. In his own life, Redmayne is cautious when it comes to discussing the role that he, as an actor at the center of a huge studio franchise (Warner Bros.’ Fantastic Beasts) might have in political life. "I find it endlessly challenging," Redmayne says of navigating his public activism. "There’s the elitist thing. It’s speaking up on climate change but being conscious that you’re traveling a lot. One has to be aware of one’s own hypocrisies, because they can be detrimental to something you believe in. So sometimes I find that I have to live my life and speak to my advocacy in a way in that it’s around friends, family and people I know rather than making something public."
Abdul-Mateen has begun his acting career largely associated with fantastical roles, like Dr. Manhattan on HBO’s Watchmen, Black Manta in Aquaman and Candyman in the upcoming Jordan Peele-produced remake of the slasher film. Playing Seale represented a chance to do more grounded work and to depict a man who had loomed large during Abdul-Mateen’s childhood in Oakland, where Seale co-founded the Black Panthers in 1966 and later ran for mayor. Seale’s inclusion in the original Chicago riots indictment was controversial and strange — prosecutors accused him of conspiring with men he’d never met after visiting Chicago that week for only a few hours to deliver a speech. For the prosecution, Seale functioned largely as a prop to tap into the fears of white jurors and white Americans watching the news coverage, and during the trial he had no attorney. "I wanted to key in on, how did Bobby Seale survive this trial?" Abdul-Mateen says. "How did he survive the gross mistreatment by the United States government, and how did he go through that with his head high and not be broken? It was an exercise in finding my pride, finding my dignity."
In one scene, Seale is brought into the courtroom bound and gagged, and throughout the trial he is kept separate from the white defendants. "Although it was meant to be a humiliating act, I walked out with my chest high, with my head high. Bound and gagged and everything else. It would be very dangerous for a Black man in that time, even sometimes today, to show the proof of the wear and tear that oppression can take on a person, because that can be seen as a sign of weakness, and a sign of weakness is an open door that it’s working." For the moments of lightness that Cohen and Strong bring to the movie, Abdul-Mateen supplies ballast. "It’s important for the right reasons and at the right time to make art that makes people uncomfortable," he says.
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Niko Tavernise/NETFLIX. On the set, from left, Yahya Abdul-Mateen II, Mark Rylance, Ben Shenkman, Aaron Sorkin and Eddie Redmayne
Spielberg has remained involved in the film "in an emeritus role," Sorkin says, "from giving me good script notes to casting to notes on early cuts of the film." He also showed up to the New Jersey courtroom set. "When you have to direct a scene in front of Steven Spielberg, you’re not at your most relaxed necessarily," Sorkin says. Spielberg did not, however, take an executive producing credit on the film and declined to be interviewed about it.
The decision to switch to a streaming release came after an early summer marketing strategy call between Sorkin, Paramount chief Jim Gianopulos, other Paramount execs and some of the film’s producers. "At the end of the call, Jim said, 'Listen, we don’t know what the theater business is going to look like in the fall. We have troubling data telling us that the first people back in movie theaters are going to be the people who think that the coronavirus is a hoax,'" Sorkin says. This was clearly not the intended audience for a movie whose heroes are liberal activists. "I said, 'I don’t think the Idaho militia are going to be the first people coming to this movie,'" Sorkin says.
The group agreed to explore alternatives and gave Netflix, Amazon, Apple and Hulu 24 hours to watch the film. After a bidding war, Chicago 7 landed at Netflix in a $56  million deal against its $35  million production budget, with a robust marketing campaign and promise of a theatrical release. "We knew we didn’t have the option of 'Let’s wait a year,'" Sorkin says. "This is what we’re thinking about and what we’re talking about right now, and it just would have been a real shame to not release it now."
After Chicago 7 opens in limited release, Netflix will add more theaters in the U.S. and abroad throughout October, expanding upon the film’s premiere on the service, a strategy akin to what it provided Oscar best picture nominees The Irishman and Roma, albeit in a wildly different theatrical environment.
As Hollywood opens up to more production, Sorkin, and many of the Chicago 7 actors, have begun returning to work. Abdul-Mateen has been in Berlin for The Matrix 4 and Redmayne in London for Fantastic Beasts 3, while Sorkin is shooting a West Wing reunion special at the Orpheum Theatre in downtown L.A. that will premiere on HBO Max in October as a fundraiser for When We All Vote and include video appearances by Michelle Obama, Bill Clinton and Lin-Manuel Miranda
For the real-life Chicago 7, the denouement consisted of ultimately being acquitted of conspiracy. Judge Hoffman sentenced Seale to four years in prison for contempt of court, one of the longest sentences ever handed down for that offense in the U.S., but those charges were overturned on appeal. Just three of the original eight defendants — Seale, Froines and Weiner — are still alive, but the legacy of the case lives on in contemporary protest movements. "The movie is tribute to the bravery of the protesters of 1968 and the protesters of today in Belarus, on the streets of America, in Portland," Cohen says. "These people now are risking their lives, and they’ll continue risking them."
https://www.hollywoodreporter.com/features/the-trial-of-the-chicago-7-aaron-sorkin-and-stars-on-films-timeliness-to-election-and-why-everybody-has-a-role-in-the-revolution
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animationforce · 4 years
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Helen McCarthy and the importance of women in anime and manga fandoms
(This interview took place in 2019, now published for the first time in a two-part series. Read part one here.)
A longtime fan of Japanese comics, British writer Helen McCarthy was determined to showcase women’s place in art and fandom.
Before she achieved acclaim as a manga expert, McCarthy experienced significant sexism in the world of publishing. In the ‘80s and ‘90s, comics and cartoons were considered “kids’ stuff," therefore no specialized knowledge was required to review or write about them. As a result, publications reviewing manga often gave assignments to male staff instead of paying a specialty (or female) freelancer.
“My personal issues with sexism really aren't different from anyone else's, and sadly things haven't changed enough in almost 40 years,” McCarthy said via email. “Patronizing, condescending gatekeepers, both male and female, remarks about my appearance, questions about my personal life, uninvited chat-ups, the lot. I had no physically unpleasant experiences because despite being small and apparently defenseless, I am sarcastic, loud and threatening when necessary.”
To combat this sexism and gatekeeping, McCarthy made Anime UK gender neutral as a matter of policy. It made sense to do so, as very few writers at the time had working knowledge of Japanese animation. Today, however anime and manga news sources like Anime News Network (ANN) are typically open to hiring anyone who has the skills they require.
But despite that inclusivity, McCarthy added that “women starting out in the field seem to face more active hostility and negativity. It baffled me that those attitudes come both from a section of the male anime community and from women who collaborate with patriarchal views, or men impersonating women online.”
While women have always existed in the world of anime and manga, as artists, fans, or anything in between, they have never been the majority. In recent years, women have claimed space for themselves in manga fandom, and are “very feisty, very vocal and very well organized,” McCarthy noted.
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McCarthy recalled a group of young teen women who created an anime-focused zine, developing a space for girls like themselves. A number of those artists are now scholars, professionals, and “just astonishing people.” There is also a cohort of Western manga artists who were teenagers when McCarthy began writing about Japanese animation in English.  Among those remarkable women are Leah Holmes who is working on her PhD and studying the unrecorded early history of anime in the UK, as well as artists Laura Watton, Emmeline Dobson, and Mary Beaird whose Elephant, Elephant, Hippo, Rhino…? comic strip is a favorite of McCarthy’s.
More than 30 years later, McCarthy sees the fandom as a much more inclusive place where women can not only claim their right to be there, but have their own space. Sites like Crunchyroll, My Anime List, Naruto Forums, as well as a long list of fan-made forums and social media platforms, have provided anime and manga fans with the space to get together and discuss the things that they love without fear of being ostracized. This space has allowed female fans to showcase their prolific commitment to the genre.
“Now I see young women claiming their rights, staking their claim in anime and manga fandoms,” McCarthy said. “[They’re] producing amazing artwork, producing amazing costumes. And the great thing is that there are now more and more young men who are willing to work with them on their own terms."
Despite the strides that women have made in the world of anime and manga fandoms, there is still significant misogyny and sexism within the genre. Although some stories feature a strong female protagonist (and sometimes multiple female protagonists), problematic, sexist tropes exist throughout manga/anime. As user Zylania noted on the forum Amino, women are often portrayed as stupid, defenseless damsels in distress. Their breasts are often oversized, distracting focal points for male characters and, in some cases, the women don’t even have heads or faces to differentiate themselves. In some anime and manga, females are never shown above the neck. Additionally, the increasingly popular Ahegao shirts — a term from hentai (Japanese pornography) for a woman’s often exaggerated orgasm face—are sold at manga/anime conventions, which puts female sexuality under a distinctly male gaze.
“Japan is a modern, developed society like America, Russia and Europe, and racism and sexism are not exactly dead in any of those areas,” McCarthy explained via email. “It's a combination of centuries of male privilege and prioritizing the male gaze and male concerns. The attitudes and history that gave the Internet the Captain Marvel trolling incident are alive and well all over the world. Most Japanese people have very good manners, which can make it seem as if outdated attitudes like that couldn't possibly exist there, but Japan isn't some fairyland where everyone is magically polite, reasonable and politically correct, except in our dreams.”
However, feminist women and works do exist in the genre, though it can be difficult to find them. San from the film Princess Mononoke and Major from Ghost in Shell are two characters often referenced by fans who are looking for strong, iconic women. McCarthy said Princess Mononoke is Hayao Miyazaki’s best example of a feminist character, since San does not rely on a man (Ashitaka) to rescue her and exists independently from male characters. San is free to live as she pleases and does not ultimately “belong” to Ashitaka by the end of the film.
So how can a feminist watch anime and still be empowered? McCarthy encourages women to watch everything they can. “Women in the fandom have to know what’s going on outside of what they’re watching. If you don’t know what the men in the community are watching, you can’t combat the concepts they are being given about you as a woman,” she said.
McCarthy encouraged feminist anime fans to be fearless. “You decide what's feminist and what isn't. I hope that that encourages a few other young feminists to go out and do what they do so beautifully, which is just be great women.”
After decades spent writing books and articles, and making appearances, McCarthy has spent the last 10 years slowing down. McCarthy is most concerned that the work she’s doing is worth being done—and being done well.
She has devoted her life to advocating for inclusivity in fandom and hopes to pave the way for other women to follow in her footsteps. McCarthy encourages other women to embrace their potential, especially as men become more in tune with the equality presented through feminism.
“My response to anyone who tells me they can do better work that I do — and trust me, there have been and are a lot of them — is to say, ‘Please, do it,’” McCarthy wrote. “I absolutely love reading great work by other people. I will be delighted to read yours, either right now or when you stop wasting your time sniping at other people and get around to writing it.”
READ PART ONE HERE
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Amanda Finn is a Chicago based freelance journalist who spends a lot of evenings in the theater. She is a proud member of the American Theatre Critics Association. Her work has been found in Ms. Magazine,  American Theatre Magazine, the Wisconsin State Journal, Footlights, Newcity and more. She can be found on Medium and Twitter as @FinnWrites as well as her website Amanda-Finn.com.
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Summary: Jason and Tim hated each other. Their friends new this. But when they end up in the same history class, their differences have to be put aside when they're assigned seats next to each other and their teacher has strict requirements for partner discussion and a group project. But there's something else that worries Tim about being partnered with Jason. Their history teacher is notorious for pairing up people she thinks will end up getting married one day. But surely, she can't know that...right?
A/N: I am so happy to finally get to share this fic! This was part of my 2018 Nanowrimo project and the second of three fics I wrote. I loved the concept and I'm starting to wonder if I've run out of useful high school aus because they all seem to be enemies to friends to lovers nowadays and I'm sure y'all are getting bored with that....But I was also so happy to do a collab for this project and one of my good friends drew the cover art for this. Sadly, he no longer has a tumblr I can direct you to to give him the love and support he deserves but I will definitely pass on all the praise that he deserves because the cover art is amazing and I am in love with it. 
Also on AO3!
Tim sneered as he turned the corner and spotted Jason leaning against the locker next to Kori, his arm pressed against the metal row of lockers and giving everyone a look at his lean torso encased in a tight tee.
“Don’t look like you’re going to die just from being in the same space as him,” Steph muttered, catching the look he was giving him.
“He’s annoying. And full of himself. He doesn’t even care about school, so I don’t know why he’s here. He skips class all the time,” Tim muttered.
Steph raised an eyebrow. “And you’re one to talk? Tim you’ve skipped class to sleep in the back of the library before. You have no idea where he goes.”
“I’ve caught him behind the school during fifth period. I bet he smokes.”
“Have you ever smelled cigarette smoke on him? Or better yet, seen him with a lit cigarette in his hand?” Steph huffed.
“Well, no, but-“
“But nothing. Don’t make people into villains when you have no idea what they’re doing. He could have a study hall fifth period. You’re the one who was cutting class when you saw him back there.”
“Since when are you on his side?” Tim scoffed as they turned the corner and Jason was finally out of sight again.
“I’m just saying that you’ve judged him a while and maybe you should try and get to know him before you hold a grudge for life against him.”
Tim rolled his eyes as he pushed into his afternoon class. “It’s not like I’m going to see him after high school anyway so what difference does it make?”
“You never know,” Steph grumbled, making a beeline for the space next to the teacher’s desk that had a small chair tucked away. The one positive of them being in the same class Steph was TA-ing in was that they got to see each other. The drawback was that Tim would have to do actual work while she got to fuck around.
“Not so fast,” Ms. Edwards said as Tim approached the last aisle. “What’s your name?”
Tim checked a groan. This was going to be one of those teachers. “Tim Drake,” he muttered.
She nodded and checked something off on the paper in front of her. “You’re going to be in that row. Fourth seat back.”
Tim changed course and made for his seat. He was in the third row and even though he didn’t get the back corner like he wanted, he was relieved he wasn’t in the front. He just hoped this teacher wouldn’t keep assigned seats for the rest of the year.
He made a face at Steph who just smirked back and crossed her arms. He heard the door open but didn’t bother looking up to see who it was.
“Name?” Ms. Edwards asked.
“Jason Todd.”
Tim’s head whipped around so fast it made a horrible cracking noise. He winced and rubbed the side of his neck. He stared at Jason where he was waiting for his seat assignment.
“You’ll be in the fourth row, fourth seat back,” she said, pointing at the seat next to Tim.
Tim’s stomach dropped to his toes. He swallowed, thinking he might be sick. Because Jason was going to be sitting in the seat next to him and he just realized which teacher he had. Ms. Edwards was notorious for sitting students next to each other who she thought would get married one day.
He could only hope that she didn’t do that until later in the class and her first seating arrangements had no bearing on her romantic ideas.
Jason turned to find his seat and froze when he saw Tim. His lips turned down in a scowl and he grumbled something under his breath as he tightened his grip on his backpack strap and made his way down the aisle.
Tim crossed his arms and looked away. He was going to ignore Jason for the entire class. He’d ignore him for the entire year if he had to. He caught sight of Steph who was grinning at him like an idiot, glee filling her gaze.
Tim glared daggers back. He knew it was impossible, but this was exactly the kind of meddling she would take part in. Especially since she was saying all that weird stuff about him and Jason earlier.
Several more students filtered in before the bell rang and Ms. Edwards directed them all to their new seats.
“Good afternoon everyone,” Ms. Edwards started, stepping into the center of the room. “I’m your history teacher for the year. I’ll pass out the syllabus to all of you shortly and something I want to make all of you aware of before we get started is that there’s going to be a lot of discussion this year. Every day I’ll have a question or two on the board for you to complete with the person sitting next to you. This person will also be your partner for the project you’ll complete this semester and the paper you’ll write together next semester. If you fail to hold proper discussion during class time, it will negatively affect your grade.”
Tim paled as Ms. Edwards looked around the room. She picked up a stack of papers and handed them to the first person in each row. He took his packet numbly and passed the last two behind him. He didn’t even see what was in front of him. He was going to be stuck sitting next to Jason for the whole year and he’d be expected to talk to him every day and complete a project.
This was going to be the worst.
Tim tangled a hand in his hair and willed the minutes to tick by faster so he could run out of the room and never look back. If he was lucky, he could get switched to another class. If he wasn’t lucky, maybe he could skip every class and hide in the library, doing all his homework and the project alone to make up for it.
He risked a glance at Jason and found he didn’t look much happier about the arrangement, his lips pulled into a thin line as he frowned down at the paper in front of him, hands curled into fists on the top of his desk.
Tim chucked his textbook into his bag after they were passed out, and barely listened to whatever else Ms. Edwards had to say.
Once the bell rang, he bolted from the classroom utterly relieved and not caring that Steph had to sprint to catch up with him when he turned the corner for his next class.
~~
“This is so unfair,” Tim swore as he shoved a handful of fries into his mouth.
“Maybe this is fate telling you to give Jason a chance. Maybe you could actually be friends instead of hating each other’s guts all the time,” Steph said, waving her hand around innocently enough.
Tim narrowed his eyes. “That’s bullshit. What did you do? Did you somehow tell our teacher to sit us next to each other?”
“I did nothing,” she sniffed. “I’m insulted you would think otherwise. And when would I have gotten the chance to tell her? Today was our first class.”
“I know your meddling when I see it, Steph. Don’t try and tell me this wasn’t your plan. If you had nothing to do with it why were you telling me to stop judging Jason?”
Steph shrugged and stole one of his fries, dipping it into her chocolate shake. “I just thought it was time you moved on. My tolerance of your complaining about him has reached a new low and I’m tired of it. There are thousands of better ways you could spend your time than by ridiculing someone who really hasn’t done anything to you other than indulge your petty arguments.”
Tim growled and stared at his fries, willing them to burst into flames for no other reason than the satisfaction that came with destroying something.
“Look,” she sighed. “Just give him a chance. If you don’t talk to him, you’re going to fail the class and we both know Jason probably isn’t going to let you negatively affect his grade.”
“What are you talking about? He doesn’t even care about school!” Tim asked, nearly catching the edge of his basket of fries while waving his hands around wildly. He needed to make Steph understand how crazy everything she was saying sounded.
None of it was making any sense and he was ready to bury himself under the covers and pray it just went away.
Steph huffed and shook her head. She didn’t say anything else but did steal two more of his fries even as he glared at her. He nearly shoved the rest of the basket in her direction, but instead took one of his fries and swiped it through her shake as she squawked and tried to bat his hand away.
He shoved the offending fry into his mouth and grinned as he chewed, feeling a little better about the whole Jason situation.
~~
Tim sneered at Jason when he sat down next to him and Jason gave him the same look. Tim crossed his arms and sank down in his desk chair, staring at the head of the person in front of him. He was going to ignore everything. He was going to ignore Jason. And he was going to ignore this class.
The bell rang over their heads and Ms. Edwards took her spot behind the podium.
“Your prompts for today are on the board. Discuss those and the short reading from last night while I take attendance. Once you’re all finished, we’ll begin our class by opening the floor up to any interesting insights you may have discussed.”
Tim saw Jason shift out of the corner of his eye, but he defiantly kept his gaze away from him. Jason huffed but didn’t say anything.
Someone cleared their throat in front of them and Tim looked up, his heart stuttering when he saw Ms. Edwards standing in front of them with her arms crossed.
“Is there a reason why the two of you haven’t begun to discuss last night’s reading?” she asked, raising an eyebrow. “Everyone else has already started and yet you two continue to sit here in silence. I believe I made myself clear yesterday that there were no exceptions to partner discussion.”
Tim let out a breath and leaned forward. “I can’t work with him,” he said, jabbing a finger in Jason’s direction.
Jason huffed. “Yeah because you make working with you so easy in the first place.”
Ms. Edwards held up a hand. “I don’t want to hear it. I don’t care if the two of you don’t get along or tear each other’s throats out in the hallway our outside of school. When you’re in my class, you’re going to do the assignment I’ve left for you. If you refuse, I’ll have you both booted from class before you can even blink.”
“But I need this class to graduate!” Jason cried, leaning forward in his seat.
“Then I suggest the two of you get past whatever issue you have with each other and get to work. I won’t give you another warning. This is your last chance.” She turned on her heel and walked back to her desk.
Tim caught sight of Steph who was hiding her laugh behind her math homework. He glared at her but she ignored him, trying not to disturb the rest of the class even as Ms. Edwards shot her amused looks.
Jason sighed next to him and Tim braced himself for what was coming. He turned in his seat and faced him.
“Look,” he started, voice tight with dread. “I know we basically hate each other but I can’t not be in this class and get the credits I need to graduate. So, can we just…I don’t know, do the minimum amount of discussion to get Ms. Edwards off our backs?”
Tim dragged his gaze away from where he was glaring at Steph and met Jason’s eyes. His shoulders were tense, and he looked ready to bolt and Tim couldn’t blame him when he felt the same way.
“Aren’t you forgetting about the semester project that will require us to work together outside of class?” he quipped, raising an eyebrow.
“We can meet once in the library and divide up the work. The rest we can handle over email and don’t even have to be with each other while we work. Sound doable?” Jason asked.
Tim scrutinized him for a moment. The whole situation wasn’t ideal, but it wasn’t impossible to deal with. Tim just hoped the rest of the year went by quickly so he could get as far away from Jason as possible and go off to college where he’d be able to live his own life.
“Fine. Works for me,” Tim agreed.
Jason let out a breath and relaxed back in his seat. He turned to the whiteboard and scanned the questions Ms. Edwards left for them. He made a face and Tim snickered.
“Are the questions not to your liking?”
Jason made a pained noise in the back of his throat but didn’t look away from the board. “They’re just so simple. The textbook was pretty clear about the first kinds of recorded history and how that’s changed over the years as language evolved. I don’t know why we need to outline that.”
Tim shrugged. “Maybe to make things easy since it’s the beginning of the year?” he asked.
Jason scoffed. “Life doesn’t just take breaks and history is important. We should be diving in and trying to understand as much as possible, not easing ourselves into things for the sake of avoiding difficulty and conflict. Human history is full of that.”
“Do you just, read history books for fun every night before bed? Are you one of those History Channel documentary guys?”
Jason shrugged. “Not really. I look up what I can but I’m more of an English guy than a history one.”
“Then why do you care so much about this class?”
Jason raised an eyebrow and leveled him with an unimpressed look. “Are you serious right now?”
Tim shrugged and nodded, glancing at the other people around him who were still deep in conversation. Ms. Edwards’ gaze roved over the room, not settling on any one pair too long as she smiled gently.
“We all need a history class to graduate and this was one of the most advanced our school offers. If I want to possibly get some scholarships for college, I need to ace this class. If I get kicked out of this class or fail it’ll show up on my transcript,” he huffed.
Tim swallowed, feeling nausea curl in his stomach. “Oh,” he mumbled.
Jason sneered. “I know rich kids like you don’t have anything to worry about when it comes to paying for college or any other expenses in life, but some of us actually have to work for it.”
Tim shifted in his seat, his discomfort growing. “Look,” he sighed. “I’m sorry okay. I didn’t mean it like that. I just didn’t realize.”
“Of course you didn’t. People like you never do,” Jason growled.
“Alright everyone, bring your attention back to the front,” Ms. Edwards said, straightening behind the podium and oblivious to what had just transpired between Jason and Tim.
Tim pressed his lips together and turned in his seat, facing forward once again. He didn’t know what he would’ve said if given the chance, but he felt like he needed to say something to Jason. Or maybe prove that not all rich people were like that. But he didn’t have much of an argument when he really had things so easy and spent his time judging Jason when he didn’t know the first thing about him or what he was going through.
He pulled out his notebook and slapped it onto his desk. He flipped it open to a clean page and marked it with the date. Every reason he had for hating Jason’s guts or avoiding working with him faded away in the face of Jason’s reality. He had no choice but to make sure they both aced this class for the year and he was damn well determined to make it happen no matter what it took or how much time he’d have to spend with Jason.
~~
Tim turned the corner and froze when he saw Jason and Roy walking towards him. Jason glanced at him but didn’t make any other move to address his presence, continuing on past him.
Tim tightened his grip on the straps of his backpack and ducked his head. He didn’t know what he was expecting but maybe having a common goal in history class was enough to diffuse any other interaction between them.
Although now that he was thinking about it, he was almost certain every interaction they’d had in the past was started on his part. He couldn’t deny that he was the most hostile of the two and he wondered if they would’ve fought so much if he let Jason go on his way and kept to himself.
He still felt guilty over the day before and thought he needed to make it up to Jason somehow but any form of apology he could think of felt empty or meaningless when it came to Jason.
Tim sighed and hurried through the hall to his next class. He’d have to keep thinking, but he was sure the only thing he could do at this point was put all of his efforts into history even if it was at the expense of his other classes.
~~
Tim nodded at Jason when he sat down next to him in history class. Jason nodded back and they didn’t say anything as they waited for the bell to ring. The other people around them chatted with their partners, ignoring the prompts on the board for the moment, but enjoying the bonds they were already starting to form.
Tim doubted he and Jason would ever reach that kind of familiarity with each other before the end of the year. He frowned when he realized there was a slight ache in his chest at the thought of missing out on that kind of understanding.
He sucked in a quiet breath when the bell rang and straightened, readying himself like he was going to war. He turned to face Jason who was already watching him.
“You want to start or me?” Tim asked, gesturing at the board.
Jason cocked his head to the side and sneered at the board. “These questions are still more annoying than anything else. It’s like reading quiz level of difficulty.”
Tim couldn’t help himself when he chuckled. “Then what do you want to talk about?” Tim asked, propping his fist against his cheek.
Jason blinked at him, seemingly surprised for a moment. He shrugged and Tim watched a light blush flood his cheeks.
He huffed. “I guess my main problem with the civilizations of the past is not caring about their records. Like, they could’ve made so much amazing art or music or writing. Hell, even public records would’ve been great to have centuries later so we could have a better understanding of what people did, but they just didn’t care and either let it get destroyed or didn’t bother to store it.”
“Can you really tell me that you save your daily schedule in the hopes that it’ll one day be an important historical document?” Tim asked.
Jason scoffed. “Please, like anyone would find anything important in my daily schedule.”
Tim smirked. “And you just answered your own question. Those people back then probably didn’t think anyone would see the worth in the records they were keeping. Or they didn’t have the capacity to even imagine anyone living a hundred years in the future, let alone a year, when they didn’t have much of a concept of time. They probably didn’t think anything would still exist after their lives ended.”
Jason grumbled something under his breath. “Okay, fine I guess you’re right. I still don’t like it though.”
Tim chuckled. “You’re not meant to like it. A lot of historians don’t like it because we have no idea what life was like back then but that’s just the state of things. At least now we have the internet that can keep a digital record of human life.”
“As long as an apocalypse doesn’t happen that totally wipes out the internet and all digital records,” Jason shot back.
