#this is what happens when you're an artist and see good art

[entiqua]

I love your artstyle!! Do you have any tips for drawing?

thank you so much! i'm really happy you like it!!💗 as for tips, what i would say would change drastically depending on what kind you're looking for, but some very general ones:

draw what you love and want to see most, regardless of whether anyone else wants to see it. if you don't enjoy what you're drawing it'll never come out as good or genuine as something your whole heart and soul is in. i mean you'd think this would be a no-brainer but sometimes i've had to sit back and ask myself 'if no one was ever going to see this except me, would i actually spend time drawing this?' and i was surprised by the answer

that said, it is also completely valid if your motivation for drawing is to draw for other people! there have been plenty of times where i was too artblocked to draw my own ideas but was still able to draw commissions or gifts and enjoyed it simply because making other people happy with my art makes me happy.

don't get too caught up in having a consistent art style. in my experience this 1000% hinders you

having your sense of anatomy degrade over time without you noticing because you keep drawing the same types of characters is a very real thing! if this is a concern to you be sure to draw a variety

follow a billion artists that you like the art of and you will have endless inspiration injected directly into your brain every time you open social media

my favourite practical tip for those who draw at a desk: keep a small mirror next to you at all times. absolute game changer for quickly referencing hands

if you're drawing digitally, make the canvas huge! in my experience this lets you draw messier/faster and you can't tell at all when you zoom out. if you tend to get stuck spending unnecessary amounts of time micromanaging pixels (me💀) keep it zoomed out while drawing

related to the above point, messy drawings can have far more expressiveness in them than neat and polished drawings. nowadays i never do lineart and go straight from 'barebones stickman pose' to 'varying-levels-of-coherent sketch' and use that as my lineart. sweet freedom from the sketch-looks-better-than-the-lineart phenomenon

if your goal is to improve, then you really do have to scrutinize your art, figure out what you're not satisfied with, and commit the time to focusing on it. 'practice makes perfect' kinda rubs me the wrong way because of how much i've seen it interpreted as 'just draw everyday and you'll magically improve' but genuinely it won't get you very far if you don't actively think hard about what you're trying to improve and take the steps to do it. is this a hot take idk. also hand in hand with this, not every artist is trying to improve and you shouldn't feel bad for this! maybe you just wanna make a little headshot doodle of your fave blorbo and that's your only drawing goal ever. awesome. maybe you know your art has flaws but it's passable enough to convey what you want and you're perfectly satisfied with that. (this is the stage i'm usually at). also awesome!

don't hesitate to draw something because you think it's out of your skill level. the worst that can happen if you draw it is that it comes out terribly but you learned something and can always redraw it better in the future. the worst that WILL happen if you don't draw it is that you'll never draw it. and then it will sit in the back of your brain haunting you for years. it's not like i'm speaking from experience or anything aha

look up 'hand stretches for artists' and do them if you draw a lot unless you wish to summon the wrath of the carpal tunnel demons

of course, these may not necessarily work for you, and most importantly(!) these are coming from the perspective of someone who is primarily a hobbyist. some of this won't be practical for people who need to build an audience, maintain a consistent style for work, etc. these are just things that have personally helped me over many years of drawing :)

[umbrace-rambles]

The animators really didn't have to pop off this fucking hard but they did

Look at these impact frames oughh

[teaboot]

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)

[clanwarrior-tumbly]

Ooo you’re doing Pressure!!

May I request an artist reader who, throughout the journey found some paper, pencil and made a little makeshift sketchbook and when later bought Sebastian’s document decided to try and draw him? Like maybe both when human and current (and maybe the monsters)? 

Perhaps he saw them sketching, got curious and decided to look through it when reader left it somewhere or just straight up snatched it and held it out of their reach and sees those sketches of him. Could be hurt/comfort or angst/fluff.

Of course you’re free to change any of the details but please keep it platonic TwT

Aw love this idea! And it works considering all the paper and notebooks in the drawers of the blacksite.

............

"Great, [y/n]. One moment, you're doing some harmless graffiti on a brick wall nobody cares about. And the next, you're risking your life for a stupid crystal in hopes you'll get a federal pardon.."

Sighing, you held onto the overhead handles within the sleek black submarine, feeling it shake and rumble as it breached the water's surface. And after hearing the chime, the door hissed and opened up, the platform extending out onto the dock of a place already familiar to you: Hadal Blacksite.

'No place like home..' As you stepped out of the submarine, you could hear HQ over the PDA system informing you of your objective in reaching the crystal and collecting any "loose assets" you find along the way...

As if you needed any reminders of what you were doing here.

Immediately, you unlocked the first door with the keycard and began your journey to room 100. Along the way, you found a good handful of research data. Nothing too special aside from folders, USB drives, and a couple blue DNA vials.

Then after narrowly dodging the Angler in one area and avoiding Eyefestation's gaze in the next, you reached a room requiring yet another keycard to exit. You checked the nearby office cubicle, finding it in the first drawer you opened.

But that isn't what made your eyes light up. Rather, it's what was right next to the card that did:

A brand new pencil to go with the sketchbook you've been carrying with you.

Because you weren't given the luxury of doodling while sitting in jail for over 90 days, you felt your creativity flames being snuffed out, leaving you itching to draw something again.

Before all of this, you had a decent following on social media with your art skills, and you could imagine that they're worried sick over your sudden absence. But you hoped that, if you survive and succeed in this mission, you'll be able to come back and reassure them that you're very much alive.

And perhaps show them what Urbanshade has been hiding from the public...that is to say the sea monsters that have taken up residence in the Blacksite since its lockdown, freely roaming and haunting nearly every room you step into.

With the makeshift sketchbook you had (and somehow kept even after death), you've filled its pages with simple and detailed sketches of each creature you encountered.

But you doubt that they would let you leave with physical evidence of entities nobody else in the world should know about...unless you somehow convinced the guards that they were "original characters" that so-happened to look like them, but you had a feeling that excuse wouldn't fly.

Regardless, they've given you tons of artistic inspiration, despite your many close-calls with them in pursuit of studying their features from afar.

Thanks to the files Sebastian Solace has shown you, you've learned how to safely observe the Angler from a distance and better remember their details. They were merely a grotesque face surrounded by smoke, so you didn't have to worry about drawing any limbs or tails (assuming they had those).

You encountered their variants so many times that you could recall the little things that made each them unique--like how Pinkie had four pupils, how Blitz was missing pupils in one socket completely, how Froger was..well..a big frog with lots of needle-shaped teeth, and Chainsmoker was a sluggish blobfish through all that smoke.

Making eye contact with Pandemonium was a death sentence..as you've already learned after trying (and failing) to safely observe him through a glass window. So you draw him as you see him in his file.

The Squiddles' "intimidating" faces were scary in the dark when you least expected them, but they served as amazing inspiration. You even had a page full of what faces you'd think they make up to frighten others. It's too bad you couldn't show them, however, as that required you getting in their personal space.

Eyefestation, Good People, and the Wall Dwellers were quite..risky to observe, as they had ways of quickly and painfully sending you back to square one if you weren't careful. Even so, you made some pretty damn good sketches..and you wish you could show them off to them, too, especially to the shark who'd probably appreciate a human's drawing of herself.

Even the DiVine, who were always frozen in poses for some reason, joined your ever-growing list of muses. The oxygen gardens were a nice place for you to rest and appreciate the flora for a few moments--before an Angler came along, of course.

Then there was Sebastian.

While he was fully aware of your artistic passions, in the beginning he seemed a bit annoyed whenever you came into his shop just to sketch.....or if you took an unusually long time to reach him. He just assumes you've stopped to "doodle" and wonders if you really care about getting out of this place alive.

He'd remind you that HQ could get suspicious if you're off their radar for too long, but you've stayed in his shop for 10-20 minutes at a time and not once did your diving gear beep. So you reassured him not to fret.

It was kinda sweet that he worried over you, an expendable, although maybe that's because you actually treat him with decency..and don't take his snarky comments to heart whenever you died.

Aside from the occasional eyeroll whenever you brought out your sketchbook, he did inquire about some of the things you've drawn, and you'd show him, bearing a little pride in your work.

All you'd get in response was a "neato" or "wowie, that's how you see them?" and nothing more.

It wasn't insulting, so...you'll take that.

Obviously he was more concerned about how much research data you were willing to fork over in exchange for supplies, and how far that equipment will carry you before your next demise. So you'd eventually close the book and barter with him for whatever wares were on his tail.

Unbeknownst to him, you've actually started sketching him as of late. Now that you've met him dozens of times, it was easy for you to recall his features without needing to stare at him for reference every five seconds.

That would not only be rude, but very creepy.

Then one day, you showed up to Sebastian's shop with enough data to be able to afford his document, which described him as Z-13, "The Saboteur" who the company wanted "dead on sight" if he was spotted or trying to escape.

When you had time to read the file on your own, you learned some..pretty shocking things about how he caused the lockdown, went through torturous experiments, and was falsely accused of nine murders and was proven innocent far too late.

The most upsetting part was that he was never informed of this.

He learned that after presumably stealing his own document.

It made you feel sick to your stomach, knowing he's the reason you're being terrorized by those beasts, but you couldn't find it in your heart to be angry at him.

If anything you were angry at Urbanshade for their "guilty until proven innocent" system--or in his case, being proven innocent didn't matter.

His human mugshot was also included in the file, and even with the black censor bar covering his eyes, he still looked like quite a handsome fellow. You could make out some details, and ended up drawing him on a separate page, too, although part of you wishes you never started.

You doubt he would kill you or rip apart your book for drawing him, but considering how volatile and rude he could be at a moment's notice..you did your best to conceal the sketches when you visited his shop.

You didn't want him to be offended or reminded of his past..and make him resent the one person who he almost considered a genuine friend.

Unfortunately, you'd soon come to realize that your actions were only heightening his suspicions.

And that it was going to come to a head next time you entered his shop.

...............

"Okay, I'm going to bite...what're you really hiding in that little book?"

"Pardon?" Pausing mid-sketch, you looked up at Sebastian, wondering why he appeared so disgruntled. "I'm..uh...just doodling like I always-"

"No, don't give me that "like always" crap." He huffed, flicking the end of his tail as he crossed his two arms over his chest, staring down at you. "Last time, you couldn't stop showing me a stupid face you'd think one of those S-Qs would make...and now you won't even let me have a sneak peak of your next "masterpiece"." He spat the last word, voice dripping with disdain. "Are you really drawing something...or are you secretly writing intel to give to Urbanshade?"

"...wha.." You blinked in disbelief, wondering where he'd get that assumption from. "Why would I ever do that?"

"Oh I dunno, maaaybe because you have access to my file and know my location? I bet you're gonna sell me out to those scumbags once you reach the crystal." He gnashed his teeth. "Did they say you'd get extra cash for leaving tips on my whereabouts, huh?"

"Sebastian, there's no reason for this hostility. I'm not giving any intel to anyone-"

"Then you wouldn't mind me taking a look at this, would you? Yyyyyyoink!" His third arm was quick to snatch your sketchbook away, holding it out of your reach as you jumped up in panic.

You were already dreading his reaction.

This could very well be the end for you.

"Please give that back! You'll tear it!"

"You look frightened. So maybe I should, considering you're writing secrets about.....about...." But as Sebastian finally looked at the page, all he saw were sketches of his current self, and you began to see a shift in his expression.

It went from pure anger, to surprise and confusion, and then to....something unreadable.

"These are...all of me?" His voice became quieter as he flipped the page, only for his breath to hitch upon finding the drawings of his human form.

And for once, he was completely speechless.

The details were immaculate, everything from his hair style to the scar he used to have across his face--given to him from an angry cellmate who thought he really did kill those people and tried giving him a "taste of his own medicine".

But the way you made him look was...incredible.

That's him.

That's really him.

The man--the human--he was before...

Before...

"Yes." Your face was burning with embarrassment, and your heart was pounding with fear of both death and ridicule, now knowing that your fate laid in his hands now. "I-I'm sorry. I should've asked for your permission and I know the details aren't perfect but you didn't let me........huh?"

Ceasing your ramblings, you noticed the tears welling in his eyes, and you were stunned. Then his shaking hands closed the sketchbook and returned it to you. "Um..are you okay? I'm really sorry if-"

"I...a-almost forgot what I looked like before all of this.." He raised a claw to wipe at his watery eyes, sniffling. "They're...good drawings, friend. I'm sorry..I...I-I didn't mean to..." His voice cracked, and he forced himself to stop, bringing his hands to his face. "Why am I crying over something like..t-this..?"

He hated looking so weak in front of you, yet he couldn't help the tears that kept slipping down his cheeks. A certain sadness was weighing heavily on his heart, yet at the same time he felt...honored that you wanted to draw him, putting your heart and soul into every sketch--with him getting the most effort.

You didn't overexaggerate him as the hideous beast he and everyone else was convinced he was, but just him as, well, himself. His smiles when he realizes it's you coming through the vent again, his cheeky grins when you buy up all his supplies, and even the one time he pouted when you died to Pandemonium because you risked it all trying to draw the moldy fish-creature.

The human ones, as you could tell from the way he broke down, especially hit home for him. Just from a mugshot alone, you were able to create a near-accurate depiction of him.

It made him wonder if you two have met before any of this happened.

Sebastian sniffled, struggling to stop the tears and expecting you to make fun of him as he finally uncovered his face. But instead he saw you standing there with your arms opened up. "I feel like you could use one of these. It's okay. I know you miss being human."

".........."

"C'mon, big guy. My arms are kinda hurting--oh!"

Without warning, he accepted your embrace and squeezed you tightly in his hold. Of course he was careful not to crush your diving tanks, and you smiled in appreciation and patted his back. "It's okay, it's alright..I got you. I didn't mean to make you cry."

He sniffled a few times, but otherwise said nothing and tried making sure you weren't supporting all of his upper body weight.

Curse his size. He wishes he could experience a normal hug again.

This one will do, though.

"I-It's...it's fine. Don't worry.." He finally spoke after a few moments, calming down. "As long as you don't tell anyone about this."

"I'll take it to my grave." You chuckled, letting go and stepping away so he could straighten his back out. While he did that, you gently tore a few pages from your book, to which he blinked in confusion.

"What are you doing with-?"

"Keep them." You insisted. "In case this sketchbook falls into a pit or gets waterlogged, I want you to hold onto these. Besides, I can tell you appreciate them a lot. So...consider it a gift."

"Why..thank you." A smile appeared on his face as he took the pages carefully. "Rest assured, they'll be safe and sound." He gazed at them both one more time, feeling a tug on his heart.

But it wasn't as heavy as before.

After neatly folding and stowing them away into his pockets, he saw you already sitting in one of the chairs, your sketchbook opened to a brand new blank page.

"Sooooooo what are you going to draw this time?" He tilted his head, ear fins twitching with curiosity.

"Hm...I did see a vision of a white glowing man a few rooms back. I think he was from...the Mindscape? There was a file talking about him and some floating gears and a white ball."

"Ohh yeah, he's an interesting guy. I'd love to see your interpretation of him." Now Sebastian was 100% invested, as he curled his tail around himself, resting his upper body on it so he could see your book better. "But y'know you won't be able to leave this place with sketches of-"

"I'm well aware of that...I could always change a few things and turn them into OCs."

"Hah. You should."

"Maybe I will." You snickered, grateful that you didn't have anything to fear.

At least somebody in the Blacksite appreciated your art.

[creatingblackcharacters]

Do you have any advice/suggestions/requests for non-black members of fandom as far as how to respond to racism in fandom spaces? Obviously we shouldn't be speaking over black voices, but it doesn't seem fair for black members of fandom to have to do all the work of making a fandom space safe and welcoming for themselves.

You are correct! Tbh, these are tips for being a good ally in general:

Amplify Black Voices!

