1. Stiles left Beacon Hills to never return and left his jeep.
2. Derek saved his jeep and fixed everything. Stiles's dad flat out says Derek saved it after Stiles left and tried to fix it up. Stiles had it held together with duck tape but Derek put everything into fixing it, but it wasn't able to run perfectly.
3. In the 15 years since Stiles left to never return, it ended up in the junkyard because Derek couldn't fix it like he wanted to, but he wouldn't abandon it.
4. Eli, Derek's kid, would routinely steal it to piss Derek off.
5. After Derek died. Stiles's dad gave Eli the keys to the jeep and told him Derek had "complicated feelings about the Jeep" but it should definitely be Eli's.
So like Derek was in love with Stiles huh? Like he saved Stiles's jeep, when Stiles himself abandoned it. He tried to make it run smoothly and when he couldn't he kept it under a tarp at the junkyard to not be driven but not to be scrapped either. And then his son would regularly steal it solely to piss Derek off. Derek himself said it was just to make him mad. And then when Derek died, Sheriff Stilinski gave the keys to Eli and said he should have it and that Derek had "complicated feelings about the jeep" but it was Eli's. Derek was definitely in love with Stiles and I just.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
yesterday the trailer for the crow (2024) popped up on my fyp and the misinterpretation of core of the graphic novel just fucking sends me.
the horror at the centre of the novel, the utter despair and pain that shroud Eric, both in the source material and the 1994 movie, works because Eric and Shelly were a normal couple of lovers. It's because of such mundane tenderness that the horror of the murder leaves such a staggering and profound impact on the viewer, the violence is totally uncalled for and highlights how humanity's depravity can befall anyone, even the kindest of people (following the drammatic personal story of O'barr).
twisting Eric and Shelly's backstory into a kind of wattpad misfits' one, the viewer looses the element of immedesimation that held inside the emotional value of the movie. By depriving both characters of their normality the intimate sorrow is lost. What was a desolate tale of personal loss, to me, feels more like the search for the next halloween costume.
[chemistry] it's not a word that actors [use]. but you must endeavor a little bit to try and fall in love, in whatever that capacity is. and andrew is a very easy person to fall in love with. he's kind, generous, talented. we shot the film at the perfect junction in our friendship where there was a lot we didn't know about each other, but there was mutual admiration and respect. and a similar sense of humor. (...) yeah, it felt fizzy when we were acting. especially with that first scene at the door -- it's so well-written. you feel like you're dancing through the scene, you can go in loads of different ways, and if i went one way, andrew would go another. if that's what chemistry is, i was aware it was happening.
-- paul on chemistry and whether ‘they (andrew & paul) knew instantly that their onscreen relationship was working’ in all of us strangers, screendaily.com (1/31/24)
yesterday i was thinking about how big the united states is and how it’s crazy that if someone were to invade, we really just wouldn’t know if they were quiet and smart about it. then i started today thinking about the insane amount of cop cities being built all over this country, quietly. specifically being built in places that have been known for protesting. we are being invaded right now, quietly but surely. our government has realized that there is possibility to overthrow them and they’re putting all this shit into motion now because in 5-10 years there will be an INSANE amount of unrest, even more than we’ve seen in the 2020 black lives matter protests, even more than we’ve seen in the current palestinian genocide protests. the police presence at both of these kinds of protests have been overwhelming. though protesting is a legal right. (for non-americans-> it is legal but it isn’t actually and that’s why it’s so dangerous to do. our government will pretend certain laws don’t exist whenever convenient). all cops here are bad and they serve a system meant to harm and imprison citizens + protect property of the rich. doing anything else is actually what you’d consider outliers to their intended purpose, though it still doesn’t negate ACAB. even the way it’s taught in our country, protesting was actually only okay for this group of white guys when THEY wanted to overthrow the british government. that one we’re supposed to clap for and anything else historically was frowned upon at the time. many people are killed, jailed, and/or injured at protests at the hands of police and our mainstream media is owned by those in power, so they’ll call it “rioting” and flip shit around to confuse even more of the population + try to turn us against each other. it is extremely rare that anyone protesting actually does something to cause harm and therefore dEseRvEd to get their shit rocked by these weirdos in uniform that sold their soul for 22k a year. in my opinion it’s like the stanford prison experiment but imagine it large scale because there is very little training and they’re basically taught to shoot without more thought than it takes to upholster their weapon. oh and they’re taught to aim for kill shots so that’s… ??? pretty much they’re just untrained idiots walking around with no idea what they’re doing and they get off on the sense of power given to them. AND the way the military + police system work similarly is that they teach people not to think. don’t think, just shoot. don’t think, just take someone to the ground. don’t think, act. they are vessels without thought and harm people the same way— thus in my opinion, are soulless.
btw does anyone wonder where all this funding is coming from?? where this country refuses to help their own citizens or deliver aid to countries in need while saying it isn’t in the budget, they will instead always have money for weapons, for bombs, for sending money to other countries that want to commit atrocities. they will always have money for militarization. this country is guilty of so many things and the fact that we can just print more money to continue the horrors is— well, it’s horrifying. you can’t even count on the idea of us running out of money because somehow there is somehow ALWAYS money for murdering people overseas. fucking disgusting. that pentagon tax audit missing trillions of dollars is makin reeeal noise right now.
does anyone know the process of how you go about getting a country disbanded? more on that, how do we go about ruining the process of these cop cities. i’ll be researching. i want them left empty like those unfinished amusement parks. i want them turned into free or low-income housing. i want them turned into agriculture or food centers because food deserts are at an all time high.
