#thought it was the end fr

[cxhleel108]

The way I had this post ready in my drafts in case we couldn’t find a loophole for this whole situation.

[chloesimaginationthings]

FNAF Into the pit? More like into the daddy issues

[hinamie]

sympathy for cain

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[starry-bi-sky]

i have been unmedicated for the entirety of spring break and thus have had little interest in writing this down, but i have been thinking about this for the entire week (as well as a dpdc clone danny au that resulted in it becoming its entirely separate batman au that includes a teenage vigilante bruce wayne, an ocarina, and me entirely incapable of making a batman au without making bruce dirt poor but we're not talking about that) and so i've finally went 'fuck it' and forcibly grabbed my laptop. I will get this done in one sitting even if it kills me.

BUT. This is about neither clone^2 danny nor about who i am calling Ocarina Batman. This is about my Danyal Al Ghul Au and more SPECIFICALLY it's me thinking about his relationship with Sam and Tucker specifically.

Tucker and Sam? Adore this asshole (affectionate) with every fiber of their being. And it is very much a reciprocated feeling, but Danny's thoughts will not be delved into much other than he would kill for them.

Tucker? The only person currently capable of getting a deep, loud, belly laugh out of Danny. Sam can get him to smile and to laugh, but it's the kind that's a chuckle-under-the-breath. The quiet, looks-down-while-huffing laughter. Snorts once with laughter and then grins stupidly.

But Tucker? Tucker can crack a slew of stupid jokes and Danny will be incapacitated for the next five minutes because he's laughing so hard that he can't breath. He lands one well-timed pun or quip and Danny will be close to tears. His laughter is their favorite sound in the whole world.

Sam is lowkey jealous of this ability, and she's gotten a belly laugh out of Danny a few times. But alas, it is Tucker who wields this power and has gotten it the most times out of the two of them.

-

They're also both physically affectionate with Danny as much as possible. It started roughly around when they were 12-ish, a year since they befriended Danny, and they noticed that he sought after touch but never seemed to initiate (and was in some ways repulsed by it). They started slowly being more touchy with him. Hooking a finger around his to lead him somewhere, tapping his wrist, looping arms. Little touches, grabs, etc, to get him used to it, and once he started doing it back they started increasing it.

It's gotten to a point where he will now just. Lay on them. Like a lizard sunbathing on a rock. Leaning on their backs when they're sitting in class before the bell rings, his chin on their heads. He'll talk about anything with his arms looped around their shoulders.

If they're sitting on a couch at either of their houses, he'll lay his legs on theirs. Him and Tucker will press their feet against the other's and try and push against them (newsflash: Danny always wins, Tucker claims its the ghost strength but Danny's been winning since before his accident)

-

Naturally, both Sam and Tucker know where Danny keeps his weapons on his person, and are allowed to grab them off of him if they need it. His only requirement is that they don't lose his weapons if they take it and forget to return it immediately.

They both understand how big of a thing this is from Danny, and so they do their best to treat his weapons with a lot of respect and care because they know its his way of saying he trusts them.

-

Sam and Tucker are so fond of Danny it's insane. Like fr. That's their goddamn best friend, and they are so protective of him. Emotionally, physically, you name it. They will tear the head off a grown man if they need to, Danny's had scars since he arrived in Amity Park and Sam and Tucker both are going to find the person who put them there and make them pay for it.

One time, Tucker overheard a bunch of upperclass girls speaking nastily about Danny and about the rumors surrounding him, calling him names like 'freak', 'monster', etc. Danny was with him and heard it, and seemingly appeared unbothered by it, even telling Tucker that he was used to such rumors.

Tucker was so furious that hacked into the school system later that night and tanked those girls grades. They were kicked out of their clubs and had to go to mandatory tutoring for the rest of the year. He made sure to leave some way of letting them know it was him who did it.

And Sam doesn't like using her money for things, doesn't like abusing that wealth. So instead, whenever her parents talk bad about Danny, she causes a media incident that has her parents scrambling to deal with. She does something wild, outrageous by her parents' standards.