Odds are, whatever manifesto you have in your mind about the injustice of antiblackness in your fandom, a Black fan has already said it multiple times. While I appreciate the sentiment, I must admit I'm salty when I see that people are more supportive of (usually white) voices that discuss my lived experience, over my own voice and my lived experience. What does that really solve? You need to be following Black fans too, that way you're actually in the know when these things are happening.

Don't be a Bystander!

If I'm getting jumped and you (who had the power to help) show up afterwards to say "I really empathized with your pain", I'm not going to think "wow they cared, I'm so grateful". I'm going to think "WOW they really let me get my ass beat!" Same idea with this. That's honestly the most painful part for me; it's not the lone racist themselves, but the hordes of people who back them up, and the rest (some of whom you may even consider a friend) who might disagree but say absolutely nothing.

When you see that a Black peer is being railroaded and you KNOW it's wrong, step tf up! Be willing to say "you're out of pocket for behaving this way, and I will not be supporting you now that I know you're a racist". I will never know you're an ally if you're only an ally in your head! It's the thought that counts, but the action that delivers!!

It's going to be uncomfortable! Stand on it!

If you share that you're against antiblackness in fandom spaces, but next you're reblogging whitewashed art, or an artist known for whitewashed/racist pieces, or still following someone who's made covert/overt antiblack statements, etc. just bc you "enjoy their stuff"... You're not being an ally. Be willing to hold those creators accountable, and when they disappoint you, unfollow them. Be willing to tell your friends, "hey, that person did/said this thing that was anti-black and were unapologetic about it". And if your friends don't care? Now you know who's around you. I'm not saying it's easy, but... Do you stand on business, or would you rather allow racism so that you can stay comfortable? Because your Black peers have to live under this discomfort you're only momentarily experiencing. It's far harder for me to approach these people and hold them accountable. And if I see that you're still kicking it with known antiblack racists... I'm probably not going to assume highly of you, either.

Educate yourself on what these aggressions look like!

You might not know what to look for, and if you don't, you're gonna miss a lot. What is actually antiblackness will often be posited as "drama" or "fandom wank". Or, if they're really trying to sound progressive, it'll reveal itself as dogwhistles in other important topics like queer representation or misogyny (e.g. how white women often claim misogyny when confronted with their racism, or TERFs). That's how it gets swept under the rug. Learn to recognize microaggressions, learn to recognize the signs. It requires work! Listen to and believe your Black peers when they explain what they saw! Bc trust, once you see it... You'll realize there's a lot of it lmao. And that's what many fans are afraid of confronting.

That's what I have for now, if anyone else has anything to offer. 👍🏾 Thanks for asking!

[wilwheaton]

hello mr wil wheaton when you were my age (like exactly i think) you were filming stand by me

I turned 13 during production, so if you're about to become a teenager, I hope you'll let me offer some thoughts that I wish an adult had shared with me, then?

I know this is a wall of text, and giving someone this much of your attention is a HUGE ask. Maybe bookmark this for another time, if you're not into hearing an old man talk.

I wrote this a few days before I turned 50. Thank you in advance for listening, and I wish you a life filled with joy, unconditional love, kindness, and adventure.

Hey everyone! An old man is talking!

In seven days, I will be 50 years-old. This is ... weird. I do not feel the way I expected I would feel when I was approaching 50, nor do any of my friends. The only time I feel like I'm middle-aged is when my body does some bullshit that takes me down for hours because I had the nerve to stand up quickly. And I really hate it when I have to use the flashlight on my phone to see a menu. I mean, at that point, I may as well be dropping my pants for free and singing the Old Gray Mare.

Anyway. This has been on my mind for a little bit, so I had something to say when someone used my tumblr ask me thingy earlier this week:

Q: I hope I'm as cool as you when I'm 49. I'd like to think I'm taking the right steps towards that version of myself. A: So I'm not sure I'm cool, but I do know that I don't suck, and that it's a choice I make every day. I desperately wish someone in my family had told me, or shown me by example, that getting older doesn't mean getting stupid and boring and stuffy and extremely uncool. I wish I'd known that, because I spent all of my life until I was in my 40s feeling like there was this day coming very soon when I would have to stop listening to punk, stop playing video games, put on a suit, and start yelling at kids for no good reason. I didn't know that you don't have to suddenly stop being who you are and become something or someone you hate, just because of a certain age. I know that's super obvious, but to young me, it was not. My dad was an asshole, my mom never showed up for me. Directors and people on set had been treating me like a thing for my entire life. I got yelled at for no reason from adults who knew better almost every day. Most of my elementary school teachers were authoritarian, evangelical assholes. All of these different adults, consistently, shut me down and made me feel like I didn't matter, the things I liked were stupid, and my opinions were invalid because of reasons I didn't understand because I was a dumb kid. So I presumed that when you got to be a certain age, that's what happened. I didn't want to be that, at all, and I was sincerely afraid of the day it would happen. But as I got older, I discovered that all that stuff I hated about adults doesn't automatically happen. Those adults I just mentioned all made a choice to be an asshole. I just didn't know it. I was in my early 20s when I did a movie with a cinematographer who was, I think, 45 at the time. He was the coolest, kindest, most artistic dude I'd ever known. He mentored me and we had epic fun making great art together. I remember telling him, "I'm not afraid of being in my 40s like I used to be. I didn't know you could still be cool." It's sad, that I grew up in such a toxic environment, and didn't know any of these things. So, 9 days before I turn 50, here are a couple things I have figured out: You know who sucks when they hit 49 and 50? People who sucked when they were 20 and never grew up. You know who is an asshole at 49 and 50? Yep. Someone who was an asshole as a kid and never experienced consequences for being an asshole. Hitting middle age has been awesome for me. Other than the aging of my body and its reluctance / refusal to do what I want it to do, I love everything about it. I wish I hadn't spent so much of my life being afraid that, when I hit 50, it was all over. Because honestly it's kind of just starting. The coolest stuff in my life to date has all happened in the last ten years, and I'm so grateful that it coincided with me figuring out a lot of shit so I could enjoy it.

The best part of getting older, by several thousand light years, is the part where we figure out how to stop putting up with other people's bullshit, and we contract our social circle until it's only populated with a VERY few people who deserve us. And I am incredibly grateful for these occasional opportunities to be a 49 year-old dad who can say all the things that would have been reassuring for 19 year-old me to hear (he wouldn't have understood, but 29 year-old me would have remembered, and he would have understood. I think.) I sincerely hope someone hears it and finds it helpful. Anyway, you're gonna be fine. Just remember that being cool, kind, honest, honorable, reliable, listening and showing up … they are all choices. If you want to be cool when you're 49, make the choice and set the example for someone to follow you. Treat kids the way you wanted to be treated when you were young. Listen to them when they offer you the privilege, because that means they trust you, and you have credibility with them. Be a mentor. Be supportive. Show up. Make a choice to be the person you need in the world, and never stop being that person. Start today, and when you're nearing 50 like I am, hopefully you'll remember who you needed right now, so you can be that person to someone else in the future. You're already asking the right questions and taking the first steps. I believe in you. You've got this.

Okay, if you've come this far, perhaps you'll follow me a little bit more, and read a thing I wrote about talking to students just a tiny bit older than you, which contains my core values.

Be honest. I’m a very old man, relative to y’all, and I’ve learned that the only currency that really matters in this world is the truth.

Be honorable. This dovetails with number one. You attract to yourself what you put into the world. Dishonorable people will take everything from you and leave you with nothing. Do your best to be a person they aren’t attracted to.

Work hard. I don’t mean, like, at your crappy minimum wage job you hate. I mean do the hard work that makes relationships work, that gets you ahead in your education, that gets you closer to your goals. Everything worth doing is hard. Everything worth doing requires hard work. Sooner or later, you’re going to run into something in your life that’s really hard, and you’ll want to give up, but it’s something you care so much about, you’ll do whatever you can to achieve it. It’s going to be hard, but it’s going to be less hard for someone who has practiced doing the hard things all along, than it is for someone who doesn’t know how to do the hard work because they’ve always chosen the easy path.

Always do your best. Even if you don’t get the result you wanted, doing your best — which will vary from day to day, moment to moment — is all you can ever do. We tell athletes to leave it all on the field. Whatever your version of that is, do it.

This is the most important one. This is the one I hope you’ll all hear and embrace. This is the one I hope you’ll share with your peers: Always be kind.”

When I read number 5, I looked up at them. I was so happy to see a classroom filled with teenagers who were all listening intently, even the ones I thought had tuned me out. “Here’s the thing about being Kind, versus being Nice,” I said. “I have interacted with lots of nice people who are incredibly unkind. Why is that? How do you choose to be nice but not kind?”

I pointed to my head. “This is where nice comes from,” I said. Then, I put my hand over my heart. “This is where kind comes from.” I put my hands out, like, “get it?”

There was this collective gasp of realization that I did not expect, at all. One kid said “Oh damn!” I saw a few kids look at each other like the trick had just been explained to them. They heard me. They really, really heard me. And it was amazing.

Okay, that's all. If you're still here, thank you for giving me so much of your time and attention. I hope you'll come back in a few years, and let me know how you're doing.

[mewtwoandme]

I was hoping this would all blow over, but since it's continuing to happen, now with people attacking other artists of the commewnity. I'm putting out my two fucking cents! Cause this whole art/character theft and pointing fingers, who stole what from who bullshit it driving me up the fucking wall!!

Long story short, it started with me and one other blog whose name I won't mention publicly. Despite the horrible light they tried to paint me in, I don't want anyone going to this person and ganging up on them. This person had some serious bitterness towards more "popular" artists and claimed that I've made characters similar to theirs and once used a pose they apparently used before (which was a very common pose, considering it was a reference from the game version of mega Y). Since then, they had desperately tried to conjure up evidence, narrowing down to the most miniscule detail how I've been stealing from them when I hadn't even known their blog existed until I was forcefully thrown into that unnecessary drama with the unhinged call-out posts they've made. With this being said, I'd like to point out that they never came to me or addressed this concern with me in the first place. They had every opportunity to privately DM me if they had suspected I was "stealing," but no, simply because they already made up their mind that I was a thief, that was a good enough reason to lack common fucking sense and decency, making what should have been a private issue public, going on to villainize and dehumanize me. And apparently, it hasn't stopped with me either, cause recently I've been seeing other artists in the community having to deal with this where people are being white knights on high horses, pointing fingers on how one artist's mewtwo looks "the same" if not "totally identical" as another artist's mewtwo. I refuse to believe it's a coincidence. But what makes me disgusted is that since TC's post, apparently it's had the opposite effect on some people and they're hopping on this blame bandwagon like it's some damn media trend!!!

This is NOT okay! Nothing about this kind of behavior is funny! It's upsetting to all of us. We dont need you causing problems where there isn't any, thinking you're doing us a favor! The majority of us are adults for gods sake! We are old enough where we don't need other people coming to us being tattle tails saying this person did this and that. That's what little children do! If you suspect any form of theft, I think I speak for ALL creators in this commewnity that we'd prefer you DM us privately saying something like "Hey, I think this person is copying you, might wanna look into it." And if possible, provide a link to the art in question, for which we would kindly thank you for making us aware and we'll handle it ourselves from there. Just a brief, yet SIMPLE interaction...that's all we ask!!! Don't even come at me with "Well, it's scary attempting to talk to an artist that's well known." Or dare I say ~pOpUlAr~ If you claim that taking the first step to send me a quick DM makes you nervous, yet you have no problem making public call outs in posts or asks, belittling and degrading what could actually be innocent artists doing nothing wrong, literally leaving yourself open to all kinds of comments and opinions from all kinds of people....I'm sorry but your anxiety isn't as bad as you say it is then, if being rude and ignorant in a public post/ask is easier for you. If you come to us, shaming someone else who 9/10 probably isn't doing anything wrong, thinking you'll be in our good graces for doing so, sorry, you're not going to be told, "Good job!" with a pat on the back and given a lollipop! You're just being an asshole.

Quick reality check for everyone who's made it this far before I end this train wreck of a rant:

People can have similar ideas that coincide with one another! There's only so much you can do when a whole community is focused around drawing the same character! We mainly draw mewtwos and mews, you're bound to find a plethora of similar colors, patterns, and designs because of it! Creativity only goes so far when trying to stay true to a character and not stray too far. It's not a crime to take inspiration from other artists' characters, we actually encourage this! It makes us feel good that you liked something we've done and you want to incorporate it into your own designs! It makes us happy that we inspired you! The line is crossed when someone does a literal copy/paste of a character down to the exact detail, and they call it their own original creation. That my friends is what stealing actually is!

[whore-ibly-hot]

'Photo Shoot'

Yan!Photography Student x GN!reader x Yan!Art instructor (Joseph and Mr. Burton)

18+ Minors DNI

Warnings: All characters are legal age, multiple yanderes, dub-con touching, perverted thoughts, voyeurism, student/teacher dynamics, nude photography, no real mention of specific genitals

AN: I'm so eepy right now... Also, if you like this fic, use the tags on my masterlist to find all the other Yan!Boarding School writings.

The smoke coming from the corner of the room ceases when Mr. Burton snuffs a cigarette butt out on an... ashtray? From where you're sat, you can see him putting it out on what looks more like a student pottery bowl. That strikes you as odd, but he can be very critical of others art so you can't be suprised. Cracking his knuckles and leaning back a little, he turns to you and the extremely quiet classmate beside you, Joseph.

"Alright, lets get this show on the road, yeah? Joseph, you're our camera man, I'll have you leading this thing, running the camera's and I'll give some creative direction. Student and the master, I can finally teach some actual fucking art." Mr. Burton mumbles, as Joseph quickly begins setting up the camera on a tri-pod. You feel odd about him to say the least, despite you being the 'muse', as Mr. Burrton calls you, Joseph's barely made eye contact with you. You agreed right off the bat when Mr. Burton asked you to help one of his favorite students with some anatomy shoots, you like Mr. Burton, he's funny, honest, and that's refreshing, given you worry some people at this academy have ulterior motives. Still, you had some concerns as you fiddle with the thin top you wore at Mr. Burton's request. "Mr. Burton?" you ask, and he looks up from where he's mumbling about something with Joseph. He motions for the young man to keep working as he strolls over.

"I'm nervous." You admit, hand rubbing at your elbow as an attempt to self-soothe. "I don't usually get, nude, on camera, and i-it's not that I don't trust you, sir, but-" He puts his hand up to cut you off, gently rubbing your shoulder. "Woah, woah. I get it, I get it." He assures you, tone comforting. "You're my student, and you've got great, great potential. I've been on the art scene, kid, I see the burnout path some people go down, I see the ways people exploit and get exploited. I'm not gonna let anything happen to you. If you get uncomfortable, I'll pull you out. And trust me, being in the nude for art starts to feel perfectly normal after a while, okay?" He pauses, then sighs. "Okay, it's comfortable except for being cold as hell." He laughs.

You chuckle in return, but there's still a bit of worry. He can tell, and leans in. "What is it that worries you, exactly? If it's insecurity, trust me, the real artists are those marketing execs who can photoshop a skinny model and make change up the whole idea of beau-"

"It's not that sir, I promise. I'm just worried about other people seeing, you know? I'm worried about it getting spread around, or people getting bad ideas about me." You admit, face a little pale. Mr. Burton's brows furrow, and he slaps his hand down on his jeans. "Joseph, come here!" He yells.

Joseph jumps, hands shaking as he almost knocks over his tripod. "But- uh, the cameras-" He squeaks out, and Mr. Burton shakes his head. "You're one of the best photographers I've ever met, Joseph, I know damn well that cameras been set up for well over ten minutes already. Come here, don't be shy, don't be weird. You're freaking out the subject." At the idea him staying away is freaking you out just as much as him coming up to you, Joseph walks over. "H-hi." he greets, holding out his hand. You shake it, and it is particularly sweaty.

