#this really is one of those things where if you want advice

[jo-speaks]

good graces ft. quinn hughes

in which…

quinn hughes realizes you'll be okay, with or without him.

warnings: MDNI. brief smut (again, it's like a paragraph), mature language, mentions of cheating, and i think that's all.

track three in short n' sweet (hughes brothers version) series!

When I love you, I'm sweet like an angel

Drawin' hearts 'round our names

And dreamin' of writing vows, rockin' cradles

“What’re you doing?” Quinn asked, wrapping his arms behind you as you shut the oven door, leaving the sweet treat you made to bake.

You took off your oven mitt before sighing and leaning back into his hold. “Baking cookies. You said you wanted some this morning, right?

He let out a soft laugh, “Yeah. How did you hear that though?”

“It’s not like you’re quiet when you’re on the phone with Conor.”

Quinn rolled his eyes playfully, dismissing your comment about how comfortable he was when talking to his teammate. He set one of his hands to lean back against the kitchen island where he felt a piece of paper under his palm. He furrowed his eyebrows, creasing the sheet slightly to pick it up. 

After a quick examination, he realized it was the recipe you had written down for the cookies. In the top corner of it, he saw his initials next to yours, enclosed in a heart. Quinn felt a warm feeling in his chest knowing you had done that, not caring if he saw it or not.

He held the paper in front of your face, which you had buried in the crease of his right elbow. “What’s this?”

You traced your eyes over the paper, “The recipe for the cookies? Don’t tell me you can’t read all of a sudden.” He gave you a thin-lipped look before tapping his finger over the childish drawing causing your eyebrows to lift in realization. “Oh, that. Got bored, thought it was cute. Something we could show the kids.”

Now it was his eyebrows that rose, “Kids? Like our kids?”

“Yeah, two of them. One of each. We can have them after our billion-dollar wedding.” You stated that like it was the most obvious thing in the world. 

Quinn knew you weren’t entirely serious. The two of you had this conversation a few months ago and he knew you wanted him to focus on his hockey career while you focused on your career. You both agreed you didn’t want to rush into anything until you were settled. And since Vancouver had been his home for 6 years and yours for 5 of those when you decided to move in with him, maybe it was time to start putting down those roots together.

Don't mistake my nice for naive

“Y/N, please. You’re being ridiculous. You were the one who told me to come in the first place!” Quinn called out to you as you walked away from him.

You stopped and turned back to face him, “Because I thought you’d have fun celebrating with your team here! Not flirt with the bartender the whole night!”

He rolled his eyes, setting you off even more. “I wasn’t flirting with her! I was getting Brock his drink!”

“Whatever, Quinn. I’m going home.” You sighed, not wanting to continue arguing with him in front of a bunch of people.

“I wasn’t flirting.” He mumbled, defeated.

You almost felt bad for reacting the way you did, but you knew him. The half smile and constant nodding all while keeping his eyes on her lips as they moved. 

You weren’t stupid.

I don't waste a second, I know lots of guys

You do somethin' suspect, this cute ass bye-bye

Like, ooh

Baby, you say you really like it being mine?

So let me give you some advice

After the whole bar argument, you decided to repay the favour a few days later when you had gone out to that same bar with your girlfriends. The same night you knew the Canucks would be celebrating their victory there. You watched the door attentively before a tap on your shoulder caught your attention.

“Y/N, this is Josh. He thought you were cute!” Was the only thing your friend said before walking away. The stumbling in her steps was the only thing you needed to explain the situation. 

Josh rubbed the back of his neck awkwardly as he placed his drink down on the bar and took the seat next to you. He cleared his throat, “Hey. Pretty interesting friend you have there.”

You snorted, “Tell me about it. You should see her sober, she’s still the same way.”

He laughed, “So, what’s a pretty girl like you doing sitting alone?”

Before you could answer, you heard the bar erupt in whistles and clapping. You didn’t even have to turn your head to know who had walked in. Josh glanced over your shoulder, getting a view of the team himself. His focus came back to you when you tilted your head to interrupt his view. 

“Sorry.”

“It’s fine. But to answer your question, I’m just here because I’m pissed at my boyfriend.”

You noticed his face drop before returning to the way it was before, “No way. I’m here because I’m pissed at my girlfriend!”

Your eyes widened at his confession, letting out a small chuckle. “Yikes, you’re an asshole.”

“Yeah?” He propped his arm on the bar, “How are you not?”

“Well for starters, I’m not approaching anyone. Second, my boyfriend just got here, so he knows where I am. And it doesn’t take a genius to know that your girlfriend has no idea where you are.” You answered, seeing the team take a seat at the tables next to where you were sitting.

As Josh sat in front of you, stunned at your words, you caught your boyfriend's eyes. He took a double take, not realizing it was you the first time. You looked away, bringing your attention back to the man in front of you as Quinn kept his on you.

“Who’s your boyfriend?” Josh asked.

You smirked slightly, “Quinn Hughes.

Josh’s eyes widened, “Bullshit.”

Shrugging your shoulders, you placed a hand on his shoulder, pulling him closer so you could talk in his ear and look over it to lock eyes with Quinn. “Don’t believe me? You’ll see who walks over to you when I leave.”

You backed up and got off your stool, heading to the bathroom as you kept eye contact with your boyfriend as you passed him. After you did, you heard him get up, his footsteps going the opposite way from where you were heading.

~

“What the fuck was that,” Quinn grumbled as he got into his car.

You shrugged your shoulders, “I have no idea what you’re talking about.”

Quinn scoffed, “This is fucking gold, Y/N. You were all over my ass for doing the same shit on Tuesday, but when you do it’s all good.”

“Yeah, no. See, the difference between what I did tonight and what you did earlier this week is that I actually wasn’t flirting, I just wanted you to see what it was like to feel how I did when I saw you actually flirting with someone else.” You retorted, knowing how ridiculous the words coming out of your mouth sounded to him.

Yet on some level, Quinn knew you were right. He sighed before reaching over the center console to take hold of your hand. 

“I’m sorry. I wasn’t sober, but I still knew what I was doing. I don’t want to lose you over this, so please tell me what I can do to make it up to you.” He whispered.

You turned to look at him, “You like being my boyfriend?”

He nodded.

“Then don’t lie to me.”

Boy, it's not that complicated

You should stay in my good graces

Or I'll switch it up like that so fast

'Cause no one's more amazin'

At turnin' lovin' into hatred x2

I won't give a fuck about you x3

That was cool

I won't give a fuck about you (Oh) x3

Yeah

“She’s the last person I’d want to piss off,” Jack told his brother over the phone as Quinn finished up telling him the whole bar fiasco the two of you had gone through a month ago. 

“Tell me about it. I’m not just saying this because she’s my girlfriend, but she’s literally always right. It’s getting scary.” Quinn confessed, pulling his car into the parking garage of the apartment complex.

Jack sighed, “Well, shit. Good luck with that, bro. Lukey’s calling you later, I gotta go.” 

Quinn said goodbye to his brother, hanging up the phone as he stepped out of his car, grabbing the bouquet of flowers he had gotten you for no reason. After the whole situation, he knew he couldn’t only make it up with verbal apologies. So he went old-school, settling for getting you flowers whenever he felt like they were needed. 

He stepped into the elevator, rocking back and forth on his heels as he reached your floor, walking out the second the doors opened. 

As he unlocked the front door of your shared apartment, he could hear you talking in the kitchen. 

“Yeah, I don’t know. I didn’t want to forgive him, but he’s making up for it.” You said to whoever you were talking to over the phone. 

Quinn stepped in quietly, your back still turned and your AirPods in your ears as you cooked dinner for the two of you. Still unbeknownst to you, Quinn walked to the hallway across from the kitchen, wanting to hear your conversation. 

Was it wrong to eavesdrop on you? Yes. Did Quinn know this? Also yes. Did he care? Not really. 

You let out a sigh, “Listen. He knows better than to do that to me. He also knows that I’m the last person he wants to fuck with because I can switch up incredibly fast. If he wants to cheat on me, he can go right ahead. But he knows damn well I’ll be out replacing him that same night.”

His face dropped. He knew that you were telling the truth, which is what scared him straight. 

“I don’t give a fuck if he wants to go out with Bella Hadid. If he does that without breaking up with me, I’m going straight to his mother and maybe even social media if I’m feeling petty enough.” You laughed, but there was nothing you were joking about. 

By now, Quinn wanted to ignore any woman that came his way.

“Don’t get me wrong, I love him so much. So much to the point where I would get down on my knee and propose to him. But, if so much as lies to me about anyone or anything, he’s gonna need a good lawyer.”

I'll tell the world you finish your chores prematurely

Quinn lined himself up in between your legs, pushing into you completely in one swift movement. You let out a breathy moan as your nails dug into his biceps. He didn’t move, letting not only you but himself adjust to the feeling. 

“Fuck, Q. You feel so good.” You mumbled, your brain foggy from the feeling of him being buried inside of you.

He mumbled something you didn’t quite understand before pulling out almost all the way before thrusting back into you completely. He did this a few more times before letting out a guttural groan, spilling into you.