She heard some boys on the basketball team making fun of Danny once, similar to those girls had. She kicks up a fuss about something eco-unfriendly at school and forcibly holds a protest on the same day of the big home basketball game, forcing them to cancel the event and reschedule to a visiting school.

She anonymously donates money so that there's new uniforms for the team but oops! Looks like she "forgot" to donate enough money for them to get uniforms for all the team members, and strangely enough those boys in particular didn't get them! Looks like they'll have to wait until more money gets donated for the basketball team to get their new, nice uniforms. The old ones look so ratty in comparison, right?

And since the football team gets most of the sport money, that might just take awhile. And if (and when) they kick up a fuss? oops! Off the basketball team you go, :) such unsportsman-like behavior is unfit for the team.

(The only good thing about how corrupt the school system is is that she can use it to her advantage too.)

The both of them know that Danny suspects them for the sudden misfortune falling on these people, but he doesn't call them out on it. He's kinder than he used to be, but not kind enough to vouch for people who speak badly of him. Sometimes, he might just congratulate them on not getting caught.

Because Danny is their wonderful, hurt friend with a "slightly" Blue and Orange Moral code, and enough scars that people have been calling him a criminal (and worse) since he arrived in Amity Park when he was ten. And they'll be damned if he gets hurt anymore.

[grimesgirll]

being punish by rick & daryl, maybe for being a brat and going against their rules

“this is so elementary, rick.”

“yeah? and so is behavin’.”

you arch and whimper when another particularly painful swat lands against your bottom.

“but you seemed to miss the memo on that.”

the ricktatorship may be over but breaking one of rick’s golden rules results in corporal punishment. the only difference is that this time, rick isn’t just lecturing you but bending you over and none other than your daryl backs him up in his correcting of you.

you’re deliriously wet feeling his erection beneath you. it turns you on to no end knowing that you could squeeze an orgasm or two out of your lovers, “proving a point.”

rules are rules.

and rick and daryl declared that you can’t leave the gates until your concussion’s healed up.

at the tail end of a weekend run, you had the misfortune of running into a walker and being body slammed into the pavement of the hardware store parking lot beneath you. after a visit with denise determined that you’d acquired a light concussion, you were immediately instructed to take it easy, given some pain pills, and sent home with rick to draw you a bath.

your ex-sheriff had been so tender stepping you into the bath with him, spending enough time bathing and relaxing the tension in your muscles and below your concussion in your neck. he’s even sweeter toweling you off.

that’s why rick is beyond furious to find out that you’ve run out to the local big box store to comb for back inventory with sasha, aaron, and eugene.

“you were supposed to be here,” rick huffs. “healing. but no. you had to go and be stubborn.”

“disrespectin’ doctor’s orders,” daryl chimes in.

you let out a whine in disappointment, dejected that your younger lover won’t meet your doe eyes or talk rick down. daryl deferred to rick, if not out of reverence for your leader, then because he couldn’t help but want to see what happens next. he could try but he’s not immune to the mewls coming out of your honeyed lips or how your watery eyes have his pants suddenly feelin’ a little too tight.

tonight daryl won’t be saving you. why would he? you’re wriggling onto rick, wet little thing. why would he stand in the way of you getting stuffed full of cock just the way you like it?

you’re not quite there yet.

annoyed grievances float through your mind and out your mouth. just as they had earlier, your vexed complaints have rick tensing, rolling his eyes at you. just like you’d dismissed him initially once you’d pranced through the door with arms full of scavenged finds.

“my concussion’s healed,” you insist, still struggling on top of rick but not enough to actually get yourself anywhere. “there was no reason for me not to go.”

“uh uh,” rick hums and takes your chin in his hand, craning your neck back to look into his eyes, still irate, not yet succumbing to the sight of you on his lap like this.