the media is flooded right now with trending pop culture topics and while this is distracting, if you live in the USA, cop cities are a HUGE problem and we’ll be seeing just how bad the effects are in a few years. we’re going to see a lot of our citizens desperate for work (because the economy is in a perpetual state of decline and the rich are getting richer while costs of living for the rest of us increase even more and jobs become more scarce) and there’s no way these cop cities won’t start eventually offering programs for debt relief, education, healthcare, and housing— pretty much exactly what the military here does already for many citizens who believe they have no other options than to enlist so they can survive.
militarizing your citizens against your citizens??? leading by fear and oppressive force??? taking advantage of the vulnerable populace??? not changing the system but instead doubling down when eyes are drawn away?? overturning laws meant to protect them??? drafting new laws to smite them?? encouraging genocide and taking part in said genocides because it’s profitable?? that’s just… so… american government. we have literally never lived in an actual democracy. not once. everything we have is stolen and/or covered in blood. there is no changing or redeeming the past but the future is wide fucking open for change. if we lived in a true democracy, the changes we (the overwhelming majority noted in polls and census taking) have been asking for would already exist. america is a force of greed and deception, eating and eating itself and everything around it without pause while claiming it is still hungry for more. it will consume itself eventually but not anytime soon. i doubt i’ll be around to see the fall. i doubt any of us will. i wanna grab people by the shoulders and be like— please don’t wait on the future to save you. we only have right now to save ourselves.
god ugh anyways okay i’m done. probably gonna talk more shit in the tags though
[ID digital drawing of redesigns of the VKs from Disney descendants, years Evie, Mal, Jay, and Carlos. Evie has the front of her hair braided back with a little crown, a white princess shirt, and a blue cape with gold and red details and a high collar. She has a blue skirt with a heart belt and red panels stitched on the sides and a ruffle white skirt under. She has black tights, white ruffle socks, and red Mary Jane heels, and red and blue fingerless gloves. Above her is the symbol of a heart shaped mirror with a crown on top of it.
Mal has big horns, pointed ears with many piercings, messy purple and green hair, and is holding a knife. She is wearing a fishnet shirt with a purple crop top and a ripped jacket. She has low rise very wide leg pants with green flames on the end, and big spiky boots. She has mismatched gloves and a couple belts. Her symbol is a broken heart with horns and wings and is on fire.
Jay has an orange beanie and a ripped vest with a belt across it. He has cargo pants and tall sneakers, a few belts and fingerless gloves. His symbol above him is an orange toothy cobra snake coiled up.
Carlos has stripy black and white hair and goggles and glasses. He wears a stripy shirt and has a fluffy collar coat that's patchwork of black and white polka dots, and patchwork shorts and mismatched loafers. His symbol is a black and white crossbones. End ID]
👑😈🐍☠️
This from like... May? I think? It got lost in the 1k of my drafts (a lot I know) But I was thinking about redesigning them yet again! so expect that at some point too lmao.
people actually went on about how game of thrones made it socially acceptable to be a fantasy nerd, as though the lord of the rings movies hadn't been released less than a decade earlier and left far greater cultural ripples and i am just
got may have made the adults feel better about liking fantasy, but lotr got into the kids' heads when they (we) were just young and impressionable enough to be absolutely transported and emotionally rewritten by don't you leave him, samwise gamgee and my brother, my captain, my king and and rohan will answer
lotr was rewriting entire generations' brain chemistry long before asoiaf and so obviously it's not fair to compare any post-lotr fantasy novel to it, and each book series was trying to do different things within their own spheres and so that also is not a fair comparison, but in terms of the cultural impact of the adaptations that came out within a decade of each other, saying that it was game of thrones that made fantasy mainstream is baffling
game of thrones could only run because the lord of the rings movies laid the path, and i will die on this hill
Bullet train fanfiction is in shambles I love Tangerine as much as the next guy but sometimes you just need to see a middle-aged alcoholic and a morally bankrupt teenager locked in eternal combat
I'll never understand how some fans are so incredibly willing to just be okay with "it happened in a timeskip" to excuse bad writing lol. Like "oh yeah these two characters who have been enemies for like four seasons of a TV show had their entire reconciliation OFF SCREEN in the time skip between episodes right at the end so it works" or "oh yeah this character who was left basically broken had their entire growth and development where they came to terms with the thing that broke them in the time skip so it works" kind of stuff. Like that's literally the ENTIRE emotional climax of a story that's been building for a while and you're FINE with not getting to actually SEE IT???
see more likely than not q!tubbo's actions aint gonna do shit and its not even gonna be serious attempts to break fitpac up itll be the cartoonish hijinks devolving into slapstick comedy
but the reasoning behind it all..... the reason he wants to do this....... That is what is making me go insane
watching two dozen interviews of wes ball talk about how he made the maze runner movies is genuinely such a pleasure to watch. it's so so clear that he deeply loves the content of the maze runner books while still understanding that they're fucking insane and makes next to no sense. the vision he has for the movies are unparalleled, the way he slims down the books while still upping the character moments is so impressive!! he was able to capture the heart of the series while still making it really accessible to a general audience. it has a clear trilogy feel to it, which a lot of trilogies do NOT have. and the best part is the cast LOVES him, you can tell just by the way they describe and poke fun of wes that this project would NOT work without him. also the way the cast NEVER talks about dashner is so fucking good. they're like 'omg there's wes, the genius, doing a one man show haha so silly, ily wes' and then it hard cuts to someone being like 'james is on set a lot.'