This caught you completely off guard. Quinn had never finished this quickly before nor had he cum before you did. When he came to, he realized what had happened.

“Shit.” He mumbled, too embarrassed to move or even look you in the eyes.

You cleared your throat, pressing a soft kiss to kiss lips. “It’s fine, babe.” You pushed his body back, pushing him out of you. “I can just use my hand.”

He shook his head, finding his voice once again. “No, let me do it. I don’t- I don’t know what happened.”

Break my heart and I swear I'm movin' on

With your favorite athlete

Shoot his shot every night

Want you every second, don't need other guys

You were scrolling on your phone, swiping up on all the notifications you were getting from Instagram, seeing as you had just posted. 

Quinn was featured in a few of the pictures, drawing the attention of his friends and fans to your account. Your head was propped up on Quinn’s lap as you lay on the couch as he played his video game on the living room TV. 

One notification caught your eye as you furrowed your eyebrows seeing the DM request that had come through. 

‘rjosi90 wants to send you a message.’

“Hey babe? Who’s this?” You asked, turning your phone around to show him the account.

He paused his game, looking down to look. “You don’t know who Roman Josi is? He was that guy you met at the awards ceremony, remember?”

“Oh! The one you never shut up about!” You teased as soon as you remembered the name.

Quinn rolled his eyes, nodding at your words before resuming his game but keeping his attention on your conversation. “What did he send you?”

You opened the message, your eyes widening as you internally debated on telling him the truth, not knowing how he would react. But, you knew you wouldn’t want him lying to you if he got the same message from another woman, so you decided to be honest.

“He said he thinks I’m pretty and that you’re a lucky guy.” You read, eyes quickly flashing back to Quinn.

His cheeks were red and his eyebrows were knitted together. You looked at his hands, which were now gripping his controller so tight that his knuckles were going white. “Are you gonna respond?”

Hesitantly, you shook your head, “Not if you don’t want me to.” 

Quinn had never been an insecure person, but he wasn’t always confident. And your delayed reaction probably didn’t help. You let out a breath before grabbing the controller out of his grip and setting it to the side. 

You sat up, swinging your legs on either side of his lap and taking his face in between your hands. “Hey. I want you. Only you.”

You pressed a kiss on his lips which he barely returned out of his own frustration. Pulling back, you started to litter kisses all over his face in an attempt to cheer him up. Trailing from his lips to his cheeks, then to his jaw, and stopping on his neck. You sucked on a sweet spot that caused his hands to come up and settle on your hips. 

“I don’t want anyone but you, Quinn.”

You do somethin' sus, kiss my cute ass bye

As you stepped into his room, he quickly shut off his phone and turned it face down. You furrowed your eyebrows as you stood in the doorway.

“Am I interrupting something?” You questioned.

He shook his head rapidly, clearing his throat as he rubbed his hands together before walking over to you. “Just caught me off guard.”

You scanned his face. His cheeks were flushed and his face was sweaty. Not wanting the answer you thought it was, you gave him a look before speaking again. “Was just gonna ask if you wanted to watch a movie with me. But if you’re… busy, I can just watch it by myself.” 

Quinn cleared his throat, “Uh, yeah. Let me just do something really quick and I’ll be right out.”

You simply shook your head, walking out of his room and heading back to your room and laying down on your bed with your laptop in front of you as you curled up in a blanket waiting for your boyfriend.

Even though the two rooms were separated by a small hallway, the walls were still relatively thin. You heard his door open and close but his feet remained still. You could hear the noise of his phone keyboard in front of your door, typing one last thing out before he walked into your room.

“So what movie are we watching, pretty girl?” He asked, setting his phone on your bedside table.

You eyed his phone before looking at him, “Everything okay?” 

He gave you a confused look, “Yeah, why?”

“Sounded like you were typing something important.” You shrugged, not wanting to make a big deal out of what could be nothing.

But, his wide eyes told you everything you needed to know. You sat up, raising your eyebrows in a way that said “Tell me what’s going on.”

Quinn shifted on his feet. “My ex texted me. She was saying she wanted to meet me for dinner and…” He cut himself off.

“And what?” You pressed.

“She wants to try again.”

You scoffed, “Okay. What did you say?”

He took a breath before answering, “I told her about us and that I’ll pass on the dinner because I’m very happy with you.” The way his words came out, you didn’t fully believe him. Yet at the same time, his face and body language told you he was telling the truth. You could tell he was nervous telling you, but you knew he wasn’t lying.

You nodded your head, “Okay.”

“Okay? What does that mean? I can show you the texts if you want!” He rambled.

Pulling him down onto the bed with you, you wrapped the blanket around him as well before setting the laptop in a way where you could both see it while lying down.

“I trust you, Q. If you say that’s what you told her, I believe you.” You whispered.

Boy, it's not that complicated

You should stay in my good graces

Or I'll switch it up like that so fast

'Cause no one's more amazin'

At turnin' lovin' into hatred x2

I won't give a fuck about you x3

Oh, no

I won't give a fuck about you (Oh) x3 

Oh

No, I won't

I won't give a fuck about you, no, I won't

(I won't, I won't, I won't) x2

Quinn sat in the parking lot of Roger’s Arena. You had driven home early, wanting to beat the traffic seeing as the score by the middle of the third period was 0-4. 

The loss of the game and your going home early left Quinn thinking. 

You didn’t need him. 

Sure, you loved him and you loved living with him and the company and affection he gave you, but at the end of the day, you were completely fine being alone. 

The realization had Quinn wiping a few stray tears from his cheeks as he started up the engine of his car. He drove back in silence, hoping you’d be showering and in bed by the time he got home. 

As he focused on the scenery around him in the late hours of the night, that feeling of sadness fizzled into a feeling of relief. If for whatever reason Quinn left you, you would be okay. And now that he understood that, he became even more determined not to lose you.

Because regardless, Quinn Hughes didn’t want to live in a world where you weren’t his.

[covidsafecosplay]

Do you have any general advice about being Covid safe at conventions? I've been under the impression that visiting any con, big or small, masked or not, immunocompromised or not, is a big no-no, since it's a place where several people gather indoors.

I, personally, will not go to cons right now, and it's a big part of why this blog exists in the first place.

I live in a household of disabled people, one of whom has a respiratory disease, and it's just not worth the risk to any of us. We are 100% avoiding anything with crowds. We don't even go to the grocery store if we can avoid it, and thank our lucky stars we live somewhere that we can access reasonably-priced grocery delivery. People call us paranoid, but none of us have gotten covid once, so I have no real desire to change what we're doing.

Every time I think, "hm, local covid numbers are dropping, maybe I can go to something" there's another spike in infections, so I've just kind of...given up. I used to perform at the local medieval faire, my husband used to do burlesque, and my entire household was generally really big into the local performing arts scene. We gave up trying to participate in anything when it became clear nobody was interested in hosting or attending virtual events anymore.

That said, I know "everybody please just stop going to cons" isn't exactly an effective covid safety policy. The "get back to normal" urge is strong, and as much as it pisses me off, people are going to do what they're going to do. I also know multiple people who pretty much have to go to cons because their income depends on artist alley profits, or they're employed in the industry and have to make con appearances as part of their job. Cons are back in full-swing, for better or worse.

For those who have to go to cons, or just really, really want to and can't be swayed, I recommend reading through the People's CDC's Safer In-Person Gatherings Guide. It was originally published in 2022, but the information is good. It covers things that event organizers can do to make events accessible, as well as personal safety precautions attendees should take.

If someone is going to attend a con, they need to:

Check if the venue has upgraded ventilation and covid policies in place (if possible). If the venue has poor ventilation and nobody else is going to give a shit whether you catch covid, maybe reconsider attending that particular event.

Mask up using a properly-fitted, NIOSH-certified N95 or better for the entirety of the event. Wear it properly over the mouth and nose.

Avoid crowded indoor areas as much as possible, sticking to smaller groups in outdoor areas where available.

Stick to small, consistent groups you can contact after the event in case of exposure, instead of mingling in large crowds of strangers.

Get vaccinated and boosted in advance of the event.

Avoid high-risk activities for at least five days prior to the event.

Complete a daily symptom checklist leading up to the event.

Take a covid test the day of the event to ensure covid-free status.

Complete a daily symptom checklist for five days after the event. Test immediately if any symptoms present.

Take a covid test five days after the event, even if no symptoms present. Asymptomatic transmission is still possible.

If testing positive for covid, alert other attendees so they can get tested.

All this info is taken from the People's CDC link, which has become my go-to covid information resource. I and this blog are totally unaffiliated with them, but following their guidelines has helped keep my family 100% covid-free for the entire duration of the pandemic.

If anyone needs inspiration for covid-safe cosplay activities outside the convention scene, or ideas for making your covid mask match your cosplay, I have a post about that here. I also have a post with links to free mask patterns and tutorials here.

[epicbuddieficrecs]

Weekly Recap | September 15th-22nd 2024

AAAAAHHHHHHHHH it's season 8 premiere week baby!!!!!!!!