“If an apocalypse is happening, libraries and museums won’t last much longer than the technology blackout. They’ll get burned or destroyed, by humans or natural disasters. Whichever category the apocalypse ends up falling into anyway,” Tim said.
Jason narrowed his eyes. “You seem to have a put a lot of thought into this.”
Tim wrinkled his nose and shook his head. “Not really. It’s just kind of common sense when you think about.”
Jason narrowed his eyes and leaned forward. “How so?”
Tim matched his posture and grinned, bracing his elbows on his knees. “Okay, so…when you’re considering the future of the human race, as far as an apocalypse goes, you have two options. It’s going to be caused by humans or it’s going to be a natural disaster.”
“What about aliens?” Jason interrupted.
Tim waved his hands. “We’ll only take that into account once we find proof of alien life.”
“But there’s plenty of potential on moons and planets which already exist in the universe. Scientists have found conditions similar to Earth’s where life could’ve developed.”
“That’s true, but we don’t know if there’s life there or not. Now stop interrupting so I can explain this to you,” Tim huffed. “The human causes are most likely going to be nuclear, unless society just somehow regresses and we basically abandon organized civilization, which I don’t exactly see happening, but who knows, we could end up driving ourselves into extinction since we can be so stupid sometimes.”
Jason breathed a laugh and Tim swallowed, having to take a moment because he never would’ve imagined Jason laughing when they were together, let alone being the reason Jason laughed.
“Okay,” Tim continued, voice a little unsteady. “The other option is natural disaster which takes out all forms of electricity and destroys major cities, killing large population centers and crippling government and organization.”
Jason nodded. “Okay I’m with you so far, go on…”
Tim grinned. “If the nuclear option happens, that’ll short-circuit all technology so the world will go dark. Some systems might still stay online but if you don’t have the workers to keep things going, those won’t last long, and last time I checked, every person in the world didn’t have the skills to maintain advanced technology systems or power plants. If the natural disaster occurs, again, you won’t have the workers to keep those systems online and all digital footprints will probably get wiped if there’s no one to get them back online and if none of those files are backed up, they’re going to be lost. Not to mention that buildings and businesses in the major natural disaster centers are most likely the most advanced so the hardest hit to cultural records is going to come from big cities located near the coast.”
Tim grinned as he sat back. He could see Jason turning over all the information in his head. He crossed his arms and nodded.
“Okay,” he conceded. “But that doesn’t mean there won’t be enough for future historians to piece together the past and understand what life was like before all that happened.”
Tim shrugged. “That’s assuming this whole cycle hasn’t been repeating itself and past civilizations did have those records, but the destruction was too great that practically nothing survived.”
Jason narrowed his eyes. “Has anyone ever told you that your brain is a terrifying place?” he asked.
Tim chuckled. “More than you know.”
“Okay, everyone let’s come back together,” Ms. Edwards said, catching their attention.
Tim’s smile slipped from his face. He swallowed and turned to face the front of the room, belatedly realizing that he’d actually enjoyed his conversation with Jason. As off-topic as it was.
~~
Tim glanced at Jason as they passed in the hallway after lunch.
“Well that’s interesting,” Steph said beside him, voice taking on a conspiratorial edge.
“What is?” he asked, barely paying her any mind, his thoughts already on his history class that afternoon.
“You walked within two feet of Jason and didn’t tear each other’s throats out.”
Tim rolled his eyes but kept his gaze on the hall ahead of them. “Don’t act so surprised. We have to get along for class. It’s not worth it to fight in the hall.”
“Yeah, but you don’t have history for another period and there’s no teacher around to make sure you act civil around each other right now. And last time I checked, you didn’t give much of a shit about getting to class when you were around Jason.”
“Just shut up,” Tim grumbled, stuffing his hands in his jeans’ pockets.
Steph snickered next to him. “You want to know what I think?”
“No, not really.”
“Okay rude,” she huffed. “And I’m going to tell you anyway since you’re not being nice to me. I think that you actually like talking to Jason and you’ve realized that he’s really not a bad guy.
“And you know what I think?” Tim shot back. “I think you’re crazy for thinking that. We might be getting along now, but I can guarantee that once we get the grade for this class and pass with flying colors, we’re going to go back to hating each other’s guts. It’s not going to change anything, as much as you’re going to insist otherwise.”
“I wouldn’t be so sure about that,” Steph said, finally catching his attention. He glanced at her and found her smirking at him. “You seemed pretty happy to talk to him about your theories on parallel universes the other day. I think you even smiled. And he seemed more than invested in what you were saying for someone who’s just acting as your project partner.”
“Don’t get so excited, it doesn’t mean anything,” Tim grumbled, ignoring the little stab in his chest at the thought. He wasn’t going to spend time thinking about what that meant. He couldn’t be getting attached. Not to someone who hated his guts and didn’t give a shit about him if it didn’t benefit him in some way.
~~
Tim glanced up at Ms. Edwards when he snatched the folded sheet of paper back from Jason’s fingers. They’d gotten into a heated discussion at the beginning of class and neither of them had been able to leave the topic alone, so they resorted to passing notes in class while their teacher lectured with the most elaborate Powerpoint Tim had ever seen.
He unfolded the paper, jotting down a couple notes in his notebook before he scanned Jason’s words.
You can’t seriously think that people in the past didn’t find remnants from other civilizations. Or even dinosaur bones. I’m sure more than enough fossils have been lost because of poor care or ignorance.
Tim huffed and grabbed his pen, hunching over his chair to scribble out his response.
Maybe so but if that was always the case then what made people curious enough to keep the first fossils we still have? Maybe they were seen as a kind of trophy or sign of status. Maybe dinosaur bones caused wars or feuds to break out because people were desperate to claim them.
He folded up the paper and slid it off the desk, passing it back to Jason.
“Boys?” Ms. Edwards asked, clearing her throat.
They both jumped and looked up, finding Ms. Edwards standing at the entrance to the aisle between their rows, her eyes on the square of paper held between their hands.
“I’m sure whatever conversation you’re having is incredibly interesting, but I am trying to teach a history lesson. So please put that away. You can continue your conversation after class and if I see it again, I will confiscate it.”
Tim let go of the edge of the paper like he’d been burned and slid down in his chair. “Sorry,” he mumbled, picking up his pen to focus his attention on his scrawled notes.
Jason shoved the note into his backpack and sat forward, tangling his fingers in his hair as he picked up his pen to take more notes.
Ms. Edwards nodded and returned to her podium, to the muffled snickers of the rest of the students. She cleared her throat, silencing the class and moving to the next slide in her lecture.
Tim diligently took down the notes and main points she’d prepared for them and hoped his blush went away a lot faster than the lingering heat in his face suggested it did.
~~
Jason unfolded the sheet of paper as soon as he was in the hallway and free of Ms. Edwards scrutiny. He was embarrassed over being caught passing notes in class, but he couldn’t help it if his conversations with Tim were interesting and kept him as occupied as their class lecture did.
He could handle both of those things and knew it wouldn’t cause him to fall behind even if it didn’t look good to the teacher. As long as she didn’t kick him out of class that’s all that mattered.
He scanned Tim’s response and rolled his eyes. As much as Tim was interested in sci-fi and had opinions about alien life and surviving any form of the apocalypse, he still had an astounding lack of creativity or understanding of human curiosity.
“Why do you have such a specific expression of exasperated amusement on your face?”
Jason glanced up and found Roy standing in front of him, eyeing the paper in his hands. He folded it up and shoved it into his pocket.
“Nothing,” he answered, pushing past him to walk down the hall to his last class of the day.
Roy grinned and hurried to keep up with him. “This doesn’t have anything to do with your lovely little partner in history class does it?”
Jason flushed but tried to glare at Roy to keep him from touching that topic.
“Oh it does!” he said, sounding more delighted than Jason thought he had any right to. “I’ve gotta say, I wasn’t expecting this kind of drama to happen during our senior year, but I am so excited that it did. You’re like a real-life soap opera. I need to start carrying popcorn with me.”
“Just shut up,” Jason grumbled. “This has nothing to do with you.”
“Whatever you say,” Roy teased.
Jason rolled his eyes and tried to hurry to his last class in an effort to ignore whatever scrutiny Roy would give him over what was going on between him and Tim, not that it was any of his business. But Roy had a habit of sticking his nose into things where it didn’t belong.
~~
“Okay, now that you’ve had time to get to know each other and jump into the early dredges of history we’ve covered since the beginning of the year, it’s time to start picking out your topics for you history project,” Ms. Edwards said as Tim turned to pick up his conversation with Jason where they’d left off the day before.
Tim sagged back in his chair, wishing their teacher couldn’t have waited until after they got their usual conversation time to introduce their project.
“As I’m sure will disappoint many of you, you’re not going to have complete freedom over what you research, but I do have a list of time periods and topics you’re all going to choose from. I’ll go around and each pair will draw a number from a hat. We’ll go in order of the numbers to choose which topic you’d like.”
Ms. Edwards crossed the room, handing a stack of papers to the first person in each row.
“These papers have a list of the requirements for the project and the list of topics is on the back. I’ll give you about five or ten minutes to go over all of this and discuss things with your partner before we draw numbers. If you find you really don’t like anything on this list, I am willing to assess any proposals you might have, and we can work something out so everyone’s happy. Okay? Okay.”
Tim scanned the page in front of him, reading through the requirements for source material and what would be needed for their presentation. They’d have to put together enough information for a six-minute presentation with a Powerpoint but he was happy they could use a video aid as long as it wasn’t longer than a minute.
Tim flipped over his page and looked down the list of topics. He glanced up at Jason who was staring at the list too.
“Thoughts?” Tim asked with a sigh.
Jason glanced up at him and shrugged. “There’s some interesting topics. Nothing I’m overly excited about but we could do something about the Romans or the Vikings.”
Tim nodded. “The Vikings might be pretty interesting actually. And since we can use videos in our presentation, we can use that to give some background information before diving into something specific about them.”
Jason smiled. “Yeah that would be great actually. We could probably find something in a History Channel documentary. Or even a short Youtube video.”
Tim snickered. “Of course you would go for the History Channel. I knew I was right in tagging you as a documentary guy.”
Jason rolled his eyes. “So, we’re agreed on Vikings for our first choice.”
Tim nodded.
“We should probably have one or two more back-up topics.”
Tim sighed. “Romans could be one. I don’t know, what else would you be interested in?”
“Ancient China?” Jason suggested. “Maybe the silk road.”
Tim nodded. “Yeah okay. There’s probably a lot of information about that too and at least we can use a mixture of documentaries and books.”
Jason smiled and blinked when a basket appeared between them. He glanced up at Ms. Edwards who had an eyebrow raised at him.
“Oh, right,” he mumbled and reached into the hat. He snatched a small piece of folded paper and pulled it out, letting Ms. Edwards step past them to the next pair.
“Well?” Tim asked. “What’s the damage?”
“The moment of truth I guess,” Jason mumbled. He opened the slip of paper and winced.
“Tell me we’re not last?” Tim begged.
“We’re not last,” Jason admitted. “Our number is thirteen.”
“So third to last,” he grumbled.
Jason nodded.
Tim bit his lip and slumped against the back of his chair. He wasn’t going to expect anything. He knew they probably wouldn’t get their first choice of topics and maybe not even their second choice. He just hoped they got something they wanted.
“Okay everyone,” Ms. Edwards said, stepping behind her podium again. “Are we all ready to start picking topics?”
Tim glanced around the room and saw groups giving each other death glares as they began the fight and hopefully won the favor of the draw to get their desired topics.
Tim bit his lip and crossed his arms when the first number was called. The group took one of the most popular topics and he heard several groups groan and start frantically whispering about their other choices. What was picked first wasn’t one they were looking for, offering a little bit of a relief their choice hadn’t been taken yet. But as was always the case when it came to picking topics in class, there were still a lot of groups to go.
The whole process was agonizing, and it felt like ages between one group and the next as they picked what they wanted. Their second choice was snatched up after the first six groups had gotten their assignments and Tim was amazed that their third choice was taken before their first pick.
Tim glanced at Jason who looked just as shocked as him.
“Okay,” Ms. Edwards said. “Number thirteen. Who has number thirteen?”
“We do,” Jason said, raising the piece of paper in his hand.
Ms. Edwards smiled and raised an eyebrow, waiting for them to voice their topic.
“We’re going with the Vikings.”
She nodded and marked something down on her sheet before turning to the next group. Tim let out a breath and sagged in his chair. He scrubbed a hand over his face and shared a look with Jason.
“I can’t believe we managed to get our first choice.”
Jason nodded. “I don’t think that ever happens for people so far down the list like us,” he agreed. “We should get to work on this as soon as possible. The sooner we get it done, the sooner we don’t have to worry about it anymore.”
Jason nodded. “Do you want to meet in the library after school and we can divide the work up?”
Tim nodded. “Yeah. We can find some sources and outline what we want to cover.”
“Quiet down,” Ms. Edwards said, bringing their conversations to a close. “I know you’re all excited to get working on your projects, but I still have today’s lesson to get through. Later next week we’re going to be picking presentation days. You’ll find the range on your assignment sheets so start thinking about what dates would work best for you. And if you really are that excited to get started on your project, you’re more than welcome to get started in the library after school.”
~~
Tim buried his face in his arms after he dropped into a chair at the table Jason had already snagged in the library.
“You okay?” Jason asked.
Tim huffed and nodded. “Just exhausted. You know, the usual I guess.”
Jason chuckled. “Well it’s almost the weekend. Only a few more days to get through.”
“Yeah but now we have this project to work on.”
“But that doesn’t mean you can’t sleep in,” Jason argued.
“Fair enough,” Tim grumbled and finally sat up in his chair, rubbing his fists against his eyes. “Any idea of where we can start with this?”
“Well it’s a history project,” Jason drawled. “So, we can start by outlining which parts of the history of the Vikings we want to cover. Their origins would be a good place to start and their general practices.”
Tim nodded. “I can find a documentary to reference over the weekend. And I’ll look for some reference books, too.”
“Do you want to focus on their everyday lives?” Jason asked, pulling out his notebook.
Tim nodded. “Yeah, I can do that. Aren’t they famous for their raids?”
Jason paused. “I think so? I’ll make a note of it and we can figure it out later. We should probably meet a couple times to put everything together.”
“Does this weekend work for you? I know I was just complaining about sleeping but at least we can order pizza and chill while doing work.”
“Yeah sure,” Jason said, eyebrows raising in obvious surprise. “Does Saturday work?”
“Yeah. Here,” he said, pulling out one of his sticky notes. “Let me give you my phone number and we can text each other a good time.” He shoved the piece of paper with his scrawled number across the table.
Jason took it and pulled out his phone, putting in the digits before he shot a message back to Tim. He felt his phone vibrate in his pocket and watched as Jason pocketed his phone.
“I feel like we should be doing more work than that,” Tim admitted. “But I also know some of this will have to be done on our own.”
Jason nodded. “Yeah…I kind of feel the same way. But we’re also going to have time over the weekend to do this and I don’t really see the point in spending hours in the library right now.”
“You mind if I just hang out and do some of my homework for tonight?”
He shook his head and pulled out his math textbook. “I was thinking of doing the same thing. Might as well use the time we’ve got here.”
Tim smiled and pulled out his chemistry textbook and the worksheet they’d been assigned. The silence between them was easy as they got to work, pencils scratching against different sheets of paper.
~~
Tim grinned and held up the two pizza boxes in his hands when Jason pulled the door open.
“You brought pizza?” he asked.
Tim rolled his eyes and pushed past him, taking in the small apartment. “Of course I did,” he scoffed. “I couldn’t not bring brain food and you’re letting us work here when you didn’t have to.”
Jason shrugged, shoulders stiff with the movement.
“So…are we going to work in the living room or at the kitchen table or would you prefer your room?” Tim prompted when Jason didn’t make a move to direct him anywhere.
“Right, yeah,” he said, snapping out of whatever daze he’d been in. “We can go to my room. I’ve already got all my stuff spread out over the floor.”
Tim nodded and followed Jason to his bedroom. The floor was covered in books and papers, but Tim didn’t have an issue finding a spot for himself. Jason helped him move his homework out of the way to set the pizza down.
He flipped open the top of the first box and grabbed a slice before stretching his legs out in front of him and pulling his laptop from his bag. Jason was a little more hesitant to take a slice of pizza and he didn’t relax right away when he settled back down among his piles of papers and ideas.
Tim hummed under his breath and opened his programs.
“So,” he started, taking another bite of pizza. “I was thinking we could use this video in our presentation. I know we can’t take up more than a minute, but it gives a pretty good explanation as to the practices of the Vikings.”
Jason nodded. “Lay it on me.”
Tim turned his computer and let the clip play, the sound filtering through his speakers clearly.
“Looks good to me,” he agreed. “I think that would be good to put between the history of the Vikings that I’m covering and the start of your section.”
“Yeah, that’s what I was thinking, too. Have you put any slides together?”
“No. I didn’t really feel like I was ready to do that, and I think it would be better to do that together anyway.”
Tim nodded and opened his web browser. “We can use the free software through Google so we can both access it.”
He quickly set up a presentation and sent the link to Jason’s email.
Jason grabbed another slice of pizza and pushed himself to his feet, sitting down in his desk chair to bring his desktop to life. He tapped away at the clunky keyboard and Tim smiled when his name appeared in the corner of his screen.
Tim added a few slides and stuck the video in the middle of them, knowing they’d both add more slides as they needed and compiled their work together.
Silence fell between them, but Tim didn’t find it uncomfortable in the slightest. Jason prompted him to pass him the pizza every now and then and they ate most of it as they worked on their project in companionable silence. Tim had never expected to be in the same room as Jason for so long without fighting. He never expected to be in Jason’s home in the first place.
Tim startled when he heard the front door slam, his fingers jerking against the keys and making his sentence deteriorate into a bunch of jibberish.
“Jason?” a woman called.
“Shit, sorry,” Jason mumbled to Tim, pushing himself from his chair. He hurried from the room, pulling the door shut behind him.
Tim strained to hear what was being said but couldn’t make out much more than the soft murmurs of their voices. He sighed and went back to his work, wiping his fingers on a crumpled napkin to keep the grease off his keys.
Jason returned a few minutes later. “Sorry about that,” he apologized. “I guess we lost track of time. I thought you were going to be gone by the time my mom got back from work.”
Tim shrugged. “It’s not a big deal, really. If you want me to, I can go…”
“No really, it’s okay,” Jason said in a rush, holding up his hands. “My mom’s fine with it, too.”  
“Although,” Tim continued, smirk pulling at his lips. “I don’t know if we really need to do that much more work or we’re going to have this finished today.”
Jason sat down in his chair and grinned. “That might not be such a bad thing.”
“Maybe not but we’re still a month out from when presentations even start.”
“Well,” Jason said, “if we’re not going to work on this anymore, you feel like watching a movie? Or do you need to get home? I guess I shouldn’t assume-”
“A movie would be great. We still have some pizza left anyway that I’m dying to eat. What do you have?”
Jason grinned and pushed himself out of his chair. He pulled a large bin out from under his bed and shoved it in Tim’s direction. Tim started sorting through the cases as Jason picked up his schoolwork, putting it in a small pile on his desk.
“I don’t know if I’m going to be able to watch all of the ones I want in one sitting,” Tim warned as he made a small pile next to his hip, flipping through the next few cases.
“We can always continue this next weekend,” Jason said with a shrug.
Tim swallowed and ducked his head, hoping to hide the grin that pulled at his lips. “Sure. If you don’t mind having me around.”
“Not at all,” Jason said, voice light. “We have to finish our project anyway.”
“Let’s start with this one then,” Tim said, passing him one of the cases he’d picked out.
Jason looked over the title and nodded. “This is a good one. Just let me get this set up.” He turned back to his computer and inserted the disk into his tower. He clicked several things and enlarged the screen so it took up his whole monitor.
He glanced over his shoulder and paused. “It might be easier if we both sat on the bed,” he said, flush rushing to his cheeks as he pulled the curtains over the window behind his desk.
“Yeah, no problem,” Tim said, pushing himself up from the floor. “It makes sense since we only have a computer monitor to work with.”
Jason heard the bed shift behind him and fought not to look until he hit play and stood up from his chair. He spared a quick glance in Tim’s direction before he crawled onto his bed and leaned back against the wall next to Tim.
Their shoulders brushed as they settled into place and even though there was some space between them, Jason could still feel the warmth wafting off Tim.
He swallowed and fought to focus on the movie, ignoring why he was so distracted by their proximity in the first place. There were project partners and really nothing more even if it felt like they were edging into that kind of territory.
Jason didn’t want to get his hopes up. And he questioned why he’d even have to worry about that in the first place.
~~
“Oh come on,” Tim protested, eyes focused on Jason’s computer screen.
He angrily shoved a handful of popcorn into his mouth and Jason hid his smile behind his sip of soda.
They’d worked on their project for about an hour before they both got distracted and bored and decided to put it to the side in favor of continuing their movie marathon. They were ahead of where they needed to be anyway, and Jason knew that taking some time to enjoy themselves on a Saturday wouldn’t put them that far behind.
He glanced to the side, taking in Tim’s profile. He wasn’t sure if he was imagining it, but he thought they were sitting closer than they had the week before. Every time Tim reached to grab a handful of popcorn, their biceps brushed together, sending a jolt of warmth against his skin.
Tim’s eyelashes almost seemed to brush his skin when he blinked, and Jason wondered if they were as soft as they looked. His eyebrows were turned down because he was annoyed with whatever choice the protagonist was making and Jason couldn’t blame him when he had the same thoughts.
Every time Tim offered some insight or commentary into the plot of the movie, Jason was drawn in by his thoughts. When he laughed, his nose would crinkle up in an adorable way as his eyes nearly squeezed shut and he leaned back against the wall to keep himself upright.  
Jason froze and pulled his gaze away from watching how Tim’s blue eyes were focused on the screen, soaking up every detail of the film they were watching and no doubt catching things Jason would never understand. He swallowed and fought down the rising panic in his chest that wanted to drown him under his new revelation.
He wasn’t supposed to be interested in Tim. They were supposed to hate each other’s guts. They had hated each other’s guts until they were paired together for their history class. And it didn’t help anything that their teacher had paired them because she thought they would work out romantically.
Jason grabbed a fistful of popcorn and shoved it into his mouth. Tim moved next to him and Jason almost thought he’d been found out but he did nothing more than hold the bowl towards him so he could have more of the snack.
He ducked his head in a half-nod and grabbed another handful of popcorn to keep his mouth busy. He was afraid that his realization would burst out of him and incriminate him. He couldn’t find Tim attractive. He couldn’t think he was cute. Not when Tim probably only tolerated him at best.
Tim would hate him if he knew about his growing feelings. They’d never be able to get along again, and it would put them right back where they’d been at the beginning of the year. And Jason was just starting to realize that he never wanted to go back to that place. He realized how much he hated it and had hated it when he was still there.
He’d just have to suffer through their work sessions on their project and the time they had to spend together in class. Beyond that, he’d need to keep his distance. He’d need to get some of the distance that used to be between them back.
He couldn’t push Tim away fully. He was too selfish for that and he didn’t think Tim would let him if he tried. Not when he was content to spend a couple hours together without an issue.
Jason swallowed. He’d make it through the year. He’d spend as much time with Tim as he could, but he wouldn’t become weak to what he wanted. They’d get through their project and that would be it. The only time they’d spend with each other after this would be in class.
He could deal with it. It would be enough. Even if it wasn’t what he wanted.
~~
Tim shoved the door to his bedroom open and let it slam shut behind him. He dropped his backpack on the floor and tried to keep himself from hyperventilating as his chest tightened and his breaths came faster.
He swallowed and fought to push the memories of sitting next to Jason on his bed for a handful of hours from his memory. They weren’t friends. They could barely be classified as friends. They were just bored and needed to get their project done for class. It meant nothing more than a grade and he was trying to convince himself of that.
Jason didn’t like him. He tolerated him and he knew he just put up with his presence in his home, but he didn’t like him. And even if Tim was drowning under the beauty of Jason’s intelligence and every comment he made that got Tim to laugh, he couldn’t do anything about it.
Tim squeezed his eyes shut when his brain wanted to fixate on the size of his biceps and how great he looked in whatever he decided to throw on for the day. And then there was his secret nerdy side…
He shook his head, fighting to push his thoughts to the back of his mind. The longer he lingered on them, the closer to the forefront of his brain they would be and if that happened, they would not doubt get him into trouble. And if he didn’t get himself into trouble with Jason, then he would definitely out himself to Steph and he couldn’t allow that to happen.
Tim would fight to get through the end of their project and then he’d bury anything he felt for Jason under the rest of his classes and his homework. He knew there wasn’t going to be anything for them once this project was done.
They’d be back to where they were before it happened and would have no more interaction than their conversations in class.
There wouldn’t be any more movie nights. There would be fewer witty conversations. And Tim would struggle with the loss of a great relationship he could’ve had for years but would no doubt be out of his reach because of the choices he made in the past.
Tim sighed and threw himself onto his bed. He buried his face in his pillows and was determined to block out the rest of the world for a few hours at least. He didn’t want to think about anything.
And if he did think about something, he wanted to be able to bury it in his dreams so that his suspicions of soft-looking lips and tight hugs would never see the light of day and he’d never risk embarrassment over his attraction to the one person he was supposed to hate for the rest of his life.
~~
Tim kept his head down as they neared their project deadline. They finished ahead of schedule and used the extra time they had to prepare to practice their presentation once a day in the library after school.
Now that they didn’t have to prepare anything and had their portions of the presentation practically memorized, there was no longer an excuse for longer conversations or their movie marathons.
Something ached deep in Tim’s chest when he couldn’t go over to Jason’s house and lock himself away in his room while they watched a movie. He’d never get to sit close to him on the bed or share snacks or talk about the most ridiculous thing from whatever movie they put on.
He tried to ignore the pain that seemed to hurt him deep inside whenever the light caught Jason’s eyes just right, or he caught him laughing at something Roy had said to him in the hallway. He missed pulling those deep belly laughs out of Jason.
Steph had noticed where his gaze lingered and asked him about it, but he wasn’t ready to admit his feelings, let alone talk about missing the time he’d gotten to spend with Jason over the course of the semester.
When the moment of truth finally came, he got through their actual presentation in a daze but knew he hadn’t messed up a single line from how many times they’d practiced.
Jason grinned at him when they finished, and their class offered polite applause. Tim returned Jason’s enthusiasm easily even if something inside his core shattered that Jason didn’t like him for anything more than the grade they were working to get together in the class.
And now it was all over.
The days following their presentation were painful. They barely talked before class started and Tim constantly glanced in his direction but didn’t get any sign that Jason might be missing their usual camaraderie like he was. He wasn’t able to focus on any of the other presentations that were given, thoughts swirling in a toxic circle that always came back to the same thing.