"Joseph is a great photographer, my best student and possibly one of the best I've ever seen. I assure you, he's a good kid. He's dedicated to his craft, this isn't a complex scheme for him to fence some nudes of you to the highest bidder." The young man's eyes widen exponentially as Mr. Burton makes his assertion, and instinctually puts his hands up in surrender. "No, no! I would never, ever. Do I- do I come off as that kind of creep, if I do I'm sorry."

"No, it's not that at all, I just struggle with, well, some issues like that." Joseph visibly frowns, and Mr. Burtons hand tenses from it's spot on the table.

"You are pretty creepy, Joseph." Mr. Burton admits, making the boy flush as the teacher playfully pushes his head. "This'll be good, good art pushes outside of comfort zones, yeah? Let's get all set up." He claps his hands together as he goes to stand behinf the camera with Joseph. You strip, and sit awkwardly before the camera in front of a messy brick wall with various stains and prints on it from Mr. Burton's studio. Mr. Burtons licks his lips subconsciously as he looks over your meek form, the clears his throat. "Okay, first position, mermaid pose. Lets get those legs to the side."

The shoot continues on for a while, until Mr. Burton suggests a more 'raw' shoot. That's how you find yourself posing, hands over your chest area and thighs ever so slightly parted while Mr. Burton sits behind you, also nude. You worried about it being inappropriate, mostly for his sake. "Couldn't this... I mean, I'm willing to do it if you think it'll be good art, but won't you get in trouble if people find out?" You ask, turning over your shoulder a bit. He scoffs again, and shakes his head. "No self-respecting person with credentials like mine would teach these silver spoon brats art, I'm all they've got." He assures you, going to move an arm around your waist from behind.

"What composition do you want, sir?" Joseph asks, face red as he uses every ounce of will-power to try and suppress an erection at the sight of you and the older man. He'll worry about the new and conflicting feelings later. He's got enough photos to die happy, but the fact you seem so willing fills him with a delusional sense of your interest in him.

"It's your shoot, Joseph. Take over directing." Mr. Burton calls back, and Joseph doesn't seem sure. "I don't know, sir, you have more of a vision than me, and-" Mr. Burton groans, rolling his head back like a kid throwing a tantrum. "Jesus christ, kid. How many times do I have to hammer in that you're a good artist? You can direct your own shoots-" He notices the violently red flush of Josephs cheeks, and chuckles. "Or is this more an issue of being to embarrassed, because I told you-" He waves his free arm around. "We are pushing the envelope, making something raw, pushing ourselves out of comfort zones. To be a great artist, you have to not be afraid to tell your NUDE SUBJECT, to spread their legs and bare it all." Joseph is completely silent, stun-locked by his gruff teachers comments. He begins examining the shot in the view-finder after taking a few shaky breathes.

"Alright, Sir... of course." He swallows, and his shaky hands adjust the lens. "I want to-to try and delineate from what other people think nude shoots are, away from like... porn and stuff. Raw, but intimate, I think." Mr. Burton nods for him to continue, and seeing the interest in your eyes at his creative direction, Joseph gets a little more confident. "If you're okay with it-" He addresses you now. "I'd like Mr. Burton to be able to touch you, nothing too invasive, just a kiss on the neck or the shoulder, maybe letting him hold your thigh?" Joseph keeps his tone soft and asking, sure to imply you can say no.

"That's alright, I trust him." You mumble, looking at the gruff art instructor and seeing to your surprise a soft look on his face. "I'm honored, little muse." He teases, and the nickname makes you flush. "Oh, and you too, Joseph, we've not talked much, um, but you seem really dedicated, I'm sure I'm in good hands."

Shit. Well, so much for keeping his dick down, but at least he doesn't think you can see from the way the lighting is set up. He nods, and you shiver, feeling a cold pair of lips and a thin stubble scratch at the surface of your shoulder. "Are they cold?" Mr. Burton chuckles, placing a few more small kisses as you hear the camera shutter snap. "I'm sorry, I can't control the thermostat in here, all this money and they can't afford to make sure I don't freeze my dick off doing my job." He's always so grumpy, even when he's trying to be sweet. You close your eyes and try to relax into the feeling. It escalates occasionally, hands on your thighs as he kneads gently at your flesh, occasionally making a complaint about something or picking at Joseph, who keeps making an odd series of grunts, but you assume he's just breathing heavy from being so focused.

It culminates in you being positioned over him, as if playing the playful or dominate role in some sort of erotic moment. Mr. Burtons hands rest on your ass, his firm yet not fully erect cock a little too close to your hole. You're chest to chest with him, and while he's relishing in the feeling, Joseph makes a hand motion, and he knows its time to pull away, at least for this ession. He's smart, knows not to rush it, and he knows this is more than enough material for the vouyeristic camerman.

"I think we got some good shots, i-it's getting late. I'll go grab something from the vending machine while you too warm up." Joseph scarmbles away, camera bag held oddly across his crotch area. Mr. Burton smiles as you slide off from him, flushed as the weight of your previous position hits you. "You were great, a real professional." He urges, scooting forward to sit beside you.

"Thank you, sir. I was trying not to get too flushed or anything, I hope I didn't sweat too much." You admit, and he shakes his head to assure you. "Nah, you did fine, but if I could make a suggestion?" You look up. "No real intimate scene like that doesn't have a couple kissing. On your neck and shoulders was fine, but lets face it, people do more than neck each other when they're getting it on like that." He glances at the door, making sure Joseph is still doing whatever it is he's doing out there. He didn't discuss this part with the young artist, but let's face it, learning to be one step ahead, to protect your work and your muse, is something he's gonna have to learn anyways. "Will you let me show you?" he asks, voice low as he leans closer to your face.

You glance at the camera. "It's not running, though shouldn't we wait for joseph to take the photo?" You ask, a little more unsure about the artistic integrity of the action. He shakes his head as he lets his stubble scratch your cheek. "This'll be practice, yeah? For next time..."

"Next time?"

"Next time." He mumbles, lips feverishly sealing against your as he hunces over your form, cold bodies pressing together and leaving goosebumps which trail down your form as the session closes out.

[zweiginator]

omg escort!reader and divorced!art is so well written you are an artist… i need to know what happens when she gets back from hiatus🫢 maybe she is taught to not reveal too much personal stuff but art is just so desperate and lonely that she caves… maybe she gives him the most intimate and passionate blowjob of his life and he’s so pathetic because he hadn’t gotten his dick sucked in like two years and it’s so good that maaaaybe he cries a little…

art calls one more time, exactly a week after his first one. he asks politely to the woman on the other end, your boss--is she back yet?

and just by the breathy desperation in art's voice, she knows who is calling. who he wants so badly.

"look--she'll give you a call when she comes back. i'm not sure when that is. you may hear from her before i even do. are you sure you don't want to book a session with another girl in the meantime?" she explains that there's another girl who looks a little like you.

"that won't be necessary." art takes a sip of his gin and tonic. "i'll wait for her."

she sighs, lets it go. tells art to have a good night and art wishes her the same. but his head sinks into the pillow, the bitter curl of gin still on his tongue and he wonders where you are.

three days later you come back. your boss had flagged you down when you came in to talk money with some of the other higher-ups.

"hey, a client of yours called a couple times while you were out."

you plunge the applicator of your lip gloss back into the sticky tube.

"really? who?"

"guy named art, i think he said. sounded like you really made a lasting impression."

art. of course you remember him. dirty blond hair with salted white strands around the crown of his head. sunken in eyes that turned boyish when he smiled, although the wrinkles around his eyes revealed wisdom, experience. the smell of musk and tobacco radiated from him like the cradle of his body heat.

"long time client?" she asks you.

"no. just once." it surprises you, that he cared so much to call.

"you must've made a good impression." she winks.

your heart sinks a bit when you remember how you forgot the money. that maybe he only called to urge you to pick it up, not wanting to be caught up on the bad side of a system like this one.

so you go to his hotel room. you remember art telling you he was taking a break from tennis, that he would be staying at that hotel down by the highway for as long as they'd let him.

and art is watching shitty reality television when he hears a knock. your knock. three open-palmed bangs and art is opening the door in an old t-shirt and cotton pajama bottoms. somehow, he looks even better than before.

"hi." a smile creeps up. a big one.

you blush and look down at your feet. that's so unlike you. "hi. im back."

"please, come in. i'm sorry." he ushers you inside and latches the door. "i was about to make a gin & tonic. you want one?"

"no, thank you. i heard you had called the service about me?" you sit on the desk chair across from the bed.

"yes--I" a pause, like he's trying to really gather himself. "i'm sorry if that was inappropriate. you forgot the money and--I just really wanted to see you again. if i'm being completely honest."

you try to hide how your face contorts, disappointment as art mentions the forgotten cash, bliss as he admits the calls were to ask for you.

"here i am." you scoot forward. "not inappropriate. i promise, you're much more respectful than most of the callers we get."

art asks to cradle you in his lap again and you oblige. you like to feel small with him, and he likes to feel strong and protective and push your hair away from your forehead to kiss you there. it all feels so much more intimate than sex could ever be.

"have you been feeling any better?" you ask art.

he ponders, and then nods. "yes, actually. since meeting you ive felt better."

"good. that's good." you latch your lips under his ear. "i thought about you while i was away."

blood rushes to arts face. "really? in what way?"

"i didn't pleasure you at all."

art pulls your face close to yours. stares at your lips and the dip of your cupids bow.

"you did pleasure me."

one of his hands cradles your head, the other resting on the top of your thigh. you grab him, making his fingers trace up your torso, your throat. and then you suck his fingers into your mouth. you swirl your tongue and let the spit drool out of you and make a mess.

for the first time, art groans. it's guttural and surprises you. the both of you. because it came out involuntarily, a dormant beast that the warmth of your tongue pulled out, inch by inch.

a twitch under your ass. he's hard. but the skin of his fingers is so, so soft. regardless of the callouses on his palms from tennis rackets.

"i want to make you cum."

this vocabulary. this depth of conversation, of laying each other out in the open and digesting stories and vulnerabilities is not your job. using such straightforward verbiage is not your job. your job is to be pretty and be used and be paid for it.

but this isn't your job right now. because art never paid you, and you still haven't brought up the $800, although you saw it in an envelope with your name in small, capital letters, blue ink.

you're not his escort. no, right now you're his lover.

art tilts your chin up. "do whatever you want to me. even if it hurts me, i'll want it."

and god, he's so fucking ridiculous with those puppy dog eyes and furrowed eyebrows. pathetic but in a way that made you want him to use you even more. but he won't.

you untie his pajama bottoms.

"do you want me to make you cum?" you yank them down, along with his boxers.

"yes. fuck. yes." his erection slaps his stomach and he's long. pink and wet with pre-cum; it looks just as pathetic and needy as he does.

you wrap your hand around him.

"pretty, pretty cock." you stroke him, pretty painted nails wrapped around the length of him. "so hard. god, i bet it feels so good to be touched like this."

it does. god, it does. but art can't speak. his mouth hangs open because you're touching him like it means the world to you to do so. so, so, slow. intentional how you feel the ridges of him.

he closes his eyes, just for a second. but then he misses seeing your face, how it mirrors yours in terms of pleasure, even though he isn't touching you at all.

his eyes open to see a glob of spit falling from your lips as you stare at him. his micro-expressions. he nods.

"do you want me to get it nice and wet for you?"

you already have, bubbly spit warming his cock so nicely.

"yes. please--"

the sounds of you touching him are louder now. he hasn't been touched like this in so long he feels like he may just cum right now. spill into your hands and apologize profusely. tell you he isn't usually like this.

but then he feels your lips. a soft kiss to his tip and he groans. instinctively grabs your hair and you open your mouth all the way for him.

"fuck my throat." you say it so sweetly, his erection still in your hand, ghosting over your mouth. tempting him.

"i dont want to hurt you."

you bat your eyelashes. "fucking doesn't necessarily mean fast or hard. fuck me how you want to."

he wants to worship you. he wants to feel you from the inside out. but he'll take this.

he holds the back of your head and tells you to tap out if you're in pain. as if he forgot the nature of why you're here. you kind of have.

you nod and you're drooling for him. over a year of doing this and you've never felt your heart beat so assuredly. knowing that you want him more than it's healthy too. that this is more than a contract between seller and buyer.

he pushes in. slowly, inch by inch and your eyes water. he holds your hand tightly and you squeeze him back. you're completely still. you trust him all the way as he fucks your throat slowly. his spongy head hits the very back of your throat and every movement makes art whimper, moan, swear. it makes you wetter than his hands being all over you. just pleasing him. he deserves it and so much more.

"fuck--you look so pretty. taking all of me. want you to take everything i fuckin' have--"

his hips stop moving, they stutter. and you pull off him, opting to do all the work yourself. it's messy; spit drips between his thighs and you kiss his shaft up and down. kitten lick him, worship him. softly stroke him and tell him you want him to cum, you want him, you want him.

it's not a lie, but art wouldn't care if it were. hearing the words makes him cry, makes him finish, makes him pull you onto his lap as he's still coming down. to hold you close. you wipe his tears and stay all night.

[trapastrology]

Astro Observations W/ Aris

---------------------------------------------------------------------------------------------

7H Uranus in a solar return chart doesn't always mean that a romantic relationship will end. It can be a close friendship/best friend, business partner,etc.

1H Venus in solar return-putting more effort into your looks. This is considered to be a "glow up" year. This is the year where you find your signature style, makeup, scent, etc. I'd consider this to be the best dressed year. Could also change hair color or style. Cosmetic procedures happen here as well.

North Node in Pisces tend to benefit more from having an assistant or help in general. Pisces South Nodes tend to want/get too much help when they need to be more self-sufficient.

11H Liliths are HEAVLY prone to having ppl around them who hate them (esp friends) and don't realize. These are the ppl we see who usually get set up by their "friends" or someone close to them. Look to your lilith sign as well. If your Lilith is in an air sign, watch out for envy in air signs.

For my ppl with majority of their placements in the 2H & 3H tend to be "blind" to themselves. Whether it's their faults or great things about themselves, they can't seem to see it until someone else points it out and then they finally realize it.

2H Pluto/Scorpio 2H- shouldn't verbalize to anyone who much they make. Don't say whether you're doing bad or good financially either. A lot of jealousy and envy will arise from telling the wrong person which will affect your money and stability terribly.

3H Nessus- Usually experience intense trauma or bullying in elementary, with siblings and thru words. They usually write or speak about their pain that usually ends up helping other ppl tremendously. These are the type of ppl who make music or write poetry that helps other ppl get thru hard times. However, due to a lot of bullying and being spoken down to, communication ends up being one of their biggest issues and this can manifest in many different ways

When you get criticism or pushback from doing North Node things, that's how you know you're going into the right direction sometimes. For instance, a 4H NN may get told that they need to focus on their career path instead of creating a family. (Full post on this coming very soon!)

Use your moon on a bad day to help regulate your emotions. Look towards positive aspects

5H Aries Moon- make a creative art project alone.

Sextile 3H Chiron-write about what's bothering me.

Make a playlist with artists who have your NN sign as their dom personal placements & those whose plmts fall into the same house as ur NN. This will evoke that North Node energy out of you. (Something I've been doing for me and my clients for years)

The end! Look at my pinned post for info on my upcoming Patreon. Message me to book a reading! Most readings are only $25 until July 31st.

[ckret2]

Chapter 53 of human Bill Cipher not properly appreciating the fact that Mabel is his only friend on Earth:

Mabel has read a book about Bill's home dimension and is prepared to interrogate him all about where he comes from.

Bill is willing to do anything to avoid being interrogated.

(Featuring SEVEN illustrations, provided by 🌈 MABEL 💖)

####

Flatworld, from what Mabel had read, was probably literally the worst place to ever exist. 

The book was a hundred pages of an old-fashioned formal-sounding super boring guy rambling on about the most egregiously evil society Mabel had ever had the horror of reading about.