Complete

I Don't Like Your Boyfriend (I Think You Need a New One) by eightpackdiaz (Post-S7, BuckTommy Break-Up, Getting Together | 2K | Teen): Wine night at Hen and Karen's results in an adorably drunk Eddie demanding Buck come over and cuddle him in the middle of the night

So tell me if I run away, how long will I bleed? by Dark_Rosaleen (TW: Mention of rape/non-con Re: Dr. Wells | 3K | Mature): “Can we… can we back up a sec?” Eddie says, heart hammering because he can’t have heard that right. “Uh, yeah.” Buck says with a bemused expression. “You had sex with your therapist?” Buck frowns. Shifts in his seat a little. “Yeah.” “Buck, that’s—” Eddie stops. Breathes. “Buck, that’s not right.”

the cat's meow by 42hrb/ @exhuastedpigeon (Post-S7 | 4K | Explicit): Buck walked into Eddie's house and froze. “Is that a cat?” “Well it’s not a dog,” Eddie laughed, shifting so he was sitting up. Pinto made a dissatisfied little cooing sound as he moved, but settled in his lap once he was upright. “When the hell did you get a cat?” - Eddie adopts a cat and let's himself have good things.

Love & Other Surprises by JJK/ @trenchcoatsandtimetravel (Post-S7 | Getting Together | 4K | Teen): After going to collect Christopher from Texas, Buck and Eddie turn up to the firehouse wearing wedding rings. Everyone is understandably confused.

I Think I Want To Marry You by MajorKoalaTea (Wedding Proposal | 5K | Teen): Eddie Diaz wants to propose to Buck so he decides to ask Bobby and Athena for their blessing. The universe doesn't make it easy for him. A 5+1 fic where Eddie tries to get Bobby and Athena's blessing to propose and fails. Plus the one time he succeeds.

Reaching For You by Inell/ @inell (Soulmates AU, S4E14: Survicors | 5K | Teen): While getting Eddie to safety after a sniper attack, Buck realizes that they might be soulmates and has to make a difficult choice.

Sweet Talk by Daisies_and_Briars/ @cal-daisies-and-briars (Post-S7 | 6K | Teen): Eddie asks to crash at the loft while Christopher is gone, struggling to be on his own. Only problem? There's only one bed, and no couch.

🔥 by any other name by coldbam/ @coldbam (Post-S7, Jealous Buck | 7K | Explicit): “Eddie, this guy—he gave me my name.” Eddie’s eyebrows crease together. “Buck here is forgetting the full introduction.” Bailey steps forward and extends his hand to Eddie. “Evan Bailey, 178. I go by Evan now.” He winks, and he’s still got Eddie’s hand grasped in his, the handshake going on a lot longer than necessary. But Bailey always liked to make an impression, especially with— Well, especially with guys he thought were hot. * Eddie meets one of those other Evans from Buck's academy class. Buck is totally normal about it.

Friendly Advice by Inell/ @inell (Post-S7, Getting Together | 7K | Teen): When Ravi asks Buck and Eddie to have dinner with him, they don’t expect him to ask them for advice on how they remained friends after breaking up. The issue? They’ve never been a couple.

I’ll Take You All The Way, Boy Just Come Along by fruitsdoesnotknow/ @tayf-ghost (Different First Meeting AU | 8K | Teen): The Diaz boys are having a rough day. Lucky for them, they meet a firefighter at the 118 who's determined to do anything he can to make them smile. It works, it really, really works.

🔥 you ruined my life by not being mine by coldbam/ @coldbam (Post-S7, Eddie Coming Out | 8K | Explicit): Buck stands up so quickly he nearly knocks over his drink. “That guy just grabbed his ass.” Hen tugs him back down to his seat. “Yeah, and Eddie does not look mad about it. Chill out.” * Or, Eddie spends the summer finding himself while Buck is forced to watch.

all you're giving me is friction by hammersmiths/ @henswilsons (Canon Divergent, S2 | 8K | Teen): “Now that is a handsome man.” The first thing Hen notices about New Recruit Eddie Diaz is that he is in possession of a remarkable set of abdominal muscles. The next thing she notices is the wedding ring. And Buck is staring at him like a piece of meat. “Oh, nuh-uh,” she says immediately. “Don’t even think about it, Buckley.” or, Eddie is new, and married, and Buck won’t stop flirting. 5+1.

🔥I didn't know (that it could be good) by rainbow_nerds/ @rainbow-nerdss (Post-S7, FWB | 27K | Explicit): They're friends, that's all there is to it. Until Eddie lets himself into Buck's apartment unannounced, and finds him in a compromising position. That should be nothing, just something to laugh about down the line, except afterwards, it's like a switch has flipped, and neither of them can get it out of their minds. The solution? They need to get it out of their systems. Just one time, and things will go back to normal. But one time turns to two, which turns to more nights spent together than apart, and still, they haven't actually spoken about what any of this means for them. They're still just friends, right?

WIP

Gentle On My Mind by Daisies_and_Briars/ @cal-daisies-and-briars (Canon Divergent, Shannon Lives, Buck/Eddie/Shannon | 4/? | 26K | Explicit): In which Shannon lives, tells a lie, and sends hers, Eddie's, and Buck's lives down a very different path.

🔥 Any Other Way by Daisies_and_Briars/ @cal-daisies-and-briars (Canon Divergent, S2 | 19/21 | 96K | Mature): In a switcheroo alternate universe, Buck spends young adulthood in the military, while Eddie, who has no idea Christopher exists, spends his twenties messing around, finally enjoying freedom away from his family’s expectations. When they both end up in Los Angeles, at the 118, some things are different, and others will be the same in any universe.

🔥 go and kill, go and die by Daisies_and_Briars/ @cal-daisies-and-briars (Zombie Apocalypse AU | 7/14 | 32K | Mature): The 118 are a group of survivors in a small California town in the wake of a zombie apocalypse. For months they've been isolated and safe. But the arrival of some new players, the search for some missing loved ones, will shake everything up and put their little team in jeopardy.

Podfic

This Mortal Coil (Shuffle) by knuckledusters/ @danhalen // fic eirabach/ @eirabach (S6E11: In Another Life | 2-2.5h | Mature): Maddie was never supposed to be Buck’s mother. Eddie was never allowed to be his anything. But three minutes and seventeen seconds later, here they are. [Or, Maddie and Eddie wait, bond, and remember.]

Re-read

🔥 like a bird stealing bread out from under your nose by Daisies_and_Briars/ @cal-daisies-and-briars (Post-S7, Fix-It | 21K | Mature): If you’d asked Eddie back in May what rock bottom looked like, it was his son leaving him. That felt like it; everything ruined so entirely that there was no way to ruin it further. There’s always more to lose.

🔥 situations, circumstances, miscommunications ( i just may like some explanations ) by heartbeatdiaz / @lonelychicago (Didn't Know They Were Dating | 4K | Teen): "You didn't know?" Eddie asks, calmer but not less confused. He frowns. "How could you not know?" "You never said anything?" Buck tilts his head to the side. "We were dating?” “I guess not,” Eddie sighs. His heart is beating a little faster, an unpleasant buzz beneath his skin as he all but chokes on a feeling he can’t quite name— it could be hurt or disappointment or maybe a mix of both. In that moment, he knows three things very clearly. 1. Buck is going to be the death of him. 2. He is in love with the most dense, most oblivious man on planet Earth. 3. He is too gay and, honestly, too old for this shit.

How Come You Didn't Tell Me We Were Dating? I Didn't Know Either! by Sonayesul (Didn't Know They Were Dating | 6K | General): “Omigod, I’m in love with Buck,” Eddie said, burying his face in his hands. “I didn’t mean to cause a crisis,” Frank said. “I’m in love with Buck.” Eddie repeated. “I should not have assumed your relationship with him,” Frank continued on. “I’m in love with Buck.” He’s like a broken record. “Maybe we should end early today.” Frank suggested and Eddie weakly nodded. ~ In which case, Buck and Eddie have been dating for six months. Except neither of them got the memo.

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[yellowocaballero]

how do you come up with your ideas?

Augury, mostly!

Haha, but no. Everybody has their own story ideas in their own ways. Mine would be no good to anybody else. I can only recommend the same thing that would generate any stronger story - consume a lot of highly diverse books, shows, movies, news, etc. Watch Hellraiser and the Seventh Seal back to back and have the weirdest dreams of all time. A lot of my stuff is built off a place of "this is a retro Kid's WB cartoon!" or "this is a Disney Channel Original movie!" or "this is a satirical war novel!" or "this is an issue of a vintage comic book run!". I have a PBS kid's programming Zoboomafoo-type idea in my head that would only work in a webcomic form that I can't write and it makes me SO ANGRY that I can never realize this vision.