Tim’s sleep got worse. He stayed up late staring at the ceiling, worried that he’d done something to piss Jason off as the distance between them continued to grow. He didn’t know how to fix anything between them and thought they were back to the point of no return. He was sure if they didn’t change things before their semester ended, they’d never get back to the point where they had been.
~~
Jason forced his eyes closed but knew he wouldn’t be able to sleep any better than he had been the past few weeks. The sounds of the city outside his apartment were too loud. They accused him of all the mistakes he’d made in his life, the most horrible of them the distance growing between him and Tim again.
Things had been going well between them. Every second they spent together outside of school was like a small victory for him and what he wanted in life. They hadn’t even gotten through every movie Tim had wanted to watch before it was time to give their presentation and their time working on their project had ended.
They still saw each other in school and had class together and Jason was ecstatic they got the best grade in the class on their project, but things were awkward between him and Tim like they never had been before.
Sure, things hadn’t been easy when they were forced together at the beginning of the year but that was more because of the lingering animosity between them. They’d never been awkward.
And now he was sure he’d been reading the signs wrong between them. Even if he had to suffer through his growing attraction for Tim, he was happy to have him as a friend. But now that even seemed out of reach. He didn’t know how to fix it either.
If he asked Tim what happened he’d probably scoff and say that they were only spending time together because of their class and that would make things even more awkward because Tim would know he’s interested.
He’d become the school joke because there was no way Tim would keep that quiet if they were still the furthest thing from friends they could be.
Jason huffed and rolled onto his side, burying his face in his pillow. He could only hope that they could fix things or at least get back to where they had been before their presentation.
He wouldn’t survive if he had to stew with this uncertainty for the two weeks of winter break.
~~
Tim glanced at Jason when he sat down in his seat next to him in class. They’d passed each other in the hall earlier but neither of them had made eye contact or any other sign of recognition.
He wanted to say something, but he seemed to be at a spectacular loss of words as of late. Even their conversations in class which used to delve into the most random topics never strayed from the questions Ms. Edwards wrote out on the board for them.
The bell rang over their heads and as the other groups around them started their discussion, Tim sluggishly turned in his chair.
“Hey,” he said.
Jason glanced at him and turned in his chair, leaning heavily against the back of his seat.
“So, what did you think of last night’s reading?” he continued, nearly wincing at how stilted and formal the question sounded like they hadn’t already spent a whole semester talking and working on a project.
Jason shrugged. “It was interesting. I want to know more about the ritual practices that were touched on in the middle of the chapter. It didn’t go into much detail.”
“Was that really the most important section to focus on though?” Tim asked.
“Does it matter if it was or not?” Jason scoffed. “I found it interesting and would’ve liked to know more. Obviously, they can’t go in depth on every topic or the textbook would weigh a thousand pounds.”
“Right,” Tim huffed and rolled his eyes. “I guess you can just watch a documentary and get the answers you want.”
Tim swallowed the bitter taste that filled the back of his throat. This wasn’t how he wanted their conversation to go. It felt wrong and tainted. They couldn’t go back to how they’d been. He didn’t want them to.
They stared at each for a moment and Tim sighed.
“Okay everyone,” Ms. Edwards said, cutting off what he was about to say. “Let’s get things started, shall we? Who wants to go first?”
Tim turned to face the front of the room and pulled out his notebook. He sagged down in his chair and tried to push any thoughts of his crumbling relationship with Jason to the back of his mind. He’d fix it later.
~~
Tim felt more irritable the closer to winter break they got. If the stress from studying for finals wasn’t bad enough, he always seemed to be plagued with thoughts of what was going on between him and Jason.
His sleep schedule was beyond fucked up and it had nothing to do with trying to cram as much studying in as possible. His brain never shut up and Steph was avoiding him after he snapped at her because he couldn’t handle his own shit.
“Okay I’m going to take pity on you and forgive you for snapping at me yesterday,” Steph huffed, sitting across from him at lunch.
Tim glanced up from his tray of sad looking food. “I’m sorry about that,” he mumbled.
“I know you are, but you can’t take out your teenage angst on everyone else. Especially your best friend,” she said, giving him a onceover. “Normally I would hold out until you came crawling back to apologize, but you look so sad I decided to take pity on you.”
“Thanks.”
Steph stared at him for a minute and Tim tried not to shift under her scrutiny. “You really need to fix whatever’s going on with you.”
“I don’t know how.”
“Here’s a thought: talk to him.”
“It doesn’t matter. It won’t do any good,” he said, throwing his plastic fork onto his tray.
“God, you’re so hopeless sometimes. Okay, fine,” she huffed. “If you’re not going to try to fix this and just let whatever happens, happen, then you can’t be sad and moan and groan and get mad at me. So, get your shit together and talk to him, or shut up and get through the next week before break.”
Tim slouched further in his chair and ran a hand through his hair. He nodded and shoved a cold fry into his mouth, chewing bitterly.
~~
Tim threw himself onto his bed when he got home from his last day of school. He’d struggled to get through his history final without being distracted by Jason next to him. Even when he finished his test and turned it in, he still couldn’t do anything because they weren’t allowed to talk and Jason took more time than he did.
He didn’t want to risk trying to pass a note and getting caught by Ms. Edwards either. She could’ve thought they were cheating and as desperate as he was to repair what was between them, he wasn’t going to risk Jason’s grade even if he didn’t care that much about his own.
Tim was ready to bury himself in bed and ignore the rest of the world for two weeks. He didn’t want to go to his parents’ Christmas party, and he didn’t even care about what happened on Christmas and the pile of consolation prizes his parents bought for him.
The only thing he wanted was for things to be fixed and if it meant willing away the time off they had, then he would give it all away and jump right into second semester.
His heart ached and he almost wished he could show up at Jason’s front door and settle in for a movie night with pizza and ice cream.
Tim sighed and yanked his blanket over him, forcing his eyes shut in the hopes that he might finally be able to get some sleep.
~~
Jason stared out his bedroom window. Snow was falling gently between Gotham’s buildings and the road was already covered with a light dusting of snow. It would turn to slush soon even with the reduced traffic on the streets because of Christmas.
His mom was still asleep after getting in late from work the night before and he hadn’t managed to pull himself into the kitchen to start making breakfast. He’d pulled out the small plastic Christmas tree they kept in their place when he got home after his last day of school before break and managed to put it up, the mindless task letting him empty his head for a few minutes.
There were two boxes under the bent and crooked branches. Their gifts always bordered on practical. They didn’t have the money for anything extravagant and they learned early on they only really wanted things they had a use for rather than the meaningless trinkets that filled store windows during the shopping season.
Jason sighed and pushed himself away from the wall. He grabbed his hoodie from the back of his chair and slipped it over his head. He carefully moved into the kitchen, keeping an eye on his mom’s room to make sure he wasn’t waking her.
He pulled the milk from the fridge and filled a small saucepan. He left it to heat up as he put the jug away and grabbed the cocoa powder and the sugar from the cabinet.
Jason pulled the whisk from the jar on the counter and measured out the cocoa and sugar, slowly mixing it in the heating pot.
He heard a noise come from his mom’s room and sighed, hoping she would’ve had a bit longer to sleep in before she was roused and brought back to the land of the living.
Her door opened and she wasn’t quiet or subtle as she approached.
“Hot chocolate?” she asked, voice still rough from sleep.
“Yeah,” he murmured, watching the cocoa dissolve into the milk.
“Have you eaten breakfast yet?” she asked.
He shook his head. She moved around him and grabbed a pan to set on the stove next to him. She pulled two mugs from the cabinet and left them next to Jason for when their drinks were ready. She grabbed the carton of eggs and a bowl and began to crack eggs into it in preparation for scrambling.
She paused after closing the egg carton and reached across the counter for the small radio plugged into the wall. She turned it on and quickly changed channels before settling on a station playing Christmas music.
Jason smiled as she began to hum along and prepare their breakfast. He turned off the stove eye he was using and poured the hot chocolate into the two mugs.
Something still ached in the back of his chest and he tried not to dwell on any thoughts of Tim, but he was going to let himself have one day where he didn’t beat up on himself for thinking about him. He could worry about Tim and their crumbling relationship later. They might have the chance to fix things once their spring semester started, but right now he had some time with his mom on Christmas and he knew he wasn’t going to see her much for the rest of his break, so it wouldn’t do to be in a sour mood.
Jason hummed along to the radio under his breath and pulled a loaf of break from the cabinet, popping two slices into the toaster before he clinked his mug to his mom’s and they both took a sip.
~~
Tim paused in front of the double doors to his school and took a deep breath. It was cold and snow was drifting down over his head, but he needed a moment before he faced the day ahead of him.
He was going to fix things with Jason. He didn’t care what Jason’s reaction was and if it turned out he still hated him, then knowing that was better than drifting in an abyss of uncertainty.
He hurried up the steps and pushed through the doors with the people around him. He shivered at the warmth that enveloped him, glad the school wasn’t being stingy with the heat considering the freezing temperatures outside. He studied the crowds around him, searching for Jason’s familiar profile.
Steph waved at him, trying to catch his attention. He waved her off and mouthed ‘later’ in her direction. She frowned, eyebrows drawing down in her confusion but nodded and let him move away.
Tim kept an eye on the hall as he stopped at his locker. He pulled it open and grabbed his books for his morning classes and shoving his winter coat inside before slamming it shut. He pushed up onto his toes to look over the heads of the crowds around him. He huffed when he didn’t catch sight of Jason and continued down the hall.
He didn’t know where Jason’s first class was, but he knew if he wandered around long enough he’d find him somewhere. Unless he was hiding out under some stairwell.
Tim shoved his way through a line of people and turned the next corner, eyes sweeping up and down the hall. He caught sight of a head of red hair and blinked, hurrying forward, thinking it might be Roy and where Roy was Jason was a step ahead.
He slowed when the student turned, and it was definitely not who he was looking for. Tim huffed and continued, turning down the next hallway where another row of lockers and classrooms were.
“Looking for someone?”
Tim jumped and whirled around, finding Jason had snuck up on him. He narrowed his eyes and looked him up and down.
“Where did you come from?” he accused.
Jason hiked his thumb over his shoulder at the door to the bathroom a few feet behind them.
“Oh,” Tim sighed and relaxed.
“You didn’t answer my question,” Jason said, shoving his hands into his pockets. “Were you looking for someone?”
Tim cleared his throat and shifted on his feet. “Yeah actually. I was looking for you.”
“Me?” Jason asked, brow furrowing. “Why?”
Tim sighed and ran a hand through his hair. “Look, I don’t know if you feel the same way or what, but I really missed how well we got along when we were doing our history project. I liked being able to hang out with you and watch movies and I want to do that again. If you do, anyway…”
Jason stared at him for a minute, turning the words over in his head. He nodded and smiled. “Yeah, I’d…I’d really like that actually. I missed getting to spend time with you, too, and we still have a stack of movies to get through.”
Tim chuckled and felt his face flush with their proximity. “Movie day this Saturday?” he asked, biting his lip.
“And every Saturday after until we get through them?” Jason offered, voice small.
Tim nodded eagerly. “Yes. Yeah. That sounds good.”
Jason nodded. “Cool.”
They stared at each for a moment.
The bell rang over their heads and pulled them out of their daze.
“I uh, have to get to class,” Tim said, stepping around Jason to head back the way he’d come.
“Yeah,” Jason agreed, turning to face him. “Me too. I’ll see you in class, I guess?” he asked.
Tim nodded. He paused for a second longer, letting himself soak up Jason’s appearance before he turned and disappeared into the throng of students hurrying to their first class, the anxiety and unhappiness finally uncurling in his chest and letting him breathe a little easier.
~~
Tim grinned as he rounded the corner to his history classroom. He stopped short when he saw Jason coming from the other direction. He was walking with Roy who had an arm around his shoulders.
Tim frowned, anger curling in his gut at the easy contact the two of them were able to share. He finally had their friendship back, but he was starting to realize that wasn’t enough. He wanted to be able to have such casual personal interactions with Jason like Roy did.  
Actually, what he wanted was to be able to curl into Jason’s side and lean his head against his shoulder as they curled up in his bed and watched a movie. He wanted to play with Jason’s fingers and hold his hand. He wanted to see if Jason’s lips were as soft as they looked and wanted to run his fingers through Jason’s hair.
Tim ran a hand through his hair and shook his head, pushing the thoughts from his mind. He couldn’t think like that. Things were finally back to normal. He was going to be friends with Jason and the rest of the year was going to be great. He didn’t need anything else from him. He wouldn’t let himself linger and fixate on those kinds of things.
Not when it could easily destroy everything they’d just repaired.
Tim ducked his head and pushed through the door to Ms. Edwards’ classroom. He hurried over to his desk and slid into his seat, dropping his backpack on the floor. The board was empty of the usual questions they had at the beginning of class and Ms. Edwards was already standing behind her podium and smiling at the students in their seats.
Tim didn’t look up as the door opened but he saw a figure slide into the chair next to him out of his periphery.
“Hey,” Jason greeted, voice light and happy.
Tim glanced up, unable to stop the smile that pulled at his lips at seeing Jason next to him. “Hey,” he greeted, turning in his chair. “What’s up?”
Jason shrugged. “Not much. I’m ready to go home but I wish I wasn’t back to having homework to do.”
Tim chuckled, thinking about all the books he’d have to take home. “I know. I’m ready to ignore all of it instead and hope it just magically works out.”
“I don’t think that’s the best idea. But as long as you do the work for this class, I don’t really care,” Jason shot back with a grin.
Tim nodded slowly. “Of course.”
~~
Jason sighed as he walked out of History. He couldn’t stop the happy smile that graced his lips. He was happy. He felt lighter than he had for weeks and winter wasn’t looking quite so gray as it had over break.
He had Tim back and he was going to get to hang out with him more often than he thought. He could even survive without the movie days they were already planning, satisfied with the light conversation they would share in class.
“What’s that look for?”
Jason rolled his eyes. “What are you talking about?”
“That smile,” Roy said, poking him in the cheek. “You look kind of dopey. What fairy godmother came and granted your wish?”
“No one, duh,” he shot back.
“Well I know it’s not school that has you looking like that so what happened. Spill all of your dirty secrets for me, Todd.”
Jason batted his hand away from his face. “It’s nothing.”
“Uh-huh,” he grumbled, not sounding like he believed him in the slightest. “I don’t believe you. This doesn’t have anything to do with why you were such a grouch over break, does it?”
Jason swallowed and looked away, eyes unconsciously searching the crowd of students in the hall.
“Okay, so it does. Now…who was the person that got your pants in a twist before break…” he said, sounding contemplative.
Jason’s eyes landed on Tim in the hall. He was standing next to Steph while she dug through her locker. Jason was on the verge of smiling at just seeing Tim, but when Steph placed a hand on his shoulder and pressed a quick kiss to his cheek his stomach dropped.
Jason’s jaw clenched, his teeth clacking together. Anger curled in his gut at the sight. Tim looked exasperated and swiped at his cheek to wipe away the lip gloss. It eased Jason’s anger slightly, but he still didn’t like that someone else could touch Tim the way he wanted to.
“I thought you hated Drake,” Roy said, grabbing his arm.
Jason froze and glared at him. “What?” he asked.
He waved at Tim. “Drake. I thought you hated him. I mean I know you had that whole project with him and everything, and you had to do some work together so he went over to your place, but…” Roy trailed off as his eyes widened.
Jason sighed, eyes sliding shut as Roy put all the pieces together.
“Dude, what the hell?” he asked. “When did that happen?”
“When did what happen?” Jason asked, bracing himself for the biggest shitstorm of all shitstorms.
“When did you start dating him?”
“What?” he asked, eyebrows furrowing.
“You and Drake. When did that happen?”
Jason opened his eyes. “Roy, we’re not dating.”
Roy frowned and glanced back at Tim. “Then why did you…” He paused and his eyes somehow got even larger. ��Holy shit,” he breathed. “You’re not dating, but you want to be.” He made a face. “Great, now I have to deal with your lovesick, angsty ass over this whole thing. Please don’t do the whole emo teenager in love thing. I can’t handle any more of that with you.”
Jason rolled his eyes and tried to step around Roy, intent on getting to his last class without catching Tim’s attention while he was having this conversation.
“I’m not gonna do the whole emo teenager in love thing. And nothing’s going to happen between us. Tim doesn’t like me like that, and I think that’s something we can all agree on.”
“I dunno man. I think if you got over your hatred for him then he could, too. You already spend a ton of time outside of school with each other. And willingly I might add. None of us ever expected that to happen so I think anything’s possible at this point now.”
Jason sighed. He wished that was true, but he didn’t think it was possible. There was no way things could work out that well in his life. He didn’t get the happy fairy tale ending. Guys like him never did.
~~
“Can you believe people are already planning things for prom?” Tim scoffed when he pushed through the door to Jason’s apartment for their weekly Saturday movie day. “Like, I don’t get what the big deal is. Prom isn’t that impressive and yet people are getting all worked up over getting tickets and finding dates when it’s still forever away.”
Jason snickered and shut the door behind them. “It’s not that far away. Just a couple of months. And I guess if you have to make limo reservations or whatever, you’re going to want to get that done as soon as possible.”
Tim huffed and threw himself onto Jason’s bed, staring at where their next movie was already set up. “I guess. I still don’t get why it’s so important. I mean yeah, I did go last year but it wasn’t that great so what’s so great about this year? It’s not going to be that different just because I’m a senior.”
Jason grinned and hit play on his computer before crawling onto the bed next to him. “Maybe other people are just more romantic than you and think that even if something was bad before that doesn’t mean it can’t get better with time.”
“I guess, but I still don’t really want to go.”
Jason shrugged and pulled his knees up to his chest, eyes focused on the screen. “Then don’t go. There’s no one saying you have to. I’m not going.”
“But I can’t not go,” he cried, running his hands through his hair.
“Okay, you’ve officially lost me,” Jason said, rolling his eyes. “You don’t want to go but you have to go. How is that even possible?”
“Because Steph wants to go, and she’ll stop at nothing to get me into a tux and a limo.”
“Ah so she’s the one who’s forcing you,” Jason muttered, trying to ignore the familiar souring in his gut whenever he saw Tim and Steph together.
“Yeah,” Tim huffed. “I don’t see why it matters that I’m coming along. She put together a huge group and will have plenty of other people to talk to. But, of course she won’t let me sit at home and eat oreos on the couch when an overpriced night that I’ll forget about ten years from now is the highlight of spring semester.”
“That doesn’t mean you can’t enjoy it,” Jason huffed, slouching back against the wall. “Pick out the restaurant or stick yourself next to the refreshment table. Are you even paying for your tux or the limo rental?”
Tim was silent before he bit out a soft, “No.”
Jason shrugged. “Then it doesn’t really matter that much. Enjoy it while you can, and you can duck out early if it really gets to you that much and you’re not having fun.”
Tim fiddled with the comforter spread over the bed under him. “Thanks, I guess. What about you? Are you going to be there? Wait…you answered that already. Sorry, stuck too far in my own head, I guess.”
Jason tightened his hold on his knees. “No, you’re right I won’t be there. I’ll probably just be hanging out here all night.”
“Why aren’t you going?” Tim asked, looking up at him.
Jason kept his gaze on the computer, not wanting to see Tim’s reaction to what he was going to say. “No one to go with is the biggest thing, I guess. And I can’t really afford to rent a tux. It’s kind of a frivolous expense and since money’s already pretty tight, I don’t want to ask for something like that.”
“I wish I could stay in and hang out with you,” Tim grumbled.
“If you ever work up the courage to say no to Steph, you can,” Jason said with a shrug, forcing his hopes to stay considerably low.
Tim grumbled in the back of his throat and curled onto his side, content to sag into the warmth of Jason’s blanket and let the hours slide away in the face of their movie marathon.
~~
Tim tugged at the bowtie around his neck. It felt like just yesterday he was complaining to Jason about going to prom and now he was stuck in the constricting suit. Steph would undoubtedly criticize a handful of things about his appearance and the lack of effort he put into it.
His interest in prom had only seemed to wane as the semester continued and he dreaded the day as it slowly approached. He still wished that he could stay at home and curl up in bed or go over to Jason’s and watch movies with him.
He sighed and let go of his bowtie. He smoothed down his suit jacket and ran a hand over his hair to make sure none of the strands were out of place. The one thing he could be happy about was that instead of going to a fancy hotel like the year before, prom was being hosted at their school so he could make an escape at any time and he wouldn’t be too far from home.
The doorbell echoed down the hall and Tim sighed, shoulders slumping under the weight of what he was about to do. He trudged out of the bathroom and headed for the stairs.
“Tim!” Steph sang from where the butler had already let her in.
“I’m coming, I’m coming,” he huffed.
He swung around the corner to the foyer and found Steph in all her purple glory. Her hair was curled and clipped at the side of her head and she wore large silver earrings and a resplendent necklace around her throat.
“Could you look any less happy?” she asked, rolling her eyes.
“I told you I didn’t want to go,” he grumbled, following her through the door and down the steps to where the limo was waiting in the drive.
“And I told you we had to go because it’s tradition and we can’t miss out on our last prom ever.”
“We went last year and, no offense, but this is more your thing than it is mine,” he said, sliding into the backseat. He nodded tightly at the other people who’d already been picked up, not as close with any of them as he was with his best friend.
“And what would you be doing if you weren’t going to prom?” Steph asked, voice high and sweet as she levelled him with a knowing look.
Tim flushed and shifted in his seat, not wanting to start their usual argument over Jason they’d been having as of late. It was bad enough Steph was accusing him of having feelings for Jason and he had to deny it at every turn, but it was almost worse that Tim was actively battling his crush and had been since January.
He wasn’t sure if he was happy or heartbroken that he wouldn’t have to be faced with Jason again once May rolled around and they walked across the stage to receive their diplomas. He didn’t want to part with him. As much as he’d hated him before, he couldn’t imagine not having him in his life now that they’d gotten the chance to bond over movies and homework and Jason had become someone he considered a friend.
Tim stared out the window as the limo wove through the streets in his neighborhood and turned towards the streets of Gotham. The others around him started talking and Tim tuned it out once their initial attempts at trying to draw him into their conversation failed.
He wondered what Jason was doing. He wondered if he’d made popcorn and which movie he was watching, if he was watching one at all. He might not have been in the mood to watch a movie and was reading a book instead. He hadn’t made much progress through the pile on his bedside table lately, more concerned with getting his assignments for his AP classes done and studying for the tests that would be coming the next week.
“Tim. Tim!”
He jolted and looked up, finding Steph standing with a hand on her hip in the limo door. Everyone else had already crawled out and were waiting for him. He flushed and hurried to step out of the limo.
Steph shut the door behind him and reminded the driver what time he’d need to be back to pick them up.
Tim trailed behind the group as they headed for the open gym doors. Balloons swayed in the nighttime air and music filtered out from the darkened interior.
They stepped inside, a few white strobe lights flashing over the dance floor. Softer, electric lamps lit up the refreshments table in the corner and the tables around the perimeter of the room.
Tim’s smile was tight as he took his picture and hurried inside, not caring if he left Steph and the others behind.
“Tim, what’s wrong with you?” Steph asked, catching his elbow.
He heaved a sigh, looking around the room. “Nothing, I just, wanted to get a drink is all.”
She stared at him, eyebrows furrowing but let his arm go as the rest of their group came up behind them. “Okay, if you’re sure. I think we’re going to head on out to the dance floor.”
Tim smiled and slipped away as she turned to talk to everyone else. He walked around the back of the table and filled a paper cup with punch. He tossed it back and swallowed, the sweet taste bursting to life over his tongue.
He sighed and crushed the cup in his hand, tossing it into the waiting garbage can. He spotted Steph moving through the crowd as she dipped her head to the beat of the music. Tim knew he’d be expected to dance to at least one song during the night but the thought of getting into the midst of the thrashing bodies was horrific and one he didn’t want to participate in.
Tim shuffled over to the corner, hoping the shadows would keep him concealed from Steph’s prying eyes. He tilted his head back, letting it hit the painted brick behind him. His heart was several streets away at Jason’s apartment. That’s where he wanted to be. That’s where he knew he could be happy.
He straightened spine snapping into place and he glanced at the dance floor again. Steph was completely consumed with the people around her and he knew he wouldn’t be missed as long as she was surrounded with people who cared as much about prom as she did.
Tim glanced at the gym doors and started for them, intent on leaving prom and all of this behind. He darted around people crossing the floor for drinks or the dance floor and fought his way through the wave of people that pushed through the double doors after getting their pictures taken.
“If you leave, there’s no reentry!” one of the volunteers called after him.
Tim waved his hand over his head and took off, sprinting across the parking lot for the sidewalk. The toes of his dress shoes nipped at his toes, but he couldn’t find it in himself to care, not when he finally had the chance to close the gaping distance that had been pulling at him for most of the night.
His suit jacket flapped against him as he ran and turned the corner. He barely noticed his labored breaths as he crossed the next street, barely making it across before the light changed and cars whizzed through the spot where he’d just been.
He charged down the sidewalk, darting around people who stared at him, no doubt worried that he’d lost his mind and would last out at the next person in his path. He practically sighed when he caught sight of Jason’s apartment building and jumped off the edge of the sidewalk, high-tailing it across the two lanes of traffic that ran in front of the building without a care in the world.
He shoved the broken gate open and took the stairs two at a time before he made it to the floor of Jason’s apartment. He swallowed and fought to catch his breath as he walked the last few feet to stand in front of his door.
Tim raised his hand, hesitating for only a moment before he knocked several times. He pressed his lips together to try and calm his breathing and waited, hoping he hadn’t misjudged everything between him and Jason. He heard the muffled sounds of someone moving around inside and Jason’s grumbling reached his ears as he approached the door.
It stopped when he no doubt glanced through the peephole and saw him standing there.
The lock clicked and the door was yanked open a second later, Jason staring at him with wide eyes as he braced a hand on the doorjamb.
“Tim?” he asked. “What are you doing here? You’re supposed to be at prom. Hell, you’re wearing a tux!” he cried, looking him up and down.
Tim smiled, trying to put Jason at ease even though he was still a little breathless. “I left.”
“You left?” Jason asked. He ran a hand through his hair, obviously trying to make sense of everything going on around him. “Jesus just…get in here,” he said, pulling Tim inside.
Tim stumbled slightly but righted himself quickly when Jason shut the door and locked it before turning to face him.
“Okay, explain,” he said. “Why did you leave prom?”
Tim shrugged, losing some of his earlier confidence but he knew he couldn’t beat around the bush. They’d been doing it for long enough and the end of the year was crawling closer with every day that passed. Tim was going to run out of time if he didn’t make a move soon and at least try to go after what he really wanted. And if he ruined it, then he wouldn’t have to see Jason ever again after graduation.