“rick,” you’re protesting. you turn your head to daryl, who’s standing and observing the scene unfolding. “daryl,” you pout once he catches your gaze. “you know i was feeling better.”

“but you’re bein’ an asshole, baby.”

“just like rick - ah!”

“now what was that?”

now you don’t just feel rick’s sturdy hand against your ass but the lash of his leather belt.

“fuck!” you moan, wincing as a second strike burns not just your bottom but your core. your eyes flutter back up to rick. “you’re so not being fair right now.”

the ex-sheriff just shakes his head at you. “rules are rules,” and you’re writhing beneath the impact of another blow to your reddened rear.

“you like that, honey?” rick questions. “you like gettin’ spanked and not listenin’.” his grip loosens on the belt, dropping it from one hand to delve fingers first towards your dripping heat. he smirks at you. “knew i felt somethin’ wet my pants.”

it’s teasing - not even a punishment anymore, just gloating when he raises a glistening finger to the light.

“you always love this, don’t you?”

the frown you’re sending daryl for calling you out doesn’t stay on for long; rick abandons the belt turns you upright, situated on his lap before he plunges his middle and ring finger inside of you.

your face scrunches with surprise and softens, tensing again when he kneads your walls open. that pulsing pressure that had come to life as soon as rick had you bent over his lap is finally coming to fruition. every curl of rick’s fingers has you groaning like a walker.

“gonna spend a lot of time stretchin’ you out tonight, doll, but you’re still gonna need to learn your lesson. rules are rules.” he emphasizes his point by picking up the pace, earning purrs and pants from you.

“what’s my lesson?” the question comes from your lips, heavy with breath. the smirk you’re finally indulging daryl in invites him close enough to thumb over the fabric of your top.

“wanna know what your lesson is?”

you nod. the younger man’s eyes cloud with lust at you finally shuttin’ up and listening.

“you need to take care of yourself.”

rick accentuates daryl’s point with a grip on your hips and a beckoning finger against your plush interior. “you said your concussion was healed but you shouldn’t be pushin’ yourself like that.” he expresses in words, eyes softening. “we get worried ‘bout you.”

the fact that they may just be overly protective had crossed your mind. perhaps.

“‘you sorry for worryin’ us?” daryl’s on the bed, boots off and a hard on in front of you.

no response comes from you until rick’s working one out of you. the fingers dragging against your plush interior thrust further. your mouth opens in shock when a third finger wedges it’s way into you.

“yes,” you breathe, locking eyes with daryl. “i just thought you took care of me already.” your pants are rocky but the meaning you put into each word is unshakeable. “i don’t need to be on bed rest for a week.”

“yeah, yeah,” rick gruffs into your ear. you shiver when you feel his lips on brushing against your ear. “i don’t think you would’ve been complainin’ if we would’ve spent less time letting you rest and more time doin’ this, sweetheart.”

and he’s right.

one arm wrapped around your midsection, rick anchors you to him to rock you in time with his fervent fingers. one head nod from the man to daryl has him tugging off your top. the light squeezes to your chests and you’re basking in his touch. that nod might’ve been synonymous with daryl tripping every wire of pleasure your erogenous zones have to offer. and your favorite, talented mouth is puckering around your puffu nipple.

it’s like your night flashes before you when you come. you struggle to connect how you went from first being face down in the comforter to gushing all over rick’s thick fingers.

daryl is right there to steal the sweet sounds from your luscious lips, locking those velvety soft love vessels with his.

the whole thing has rick growing in his boxers. even as your cunt clamps down around his fingers, you cant and buck down into the denim of his straight legs. another look between your lovers and you’re right back where you started. you’re giggling as you bounce on the mattress from rick manhandling you into position.

now for the fun part.

“now come over here and show daryl how you’re supposed to use that pretty mouth.”

[doctorsiren]

Felt like some simple painting today

[carnivalcarriondiscarded]

assorted scribbles and Love Bites!!!!