In terms of me, personally, and how things end up working for me. Jokes with friends, overwhelmingly. Very often one idea will spring another - for example, I think I got the idea for New Wave when I was writing the prophetic spring and I ended up constructing a Steph & Bruce relationship that was a) really interesting and fun to write, and b) made me think about how Steph would have been fucking perfect as the first Robin for a million reasons. Covid puppy story was really as simple as a "What if...?" about a Batman arc in the 90s, plus a lot of jokes. Mostly jokes. TBH, most of the time, reading/watching something and going "this is funny, but it would be much funnier if...". Most of my fic is from consuming something I find vaguely mediocre yet enjoyable and riffing on it relentlessly until an actual full concept emerges. So often my brain is just "I want to write Spider-Man 2099 fic but I don't know WHAT to write" and I just have to. Wait til I find a good idea. Shit just happens.

But also I can't explain much. I read a volume of the origin story of Green Lantern Kyle Rayner and then my younger sibling woke up to 80 Discord messages about my perfect complete redo of Kyle Rayner and how I would write the best Green Lantern four season TV show of all time.

It would fuck. By the way. It would fuck hard.

[brittlebutch]

actually, having a kind of revelatory moment here of if HRT was something i have been considering for this long, but has remained inaccessible to me, then that means i Do actually have opinions about my appearance/presentation, so just because i can't take That Particular step doesn't mean that there aren't plenty of other avenues i could be pursuing (ie, clothing/accessories/etc.) that i just haven't let myself up until this point. like i don't have to shove it All aside just because there's one thing i can't get -- I'd probably still wind up a lot happier if I took those other steps I've spent all these years ignoring

[lightdancer1]

See the further irony is:

That in using 'Mall Goth Sauron' as the take on Dark Willow over 'misogynist has character randomly killed for LULZ' it also allows for greater accountability on the one hand and for Season 7 to thematically focus on repairing all this damage in the midst of facing an enemy of shadows reliant on lies to further itself. The only way to break the Druj is the absolute Truth in a very Zoroastrian sense. Characters don't get to neatly skip past accountability for their actions, and this would spiral over into further later seasons with the essential reality that in an otherwise lower-level setting this one random girl from California is a Dark Phoenix-tier reality warper and the most powerful person on the planet, or the universe.

And the questions of how that power could and should be employed on the one hand and that Willow is essentially a Doctor Strange type who beats up Gods and Eldritch Abominations for her regular line of work where her counterparts deal with the more 'street level' crises would in turn be the logical conclusion of where the show ends. She doesn't do as much physical fighting for the same reason that Stephen Strange never uses magic to go punch the Hulk in the face, her narrative role is ultimately that of Sorceress Supreme of Earth, with literally nobody in an ancient established war anticipating that this one random ginger from California was and is the new Sorceress Supreme and that if they had had such awareness the realities are that this power would and could have taken worse forms.

Unfortunately for the world, the reality too is that it is a shy computer geek who has a not at all subtle dark side and the usual teenage anxieties and insecurities given the equivalent of being able to reliably actually do things other people might dream of but can never do.

But again as long as Dawn Summers being a good thing is a narrative convention that's established memory magic is a poor choice to show the corrupting effects of reality-warping. It's a case of 'yes as established in canon all of this is true for that one season but then they decided to retcon it, so the fans are not obligated to care about it any more than the canon does about this itself.'

[silverislander]

i have 7 assignments, total, left in school. once i finish those i'm going to be done- i graduate in may which is WILD to think about. i just have to fucking do them

[chickenhoops]

Sorry for double posting but APPARENTLY those commission scammers have showed up on Tumblr at least for the first time for me.

For those who don’t know what I am talking about, there were/are commission scams going on in Instagram and even places like Artstation where people would pretend to be interested in your work and try to commission a pet or portrait for the sake of trying to get your bank details. Here’s how to (somewhat) sniff them out:

1- They don’t seem to be an average customer/ person that would be involved in your fandom, or has a blank template for an account or don’t even follow you.

2- They ask you to draw a portrait or a pet picture either for themselves or their children/family.

3- They promise to overpay you (in the hundreds) and do not listen to you even if you firmly state the price is cheaper.

4- They are constantly asking for your email name, or private details regarding things like banking details or passwords or other private information others should not know.

5- They try and over reassure you they mean no harm, try to guilt you into giving them the info, or become aggressive over you not giving them what they want.

What should you do if you come across one of these guys? My best advice is to block and report. Sadly these people jump account to account so there isn’t really much to do other than spread this info to prevent artists from being scammed.

[cleolinda]

AITA for banning my husband and father in law from the delivery room due to their intensely stressful/creepy behavior during my pregnancy?

There’s a famous Reddit post from 2020 where a pregnant woman wrote that her husband and father-in-law were a little too comfortable with their certainty that she was absolutely going to die in childbirth just like her husband’s late mother. It was to the point where her FIL was insisting that she go ahead and put all her clothes into storage, because she was obviously going to die in the hospital and it would save them the grief of packing up her things afterwards. Like. It was WILD.

When I tell my husband [that she feels suspicious of her FIL], he calls me paranoid, but I feel like my FIL WANTS me to die; his whole life identity for the past 35 years has been “amazing single dad” (never dated or had close friends or even hobbies really), and it seems like he’s looking forward to being able to guide my husband through what he went through. At this point, I’d honestly be happy to never see my FIL again, and I certainly don’t want him in the delivery room, especially since he told me he was “putting [his] foot down” about me not being “allowed” to have an epidural…. My husband, in addition to backing his dad on everything, acts like my due date is my death date, and has completely pulled away from me.

The commenters (and me, honestly) were convinced that the husband and FIL were either going to kill her outright to fulfill this expectation, or just make decisions about her care that might conveniently let her die.

And then she never posted again.

Over the last four years, people have frequently mentioned that post, always leading to a thread of people saying, “Oh god, I still worry about that woman.” I did too. It became one of those famous unresolved posts that people always wondered about.

Until yesterday, when someone on r/BestOfRedditorUpdates dug up a 2022 update she had posted on a different account:

TLDR; I had a beautiful and healthy baby girl, and I divorced my ex-husband. I lived, obviously.

She writes that she put her foot down about having her own mother in the delivery room rather than her FIL (!), and she WOULD be getting an epidural. Her husband lost his shit. And in his outburst, he let slip--

I admittedly lost my temper, and told him that I wasn’t going to die- it wasn’t my fault his father’s trauma wormed it’s way into his head, and that he needed to fix it without taking it out on me. He yelled at me that he didn’t need therapy. That caught me a little off guard; I asked him why he went to his therapist and was given advice about my death if he felt he didn’t need it. His expression gave it away, and he caved not long after. It turns out there was no therapist. It was just his dad. During the times he was supposed to be at therapy, he was with his dad. I’m still fuming.

And that was when she got the fuck out.

I’ll wrap this up- I’ve got an adorable little toddler tugging at my leg atm. I’m alive, I’m happy, and I’ve got my baby in my arms. Life is good.

I truly never thought we'd see a resolution to this, and I feel like there's probably a good number of people who remember it, so I thought you might want to know.

ETA: Brilliantly, I put the link in at the top; here it is again for convenience.

[insertdisc5]

🎮 HEY I WANNA MAKE A GAME! 🎮

Yeah I getcha. I was once like you. Pure and naive. Great news. I AM STILL PURE AND NAIVE, GAME DEV IS FUN! But where to start?

To start, here are a couple of entry level softwares you can use! source: I just made a game called In Stars and Time and people are asking me how to start making vidy gaems. Now, without further ado:

SOFTWARES AND ENGINES FOR PEOPLE WHO DON'T KNOW HOW TO CODE!!!

Ren'py (and also a link to it if you click here do it): THE visual novel software. Comic artists, look no further ✨Pros: It's free! It's simple! It has great documentation! It has a bunch of plugins and UI stuff and assets for you to buy! It can be used even if you have LITERALLY no programming experience! (You'll just need to read the doc a bunch) You can also port your game to a BUNCH of consoles! ✨Cons: None really <3 Some games to look at: Doki Doki Literature Club, Bad End Theater, Butterfly Soup

Twine: Great for text-based games! GREAT FOR WRITERS WHO DONT WANNA DRAW!!!!!!!!! (but you can draw if you want) ✨Pros: It's free! It's simple! It's versatile! It has great documentation! It can be used even if you have LITERALLY no programming experience! (You'll just need to read the doc a bunch) ✨Cons: You can add pictures, but it's a pain. Some games to look at: The Uncle Who Works For Nintendo, Queers In love At The End of The World, Escape Velocity

Bitsy: Little topdown games! ✨Pros: It's free! It's simple! It's (somewhat) intuitive! It has great documentation! It can be used even if you have LITERALLY no programming experience! You can make everything in it, from text to sprites to code! Those games sure are small! ✨Cons: Those games sure are small. This is to make THE simplest game. Barely any animation for your sprites, can barely fit a line of text in there. But honestly, the restrictions are refreshing! Some games to look at: honestly I haven't played that many bitsy games because i am a fake gamer. The picture above is from Under A Star Called Sun though and that looks so pretty

RPGMaker: To make RPGs! LIKE ME!!!!! NOTE: I recommend getting the latest version if you can, but all have their pros and cons. You can get a better idea by looking at this post. ✨Pros: Literally everything you need to make an RPG. Has a tutorial inside the software itself that will teach you the basics. Pretty simple to understand, even if you have no coding experience! Also I made a post helping you out with RPGMaker right here! ✨Cons: Some stuff can be hard to figure out. Also, the latest version is expensive. Get it on sale! Some games to look at: Yume Nikki, Hylics, In Stars and Time (hehe. I made it)

engine.lol: collage worlds! it is relatively new so I don't know much about it, but it seems fascinating. picture is from Garden! NOTE: There's a bunch of smaller engines to find out there. Just yesterday I found out there's an Idle Game Maker made by the Cookie Clicker creator. Isn't life wonderful?