“I realized prom wasn’t where I wanted to be.”
“I know that,” Jason huffed. “You spent months complaining about having to go. But why are you here?”
Tim took a deep breath and squared his shoulders, trying to meet Jason’s eyes even in the face of possible rejection.
“This is where I wanted to be.”
“In my apartment?” Jason asked, making a face.
Tim huffed and rolled his eyes. “You know, for someone as smart as you, you can be really fucking stupid sometimes.”
“Just tell me what you mean!” Jason cried, running his hands through his hair.
“I wanted to be here with you,” Tim shot back.
Jason froze and stared at him, eyes wide.
Tim sighed, shoulders sagging. “I didn’t want to be at prom. I wanted to be spending time with you. Here or anywhere. I don’t really care as long as you’re there.”
“Tim, I-” Jason started and stopped before staring at him.
“I…like you,” Tim said, voice careful and steady. “I have for a while and I realized the only way I actually wanted to be at prom was if you were there with me. But if I’m being completely honest…if I had to choose between being with you at prom and being with you here so we could chill and watch movies, I’d definitely choose being here.”
Jason gaped, mouth moving as he tried to find something to say. “Okay,” he finally said, voice higher than normal. “Okay, so that’s a thing.”
Tim chuckled, his chest warming at seeing Jason flustered in front of him as he tried to process everything Tim just admitted. He shoved his hands into his pockets and rocked back on his heals.
“So…” Tim said, glancing around. “Not that I’m not happy to have finally told you that, but I wouldn’t mind you telling me if you feel the same? Because if not-”
“I do!” Jason said, waving his hands in front of him like he was afraid Tim was going to walk away. “God yes, I feel the same way. It was driving me insane because I thought you didn’t want to be anything more than friends and then when things were weird between us after our history project I thought-”
“I know,” Tim agreed, wincing at the memory. “That wasn’t a happy time. And winter break was awful because I didn’t get to see you and I didn’t get to talk to you. Everything sucked and I couldn’t wait to start school again if it meant getting to see you in class.”
“Me too. And I like you, too,” Jason said, cheeks turning pink. “I guess I should actually say that and not let us keep going around in circles but…yeah I like you, too.”
Tim grinned, feeling happier than he had in a long time. “I know this is kind of sudden but I already ran out of prom to come here do you think we could-”
“Movie marathon?” Jason asked hopefully.
Tim nodded.
“I’ve already made popcorn,” Jason said, stepping past him.
“Wait,” Tim said, catching his elbow.
Jason frowned and looked down at the hand on his arm before giving Tim a questioning look. “What is it?”
“Do you mind if I…” Tim trailed off and sucked in a breath before he rocked up onto his toes and pressed his lips to Jason’s cheek in a quick kiss. He wanted to go for the lips, but he wasn’t sure where Jason’s boundaries were since things were all kind of new between them.
Jason pressed his lips together, trying to hide the pleased smile that pulled at his lips.
“Come on,” he muttered, tugging Tim down the hall to his room.
Jason started the movie that was paused on his computer and made himself comfortable on the bed, moving the bowl of popcorn around to keep it from spilling.
Tim bent over and unlaced his dress shoes before pushing them off. He slid his jacket from his shoulders and draped it over the back of Jason’s desk chair. He yanked off is bowtie and breathed a sigh, happy to be free of the constricting material.
He crawled onto the bed next to Jason and pressed their shoulders together. Jason glanced at him and met his gaze, smile small and personal and sweet. He shifted towards Tim and reached for him before hesitating.
“Can I…” Jason asked.
Tim nodded and waited a beat as Jason’s hand came to rest on his cheek. They gazed into each other’s eyes, the movie playing in the background as they gave it none of their attention.
Jason ducked his head and pressed their lips together. Tim sighed and wrapped his arm around Jason’s shoulders, sliding closer. Jason tilted his head forward, searching for more contact.
Warmth spread in Tim’s chest and he was happy to spend the rest of the night, and even wishing he could have spent the next day, curled up with Jason and getting to know him in all the ways he hadn’t gotten to yet.
~~
“You look amazing,” Jason whispered, staring into Tim’s shining blue eyes.
“So do you,” Tim agreed, grin crooked as they slowly turned in the middle of the dance floor.
Moonlight cascaded through the skylight over their head now that the lights had been dimmed and candles flickered on the tables surrounding the dance floor.
“Can you believe we’re finally here?” Jason asked, glancing around at the tables around them.
“I know,” Tim sighed. He pressed their foreheads together and closed his eyes, trusting Jason to guide him around the floor. He wouldn’t let him fall. He’d never let him fall. Or he’d catch him if he went. “We’ve been planning this for so long and now it’s finally here.”
Tim tightened his hand on Jason’s shoulder, the cooler temperature of the band around his finger pressing into his skin. Jason pulled him closer, flattening his palm on Tim’s lower back.
“And to think so many things could’ve gone differently, and we might not have made it here at all,” Jason whispered.
Tim chuckled and pulled back, grin nearly hurting his cheeks. He glanced around and saw other couples had begun to join them as they danced.
“Ms. Edwards?” Tim asked.
Jason bit his lip, trying to fight down his own grin. “Exactly what I was thinking,” he agreed with a low laugh that made warmth curl in Tim’s stomach whenever he made Jason laugh.
“It’s been eight years since we’ve had her, but none of this would’ve happened without her.”
Jason’s brow furrowed. “It’s kind of scary that she was able to see so much potential between us. Especially when we hated each other’s guts.”
Tim shrugged. “Yeah but someone had to kick some sense into us. And finding even ground was easier through schoolwork than if we’d been forced together for something else. We wouldn’t have stayed in the same room long enough to talk if it wasn’t a requirement.”
“And now I can’t imagine anything better than being stuck with you.”
Tim pulled his hand free from Jason’s and wrapped his arms around Jason’s shoulders. He pulled him down for a kiss, one of the first they’d gotten to share as they started the rest of their shared lives together.
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meredithritchie · 6 years
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Mask of Anonymity: Anonymous Asks as a Teen Outlet
[The following is an article I wrote for a campus submission. I retained the rights to publish it here, as well. It regards my experiences as a fandom blogger.]
“Hi, I’ve been suffering with what is probably depression for years without any help and recently it’s been getting worse,” begins the anonymous message that drops into my inbox one night. It’s a teenager asking me how to keep themself stable until they can get a diagnosis from a pediatrician. I tell them I’m proud of them. I tell them I’m not an expert. I tell them to be kind to themself. I tell them they’re loved.
Since founding my Tumblr blog in April of 2017, these messages have become almost routine. In just a few months of actively posting my fanedits and fanfiction online, I amassed almost five thousand followers.  In this particular fandom, where the most popular bloggers have ten thousand followers, that’s a dramatic amount. Via the blog’s anonymous ask feature (colloquially called “anons”), anyone in the world can drop a question into my inbox without revealing their username, even if they aren’t one of those five thousand. Many if not most of these followers are minors, and some of them are not even of the minimum age to use the site: thirteen. My sister is twelve and loves watching fandom videos on YouTube, and in one year, she will be old enough to make an account with access to my blog and the blogs of all five thousand of my followers. I wonder if she’ll be one of the faceless messages I get in my ask box.
“Could I ask for some advice? It's about gynaecologists and vaginal health while being trans.”
“What I’m wondering is, how did you go about narrowing down lists of colleges to go to?”
“I basically cant[sic] think anymore and it's really hard to do school work because of this. Do you have any advice?”
“How does one stop obsessing over someone, when that person will never be theirs?”
“Hey I really need some help like older sister stuff help”
“I had a breakdown at school today. At least I think that’s what happened because I don’t remember it clearly.”
Some of it is generalized, and some of it is specific, but it all comes from a recognizable place of teen struggle and fear. Sometimes these messages linger in my inbox, as I try to struggle for just the right words. Other times I feel urgency, and dash off a response as quickly as possible. I re-read the post later and wonder if I said the right things, if I said what I meant. I’m not the only one.
Other fandom blogs, some even larger than I am, have turned off anons or closed their ask box entirely because of an influx of personal rants, requests for help, and even suicide notes. While Tumblr’s anon feature is meant to be a place for shy and intimidated users to express themselves in a way that isn’t possible via conventional social media like Facebook and Twitter,  the double anonymity of a hidden screenname offers confidence to say things that are otherwise difficult or even unsayable. When it comes to personal questions and statements, many young people lack a safe location to speak them, and the ask box offers a unique relief. Many teens don’t want to speak to their parents, teachers, or guardians about their sex life, their mental health, or their personal problems. Even Googling answers sparks fear that a teacher will confiscate their phone, or a parent will borrow their laptop, and evidence will be left in view. With a generalized segregation of America by age, most teens also don’t have other adults which they can speak to on a friendly basis, let alone speak to face to face for advice on difficult issues. Often the only adults that young people interact with face-to-face are authority figures like older relatives, teachers, and coaches. In the absence of face-to-face interactions, teens instead turn to the leaders of their fandoms, who often foster online personas  as Fandom Rens, Moms, Uncles, and Sisters. Plenty of older fandom members cultivate this image, though “older” is relative and in a small community these members may be only eighteen or nineteen years old, though they are generally in their twenties and thirties. While many fandoms have a primary userbase of tweens and teens, these senior members often run the most popular blogs and produce the highest quality fanart, fanfiction, and other fan content. During fandom “discourse,” these older members often lead the way and resolve conflict.
“Discourse” in fandom is not like discourse in the academic sense. While academic discourse encompasses many elements of rhetoric and debate, fandom “discourse” is essentially a euphemism for argument, frequently with an ethical element or discussion of “problematic” behavior. This discourse can involve either relationships between real human beings like celebrities and fandom members or the content of any fictional work contained in the fandom canon. The wide umbrella of “discourse” covers everything from discussion of whether a fandom celebrity’s recent comment was racist all the way to whether fanwriting two characters romantically is incestual when both characters are figments of a third character’s imagination. In essence, discourse gets hairy, complicated, and even philosophical. Like real political and social issues and like fandom itself, discourse gives some young people a sense of belonging and also the feeling that they are on the side of right and reason. An individual’s choice to participate in discourse becomes part of their identity.
In this way, fandom becomes what Mary Louise Pratt refers to as a contact zone, “where cultures meet, clash, and grapple with each other.” Through fanfiction “AUs” (alternate universes) fans of color write white characters as PoC, queer fans write cisgender/heterosexual characters as LGBT+, and neuroatypical fans write neurotypical characters as autistic, depressed, anxious, or otherwise neuroatypical. While alternate universe only emerged as a genre with the rise of the internet, these stories reflect a longer history of the insertion of the subordinate into dominant texts. Pratt refers to a text called The First Chronicle and Good Government, in which a man native to South America uses the language of his colonizers, the Spanish, to talk about the experience of the indigenous people, “in which the subordinated subject single-handedly gives himself authority in the colonizer’s language and verbal repertoire.” Through this text, Pratt touches on what she calls transculturation, a product of the contact zone, in which “members of subordinated or marginal groups select and invent from materials transmitted by a dominant or metropolitan culture.” In the modern world, the dominant culture produces Steve Rogers, a cisgender man, and fandom reinvents him as a transgender man. The dominant culture creates Hermione Granger and Harry Potter, two white children, and fandom reinvents them as black and Indian. The dominant culture offers Legolas and Gimli, both ambiguously straight, and fandom reinvents them as a gay couple. For young marginalized people encountering this kind of contact zone for the first time, fandom becomes a community that is irreplaceable and unique, where they have the ability to express themselves and see themselves in characters.
Between the aspects of community in fandom itself and the discourse which offers a cause and creates both positive and negative relationships, it is hardly surprising that young people turn to fandom elders when they encounter a problem. After watching older fandom members participate in, manage, or even quell discourse, younger fandom members begin to look up to them as people who have all the answers, as leaders of this unique community. The availability of anonymity makes the opportunity even more enticing. A kind older fandom member becomes everyone’s shoulder to cry on, everyone’s outlet, and everyone’s therapist. While this may serve as a resource for plenty of teens, there is always an associated toll taken on the mental wellbeing of the members who serve them. Fandom creators want to help their followers, but may be struggling with their own past or present depression, anxiety, PTSD, eating disorders, body image issues, and attacks on their identity.
Self-proclaimed “Fandom Grandpa” @randomslasher (known in the community as LJ) runs the largest art and writing blog in my fandom and has struggled with a history of anon rants and anon requests both to themself and to their partner Thuri, who also runs a popular blog. As long ago as 2013, LJ posted, “I don’t think I will ever understand people who hide behind a mask of anonymity for the sole purpose of making someone else feel bad. Just because we can do something doesn’t mean we should [emphasis original].” LJ has made additional posts before and since requesting that people abstain from ranting into their inbox, but the issue continues for LJ and other major bloggers who gain new followers every single day. Many of these anonymous messages are never published, as evidenced by posts like this one, which appeared on LJ’s blog in 2018: “Anon i’m sorry to hear that, but that wasn’t a safe ask to send someone without a trigger warning, and i won’t publish it. Try to get help if you can.” The message of the post alone is ominous, and one can only guess at the content of the ask.
The teenage years are known to be a time of struggle, both personal and social. This is significant now more than ever as depression and anxiety rates among teens rise, and many teens experience suicidal ideation, unhealthy relationships with their own bodies, and struggles with their gender and sexuality in addition to the classic problems of teenhood which should be no more serious than asking someone to homecoming, getting a driver’s license, or taking a chemistry exam. However, as student struggles become more severe, especially among marginalized groups, resources to cope with this period is not moving apace, and young people use fandom as a resource to get answers and to express themselves. Older fandom members are suddenly bearing the weight of hundreds of teen struggles, and most of them have no formal training or resources to cope with them.
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dawnfelagund · 6 years
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The B2MeM Effect: On Community and Commenting
For the past few months, I have been thinking and posting a lot about commenting, namely what causes it to go up (or down) and how we, The Tolkienfic Fandom, can improve commenting on stories. All of the research I’ve done points to the fact that comments have dropped off in recent years, and this harms us as a community. Figuring out how to fix this is important to me. In a post I wrote in December for @longlivefeedback, I synthesized some of my data and ideas on the subject of commenting, drawing the conclusion that a sense of community encourages commenting:
[My] data suggest that non-commenting authors don’t feel as deep of a community connection as Tolkienfic authors and community members in general. As noted above, 78% of participants want to leave comments more often on what they read. Perhaps not surprisingly, given the above, for non-commenting authors, that number drops to 63%. This suggests that, in addition to confidence, a community connection fosters a desire to comment. 
Last month was Back to Middle-earth Month (B2MeM, @backtomiddleearthmonth). As an admin of this event, I noticed something interesting as I perused the fanworks being posted: The comment counts were much higher than normal for the Tolkienfic fandom. This sent me back to this earlier idea that community facilitates commenting.
I waited a month and returned to the first two weeks of fanworks posted for B2MeM. I also looked at AO3 and my own archive, the Silmarillion Writers’ Guild, and the number of comments being posted on those sites during the same time period. Here is the frequency of comment counts for the three sites:
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There is more discussion and data below the jump
Methodology
I looked at all single-chapter English-language fanworks posted on the three sites between the dates March 1 and March 14, 2018, inclusive.
Note that not all fanworks were fiction: There was also meta, art, and playlists, although most fanworks were fiction.
I looked only at top-level comments on sites that use threaded comments.
AO3 data came from the category  TOLKIEN J. R. R. - Works & Related Fandoms.
I collected this data on April 14, 2018.
Additional Data
During the two-week period analyzed, the following number of eligible fanworks were posted to each of the three sites:
AO3 = 169
SWG = 19
B2MeM = 55
The median number of comments received on each site for eligible fanworks:
AO3 = 1
SWG = 1
B2MeM = 4
The percentage of eligible fanworks that did not receive any comments:
AO3 = 33%
SWG = 26%
B2MeM = 9%
Some Observations
In every measure, commenting was best on B2MeM. If you look at the graph I posted above, on both the SWG and AO3, fewer fanworks have higher numbers of comments. The exact opposite is true on B2MeM: relatively few fanworks have between 0 and 3 comments. The number of fanworks receiving 4 comments, however, jumps and only slowly declines through 8 comments. This is the window where AO3 drops and the SWG disappears entirely.
B2MeM stories, not surprisingly, received a much higher median number of comments. Furthermore, you have a less than one in ten chance of posting a fanwork to B2MeM and receiving no comments, compared to a one in four chance on the SWG and a one in three chance on AO3.
Community Comparisons
Back to Middle-earth Month is an annual Tolkienfic fandom “holiday” that has run every March for the past twelve years. It began in 2006 as an anonymous meme intended to keep excitement high in the fandom after the Peter Jackson films. A few fic fandom groups, including the SWG, began sponsoring B2MeM events that year. Eventually, only the SWG continued participating, until they brought on other groups to help them organize annual events. In 2013, B2MeM shifted to LiveJournal as a centralized location, slowly separating from its sponsoring groups. Last year, the event migrated to Dreamwidth, where the 2018 event was hosted. The event’s history is described in greater detail on Fanlore.
B2MeM has always had a strong sense of community. I believe there are several reasons for this. For one, it is a month-long event, and past events have been rather intense (the infamous 2012 bingo event even resulted in the creation of an unofficial support community), generating hundreds of fanworks in some years. Some events require a degree of interaction on the community, i.e., it is not always enough to just sign up, make a fanwork, then post and ghost. Its original format as an event run on Tolkien-specific fanworks groups provided ready-made communities, who then interacted during March (rather like branches of an extended family coming together at an annual family reunion). Even once it became a standalone entity, its centralization on LJ/DW rather than Tumblr continued to make it easy for participants to interact with each other and creates the sense that participants are posting for other community members rather than the public. Participants often return year and year, and in some years, the excitement around the announcement of B2MeM events has been quite high. Finally, B2MeM frequently includes a comment challenge as part of its annual event, not only encouraging commenting but communicating the importance of commenting to culture of B2MeM.
The SWG and AO3 are archives, not communities. The SWG is a relatively small site and, because it only accepts Silmarillion-based fanworks, has a more limited purpose than B2MeM and especially AO3; however, perhaps because it is a small group catering to a narrow set of interests, it has more of a “feel” of a community than AO3. Like a small town, it is relatively easy for “everyone to know everyone,” if the effort is made to interact. The SWG also sponsors regular challenges--including comment challenges--and other group events. Therefore, feedback is slightly better on the SWG than AO3 despite the fact that the former is much smaller than the latter. If a sense of community is indeed important to commenting, it is perhaps not surprising that feedback is most dismal on the sprawling, multipurpose AO3.
Other Confounds and Factors
There are a few other factors to keep in mind, however.
First of all, there is overlap between all three groups, and B2MeM may influence the data on other sites. Some fanworks, for example, were posted to B2MeM and one or even both of the other sites. A B2MeM participant who may have read and commented on that story on AO3, for example, may choose instead to comment on the B2MeM site, driving AO3′s data lower and inflating B2MeM’s. Furthermore, because activity on B2MeM can be so intense--some authors create and post a fanwork every day or nearly so--these authors’ energy may be redirected from reading and commenting on sites outside B2MeM.
There was also a decrease in commenting as the first two weeks of B2MeM progressed. This graph shows the number of comments for each fanwork posted between March 1 and March 14.
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Notice that the very high comment counts are almost all in the first week. As the second week winds to a close, commenting slows down. Most of the fanworks that received no comments were found in the second week.
This suggests that the “B2MeM effect” may be at least somewhat dependent on the fact that B2MeM is a time-limited event driven in a large part by a brief burst of excitement and energy. Is it possible to sustain B2MeM levels of commenting across longer periods of time? How much of the “B2MeM effect” can be explained by excitement and energy around an anticipated annual event that slowly wanes as the month wears on?
Conclusions
That a sense of community plays at least some role in the “B2MeM effect” is, I think, a reasonable conclusion from this data. B2MeM generally has more fanworks posted than the SWG and less than AO3. It pulls from varied corners of the fandom. And yet comment counts are unusually high. I believe that at least part of this is due to the sense of shared endeavor that has grown up around B2MeM. It is not merely an archive for one’s work but an event where part of the fun is construed as seeing how others respond to the same challenges and--perhaps most importantly--participants see one of their roles as lending support to each other through those challenges, often in the form of feedback.
If we want to improve commenting in the Tolkienfic fandom (and other fandoms facing this problem as well), I believe we must fix the lack of a sense of community first. This is not to say that there is no community in the Tolkienfic fandom now. Clearly there is. Personally speaking, I have friends I’ve made through the SWG, LJ and DW, and Tumblr with whom I interact regularly; I’ve met at least one person met through each of these sites in person. However, the Tolkienfic fandom looks very different today, in 2018, than it did ten or twelve years ago, when most fannish activity occurred on Tolkien-specific archives and social media sites. Nearly all of these groups incorporated a community component. Sites like the Henneth-Annûn Story Archive, for example, had extensive forums for members to interact with each other. Nearly all sites had mailing lists and sometimes journal communities where members could further interact, discuss questions of canon, and talk about their writing in a more informal setting than the comments on an archive. The sense of community was very different then: You interacted with a more limited group of people, but you interacted more deeply with those people. Perhaps not surprisingly, commenting was more frequent then.
Today, the fandom is increasingly moving toward consolidation on a handful of enormous, multipurpose sites, namely AO3 and Tumblr. It is unsurprising that community is harder to achieve here, especially since neither site provides tools that facilitate it. (Even Fanfiction.net, the big multifandom archive before AO3 came on the scene, had forums.) So what to do?
We need more events that specifically seek to encourage interaction and community. There are more people active in the fandom now than ever (aside from the bursts during and immediately after the films) and yet fewer events and challenges than there were ten years ago (and most of those are being run by veteran fans or organizations that have been around that long, like @legendariumladiesapril and @teitho). Seriously, anyone can run an event. (I was profoundly unqualified to start the SWG and launch B2MeM into a major event; I survived and you will too.)
Events should encourage collaboration, interaction, and commenting, not just post and ghost.
We need more spaces built and controlled by members of our own community. We are losing Tolkienfic archives at an alarming rate. If you answer yes to the question, “Are you in the Tolkienfic fandom?” I would encourage you to support at least one site or community that is not Tumblr or AO3. (And “supporting” can look like stopping by every week or so and reading and commenting on a story or two.) The link above has a list of Tolkienfic archives; it would be lovely to see some of them come off of the inactive list. There are still active communities on Dreamwidth and LiveJournal. There are even still mailing lists just waiting for someone to care enough to resurrect them.
But in order to achieve the former, we need an open-source, current software option for building fandom sites, and one that can be used by someone with minimal web development experience. When the school year is over, I plan to pursue the development of a Drupal module for a fiction archive. If there is someone able to do this in the meantime, message me and I’ll gladly hand over the reins. In short, I strongly believe that if you want to build an independent community for fans, you should be able to do so.
95 notes · View notes
warenakita · 3 years
Text
Interview with Lensa Seni (Cendana)
For the first time, we were on the opposite side of the interview table! A weird feeling but welcoming one nevertheless. We'd like to thank Lu Yin for giving WK the opportunity to sift our thoughts on why we do what we do. Anyway, here's what we wrote back to Lu Yin upon receiving the questions via email. You may also read the published interview by Lu Yin here.
1.How did the Warenakita Collaborative come about? How has its goals, focus or strategies changed over the months?
BQ: Nisa and I created Warena Collaborative (WK) to give a name to our collaboration in 2020.
Our first collaboration documents the natural pigments we used in our practice of ceramic and printmaking. Hence the old Malay name “Warenakita” which means “warna kita” or “our colours”.
Our goals have always been to share our/other creative journeys, findings and resources with those that can benefit from it. WK focus has always been about craft, design and natural philosophy (natural science or study of nature). Our strategies? Always adapting with the tides of interest, resources and (economical) platforms. We get bored easily so it’s very important to have fun and enjoy the things we do here or change it up to make it anew.
2.You focus on the crafts of work that are made from natural environment. Also, you combine arts and science together to address issues that matter such as climate change. Through this project, why is it important to address these topics?
NN: Balqis and I are both practicing very different crafts, Balqis with sun printing and myself doing ceramics. However what we share and feel strongly about in both our practices is the appreciation of nature; the beauty and wisdom that nature offers. While working with elements of nature, we can’t help but re-examining our understanding and perception of the world around us, questioning the world view or the Weltanschauung. Oftentimes, we find that the ways we live our life are not aligned with the natural order of things, which consequently generate undesirable effects. We have become so used to the ‘unnatural’ way of life because it is deeply embedded within the fabric of society, local and global scale at large. We were never intentionally trying to fight for environmental causes such as climate change but by immersing ourselves in the natural world we cannot help but be aware of the issues surrounding it. We start realizing that the world and everything in it is much more intertwined and connected than we ever give much thought of. Everything that we do, some ways or another will have its consequences, be it positive or negative on our surroundings. That’s what we hope to share with our audiences as well, the intricacies and complexities of our world, that we are very much connected and dependant on each other. To put it simply, we are a part of nature.
3.How did the both of you meet? What are your individual entry points or reasons to working on this project and these themes?
BQ: We both first met at a mutual friend’s exhibition in Zhongshan Building, two wall flowers fending for themselves. As two in-silo makers, we both voiced the lack of financial and resources to support young practitioners. A lot of (online) check-ins, sharing our insights and figuring out ways to move forward together. Basically being a good cheerleader to one another. On a plus side, we both compliment things we lacked in each other. Nisa is quiet but she has a powerful observation that packs a punch and perhaps on my side, I contribute through my love for order and planning. Empowered from our collaboration, we want to support other alternative practitioners too . By giving them this platform (Alternatif Sundays), a safe space to share, inspire and garner potential collaborators from other disciplines.
4.Could you explain the creative process behind working on Warenakita Collaborative, from selecting the participants to supporting their projects?
NN: At the moment, we are running a project called Alternatif Sunday under the banner of WarenaKita Collaborative where we highlight stories of great interest and importance which are aligned with the intention of WarenaKita. We begin by identifying potential individuals, groups or projects to be highlighted. Once Balqis and I agree on them, we will have a brainstorming session with the invited guest(s)/collaborator(s) where we get to know more about them personally and also their works. After the brainstorming, we will start to formulate and prepare for the interview session which is the culmination of the collaborative efforts. After the interview, we will move on to the editing and curating before we release the content. We are still new at this, so it has been pretty much a lot of trial and error, exploring different ways and platforms that we can best utilize to create the most beneficial outcome. We’ve been utilizing a lot of the online platforms, as a response to the current situation we are in. We are still in that process of learning, exploring and growing alongside our guest(s)/collaborator(s) and we are extremely grateful that they have been so supportive throughout the entire process.
5.What are the criteria when selecting the participants to support them?
