#though what there is is *wonderful* imo

[kazanskyy]

iceman + his concern for maverick post-hop 31

[turtleblogatlast]

I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.

Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”

Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.

Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)

For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.

I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.

[myokk]

“She’s tolerable, but not handsome enough to tempt me”😤😤😤

(Regency AU with Eloise and Sebastian inspired by my slow trek through Bridgerton these days & @bassicallymaestra ‘s AMAZING regency inspired art😮‍💨😇🙏)

[wonder-worker]

"Administratively, too, [...] queens were considered the legal lords of their landholdings. [...] Grants noted that the queen's officials had administrative autonomy without being subject to the king or anyone else, and evidence of the same assumption can be gleaned from court rolls that were recorded with headings indicating the lord of the manor whose court proceedings were being enrolled. As an example, some court rolls for the manor of Haveringatte-Bower specified that it was the court of [Margaret of Anjou] that was in session, while later rolls recorded Elizabeth Woodville as the lord of the manor court."

-Michele Seah, 'My Lady Queen, the Lord of the Manor': The Economic Roles of Late Medieval Queens", Parergon, Volume 37, Number 2, 2020.

[skitskatdacat63]

2012 Malaysian Grand Prix - Sebastian Vettel & Fernando Alonso

[folkdevilism]

I'll always have a soft spot for Dishonored 2, but I still occasionally wonder what kind of game we could have gotten if it had been allowed to focus solely on Emily instead of trying to accommodate two playable main characters.

[soft-serve-soymilk]

[oodlyenough]

i've been trying to call his attention to the extremely obvious ant infestation happening over here but this guy is too busy having a staring contest with himself to care

[rusquared]

every time i think of little dokja i also think of matilda talking about travelling the world through her books, hidden from the scary adults. about how many children read matilda's book and imagined right there with her, superpowers and all.

[themyscirah]

Wonder Woman #12

Variant Cover by Julian Totino Tedesco

[jitteryjive]

this is a bit of an illegitimate art post cause this is her outdated design w/out the overcoat (mainly the shoes and ruth having bangs) and also it’s older art but ruth in the mario wonder style!!! i never properly finished it as you can see from the background but i would love to do the design again

[dallonwrites]

beau is sooo messy i'm obsessed with him. him being happy to see felix seemingly flourishing and being more confident etc but also feeling weird and almost jealous at the fact that it used to be just him that got to see felix that way. that he used to be the only reason for it. and like he KNOWS that's a messy and kind of fucked up way to think about it but he also knows he's in a really weird spot emotionally and can't help it

[controlaltdelete-my-existence]

king piccolo arc is weird because it’s obviously the blueprint for many of the arcs to follow as well as one of my favorites, but narratively this is also the arc where some of db’s writing decisions start getting a little questionable. It starts off pretty strong: Goku’s impulsivity gets the better of him and he pays for it with Tambourine. This is soon followed by a truly memorable (and lowkey satisfying?) beat down by king piccolo (that rock to the back and elbow to the stomach look genuinely painful). Goku’s reduced to quite literally biting piccolo to try and stay in the fight. All of his arrogance that’s been building up since red ribbon is immediately knocked out of him and he’s left unable to move, forced to rely on someone else for the first time in a long time (the beginnings of an idea his character struggles with throughout Z).

Meanwhile king piccolo’s minions force a team split in Kame house, giving us three teams to follow as the dragon balls are collected. King Piccolo has a (what should be) iconic moment of literally kill Shenron. So now he’s young, he’s back, and he’s more overwhelming than any other opponent in the series to date. I don’t think Tao’s attempted murder of Goku hits quite the same highs as King Piccolo’s first assault; imo it hits differently because it’s not just that goku failed to beat him, it’s that all the characters we know and care about are genuinely at risk and even dropping like flies.

I guess in terms of story structure that would now put us at like, the second act low point? And ofc the question is ‘how is goku gonna come back from this?’ Which is how we get to what is imo a somewhat poor plot device: the ultra divine water. I definitely feel like this was something that could have been handled much better, though I don’t necessarily blame the author due to the pressure of having to write a serialized story. Still, at least a little foreshadowing with Korin in red ribbon might have helped the ultra divine water feel like less of a shortcut and more like unlocking a secret goal. The entire philosophy of DB is ‘work hard to improve yourself’. imo the way it should’ve been handled was goku realizing he already has the skills he needs, he just needs to continue honing them, maybe unlock a new technique or two through training, until he stands a chance. Goku’s whole fighting style is letting himself take a beating for awhile to figure out his opponents move set and then coming up with a creative counter-strategy. He’d already fought piccolo once, so it would’ve been a good way to keep the story thematically consistent.

Another way it could have felt less jarring is for him to at least have to overcome himself. Korin remarks in the actual story that Goku is too emotional (after losing Krillen and Roshi), which hurts him as a fighter. Needing to quell his rage when facing piccolo again could have been The Thing for him to overcome. Visiting Korin should have reminded him of his training there and instead of Korin saying he has nothing left to teach Goku he could have said, ‘hey, you know the skills, but you’re not using them properly. your anger and your arrogance is getting in your own way’. Essentially, learning meditation and tranquility, etc. (I know that idea is addressed in his later training with Kami, but it might have been valuable to have Goku meet Kami here instead and start the groundwork of those skills, perhaps set it up as him getting back in tune with himself after his losses until he’s ready to help Tien. Just spitballing here).

If the ultra divine water had maybe been some way of measuring goku’s overall progress since he initially started his journey rather than a mini adventure arc, it might have felt less jarring in a story all about self-improvement. I like the ultra divine water in terms of what it does for the oozaru, with the oozaru as being representative of goku’s inner strength, but personally that’s not enough to completely justify it to me. Imo the same symbolism could have been achieved a better way. As it is I don’t hate the UDW but I do think its general existence and relatively simple method of attainment weakens what is overall a very strong arc.

[wonder-worker]

"The newly widowed Elizabeth (Woodville) was exceptionally vulnerable. Several of the trustees responsible for her jointure refused to hand over the manors that were meant to sustain her in her widowhood. Moreover, her brother-in-law, Edward Grey, had seized estates that her son Thomas should have inherited from his paternal grandfather, while her mother-in-law’s new young husband, Sir John Bourchier, had prevailed on Lady Ferrers to settle her principal properties on them jointly for life, ensuring that Thomas would have to wait far longer for this inheritance too. Rivers and Scales were pardoned in July 1461 and swiftly moved into the Yorkist establishment, which perhaps explains the success of the chancery suits Elizabeth launched to regain her jointure. Her son’s inheritance proved harder to recover. By 1463, Rivers was often in (Edward IV's) company and on his council, but Elizabeth needed someone with much stronger influence over the King. She turned to a distant kinsman, William, Lord Hastings, the King’s chamberlain. Hastings drove a very hard bargain for his aid but it was probably amid these negotiations that the King’s desire for Elizabeth was kindled."

-J.L. Laynesmith, "Elizabeth Woodville: the Knight's Widow", Later Plantagenet and Wars of the Roses Consorts: Power, Influence, and Dynasty

[lostandbackagain]

I hate that most types of magic in rote seem to be race locked. I want to see humans who can see the future and whites with dragon glamour and dragons who have the wit. tintaglia should have had a dog companion

[skitskatdacat63]

Fernando Alonso × Unconventional Drinking Implements