✨more advice under the cut. this is Long ok✨

ENGINES I KNOW NOTHING ABOUT AND THEY SEEM HARD BUT ALSO GIVE IT A TRY I GUESS!!!! :

Unity and Unreal: I don't know anything about those! That looks hard to learn! But indie devs use them! It seems expensive! Follow your dreams though! Don't ask me how!

GameMaker: Wuh I just don't know anything about it either! I just know it's now free if your game is non-commercial (aka, you're not selling it), and Undertale was made on it! It seems good! You probably need some coding experience though!!!

Godot: Man I know even less about this one. Heard good things though!

BUNCHA RANDOM ADVICE!!!!

-Make something small first! Try making simple: a character is in a room, and exits the room. The character can look around, decide to take an item with them, can leave, and maybe the door is locked and you have to find the key. Figuring out how to code something like that, whether it is as a fully text-based game or as an RPGMaker map, should be a good start to figure out how your software of choice works!

-After that, if you have an idea, try first to make the simplest version of that idea. For my timeloop RPG, my simplest version was two rooms: first room you can walk in, second room with the King, where a cutscene automatically plays and the battle starts, you immediately die, and loop back to the first room, with the text from this point on reflecting this change. I think I also added a loop counter. This helped me figure out the most important thing: Can This Game Be Made? After that, the rest is just fun stuff. So if you want to make a dating sim, try and figure out how to add choices, and how to have affection points go up and down depending on your choices! If you want to make a platformer, figure out how to make your character move and jump and how to create a simple level! If you just want to make a kinetic visual novel with no choices, figure out how to add text, and how to add portraits! You'll be surprised at how powerful you'll feel after having figured even those simple things out.

-If you have a programming problem or just get confused, never underestimate the power of asking Google! You most likely won't be the only person asking this question, and you will learn some useful tips! If you are powerful enough, you can even… Ask people??? On forums??? Not me though.

-Yeah I know you probably want to make Your Big Idea RIGHT NOW but please. Make a smaller prototype first. You need to get that experience. Trust me.

-If you are not a womanthing of many skills like me, you might realize you need help. Maybe you need an artist, or a programmer. So! Game jams on itch.io are a great way to get to work and meet other game devs that have different strengths! Or ask around! Maybe your artist friend secretly always wanted to draw for a game. Ask! Collaborate! Have fun!!!

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[mccromy]

The Shen Jiu & Shen Yuan dynamic I need to see more of is Shen Jiu coming to see Shen Yuan as a father figure, perhaps even a mother figure. And not in the way you think.

We are always talking about Shen Yuan's wife beam, but we don't talk about his mommy beam. I think Shen Jiu could resist the wife beam if subjected to it, but I don't believe he has any defense against the mommy beam. Now, I'm not talking about Shen Yuan transmigrating earlier than canon, meeting a child Shen Jiu and adopting him.

I'm talking about Shen Yuan transmigrating after Shen Jiu has already taken over Qing Jin peak. I'm talking about 21 year old Shen Yuan transmigrating into the body of a nameless rogue cultivator, meeting fully grown man already in his thirties Peak Lord Shen Qingqiu, and hitting him with his mommy/daddy-issuesinator and causing him a life threatening Qi deviation.

Shen Qingqiu can't help but trust him, and eventually looks up to him, sees him as a wise elder he seeks out for advice. He fucking hates it but he can't help himself. This homeless man he met in the forest is the closest thing he's ever had to a father. Also. He sort of wants Shen Yuan to breastfeed him in a, and he means this, non sexual way and he can't cope with that. He would just feel so safe!!

Shen Yuan, 21 years old, rogue cultivator, first time transmigrator and the father who stepped up, thinks he befriended the scum villain, and maybe? He can be a good influence on him? Be a good friend and guide him towards a fully limbed future. He's practically raising him but nobody tell him that.

Shen Jiu lost his childhood to slavery and his teenage years to violent madmen. and now he's behaving in ways he doesn't understand. He once lost sight of Shen Yuan in the town's market, ran towards a man who looked exactly like Shen Yuan from behind, and almost had a panic attack when the man turned out to be a stranger. It's all good because Shen Yuan found him before he started swinging Xiu Ya ("Have you seen my friend? He's this tall, clearly traumatized, but we haven't had the talk")

People think they're lovers at some point because Shen Jiu is quite possessive of Shen Yuan's attention, but everybody realizes that there's something way more innocent, and also weirder, and worse, going on between them when Shen Yuan drags Shen Qingqiu by the hand to apologize to the sect leader for being so rude when poor A-Yue is trying his best, and stands there with arms crossed, eyebrows raised, until Shen Qingqiu mumbles an apology, glances at Shen Yuan, and runs away.

"I'm sorry about that, Sect Leader Yue, he's had a bad day. I'm sure he didn't mean it."

Yue Qingyuan, someone who did actually sort of raise Shen Qingqiu, who's stood in Shen Yuan's shoes before, extracting reluctant apologies from a sullen Shen Jiu, to authority figures so he wouldn't get in trouble, is overcome by an intense, never before experienced wave of jealousy, so sudden it makes him spit vinegar flavored blood.

Then, a panicked Shen Yuan accidentally hits him with the mommy beam by accidentally adopting him (trying to befriend this guy who clearly needs a friend he can confide in!). And now he's placed himself in the young step-mom role who's desperately trying to bond with her new husband's teenage children but they're wired to not like her! (He used those exact words when explaining to Shang Qinghua where that new tension he has with the Sect Leader came from)

Liu Qingge is afraid of him. Maybe. He runs away when their eyes meet but he keeps leaving dead things at his feet so like, he's probably threatening him? He feels intimidated by him? Or something?

(Liu Qingge thinks Shen Qingqiu's older brother is so cool and really wants to hang out with him, but if Shen Yuan calls him Didi one more time Liu Qingge's barely held back "Yes, Gege?" Is going to jump out of his mouth and he WILL Qi deviate and EXPLODE)

When Binghe enters the equation shit gets a lot weirder.

First, he believes Shen Yuan to be Shen Qingqiu's neglected spouse (Shizun keeps leaving his poor wife alone when he goes out on night hunts and to visit brothels! Shen Yuan has needs!! He should be with someone who cherished him!! Someone who would treat him as he deserves to be treated, someone who'd wait hand and foot on him!!!) needless to say, Luo Binghe's teenage fantasies take on an even more illicit turn than in canon (it goes from "STERN TEACHER POUNDED BY STUDENT AT BAIZHAN TRAINING GROUNDS" to "NEGLECTED WIFE CHEATS WITH STUDENT ON HUSBAND'S BED!! IMPREGNATED WHILE HUSBAND IS AWAY")

Luo Binghe, of course, does his best to seduce him, but ends up being coddled and cuddled.

"it's like I'm his handmaiden, his shadow, the only witness to my lady's heartbreak at her husband's cold regard and indiscretions. Shizun won't spare him a moment if not to discuss cultivation or business! He won't allow Shen Yuan more than a head pat! and move away from any other touch! How ungrateful! They don't even share a bed! I brush his hair, I dress him every morning, I pour him tea and he lets me rest my weary head on his lap. The intimacy we share is not sexual, but Ning-Shijie, I wish it was! I saw the outline of his dick yesterday and I need it!"

"A-Luo please stop talking."

Then, he realizes he misunderstood. Shen Yuan is a cultivator so of course he looks so young! Shen Yuan is clearly Shen Qingqiu's father. He's constantly worried for his un-filial son and remains by his side!! That explains everything!!!(LONELY DILF RIDES YOUNG MAN ON QING JING'S LIBRARY!! HE WISHES YOUNG MAN WAS HIS SON!!!!)

He goes from trying to steal Shen Qingqiu's wife to steal his father. He could be Shen Yuan's friend, lover, and son. His student. His confidant. His silly rabbit.

Shen Qingqiu KNOWS this. But nobody will fucking believe him!! The jiejies at the pavilion giggle and tell him he must be exaggerating, and when he went to Yue Qingyuan so he could intervene and fix it, Yue Qi just looked at him dead eyed and said to "Let him." !!! Let him what?? Deflower our father Qi-Ge??? Shame on you!! That beast is trying to break this family apart!!

But wait!!! look!!! a crack opened in the fabric of space and reality, leading directly to hell. Wouldn't it be a shame if someone were to, accidentally, drop kick this homewrecker inside it?

Luo Binghe is gone when Shen Qingqiu realizes oh wait, that was a demon mark on his forehead wasn't it. Oh good, now he has an excuse. Baba will understand.