Society consisted of a bunch of geometric shapes—which in concept sounded half nerdy and half adorable—but they'd made a brutally oppressive government organized by quantity of sides, with infinite-sided circles at the top and three-sided triangles at the bottom, and one-sided lines—women—oppressed into near silence. Career options, educational opportunities, who you could love, were all determined by your sides. Irregular shapes—quadrilaterals that weren't squares, triangles that weren't equilateral, anyone with a side too long or too short—were presumed from birth to be criminally insane. Each generation had sons with one more side than their father—and they had to, because having higher-ranked sons was the only way families could climb out of poverty. When babies were born with too few or irregular sides, poor families abandoned them—or worse—and rich families put them through oft-fatal bone-snapping surgeries to regularize or increase their sides. Knowledge of the third dimension was considered heretical, and anybody claiming it was real was locked in an insane asylum.

There was a lot of mathy stuff in the book about a square meeting a magical sphere and going on educational adventures to the higher and lower dimensions; but most of it passed by her in a blur. When she'd finished reading last night, Mabel had lay in bed for an hour, staring at the ceiling, trying not to think about dead baby shapes and fighting the urge to wake Bill up just so she could hug him; until she'd finally drifted off and woken up in her own bed.

At least, thank goodness, the bit about banning colors so lower shapes couldn't contour themselves to look like higher shapes was false. But she was sure that at least part of the story was true. And it had happened to somebody she knew. It was a lot to process.

So she processed it the way she usually did the stories that weighed on her: by creating a self-insert and pulling out her art supplies.

####

"You're drawing fan art of Flatworld?" Bill asked warily.

"I wouldn't call it fan art. I'd say it's more of a... thoughtful artistic critique. I don't think I'm a 'fan' of the second dimension," Mabel said. "No offense."

"Sure."

Mabel had designed a shapesona of herself: a pink heart with a rainbow-colored outline, a big sparkly eye, and skinny black stick limbs like Bill's. If, as Bill had said, colors weren't illegal, she didn't see any reason she couldn't be rainbow. The heart shape was maybe unconventional, but Bill hadn't said she couldn't be a heart yet, so she was sticking with it for now.

She'd honestly expected Bill to come over and interrogate her about her creation long before now. Usually, when she was doing art and he was unoccupied, he was hovering right by her, examining her work and dropping hints—some more subtle than others—that she should draw him next. But she hadn't immediately noticed when he'd silently drifted into the room, and she wasn't sure how long he'd been there before speaking up. He was still leaning on the wall, arms crossed, watching askance from halfway across the living room as Mabel worked with her crayons, as if she were playing with a chemistry set and he was trying to figure out if she was building a bomb.

"Is Flatworld really about your world?" Mabel asked. "Did you tell Edward Bishop Bishop all that stuff? With the circles and all the laws about shapes and stuff?"

Bill mulled over the question, staring into space. Mabel had never seen his face look so inexpressive before—at least, not since his first night as a captive, after he'd gotten all the screaming out and had looked too exhausted to feel. "We talked," he conceded. "I'm surprised you got your hands on it. I suppose Stanford brought it up."

Something in the back of her mind pricked up defensively—what was that supposed to mean, he was surprised she got her hands on it?—but she pushed it back down. "Yeah, he told me and Dipper about it when you guys got home yesterday," Mabel said. "But you brought it up to me first!"

"No I didn't. When?"

"A few weeks ago? You mentioned Edward Bishop Bishop."

"I don't remember that," Bill muttered. "I probably didn't think you'd make sense of it."

"Hey!"

"You didn't make sense of it! Ford had to tell you about it."

"Yeah, but—mean!" She shoved aside her drawing and started on another one, grumbling, "I could've made sense of it if I'd looked it up."

What was up with Bill today? He wasn't usually this much of a jerk. To her. Lately. Plus, she thought they'd really had a moment yesterday! But Bill had had a rough couple days. Maybe he was just tired and cranky. 

A wiser person might just leave well enough alone. But a wiser person wasn't exploding in their brain with curiosity about just how bad Bill's life had really been. There was something itching at the back of her head, had been itching since she'd woken up—something about Bill, something important, she was sure of it—but she couldn't quite put together what it was. She just needed to talk to Bill long enough to figure it out.

"So..." She glanced up from filling in a shape yellow, "were lines really executed if they didn't make noises all the time so everyone always knew where they were and they couldn't sneak up and stab anyone?"

Bill scoffed, rolling his eyes, as if the very idea was stupid. "It wasn't that extreme. Making a peace cry is like a human saying 'coming through' when they're trying to squeeze past somebody. Lines are just taught to do it in public because it's easier not to see a line, that's all."

"If they didn't, were they executed...?"

"No. They were just rude."

That was a relief. Mabel had been worried for her fellow ladies. She was plenty noisy, but she didn't think she could remember to make constant sound any time she was around other people. She turned back to coloring her newest drawing, but watched Bill out of the corner of her eye. "Is it true that rich people killed almost all of their babies by giving them surgery to break their sides?"

The corner of Bill's mouth curled in a sneer. "Do I look like a pediatric surgeon?"

"Um." Not a welcome question. She tried to backtrack to something softer. "So, in the second dimension, the outside of your body is just your outline and your guts are everything inside the outline, right?"

He gave her a wary look. "Yeah."

"So your bow tie is basically in your stomach."

Bill sucked in a deep breath; but quickly caved in to the need to be the most correct person in the room. "More like around my esophagus, but. Sure."

"So, where did you wear it when you were back in the second dimension? Was it on your side? Did you have to wear two so people could see them from both sides—"

"I didn't need a bow tie then."

Mabel stared at him. "What do you mean, you didn't 'need' it? What do you need it for now?"

Bill ignored the question. "You know, I didn't think Flatworld was an interesting enough book to deserve this much attention! Especially not from you. You like fun stories." It felt oddly like he was criticizing her for having read it.

"Well—yeah, but it's about your home! That makes it fun!"

Bill raised his brows.

"Right? Doesn't it?"

"Kid." Bill laughed condescendingly. "Don't give me that. You read an entire book. In the summer. About math. With a downer ending where the narrator goes insane and gets locked up. That's some people's idea of a fun time, but I know it's not yours."

Maybe "fun" was the wrong word—but it was still important. She was glad she'd read it. She'd cared about it. She'd cared enough to know Bill was describing it wrong. "That's not what happened. The square got locked up because he kept telling everybody the third dimension's real."

"Like I said! He went insane!"

"But he's not insane. Everyone says he is, but he's right about the third dimension! It's everyone else who's stupid!"

"So what," Bill said. "The things he knows mean he'll never be able to see the world the way other shapes do, and no matter what he does he'll never be happy with his home. If that's not insanity, what is?"

Last year, she'd heard Bill agree when Gideon called him insane. She'd always wondered. "Is that why you're insane?"

Bill shot Mabel a furious look. That was the wrong thing to say. "Shooting Star—"

(Oh no, she thought, he's using my full name.)

"—what's with the third degree." Bill crossed the room to lean on the other side of the table. He gave her the guarded glare of a guilty suspect facing down a cop in an interrogation room—and trying to figure out whether he could kill the cop before he was stopped. "What do you think you're trying to dig up?"

"I'm not trying to 'dig up' anything," Mabel said. "I just want to learn more about you!"

"Oh yeah, I'm sure you do! Who doesn't wanna know all about me! And right after I trusted you yesterday! Do you think you're the first person to start digging into my history? 'Hey, does anyone know what made Bill Cipher so crazy'?" Bill laughed bitterly. " You're not even the first Pines to try it. Not even the second."

"That's not what I'm trying to do!" said Mabel, right before it dawned on her that that was exactly what she was trying to do.

"Right. I'm sure whatever you learn will make a nice two-page spread in Journal 5. Another secret you and Fordsy can add to your Mysteries, huh? Think he'll draw the dead babies?"

She thought back to Portland—to asking Ford what had made Bill so awful. I think if anyone’s ever had a chance of finding out what made him like he is, it might be you. Mabel shook her head. No. She didn't want to be that. "I'm not Grunkle Ford's spy, I'm your friend. I just—I just want to understand you—"

"Yeah, and the 'friends' who understand you are the most dangerous kind." Bill laughed harshly. "Your uncle and brother couldn't figure me out! And Sixer's been trying for years! So what makes you think YOU can?"

He was calling her stupid. He'd been calling her stupid all day. That was why he was so surprised she'd read the book.

"You—shut up!" She wadded up her latest drawing and flung it in Bill's face. (He snatched out of midair.) "All I did was read a book I thought was important to you, you jerk! I thought you'd like that!"

She hadn't meant for that waver to enter her voice. But she was exhausted from too little sleep and worrying about dead baby shapes and worrying about Bill's fear of death and worrying about what Ford had said about not giving Bill a second chance, and now Bill was being a jerk, and maybe he was just exhausted and upset too, but he was treating her like she was stupid—and there was that pathetic little waver.

But it made Bill pause in his onslaught; for a moment, he averted his gaze. Still, he said, "Maybe if you'd thought to ask—"

"You were asleep! I was being nice! And letting you sleep! In my bed!"

"But—"

"Just go away!" She pointed at the doorway.

Bill's face hardened again. "Fine!" He flung his hands in the air and stomped from the room. "Who wants to hang out with you when you're in such a bad mood, anyway."

Mabel glared at her stupid drawings so she didn't have to watch Bill's stupid back as he left.

Why had she bothered?

When Bill was out of sight, she dropped back onto her chair, pulled her sweater over her face, crossed her arms on the table, and buried her head in them.

####

Bill didn't think to smooth out the paper Mabel had flung at him until he was out of the room.

On one side she'd drawn Bill—properly triangular—with an expression that he thought was supposed to be fear and on the other side several angry-looking shapes, pentagons and hexagons, colored gray and black, being led by a pale figure shaped like a human skull and wielding a scythe; and between them, a bright pink heart, standing in front of Bill protectively, hands on its "hips," glaring down the would-be assailants.

The corners of Bill's mouth sagged down.

####

The bell rang and the shapes began filing out of class, muttering to each other about how they thought they'd done on the test. As the triangle cheerfully left the room, the teacher caught him by the arm again to pull him over. "Just a minute," she said. "I want a word with you."

Oh, he bet she did. Breezily, he said, "Sure thing! What is it?"

"Who was the first triangular president?"

"Wh— Th—" He spluttered indignantly. "There's been like—seven of them."

"Nine. And I'm only asking about the first one."

"How should I know!"

"You knew an hour ago."

He sputtered again. "That was— That was a multiple choice test! And it was an hour closer to when I'd studied! And I can focus better in the classroom! You can't expect me to remember anything in the hallway. You're using intimidation tactics. How could anyone focus under these conditions—"

"I don't know what you're doing," the teacher said, "or how you're doing it. Maybe I never will. But..." She sighed, and the anger seemed to leak out of her, and that only made him more nervous. "But whatever you're doing—you won't be able to do it forever. What will you do when you're out in the real world and you didn't learn anything in school?"

Her pity was worse than being hated had been. At least when he was hated, he knew she only looked down on him because she had something against him. What did he do with pity? With concerned warnings about the "real world"? He'd never heard anybody use the phrase "the real world" as anything but a threat. He hoped he was never out in the real world.

"Who cares! I'll never need any of this!" He should have shut up there. He didn't: "You're just jealous that me and my family make a million times more lying to everyone than you'll ever get trying to teach them the truth!"

His teacher gasped in shock; but before she could say anything, he was halfway down the hall with no intention of slowing down.

The next day, he stayed home, and his mom visited the principal. The day after that, he had a new teacher.

####

He was stupid. He knew that. He didn't know when he'd gotten stupid—if it was because he'd started touring so much and missing classes, or if he'd always been dumb and just didn't notice it before he registered just how often he was using his all-seeing eye to pick up answers that other kids couldn't see. It had crept up on him. But there it was. He was stupid, and he was too stupid to figure out what to do about it.

There was a big difference between being able to see everything, and actually knowing anything. And he might be all-seeing, but an idiot like him would never be all-knowing.

####

A trillion years later, he still didn't remember the name of the first triangular president. And look how far he'd gotten without it.

Lunch was toast and peanut butter. The toaster was the only source of heat he could use without having to ask his captors for access; and peanut butter and bread were the most nutritious foods he could reach without asking his captors to open a cabinet or fridge. He was sick of toast and peanut butter.

He wasn't about to ask Mabel to help him get lunch.

Well. He'd succeeded. He'd known just the right thing to say to get Mabel to lay off and drop the topic. Did he feel accomplished?

He stared out the window as he ate—there were hazy gray clouds on the horizon, beyond the trees, slowly inching closer—and he tried not to look at the picture Mabel had flung at him.

####

Mabel felt dumb about being upset that Bill thought she was dumb.

Because of course he did. Sure, he liked her art and he liked dance music and games without rules; sure, he was a willing student when it came to stuff like making friendship bracelets or artistically mixing sprinkles; sure, he was a weirdo fun guy; but he was also a Smarty McSmartypants, just like Dipper or Ford. And Mabel was the Girl Dipper who brought home C's. And even a weirdo fun Smarty wouldn't want to hang out for long with someone who couldn't keep up with nerd talk. He probably just... put up with her for as long as he could stand pretending he took her seriously, but he'd finally lost his patience...

And shown his true, jerky colors again.

Maybe Ford and Dipper were right about him; maybe he couldn't really change.

Except... there was something he'd said. And right after I trusted you yesterday. When he'd cried in front of her. When he'd told her about his fear of death.

He was being a jerk because he thought she'd betrayed him. But by reading a book?! Why couldn't he ever just explain himself? Did he think whatever was bothering him was obvious, and she was stupid for not figuring it out?

Something she almost but didn't quite remember thudded like a drum inside her brain. Dum-dum-dum. Dum-dum-dome.

From the entryway, Bill called, "Hey, star girl. I—"

He stopped in the doorway. Mabel had taped 28 pieces of paper together, drawn on a door knob, written "DOOR" at the top, and taped it across the doorway into the living room. Irritably, Bill said, "It doesn't work like that. This is obviously paper."

"Bill," Mabel grumbled. "Go away."

"No. I'm gonna say something to you."

He didn't phrase that like he was giving her a choice in the matter; but all the same, she said, "I don't wanna hear it."

"You know that horror story about a bride with a velvet ribbon tied around her neck, and her head falls off and rolls down the stairs when her husband unties it?"

She did. She and Dipper had read a book of scary stories to each other on Halloween a few years ago while waiting for it to be late enough to go trick-or-treating. In spite of herself, he'd piqued her curiosity. She reluctantly turned to look at him. "Yeah? So?"

Bill was leaning in the doorway, head tilted against the doorframe so he could see Mabel around the paper door curtain. "That's why I wear a bow tie."

Mabel blinked. "Wait—if you didn't, your head would fall off? What part of you is your head? How did it come off? Were you decapitated? Did you get decapitated for knowing about the third dimension—?"

"It doesn't keep my head on; it keeps my skin on."

Mabel's nose wrinkled. "Gross! How?"

"Remember how you said my outline is my skin and all my organs are inside the outline," Bill said. "That didn't change when we left the second dimension! We had to get exoskeletons on our top and bottom sides so solids like you can't stick you fingers in our guts. My bow tie keeps it tied in place."

"Whoa." So that was why they hadn't seen Bill's organs before. "Do you ever take it off?"

"Mostly when I'm eating!" He knocked on the doorframe. "So can I come in now?"

Of course. He'd been using information to buy his way back into her good graces. (No—that was what somebody who didn't think Bill deserved a second chance would think. He was making up for earlier by answering one of her questions about him.)

She took a deep breath, turned to face Bill, and said, "You didn't talk to me like a friend earlier."

"I—" Bill grimaced, looked at the ceiling for help, and conceded, "I mean—It's how I talk to my friends, but all right, I know you're not used to that—"

"Nobody should be used to that!" Mabel said. "What would Love Bunny say?"