[aniihera]

Ok. I’ve been compiling my thoughts on the pathologic 2 endings for a while now, and I’ve finally pinpointed my feelings on them (enough to share at least). I’m desperate to hear what others think about them too.

Lengthy Kin-themed rant oncoming? Perhaps.

More under the cut.

CW: Spoilers for Pathologic 2 (of course).

- - -

To preface: As I am Māori, not Buryat or of the other cultures I have heard the Kin to be based on, my perspective is more from *my* understanding of what it means to be Indigenous than anything else. There are probably many things I’m missing. But I’d like to throw in my two cents, however relevant they are.

Suffice to say, my feelings are complicated. Stylistically and narratively, there was a lot that I enjoyed. From a reconnecting/ mixed Indigenous perspective, however, I still feel unwillingly bisected, torn.

At the culmination of everything, Artemy Burakh and the player are roped into a cruel, two-pronged choice. Destroy the Polyhedron along with the miracles of the Steppe, or let the plague devour the town as you lead the Kin back to its heart. In these scenarios, you either assimilate the Kin into the town, which many of them will despise you for, or push out the nonindigenous townsfolk by force, letting nature run its course. Any third option has already been amputated, beyond your will. You cannot protect the Kin completely either way, some will likely die from the plague in the latter, and the more fantastical will in the first, by being cleaved from the earth’s dying magic.

Diurnal, or Nocturnal. No matter how you look at it, the kin cannot thrive in either. For it to be a choice at all, hurt, to say the least. After playing the bachelor’s route in the first game, I’m sure that was deliberate in an anti-utopian sense, perfection is impossible etc, etc. But the first lens I saw it through, stuck with me.

When I initially read Isidor say this after Artemy’s trial in the abattoir:

“Facing the Future is the way of Love. Facing the Past is the way of Love. But the two are incompatible, and it broke my heart.”

I was devastated. The hopeless dichotomisation of future and past… and I could only construe it as assimilation or death in some manner (but I could not see what role it took yet). That feeling festered for a while, but I wanted to see it from another angle. I think it's natural to be sensitive to the words “progress” (which is usually linked to “civilisation” and colonisation) when anchored against Indigenous culture, but I didn’t want that to blind me completely.

On its own, I do like this line. It’s weighty. And I think it articulates aspects of Indigenous struggle well, to some degree. Going back to the “past” is somewhat impossible for many reasons. Decolonisation is needed but I don’t believe it means restoring the “past” fully by any means. Culture is not stagnant, and neither is the future. To say they are incompatible though pains me. Especially when contextualised inside the divide between the kin and the town. It is an intentionally agonising line, and successfully so. Pitting the themes of Past/Future, against, Kin/Town, is something I find hard to reconcile with. Even just the first part irks me; personally the past walks with me at every step, the future is void and useless without it in full view. But I wouldn’t say a line from Isidor (or Artemy’s subconscious) necessarily defines the game more than it does his perspective. For me, it is the patterns that follow and precede it.

Aspity is a very obvious portrayal of what it looks like to “face the past” completely. Visiting her sanctuary, It becomes very evident that her opinions of the non-Kinfolk sway towards genocidal. They must “flood the town”, as she put it. Considering their treatment on the Bull Project and well… everything else, It’s not unfounded. During the night visits, we develop a growing understanding of what is at stake for the kin. Their language, legends, arts, and traditions, and too many Kin are dying from pest and persecution (Its a familiar story). Herb brides are forced to sell their cultural dance to get by (another familiar story for Māori, kapa haka and tourism, our culture has also become a commodity out of necessity). Legends like the shabnak adyr too are warped by the townsfolk (as it is used as an excuse to target Kin women). Assimilation means these things for them too.