(Baba doesn't understand. Baba acts as if he's lost his soul and won't look him in the eye. He's also growing mushrooms bodies in the garden, and added a drop of Shen Qingqiu's blood in the seeds before planting? Which is odd. but at least if he's gardening then he's not staring at that swordmound for hours on end)

I don't even know where I'm going with this

[dduane]

I just received a copy of a book I've been very much looking forward to by a favorite author, but the quality of the book itself is... not great. Cheap paper, weak binding, even a weird illustration of the main character on the cover that I'm having trouble believing the author approved. Obviously, I don't want to leave a bad review on Amazon or GoodReads or anywhere, as I'm 100% certain the content is as excellent as her other work. But how can I best let the publisher (Baen) know I'm disappointed without threatening to never buy her books again? Because, well, if this is the only option, I'm gonna keep buying them even in my disappointment.

Well, the first thing I thought when I read this was "Wow, I'm really glad I don't have anything in print from Baen at the moment except a couple of anthologized short stories." :)

As for the rest of it, let's take it point by point.

Adding a cut here, because this will run a bit long. Caution: contains auctorial bitching and moaning, painful illustrations of cases in point, and brief advice on how to complain most effectively. (Also links to paintings of cats.)

Cheap paper: This has been an accurate complaint since well before COVID—and it's often been worse since, with supply chain issues also being involved. That said: one way publishers routinely save money on printing books, especially the bigger ones, is by going for thinner/cheaper paper. I remember one of our UK editors going on at great length and with huge annoyance—during one of those late-night convention-bar bitch sessions—over how the only way they could get some really good books published (because Upstairs insisted on reducing the per-copy production costs) was by reducing the paper quality to the point where you could nearly read through it. Sacrificing decent text size(s) also became part of this. Nobody in editorial was happy about the result: but there wasn't much they could do.

Bad bindings: Similar problem. Sewn bindings used to be a thing in paperbacks... but not any more: not for a good while, now. These days, it's all glue. Even hardcovers are showing up glued rather than sewn. Don't get me started. :/ (This is why I so treasure some of the oldest paperbacks I've acquired, which are actually sewn.)

Crap covers: I've had my share of these—though my share of some really good ones, too. And one of the endless frustrations of traditional publishing is that the writer routinely has little or even no influence over what the cover will look like... let alone how much will be spent on it, or (an often-related issue) how good the execution will be.

There are of course exceptions. If you're working at the, well, @neil-gaiman -esque level or similar in publishing, a lot more attention is going to be paid to your thoughts. You may even be able to get "cover veto" written into your contracts, so that if you disapprove, changes will get made. But without actual contractual stipulations, the writer has zero legal recourse or way to withhold approval. (And I bet even Neil has some horror stories.)

The normal workflow looks like this. After a book's purchased, its editor and the art director discuss what it's about and what the cover should look like. The art director then hires an artist and tells them what to do. After that, the artist executes their vision and gets paid. It is incredibly rare for a writer to have any significant input into this process. And as to whether or not they approve of the final result, well... the publisher mostly just shrugs and goes back to eyeing the bottom line, muttering "Who told them they get a vote?"

Now, I've been seriously lucky to occasionally be an exception in this regard. In particular, my editors at Harcourt (when Jane Yolen and Michael Stearns were editing Harcourt's Magic Carpet YA imprint) would ask me what I thought would be a good idea for the next Young Wizards cover, and I'd think about it a bit and send them back a paragraph or so about some core scene. They'd then talk to their art director, and after that send their notes and mine to Cliff Nielsen (who started doing the covers for the hardcover and mass-market paperback editions of the series in the mid-90s) or to Greg Swearingen (who was the artist on the digest-format editions). And the results, by and large, were pretty good. ...I also think affectionately of the UK artist Mick Posen, who insisted on seeing pictures of our cats before painting the covers for the Hodder editions of The Book of Night with Moon and On Her Majesty's Wizardly Service (the UK title for To Visit The Queen).

But this kind of treatment is a courtesy—not even vaguely suggested in the books' contracts, and very much the exception to the rule. And for every writer who's midlist, there are times when the luck runs out. For example: one time I wrote a book that was an AU-Earth-near-future fantasy police procedural, thematically pretty dark—dealing with issues of abuse of megacorporate power, institutionalized bigotry, and (explicitly) attempted genocide. And the cover, done by an artist who's a good friend and some of whose fabulous art hangs in our house, came out looking like this. It was... let's just say "not ideally representative."

So I was glad, when my local workflow allowed it, to recover the current, revised version of the book with something at least a little more apropos. But the original cover's not the artist's fault. He did what the art director told him... as a cover artist must do to get paid, and (ideally) to get hired again. At present, that's how the system works.

...So. You've got a badly-built and -presented book on your hands. How best to make your feelings known in some way that might make a difference down the line? (As you make it plain that you'll keep buying this author's books this way if you must.)

First of all: when (as part of my psych nursing training) we were taught how to complain most effectively, we were told that the first and most basic rule of the art is this:

Only Complain To Someone Who Can Actually Do Something About Your Problem

So I salute your desire not to waste your time taking the issue to the reviews on Amazon, or the pages of Goodreads... because they can't do anything. The odds that anyone from production at Baen is reading the comments there strike me as... well, not infinitesimally small, not being hit-by-a-meteorite-while-in-the-shopping-center-parking-lot small... but really low.

So: write to corporate.

In your place I would go online and rummage around a bit to find out who's on record as the publisher at Baen. I would then write them a letter on paper. And I would lay out the problem pretty much as you laid it out up at the top.

The tone I think I'd choose would be the more-in-sorrow-than-in-anger approach. I'd say, "I write to comment about your recently published book by [X Writer], whose work I love. I have to say, though, that I don't think the cover on [X Book] is terribly representative of the quality of the prose inside. And also, the construction and production quality of the book itself was a disappointment to me because [here spell out why].

"I'd really like to see [X. Writer's] books succeed with you, and I'd like to buy more of them without wondering whether I was going to be disappointed again. But if this is typical of how they're being produced, I'd also be concerned that the state of these books is setting up a situation in which the author's sales will be damaged, and you would stop publishing them... which would really be a shame. Whereas on the other hand, better production quality could keep previous purchasers coming back and buying, not only more books by this author, but books by others whom you publish."

This phrasing, as you'll have seen, walks a bit wide around the issue of your further purchases, while directing attention toward the bottom line... which will routinely be what the publisher's looking at from day to day. And—being, one has to hope, in possession of the wider picture as regards what's going on with their production costs—maybe they can actually do something about it.

Anyway, nothing ventured, nothing gained, yeah? It's worth a try. All you can do is hope for the best.

And finally: please know that I admire your commitment to the author: whoever she is, she's lucky to have you. It's a terrific thing to have readers who'll willing to spend the time to hunt you down, and who're willing not to judge a book by its cover. :)

[luveline]

I know you’re asking for Spencer fics… While I adore single dad!Spencer… How about some single mom!reader and Spencer? 💕

You and your daughter work your way into Spencer’s life one chess game at a time. fem, 1.3k

It all starts with, “Hello.” 

Spencer looks up, and he finds any word he could’ve said dead on his tongue. You smile at him oddly gentle, and he assumes he’s got something on his face your afraid to point out.

“Hi,” you say, unperturbed by his lack of response. You keep your head ducked but seem friendly enough as you lick your lips. “I don’t know if you’re busy, but I was wondering if you’d play chess with my daughter. You don’t have to say yes, but she’s really polite and she won’t cheat, and she really wants to say hi.” 

Spencer looks behind you, where your daughter stands a ways away pretending not to watch. She could only be three of your years old —if she can play chess, she’s a prodigy. She has on stripy tights and a dress, a vinyl coat open over the top, her hands wringing together. 

“Okay,” Spencer says. 

Your smile is even nicer, then. Relief and thankfulness aimed fully at him. “Thank you.” 

You meander back to your daughter and bend down to whisper instructions too quiet for Spencer to hear. Shy, your daughter shimmies forward, then walks proper steps when you encourage her with your hand behind her shoulder. “It’s okay,” you whisper, “let’s say hi.” 

The chess boards are built into the tables at the park. Spencer sits on one stone stool, and your daughter makes herself comfortable on the opposite one. You kneel beside her without worry, knees on the dirty floor. 

“Hi,” your daughter says. She has a high voice, reedy, like she needs a drink. 

You rub her arm. 

“Hello,” Spencer says. “Have you played before?” 

“Me and mom play.” 

“So you know the rules?” 

“Some,” she says. 

Spencer’s only human. He does think about the horror of being trapped opposite of a toddler for the next half an hour bumbling through the steps, but it’s not as though he has other things to do, and, really, he loves people. He’s scared of talking, that’s all. 

“We play a lot on my phone, where it tells her what moves she can and can’t do,” you say. “But it’s okay. I have practice, I can be the phone.” 

Your daughter laughs like this is the funniest thing on the planet. “You don’t look like a phone,” she says. 

“That’s nice of you, but that’s ‘cos you’ve never seen my wires.” 

