#this was fun to do ehehe

[boopshoops]

"I can be a bitch, I can be a diva 🎶💕"

Warningthesongssuggestivelol

Heres some art for ya while i continue working on sprites and finals 💪 i wanted to mess around with fem and masc vibes... bc fuck it we ball <3

Separate versions under the cut!!

Tag list! @justm3di0cr3 @cecilebutcher @lowcallyfruity @distant-velleity @thehollowwriter

@kitwasnothere @skriblee-ksk

[lylahammar]

Randomly thinkin about Chilchuck today, and how he tries sooooo hard to self sabotage

like for example, other half foots on the island think that he's a greedy asshole who only cares about money, and he does nothing to try to disprove that

but then there's this omake at the end of book 9 that shows that people treat half foots fucking TERRIBLY and chilchuck started a union to protect them

and then in the bicorn chapter, he doesn't want Marcille to keep digging into his personal business so he tells her he CHEATED ON HIS WIFE

but he just COMPLETELY fuckin lied about that and made himself sound so much worse than he is bc he's afraid of being vulnerable with people and would rather everyone believes he's a shitty person so he can keep them at a distance

and the thing that's memed so often is that he refuses to help with fighting most of the time because it's not part of his contract

but if you take this lore into account (not gonna add those particular images to this post simply bc I've used them in so many posts already LMAO) along with this tidbit from the world guide:

then it's like. yeah he has to keep his weight low so if he gets killed or severely injured and has to be healed, that could be really dangerous for him. and even if he was healed at that point he'd end up being a burden to the party after that point, he would be too dangerously thin/sickly to be able to help.

Like, Chilchuck has so many things about him that APPEAR to be character flaws, but every single one of them has a very reasonable explanation. He just leans into the mischaracterization bc he's emotionally withholding and can handle people thinking he's an asshole more than he can handle opening up to anyone. he's such a well thought out and interesting character

[chatlote]

Royal Trio ❤️

[gammagoop]

i did 3 of these because i couldnt decide on just one :P very happy with how they all came out though! (the template is by @/sunnydionysus!)

[obsob]

KISSING YOU mentally 

[cappydoodle]

rereading my own fic and yeah I'm a comedic genius I think

[hattiestgal]

Completely blanked on uploading this for a bit for some reason, but-

Score! Finished comm for @mousegirlheart of her sona finding a whole dang wheel of cheese to munch on! This mouse'll be eating good tonight, ehehe. Absolute pleasure to be able to work with your sona! Ty for the comm!

[iizuumi]

Lovebirds

[disegnidipizzo]

you can choose one to protect you but the rest will be coming for you

intellect | psyche | physique (you're here!) | motorics

[komafoes]

DONT FORGET!!!!!

[havockingboo]

Messy comic from last year based off a dream! What happened after? Who knooooows

[entomolog-t]

when the giant holds the tiny. it is good.

Very good.

Very good indeed.

This is a theme constant in almost all G/t works, so while it may seem incredibly simple, it is more so fundamental- and a great jumping off point to examine the genre as a whole.

Lets start by examining collective imagery/symbolism (ie symbols that are closer to being universal rather than heavily impacted by our own experiences).

The main symbol would be hands, but we can also further examine the symbolism in being held.

Hands are what we use to manipulate and control the world around us. They are the primary way in which we directly interact with the world. They can symbolize control, power, and change, or contrarily they can symbolize comfort, nurturing and companionship based on context and emotion. The combination of both sides is very much an image of protection and safety.

Being held is a sort of surrender. Physically losing contact with the ground, and being in the care (or at the mercy) of whoever is doing the holding. Again, context is key. Surrender can be a beautiful moment of giving someone else your trust, or is can be a moment of fear and hopelessness- of being forced to surrender to someone else.

The perspective is also key as well. Do you envision yourself as the giant or as the tiny?

Wishing to hold someones entire being in your hands, as a giant, can show a variety of internal wants and needs based on the context. A need for control, a longing for someone to trust you, fear of loss and a yearning to protect others.

There are so many exciting avenues to explore when discussing fantasy imagery and what that may imply subconsciously.

Thank you for stopping by for today's appointment. While I am still on vacation *cough* hiatus *cough* I'll be able to make a few odd sessions. It's a pleasure seeing you again, please make sure to book a follow up with my secretary

[wysteriaisapenguin]

Collab with @gummybuggy (Please check her out, she's really fun and draws some cool horse engines!)

Whoa, two James for James day!!! One's a human and the other's a horse, but they're both so ✨splendid✨ in their own way~

[mothscotch]

made bracelets today ((dont mind the bone

ghost only has two t's i ran out of t... by the time i got more it was too late

//UPDATE!!

i redid them :3

now they actually fit ((and look better yippie!!!

oh no the stars are hard to see :-(

[frankenbuggee]

I did promise more of my old Sylvith art from my previous account 💙🧡 I’ve never spammed the world with so much Fanart/ ocxcanon art!

Also Ingrid’s va liked the art of Sylvain with the babies on insta and I died inside knowing she could see the simping💀

[lesbianfakir]

To elaborate on my ruekirtho throuple thoughts, sometimes I think about a world where their shared love for mytho brought rue and fakir together instead of driving them apart. They’re both incredibly lonely kids who have lost too much and, as much as they care for mytho, a heartless doll isn’t replacement for real human companionship. So they find each other.

Rue knows it will never last. No one beyond her Prince will ever love her. She sees the way Fakir throws rocks at the flock of crows that gathers around her. When he discovers her identity—and she knows he will discover her identity one day—they’ll go back to being enemies. He is the Knight and she is the daughter of the Raven, his killer. Still, it’s nice to have a friend even for a little while. So she lets herself forget. She forgets who, what, she is. She forgets that there was ever a before. She forgets that they won’t last.

Fakir knows there is something very, very wrong in Rue’s life. He sees the deep scratches that stand out against her almost unnaturally pale skin. She speaks in a hushed tone with a haunted look in her eyes when it’s time to go home. She won’t tell him anything, though. He doesn’t even know where she lives; it’s as if she disappears at the end of the day. He just hopes that one day, when it comes down to it, he’ll be able to protect her from whatever haunts her.

By the time the story goes into motion, the two, along with Mytho, are near inseparable. When Mytho begins regaining his heart, Rue and Fakir work together to put a stop to it. When Rue begins losing track of the days, feeling as if someone else is trying to claw their way out of her chest, she almost goes to Fakir for help. Almost.

It is, of course, Fakir who shatters the illusion that is Rue. Her one and only friend calls her an ugly crow, and in that moment she remembers what she is. What she’s always been. They’ve been enemies from birth. This “friendship” was nothing more than the a sad illusion created by a lonely girl—a girl who no longer exists. And she knows now, in her father’s absence, her “friend” will die at her hand. This is their fate and fate cannot be changed. Still, it was nice while it lasted.