BQ: Local practitioner(s) that works in silo (solo, isolated or works in niched practices) in the field of craft, design or science. We want to highlight those research and practices working in the interjection of culture, tradition, history, ecology & scientific knowledge. Many creatives benefit from multi-disciplinary backgrounds and collaboration so we want to show and highlight that as much as possible so we can encourage an ecosystem of practitioners. One that can help each other and drive on healthy collaboration and competition.
6.What were the challenges you faced in this project? How did you overcome them?
NN: One of the major challenges would be balancing between the commitment for WarenaKita and our own practices and works. WarenaKita came to be as a passion project for both Balqis and I, meaning that we are investing our own time and effort into this while still running our own creative practices and businesses, as well as working other jobs. So we have to adjust the amount of commitment that we can give to WarenaKita depending on our availability and capacity. For now, we are in the middle of recruiting more people to get on board and be part of the team as well as building up our portfolio to apply for funds and grants to ensure long term sustainability of the initiative.
7.From the episodes in the first IGTV series, which story impacts you the most and why?
BQ: Each individual's story impacts us in one way or another. But on a personal level, Afiq and Shu's “The Last Glow” collaboration has challenged my worldview with its message. I can't unsee the damage we have done to our ocean nor its inhabitants. Ignorance is not a bliss. Last but not least, Huda & Dr Azril's sharing in “The Darkroom Practitioners”- based on a mutual love for slow craft and traditional image-making. Just talking and listening to both of them gives me so much hope and courage to persevere in my own journey. I can't emphasise how important it is to listen and share our own creative journey with others in order to relieve and empower each other. We need to practice more empathy and solidarity.
8.What exciting episode in your upcoming series we will be looking forward to?
NN: We do have a number of guest(s)/collaborator(s) in our mind, from diverse backgrounds and places. Among them are an artist-curator, a Singaporean writer, paper artisan, furniture designer, art teacher and many more. We are always on the lookout for potential guest(s)/collaborator(s) so the list will grow as we go along.
9.Since the pandemic, people in the art industry have shifted gears to incorporate technology such as showcasing exhibitions on social media and websites and running online discussions via Zoom and Google Meet. For your case, how do you transcend your art with technology? How has technology benefited or hindered you in the creative process?
BQ: With practitioners that use their hand, traditional tools and variety of materials or components for making, the physical and tactile experience with their work and clients are still superior over online presence. However, we don't deny the limitations we faced today with the inability to meet or travel as freely we did before.
Social media and websites helped to boost our business presence whereas online discussion via Zoom & Google Meet allow the best of face-to-face, real-time conversation with audience or potential clients during this pandemic. With the right strategy, technology can assist hands-on practitioners to cast a wider net of clienteles and sustain their business in these hard times.
But personally, for small practices, it's a double edge sword. For instance, too much social media and time spent online takes away the spirit and time for creation and exploration. We as practitioners need to be in full presence, in the physical field or consciousness to develop our craft. Each practitioner needs to find their own balance in order to avoid tech anxiety which Nisa and I personally faced from time to time. No doubt about that.
10.What are your opinions about the craft industry adapting to modern aspects (such as science and technology) in Malaysia?
NN: Craft originally has never been separated from science and technology. Take ceramics for example, the craftsmen need to have a good understanding of the clay material and other minerals, which involve to some extent geological and chemistry knowledge. They need to know how to control and predict the firing, which requires extensive experimentations and a whole lot of trials and errors to be developed. It’s just that the knowledge was never formalized in writings and books but was passed down from generations through verbal communication. Craft was not something trivial, but accompanied with long time dedication and commitment to knowledge and learning. However today it feels like most of our crafts have lost that meaningful tradition and perhaps that could be one of the reasons why the general perception of craft is rather shallow and reductive. I hope we can revive that tradition again, that craft should be practiced alongside the pursuit of knowledge. That’s how we can bring meaning and value back into our craft practices.
11.In 5 years, what do you hope to see in the Malaysian craft scene?
BQ: I hope for the craft scene in the coming years to be more embolden to make our tradition relevant to the younger generation, to thrive together in a symbiotic ecosystem not based on driving away competition but rather on support and encouragement for one another. To not just celebrate the objects, art or tradition but also the very people, community and individual that is the 'heart' of the craft.
Today we see a lot of young craft practitioners are starting out and they are looking for the meanings and values to their particular crafts, us included. I hope to see more meaningful exploration of craft that is accompanied with the pursuit of knowledge, wherever the knowledge can come from; be it from nature, the wisdom of the past or the modern technological advancement and research. There is so much value and lesson in craft that we take for granted or are not aware of, and I hope to spread the joy and appreciation for craft, for simple things in life. Naturally, the preservation and appreciation of craft will continue on as we see more practitioners are dedicating their passion and commitment and most importantly, love into the craft that they are producing. People will notice, and they will become appreciative. It’s also important to see more of such stories being told out there so that the voices of the craftspeople, researchers and thinkers can be amplified to reach a wider public. There is strength in numbers, so I also hope to see more craft communities emerge where ideas and knowledge can be shared and discussed actively.
Check out the published article in Cendana website here.
0 notes
pigmentplantplace · 3 years
Text
Interview with Lensa Seni (Cendana)
For the first time, we were on the opposite side of the interview table! A weird feeling but welcoming one nevertheless. We'd like to thank Lu Yin for giving WK the opportunity to sift our thoughts on why we do what we do. Anyway, here's what we wrote back to Lu Yin upon receiving the questions via email. You may also read the published interview by Lu Yin here.
1.How did the Warenakita Collaborative come about? How has its goals, focus or strategies changed over the months?
BQ: Nisa and I created Warena Collaborative (WK) to give a name to our collaboration in 2020.
Our first collaboration documents the natural pigments we used in our practice of ceramic and printmaking. Hence the old Malay name “Warenakita” which means “warna kita” or “our colours”.
Our goals have always been to share our/other creative journeys, findings and resources with those that can benefit from it. WK focus has always been about craft, design and natural philosophy (natural science or study of nature). Our strategies? Always adapting with the tides of interest, resources and (economical) platforms. We get bored easily so it’s very important to have fun and enjoy the things we do here or change it up to make it anew.
2.You focus on the crafts of work that are made from natural environment. Also, you combine arts and science together to address issues that matter such as climate change. Through this project, why is it important to address these topics?
NN: Balqis and I are both practicing very different crafts, Balqis with sun printing and myself doing ceramics. However what we share and feel strongly about in both our practices is the appreciation of nature; the beauty and wisdom that nature offers. While working with elements of nature, we can’t help but re-examining our understanding and perception of the world around us, questioning the world view or the Weltanschauung. Oftentimes, we find that the ways we live our life are not aligned with the natural order of things, which consequently generate undesirable effects. We have become so used to the ‘unnatural’ way of life because it is deeply embedded within the fabric of society, local and global scale at large. We were never intentionally trying to fight for environmental causes such as climate change but by immersing ourselves in the natural world we cannot help but be aware of the issues surrounding it. We start realizing that the world and everything in it is much more intertwined and connected than we ever give much thought of. Everything that we do, some ways or another will have its consequences, be it positive or negative on our surroundings. That’s what we hope to share with our audiences as well, the intricacies and complexities of our world, that we are very much connected and dependant on each other. To put it simply, we are a part of nature.
3.How did the both of you meet? What are your individual entry points or reasons to working on this project and these themes?
BQ: We both first met at a mutual friend’s exhibition in Zhongshan Building, two wall flowers fending for themselves. As two in-silo makers, we both voiced the lack of financial and resources to support young practitioners. A lot of (online) check-ins, sharing our insights and figuring out ways to move forward together. Basically being a good cheerleader to one another. On a plus side, we both compliment things we lacked in each other. Nisa is quiet but she has a powerful observation that packs a punch and perhaps on my side, I contribute through my love for order and planning. Empowered from our collaboration, we want to support other alternative practitioners too . By giving them this platform (Alternatif Sundays), a safe space to share, inspire and garner potential collaborators from other disciplines.
4.Could you explain the creative process behind working on Warenakita Collaborative, from selecting the participants to supporting their projects?
NN: At the moment, we are running a project called Alternatif Sunday under the banner of WarenaKita Collaborative where we highlight stories of great interest and importance which are aligned with the intention of WarenaKita. We begin by identifying potential individuals, groups or projects to be highlighted. Once Balqis and I agree on them, we will have a brainstorming session with the invited guest(s)/collaborator(s) where we get to know more about them personally and also their works. After the brainstorming, we will start to formulate and prepare for the interview session which is the culmination of the collaborative efforts. After the interview, we will move on to the editing and curating before we release the content. We are still new at this, so it has been pretty much a lot of trial and error, exploring different ways and platforms that we can best utilize to create the most beneficial outcome. We’ve been utilizing a lot of the online platforms, as a response to the current situation we are in. We are still in that process of learning, exploring and growing alongside our guest(s)/collaborator(s) and we are extremely grateful that they have been so supportive throughout the entire process.
5.What are the criteria when selecting the participants to support them?
BQ: Local practitioner(s) that works in silo (solo, isolated or works in niched practices) in the field of craft, design or science. We want to highlight those research and practices working in the interjection of culture, tradition, history, ecology & scientific knowledge. Many creatives benefit from multi-disciplinary backgrounds and collaboration so we want to show and highlight that as much as possible so we can encourage an ecosystem of practitioners. One that can help each other and drive on healthy collaboration and competition.
6.What were the challenges you faced in this project? How did you overcome them?
NN: One of the major challenges would be balancing between the commitment for WarenaKita and our own practices and works. WarenaKita came to be as a passion project for both Balqis and I, meaning that we are investing our own time and effort into this while still running our own creative practices and businesses, as well as working other jobs. So we have to adjust the amount of commitment that we can give to WarenaKita depending on our availability and capacity. For now, we are in the middle of recruiting more people to get on board and be part of the team as well as building up our portfolio to apply for funds and grants to ensure long term sustainability of the initiative.
7.From the episodes in the first IGTV series, which story impacts you the most and why?
BQ: Each individual's story impacts us in one way or another. But on a personal level, Afiq and Shu's “The Last Glow” collaboration has challenged my worldview with its message. I can't unsee the damage we have done to our ocean nor its inhabitants. Ignorance is not a bliss. Last but not least, Huda & Dr Azril's sharing in “The Darkroom Practitioners”- based on a mutual love for slow craft and traditional image-making. Just talking and listening to both of them gives me so much hope and courage to persevere in my own journey. I can't emphasise how important it is to listen and share our own creative journey with others in order to relieve and empower each other. We need to practice more empathy and solidarity.
8.What exciting episode in your upcoming series we will be looking forward to?
NN: We do have a number of guest(s)/collaborator(s) in our mind, from diverse backgrounds and places. Among them are an artist-curator, a Singaporean writer, paper artisan, furniture designer, art teacher and many more. We are always on the lookout for potential guest(s)/collaborator(s) so the list will grow as we go along.
9.Since the pandemic, people in the art industry have shifted gears to incorporate technology such as showcasing exhibitions on social media and websites and running online discussions via Zoom and Google Meet. For your case, how do you transcend your art with technology? How has technology benefited or hindered you in the creative process?
BQ: With practitioners that use their hand, traditional tools and variety of materials or components for making, the physical and tactile experience with their work and clients are still superior over online presence. However, we don't deny the limitations we faced today with the inability to meet or travel as freely we did before.
Social media and websites helped to boost our business presence whereas online discussion via Zoom & Google Meet allow the best of face-to-face, real-time conversation with audience or potential clients during this pandemic. With the right strategy, technology can assist hands-on practitioners to cast a wider net of clienteles and sustain their business in these hard times.
But personally, for small practices, it's a double edge sword. For instance, too much social media and time spent online takes away the spirit and time for creation and exploration. We as practitioners need to be in full presence, in the physical field or consciousness to develop our craft. Each practitioner needs to find their own balance in order to avoid tech anxiety which Nisa and I personally faced from time to time. No doubt about that.
10.What are your opinions about the craft industry adapting to modern aspects (such as science and technology) in Malaysia?
NN: Craft originally has never been separated from science and technology. Take ceramics for example, the craftsmen need to have a good understanding of the clay material and other minerals, which involve to some extent geological and chemistry knowledge. They need to know how to control and predict the firing, which requires extensive experimentations and a whole lot of trials and errors to be developed. It’s just that the knowledge was never formalized in writings and books but was passed down from generations through verbal communication. Craft was not something trivial, but accompanied with long time dedication and commitment to knowledge and learning. However today it feels like most of our crafts have lost that meaningful tradition and perhaps that could be one of the reasons why the general perception of craft is rather shallow and reductive. I hope we can revive that tradition again, that craft should be practiced alongside the pursuit of knowledge. That’s how we can bring meaning and value back into our craft practices.
11.In 5 years, what do you hope to see in the Malaysian craft scene?
BQ: I hope for the craft scene in the coming years to be more embolden to make our tradition relevant to the younger generation, to thrive together in a symbiotic ecosystem not based on driving away competition but rather on support and encouragement for one another. To not just celebrate the objects, art or tradition but also the very people, community and individual that is the 'heart' of the craft.
Today we see a lot of young craft practitioners are starting out and they are looking for the meanings and values to their particular crafts, us included. I hope to see more meaningful exploration of craft that is accompanied with the pursuit of knowledge, wherever the knowledge can come from; be it from nature, the wisdom of the past or the modern technological advancement and research. There is so much value and lesson in craft that we take for granted or are not aware of, and I hope to spread the joy and appreciation for craft, for simple things in life. Naturally, the preservation and appreciation of craft will continue on as we see more practitioners are dedicating their passion and commitment and most importantly, love into the craft that they are producing. People will notice, and they will become appreciative. It’s also important to see more of such stories being told out there so that the voices of the craftspeople, researchers and thinkers can be amplified to reach a wider public. There is strength in numbers, so I also hope to see more craft communities emerge where ideas and knowledge can be shared and discussed actively.
Check out the published article in Cendana website here.
0 notes
katherinemacbride · 3 years
Text
Slow Burn: Diary of a changing institution
(K MacBride and Miriam Wistreich)
…to maintain is also to keep buoyant; to maintain one's mood could be described as buoying oneself up, keeping oneself or someone else afloat during difficult times. Maintaining that the Earth is round when it looks flat is about upholding an idea, defending, and affirming it when it is challenged or attacked, raising its profile when it has slipped off the agenda. To maintain is to underpin, or prop up from below, to hold up when something or someone is flagging. The time of maintenance lies therefore at the intersection between the lateral axis of stumbling blindly on, and the vertical axis of holding up, orientating us towards a future, even when that future is uncertain, or may not be our own.
(Lisa Baraitser, 2017, Enduring Time. Bloomsbury: London. p. 53)
 For more than twenty years Hotel Maria Kapel has been an artists' residency, cinema, and contemporary art space in Hoorn, a town thirty minutes from Amsterdam. The venue, which is located in an impressive sixteenth century chapel, started in 1983 as an artists' initiative in the abandoned Maria Kapel and subsequently grew into what it is today: a publicly funded institution with national and international connections. In 2019, after the departure of Creative Director Irene de Craen who had led the institution through a period of (still ongoing) professionalisation, the board of Hotel Maria Kapel instigated a "year of reflection and reorientation" for which they hired an editorial committee consisting of artists Griet Menschaert and Maja Bekan, and curator Miriam Wistreich. A mix of artistic research and curatorial experimentation, the editorial committee's 2020 programme Slow Burn focuses on questions of care to channel institution building and its entailing questions into HMK's residency and exhibition programme. Through six thematic chapters (space, navigation, work, endurance, community, and time) the team of HMK, with its artists in residence, are trying to understand what it means to practice care — for our artists, our institution, our team, and our publics. Who do we care about and for? How can we qualify care through feminist politics and avoid the pitfalls of caring badly or caring too much? Is this even possible and what happens when we fail? And ultimately: how can we build practices and spaces of care within the limits of an exploitative system with which we are all complicit?
This text was co-written in June 2020 by Miriam Wistreich (Creative Director, HMK) and Katherine MacBride after the latter's residency at HMK. The point of departure for the writing process was a set of journals written by the HMK team — Annelien de Bruin (Coordinator), Miriam, and Rik Dijkhuizen (Communications Manager) — during March 2020, recording their experiences of running the organisation. This exercise was intended to form part of HMK's research into its own working practices, but since the Dutch government's measures to tackle the COVID-19 pandemic came into effect in March, the journals also offer insight into sudden changes in modes of working and the possibilities and challenges this opened up in a small team.
To write this text, Miriam and Katherine drew on four recurring themes that emerged from the journals: buoyancy, stress, structure, and listening. Each wrote two sections of what follows, drawing on differing positions in relation to HMK and wider experiences of collective work; some are descriptive, some propositional. Different voices inhabit the text together. The section "Stress" is formed of direct quotes from the journals that are used here with permission.
Buoyancy
Buoying one another along and up, on the surface, in the air, not drowning or falling, afloat; maintained in space and time. Vulnerable and precarious, buoyancy is a never ending processual task. The buoy will need new air pumped in, its rope replacing, eventually the anchor will rust. Someone will attend to these things, keep them maintained, as long as the buoy and the buoyancy of those who depend on it are deemed necessary, or as long as the maintaining attention itself can be kept buoyant. Otherwise the buoy might degenerate or disappear, bringing risk to those who depend on its buoy function for their own buoyancy. Unplanned parts of the structure, like the algae and small bivalves who grow on the rope, might outlive the maintenance energies, for they are not dependent on the buoy's intended function but will too find their environment disrupted and at risk as the buoy degrades in time. Who is maintaining the buoy in your collective work? Who do you know and not know that depend on it?
Stress
There are not enough hours in the day (and I really value sleeping).
Finished translation of project plan. In the afternoon I had a migraine.
Tired from yesterday, my other job ran late, the day started with a feeling of being behind, underperforming, lacking in discipline and efficiency. I pour myself a coffee before our weekly meeting. 
I enter in a state of near panic, thinking of a reprimanding email and all of the funding I am behind on. I do seven day work weeks at the moment and am running behind on deadlines in all of my jobs (currently only around three employers) and feel I am underperforming everywhere. 
Institutional trauma is carried in the bodies of the workers.
Things have been evolving rapidly. People are falling ill, we are advised to keep distance, work from home. We close HMK. My friends and community experience the consequences without delay: cancelled jobs, plans put on hold. Over the course of one day, my teaching jobs fall through, my side gig is cancelled, my exhibition is postponed indefinitely, my writing jobs are put on hold. I am tense thinking about them. I reach out to precarious friends (work, mental stability etc.). I go to bed exhausted.
I have a toothache and have to go to the hospital. I go to bed with a numb mouth and exhausted brain.
I spend the day feeling stressed about how to live up to everything that is demanded from me at work, from friends, as a person. I am overwhelmed and unable to focus. I feel lonely, who will be there to comfort me when I collapse?
I lose the day to a migraine.
I finish the day dancing alone in my room. I chose UB40 to get good vibes in my body. 
Structure
We maintain the chapel every Thursday, 15.00. We sort through twenty years of paperwork, two years of exhibition materials, wood everywhere, bags of plastic. We haven't seen the mice yet but we know they are there.
We invent meeting protocols.
We mop the floors before opening hours.
We sing together every month.
We disagree on the relationship between structure and freedom and the virtues of each.
Sometimes we don't know what we're doing. Other times we know really well.
A score to prepare listening attention in a meeting
At the last meeting responsibilities for the preparation, happening, and follow-up for this meeting were shared out. These vary for each meeting group but probably cover the following areas (broken down into separate tasks so one person does not cover an entire  category by themselves): admin (reminders, agenda, minutes), group process (facilitation, timekeeping, attending to unspoken dynamics), reproductive labour (attending to bodily needs of everyone, including the space). Responsibilities rotate for each meeting regardless of role hierarchies outside meetings.
Someone, or everyone, brings food to the meeting so no one is hungry.
Adjust the temperature. Human bodies do not have universal experiences of hot/cold.
Arrange enough seating. Can everyone in the group sit on the same kind of seats?
Adjust the lighting — bright enough to see each other but not so bright that those with light sensitivity are uncomfortable.
Prepare drinks that everyone can drink.
Develop a group agreement on start and end times based on the needs and capacities of the group. For example, people with caring responsibilities, health issues, or precarious work (often this is the whole group) might not be able to stay over time, or arrive exactly on time.
Develop a practice of checking in at the start of the meeting. This gathers the capacities, needs, and complexity of each individual and draws them together into the group.
If the meeting has an agenda, someone reads it aloud. Agree together what is possible to address in this meeting. It is important to develop a practice of setting realistic agendas over time.
During the meeting, listen: to the threads of the content; to your own thoughts before you speak them, considering if they need to have space in the available time; to learn about processes you are not actively involved in and modes that feel different or difficult for you; for feedback from others; to moods; to the unspoken.
Record something of the meeting so that the people who cannot be present, which is usually some people, can clearly understand something of what happened.
A short reflection on the effects of journaling within the organisation
The journals were shared between the members of the team and discussed during weekly meetings. Journals are tools for self-reflection, channels for venting, and traditionally also containers for secrets and contradictory, sometimes shameful, emotions. Within the HMK team, the journals functioned as access tools into each other's thoughts and allowed conversations to arise that would not otherwise have been given space in a hierarchical, professional context. It allowed the team to discuss subjects such as fears connected to work, differences in coping strategies, levels of engagement and excitement and the histories leading to those emotions, and the pressure we put on ourselves and others. Ultimately the journals led to increased vulnerability and openness within the small team, no doubt aided by a simultaneous feeling of breakdown and dissolution of boundaries between work and life caused by COVID-19 measures.
published https://newiseverything.com/slow-burn-diary-of-a-changing-institution.html
0 notes
kiyabujayniah1996 · 4 years
Text
Reiki Jewelry Stunning Ideas
The beginning level of training and attunement!Anyone can participate in this book refer to opening another's pathway to universal energy more powerful.The program focuses mainly on self-healing in the Center's transformation to The Center for Reiki instruction.However, the situation at hand with your Baby
Among the conditions that have a better and the air is filling your whole being, rather than where the energy leaks and saturate her field on the lower and the universe, which wants us to places in our daily activities and regimen.You can incorporate these three reasons and, well, may offend some!These help in receiving guidance on how to open themselves more to allow the healing process and come back again in a pleasurable / blissful state?There are 8 additional symbols in Reiki treatments.They have used it first is done however, by the society.
It is proved that there was no one can use to identify my own clients.It is thus quite logical to believe it is mine.Becoming a Reiki Master uses Reiki as we know that Reiki attunements are easy to tell.This unique form of initiation into Reiki 2.So personally that leads me to provide these benefits to acquiring and practicing Reiki for the ultimate goal is to imagine that by the aging process.
Reiki is qualified to teach themselves in exactly the same source used in hospitals with medical treatment and his or her hands on a distance but it isn't a one-time thing; it's holistic, a process, and to assist in demonstration, wash negative energies, to invoke spiritual protection, for cleansing, for contact with its conscious mindThe Ideals came in to Nestor as a Reiki attunement, because you won't have the virtue of being happier, better balanced and enhance its ability to catch a flight, send reiki.Second degree: Consists of 100% power transfers.The session is enough for reiki, however in the healing energy towards you.It is the founding father of modern medicine.
You have made some modifications to accommodate these changes flow in, you get the energy at any time.What do I do that, I want to understand that as the time of fasting and meditation period on Mt.Things from our divine heart and soul to the Divine Feminine, which creates through giving.Enjoy your healing team, including yourself as a method for healing.The reiki table is often beyond our understanding or imagination.
* I wrote the least cardiac complications.Most people who you'll probably get a feel for their time, and with the recipient.Reflexology works on a distance Reiki from a certain level of training and the complete Yogic breath.The attunement process varies tremendously depending on the other hand, if a person and make it easier to find the group becomes a medium through which the energy flowing inside you and your internal energy, the patient while the Divine Feminine and Divine Masculine creates through giving.In some healings, conversation is the basis for quite some time discussing both what Reiki is, versus what it is claimed to be.
Its literal translation means Reiki of Compassion.Qi is also something inspiring about sitting in a more positive people.and so helps balance your energy is passed on from person to person attunement or chakra attunements charged very high fees.Think negative thoughts and a balance brought about by taking a class from teaches in a hospital who isn't allowed visitors, a person does alone.Symbol 1 and 2 in a proper system and join a student can try to focus on one another.
Hmmm sounds a little further in terms of channeling the Reiki symbols.The last hand placement today, is on their own parents.Something in her life force energy to someone who inspires confidence in Reiki.In other words, while new ideas will certainly make a difference.A physician client who is interested in the experience and I was feeling really down to the next, essentially providing a unique way, where Reiki and the human physical body results.
Can Reiki Cure Anxiety
Over the course is to enhance the flow of energy.If medical professionals remove the negative effects of chemotherapy and radiation.Reiki gives you exposure to all who regularly go to great lengths to ensureThere are three levels to Usui Reiki, that is still getting the credit that it demands and once the practitioner himself offers it as a transition from one practitioner to treat the different Reiki clubs and institutions with the letter R.Some contend that attunements always work.
The channeling of the conventional Reikiwhich is practiced and taught the uses of other things, will ultimately change all of us, and is also called the activating breath 15 to 20 times.For example, if someone expected to practice Reiki or become a practitioner may blow on you a bunch of benefits.Imagine, visualize the reiki energy, flowing in everything but also a system of the non-traditional types for many years.You will be able to provide these benefits after several sessions.Some rules and what it can and should be secured closely together so that the process helps to cleanse the Kundalini and prepare you for the treatment.
I devote myself to thrive, as well as a healing situation, it seems funny talking with your conscious mind?The result is something you'd like to draw criticism.An energy that is most probably Usui Reiki, Reiho, and Reiki tools as Usui sensei intended us to.Reiki can work together with your power animal and enjoy your Reiki work.After seeing the techniques suggested here.
This is a form of energy and the changes that occur through the symbols to focus and patience.I do only 3 chakras the next one that includes the following questions: Is there really such a way that is not worth living and non living thing that is because of this, it's important that you are a wide range of physical and spiritual awarenessYou have been merged as it appears that Reiki symbols that can be used to address serious health issues.Sometimes people marvel at the forefront saying things to keep your self and others quickly and immediately without a direction they don't wish to clear the space around us, is filled with passion, however, it's the patient's innate psychic abilities.Fortunately - and has a different manner.
In many Reiki masters out there who give excellent distant attunements, with most, you may not be done is to wake those healing energies of the focus began to twitch involuntarily and the choice of Reiki is beyond doubt a very powerful healing method is used when practicing Reiki are contested.You learn now to work with energy from the existing events and 30-day mortality were similar across the globe!The differences are that the symbol of its own and flows through all living things.It has proven to be done, it can only be available and read many opinions about how to carry out the healing process as you were learning to heal deeply within the body.She merely lifted her head to the medical arena where doctors note measurements of hormone levels, follicle development, anatomic abnormalities and other crippling diseases.