"Wh—?! I— Th— You—" His voice cracked as it jumped higher, "What do I care what a cartoon rabbit thinks about—"

"What. Would. She. Say."

Bill's face screwed up in agony. He crossed his arms. "Ugh."

"Biiill?"

Eyes squeezed shut, Bill said, "She'd say my breath smells like I've been eating mean beans."

"Aaand?"

"I'm not going to say it. I won't say it."

"And you need to eat your nice rice!"

Bill let out a long, slow sigh.

"Say it!"

"This is my penance," Bill muttered toward his feet. "This is my penance. This is fair." He took a breath. "And... I need to eat my nice rice."

Mabel nodded. He'd confessed his sins.

"I think we're out of nice rice," Bill said, "but I've had the peanut butter of kindness and the toast of remorse. Good enough?"

She considered it. "Yeah. You can come in."

Bill batted aside the paper door curtain and ducked into the room. 

He sat across the table from Mabel and set down the paper she'd chucked at him amongst her others. Mabel glanced at the drawing, embarrassed of it now; but Bill didn't say anything about it.

He just propped his cheek against his hand and started looking over her other art.

Mabel sat there with her hands under her legs, watching his spotlight eyes rove over the table, feeling like she was waiting for a teacher to grade a poster she'd made for class. He saw a stop sign red octagon in sunglasses that was labeled "Bill's parole officer" and snorted. She wasn't sure if it was an amused snort or a derogatory snort. His gaze stopped on her attempt to figure out how Flatworlder anatomy worked, and didn't move farther. She'd probably gotten everything wrong, hadn't she?

She couldn't stand waiting for him to pass judgment on her art. "You think they look dumb, don't you."

Bill took a moment to reply. He didn't look up from her drawings. "I don't think you're dumb, Shooting Star."

"You think I'm dumber than Dipper and Grunkle Ford."

Bill winced. "I don't." At her dubious look, Bill amended, "Only Stanford! And that barely counts, all humans are dumber than Stanford. It doesn't mean I think you're dumb-dumb"

"Could've fooled me," Mabel muttered.

"You bet! I'm good at fooling people. All I have to do is say things I don't mean that make people feel the way I want." His voice was flat and matter-of-fact. "I wanted you to feel like the conversation wasn't worth it. That's all."

She stared at him. "By letting me know you think I'm stupid?!" She chucked a crayon at his face. "You could have just told me you didn't want to talk about Flatworld!" Her voice was getting that stupid waver again. "If I'd known, I would have dropped it! I didn't want to upset you!"

"I wasn't upset, it's just a stupid thing to complain about! It's just a dumb book! It'd—it'd take a real loser to be bothered by talking about a dumb book! I'm not..." He sighed harshly. "I know you weren't trying to get on my nerves, kid. It'd mess up your sticker chart." (Mabel hadn't even realized he knew about her sticker chart.) Almost inaudibly, he added, "M'sorry."

She'd never heard him apologize before.

She let out a slow breath. "Biiill. I don't think you're a loser."

He muttered something she couldn't make out as he flipped his hood on and pulled it down over his burning face. "Forget it. Move on. It's in the past!"

"If you're so embarrassed—"

"Not embarrassed!"

She chucked another crayon at his chest. "Then why are you telling me this now?"

Bill shut his eyes; took a deep breath; and, with a look of solemn dignity, and no small amount of pain, he said, "Because. Teddy Tender says. Our friends can't help us feel better if we don't tell them why we feel bad." He almost, almost managed to say it without sounding sarcastic.

Mabel burst out laughing. Bill pulled his hood lower.

Bill didn't even like Teddy Tender—he thought he was the stick in the mud of the Color Critters—and he certainly wasn't actually trying to follow Teddy's friendship lessons. He was just... saying something he didn't mean to make Mabel feel the way he wanted. And he wanted her to feel better.

No matter what anyone else said, he could change. And he was changing.

"Apology accepted," Mabel said. "Gold star!" She peeled one off a nearby sticker sheet and held it out.

Bill eyed it, like a man so hungry he was too nauseous to eat eyeing a pizza; and then snatched it from her and stuck it in the middle of his hoodie.

Mabel said, "And... I guess I'm sorry for getting all diggy about your home world." Even if she hadn't known it was bothering him, she probably should've guessed, shouldn't she? With how crabby he'd gotten. "I just got all excited and curious and... kinda worried about you after reading that book?" She sighed. "I understand if you don't wanna talk about it. You probably hated your dimension."

"What? He lurched forward with the vehemence of his denial—"Of course I don't hate my dimension!" Mabel leaned away at the sudden rage that had flared up in his eyes; but it died just as quickly and Bill immediately reeled himself back in, sitting back, crossing his arms: "I mean, come on, kid, use your head: you read a book about a culture. We're talking about an entire dimension. Would you hold a grudge against Jupiter if an ant bit you on Earth?"

Even as casually as he played it off, Mabel was sure he hadn't meant anything as calm and measured as claiming it was technically irrational to hate an entire dimension. He meant—emphatically, with his whole heart behind it—that he didn't hate his home dimension, at all.

Then why didn't he want to talk about it? (Then why had he destroyed it? Or was not hating it just another fiction he'd made up because he'd prefer that reality? Or was the destruction itself a lie? He hadn't mentioned it once since they'd started talking about Flatworld. Or did he think she didn't know about that and didn't want her to know? Or...)

Something had been churning in her subconscious since she woke up, and now—watching Bill ball up around himself as he squirmed around the things he didn't want to say—it finally dawned on her. Two words. Another piece of the Axolotl's poem. She tried to hold the words in her head until she could write them down, repeating them over and over—Misses home. Misses home.

Quietly, she asked, "Then... don't you want to remember it?"

His face spasmed, like it was nearly cracking in two—and then smoothed out. His face was blank. He didn't answer for a moment. "The last time I told a human more than two sentences about where I'm from... he gave me the universe's most depressing geometry textbook."

Oh. Maybe Bill was following Teddy Tender's friendship advice. "That's because you were talking to a boring old-timey math teacher, duh."

He laughed wryly. "You may have a point!"

If Bill assumed anybody prying into his history was either looking for the reason something was wrong with him, or publishing a whole book about the super bad parts... No wonder he hadn't wanted to talk to her. "So you didn't dislike Flatworld? You just dislike the book?"

Bill grimaced. "Did you read Eddie's biography?"

"No?"

####

As soon as he'd buckled himself into his seat for the drive to Northwest Manor, Dipper read the summary on the back cover of Flatworld, and then the paragraph-long author biography underneath it:

Edward B. Bishop, born in 1838 in England, was an accomplished mathematician, writer, theologian, and closet occultist, as well as a professor at the esteemed University of Fancyton. He published twelve books, the last of which was Flatworld in 1884. After sentencing his square protagonist to a two-dimensional asylum for preaching of the existence of the third dimension, he himself succumbed to an ironically similar fate: three months after publication, he was committed to an asylum for insisting that two-dimensional alien invaders intended to conquer the Earth and were persecuting him for revealing their existence, a delusion he maintained until his death from sleep deprivation in 1886. His most enduring legacy is inventing the margarita glass, which he claimed came to him in a dream. 

Dipper hissed between his teeth. "Ouch."

####

"Never mind, don't worry about it," Bill said. "But no. I didn't like the book."

"You poor thing! All this time you've been homesick for the second dimension, but the only things humans talk about is the bad stuff!"

"Don't call me that."

"Do you want to talk about the non-depressy stuff instead? Like..." Mabel wracked her brain for something nice she'd read in the book. She winced. "Uh... I'm sure there's something. You could choose the topic?"

Bill didn't look directly at her. He just looked over all her drawings again. "Tell me why you want to know so badly."

It was basically the same question he'd asked earlier—what's with the third degree—but his tone was different. Mabel swallowed hard and repeated, "Because... I'm your friend. It's crazy that we've been friends for like a month and I barely know a-ny-thing about who you are or how you grew up! By now, I'd usually know about a friend's family, favorite subject, favorite animal, opinion on glitter, and biggest life dream! Plus all the stuff humans have in common—like, 'do you breathe?'"

This time, Bill didn't argue with her answer. (He could have called her a liar. A month ago, she had just been trying to find out what was wrong with him. But this version of the truth she'd made up was better.) "You already know I'm pro-glitter in all contexts and my life's work is to throw an eternal party. What else really matters?"

"Those are the two most important questions," Mabel said seriously. Tentatively, she asked, "Did you have glitter in the second dimension?" He'd already reassured her that they'd had color, but it was hard to imagine glitter in such a bleak world.

"Sure."

Mabel heaved a sigh of relief. "Oh, thank goodness."

She looked around at the morning's art production, pulled over the first drawing she'd done of her shapesona, and grabbed a bottle of glue to draw a thin line around the heart.

Bill watched as Mabel carefully sprinkled several separate colors of glitter on the line of glue, like a master chef adding a precise amount of spice to a gourmet recipe, to create a glitter rainbow gradient; and then he slowly sat up and leaned toward the table again. "So, who's this freak?"

Mabel gave him an exasperated look. She decided he'd meant "freak" neutrally; but she'd clearly labeled the heart "ME IN FLATWORLD," she thought it was pretty obvious who this freak was.

But Bill cheerfully went on, "He's the most hideously disfigured shape I've ever seen."

"Hey!"

"I'm not joking, it hurts to look at this guy. At least he's symmetrical, but woof."

"She's not a guy! She's supposed to be me in Flatworld," Mabel insisted. "She's a powerful lady and I think she's beautiful." She paused. "Can a heart be a girl?" Lines looked boring, but Flatworld said that girls were all lines and all other shapes were boys. (Or were they? When they'd talked at the mall, Bill had been very clear that he considered himself a triangle instead of male or female, which scuttled the "all polygons are male" concept. Maybe Edward Bishop Bishop had made that part up?)

"She can be anything she wants," Bill said firmly. "I don't see any gender cops around here, do you?"

Good point. "And when there's no cops around, anything's legal."

Bill laughed. "Hey, I like that."

"Grunkle Stan says it!"

"Wise man." Bill leaned forward further across the table and tapped a finger on the deep cleft at the top of the heart. "Personally, I'm more worried about that agonizing-looking birth defect. I'm surprised she survived past infancy!"

Mabel glared at him, but she supposed she couldn't argue. A heart was a pretty irregular shape. And according to Flatworld, almost all irregular shapes were executed in childhood or else imprisoned in adulthood, since they thought irregular shapes would grow up to be depraved, imbecilic criminals—

"Wait," Mabel said. "Wait. Last year, when I called you an isosceles freak—"

Bill cut in, "It was 'monster,' but go on!"

"Was that, like..." Mabel's voice dropped to a whisper, "a slur on Flatworld?"

Bill fought to keep his face straight as he decided how to respond. He went for the funniest answer. "Yes."

Mabel clapped her hands over her mouth and squeaked, "Nooo!"

"It's actually pretty impressive a human managed to come up with it!"

"I'M SORRYYY, augh I didn't know!"

Over her anguished whines, Bill went on, "It's just a good thing you didn't say 'scalene'! I would've had to wash your mouth out with drain cleaner!"

Mabel had pulled the collar of her sweater over her face. From within Sweater Town, she asked, "Was that the first thing I ever said to you?"

Bill choked back a laugh. "Yeah, it was."

She squealed in embarrassment and slid under the table.

"Heck of a first impression, star girl!"

"i'm sorryyy."

Bill reached under the table to pat the top of her head. "Ahhh, it was funny. Get up here." 

As she climbed back into her seat, Bill added, "I'm getting back at you now, I'm not done making fun of your medical miracle yet. You know what she'd look like as a human? A headless, neckless body with an eyeball shoved six inches down her esophagus." He paused thoughtfully. "Actually... that sounds kinda cute."

"Eww, Bill."

"It is, it's cute. Like a clumsy puppy with a neurological disorder! I guess that's how the hideous Miss Heart here must look to humans!"

Mabel looked over her art again, wondering if she should change her shapesona, considering Bill's reaction to it. 

So, maybe she was creating a freak. She didn't see any shape cops around here. She kept drawing. "I'd be fine," she said. "You like weird freaks! You'd keep me safe."

A stricken look crossed his face. He was momentarily silent as he watched Mabel start another picture. And then, as though he were only considering it for the first time, he said, "Yeah. I guess I would."

His gaze drifted to the wrinkled picture of Mabel's shapesona standing protectively in front of Bill. "Freaks can't afford to tear each other down."

####

(THIS is the chapter that's been giving me hell the last few weeks. Months. Last few months. I'm so glad to finally have it out, and I hope y'all enjoyed!! This chapter probably brings up a lot more questions than it actually answers—and completely different questions based on whether or not you've read Flatland lol—so I can't wait to hear what y'all think.)

[beemo-clippin]

Presentiiinngg *drumrolls* Favorite Etho + Bdubs moments of HC10! (Video length: 3:36 min)

There will most definitely be a part two at some point, so I would love to hear any of your favorite moments which I may include there ^-^

Video credit in order of appearance: Bdubs Ep.8 (23:20); Etho Ep. 2 (17:33); Bdubs Ep.6 (7:23); Bdubs Ep.2 (16:00); Etho Ep.3 (6:50); Bdubs Ep.7 (0:56); (1:53); Bdubs Ep.14 (27:19); Bdubs Ep.2 (15:23); Etho Ep.1 (7:17); Bdubs Ep.9 (2:41); Bdubs Ep.2 (16:13); Etho Ep.1 (8:41); Bdubs Ep.2 (16:58).

Bc of the length, the video description for this one is available by request, so please lmk if you would like one!!

Transcription is below cut:

*intro music*

--- 0:05 ---

[Etho] I don't know if you know RBG values but like more like a hundred green

[Bdubs] I don't know if you know HSL

[Etho] *laughs* [Bdubs] but- *laughs*

[Etho] Hue, saturation, luminescence?

[Bdubs] That would be- yeah! Yeah. So that would be a 50L

[Bdubs] "I don't know if you know RGB"

[Etho] *laughs* [Bdubs] *giggles*

[Etho] Well apparently you go HSL not- not RGB, uh huh

[Bdubs] Yeah, HSL's the, uh… that's the, uh, primary

[Etho] The artist standard, you know, yeah

[Bdubs] Yes. This is beautiful

[Etho] Someone that truly understands art

[Bdubs] That's right [Etho] Mhm

--- 0:34 ---

*mischevious music*

[Bdubs] Hullo?

[Etho] Bdubs?

[Bdubs] Woah! *laughs* You're in- you're inside?!

[Etho] Ah I was waiting for you, I decided I would just walk in, you know

[Bdubs] That's so rude, you brought the horse in?

[Etho] Does- does he not belong in here?

[Bdubs] The horse has never been in this house

[Etho] I saw the haybales in here, I thought it was like a-

[Bdubs] No, that's a carpet

[Etho] *chuckles*

[Bdubs] Out! Out. Out

[Etho] Not horse food?

[Bdubs] No. [Etho] Okay, okay

[Bdubs] No, stop it see! Look what happened

--- 1:07 ---

*gentle piano*

[Bdubs] I love this area

[Etho] You got the pink tree

[Bdubs] Yeah

--- 1:11 ---

[Bdubs] This might be pushing it for you, a little bit. I don't want to push you too hard

[Etho] Mhm. You thinking about texturing the floor?

[Bdubs] *laughs*

[Etho] But I can texture too like, I know how to texture

[Bdubs] Yeah yeah yeah! Oh I know you can. I- I know. I know that too much is uncomfortable

[Etho] Mhm

[Bdubs] Right?

[Etho] I- I don't know what it is

[Etho] Like I like it when you do it

[Bdubs] Sure, yeah. But it can be too much.

[Bdubs] Yeah. It's more for advanced H- *laughs* HSL type people

[Etho] *laughs*

--- 1:44 ---

*chill music*

[Bdubs] That roof, It's less than a forty-five degree angle. It's like a-

[Etho] It's flatter right?