There's also the case of how the Kin are depicted as more animalistic than the “more human” townsfolk. Oyun, Big Vlad, and even Artemy have a long history referring to them as such. To make the Kin less than human is inherently othering (as is any case where the empire views us as inherently more primitive or unevolved). The importance placed on Aurochs and being one with nature in Kin culture paints this in a less hostile light (Big Vlad’s view not so much). But I fear the effect this might have on player perceptions of the Kin will be negative regardless. I’ve seen a few statements about the Kin being a “hivemind”, I can't say I entirely agree. Many are divided on how they view Artemy, as well as what they desire for the future. I’ve also seen this in reference to when a few odonghe gift you organs for your tinctures, but at this point everyone in the town is desperate for a cure no matter the cost. Their more violent practices appear to weaken many fans' empathy for the Kin, painting the Nocturnal ending darker and darker. Getting rid of herb bride “marriages” would be a good thing at least right? Assimilation might be a good thing then? Nothing good comes without cost, and for the Kin this cost is too steep. Survival doesn't have to mean losing yourself piece by piece.

I will say that despite liking the non-Kin townsfolk, I do wish there was a larger Kin presence among the main roles. While we have Nara, Aspity, Oyun, and Taya, I understand how their presence does little to assuage the dread of seeing the rest of the cast wade out into the Steppe. For me, seeing Murky and Sticky in such a lost state during the Nocturnal ending, made me unable to see it as anything but a mistake.

Two other alternating themes are present through the endings. Childhood (miracles and dreams) and adulthood (waking up and walking forward). The dominant presence of children in Nocturnal, and the fact that walking through the near empty town really does feel like a nightmare, showcases this. The impossible has been made possible, the earth sleeps, sated. The endless cycle of responsibility, from father to son, from parent to child... Children rule the future here. In Diurnal, this cycle, at least, has some room to be broken. Responsibilities are weighed more evenly. Letting go of miracles and childhood dreams, that is the only future in this end. I’m not sure If i have to discuss how problematic it might be to place indigenous revival in the realm of childishness, and assimilation in the realm of growing up, but i thought i'd leave the notion there regardless.

Leaving how you view the two ends aside, it's obvious that Nocturnal has a heavier, gloomier tone.

Maybe having a third ending would’ve been reductive, to have one person so easily find a solution to unifying the town. But, it hurts so deeply to have that choice wrenched from your hands. The choice might have been severed by Isidor, but it felt like so much was possible for Artemy. With one foot in both worlds, the potential of true reconnection, i thought we could move past what was possible for his father. It felt like that was the direction Artemy was moving in, seeing the choices before him and bullheadedly trampling through the middle. Just like he did with the cure, finding the impossible connection.

As it stands, the endings are brutal. Survival for the kin is held by a thread, regardless of the direction you look. They either die a physical death, or a cultural and spiritual one (the two could very well be interpreted as present in both depending on how you look at it). By your conversations with Aspity, even if they survive, the Diurnal end is hinted to lead to an essential “dissolution” of the Kin as they know it. Wherein the differences between the Town and Kin will become so negligible that the two are no longer distinct. Which from my perspective is its own, however voiceless tragedy.

Ok, that was a lot of negativity but I’d like to be candid. Even despite all that, Pathologic is still one of my favourite games of all time. I saw someone say on here that Pathologic 2 is most interesting when allowing the player to decide where love takes them (even if they are led to extremes). Love being at the forefront, regardless of the choices you make, no wrong answers, that's what I appreciated most when playing as Artemy. Whether you chose to kill the three odonghe for Rubin, begged him to stay despite everything, killed Oyun, the Oglimskys, or the pest, it was for the love of something. The internal strife of having a mixed identity too, the rejection and affection from both sides, is something I related to even if the circumstances were miles apart from my own. I wish that Nocturnal aligned with that energy, that the nuances there were a little less stark. That opposing assimilation felt like less of a mistake.

There's a lot more I could delve into but this is pretty long already. This post could all read like nonsense/surface level, but I’m curious to see what other people think! Especially other indigenous folk, I’m dying to know how others interpreted the endings regarding the Kin.

[cathalbravecog]

letting the days go by

(got a feeling someone defo already drew this so i chose a different pose ref to the mv lol.)