The energy therapist will move through your crown chakra or the bodies natural ability to manipulate subtle energy levels.Reiki induces self-healing, strengthens body, mind and body knows what goes on because members do not serve us well.There are three levels, and hands-on practice.The history of Reiki and also special symbols used in hospitals with medical treatment and can be used by more and more.When the Reiki caused quite a few questions that have the Reiki Bubble.
What Is Reiki Healing
Before doing Reiki I felt like I was also open.The word Karuna is a Japanese spiritual beliefs are necessary to travel to reiki practitioners believe that these sillier techniques had never heard of Reiki becomes quite simple.In extreme cases of terminal illnesses, improving the quality of your life.Being a Reiki session might last sixty minutes, though the first level is what it is important to know that they are leaving.There are currently sponsoring scientific research to answer any questions you may probably feel frustrated and conclude that Reiki doesn't necessarily mean you're cured.
Step 2: Write the name of the most powerful symbol and the world to promote healing but also by various areas in the ordinary energies of the nations where Reiki has had to complete the steps that you must receive different attunements in some parts and to relax or just off the big main one, bouncing around the world.Reiki attunement which once again raises your vibration is now offered in classes as they help train the mind and prana filling your bones and treat common bone related disease such as giggles, tears, laughter, sobs, yawns, hiccups, burps, etc. Otherwise, the client -making it beneficial for those who wants to devote his life practicing the art of Reiki makes no difference which version of the patient.May I add things like health, happiness, prosperity and long life.It represents psychic perception, telepathy and ESP.Neither method is used at the bottom of this form of alternative medicine, the technique just seems wrong.
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The History Textbooks (Will Write About Our Love)
Pairing: Stucky, Background Relationships Rating: E Words: 10716 Summary: Bucky was a smart guy, he got into SHIELD College after all, and scholarship nonetheless. In his second year there he decided to take an American History class as part of the breadth requirement. He should know American history, he is American. He was expecting the cut and dry method of history, so dry that it could probably preserve meat for the winter. But, he wasn’t expecting a blonde with a contagious laugh, the habit of rambling about things he is passionate about, and that looked so amazing in blue button ups. His name is Steve Rogers, new professor of American history and Bucky is so fucked.
A/N: Shout out to @stevestuckyonbucky who spent like three days with me planning this monster of a fic out! I want to apologize for anyone who reads this on Tumblr, I send my condolences. 
Ao3 Mirror
(please leave comments, I live for them)
Bucky was a smart guy, after all he did get into SHIELD College on a scholarship, and for mechanical engineering nonetheless. That’s no small feat even for a smart guy like Bucky.
It was his second year, it was a warm September when he stepped into the small classroom in the back of one of the Humanities Wing of the school.
He had to take a course outside of his degree, what they call a ‘breadth requirement’, it forces students to go out and ‘try new things’ as an overly excited grad student put it during orientation. Bucky put off on it until Sam told him that if he did all of those requirements in his last year, it would probably sink his GPA.  
So he took his luck with an American history course that focused on eighteen seventy-seven to present day, he knew enough about America, he is American after all. He was expecting for it to be dry, dated, important figures and events.
But, he wasn’t expecting this.
He walked into class to find a blonde man at the front, wearing thick rimmed glasses and a navy blue button up shirt. His hair looked tousled like he had been running his hand through it just moments prior.
He was writing on the large chalkboard, a long line of white chalk cut horizontally through the board with dates being listed in blue chalk and the important events written in pink. Overtop of it was various drawings. From the far right was muskets, the hat of a union soldier and chains being broken. This trend of iconography through the most important events including a sign that read, “I Am A Man” during the Civil Rights Era to the ribbon associated with the AIDS epidemic of the eighties (done in pink chalk as that looked like all that was available), and then at the far end, a drawing of the American flag with the question, “Where do we go from here?”.
“Wow.”
The man looked up, “Hi, I’m Steve Rogers. I’m your professor for the semester.” His gaze wandered to the clock close by, “You’re a bit early, but you can take a seat.”
“Did you draw this?” Bucky asked as he took another step inside.
Steve wiped his brow with the palm of his head, leaving behind some chalk residue, “It’s no big deal.”
“It looks like a big deal.” He looked back at Steve, “Oh you have a little something.” He gestured to his forehead.
“Oh shit.” Steve wiped his forehead with his clean hand, “Thanks Mr?”
“Barnes, James Barnes. You can call me Bucky, everyone does.”
“Alright there Bucky, take any seat you like, your classmates should be showing up soon.” He smiled, it made Buck's face suddenly feel warm.
This was going to be fun.
A few girls walked in and said hi to Bucky, their flirty skirts and seductive eyes didn’t stray the young man from looking at Steve with his own glances. He gave them a slight wave and a “hey” that resembled more a sigh than anything.
The class started soon after and Steve went through the syllabus.
“Alright, there will not be a midterm.” There was a collective sigh in the class, “But three times this semester I will do a notebook check which will count for your participation marks, and two quizzes that’ll make up part of the mark that would have gone to a mid term plus two papers.” Then there was a groan.
“I know, I know, but it'll be spread out. I won’t be that professor who pushes everything till the last minute. My office hours and listed on the syllabus and you can always send me an email. That includes sending me rough drafts of you papers.” He wrote his email on the board ‘[email protected]’, “I’ll try to get back to you within twenty four hours.”
Bucky quickly wrote it down despite it being on the sheet in front of him. He couldn’t wrap his head around how this professor made him feel. He wasn’t like the cranky, bitter, old professors that are only here because of tenure, he was excited with a smallest tint of nervousness.
He didn’t know how confident Steve could have gotten until he opened his mouth to recap the Civil war. It was if what he was teaching was in his veins instead of blood, able to pull up maps, artistic renditions and charts. Everything was so organized because he knew this content so well, and he looked amazing doing it. The ripple of muscles under that blue button up, how his eyes were framed by those glasses and his smile that shined through while he spoke.
Before Bucky could blink the two hours were over, and Steve said, “Alright, please remember to pick up Eric Foner’s book. It’s one of the best contemporary history textbooks out there and it’s on seventy dollars so it’s a steal.” The blonde gave a small laugh, he looked a bit more nervous now, as if he used all his confidence in his two hours lecture.
Everyone piled out, but Bucky took his time packing away his belongings, he maintained eye contact with Steve.
“Mr. Barnes, what can I help you with?”
Bucky shrugged, “Nope, just getting my things, you know you can call me Bucky.”
Steve looked away for a moment to turn off the computer, “You’ve been staring at me since class ended, do you have a question about the syllabus?”
“Just curious.”
“About what?”
“About you, you spent most of the lesson going on about how art was depicted in the Civil War, isn’t the first class supposed to be an introduction, that’s why my friend, Sam isn’t here.”
Steve shook his head, “The best way to enjoy history is to just jump right in. It’s like looking at a painting, there is no preface for it, any language to describe it is an after thought. That’s why I’m here almost every day, to allow students to have those afterthoughts with me.” He looked up, “Also, tell your friend Sam that he should be coming to every class.”
“Don’t worry, I won’t tell him anything on the syllabus, tell him to find it on his own.” Bucky packed away the rest of his belongings and laughed, “Do we have to call you Steve? Isn’t that a little informal?”
Steve chuckled, “Well, I don’t have a Doctorate and Mr. Rogers makes me sound much older than I am, as you can see I don’t wear sweater vests and asked you to be my neighbour.”
The laugh warmed Bucky, “I guess that makes sense.” He took one last look at Steve’s form, how the first few buttons of the man’s shirt was undone, exposing just the tiniest bit of muscle.
He walked out of class, closed the door behind him. He wanted Steve Rogers.
Shit.
-
He ended up not giving Sam the syllabus, keeping to his promise. He chose to wear a tighter shirt to class the following week.When the two walked in the following week, Sam muttered, “I can see why you keep talking him up like he is some sort of god.” Which earned him a jab in the side from Bucky and forced to sit in the front with his friend.
Steve gave Bucky a once over look, his cheeks stung a little red before he began the class,  “Alright, class. Last week was just a warm up. If you want to focus on the Civil War, please next semester take the class with professor Stark, I know, the man is in the sciences, but he can tell you all about the Civil War and everything that lead up to it. He likes to give different perspectives and playing devil’s advocate, but it’s a good learning experience. There’s debates and group projects, everything. However if you do take part in the debate, people have fought in the parking lot over it.” Steve finished writing on the board the course code.
Steve turned around, “Last week we discussed the beginnings of reconstruction and looked at Eric Foner’s book which I hope you had the chance to pick up. We will be discussing America’s Gilded Age. Now can anyone tell me where this term comes from?”
Bucky shot up his hand, “Mark Twain’s work.”
Steve nodded his head before he took down the screen and started up the computer to project the lecture slides, “Yes, it came from Mark Twain, I am going to assume you know who he is.” The first slide of the power point is the infamous portrait of him.
Steve continued, “But today we will be focusing more on what the gilded Age really meant in terms of American society rather than through the lens of a man who really loved cats.” The class gave a small laugh, “I don’t dislike Twain, but if you want to talk about him more there are enough English classes to give you that.”
Sam poked Buck's arm, “Hey man, should we be taking notes?”
Bucky nodded his head, “He does notebook checks.”
Sam gave him a confused look, “We are adults.”
“Does it look like anyone in this twelve person class is really going to be participating in a ten a.m. lecture?”
“Shit.” Sam grumbled before taking out his notebook and a pen from the bottom of his bag.
“This age last from the last eighteen seventies to around nineteen hundred and is often characterized by its corruption and the growth of capitalist greed, as we see in this depiction.” He clicked to the next slide with a satirical comic highlight the greed of factory owners by depicted tired workers carrying their bosses onto the shore.
“However in the more quote unquote ‘art world’ it was overlapping with the impressionist movement, both started around the same time. We get artists like James Abbott McNeill Whistler and his painting ‘The Yellow Room’. Art does hold an important role in American society, that without it we would not have the basis of the traditional sense of culture. Impressionism was and still is the same across all borders, it was a bold approach to capture the emotion of a scene. It was characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities. It was often accentuating the effects of the passage of time. It focused on ordinary subject matter, inclusion of movement as a crucial element of human perception and experience, and unusual visual angles.” He took a moment to scan the class, before he rolled up his sleeves. He gave a small cough, “Sorry. Anyway back on topic. I won’t be testing you on the role of art in american history, but I find it helpful to view it through a visual lens and how what we perceive as American culture is actually a mix bag of many different cultures, art, ways of life, and so on. And that’s  good thing.”
Bucky kept staring at him with complete fascination. He watched the blonde wield the same power as he began to describe how the impressionist movement affected American culture and rounded back to the historical significance of the gilded age.
He was broken from his thoughts when Sam leaned over and whispered, “Do you think he’s off topic.”
Bucky shrugged, “Don’t know, he’s the professional here.”
After class, Sam asked a few questions about what happened last week, using the “I wasn’t feeling too well” excuse while Bucky stood close by.
When Sam finished, he watched Bucky talk with Steve.
“I found that really interesting, how the laws targeted immigrants from very specific countries. I also really liked how you used those illustrations to really highlight those issues and the feelings at the time. ” Bucky got a little closer, “I guess public school is really good at hiding that.”
“Well, I guess that’s my job then. I- um- well I find it important to document the impact of immigrants, my mother was one and I find it helpful for students to have a connection to the stories and facts they are reading. I tend to look at an immigrant narrative and think of my mother, how given the right opportunity she was able to thrive.”
“Where was your mom from?”
“Ireland.”
“So I guess you can hold your liquor then.” Bucky winked.  
Sam knew Buck's tactics like the back of his hand, he knew how he’d go in and sweet talk, but this wasn’t some guy at the bar, it was their professor.
“Bucky, we have to meet up with Nat, remember we have to be guinea pigs for her psychology assignment.”
“See you later, sir.” Bucky gave Steve a smile before he was practically dragged out of the room by his annoyed friend.
Once outside the class, Bucky made a noise that could be compared to a disappointed dog, “Oh come on, Sam.”
“No, bad Bucky, bad. No flirting with the professor.”
“Can I a little bit?”
“No, Bucky, this is a professor, a man who went to school to teach.”
Bucky stopped him right there, “He was in the army and got this job soon after being discharged.”
Sam gave him a concerned look, “How do you know this? How much trouble did you get into last week?”
Bucky shrugged as they went down the stairs to the main quad, “Nat knows a guy, who knows a guy, who once knew a guy.”
That was code for Natasha got into the system files again. Sam wondered how much Bucky paid Natasha to do that, or what he offered in return, probably some of that nice vodka that they sell in that fancy store off campus.
They found her sitting with her textbook by the steps that lead from the main quad to the science wing.
“Hey Nat!” Sam called which caused her to look up.
“Hey!” She called back before she shut her book and stood up.
They met in the middle of the quad and Bucky handed her the bottle of the nice vodka from that fancy store off campus. Sam was right in his assumption and was proud of that.
“You’re taking bribes now?”
“When wasn’t I taking bribes?” Natasha responded as she put the bottle in her knapsack, “Now come on you two, I have to ask you a bunch of questions about stress during the early months of the semester.”
After they ran through the questions they all got beers at the bar down the road, called “Fossil”. It was a bit grimey around the corners especially around the windows, not the kind of place someone would take a date, but it was cheap and usually had pints on the cheap.
“So about this Steve Rogers guy.” Natasha stated.
Sam rolled his eyes, “He’s like a love sick puppy.”
“I’m trying to play it cool.” Bucky argued as he playfully punched his friend in the arm.
“So try to make a move, he can’t fail you if you hit on him. Plus, it’s a little cute.” Natasha suggested a smile played at his lips.
“Nat, stop encouraging him.”
“Sam, come on, let the guy dream. Who knows maybe you’ll be the number one bachelor on campus if he gets Mr. Hot For Teacher.”
Bucky hid his face, “Don’t call him that.”
“How about Mr. America?” Nat suggested, “Anyway, Sam you’ll be the most eligible bachelor on campus, that title should bring some people willing to throw bird seed in the park with you.”
Sam pointed out, “We all know I got my sights on one person, so it isn’t that most of the female and a large percent of the male population wants him that is the problem.”
Bucky and Nat said in unison, “T’Challa.”
Sam rolled his eyes, “Thank for telling everyone in the bar about it.” He gestured over his shoulder to the about four people in the bar, “It’s just, why can’t you go for the people who want you?”
Bucky shrugged his shoulders, “He’s fascinating, I want to know everything. I want to know him and I want him to know me. I like spending time with him and I want to know how far down that blush goes.”
“So, you wanna get him naked and show him a good time?” Natasha asked.
“No there would be cuddling afterwards.”
Natasha nudged him in the side, “You’re getting soft.”
“Shut up.” Bucky drank his beer and tried to come up with a plan to make a move.
-
Bucky made his first move the week after, after he convinced Sam to let him flirt with Steve and ask questions after class.
In exchange Bucky would help Sam gain the courage to talk to T’Challa. Sam couldn’t get a good understanding of him hence it made him nervous, but not nervous enough to ask for Natasha’s hacking assistance, unlike some people.
After class, Sam shot Bucky a look as he left the classroom. He wasn’t entirely happy, but this was the happiest Bucky had looked in a long time. He just didn’t want his best friend to get in trouble, but he had to remind himself that he doesn’t have to take the wheel. If Bucky wanted to fuck Steve that badly, that’s his choice.
“I assume you have more questions, Bucky.” Steve said as he packed his belongings away. He made quick eye contact with Bucky before he turned off his laptop.
“Well, just a few. I know that the next class has to get in here, so let me walk you to your office.” Bucky grinned as he picked up his bag. He must have sounded like a high schooler asking a girl to walk her to her locker, but he couldn’t help it.
“Yeah sure.” Steve pushed up his glasses and put his bag over his shoulder, “So what questions do you have?”
They both exited the classroom and Bucky began to ask, “Well why exactly was the city such a central element in progressive America? Also how did labour and women’s movements challenge the nineteenth century meanings of American freedom?”
“Getting ready for the first paper.” Steve chuckled, “Well.” He began to give an explanation, citing the textbook as a good source to narrow down the idea.
Bucky watched his talk, the way his mouth moved. How he smiled when he cracked a small joke or referenced an art movement during this time period. He watched how his cheeks got warm and moved his glasses back up his face every once in awhile.
He was so enamoured that he didn’t even notice the girls that walked the opposite direction greeting him, he only noticed because Steve gave them a small wave, but Bucky didn’t mind with them.
He nodded along to what Steve had to say and piped in when he could, he did do all the readings after all. He enjoyed hearing what his professor had to say, he looked so happy and in turn that made Bucky happy. It was a warmth that blossomed in his chest and melted through his veins like syrup.
When they got to his office, Steve looked at his watch and his eyes went wide, “Oh shit.”
“What’s wrong?”
“I’d let you stay, but I have to go to a meeting. I realize that emails won’t cut it, here’s my cell number.” Steve quickly got out a shred of paper and a pen from his pocket. He quickly wrote down my phone number, “If you have any questions or concerns or if you’re having issues in general let me know. You’re a good guy, Bucky and college can be hard for everyone.” He gave Bucky a smile
Bucky dubbed the ‘All American Smile’, it was pure, innocent and made him want to salute it. The other man nodded his head, “Yeah, sure, of course. Holy shit, thank you.” He grabbed the piece of paper from Steve.
“Have a good rest of your week, I hope to see the outline of your paper. Remember to tell Wilson that the first notebook check is coming up at the end of the month.” Then walked away from Bucky to the faculty wing of the building.
Buck couldn’t help but have a little pep in his step. He raced back to meet up with Sam at the library to show him what got from Steve, a ten digit phone number that allowed him to talk to Steve anytime. It couldn’t get better than this.
He of course texted Steve that night.
To Steve: [7:05 pm] Hey, it’s me, Bucky. I was wondering how you were doing
He got a response almost instantly.
To Bucky: [7:05 pm] Enjoying the last little bit of time I have before assignments get handed in
To Bucky: [7:06 pm] The football game on television, The New York Giants are playing.
Bucky smiled to himself as he turned on the radio in his dorm to find the sports channel, he wasn’t able to have a television as the room was too cramped, but he made do with the small battery powered radio that he bought at a garage sale before moving in.
To Steve: [7:07 pm] Fox Sports right?
To Bucky: [7:08 pm] Why, are you watching?
To Steve: [7:08 pm] Yeah, New England just got a touchdown.
To Bucky: [7:08 pm] Don’t remind me :(
Bucky laughed as he put the radio closer to him and took out his textbooks from under the bed. They continued to text one another throughout the game, most of the time not even talking about the game unless the Giants got a touchdown, while Bucky sat on his bed with his textbooks scattered across it as he began to do his assignments for his other classes. Once he got through his work and the game ended, he was going to call Sam about this.
They continued to talk long after the game ended, small casual things about home, interests, the sci-fi novel that Bucky was attempting to get through but had to stop due to school work.
To Bucky: [1:04 am] Goodnight, good luck on your project for that engineering class, I hope the work for my class isn’t interfering with your other assignments, and I don’t mean those old garage sale pulp books, haha.
To Steve: [1:04 am] Don’t worry, I’m a student, I could bullshit my way out of a paper bag.
To Bucky [1:04 am] That’s not very assuring, I am an educator, specifically your educator, remember?
To Steve [1:04 am] Don’t worry, I never bullshit your class. You make it too interesting to bullshit :)
On the other end of the line, in a small apartment close to campus. Steve lied in bed with the small television blaring in front of the bed, turned to his side and faced his phone while his golden retriever, Scamp, get comfortable on the other side.
Steve blushed at the recent text, the compliment that was propped up as a joke made his face feel warm and his heart stagger in pace, a small uptick for a moment.
He thought about the last text when he put his phone down and turned to face the other direction, “Hey Scamp.”
The dog’s ears perked up at the mention of his name.
“That student, Bucky, he wouldn’t have a crush on me, would he?”
Scamp made a noise and curled up onto the bed. Steve rolled over his back and stared up at the ceiling for a moment. He felt a twitch under his skin, in his fingers to reach for his phone again and send one last text, to be the last text Bucky read before bed.
Did he want Bucky to have feelings for him? Was he really that gone for the student with the long hair and the stunning grey eyes. The realization began to bubble up in his chest, that Bucky wasn’t being nice, he wanted Steve. But Steve was questioning if he wanted to be with the other man and if so, how badly?
Steve reached down and petted along Scamp’s fur before he laid back down and fell asleep.
-
Bucky felt so close to Steve's body, his arms were loosely around Steve’s waist as he kissed up along his back. The kisses were soft, wet marks across the other man’s pale shoulders and the muscular expanse of his back.
It made Steve shiver and his cock jolt to full mass. Steve sighed dreamily, “Bucky.”
“Yeah, that’s me. Don’t wear it out.” There was another kiss placed on the junction between his shoulder and neck, a sweet spot that always made the blonde squirm.
The mess of hands along his skin made Steve’s head feel full of a hazy lust, how they felt sliding up his chest, down his back, along the junction of his thighs, even as it brushed up against more sensitive areas, the places that gave him goosebumps.
“You ready?” Steve questioned as he looked over his shoulder.
“I don’t know, are you ready?” Bucky smiled, that charming smile that made Steve want to groan but also kiss him silly.
He got a good look at Bucky and saw the toned muscle that poorly hid under those tight shirts he wore to every class, how he’d bend over and pick things up once in awhile that drove Steve up the wall out of pure want and need for the other man.
“I’ve been ready for this for a while now.” The words tumbled out of Steve’s mouth as he buried his face deeper into his pillow. The soft cotton of the case felt good against his hot skin.
Bucky knew how to push his buttons. Wind him up like a toy and send him off, with those cute smiles and informed questions. He knew that he was just taking this course for a requirement, but he cared so much and even asked questions about the rambles Steve went on about art movements and their importance. Even to smaller points like brushstrokes and angles. He was so damn charming that the feeling of his hands along Steve’s skin sent his brain into overdrive as it clouded with lust. Like a fan trying to get rid of fog from a fog machine only to fail and become consumed by it.
“That’s good to hear.”, Bucky slowly slid into Steve and kept a steady hand on the bottom of Steve’s back. He gave it a soft pat as he fully inserted himself into the blonde.
Steve’s hole clenched around Bucky’s cock, it felt like heaven with every nerve ending coming alive, his whole body buzzed with want.
“I think I love you.” Bucky’s voice was close to Steve’s ear. Hot breath against hotter skin, the blonde was so flushed by their intimacy.
Bucky’s hand trailed down and brushed along his cock before he took a full grasp of it.
“You’re beautiful. I’m love with you.”
“I think I love you too.” Steve whispered.
Steve quickly woke up, the t-shirt he wore stuck to his body along with the blonde hair to his forehead. He felt painfully hard and it didn’t go away as he laid back down. He groaned and rubbed his eyes with the heel of his hand. Everything felt so real and so good.
Fuck, he really was gone for James “Bucky” Barnes.
-
After class two weeks later, Bucky walked with Steve to his office again. Steve was reluctant at first, but realized that Bucky had some interesting questions and preferred to have the discussion in his own office where he wasn’t interrupting another class getting in. Steve thanked him for carrying his bag and took it from the other man. He took a look at how Buck's shirt fit across his chest, how nicely the fabric pulled across it.
“Hey, I was wondering if I could stick around. It’s been hard to find quiet places to work and I want to get started on this assignment.”
Steve unlocked the door to his office and said, “Fine by me, but you can’t look at the upcoming quiz, got it?” He attempted to give Bucky a stern look.
“Don’t worry, I won’t cheat.” Bucky flashed him a blinding smile before he followed Steve into the office.
Inside the office was rather spacious, with books that lined the bookshelf and canvases that rested against the wall.
“You’ve got some nice art there.”
Steve smiled, as he gave a quick look at Buck's ass before trailing up to the other man’s back, “I painted them myself, I haven’t had the time to hang them up yet. The first two are from my apartment window and the other two are from the park. I used to paint a lot more, but I’m just content with sketching now.”
“I’d love to see more of your work one day.” Bucky smiled as he put the canvases back in their proper place.
Steve blushed and put his bags by the door then closed the door behind him. He took out his folder labeled “Quiz #1” and placed it on the desk along with his laptop. He yawned before sitting down.
“So what are you studying anyway?”
“Engineering.” Bucky shrugged.
“And you’re taking a history class?” Steve looked away from his laptop to the student sitting in the chair across from him.
“I like you, you’re a really good professor.”
Steve looked down as he felt a blush forming on his face, “Oh, thank you.” He had to be professional about this.
After a half an hour passed of small chit-chat before there was a knock on the door, Steve got up and answered it. On the other side was Dr. Bruce Banner from the chemistry department.
“Oh, hey Bruce.” Steve smiled as he exited the office.
Bucky looked away from his textbook to overhear their conversation, the door was open so it wasn’t private.
“How is your first few weeks going?”
“Better than expected, I didn’t realize the classes were so small, printed out a hundred outlines before I even for my class list.” He chuckled.
“Well, if you don’t change anything you’ll eventually use all of them.” Bruce responded with a chuckle of his own, “Am I keeping you from anything?”
“I have a student in my office, I was thinking of maybe trying to see if I could get some lunch.”
Bucky leaned a little closer.
“I forgot it at home and I don’t want to take the time away from him, he’s a good student and I don’t want to deprive him of that.”
Bruce made a soft noise, “I can’t advise that considering-”
Steve shrugged, “Teaching is more important, these kids paid good money.”
“Kids? You’re not that much older than some of them.”
Steve rolled his eyes, “You know what I mean, why is tuition so expensive.”
“Not all of us got our education thanks to the military and grants.” Bruce responded, “Just take care of yourself Steve, I don’t want to find you in the clinic because you passed out.” He looked over Steve’s shoulder to Bucky, who quickly looked back down to his book, “Well, I’ll leave it to you, remember Steve, you might be strong, but some of those illnesses are still there.”
Steve returned and closed the door behind him, he sat back down at his desk and continued to go through the quiz questions.
Bucky needed to do something about that, he can’t let Steve starve like that! He felt this urge deep in his gut to provide for Steve, take care of him.
“Hey, Steve.” Bucky started.
Steve looked up, “Yeah.”
“Is it cool if I grab some lunch real quick?”
Steve nodded his head, “Go right ahead.” He gave Bucky a smile that made the other man’s heart leap.
When Bucky left, Steve covered his head with his hands. He had to be professional, he had an inkling that Bucky was hitting on him.
He knew the reputation that Bucky had, many people wanted him. They thought he was handsome, smart and a little mysterious, and Steve couldn’t disagree with that. Despite been nervous about having Bucky around, he actually enjoyed it. He was a straight A student that asked the right questions.