She laughs again. 

“I know all the rules, too, don’t worry,” Spencer says. “Are those your pieces? Or we can play with mine?” 

“Sofie has her pieces, it’s okay, we don’t wanna lose yours.” 

You let your backpack slip down your back and unveil a chess board box with sellotaped corners. The sleeve inside is unhurt, and you put it in the middle of the table. Spencer takes initiative and grabs the purple ones. You and Sofie arrange the pink ones in a mirror. 

Sofie is surprisingly good at chess, considering her age. Sometimes Spencer ends up playing against you, your advice murmured in her ear, and every time you smile at him he feels a little nauseous.  

He lets her win, of course. The first few times, at least. Over weeks, you and Sofia occasionally see him in the park playing chess, some days in the middle of a game with someone else, other times alone. Sofie comes up to him increasingly confident to ask for the next game, and Spencer realises he’s somehow made two friends. 

“Spencer!” Sofie shouts, tumbling over the grass bank to stop on the end of the retaining wall bordering the chess tables. You’re just behind her, looking tired. 

“Sofie, hi!” 

Sofie jumps down off of the wall before either of you can stop her. “Spencer, where have you been?” She rockets toward him. He stands, worried she’ll fall flat on her face, but she continues to race toward him until she’s throwing her arms around his legs. “I missed you.” 

“Well, I missed you too,” he says, surprised. He gives her back a tentative pat. “I’ve been learning new techniques.” 

“But where did you go?” she asks. 

“I went to Alaska. It was super cold.”

“Hi, Spencer,” you greet, flushed as you plop down on the stone seat opposite him. 

Believe it or not (easily believable), Spencer didn’t ask you your name the first time you met. Or the second. On the third occasion you met, you actually apologised with too much sincerity and said, “I’m so sorry, I never asked what your name was. I can’t believe it. I’m Y/N.” 

So now you’re introduced, and Spencer has a raging crush on you. 

Spencer grins as Sofie sits on his seat, shuffling over so they can sit together. “What, you’re on my team today?” he asks her excitedly. 

“Yes!” She pats the chess board. “Mom, my pieces.” 

“It’s okay, we can use mine.” Spencer’s are already out on the table. He’d been hoping to see you both. 

“I won’t lose them,” Sofie promises. 

“I might. Where have you been, Spencer? Sof made us come here four times last week, we had to play chess with Melinda.” 

“I was working,” he says. “We’re always going somewhere far away, I didn’t realise we’d be there for so long.” 

“‘Cos he’s a special agent,” you whisper to Sofie. 

She puts a finger over her lips, “Mom, don’t so loud!” 

“Sorry, I’m sorry.” You nudge a King back onto his square. “Did I blow your cover?” you ask, your voice a rolling murmur.

Spencer holds Sofie’s back reactively as she wiggles on the seat. He has an answer. He should play along —he’s been reading up on how to flirt like he’s not a lonely weirdo and that’s with confidence and running jokes, but the way you’re looking at him stops him in his tracks. 

No one ever mentions the panic of a shared smile. 

“What happens if people find out?” Sofie asks worriedly. 

“Nothing happens, Sofie, I’m the boring kind of special agent where nothing I do is a secret.” He winces at her crestfallen expression. “I’m sorry. Maybe we can have a secret mission together? Me, you, and mom?” 

“Really?” you ask, surprised. 

Spencer nods enthusiastically. “Oh, yeah! Yeah, of course.” 

“Like… dinner?” 

Spencer bites the tip of his tongue, to an immediate sting. It’s not the first time in his life a conversation he’s in has occurred without him: you’re shared smile was you flirting first. His reciprocation, while not intended, has served as flirtation. 

He didn’t mean to do it, but he doesn’t care, he won’t mess it up, “If you want to?” He clears his throat, his voice returning to a more acceptable tenor. “We could go for dinner… tonight.” 

“Tonight?” 

“Not tonight. Not… unless you want to?” 

“We didn’t have dinner yet,” Sofie says helpfully. 

Your gaze falls to the chess board. “I don’t think I’m dressed for dinner. I had such a long shift.” You’re shrugging, minimising yourself. 

Spencer moves his and Sofie’s first pawn. “You always look beautiful.” 

He cannot look at you after he says it, but he doesn’t need to. 

“Mom, you're doing that smile like when Mr. Mailman brings our letters.” 

“Thank, Sofie,” you say. 

Spencer sneaks a glance at your smile. It’s decidedly shy, and if he were to touch your cheek, he guesses he’d find your skin warming. “What does he do when he brings the letters?” Spencer asks. 

You pin him with wide eyes. 

“He says she’s pretty with a big ‘p’,” Sofie whispers. 

“She is pretty,” Spencer whispers back. 

You move a chess piece with a breathless laugh. “Okay, then let’s get dinner after I wipe the floor with you both.” 

Spencer decides now is the appropriate time to reveal that he is very good at chess. He and Sofie win in ten moves. 

[artytaeh]

a honorary thought about how theodore nott would be with you, mrs. nott, his wife— during those blessed first vacations as a married couple; your honeymoon.

warnings: includes smut, so obviously it's advised for +18 readers; read at your own risk. use of italian provided by google translator, if i have readers who speak italian fluently, please don't murder me! </3

honeymoon!theo who seems extremely relaxed, calm and unprepared for this first vacation with you as his wife, to italy— his home country. what you don't know is that theodore had been thinking and planning these weeks for months, maybe even years, during those mornings at hogwarts that he woke up before he needed to leave his bed and prepare for classes. unbeknownst to you, theodore is prepared to suggest names for your future children: that's how well theo has thought (and planned) for a future with you.

honeymoon!theo who doesn't give you much context or details over what you'll be doing during those weeks; you know that it'll be in italy, and got some advice over which clothes would be a good idea to bring in your luggage. if you expected one week of vacation— yeah, dolcezza, not happening. italy is a beautiful country; given the opportunity to show you around, theodore will make sure that his family's money is put to good use, and ensure at least three weeks of walking around.

honeymoon!theo who has most of the days planned; he made sure that three weeks was enough time to see part of italy's best spots, yet never giving you one day that makes you feel exhausted. at most, you'll see or visit three different places during the same day, yet not far enough that'll get your feet hurting from walking too much.

honeymoon!theo who had a hard time selecting where to take you during these three weeks— at the same time that he wants you to see how lively, colorful and amazing his homeland is, theodore doesn't want to have you exhausted in a matter of days. in the end, theo decided that he'd give you the best of two worlds: the beautiful cities, and the breathtaking countryside.

honeymoon!theo who makes sure that you'll have a taste of most of italy's native dishes. desserts, treats, appetizers, dinner and even drinks; theodore makes it a point to show you why he slandered hogwarts' food on a daily basis. however, if you're a picky eater or have a few food limitations, theo makes sure to only encourage you to eat what he knows that you'll like. never forces you to taste anything that you might not like, should it have any ingredient that you don't eat / don't like.

honeymoon!theo who will buy a slice of pizza, a cup of pasta or other treats as you stroll around the streets, making sure that you taste some of them and are never the slightest bit hungry.

honeymoon!theo who teached you a few sentences and phrases in italian, helping you with the pronounciation just right. simple things, really, like petnames, simple phrases (how to say thank you, how to say hello and good morning, even a few curse words should someone be a jerk to you and because you cursing on his native language turns him on).

honeymoon!theo who refers to you as mrs. nott. if you're at a restaurant— theodore will be a gentleman and make the order for the two of you, saying what he'd like to have, and what mrs. nott chose instead for today's meal. will teasingly refer to you as mrs. nott, if you ever engage playful banter or have a silly argument. if you're angry, well, being called mrs. nott dissolves any annoyance that you might have towards your husband.

honeymoon!theo who takes the chance of being in italy again, to buy his favorite brands of cigarettes; he promises to smoke a little less, though. one in the morning, as he waits for you to finish dressing up for the day— then one at night, leaving the windows open after you two were intimate, as you are comfortably laying on his chest. one hand holds the cigarette, while the other runs its fingers through your hair; here, theodore has each hand holding two of his biggest addictions. surely, if possible, theodore might sneak one cigarette during afternoon or after lunch; if you don't like the smell, theo will make sure to do it away from you. is there a shop you'd like to check? while you explore it, theo might smoke his second cigarette of the day.

honeymoon!theo who never gets his hands out of you. waist, lower back, holding hands or intertwined fingers; now that you're his, he has even less reasons to let go of you. italy is a crowded, famous country for vacations; between locals and tourists you walk together, as theodore guides you along, making sure that he never loses sight or hold of his wife.

honeymoon!theo that has a morning routine; lazying around in bed for a little longer, forearms feeling the softness of the pillow as he rests his head there— prompted up enough to see you. his gaze never wavers; theodore watches as you walk around the bedroom, each step being a soft pad on the floor, as you rummage through the wardrobe and seek for what you'll wear today; making your way then to the bathroom. if he's too sleepy, theo will take a light nap as he waits for you, lulled by the muffled sound of the water running for your shower; should he feel a bit more energetic, or more of a morning person, theo will follow you like a puppy, hugging your waist from behind as he kisses his way to shower with you.