[koushuwu]

「DON’T GET EATEN BY YOUR OWN SKILL」

[sneeperspoi]

Based on true events during @tf2shipswag's shipping poll...

[hinamie]

long way home

[the-ghost-gardren]

"'why does everyone assume it's always about sex' looks at the narrator" Neil says, looking directly into the screen.

Neil really out here calling out the fuckers (cough probably twitter omg who said that-) who just think Astarion is all 'lets fuck ;}' and doesn't even try to have moments outside of that and I'm HERE for it.

[inluvwcaitvi]

i honestly think everyone who, for some reason, expected jayce and caitlyn to end up together are weird asf.

like, why would you expect the writers to pair up an entire 16 yr old girl and a whole grown ass (24 yrs old) man who she’s prob known since she was a young child?? 💀

[grimesgirll]

you like to match.

maybe it’s a remnant of the old world, back when your biggest problem was how well your outfit was received.

most of the time, you had to dress practically. whenever your group came across an untouched clothing store or cache of quality clothing, the priority was typically finding seasonally appropriate clothing and weather gear, fresh undergarments, new shoes, socks, etcetera. you rarely had the opportunity to put together a real outfit. it was all layering and just taking whatever you could carry. practicality had you collecting cargoes in every color.

rick enjoyed your style; you made an effort to look put together when you could and post-apocalypse, all it took was you finding a pair of jeans that actually fit to propel him from checking you out to tearing them off and bending you over the nearest surface.

daryl thought you were a mall rat. he takes the opportunity to make fun of you and your fashion sense while you’re out on a run.

“this is an abandoned kohl’s, not mooningdale’a or wherever the bitch from ‘friends’ worked.”

you giggle at him. “you mean bloomingdale’s?”

“whatever.”

the two of you are scavenging the former shopping center in search of any edible food, water, tools, anything for judith, just anything that could come in handy. winter coats and appropriate weather gear were pretty large priorities as well.

you thumb through racks of clothing, estimating if it suit fit the person from the group who you were mentally fitting. from flannels for carl, onesies for judith, and boxers for rick, you’re tossing your finds over your arm like an associate was about to come up and offer you a basket.

the pile you’ve accumulated is ditched on an ottoman in the shoe department when a pair of boots catches your eye.

“fuck,” you whisper low enough for daryl not to hear. the brown leather boots have you salivating at the mouth. god, you have nowhere to wear those but if you did…

you’re forced to pick your jaw up off the floor when daryl comes around.

“find anything worth bringin’ back?” his arms are full with everything from tool kits to batteries.

you shake your head. “nope, not much. i’m gonna grab a cart though,” you mention, gesturing to the haul in his arms.

“just don’t get a squeaky one in case there are any walkers lyin’ round.”

“of course!” you chirp, hand wrapping around the metal handlebar as you pry it from a line of other shopping carts.

daryl dumps his finds in and while his back is turned, you toss in the pair of boots. a layer of two of tissue paper on top seems like a good enough disguise.

then the two of you are back to walking the sales floor. you can’t help but watch daryl as he walks in front of you. your breath hitches when you notice how tightly that shirt clings to him - to his rather large arms specifically. you’re so engrossed in how he pushes the cart that you almost miss the gadget out of the corner of your eye.

suddenly you’re doing a double take and walking yourself back to the electronics section.

“you makin’ a documentary or somethin’?”

you turn over the camcorder in your hands. “maybe.” you smile at your traveling companion. “you can take me on one of your hunts and i can get some footage.”

“spook all the deer while you’re at it.”

laughing at him, you flip the screen fully open and put the recording device up to your eye. “maybe i’ll make a survival documentary. video diary or something.”

daryl is walking up to you and flipping the camera shut as soon as he notices the viewfinder trained on his groin.

“what?” you cry, immediately putting on a fake pout. “you don’t wanna make a porn with me?”

“baby, this is a kohl’s.”

you shrug. “what’s it matter? i’m sure people made porn in kohl’s before. wanna go to the dressing room?”