--- 1:51 ---

[Bdubs] I'm soo… puffed up as a builder. Okay

[Etho] Mhm

[Bdubs] that you can say anything and it won't hurt me. I can take it

[Etho] I feel like you need, like, some… semi-rooves lower down like, like at the four-five block height… kinda thing. You know what I mean? Like those little overhangs to something underneath

[Bdubs] I thought I could take it and I can't

[Etho] *laughs* Oh no, I crushed him

[Bdubs] *laughs*

--- 2:21 ---

*inspired piano music*

[Etho] Look at that build

[Bdubs] Come on now

--- 2:25 ---

*gentle piano and distant chatter*

--- 2:31 ---

[Bdubs] Jevin, Ethan, I'm coming. er, Etho. Ethan? Ethan

[Etho] Ethan? [Jevin] Ethan!

[Etho] Ethan hunt! [Jevin] Ethan I'm coming!

--- 2:36 ---

*silly music*

[Etho] Okay connected. *laughs* What??

[Bdubs] Oh noo!!

[Etho] *laughs* I have never seen anything like that before

[Bdubs] It's worse!

[Etho] *laughing* How is that possible?

--- 2:49 ---

*wither shriek*

[Bdubs] Wait! You hear that?

[Etho] Is that cub? Oh I think Cub's after you

[Bdubs] It could be Hypno *wither shriek*

[Etho] Oh my goodness *wither shriek*

[Etho] Oh my goodness, they're coming Bdubs *wither shriek*

[Etho] They're coming!

[Bdubs] It could be Hypno!

*wither shriek*

[Bdubs] Oh it's you!!

[Etho] *laughs*

[Bdubs] Ohhh!

[Etho] *laughs* [Bdubs] *laughs*

--- 3:09 ---

[Etho] Alright, we're gonna go by seniority here. Bdubs

[Bdubs] Yea- hahaha. *whispers* youu. You!! [Jevin] Wow

[Etho] *laughs*Lead the way [Jevin] Woww

[Bdubs] *laughs* [Jevin] *laughs*

[Bdubs] Ohh

[Etho] Was that not respectful? I thought that was a respectful thing to do

[Bdubs] No it's very respectful to your elders. It was very good

[Etho] I don't understand some things about social dynamics, I tell you

[Bdubs] *laughs*

--- 3:31 ---

[Etho] If you're ever bored or- or lonely on the server Bdubs, come hit me up

[Bdubs] Oh yes. Okay. Thank you

<end transcription>

[normansnt]

Knight in shining armor

(Hazbin Adam x singer!male reader)

(Not my art, idk whose sorry I got it from pinterest but credits to the artist cuz he would SO wear that I cant😭)

Warnings: fist fight

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"FUCK YEAAHHHHHH THATS MY BOYFRIEND MF" yelled Adam to a random person at your concert.

He always did that. Whenever he went to one of your concerts (always, I am not kidding the man has not missed a single one) he yelled to every one of your songs because he knew them inside out and after each song he yelled to someone that you're his boyfriend.

It was sweet in your eyes he was truly your number one fan. However on more than one occasion this has gotten out of hand. Like right now.

Sometimes people get annoyed at his yelling even though it is a rock concert he is still the loudest one. But this time it was different. This time something happened that actually bothered him.

He was yelling about how much he loves you and how you are his boyfriend again when he overheard something that he didn't like.

"For real? That gorgeous singer is dating that flop no fucking way."

"I know right? I gotta say I wouldn't mind hearing the singers voice moaning my-" Adam didn't wait longer to hear the end of the sentence he straight on punched that guy.

"I fucking DARE you to finish that sentence." Adam literally growled. Even though this was heaven, assholes were present here too.

The fight got so big that you had to stop your performance and stop it.

"Adam- Adam stop" you tried to get your boyfriend off of the two guys who he was now fighting.

"Let me go babe, I'm gonna fucking murder those two mother fuckers-"

"Adam, they already had enough you won." You tried arguing with him while you dragged him to your dressing room. The two guys laying on the floor beaten to pulp.

Once you closed the door, the ruckus outside got just a bit quieter and you could finally take a deep breath.

"What happened this time?" You asked your boyfriend while getting the first aid kit and patching him up. He was much better of than the other guys thats true. But he still had some scratches and a black eye.

Adam told you the whole story of what happened and you listened intently while gently putting some alcohol at a deep cut on his nose.

"And then I was like- aww fuck babe warn me next time" he started whining because of the alcohol.

You sighed.

"Listen Adam, I appreciate what you did, those pigs said some disgusting shit and you were a great knight in shining armor but I worked really hard to get this gig and you know that" you said trying to be as gentle as possible.

"Babe, your boyfriend is the fucking Adam, tell me where you want to preform and you'll get in within seconds I can take care of that."

"I know Adam but I really wanna accomplish some things on my own." You sighed again.

Adam knew he fucked up, he sees first hand how much work you put into your music. But he just couldn't help it this is the kind of thing that pisses him off to no end. His first two wives left him for someone else and even though he might act confident he was terrified that you would leave him, too. He didn't want to loose someone he loved so much.

You put your hand on his cheek and made him look at you.

"Hey, its ok I understand." Thats all you needed to say. You knew about Lilith and Eve leaving him. And you knew how insecure he actually felt. You have been dating for almost 6 years now you knew him way too well.

You kissed him to let him know that you weren't mad. He kissed back with enthusiasm, he loved kissing you. It might be true that he has kissed a lot of people before you came along but he always said that you were his favorite kisser of all time. He just loved the feeling of your lips against his.

"(Y/N)...I- listen I mean what I said really, wherever you wanna play I can hook you up."

You chuckled lightly. You knew this was the closest thing you are gonna get out of him as an apology, the man was not good at apologizing. But you already knew that, and loved him nonetheless.

"I know honey I know." You put your forehead on his.

The wholesome moment was interrupted when you both started hearing chanting from outside.

"Is that-?"

"THEY ARE CHANTING YOUR NAME BABY COME ON GET YOUR BRETTY ASS OUT THERE"

And there he was again, your stupid boyfriend.

You laughed an snatched up your guitar.

"All right baby you wanna watch from back stage?" You asked back as you held out your hand to him.

"FUCK YEAAHH"

And with that you two walked out of your dressing room laughing.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

HE IS JUST A STUPID LITTLE MEN HELP I LOVE HIM SM IDK WHY😭😭

Hope you guys enjoyed😘~

[firewasabeast]

Okay, here’s a prompt: I know everyone wants to see Tommy’s helicopter crash and Buck go save him (I do too obvs), buuuuut what about Buck gets into a dangerous situation on a call and Tommy has to save him 👀

first, I didn't see the "on a call" so oops, but here you go! trigger warning: mass shooting, blood, reference to child abuse.

He couldn't stop staring at the blood that covered his hands as he waited in the hospital lobby. It had long dried, some of it flaking away when he'd curl hands into fists. Most of it stayed though. A harsh reminder of how their perfect day turned into a horror show in the blink of an eye.

His legs shook with anxiety. He was usually so calm and collected. Even in the worst situations he could hold himself together. He wasn't one to panic.

But he was panicking now.

“Tommy,” Eddie's voice was gentle as he sat down beside him, “you need to go wash that off.”

Tommy tore his red, wet eyes away from his hands to look over at Eddie. “I can't.” His own voice shaky. “I can't leave here. I have to... I need to wait on the doctor.”

“You're not going to miss the doctor. I promise I will get you if she comes out while you're in the bathroom.”

Tommy shook his head, his gaze returning to the blood. “No.”

Eddie sighed. He didn't want to push the issue, but there was a fairly extreme amount of blood still on the man, and there were certain people who didn't need to see it. “Tommy, Maddie and Chim are about to get here, and they...” his voice trailed off as a tear dropped down from Tommy's face and onto his shirt. “I'll, uh, I'm gonna go get some wet towels from a nurse,” he offered instead. “You can clean up here.”

It had been such a good day. They'd woken up early together, still wrapped in each others arms from the night before. Buck had heard about an art show that was happening at the nearby convention center so that's where they headed after breakfast.

They were supposed to go to lunch afterward, head home for a while, then to Bobby's that night for dinner.

Tommy would have been fine with toast or a frozen waffle for breakfast, but Buck had insisted on making him something special.

“I think I've perfected omelettes,” he said excitedly as he hurried out of bed.

“You've been making perfect omelettes for a while now, Babe,” Tommy informed him.

Buck shook his head. “No, these are on another level. I'm sure of it.”

He wasn't wrong.

It was the best damn omelette Tommy's ever had.

Unfortunately, it had all come back up after he arrived at the hospital. Now, he wasn't sure if he could ever look at eggs again.

While Tommy was more of an art buff than Buck ever claimed to be, he had done a lot of research on the artists that would have their work displayed at the show. Buck had led them into the convention center hand in hand, a wide smile on his face.

Tommy may have loved looking at art, but he enjoyed looking at Buck even more.

They took turns talking about each piece. Buck would tell Tommy about the artist, Tommy would tell Buck about the art.

There were certain pieces that would grab Buck's attention more than others. They were usually colorful, abstract paintings. He'd tilt his head, think about it for a second before telling Tommy how it made him feel.

There was one certain painting, a slew of colors and chaos in the background with two figures in the forefront. One was a deep shade of blue, holding on tight to a red figure. Their bodies seemed to almost melt together in the center.

“What are you thinking?” Tommy asked, wrapping an arm around Buck's waist.

“It's me and you. You're blue, I'm red.” Buck made no effort to look away from the painting.

“Oh yeah?” A smile rose on Tommy's face. “How so?”

“Our, uh, our lives can be a little crazy sometimes, but you... you keep me steady.”

Tommy stared at Buck briefly before placing two fingers up underneath his chin. Buck turned to him and Tommy pressed their lips together gently.

“That's the most-”

His words were cut off by a loud bang. Followed by multiple bangs going off one after another.

Gun shots.

It happened so fast. People were screaming, crying, running all around.

The man with the gun was brought down quickly. There were security guards nearby who didn't hesitate to respond.

But all Tommy felt was something wet on his hands, up his arms, splattered on his shirt. All he saw was Buck dropping to the ground beside him with a loud thud.

Eyes wide, it felt like his heart was pounding but his breathing stopped at the same time.

He fell to his knees beside Buck as soon as reality hit.

“Ev- Evan. Evan!” He put his hands to Buck's face, tapping his cheek.

Buck's eyes fluttered open, but he didn't do much else.

Tommy searched over him, tearing his shirt to find the bullet wound.

No. Bullet wounds.

“Evan, I need you to keep your eyes open,” Tommy said, trying and failing to hide the panic in his voice. He pressed down on the wounds, one near his lung, the other over his abdomen.

“Evan, babe, can you keep them open for me?”

Buck's eyes opened again. He reached up to grab at Tommy's shirt, but he was too weak. His arm flopped back down fairly quickly. It looked like he was trying to speak, his lips moving without any words coming out.

“It's okay, Evan, you'll be okay. Someone call 911!” he yelled. He knew other people had been hurt, killed even. He knew there was most likely multiple people on the phone with 911, but it wasn't enough. He needed them there now.

There was so much blood. No matter how much he pressed, with every labored breath Buck let out, more blood poured between Tommy's fingers.

He kept his focus on Buck's eyes. “Stay with me, hon. That's it! Stay with me. I've got you, Evan.”

The paramedics arrived just as Buck's eyes closed, his body going limp.

*****

Tommy didn't remember calling Eddie. Or maybe it was Bobby? He'd look at his phone later to check. Didn't seem to matter right now. But most of the 118 was in the waiting room, scattered all around with their own worried faces and anxious ticks.

He must've asked Bobby to please leave him alone at some point, because he was sitting a few chairs away, and Tommy could feel his eyes on him every couple of minutes.

The feeling of a warm towel being placed over his hands brought him out of his trance. He hadn't even noticed Eddie crouching down in front of him.

“Want me to do it for you?” Eddie asked. He was talking to Tommy like he was a child. In any other circumstance, Tommy might have laughed about it, but there was no laughing happening right now.

Instead Tommy nodded. He wasn't sure he could do it himself. Not without breaking down in front of everyone.

Eddie began working on his right hand, the blood slowly transferring from his hand to the towel. He watched as it changed the towel from white to pink. He worked his way up his arm, just below the elbow. Tommy wasn't even sure how that much blood made it that far up his arms. The thought of it made his heart ache even more than it already was.

Once the right arm was done, Eddie picked up a second towel and started on his left hand.

Tommy tightened his hand when Eddie began to pull at the wedding band around his finger.

“Just need to get underneath it,” Eddie explained. “I'll put it right back.”

Tommy relaxed again and Eddie resumed cleaning him up.

He'd just finished when Maddie walked through the doors. In his peripheral Tommy could see Bobby getting up, could hear Howie's voice, Maddie's sniffles.

Eddie got up with the towels, walking out of view as quickly as he could.

Tommy could feel someone walking up behind him. He knew who it would be.

He couldn't even manage to get up. His legs felt like jelly.

There was a hand on his shoulder, then Maddie came into view.

Their eyes met. Maddie's were dark, filled with tears. Her lip trembled.

He was sure he didn't look much different.

She didn't speak, didn't ask questions. Just bent down and wrapped him up.

He held her as tightly as he could, letting himself sob into her shoulder. He didn't even know he could make the sounds that were coming out of him. Each one a deep, desperate plea for this all to be some horrible nightmare. He hadn't hyperventilated since he was fourteen, after his dad found out he'd been tearing out posters of all the boys from a teen magazine. Tommy had tried to convince him, unsuccessfully, that he was deciding on a new hairstyle and didn't know which one to choose. He felt the sting from his dad's belt on his back for nearly a week.

Maddie cried with him, yet somehow managed to soothe him at the same time. She ran a hand up and down his back, telling him it was okay over and over through her own hiccuped cries.

It took a few minutes, but Tommy managed to calm down. Maddie took a seat beside him, keeping a tight hold on his hand until the moment Buck's surgeon entered the waiting room.

Everyone was up and surrounding him within seconds. Tommy felt like he was about to throw up again, but he kept himself together.

“He's being moved to recovery now,” she said, and Tommy felt like he took his first real breath since Buck fell to the floor nearly six hours ago. She continued talking, going over exactly where the bullets hit and how much damage was done, but Tommy would have to ask about that later because he didn't hear anything else past Buck being in recovery.

Maddie squeezing his shoulder brought him back to the present. “Can we see him?” she asked.

“It'll take a few minutes to get him transferred, and he will probably be out for the night, but I'll have a nurse come get you as soon as he's in his room.”

*****

It took a couple of days for Buck to wake up enough to have a real conversation. Tommy was in the middle of making up the extra bed a nurse had managed to bring in for him when Buck asked where his wedding ring was at.

Tommy dug through the bag he'd been handed after Buck's surgery. He ignored the bloody clothes and went straight for the ring at the bottom.

He held it up as he headed back over to Buck, sitting beside him on the bed.

“Put it on for me?” Buck asked, holding out his hand.

Tommy did, gently gliding it over his finger until it was back right where it belonged. Tommy brought Buck's hand up to his mouth, softly kissing over the ring.

“Perfect,” Buck said, a content smile on his own face.

Tommy sighed. He rested Buck's hand between his own. “You were wrong the other day, you know.”

Buck's eyebrows furrowed. “When?”

“At the art show, you remember that one painting?”

“The one I was looking at when-”

“Mhm.”

“I remember.”

“You said I was the blue one, and you were red. That I kept you steady.”

Buck nodded, unsure where Tommy was going with this.

Tommy kept his eyes on their intertwined hands. “It's the other way around,” he admitted.

He was met with silence, but after a moment Buck lifted his hand and pressed two fingers under Tommy's chin, lifting his head so their eyes met. “Come here,” he said, unable to raise himself up.