honeymoon!theo who decides that his vocation is to help mrs. nott, his stunning, gorgeous wife getting ready for anything. oh, so you're preparing yourself to sleep? theodore will be more than happy to brush your hair, or to have you teaching him what products to apply, and how, to your hair— are you too lazy to take off your make-up? don't worry, theo does it for you; and even throws a dirty joke about removing your make-up in another, more elaborate and definitely much more pleasant, way. specially after a long day strolling around the streets, theodore will be more than happy to just let you relax, while he takes care of you.

honeymoon!theo who also loves to help you getting ready to leave, too. do you need this thing from the wardrobe or from your luggage? don't worry, he'll get it for you. are these the shoes you're wearing tonight? sit on the bed, bella, i'll tie them for you. do you need him to hold something or even help you with your hair? theodore nott is a very competent husband (or does his best to learn how to be very helpful for you). if you don't need help, well, theodore will sit on the edge of the bed, with those icy blue eyes gaining a new loving shade, as he looks at his bellissima getting ready to leave the room with him.

honeymoon!theo who took you to some window shopping with you, at venice and milan. two beautiful cities, where people proudly dress to impress; the shops didn't disappoint you at all. each dress or mannequin that you stared for more than two seconds got theodore to hold you by the hand, and gently dragging you to enter the shop; theo was more than happy to hold bags for you, one arm wrapped around your waist, while the other proudly holds his wife's bags from all the stuff you bought (correction: what theodore persuaded you to bring along, strictly using his family's money).

honeymoon!theo who perfected the art of convincing mrs. nott to agree with allowing him to spoil her; why shouldn't you be pampered by your own husband? in fact, theodore argues that doing so is a significant other's duty (and privilege). should you argue that everything's too expensive, well, theodore has two valid arguments for that: one, the nott family is ridiculously wealthy— one dress won't make his wallet lighter; and two, it's your money too, now. so why shouldn't you use it?

🗯️ : but teddy, darling— this is too much. i won't have enough space in my luggage to take all of these extra clothes with me.

t : don't worry about that, carina. if anything, we'll buy an extra luggage for you. fanculo, you know what? let's buy you a bigger one so you'll have to buy more things to fill it up. here, cara mia, look at this shop.

honeymoon!theo who takes a few nights to take you to dance around with him, strolling around some streets with good bars— a fancier version of those slytherin parties that you went together, except the lack of excessive green, besides lorenzo and mattheo's tendencies to start a brawl over flirting with an already taken girl. theodore dances with you, the two of you swaying with the rhythm, having the most fun, as you try to talk to each other sometimes or exchange a few comments here and there. if a younger guy has the audacity to look at you, theodore will glare at them in such an intimidating way, that the bloke doesn't even have to know about how theodore nott was a feared rival at hogwarts; should he be older, theodore will yell a clear threat in italian.

t : guarda ancora mia ragazza e ti garantisco che nessuno incontrerà i tuoi occhi dopo che li avrò cavati davanti a tutta la tua famiglia, stronzo del cazzo.

🗯️ : theo, what was that? what did you say? i didn't understand...

t : nothing, dolcezza; would you like a drink? here, let's go buy one together.

honeymoon!theo who translates anything and everything to you, specially if you ask him. if you're at a museum and would like to know what the description of some painting is, then theodore will explain or straight-out translate for you. don't worry, he's more than happy to do that— theo does it so patiently, that you would notice that he actually enjoys it. maybe he's returning the favor, for those few times that you've helped him pronounce a few words before class starts; maybe because theodore finds it heartwarming how you show such interest for his culture, and how endearing it is to see you trying to understand a few words here and there.

honeymoon!theo who separated these few days strolling around the city, walking around the streets and seeing a few attractions that he knew that you'd like (a few museums, for example); and got you to another city, one where he planned to have a more lighthearted routine. summer in italy is hot; to have you not enjoying the heat with one day or two to tan, to enjoy a pool or simply lazying around would be wrong; a waste, even. during those days, theodore made sure to let you rest on your chair, while massaging the sunscreen into your skin. those few days spent like that were fun; you didn't do much, but sometimes, doing nothing is the best.

honeymoon!theo who got to drink a few cocktails with you during those few days, sunglasses shielding your sights from the blazing sun, and swimsuits ready to have at least a swim together. conversation flows as easily between you as ever; taking a sip of your cocktail while the other talks, taking turns to share opinions or to continue the conversation. perhaps theodore took the chance to lightheartedly discuss what you'd do after these weeks— would you like to live with him to nott's estate, and leaving your shared cozy apartment for the time being?

honeymoon!theo who would only not shower with you if you two really had to get ready as fast as possible. otherwise, he's joining you; kissing your shoulders while you wash yourself, hugging your waist as he hums to whatever you're telling him. unless you'd rather wash your own hair or have a specific way of doing it, then theodore is more than happy to do it for you; as soon as he's done, he'll poke your nose with your shampoo's foam, signaling his concluded work. surely, theodore marvels at having you hugging him and washing his back at the same time— hey, where are you going? no, hug him for a little bit more; his back should be properly washed, you know?

honeymoon!theo who finds these weeks blissful. no quickies, no hurries; contrary to hogwarts, that even your own dorms weren't the most private places; or your daily life, where some of his friends are comfortable enough to visit without invitations— here at the hotel or alugada house you're at, there's privacy, time, and no restrictions for noise.

honeymoon!theo who takes his time with you. taking each piece of clothing with a calm movement, kissing every inch of skin in display; making sure that tomorrow morning, you'll have to complain or pout at him, due to those new bruises his lips will leave on your skin. neck and thighs are two favorites of his; however, there's something sinfully attractive and arousing about marking up your chest. a little dirty secret of his, one that only his eyes are allowed to see— besides yours, of course.

honeymoon!theo who gets a little insane in the head each. single. time that you have the audacity to speak italian to him, specially during these intimate moments. it doesn't matter if your pronounciation isn't perfect— even a single amore does things to him. whisper fanculo a me to his ear, and you might have to choose a more lighthearted agenda tomorrow, for the sake of your sore legs.

honeymoon!theo who becomes impossibly possessive. having been an overprotective boyfriend at times, making sure that each single student and their mothers knew that you're taken for life, these few weeks are feral. it becomes calmer as the days pass by, though; theodore takes some time to normalize the overwhelming reality that finally, finally you are his wife— mrs. nott.

so, honeymoon!theo who doesn't shut up. theodore needs to tell you how long he's waited for this, to have that ring on your finger; that same hand that he holds as he thrusts into you, or pleasures you in anyway— thumb tracing over the piece of jewelry exchanged on that day that you two got married. his fingers intertwine with yours, blue eyes bewitched by the sight of you under him, and even more intensely if you go on top. theodore nott is a shameless man; he'll only encourage you to moan louder for him, to tell him how good he makes you feel. theodore nott is so, so shameless, that he won't hold back any moan, any groan, anything he wants to say; this man will continue his rambling over how long he's dreamt about putting a ring on your finger, about being wed to you, about showing you his homeland— he'd say all of his in italian, though. if you're lucky, you'll catch up a few words; if not, well, theodore's voice sounds even better when he speaks his native language so fluently.

honeymoon!theo who doesn't have to hold back his baby fever anymore. will get you that final orgasm, with you sitting on his lap, his cock deep inside you, your back flushed against his warm chest; your hips feel those calloused, warm hands holding your hips down, making sure that the two of you can see the reflection of that mirror in front of the bed— one that theodore, shamelessly, requested to have it placed there. blue eyes lock their gaze there, where he disappears inside you, as you take him so well.

honeymoon!theo who doesn't shut up as he keeps you like this for a long moment, as praises leave his lips; 'you're stunning, cara mia, davvero bellissima— you'll look even prettier with our babies inside you.' as he speaks, theo presses kisses to your neck, one hand moving to rub circles on your clit; as if he wasn't already buried so deep inside you, pressing against that spot that has your legs shaking. theo doesn't let you stray much farther from his aching erection: 'brava ragazza, you'll take it all, won't you? we can't have a single drop leave your pretty little cunt.'

honeymoon!theo who secretly hopes that you'll come back to england with a baby in your womb; as much as he absolutely adores this life with you, on getting your full attention, falling into a domestic routine— theodore can't wait to see how your child would look like. theo can only pray that they inherite your lovely smile and beautiful hair, but keep his eyes. blue eyes, identical to the ones his mother, phoena nott, had. besides, if you do end up pregnant and keep the baby— next time that you go to italy, there would be a tiny human keeping you two company. theodore daydreams about that day.

⋯ ⋯ ﹒ 🪸 ’

౨ৎ calling out my name ♡ ͡

in the summer rain, ciao amore . . .

🪻 ; . . . fandom : harry potter.

— spreading the 'theodore nott being a loving husband and slightly obsessed with the love of his life' agenda; this boy had the first draft of how your honeymoon would be after your fifth date with him.

the headers + gifs + icons aren't mine. credits to the respective creators ! 🌷