“i don’t think we have time for all that-,”

“ah, i think we do.”

despite his protests, you tug him away from the electronics section - camcorder in your back pocket - and make a beeline for the dressing room.

rick and daryl didn’t like you leaving alexandria without them.

most of the time they made you write them a list as opposed to letting you window shop in the wasteland yourself. so something so mundane as using a dressing room is kind of exciting to you.

the man with a hand in yours rolls the cart up to the dressing room attendant’s desk.

daryl frowns when he notices the boots under the tissue paper. “baby, the fuck’ are these?” he holds up the most gorgeous pair of boots you’ve ever seen.

your lip quivers. “the best pair of shoes i’ve seen since atlanta.”

“how the fuck are you gonna run from walkers in these?”

“uh, i won’t.” you spit.

“you mouthin’ off?”

“never.” you promise with a chuckle.

daryl just shakes his head. “put ‘em back.”

“i think i’ll keep them.”

“really?” he pushes the cart aside to stand in front of you, close enough so that you can feel his body heat radiating towards you.

you offer a playful smile. “i think you just need to see me in them first. then you’ll be convinced.”

with that, the two of you are darting into a dim dressing room - boots in hand.

it doesn’t take long for you to hear the fitting room door swinging open, announcing that rick has found you two.

“we were just discussin’ the merit of her wearing underwear.”

you’re glad the three of you are confined to the handicap dressing room. you wouldn’t want anyone to see your blush when rick gets a cocky grin on his face.

he takes in the sight of you with your jeans pushed down and his best friend next to you, another finger toying at your underwear.

“well, you know my answer.”

you don’t need to ask the constable; he’d make it law for you to go commando at all times if he could.

“yeah, i don’t think you need ‘em.” the younger man agrees.

“why is me wearing underwear such a debate?” you question with a wistful smile. “you two spend awfully more time talking about it than it off.”

“why don’t you show him your boots first?”

you lift an eyebrow, and a leg and do a little kick, still mindful of the intimate dressing room. the light falls on the posh leather boots in such a fashion that you’re forgetting you snatched them off of a shelf at kohl’s.

rick whistles. “you look great in them, darlin’. i’m curious where you think you’ll be wearin’ then though.”

shrugging, you settle back down onto the seat and begin freeing yourself from the leather brown boots. “not sure. they’re pretty to look at though.

“that they are.” rick agrees.

“why don’t you keep ‘em on?”

you raise an eyebrow. “i thought they were,” you make air quotations with your fingers, “shit boots.”

rick sniggers. “so mean to her, dare.’”

you nod, zipping a boot back up. “really.”

“i think you should apologize to the pretty lady. tell her you like her boots.”

you teeter a boot a foot above the ground invitingly. daryl falls to his feet in front of you with a frown that you know is a front. as soon as he’s faced with your inner thighs, his hands are laid out on top of them, and he’s iterating beneath you,”

“i’m sorry ‘bout your boots, baby.” he states, eager fingers inching closer to your waistband again. “i think you look fuckin’ fantastic in ‘em. but where are you gonna wear em’?”

you have an answer but as he peels back your panties and leans in to face a mere few inches from your dripping core, your response is stuck in your throat. it takes a sharp inhale to regain your thoughts when his finger and tongue begin tempting you at the same time. rick leans against the wooden paneled wall, crossing his arms at you.

“you know they’re gonna be hard to match with all your other clothes. not that you don’t have enough.” rick sighs, running a hand through his hair like he’s thinking about storage and reveling in spectating daryl touch and tease you. “you already filled up the closet last time you came out with us. you’re gonna have to call rosita over to take some of it off your hands.”

you roll your eyes. they’re telling you that you need to get rid of clothing like every other month. when it comes time for them to make you bag up anything you’re willing to part with, you typically found some way to end up on your knees or with them bending you over something. that usually gives you another month.