Tommy leaned forward until their lips met in a chaste kiss. Once they parted, Tommy kept his forehead pressed against Buck's.

“I love you, Mr. Buckley-Kinard,” Buck whispered in the space between them.

Tommy closed his eyes, letting the words soak in before whispering back, “I love you more, Mr. Buckley-Kinard.”

[etherealily]

𝙴𝙸𝙶𝙷𝚃𝙴𝙴𝙽 // 𝙉𝙁𝙅!

Nate Jacobs + Fem!reader. Warnings : Dark. SFW, but discretion advised. Drugs.

I don't know if this is milder or darker than the previous parts, but I do know that it is LONG.

Part 1 : Whiplash

Part 2 : 9 Lives

Part 3 : Blessed

Part 4 : Shards

Part 6 : Sin

You do NOT have permission to repost and/or translate any of my fics.

Desc. : You're fun and you're wild, but you don't know the half of the shit that you put me through

═════════════════════ 🧿 ════════════════════

TUESDAY, LIBRARY, 4 PM.

"We need to talk."

Suddenly, Carl Jung had never been more interesting, your eyes unable to rip away from the words on the paper in front of them, ignoring Nate as much as possible.

Your shoulder suddenly jerked, and a soft whisper followed. "Hey. We need to talk."

Frowning, your eyes darted between the two Jacobs brothers, the looks on their faces not strict, but the most infuriatingly stoic gazes mankind had ever known.

"You had quite a weekend, right? Anything crazy happen?"

The real question Aaron was asking was whether you were going to talk about it.

"Nope, just lots of psych homework."

"See, this is why I'm telling you to drop Psych. Unnecessary stress.", remarked Nate, his fingers rapping on the table in an almost musical pattern. Almost, because music is art, and there was nothing artistic about the false smile he was giving you.

"I'll keep that in mind."

"How are the rest of classes going?" Small talk?

"Great. Chem is pissing me off, though."

"Eh, well, only nerds are good at Chem, and I don't fuck with nerds. So you're lucky."

Oh, thanks, man. Such an honour.

"Are you good at Chem?"

"I pass."

"Where'd you get time to study? What with all the vapes and parties and quote-unquote 'dozens of bitches'?"

He let out a breathy laugh. "I got good work-life balance.", he replied, leaning on his arms closer to you. His head tilted and you knew something psychotic was about to happen. Well, it was Nate. You knew something psychotic was about to happen the second he walked in.

"I'll bet."

He smiled at that. "Are you my friend, Y/N? Are we friends?"

"I don't think so."

"Good. We're on the same page.", he hissed, moving in closer, glaring at you with the same eyes that had been acting as a dam to his true emotions two nights ago. "You can't tell anyone." His fingers deftly twirled your hair around before tucking it behind your ear.

"About?"

"Saturday."

"How you threw a lamp at me?"

"What you heard about my Dad. What he wanted to... what he said. What you learnt about our family."

"I won't."

"No, seriously, Y/N, don't fucking play with me right now. You'll regret it if you do."

"I'm not playing around, either. I'm not going to tell anyone."

"Good.", sniped Aaron. "'Cause we'll fucking ruin your life if you do."

"Aaron.", whispered Nate, shaking his head. "She already said she wouldn't."

"And you trust her?! She walked in with this polite girl attitude and then when shit got tough, she yelled at you with Mom just a room away. And you told me she wanted to fuck Da-"

"Aaron, shut the FUCK up, okay? She said she isn't going to, so she won't." The glares were back on you, an unwelcome blanket in the heat of tension.

"Yeah, we wouldn't want to have to say stuff about you , too."

"Aaron, I said fuckin' drop it."

"No, she gotta know what's at stake, or she's going to take this shit lightly."

You could almost see the vein pop in Nate's head.

"Nate, what... what stuff?"

"It's nothing. Just... we needed incentive.", he muttered, shrugging.

"What incentive?"

"You're buddy-buddy with a drug dealer, Y/N.", he continued, although, to his credit, it seemed with a little reluctance. "And he has access to a lot of shit, right? Who knows if he's ever slipped something into your drink and... y'know."

"What the FUCK? What the FUCK, NATE?"

His idea of incentive was making you a rape victim?!

Being shushed by the librarian solidified your thirst for homicide.

"I mean, you fucked Shane voluntarily, so you're already a fuckin' whore.", he declared, shrugging again as if he was just stating that the sky would be lit up by fireworks on the Fourth of July. "Maybe he just thought it would be easier, without all the playing-hard-to-get-shit. You're close enough that he trusts you to watch over his store."

"You can't FUCKING be serious! FEZCO WOULD NEVER FUCKING-"

"How sad, you're in denial.", tutted Aaron, pouting. "How would you know? He could have used shit stronger than Rohypnol, ya know? Shit that could knock you out cold for hours, and maybe he even called a couple of his trapper buddies-"

Aaron shut up quite quickly when your knuckles met his jaw, but started cussing you out when Nate pulled you off of him. "We're just saying, Y/N, you don't tell anyone the truth of that night, we won't tell them the lies about Fezco."

You pointed your finger at Nate's chest, hoping to god that that would distract him from the rage-induced tears pooling in your eyes.

"You're a fucking coward, Jacobs. With a pervert dad. A fucking coward who can't admit that he has no idea what the fuck he's doing."

"Big words coming from a girl that was raped by her dealer."

OH, someone needs to euthanize this motherfucker.

FUCK. NATE. JACOBS.

TUESDAY, 9PM

Nate had no fucking clue why he was doing this.

He was just drunk, he supposed. Drunk and horny. Average teenage experience.

But it's like.. he could've done anything. ANYTHING else. He could've actually gone to the party, picked up some girl, screwed her into the bed.

But no.

He sat there, scrolling through the fucking SlutPages. For who?Shane's sister, maybe, because of the inexplicable hatred he'd been feeling for him for about a month that he couldn't really think of a reason for? You would think, wouldn't you?

He looked for you.

There was no way you were a virgin. But he should've known there was also no way you were a slut. Or at least, that you were smart enough not to end up there.

He almost fucking threw the phone onto the wall. Fuck.

And you'd blocked him. That was the problem. He couldn't even text you. And he didn't have your fucking phone number, Jesus fucking Christ, he should've gotten it! Relying on something as flimsy as social fucking media was stupid. Idiot.

Wait. Social media.

He quickly slid his chair over to his computer, his hands moving with a pace and mind of their own.

No fucking way would he admit this, but his brother... had some good ideas, once in a while.

When he was fourteen, he'd been wide-eyed, watching through the crack through a door as his older brother -17 at the time- created an account, some random username, some girly bullshit, and then gone Incognito, finding a picture to add.

And then he watched as his brother spent hours poring through pictures of girls - at the time, Nate's seniors- and then suddenly sigh.

"You know, you breathe like fucking Darth Vader?" "What's that?", he'd asked, ignoring that comment and padding over to sit next to him. "This account? I'll tell you, but it- it's like... private brother shit, ok?"

"Shit". What a novel word that was at the time.

"Okay." "Spit-swear it, runt."

He spit-swore. A thing he never fucking did again.

"You can use it. Whenever you're down bad for a chick but you're blocked." "Why would a chick I'm down bad for block me?" "You're so obviously fourteen."

And god fucking damnit, was he.

Not that he was down bad for you. But all he'd say is if this wasn't love, it was pretty fucking close. Why you enthralled him, no clue. You were so easy to rile up, but hard to push too far. You always seemed to be limitless.

He logged in.

Good, the loser, Crestin, posted a story.

Good, you were there in the background.

Great, you were hot.

Bad, you were drinking. Tequila. Wasn't that you and Nate's thing?

Of course, he wouldn't presume to have taken your tequila-V-Card, but he most definitely would have assumed that you'd associate tequila with him. With that night. He'd assumed you'd stay away from it, metaphorically forsaking him in the process.

But no.

Shane's tequila was non-traumatic, and apparently delicious. Ugh.

This simply would not do.

TUESDAY, SHANE'S PARTY, 11PM

"No, NO, GET the FUCK away from me!", you warned, pointing a finger at him. You should've taken his advice and learnt to shoot. "I'm warning you, Jacobs!"

Shane's party was meant to be the one place you could be to avoid Nate, seeing as the host was some sort of Nate-repellent, but NO, you'd just apparently underestimated Nate Jacobs once again.

And here he was, his hand gripping your wrist - just like the rope you wanted to grip his neck - and glaring down at you as if you'd just killed his entire family but he was mildly turned on by it.

"Y/N, just fucking listen! Just- stop causing a scene! Fuckin' LISTEN!", he ordered, grabbing your shoulder with one palm and pointing at you with the other hand, to stop you from writhing away from him.

"You can't just do what you did last week and then expec-"

He kissed you. What did he think this was, fucking Disney Channel?

"NO! NO!", you shouted, shoving him away and secretly hoping for a car to hit him as he stumbled back.

No such luck.

It really was the world according to Nate, wasn't it?

"You know it's okay, right? It's alright."

"What?"

"It's okay to want me.", he informed you, as if he was telling you it was okay to sing in the shower.

Everyone does it. It's like, a thing, relax.

"It's okay.", he continued, "People want what's bad for them all the time.", he murmured, his thumb tracing your lip like he was tracing out a line he wanted so desperately to cross. "It's human nature."

"You think I'm bad for you?"

He took a deep breath, as if he was about to tell you you were terminal. "I think you're good for my soul. Like a baptism without the water." His thumb moved further into your mouth, just barely grazing your teeth.

"Even you have no clue what that meant, admit it."

"It's called effect, Y/N. Drama. Intrigue. Doesn't have to make sense."

You stared up at him, waiting for elaboration, and that earned a huff from him as he looked around at the other people in the front yard - doing lines, making out, throwing up - before turning back to you. "No, honey, I don't think you're bad for me. In fact, I think you're unnecessarily good for me."

"Unnecessarily?"

"As in, I don't need your energy."

"Then why are you so insistent on being around it? 'Cause you want to fuck me?"

"No! Jesus. It's in the name, Y/N. GOOD luck charm. You help me do GOOD in my games. You're good energy."

"What's next? You gonna tell me my birthstone?"

"Oh, shut up.", he chuckled, shaking his head as he moved your jaw from side-to-side in what seemed to be a playful gesture, but at this point, could very well have been him trying to ascertain which cheek to shoot into or something. "You got your licks in. We good?"

"Good? No. NO. We're not good! You threatened someone I love, so no fuckin' way are we good!"

"I know, I know. Aaron wanted me to-"

"BULLSHIT!"

He sighed, as if you were his deranged relative who was climbing up some telephone pole.

"YOU just can't handle the fact that I saw you almost fucking cry! I caught you weak, and that's a power shift, and you don't FUCKING like it, do you?!"

His jaw ticked for a moment, but he managed to let out a mix between a scoff and a chuckle. And then, as if what you said wasn't quite literally exactly what he was feeling, he asked, "Are you done?"

"NO, I'm not fucking done! I still haven't got to the part where you threatened to accuse him of rape, which is a fucking terrible thing to joke about in the first pla-"

"Look, man, I don't have time for this shit, okay? I'm not hurting Fezco! I came here so I could tell you something."

"My GOD, Nate, you made your point! I won't tell anyone!", you groaned, snatching a drink from some already-tipsy guy's hand and downing it.

"That's totally hygienic.", he remarked, eyes finally tearing away from you as you both watched the drunkard stumble over a girl who was getting rid of her lunch and breakfast in the bushes.

"I got new incentive.", he murmured, his forehead against yours, and his thumb rubbing your cheek as if it owned land there.

"What, now you're going make Shane out to be a rapist, too?"

Not a bad idea, actually. The corners of his mouth curled down, and he scanned your face as if he were actually thinking about it, eliciting a tsk from you.

He hid a chortle as he continued. "I'm offering you a deal. You were right, back at the bleachers about the control thing."

He was about to ask you to sell your soul, you could fucking feel it.

"So... you get to control me. For however long you need. Like, a month, a week, whatever. Just don't tell anyone about my family."

Whoa. Plot twist. You did not expect him to sell his soul.

"Oh, yeah, I'm sure. So if I asked you to show up to school naked?"

"Yes, I'd show up to school naked for you. But it's funny seeing me naked is your first instinct."

His trust issues were suddenly working out in your favour- he was essentially offering himself up as collateral.

"If I ask you to announce a formal apology to me on a bullhorn before your game?"

"I just want you to leave my family alone, Y/N."

So that's where Nate Jacobs' humanity began. At his family. Noted.

"I promise. I'll do anything." The urge to say 'then die' was strong, but not invincible.

You wracked your brain looking for something you could make this psychopath do that would not cause him immense pleasure.

"Ah, see? Being the one in control isn't all it's cracked up to be. Too much power, and you don't even know what to do with it.", he taunted, pouting as he closed his eyes, pressing his forehead harder against yours. "Think. What is it you want from me?"

What the fuck did you want him to do?

"Do you want an apology? No, 'cause I've already given you plenty and you don't want meaningless things, do you?" His lips lightly touched yours and you could swear he smirked when you flinched on reflex.

But no. That wasn't what you wanted. He was spot-on.

"You want... do you want money? I'm a trust fund baby, essentially, right? My father basically owns the town. Sure, I could hook you up. Royal Enfield, BMW. Or, if you want, Chanel? But that won't cost me anything, at least not emotionally, yeah? So no. That's not it, either."

Why did you suddenly feel like your thoughts were transferring into his head?

"You want me? You want to cut me up, just like I forced you to watch me do to myself? You want to hold a gun to my throat like I did to you? No, because I'd low-key like it."

Yes, he would. So no, you didn't want it.

"C'mon, think. I'm at your mercy, I'm all yours. There's definitely one thing you want and you're just too much of a pussy to say it."

Why were you letting him do this? Why did you just accept that it was the world according to Nate?

"You wanna know what I think, huh? Huh? I'll tell you what I think.", he murmured. "I think you want me to care."

That got your attention. "Care?"

"I think you actually want me to give a shit about you, so you can justify to yourself why you keep lettin' this happen, don'tcha?", he asked, thumb rubbing your jawline. "You want me to stop acting like this whole thing between us is a game. You want me to acknowledge what I'm doing to you."

You hated this. You hated when men were right - it was ridiculous. And you absolutely despised when Nate was right, because it was dangerous.

"Look, I just want you out of my life, Nate.", you lied.

That had come out way too fast. That was the easiest thing he could do. That was the kindest thing you could have ordered him to do. That was mercy.

So why was he acting like you'd just asked him to jump into a fire?

"That's it?"

He didn't buy it. And neither did you. Because yes, you'd technically be very reasonable to want him out of your life. But no, the danger, the unnecessarily sexy amount of mortal peril you'd be in every second that you were around him- it was your fucked up version of heroin.

"I don't think you understand just what you're asking. You're going to miss me."

You scoffed and he shrugged, in a gesture that only seemed pitiful, as though he were allowing you to believe that for the time being.

'Denial isn't just a river in Egypt, baby', you could almost hear him snark.

"What if I miss you?"

You shrugged, downing another shot - one you'd stolen from a drunk girl this time. "I dunno. Just don't."

"You'll still come to games? Fist-bump me?"

"Still come to games? I guess, maybe? I'll high-five you, or something."

"I'll think it over." Wait, wasn't he the one who was making an offer?

═════════════════════ 🧿 ════════════════════

He found you almost fifteen minutes later, probably after mulling it over with a drink.

"I accept your terms. I'll go out of your life, starting Monday. However, I've got a little som'n som'n to show you.".

An AK-47? An atom-bomb? A grave he dug specially for you?

"It's a surprise. Only an hour. That's all I'm asking."

Only your sanity. That's all he was asking.

You'd promised yourself you'd never take anything from Nate Jacobs again, and you'd stuck to it.

I mean.

That was until he'd offered you molly.