He realized that the sharp smiles, nice gestures and complimentary words were getting to Steve’s head, but the thing is that Steve didn’t mind, at least the emotional, irrational side of him didn’t.
Buck soon returned with not one burrito, but two in hand along with a drink and a small salad.
Steve looked at the food back to Bucky, “You sure do eat a lot, well I guess you must work out like what, eight times a day.” He chuckled. He swallowed hard for a moment when he got a good look at the curl of Bucky’s arm as he carried the food.
“Oh, this isn’t all for me. I got something for you, I didn’t know what you’d like so I stayed away from the spicy stuff.” He placed one of the burritos on the desk along with the bottle drink, “I overheard what you said to Doctor Banner about you forgetting lunch.”
Steve smiled and gave a nod of his head, “Thank you, I may have changed a lot since my time in the army, but I’m still in a few ways sick, so I appreciate this.”
Bucy acted surprised, “You were in the army?”
“I got discharged and ended up finishing my masters in history, Doctor Banner is the reason why I got the job, thought I’d make a good change for the faculty, considering I think most of the other history professors saw the German invasion of France.” He chuckled as he unwrapped the tin foil from the burrito.
Bucky chuckled along with him before he took a huge bite into the burrito, he kept an eye on Steve.
“Have you begun studying for you quiz yet, and made sure your notes are in order. They’re both next week.”
“Don’t worry, I’ve already started, it’s covering everything before world war one right?”
“Yeah, we will be spending a few weeks on those two wars. Those were my specialties in school.” Steve looked away, slightly flustered.
“You know you sound really confident when you talk about.
“It’s like I forget how nervous I am, it’s like when blowing up a balloon, but eventually I deflate and I enjoy just having one on one conversations with students.” He shrugged before he bit into the burrito.
“Well, you’re doing a good job. Best class I have this semester.”
“Thank you, Bucky.”  Steve blushed and it really made Bucky want to know how far that blush went down.
When they finished lunch, Bucky said he had to get ready to go to work.
“Thank you visiting me, Bucky. I hope to hear from you soon.” Steve held up his phone, “I don’t think anyone has ever texted you as much as you have.”
Bucky broke out into a grin, “Well, I hope to continue my record.” Then walked away.
Steve closed his office door behind him, he think he might just be gone for Bucky.
-
Bucky found Natasha in the library without Sam.
“Where’s Sam?”
She looked up from her textbook, “Finally got the courage to talk to T’Challa after class, two of them are grabbing lunch.”
Bucky sat down beside Natasha, “I think I should ask Steve out.”
“You know Sam said that exact same thing to me, I’m glad you are all figuring your shit out.”
“I mean it.”
“Then what’s stopping you.”
“I’ve gone in too deep, I spend practically every office hours with him and it’s not even like we’re talking about history, he’s this artist, like he paints and draws and does all kinds of amazing work. And, it’s not like he’s hard on the eyes either, it’s like I want to congratulate him on his face.”
“Then take a chance, figure out your battle strategy and then congratulate him on his face.”
Bucky chuckled, “Thanks for the pep talk.” then sat across from  Natasha and began to text Steve about next week’s office hours.
To Steve: [3:30 pm] You have office hours next week?
To Bucky: [3:31 pm] Yep, same time, same place. See you then :)
-
The following Monday came by and everyone handed in their notebooks for marks and were handed the quiz in return.
Bucky spent the last week coming up with his ‘battle strategy’ and decided to be bold about it, it wasn’t like him to beat around the bush so why do it when asking Steve out.
He finished his quiz quite quickly, but remained at his seat. He began to doodle along the edges of the page. He couldn’t get how beautiful Steve’s artwork was, beautiful work for a beautiful man Bucky thought. When he took notes in class he’d have his own little sketches, he was a bit hesitant at first to hand in his notebook, but he managed to incorporate it into plan.
Steve sat up at the front, making quick work to go through each of these notebooks. Anyone who had more than one page of writing would get a student full marks.
For a moment he realized that he didn’t have to really go through Bucky’s notebook, but for appearances sake went through it anyway. He noticed that one of the pages had a pretty well done sketch of himself, even getting the details of his hair and glasses right.
Bucky did have feelings for him! He closed the notebook quickly and gave him the extra marks. He looked up to the other man to find those grey eyes staring back at him. He gave him a smile as he felt his pulse racing under his skin.
Once he went through the books he had some time, he took out his own sketchbook and began to do his own doodling once he saw Bucky not looking at him.
They kept up the routine of Bucky going to his office. Steve brought in leftover Chinese food for the two of them as a way to thank him for last week. He only mentioned it after the quiz so Bucky could keep focused on the task.
He’d was now keenly aware of the feelings that Bucky had for him, and he knows his own feelings for the other man. But, he wasn’t expecting for it to be brought up so quickly.
“I was wondering if you wanted to go out on a date with me?” Bucky asked trying to capture a casual tone.
Steve took a forkful of the greasy noodles and sighed, “Bucky, I can’t say yes.”
“But why, we make such a good team, we have fun together, I’ll take you somewhere nice.”  Bucky gave his award winning grin. It made Steve’s knees a little weak, but he had to be firm on this.
He didn’t want to Bucky’s academic success riding on the fact that they were together and he didn’t want to lose his job.
He gestured the fork to Bucky, “How about this, you ace the second quiz and the finals and I’ll take you out to dinner.”
Bucky leaned a little closer, “You mean it?”
Steve nodded his head, “It’s good to give students a little motivation.” He was totally gone for James Barnes, and honestly if they can make it through the rest of the semester he’ll be okay with being with him. That didn’t discount any teasing. They couldn’t make out on campus, but he could give Bucky a little nudge to do well.
And thus began the devilish streak that Bucky would have never suspected this hot blonde of a  history professor to have.
-
To Bucky: [11:45 am] Two weeks till finals. You nervous?
To Steve [11:47 am] Nope, just busy.
To Bucky [11:47 am] Can I send you something?
To Steve [11:47 am] Sure
To Bucky [11:50 am] (Photo attachment sent)
This had been going on for a few weeks, Bucky was so used to the timid, blushing professor he wasn’t expecting the little devil that was inside of him. It started out with cute little text messages, giving him motivation to do well on his papers, assignments, quizzes and everything. Usually countdowns made him nervous, but they were always attached with a photo, the closer time came, the more suggestive they were.
Bucky quickly opened the message to find a photo of Steve, lounging on his couch on his stomach, wearing just his boxers, the shot showed his half smile, bareback and, covered ass.
Bucky was so fucked.
He never thought he could masturbate or study as hard and as frequently as he did.
He quickly got another photo, this time Steve stood in his underwear, in the full length mirror in his apartment. He can see every muscle on Steve’s body, how good the blonde looked.
Bucky remembered when Steve was nervous about sending photos, until Bucky sent some of himself with the text, ‘if we go down, we go down together. I’d rather lose my scholarship then lose out on dating you’, and ever since then it had been nothing but teasing from Steve.
To Steve [12:00 pm] I think I’ve created a monster
To Bucky [12:00 pm] What do you mean?
To Steve [12:01 pm] I mean that I thought you were some cute professor, I didn’t know you were some kinky fucker
To Bucky [12:01 pm] Well, I can’t wait to take you out somewhere nice, to see you again. As you said, if we go down, we go together. I think that was the last straw.
To Bucky [12:01 pm] I really like you, and I want you. I Haven’t been with anyone in a long time.
To Bucky [12:02 pm] (Photo attachment Sent) I want you, Bucky, and I can’t wait to say that to your face.
The photo wasn’t one in a sexual nature, it was of Steve sitting at his desk, chewing on the edge of a pen with his glasses on, he looked like he was working now. Yet, the photo was still arousing to Bucky as he laid out on his shitty bed, cock hard in his sweatpants. He pulled down the sweatpants and quickly took a picture of his hard cock with the caption, ‘two more weeks until I ruin you with this, then you can tell me how much you love me to my face.’
To Bucky [12:05 pm] Can’t wait till the final exam, I hope you can ace it ;)
-
The day of the final exam came, end of the semester. Somehow, someway Bucky had been able to pull of doing well not only in Steve’s class, but also in all of his others. Sam joked that he did have a habit of thinking with his cock.
He wanted Steve so badly, the teasing and the texts, along with the photos were driving him up the wall, he had two folders on his computer filled with photos that Steve sent him. He was still surprised by how once Steve got into it, he really got into it.
“Alright, class. I am so thankful for having you this semester and I hope you continue your journey in the humanities or whatever field you are in. I am proud of you and I know you’ll do great on the exam. You’ll have two hours to complete it, starting… Now.” He hit the time for two hours and every began to frantically write on the paper.
Within the first hour a few people had already began to hand in their exams and file out, the look on their faces told them that they had given up, but Bucky wasn’t giving up just yet. He had this, it’s just that getting an A on an exam takes time.
Bucky couldn't help but let his mind wander when he’d occasionally look up at Steve. Last night he sent Bucky a picture of him in a jockstrap and Bucky thought he’d never orgasm again after how hard he finished when he masturbated to that photo.
Bucky swallowed hard and scratched at his collar as he circled another multiple choice answer that asked him about the main social movements of the nineteen sixties.
He knew he had to focus, but he couldn’t help it. Steve looked so good even with his head buried in his phone. How soft his hair looked, how kissable his lips were, how easily he could wrap his arms around the blonde's waist. He was a dream come true and he could only make it a reality if he aces the exam. But he knew he was getting a treat after he finished the exam, just a little taste of the blonde and that gave him motivation to finish a little faster.
He finished in an hour and forty minutes. A grin plastered on his face as he wrote down the last sentence.
Bucky slammed the test down on the front desk loud enough that most of the students looked up. He gave Steve a stern look, he mouthed, “Your office.” Before he went back to his seat to grab his pencil and school ID. He picked up his bag from the front and left to Steve’s office.
Steve felt flustered as he went back to mindlessly examining his papers, Bucky really didn’t mean that right?
-
When he walked into his office after the exam was finished, he found Bucky in tight red and black briefs and socks. His feet propped up on top of his desk as he gazed down at leatherbound book. He looked up and smiled, “Hello, sir.”
“Bucky, why do you have no clothes on. I thought you were joking.”
“Nope, I’m here to finally take you.” Bucky said nonchalantly as he turned the page, attention back on the book.
“Bucky, you should probably buy me a drink first.” He gave a slight tease, still surprised by seeing his very attractive student with such little clothes on. He quickly closed the door and locked it.
Bucky reached down, his gaze back on the book, and held up a bottle of wine from the corner store.
Steve rolled his eyes, “Are my lines really that predictable.”
“Not really, things like this took me off guard.” Bucky turned the book to face Steve.
It was Steve’s sketchbook.
“You’ve been thinking about me.” Bucky smirked as he dragged a finger across one of the sketches of himself that littered the page.
Steve blushed, it ran down his neck and across his chest, Bucky could only imagine how far it spread. The blonde teacher stammered, “It’s not like…” He sighed, “Yes I have been thinking about you, I’m pretty sure the hundreds of text messages made that clear. But, I’d like to wine and dine with you before I get in your pants.”
“Oh come on, sir, you promised.”
“I promised a date, not sex.” Steve put his belongings down by the floor.
Bucky put the bottle back down on the floor and got up, “You’ve been teasing me for weeks now. We both want it, why not live a little.” He rounded the desk and backed Steve up against it.
“Fine, but I’m in charge.” Steve tried to establish.
Bucky ignored him and pressed a filthy kiss against his lips, caging the blonde against the desk.
Steve trembled with desire and from holding back for so long. He tried again as he gazed down at Bucky’s wet lips, “I’m… I’m in charge.”
Bucky chuckled and grabbed a hold of Steve’s blue shirt and pulled him into another kiss. Bucky was in charge this afternoon.
Steve whimpered and melted, he was immediately ready to give up any chance at dominating the situation. He was putty in Bucky’s strong, calloused, amazing hands. The kind of hands that were an artist’s wet dream and thankfully for Steve he was an artist.
“Up on the desk, Steve.” Bucky purred.
Steve made quick work of getting things off of the desk so he could lean over it.
Bucky licked his lips at the display of Steve’s ass.How round it looked in this tight dress pants, he had taken a liking to the look of the blonde’s ass, he had seen it enough times clothed or partially clothed to develop a taste for it and wanted to see more.
“Pants off, baby.” Bucky went to his bag and dug around for the lube and condom he put in there, thank you on health services.
Steve groaned at the nickname, it had been a long while since someone called him that with such affection. He made quick work of his belt, tossed it onto his chair, and kept his underwear and dress pants on one ankle. He spread his legs out and looked over his shoulder.
“Shirt too, I want to see how far that blush goes.” Bucky chuckled as he pulled off his underwear. He lubed up his fingers
Steve groaned as he stood up and slowly unbuttoned his shirt before he folded it neatly and placed it on the chair. He bent once again over the desk and wiggled his ass for effect.
“Now you’re just teasing me.” Bucky groaned at the sight before him.
Steve rolled his eyes, “Guess you’re not so cocky anymore, maybe I should top.”
Bucky chuckled, “Not today, I’ve been having fantasies about this ass for the longest time. It’s just amazing.”
Steve blushed and buried his face in his arms.
“There’s that blush.” Bucky smiled, he saw how is trailed all the way down the blonde’s neck and chest, “Wow, it really does go far down.”
Bucky slowly lubed up his fingers before at an equal pace pushed into Steve, he earned himself a muffled groan and the sight of the blonde’s arched back. Like an angel out of a renaissance painting.
“Ever done this before?”
Steve nodded his head, “Just not in here.”
“Well, I’m honoured then to be your first and hopefully your only.” He began to move his fingers quickly, they didn’t have all the time in the world. Even though the university was next to dead, someone could come in.
And that turned Bucky on even more.
Bucky continued to finger him, slowly opening up his hole until Steve was whining under him. He inserted a third finger which caused the blonde to buck his hips up in the hopes of getting more of the sensation that was crawling all over his body.
“You’re so tight, I don’t know if I’m going to be able to fit my cock in here. But, I think I might stand a chance considering how well you’re opening up for me.”
“More, more. Please, Buck.”
Bucky added a fourth finger, moving at a quick pace this time, but kept aware if Steve started to show any discomfort.
“Bucky, fuck you feel so good. I don’t think I’ve ever been fingered like that.” Steve groaned.
Bucky chuckled, slowing down his pace just slightly to earn a moan from Steve, “Aw, don’t inflate my ego like that.”
Steve opened an eye at Bucky, “I wouldn’t bet on it.” But let out another moan as Bucky picked up his pace once more. Little jolts of pleasure shot up his spine with every thrust of Bucky’s fingers, they were like a work of art.
Steve could paint Bucky like this and never get it right. The passion that Bucky held in his eyes as he continued to finger him, the careful precision as he stretched Steve to accommodate his cock. Don’t get him started on how his cock looked, Steve had seen his fair share of the male form both in school, in the army and being on the internet, but never had he wanted to sketch, paint, examine and showcase how amazing Bucky’s cock looked in art. It sounded cheesy, but his mind was slowly getting dragged into the warm of pleasure.
“You ready for me, Steve?” Bucky’s voice brought him back as he slowly took out his fingers.
Steve groaned at the sudden loss, “Yeah, come on, fuck.”
Bucky chuckled, “Have I ever heard you swear before? I don’t think so.”
“Don’t tease me.” Steve arched his back.
“It’s only fair considering that you teased me.” Bucky gripped onto Steve’s ass and gave it a tight squeeze. He rounded the man to get a good look at his face.
“That was all fun and games, plus we don’t have much time. We really shouldn’t be doing it here.” Deep down Steve wanted to do it in his desk.
Bucky kissed Steve’s cheek, “Don’t worry, I’m going to fuck you so hard that you’ll feel like time is slowing down.”
“Oh, stop that.” Steve buried his face in his arms in an attempt to hide the darker blush that was growing across his face.
“Words like that get to you.” Bucky smirked.
“Shut up.”
Bucky licked his lips at the sight of the blush, it growing darker the longer the two of them spent like this. He slowly stoked his cock as he covered it with lube.
“You look amazing.” He sighed out as he continued to rub his cock.
“You tease.” Steve mumbled into his arms.
Bucky stopped and got back behind the blonde. He slowly pushed his cock inside of Steve, the tight feeling around his cock made him harder. It was a feeling he had never felt before, he’s been with guys and girls alike, but the situation and the build up had lead up to this and it felt so damn good.
“We shouldn’t be doing this here.” Steve groaned as he was being pushed up against the desk even more only to be dragged away immediately after, keeping in pace with Bucky’s thrusts. His self preservation was almost gone as he felt himself grow harder at the sensation, at the feeling of Bucky completely dominating him.
“Yet, we’re here. You’re all nice and bent over and I’m fucking you right into the wood.”
Steve responded, “Next time, I top.”
Bucky gave Steve a nice swat on the ass, “Alright, baby, whatever you say.” Then gave a hard thrust, his cock nudged against Steve’s prostate. Steve scrambled to cover his mouth as he let out a sultry moan. It felt so good and sparked this small fire in his stomach, to do something wrong and inappropriate. After spending so much time in the military maybe he needed to something on the wrong side of ethics, not illegal just frowned upon. At least with the semester over he was able to do more of this, except maybe in the comfort of his own bed and not the hard wood of the desk.
“If you top next time, you’ll still be making those same noises you’re holding back now.” Bucky purred, his voice was hot against Steve’s already burning ears.
“Shut up.” Steve squeaked out, his voice was a little too high pitched from his liking, thanks to another brush of Bucky’s cock against his sweet spot.
Bucky smirked and began to thrust harder, “You like that?”
Steve felt his knees begin to shake as he nodded his head, not confident in his ability to pronounce words.
Bucky dipped his head and began to kiss at Steve’s skin, it felt sweaty against his lips, but it didn’t matter to him. After months of pining over this man, he was finally getting what he wanted, to just have Steve Rogers close to him.
“You’re so beautiful.” He groaned as he nipped at the skin.
“Shit, Bucky, please.” Steve croaked out. He felt his body tense up as he got closer to orgasming. He didn’t want Bucky to stop, his head felt clouded with lust and a need for the other man.
He never thought he’d ever get this far with him, he was too skittish for a while, but those beautiful eyes, soft hair and shining smile had him weak in the knees, and it wasn’t like this kid was dull. Cracking jokes, flirty gazes and always asked the right questions. After being on his own with Scamp for some time, it was everything Steve needed in a companion, a partner… A boyfriend.
“You’re amazing, you feel so good.” Bucky groaned.
Bucky thrusted, his hands planted against the smooth, pale flesh of Steve’s hips. His eyes casted down to how the blonde’s ass looked as he fucked him harder. The slight jiggle of his ass with every thrust caused an electric feeling to run down his spine.
Fuck, he was perfect.
He picked up the pace, going fast enough that he knew that Steve’s beautiful thighs and hips were going to be bruised tomorrow morning due to how hard he was being pushed up against the hardwood. The desk moved ever so slightly forward with each thrust.
Steve began to feel the pleasure washing over him in larger waves, ready to pull him under and make him orgasm. He was surprised by how well Bucky knew how to maneuver him, how to make him feel so good. Maybe Steve was a simple man with simple ways to get off, but his mind wasn’t to that. It was instead focused on the orgasm he was chasing.
“Buck, Buck.” He groaned out as quiet as he could like a mantra.
“Yeah, baby, I’m here. I’m going to make you feel so good.” Bucky said as he took a tighter hold of Steve’s hips. He loved how smooth the skin felt under his touch, how pale it looked as it was always hidden under tight fitting dress pants.
“Bucky, I’m gonna, I’m gonna come real soon.” Steve groaned out, his socked toes curled as Bucky’s cock brushed against his sweet spot again.
Bucky grinned, the slight desperation in his voice only encouraged him to fuck Steve hard, making sure to aim for the sweet spot just to give Steve that edge he needed. He could imagine himself doing this more often. To bare witness to how beautiful Steve looked when he let his professionalism down and acted a bit on the risky side. Only he got to strip away the edges of the blonde, beautiful history professor and see the tease that haunted his dreams since the day they first met.
“Fuck, you’re beautiful.” Bucky kissed along the shell of the other man’s ear, he felt how hot and red it was against his lips. How the blush he always fantasized about went as high on his body as it did low. It only added to the undeniable charm that Steve had, even if he never noticed it, “I’ve never seen someone as beautiful as you.”
“No I’m not.” Steve gave a feeble response.
Bucky gave an extremely hard thrust, it caught Steve off guard, “You’re beautiful and don’t forget it.”
Steve only responded in a groan, wrapped up in his goal to achieve orgasm.
Steve quickly covered his mouth with his hand, gritted his teeth as he jerked his hips to get him over the edge, to reach his climax. He let out a strained moan as pleasure washed over him and he came all over his stomach and the desk.
He brain felt fried, his cock sensitive and his body was still shaking. Fuck, he was wrecked.
“That’s it, that’s it, baby. I’m close behind you.” Bucky sighed into Steve’s neck as he continued to thrust his hips. Steve felt so laxed against him, but yet his hole still clenched around him.
Bucky kissed along Steve’s neck, tasting the salt on his sweaty skin. He felt heavenly, better than any fantasy he could ever come up with. With a few more hard thrust of his hips, he lets out a low groan before biting Steve’s neck, leaving a nice red hickey just above where the neck and collarbone meet.
“Bucky.”
“Yeah, baby.”
Steve turned his head as much as he could as smiled, his expression looked so blissed out. With his eyes shut and breathing that came out is hard pants along with the mess on his abdomen.
“Oh baby, fuck yeah.” He groaned out as he felt a shiver crawl up his spine and his orgasm caused his head to swirl.
Steve let out a blissed out sigh and mumbled, “Fuck that felt good.”
“You could say that again.” Bucky responded as he wiped the sweat away from his forehead.
“I’m keeping you that’s for sure.” Steve chuckled, “I think you’re stuck with me for good.”
“Sounds like a plan.”, Bucky slowly pulled out, feeling the stickiness of the lube and his own cum coat his cock. He was still feeling the after shivers of orgasm. He peeled off the condom and wrapped it in tissues.
Steve panted as he grabs some tissues off the desk, “I never, ever want you to take a class with me again.” He wiped away the cum on his stomach and off the desk. That desk was going to smell like cum for the next semester, even if it doesn’t Steve would still it does.
Bucky looked a bit disappointed, he felt as if his heart had begun to break. Did Steve only want him for this one time? Was all the lead up to this and that was it?
“I don’t mean it like that.” He reached out for one of the papers on the stack still on the desk. It’s an academic map, he handed it to Bucky, “If you want or do take anymore history courses here’s what you can take. If you don’t take a class from me you’ll graduate faster and then we won’t have to hide this.” He sat up on the desk, “I don’t want to do that to you.”
Bucky broke out into a grin, “I knew you were into me, but that was really bad post-sex talk.”  before he leaned over and pressed another filthy kiss on Steve’s lips which made the blonde moan.
“Sorry about that, but hey, you got me.” Steve smiled finally catching his breath.He reached for his sweater put it back on, “So, how does seven o’clock next Thursday at the McGilligan's pub sound? All the students will be back home by then.”
“Sounds great! So what are you doing for the holidays?”
Steve shrugged, “Home with my dog, my folks are long gone by now. What about you?”
Bucky pulled on his red henley and zipped up his hoodie, “Not on the best terms with my family so I’ll be in my dorm.”
Steve thought about it for a moment, “When the semester is done and we had our first date, would you want to maybe spend the holidays with me? You don’t have to say yes, I know you have some friends who you’d probably wanting to hang out with.”
Bucky shook his head, “Sam’s out in DC to see his parents. Nat is going back to Russia to see her mom, Clint is going with her and we all have bets to see if he’s going to come back alive.” He lightly chuckled, “So I’m pretty much by myself with enough hot ramen and plums.”
“Plums?” Steve chuckled.
“They were at the last farmer’s market in the quad, they taste good okay.”
Steve pulled up his pants and walked over to Bucky, there was a slight limp in his step. He kissed Bucky on the lips and wrapped his arms around his waist, “Well, bring whatever you need, I’ll be taking care of you this holiday season.”
“I like the sound of that.” Bucky smiled, he was a little smug at Steve’s slight limp, knowing that he alone caused that. He snaked a hand down Steve’s back and groped his ass, “Christmas morning there better be a bow around this.”
Steve rolled his eyes, “Still snarky.”
“And you’re still so gone for me.”
Maybe history wasn’t as dry as Bucky originally thought, especially when he got the bright red “A” a few weeks later and the directions to get to Steve’s apartment.
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Issy, August 9 2020, Sydney
When a housemate leaves, certain objects, sounds, and interactions disappear from your domestic landscape. Sometimes tears are shed. You say goodbye knowing that you will likely never occupy space together in the same way again.
In my two years of living in this house, I have seen eight people leave (not a reflection on this house or my presence in it, I promise). The most recent loss was Issy. When Issy moved in late January of this year, she immediately baked a cake for my housemate’s birthday. With scissors, she cut all of the overgrown grass in the backyard, then cleared out years worth of junk from the garage. She called for house dinners to become a regular occurrence. Issy, in all of her determination and readiness for life, seemed profoundly unrelatable to me at first. The adjective I used to describe her was “perfect,” meaning good at everything: running, talking, living, kind, intelligent… But the word perfect is too reductive, or cursed with a certain jealousy. It implies a cohesiveness that simply does not exist in the best of people.
Let’s just say then that I love her, and her multiplicity. I’ve loved her presence in this house. At her farewell, I gave her the unedited version of this interview printed on pages stuck to newspaper. Not so much an interview as a chat between two friends drinking red wine with a lot to say. At the risk of sounding too sentimental (no such thing), I’m so glad we got to have this little piece of recorded history together, Issy.
The best part about Issy’s cakes was that they were never too sweet. And she wasn’t either.
The first image included in the interview is an artwork Issy sent me. When I asked her about it, she told me it represented for her an idea of “stagnant motion, connectedness but disconnectedness.” What better captures the feeling of wrestling forward in a year that wants nothing but to hold you back? The artist Nancy Spero, I learnt, was a central figure in the feminist art movement of the mid-20th century. From the MoMA website: Spero described her works as “ephemeral monuments” to the full range of women’s experience: tragic and triumphant, degraded and powerful, victimized and liberated. Multiplicity as the underlying current defining womanhood. Everything is true and simultaneously, wrote Chris Kraus.