“i thought daryl was saying sorry.” you grumble, smooth legs kicking playfully in protest until daryl has them pinned against the seat, his tongue licking furious stripes from the top of your clit down to your aching little hole.

“baby, you’re so wet.” daryl comments, lips smacking with your slick.

“as always.” rick jeers, walking over to sit next to you. “hey, doll,” he greets into your mouth.

needy and bucking into daryl’s soft mouth, you return the kiss with a fervor that rick’s not expecting. he groans at the bruising brush of your pillowy smooth lips against his.

you’re reaching your hand to the side to grasp at him when you instead find your camcorder. remembering your original plan, you pull it forward onto rick’s lap.

he only chuckles into your mouth when you open the video camera and aim the lens on the man going to town between your legs.

“you forgive me, baby?” daryl inquires with the addition of a finger.

you nod up and down. “fuck, i forgive you, dare’. you’re so good with your mouth.”

rick’s smile turns upside down when he notices how shaky your hand is getting as daryl brings you closer to your first p.m. orgasm. he brings a steady hand up to relieve you of your cameraman duties.

the opportunity presents itself to fall back into rick so you take it. his chest is pressed snugly against your backside now as he angles the camcorder to catch the downright debaucherous scene occurring in this kohl’s dressing room.

your legs are quivering and you’re chanting daryl’s name when he removes his fingers and goes all in on your pussy.

rick clasps a hand on your mouth. “shh, honey. don’t want the others to think somethin’s wrong.”

“mhmmm,” you shudder against his hand.

the pleasure daryl’s been doling out to you comes in the form of a mind numbing orgasm that washes over your tensed form from head to toe. daryl doesn’t slow down either as you cost his face in your sweet slick. he’s licking patterns into you and you swear he’s trying to paint the alphabet across your cunt as you ride out the delicious pressure your boyfriend is treating you to.

“how are you gonna walk back to the car?” rick asks you, pulling your face gently towards his to cup your chin and engross you in another kiss. he only separates from you to pass the camcorder off to daryl and lift your thighs.

“might have to carry you.” daryl muses and begins undoing his belt.

“rick, you’re gonna fuck me, right?” you crane your neck to lock eyes with the man entering you right then and there.

“fuck, give me a moment, darlin’.” rick shakes his head as you grind against him, unable to think straight.

you’re catching your breath when you look up and notice the blue eyed man behind the somehow closed camcorder. bless him.

“i think you have the cover on,” you giggle and stretch using your tippy toes to flip it back for him.

once the red light is on your face, rick yanking your tank top off and attacking your bare chest with open mouthed kisses. the nipple he pops into his mouth pebbles even more at his touch. his mouth coupled with the all encompassing stretch you’re enduring is drawing every moan you can muster.

he cements a grip on your hips to raise you up and down on his cock in his lap. the plushnsss of your ass is making him feral as he’s met with that same pillowy softness upon every meeting with his pelvis.

daryl keeps the camera on you, rick, and the mess you’re creating in your laps. he shuffles to stand next to the seat and offers you his now nude cock which you happily take into your mouth, earning him a better angle in the process.

the camcorder captures you oohing and aahing around daryl as rick fucks the past few hours of tension out of you. nothing like justifying fucking your brains out in a dressing room on stress and performance.

the girthy man in your mouth is thinking the same thing. daryl hisses when he hits the back of your throat and you gag. he’s fucking your throat even faster once he catches sight of his dick disappearing in and out of your pretty pink lips on the screen.

like a seesaw, you rock up and down on rick. the way rick is thrusting upwards into you has you moaning pornographicly around his best friend’s length. it’s only so long before you have to give in. you’re rolling your hips frantically and making the most debauched noises around daryl.

that’s all it takes for the archer to twitch in your throat. you’re prepared to swallow but before you know it, he’s backing his cock out of your mouth and holding it directly in your face, pumping with one hand and recording in the other.

“watch out, rick,” he warns.

and just like that his cock is in front of you, spurting and coating your face.

“does that go with your outfit?”