Molly made you happy.

Molly made you forget stuff, like college apps, the loss of your internship and the fact that you'd basically been lying to your family the entirety of last week about the scar on your forehead.

But how he'd found that out was a question for the ages. And he seemed to know exactly what molly did to you.

And you best believe he was milking it.

"I want to get a tattoo."

"Okay...?"

"Correction : I want us to get a tattoo.", he whispered, before tsk-ing at your derisive snort. "C'mon, you get to draw whatever you want on me and I'll get it tattooed, I promise!"

"Tattoos are permanent, Nate."

"And you know what? So am I. In your life. In your head. On your lips.", he reminded, grinning mischievously, his tongue forcing its way into your mouth.

You barely fought against him - the ecstasy sprinting through your blood vessels - and you found yourself lying back on the grass, his hands bracketing your hair.

"Just fucking draw something on me, Y/N. Come on. And I'll draw something on you. Yeah? Sound good?", he asked, his hand creeping up your shirt with surprising reverence.

He chuckled breathily against your lips, shaking his head as he rolled off you, lying next to you.

"I'll draw something nice and meaningful. And you get to, as well. Nothing cheesy, though. Like a fucking arrow-heart or an anchor or some shit."

"How about a star?"

"What, a star is not cheesy? That's the cheesiest thing ever. That's the pussy tattoo.", he muttered, before looking up at your eyes, sighing magnanimously. "What kind of star?"

"The ones that are hard to draw. With all the lines."

"Really, Y/N? I give you the chance to mark my body up and you want the hardest thing to draw from second grade?"

"Where'd you want it?"

"Where will you be willing to touch me?"

That was a million dollar question. Willing is a very subjective term.

"Neck. Under my ear."

You nodded, taking the pen he'd brought and gently tracing out a couple stars under his neck. He played with some of your hair that had fallen in front of his face, with terrifying dedication, as you did so. "Yeah. Done. You actually getting this tattooed?"

"Now you.", he ordered, grabbing your wrist, not answering the question. Red flag number eleven thousand. The pen lid in his mouth and a focused furrow to his brow, he began drawing.

"Infinity symbol.", he informed you, before you could even ask.

"Why?"

"I dunno. It's meaningful. 'To infinity and beyond'. Favourite Disney Movie, right?"

"That is not my favourite-"

"Yeah, well, it's mine. Buzz Lightyear is like, my hero.", he muttered, rubbing his thumb over the drawing and then kissing it softly, all while looking at you.

"Really? You seem like a Big Hero 6 guy to me."

He laughed deeper. "You always take me so seriously."

"Fuuuck, I know I'm not supposed to say this..."

He lolled his head over to you. "You could tell me you're Ted Bundy reincarnate and I'd still smash."

You decided to ignore that comment. "I'm not supposed to say this, but... but I get why Rue did it. Like Jesus fucking Christ."

He nodded in understanding, looking at the tiny packet that still had a couple pills in it. "She was just too weak to limit herself. But we got no limits. You got infinity on your wrist."

"Look, Nate, I can't tattoo that shit. My family would kill themselves."

"Same."

"Then why did you-"

"We're gonna do something that could go either way. It could either freak you out or turn you on. On the off chance that it's both, then we're more similar than you realize.", he slurred, lazily brushing hair behind your ear. "'Kay?"

"What are we gonna do?", you asked, trying your hardest to pull away, but the ecstasy made you genuinely defenceless against human touch. And it didn't help that Nate was holding your arms tightly down on the ground, as if he were trying to plant roots.

"We're going to carve the tattoos."

He said it so conspiratorially. As though this was your secret to surviving the zombie apocalypse. And his fucking eyes. Glowing like fireworks. Glowing like a child finally being told he could get what he wanted for Christmas.

"WHAT?!"

He licked his lips with an almost roll of his eyes as he looked up at you, because you were so clearly overreacting, right? Slitting your own skin in the shape of an infinity on it was a perfectly normal teenage activity. Of course. Drinking, smoking, fucking, slicing.

"I'll do it. I'm experienced, as you know.", he scoffed, his lips at your shoulder now. "We only have about fifteen minutes left of your curfew, Y/N, please. Please? Play nice."

The molly was clouding your senses, clearly. You could tell because a) you were still having this conversation and b) you didn't even question how he knew what time your curfew was, and c) you hadn't punched him yet.

"Think about it, it's less permanent than a tattoo, baby, please."

And then he placed another one of those little pink pills on your tongue, pressing down and forcing you to swallow.

MONDAY.

The scream came too late to your liking.

You'd tried to scream faster, but everything had come rushing back to you. The fever dream was not a dream. It's always relieving when terrible 'realities' end up only being dreams. It's a different kind of terror when you realize that the nightmare was real.

The number eighteen was etched on your wrist like a pathetic mark, like... like a brand.

You couldn't even begin to figure out just what the fuck that was supposed to be. Eighteen? How was that meaningful? The year it becomes legal to have sex? Freedom, maybe? Joy?

He wanted this aneurysm in your head. He'd placed it there.

FUCK !

FRIDAY.

"What? What is it you want?!"

He frowned, his face softening out of genuine confusion, make him look almost comically harmless in the harsh stadium lighting. "You said you'd still fist-bump me."

"What does 18 mean?"

He shrugged, holding out his fist. You rolled your eyes, bumping it with your own. And then, after telling yourself you were imagining the ghost of a smirk on his lips, you froze. Because he'd turned, running off to the middle of the field. You saw his back.

His jersey. 18. FUCK. He blew you a kiss about two seconds before the ball was passed to him. 18. FUCK.

"Did you just fist-bump Nate?"

"Yeah."

"Why?", asked Maddy, scoffing softly.

"He was talking to me about the project and then he said he had to go, so I wished him luck and... I guess I fist-bumped him."

"Oh, yeah, ew, the project. How's that going?"

"I scrapped it."

"Why?", she questioned, after shaking her pom-poms and screaming out some over-enthusiastic cheer.

"I don't fucking like him. At all. He's a DICK."

"What? No way. I had no idea.", she muttered sardonically, slinging an arm around your shoulder. "But was it, like, really bad?"

You nodded.

"After the game, you wanna do molly?"

"No." The reply was almost immediate.

"You don't wanna do molly? Don't bullshit me. Shut up. You're doing it with me."

You'd have hugged Maddy for knowing you so well if you weren't so focused on the big, blue, number 18 running on the field, matching the big, red one staying still on your wrist.

FRIDAY, 9PM

Staying over at Maddy's was an offer you shouldn't have declined, because it was getting genuinely infuriating how Nate found out things.

You were still extremely lacking in sobriety when he'd crawled into your bed that night, covering your mouth to make sure you didn't scream. How? Million dollar question.

"You want me to tell you a secret?"

"A secret? Wait, not some bullshit about my lips that you came up with?"

"I listened to Queen."

You sat up. "WHAT?"

He chuckled, sitting up as well and tilting his head while resting it on his knees. "What? Elvis, too. I even watched Blue Hawaii. I low-key liked it. Why? Would it have changed your mind?"

You frowned for a moment, before shaking your head. "Still would've been nice to know."

"Okay, how about you just kiss me now, Rue 2.0?", he asked, tracing out the number eighteen on your wrist before looking up at you through slightly furrowed brows. That was a challenge, of sorts, that gaze.

"You have something to ask me." Didn't take a genius to figure it out. Insinuation was painted all over his face. He had an accusation and he needed you to defend it.

"When Shane fucked you, where'd he come?"

You frowned, staring at him for a moment. "Yo, I- what? Where is this coming from?"

"At practice he was saying he fucked you."

"He's a dickwad, of course he did."

"It doesn't bother you that he's spreading that shit?"

"If I paid attention to every rumour some butthurt, fragile-ego jock spread about me, I wouldn't have time to fucking study."

"Your reputation's gone, though. That's fine for you?"

You sucked on your teeth for a moment before exhaling. "You're here to find out if I'm easy?"

He looked at you for a moment, his expression unreadable.

"If I did this, Y/N, would you stop me?", he asked, shifting to his knees at the foot of the bed. "Hm? If I just...", he trailed off, kissing up your knee to your thigh.

"Nate. Stop."

"That's not stopping me.", he murmured, gripping your back and yanking you closer.

You kicked him away, grimacing. "Get out."

He gazed up at you, and for a moment there, it seemed like he was rooting for you, for the rumours to just be cruel rumours and not true.

"Get OUT!"

"You can't let me kiss you and then just... it doesn't work like that."

The world looked glittery and he looked godly kneeling down there.

His tongue licked slowly up your inner thigh. "C'mon. Take it off. It's just me."

"Get out."

He rolled his eyes, yanking your shorts down himself. "I fucking...", he murmured, voice muffled against your skin. "Love you."

"You don't fucking love me!" You were struggling but it was fruitless.

"I could."

"Get out, I'm not bullshitting."

"C'mon.", he murmured, reaching up to unhook your bra before pressing a kiss to your inner thigh. "C'mon."

"No! Get off!" His hand held you down.

"Just let me-", he muttered, his fingers finally removing your underwear as he pressed a chaste kiss higher up your thigh. Your breath hitched and his smirk widened, albeit, with a bit of disappointment. "There we go."

Kicking him away, you finally snapped. Maybe it was the molly. Maybe it was his tongue. Maybe it was the fact that he'd somehow found out that molly made you make extremely bad decisions. Maybe it was the fact that he knew you wanted nothing more than to fuck him that night.

"GET THE FUCK OUT, NATE! YOU SAID YOU'D LEAVE ME ALONE MONDAY, IT'S FRIDAY! GET THE FUCK OUT, PLEASE!" He took every kick and every punch like a total champ, you'd give him that.

The disappointment left, and he smiled, softly, caringly, like a mother hanging up her child's drawing on the fridge, as he wiped your tears away.

Standing up, he grabbed your hair, staring into your eyes so deeply you were half-wondering if they'd changed colour, before patting your shoulder. "I'm proud of you."

Proud for disproving a rumour?

You watched his shadow on your wall as it climbed down the window behind you.

Look, one thing could be said. Nate Jacobs was a man of his word. He did not speak to you. He did not text you. He did not acknowledge you.

You'd blocked him online and he'd blocked you in real life.

However, his other account still kept tabs on you.

Average social media interaction.

Shane Crestin ended up in the ER later that night.

Average Nate Jacobs interaction.

[joonipertree]

idea for the Boxer!Katsuki and Artist!Reader AU! What if, ON TOP OF a rly bad day w college and being overwhelmed w work, we lost our paints :( n we luv our paints so we cry, but katsuki’s there to make us feel better and get us a new set :3

Thank you so fucking much for this. Idk if you knew but I'm actually making a portfolio for art school and Ive been crying every other night because of how stressed I am and how much I feel like I'm a bad artist. So writing this was cathartic

Part 1, Part 2

Tags: Dom/sub undertones, reader acting out and Bakugo being stern, a peak of what kind of shit I want with older men hsjsjsj, fluff, hurt/comfort, soft katsuki

Katsuki was one of the last people you wanted to see when you're in a bad mood. And that might sound terrible but it's because you never wanted to show such a harsh, negative side of yourself to someone you cared about. You were very much a 'feel and then reappear more regulated' type of person. But Katsuki never let you go home on your own anymore, picking you and dropping you off even on days where he had something to do.

So you trotted towards him with a scowl and no energy to fake anything and he noticed instantly, his own concerned scowl mirroring yours.

"What's wrong?"

"Nothing." You said and opened the door, closing it a bit too loudly. You cringed at the sound but buckled yourself in and turned away before the man got in the driver's seat.

"You're shit at lying."

"Fuck off."

Instant regret, a deep inhale from your part as you tensed.

Fuck.

His large hand came on your thigh and you stiffened, all he did was give it a warning squeeze before pulling away. The message was clear. 'Watch it'.

"I'm not willing to discipline you until I know nothing horrible happened but you do know I don't like that shit from you right?"

You said nothing.

"Give me an answer, doll."

"I'm an adult."

"Yeah, you are. And you're a smart one that knows that we have rules. That I'd be taking you over my lap if you talked like that."

Tears pricked your eyes but you blinked them away, not willing to turn your head to show him.

He knew anyways and he dropped the subject, starting the car and driving off.

Katsuki pulled to a stop at a place that wasn't anywhere near your apartment. You were confused as he got out of the car. Your eyes followed him just as he entered a boba shop.

Oh.

A couple minutes later, he came out with a drink for each of you. You remembered when he said that there just wasn't any point of it, that it seemed stupid and too sweet. But pretty soon, he had his own usual order, which was just Brown Sugar boba tea with the sweetness to a minimum.

Katsuki gave you the drink without even looking your way, sipping on his own. You stared at it for a total of ten seconds before timidly taking a sip. The sweetness broke you out of your sour mood, eyes blinking as you focused on the flavour of your favourite tea. The boba was chewy and soft and it grounded you a bit.

Only after you took a sip, did Katsuki start the car and drive.

When you reached home, the apartment the two of you had started sharing a month prior, Katsuki only gave you time to take off your shoes and put down your bag before he had you over his shoulder.

You struggled, hitting his back and asking him to let you go but he didn't listen...not even feeling it.

And when your ass plopped itself onto the couch, your attempt at running away failed when he easily manhandled you in place.

"I'm not patient enough to coax it out of you, so tell me why you're upset. I'll make it better."

You wanted to refuse but the tears were already dripping down your face.

"I'm so bad at art. I'm so f-fucking bad at it. I don't-" you sobbed and his arms were instantly around you, pulling you onto his lap as you cried into him.

"There's so many deadlines and so many things I have to do and nothing is working. And I don't even know if I'm cut out to be an artist. I'm not good enough, I was never good enough for it. I'm gonna fail-- Katsuki I'm so tired."

Your boyfriend rocked you back and forth, giving you kisses everywhere he could reach, on the side of your face and your head and your hair. And you let the tears fall, hiccuping violently and sobbing without restraint.

"I even lost my fucking paints and I can't live without them and I saved up for them and I'm just doing everything wrong."

You let Katsuki envelope you, squeeze you and warm your inside as you let it all out.

When your sobs died down, Katsuki didn't stop peppering kisses everywhere. It took him a second to speak.

"I didn't know shit about art. It all seemed like fancy, time consuming pictures to me. Hell, even now I don't know shit. But when I saw your art, I felt stuff I thought I didn't know how to feel. And that was the first time I realised that maybe life didn't have to be as shitty as it was. Maybe things didn't have to be ugly."

"When we went to those art galleries, yeah they were cool and pretty but not gonna lie, nothing ever left me speechless like your art did. And yeah...I'm biased as fuck, especially because I thought that the look in your eyes was the prettiest out of everything. That sounds cheesy as shit but you make me feel cheesy as shit."

You had stopped crying, left drained and nuzzled against Katsuki while you looked for an anchor to hold onto. And he held you.

"I like seeing you paint the most though, I like how you focus...I like how you curse under your breath, I like how you grin when something looks right, I like how you scan art supplies before you buy them. I like your paint stained hands and your paint water mugs even when I've accidently taken a sip from them. I like that how you laugh when I do that shit. I love that look of pride you have when you're done and staring at it.

It makes you happy so even if I don't understand the point of it, it means a lot to me because of that. So, whenever that thing stops being fun for you, and really stops being fun for you, I'll support you if you wanna stop. But I gotta keep seeing your work, baby, cuz it's like the inside of your head and it's really neat."

You let a few more tears drop, sniffling and looking into his eyes. There was no ingenuity, only pure emotion. And you let him kiss your tears away, you let him pat your head and you let him make you drink water and feed you.

Because it was never a burden for him to do those things, but a priveledge.

The very next day, the same set of paints were in your bag. Brand new and untouched. Along with three different watercolour paper books. 100% pure cotton, 350 gcm.

With a note that said 'you're still down for a spanking for that shitty mouth of yours. Don't make it a habit.'