Me not being an art scholar, I will rely instead on Spero’s passionately written Wikipedia article: Although her collaged and painted scrolls were Homeric in both scope and depth, the artist shunned the grandiose in content as well as style, relying instead on intimacy and immediacy, while also revealing the continuum of shocking political realities underlying enduring myths. Paying attention to the immediate and the intimate, alongside an understanding of the myths that politics is built upon, seems to me a useful lens through which to study the pandemic today. What is the everyday texture of living through a historically and politically unprecedented time? How do we signal love? What are the myths propelling counterproductive human behaviour? This novel coronavirus laughs in the face of neoliberalism.
I will end this overwrought introduction with this fragment from Spero’s interview with artist Phong Bui:
Spero: You know, being with Leon and having my three beautiful sons, I am really blessed in a lot of ways. Otherwise, by living day-to-day, one realizes the firmness of cruelty, what people do to each other. But then one realizes that it’s always built with double meaning of the conflicted self. Whether it’s through language and gesture and thoughts, and so on…
Bui: That’s true. And that’s why we deal with that intense closeness of that duality through art, instead of hurting ourselves or others which I think is overrated.
However you can, in this dark unending year of 2020, make art instead.
C: This might be a strange question to start with, but what have been some of your favourite memories throughout Covid?
I: That is an interesting one because I definitely think there have been some really beautiful moments. I was looking through my phone camera the other day to see what has happened. I don’t take many photos, but a few things popped out. I definitely remember the night that we all spent together, you know the one that we had that group photo by the table? I think it was when Josh was in the house. It wasn’t my birthday dinner but it was one around that time. The house nights? I feel like we went through a period of having dinners which was super beautiful. Also around my birthday period, I went with Maya – you remember how on my birthday I went and drove to Collaroy? Which is a bit ridiculous. There was a moment when we’d gone to the beach and the sun was almost setting. There were still quite a few people around and Covid hadn’t fully hit the Beaches yet, so there were people around, and I hadn’t been in the ocean in months. And I remember us just finally setting our stuff down on the beach and getting into our swimmers and running into the ocean. And Maya’s very… How to describe her? You can’t. But she’s very beautiful and she was very much like, you know, this is a cleansing moment and experience, and a new year for you, and we need to jump into the ocean and make a wish. Which, when I’m with her, I definitely get on board with. So we jumped into the ocean and it just felt super cleansing and super beautiful and the sun was super warm. So that was a very nice moment. I think also, connecting with her in Australia as opposed to being in France, like last year on my birthday we were in Lyon. And we made a promise that every year, if it’s possible, that we’re going to be in a different country for our birthdays. So that was also hopeful and very nice.
C: So you have the same birthday?
I: No, her birthday’s a couple of months away from mine. But I think we’ll do something for both of them. We’re both birthday people [laughs]. But, yeah, I’m trying to think of other things. I mean, it’s tricky. Because I feel like there’s definitely moments that I’ve forgotten. It feels like it’s been the longest time but also the shortest time, and so much has happened but also nothing has. So I feel like almost just the nothingness has been nice in some moments I suppose.
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C: Is that because you don’t feel like you have to be the busy, productive person you are in normal life?
I: I definitely feel like I still have that a little bit [laughs]. It’s funny, because I was kind of wondering what I’ve learnt over Covid. And I think, one thing that I’m still trying to learn is the idea that I need to not value my time and my self based on productivity. Especially when you can’t be that productive. I used to do quite a bit of volunteering, and obviously working a lot, and study and all of the little social events that I’ve been missing. And a lot of that’s been cut out, so it has just been like, trying to come to terms with the fact that it’s okay to not be doing things all the time. But it’s also hard because then you’re in your head more. Which is something that I think – I probably subconsciously try to keep busy so that I wasn’t doing that. So that’s been an interesting experience.
C: Can you elaborate on that? Like, how did it change throughout the months? Were there certain time markers for you?
I: Definitely the months have been quite distinct. But they also all merge into one when you think about it. I feel like I’ve had quite fragmented experiences. And I think the time markers are probably a lot to do with the people in my life as opposed to the things that I’ve been doing. Just because I have been doing less. But, I mean obviously having different housemates come into the house, and having different months where different friends are free. Seeing different people has been more of a time marker.
C: And that period when you weren’t working as well…
I: Yeah, I mean it’s tricky because that’s the first time I haven’t worked since I was 14, but at the same time I was so busy with Uni and study that it was probably really positive for my studies. But it did feel very consuming in that as well, in that I felt I had to totally immerse in that. It was fortunate I was doing interesting subjects.
C: What was it like finding out that Uni was online suddenly?
I: It was funny, I found out – I had been at Uni that day, and I went into work that night, and I was talking to some customers about how Covid was just hitting, and how everyone was going. And they were at UNSW, and I was like, Oh, I think UNSW’s shutting down, right? But UTS is probably not going to do that anytime soon. And they were like, Oh, no, UTS has shut down [laughs]. And I was like, what? I was there today! And they were like, Oh, my sister just sent me a screenshot of an email she received tonight. Your uni’s shut down! And so I found out that way, which was funny. But I mean honestly, as a law student, I felt quite lucky and quite privileged that a lot of what I do is totally capable of being online. And I felt really bad for students who are in more practical degrees. I have friends at the National Art School and friends doing med and science and whatnot, which is a lot more lab-based and necessary to be in a studio. Whereas, for law, it’s totally capable of being online. And I quite enjoy independent study. I am lucky to be self-motivated in that sense that I enjoy having my own space and being able to just do my readings. And Zoom has been interesting, watching how people adjust to an online format. And you definitely miss that human connection and having that more organic class discussion, I suppose. But at the same time, it’s very minimal negative compared to what other people are experiencing.
C: I felt like I really enjoyed my English classes on Zoom, and I felt much more willing to participate.
I: Oh really? Why’s that?
C: I think not having the awkward like, not having to signal that I was about to talk – just like, unmuting myself or raising my hand virtually was a lot easier for me than doing it in-person. And I’m always someone who does feel like I’m on the precipice of saying something but I just leave it half a second too long. Being invisible – sometimes I would drink wine, smoke during my classes and I would just be more confident as a result.
I: Yeah, I get that. That makes total sense. I’ve had the inverse experience, because I’m definitely less confident in a virtual setting. I think I’ve had a similar thing where I feel like I miss a second, I miss a beat, and people move on quite quickly in the virtual realm. And so I’ve had that experience this semester. Whereas, usually in class I’m just like, Me! And I just say things and it just flows more naturally for me there I think.
C: Did you have to have video on during your Zoom classes?
I: Yeah.
C: That would’ve changed things for me a lot I think.
I: Did you not?
C: No! No one had video on in either of my classes.
I: Oh, that’s so much nicer. That’s the thing, as soon as you start speaking your face is immediately in front of everybody.
C: Exactly, so I felt really good knowing that no one knew who I was, and I could say shit and no one would attribute it to me. They didn’t know me.
I: That’s interesting though, because you say no one knew who you were, but they knew your name and they knew your voice.
C: Yeah, but this was my last semester, like they would never see me.
I: But do you feel like that’s totally attributable to a visual thing, like to your face? Because, I mean, your name will be something…
C: Partly. I think, also, the class was really well-run, I loved my tutor, and it felt like a space where I could share ideas. And it felt really linked to Covid in a lot of ways, while we were talking about all these big ideas, reading Marx, reading Marcuse, and talking about free speech and universities and all of that. I guess this can lead me onto my next question. Did you feel like any of the things you were learning throughout your semester were linked to what was going on in the world around you? Because you were doing international law and stuff?
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I: It’s funny, because that was the thing I was going to say from your comment. I think that’s one thing my studies lacked, was a link. Because it’s crazy we’re all going through this really immediate and collective and present thing in our lives, and then none of the content we were learning was really related to it. And none of the teachers really sought to relate it either. Which I was disappointed with. But also, it was a really tough time for them as well to have to adjust, in terms of entire learning materials, to the present situation. And I think international law always has relevance. Definitely it has become really relevant in the past month or so, with different relations between major players or whatnot. And that’s something I’ve really appreciated and I’ve found a deep interest in that from studying it. But they didn’t relate it to Covid throughout the semester. Maybe they’ll adjust. There’s time. Covid’s still going.
C: Yeah, how do you feel about the ongoingness of this pandemic? Like, we’re in August, we’ve lived through six months of it already. Where does it end?
I: Did you talk about this in your class at all?
C: No. I think we’ve only recently reached the point where we’ve come to terms with it and accepted it as part of daily life. And we don’t know when it’s going to end. But I think, before, everything that happened was so new and shocking and uncomfortable. I feel like we’ve gotten to a place where we’re starting to get comfortable with this new way of life.
I: Yeah, definitely. I think it’s going to be really interesting – I mean, I hope people take this as an opportunity to change a lot of really structural things. But it is going to be interesting how little things that we wouldn’t have considered normal have become normalised, and will just become part of our daily life. I don’t know when this is going to end. I mean, I feel like particularly in Australia, we’re super lucky that it is quite insular. And I mean it’s very easy to look at it at a larger scale and be really overwhelmed with what’s going on in the rest of the world. But in Australia it’s quite easy to feel like nothing has changed, but then obviously everything has. And there’s lots of things that have for a lot of people. If you look at my life, on a personal level, it probably hasn’t massively? But you think about the way that you’ve learnt things over the last few months, and the way that you have perceived things and changed things in your life to accommodate different things. And that’s definitely changed. I think it’s very easy to think that nothing has changed here? Or to minimise that. But it definitely will. And I hope people are aware of that. And I think one of the positive things that’s come out of this is this sense of collective experience. And obviously not everyone’s having the same experience; it might be like a super privileged view to be like, The Collective! But, you know, I think people are probably more willing to empathise in certain situations now.
C: It’s just such a rare event to happen. And it’s so rare for everyone to be affected by it. To be affected by anything singular. So I do think it’s a collective experience that we haven’t had previously, but obviously everyone’s going to have a different experience, but it is still a collective experience to go through.
I: Definitely. And I think in a time where everyone is so virtually connected as well. Like I don’t think the world has experienced a pandemic like this where everyone has been able to have a platform where they can voice their own experiences and feel a sense of community, worldwide even. Which is very interesting. I think the Internet is a slowly rising tide of panic, so it’s hard to… I think another thing that has really emerged in this time for me has been this idea of like – and I think you spoke to Zach a little bit about this – is this idea of like balancing your need or want or desire to be engaged, and then also needing to not feel overwhelmed as well. And it’s hard, because balance is so important, but where do you find that line.
C: But also we wouldn’t have reacted as strongly as we did – Australia – if it weren’t for what we saw play out through the news in Italy, in particular. I think, for me, when it hit that this was this big thing that was happening, was when I was reading about Italy and how terrible it was all of a sudden, late February. Like, this is going to happen here. But because we had that example, you know, we acted quickly and I’m very thankful that we are geographically distant from –
I: Like designed to deal with something like this?
C: Yeah.
I: Yeah, I think that’s definitely true. And I think it’s quite impressive how we reacted quite quickly to that. And I mean, that’s a testament to our society and democracy and whatnot. But I mean, there’s definitely been miniscule crises that have reflected things that have happened in Italy, like the aged care crisis at the moment was also present in Italy and was something that we definitely should have foreshadowed, and been more able to react more quickly to. I mean, I think it’s quite lucky we have a healthcare system that is comparatively, particularly to the US, very well-designed and very accessible. It’s been one of our saving graces also. Like it’s such a crisis in the US. Having my sister in New York has been terrifying and eye-opening.
C: How do you feel about moving back to Gosford and being away from everyone?
I: I don’t know. I think it definitely comes in waves. Ultimately, I think I feel quite positive about it. I think it’s what I need for myself at the moment and for my research. But it’s going to be hard. Like, on a scale of things that are hard, probably not that hard compared to what other people have to do. Yeah, it’s going to be weird being away from the city. But I’m also really excited to be away, and to be in nature a little bit more, and be close to the beach, and just be in a really tranquil environment where I’m not stressed. I don’t know why, but I’ve just been going through a bit of a weird time. And I don’t know if that’s like a Covid effect catching up to me.
C: I think everyone in Sydney is feeling a bit anxious that it’s going to hit here because of what’s happened in Melbourne. And we’re just all in this high alert mode. I think it makes sense to go to somewhere a bit out of the city at the moment.
I: Yeah, I definitely think that’s true. I’m going to miss everyone a lot. But I think, being out of the city will be a positive for me. Everyone’s on such high alert, it’s like a really anxious environment. It’s also hard with work at the moment as well, it’s a pretty stressful space to be in. And I love them, but I feel like I’m working so I can live in the city, but I’m not doing anything here, essentially, other than writing my thesis. So I could take away the work and just write my thesis, which will be productive over the next couple of months at least. But I will be back. I definitely can’t see myself living on the coast long-term. Just having been away last year, spending a bit more time with my mum will be really nice. But I feel like there will definitely be a limit to that.
C: Hopefully it coincides with Covid…
I: Yeah, I’m feeling maybe everything will shut down and it will just make complete sense for me to be at home. I definitely get antsy and I like changing things and I make quite rash decisions sometimes. But ultimately, I think that they make sense. And it’s something that I have thought more about than I would let myself believe. But I think it all makes sense. But I hope Sydney doesn’t go into lockdown again, because I feel like that will affect a lot of people really deeply.
C: Yeah. I mean, I don’t think we will because we have Melbourne as an example and people are being fairly proactive. And it seems like we thought it might have happened already, but it hasn’t.
I: Yeah, I think that’s one of the worst things about this, right, is the anticipation or the waiting for something to change. And like, feeling like you’re in this weird limbo-y period. It just feels like a weird hiatus from how things would normally work. But then it’s like, maybe this is just how things are normally working.
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C: It’s like a middle ground between like, you can’t hang out with more than one person, but we’re not in Melbourne lockdown, obviously, we can go out to restaurants, we can go out for drinks, everything’s like normal-ish.
I: It’s such a weird distinction between being capable of going out for drinks and not feeling like you should, and feeling guilty if you do, and that you’re not taking enough precautionary measures. Yeah, definitely heightening anxiety for a lot of people and feelings of guilt. How are you feeling about it?
C: I don’t know. I think we’ll be in this vague uncertainty for a few months. Like at the beginning of everything, I think everyone thought it would be over in six months. Like spring was when it would get back to normal. And I was like, hopefully by the time it’s my birthday, warehouse parties will be back and we can go out after hanging out here. But that’s obviously not the case, so. I’m okay with it, as long as we have what we have now. I don’t think our restrictions will get that much tighter, hopefully. I’m okay with it. It is sad, but it would be much worse to be in the US. Like to have a government that doesn’t care about you.
I: Yeah, I mean I definitely think there’s certain sects of our society that the Australian government doesn’t care about.
C: Absolutely.
I: But the US is definitely… I don’t know if we should be comparing ourselves to the US though, because it’s such a low threshold to be better than them. Like it’s definitely a crisis over there.
C: It’s just wild, because it just seems like they have no understanding of – like they haven’t experienced having the government put restrictions on them in the way that we have, which would just make so much sense, because it’s so much more widespread there. But it’s like, maybe you shouldn’t gather with more than 50 people.
I: I think neo-liberalism is just so much more entrenched in the US. I mean, it’s definitely very present in Australia and has very widespread impacts here. But very very entrenched in the US. I think the population size as well, and the way that the Trump administration has been running for the last – God, it’s like four years now? How insane is that. They were not prepared to deal with something like this. Like, can you imagine? They can’t even get rid of guns.
C: It’s the only country in the world that has had such a political response to, like, mask-wearing. It’s insane.
I: And then you think of countries that are super equipped to deal with it. That have done it very efficiently.
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C: Yeah, like South Korea. They were one of the first countries to get it. I remember reading all my emails that were already loaded because I was on a flight back from Melbourne and this was late February. I was just reading all the New York Times daily briefing emails. And I was like, fuck, it’s really taking off in South Korea! This is wild, like it’s all been passed on through this cult. Like, South Korea, Iran, Italy – what random countries to have Covid. Like, this is wild. But then, South Korea quashed it immediately while it went rampant in Italy for a while. Every place that got hit hard immediately, at the beginning, is doing fairly well now. Like New York compared to the rest of the US is doing fairly well.
I: Yeah, that’s true. I feel like it’s just a process of people having to learn how to deal with it. The experience of going through it, I guess, would change people’s perceptions of it and how they’re going to react to it as well. My sister actually did a really – at the start of Covid, in New York – she did quite a beautiful storytelling that her friend back here – her best friend, she’s an illustrator – did an illustration to. I’ll show you sometime.
C: I can link it.
I: It’s a good thing to watch, and I think it kind of represents the start of Covid and people’s feelings at the start of Covid quite beautifully. It’s really tinged with this kind of sadness but also unknowing. This understanding that people are being quite kind to each other in a way that they previously wouldn’t have been, because of the collective experience. I’ll show you.
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C: Do you think this has changed the way people interact with each other in a way that will last?
I: Hmm. I don’t know if that’s super relevant for Australia, or if that has affected Australia as much. I don’t think so. I think here it’s become more of an individual protection thing. And because we haven’t been hit as hard, I don’t think the understanding of it has gone as deep.
C: I think in Melbourne, maybe.
I: Maybe in Melbourne. Yeah, I don’t know anyone in Melbourne really at the moment. I haven’t spoken to them.
C: I think they will come out of this feeling like they had a very different experience to the rest of Australia. Like for us, I do feel like people are wearing masks more and more in Sydney. But I don’t think it will ever be mandated. I don’t think we’ll reach that point, hopefully. But they will have had to go through like – not being able to leave your house after 8pm is a very intense thing to have to live through. Which we’ll probably never understand.
I: How do you think that would work in Sydney? Like do you think that if we got to that point, it would change people’s perceptions of Covid and each other?
C: Probably. I think we’ve had a fairly light quarantine lockdown experience compared to a lot of people in the world. Even my New Zealand friends, when they were going through their six-week lockdown, it was a lot more intense than what we went through. I think we never really had it that hard in Sydney, and got through it fairly quickly and easily.
I: Yeah, definitely. I mean, I feel like it was such a minimal scale here. And it’s tricky, because I remember talking to my friend Thomas who works at PIAC. He was doing social housing policy during that time at the start of Covid. And he was like, suddenly, you know, government funding has opened up, and suddenly anything’s possible. We’re housing a lot of homeless people. And he was trying to work on more long-lasting solutions to that. And the quarantine didn’t last long enough for them to implement real change in that sector, I don’t think. And suddenly people were back – they stopped their program, so people were back out on the streets. And that was a noticeable shift, as soon as Covid started lessening, you saw people back out on the streets again, and that was a really harsh reality of government priorities as well. But I feel like in Sydney because it was so light, it almost didn’t allow for that opportunity to implement sustainable change in areas that definitely need it. And that could’ve been a positive that came out of it, but… What would be your positives that have come out of Covid?
C: Like, any positives? I think I’ve had a fairly normal experience throughout Covid in that I still worked my normal job that I’ve had for the past four years, I did Uni, I had a lot of – probably more so than ever – interactions with housemates because of Covid. So I never felt like I had a lot taken away from me. But I think all the fun things we had as a house, especially me, you and Citi, sitting on my bed gossiping, playing Skribblio was really fun. And Josh was here throughout the peak of Covid, which was really fun. It was good to have people around. I didn’t think that I needed it. I thought that I could deal with it all on my own in Woy Woy if I wanted to. But I think at the end of it, I was really like, I’m really glad I had social interaction because so many people haven’t had that opportunity, and it was really nice.
I: Yeah, I think that was definitely a positive. I mean, I’m sure it was more intense for Josh. But like having come just into a house as Covid was hitting and suddenly, that’s your social interaction. I really loved that element of it because it meant that we all got to know each other quite well quite quickly. And I’m sure that was more intense for Josh, having come in literally the week we went into lockdown. But I almost feel like prior to that, living in the house, we obviously all liked each other and got along, but we’d see each other quite fleetingly because we were all so busy doing our own thing, and then suddenly we had freed up this space to spend with each other. I think we all got closer a lot quicker because of that.
C: It is really nice. I don’t think I’ve come to terms with the fact that you’re leaving.
I: Neither have I.
C: It’s like a week away right? I will be very sad.
I: I’m also going to be very sad.
C: I think this is the best house that could’ve happened during lockdown.
I: Yeah, we had such a perfect lockdown dynamic. It’s hard, because you don’t want to say this, like you’re minimising other people’s experiences…
C: Hey, this is exactly what comes up every interview, but you know, it’s all about your subjective experience.
I: Yeah. But I mean, we did have a lot of fun.
C: Yeah, and it’s okay to!
I: Yeah, I think that’s another thing that I’ve been thinking about a lot, is trying not to invalidate your own experiences by thinking about other people’s. It’s very important to be aware of other people’s experiences but ultimately, you’ve gone through your own thing.
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hollywoodjuliorivas · 4 years
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What Does Art Have to Do With the Coronavirus?
We need to wake up. Artists can sound the alarm.
By Judy Chicago
Ms. Chicago is an artist.
May 28, 2020, 5:00 a.m. ET
A view of Judy Chicago’s “The Dinner Party,” an installation devoted to important women in history, on display at the Brooklyn Museum.
A view of Judy Chicago’s “The Dinner Party,” an installation devoted to important women in history, on display at the Brooklyn Museum.Credit...Suzanne DeChillo/The New York Times
This essay is part of The Big Ideas, a special section of The Times’s philosophy series, The Stone, in which more than a dozen artists, writers and thinkers answer the question, “Why does art matter?” The entire series can be found here.
Since I wrote the first draft of this essay in early March, the world has turned upside down. I have revised the original text, guided by a single question: Does art matter when we are facing a global crisis such as the current Covid-19 pandemic?
Obviously, there is a great deal of art that doesn’t matter. This includes the work issuing from those university art programs that every year pump out thousands of graduates, taught only to speak in tongues about formal, conceptual and theoretical issues few people care about or can comprehend. Then there is the art created for a global market that has convinced too many people that a piece’s selling price is more important than the content it conveys.
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But when art is meaningful and substantive, viewers can become enlightened, inspired and empowered. And this can lead to change, which we urgently need.
My education about the potential power of art began in the early 1970s, when I delivered a lecture in Grand Forks, N.D. It was not a place where I would have assumed art would matter. Nonetheless, more than 200 women and men attended my talk. I showed images from “Great Ladies,” my series of abstract portraits of some important and forgotten women in history, such as Christina of Sweden, the 17th century queen and patron of the arts who widely influenced European culture. At that time, women’s studies as an academic field was in its infancy; I had discovered those figures through my own research, driven by a desperate need to find out about women before me who had faced obstacles like the ones I had encountered in my career.
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A detail of “Half-Scale Study for Double Jeopardy” by Judy Chicago and Donald Woodman on display in 2018 at the Ronald Feldman Gallery. The work is part of the couple’s collaboration “Holocaust Project: From Darkness into Light.”
A detail of “Half-Scale Study for Double Jeopardy” by Judy Chicago and Donald Woodman on display in 2018 at the Ronald Feldman Gallery. The work is part of the couple’s collaboration “Holocaust Project: From Darkness into Light.”
Credit...Vincent Tullo for The New York Times
After my talk, I did something artists rarely do; I asked the audience what they thought of my work. After a few minutes, someone said my stated aim of depicting significant women in history was interesting, but that without my spoken explanation people would never have been able to understand my work. That interaction was a revelation, and it inspired me to figure out how to make my imagery more accessible, starting with “The Dinner Party,” my symbolic history of women in Western civilization. Since its premiere in 1979, countless people have told me that seeing it changed their lives.
Because I had structured “The Dinner Party” so that it could be understood by a broad audience, it was rejected by the art establishment and shunned by the museum system. But what happened next taught me that art could inspire action.
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Communities across the United States, Canada, Europe and even Australia mounted a phenomenal grass-roots movement, as was documented by Dr. Jane Gerhard in her 2013 book “The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970-2007.” Those who participated in it raised money, pressured public institutions and, when unsuccessful, moved to find alternative spaces to exhibit “The Dinner Party.” Millions of people viewed my piece as a result of these worldwide efforts.
In subsequent projects I have continued to focus on creating an art of meaning in forms that could be widely understood. And I have continued to witness people flocking to my shows even in the face of ongoing critical resistance.
One might ask what this has to do with the global pandemic afflicting us. The answer lies in art’s power to shed light on the problems we are confronted with at this difficult time.
Much of my art has been directed at interrogating issues related to abuses of power, as well as the victimization and erasure of certain groups. “PowerPlay” focused on the ways that toxic masculinity is literally “Driving the World to Destruction,” as the title and imagery of one painting in the series suggests. “Holocaust Project: From Darkness into Light,” created with my husband, the photographer Donald Woodman, was an effort to warn the world about the global system of injustice and oppression that had produced the Holocaust, which Virginia Woolf once aptly described as “patriarchy gone mad.”
I am not citing my own art as an egocentric exercise. Rather, I am pointing out that I have been trying to use it to educate, inspire and empower viewers to effect change. Significant change can only occur if we shift our focus to the work of those artists who have had the courage to show us who we are and what we are doing. Artists like Goya, whose masterpiece series “The Disasters of War” is a powerful reminder that those who have the least to say about human events suffer the gravest of consequences. Or Käthe Kollwitz, whose vivid portraits of the effects of poverty on the working classes should be viewed as part of any discussion of income inequality to more powerfully illustrate what those words really mean.
ImageA detail from Judy Chicago’s “The Dinner Party” at the Brooklyn Museum. The installation is a symbolic history of women in Western civilization.
A detail from Judy Chicago’s “The Dinner Party” at the Brooklyn Museum. The installation is a symbolic history of women in Western civilization.Credit...Suzanne DeChillo/The New York Times
Art that raises awareness of the state of our planet can be especially important in today’s world. One example of this is the work of the contemporary artist and illustrator Sue Coe, whose pieces on animal mistreatment have been ignored or, at best, marginalized by an art community that seems to privilege meaninglessness over consequential work. My most recent project, “The End: A Meditation on Death and Extinction,” also sought to bring attention to what we humans do to other sensate creatures on our shared planet.
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This is the kind of art that matters most as we confront the devastating force of the coronavirus. The philosopher David Benatar recently wrote in The New York Times that the pandemic is a consequence of our gross maltreatment of animals. As the primatologist Jane Goodall put it in a YouTube video addressing the outbreak: “All over the world we’ve been destroying the places where animals live in order to get materials to build our homes, our cities and to make our own lives more comfortable.”
We must wake up; this pandemic offers us the opportunity to realize that the path we as humans have taken — a path that has rendered our leaders unable to confront, let alone reverse, climate change or to alter the way we treat our fellow creatures — will result in endless havoc. Art matters if artists use their talents to help us find our way.
Judy Chicago is an artist, author, feminist and educator.
Now in print: “Modern Ethics in 77 Arguments,” and “The Stone Reader: Modern Philosophy in 133 Arguments,” with essays from the series, edited by Peter Catapano and Simon Critchley, published by Liveright Books.
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