Always an experience watching the leftism leave FNAF fans when someone mentions that Scott Cawthon financially backed fascist politicians.
The switch from posting hardline leftist tweets about boycotts and signal boosts and critical takedowns of politicians and celebrities to ‘ohhh, well. everyone makes mistakes. who can blame him, listen he. he donated money to gay charities too. that makes it ok! a millionaire in his forties is allowed to have political beliefs. does it even matter? just let it go!’ is whiplash inducing. The antivaxxer celebrities have got to go, but this one horror dev who quietly handed wads of cash to antivax lawmakers? He’s chill, he can stay.
The charity thing is so funny too because suddenly utilitarian positive-negative point counting is the way to go. Maybe an abacus would help calculate the net good of donating to the Trevor Project minus donating thousands of dollars to Mitch McConnell and Donald Trump. -10 points if I push a kid in a lake but +11 points if I help an old lady across the street, so I’m chill. You can’t judge me. Hey, maybe. Just don’t push a kid in the lake period. How fucking low is the bar when we’re excusing maxing out the possible dollar amount of donations to Mitch fucking McConnell. That should be like. Default you’re a bad person.
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i need people to stop telling me “queer isn’t a slur because X amount of gay people said so in an online survey!” like i’m sorry but you guys need to take a statistics class and learn that surveys/polls do not provide accurate data. polls and surveys are so fucking easy to skew and it happens all the time.
and even if the ~grand majority~ decided that queer isn’t a slur anymore, you still fucking respect those who don’t want to be called queer. shaming people who do not like being referred to as queer makes you no better than the oppressor.
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Fiona and Cake spoilers seriously
(Something I noticed abt Betty and Simons relationship)
I love Betty and Simon’s relationship, I think their back story is so cute and romantic and all that lovely stuff don’t get me wrong.
But there’s this under tone of Betty constantly giving things up for Simon and we don’t really talk about it a lot???
Like, Betty let Simon have his moment with the artifact and the pubic, she also doesn’t go to her trip in favor of going on an expedition with Simon. Then when she goes to leave again she stays for Simon.
Even Fiona is like “you went with her on the bus?” And Simon just looks all confused like “what? No, why would I do that?” Like- hello???
Then after that she gave up her entire life and mind to get Simon back to the point where she literally says “I don’t know who I am without him anymore.” And that just sucks! Since the beginning Betty has been the one giving up the most, her mind, her own possible career, and it’s a story of love of course and it’s very sweet but it’s also a story of sacrifice.
Their love wasn’t a perfect solution, it was already sort of imbalanced when it started and I lowkey love how we see those cracks even before they’re together.
Again, I love their relationship and I think it’s sweet. I just think we should talk about Betty’s side more, especially when she tells a story of what most women do in relationships, sacrifice.
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Can I say as someone who's a Pacific Islander, lived in Australia, Oceania my whole life, it's absolutely mind-bending how many Americans think that when it comes to english speaking countries it's only them and Europe.
Like the "oh sorry I don't use Celsius like you Europeans" stuff, you know everyone uses that right? Everyone? Absolutely everyone in the world except you?
When you talk about having a kettle as a standard kitchen item and some Americans are like that's SO british. It's not? It's all of us doing that?
I'm not making this to try and rag on Americans I promise, this isn't an 'all those Americans are ignorant and we're not' post, I'm just saying it's very baffling to be a person on the internet who speaks English and says they're not American, the FIRST response is "okay European."
???
The vibe is very 'Americans are the standard, Europe is the only other real place and then there's the east'😭
Like most of us are in the Commonwealth, measuring with kilometres, doing Eurovision. Americans are the outlier😭
I just can't impress upon you how many times I have discussed a thing that isn't a standard in the USA for an American to assume it's only a fringe European practice, we're ALL doing that man, all the rest of the world exists, it's such a gamble for you to assume I can only be in your country or Britian ☠️
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Do you guys ever think about how much Klavier Gavin loses over the course of AA4?
-- Hella spoilers for Apollo Justice (AA4). Go play it, it's a masterpiece. --
Where is Klavier during 4-1? Probably preparing for a show, knowing him. How does he learn about what happens to his brother? Who tells him? Not Kristoph, he's already been taken away. Is it his family? Is it Daryan? Or does he find out from the paparazzi after his set is done, all shouting at him "Klavier! Klavier, do you have a statement on your brother's arrest?"
I wonder what happens in the in-between. Does he go to Kristoph, demanding the "what happened" and the "why did you do it"? Does he get anything? Or does Kristoph just stare back and give him vague explanations that mean nothing in the grand scheme of it all? Does Klavier beg for the answers he doesn't get? Does he cry? Does Kristoph just stare back, knowing that eventually Klavier will give up like he always does?
Klavier is so flashy in 4-2. I wonder if it's a front. I wonder if it's the hasty bandage wrapped over the aching, still-bleeding wound. After all, he's up against the same defense attorney that got Kristoph arrested. And that attorney is good at what he does. In a way, that's its own loss. It means that Kristoph's arrest wasn't a mistake. There's no way that Justice screwed up. Kristoph killed a man in cold blood, with almost no motive. And Klavier is just expected to move on. His brother is a monster. Move on.
I'm almost certain he starts confiding in Daryan in the in-between. "I dont know what to do." "He wouldn't talk to me." "I need to cut my hair now." "I can't look at myself." "He was arrested, Daryan. He killed someone, Daryan." "I look like him!" "I don't know him at all anymore!" "What do I do? What do I do?!" "I hate seeing him when I look at myself." "I miss him." "I look just like him!!" over and over and over. It's him putting his head in his hands, desperate to block out the vision. It's the "C'mon, Klav, we've got a show soon," as Daryan carefully turns him away from the dressing room mirror.
So what happens in 4-3, when Klavier starts to piece together the case? What happens to Klavier when he realizes, in time with Justice, that the shoulder he'd replaced his brother with did the same thing? What happens as Klavier watches Daryan break down on the witness stand? What happens as Klavier watches him get led away in handcuffs? What happens now that Klavier is completely, utterly alone? He can't confide in his murderer brother. He can't confide in his murderer bandmate. Who else does he even have?
…Justice? Apollo Justice, the man who got them both arrested? The man who pulled every little secret from the cases, who pointed the blame to them? Apollo Justice, the one that remains at the end of the trial, when the dust settles? The one who looks so proud of himself as he tears apart every person Klavier loves?
He can't take it. He can't take any of it. He hates the way he looks at himself in the mirror every morning, shaking off the sudden twinge of fear that he looks too much like his brother. He takes up smoking again, something he hadn't touched since turning the Gavineers into a serious endeavor. But the Gavineers don't matter much now, do they? He stops trying to get answers out of Kristoph. He does his best to not think about Daryan. He just wants to be left alone. He just wants to put his pieces back together. He can't get himself to pick up his guitars-- he nearly considers getting the ones in his office shipped off to a storage facility. Instead, he covers the case with bedsheets like he's a child again, and he starts safety-pinning newspaper clippings and red string to it. Maybe if he does enough digging, he'll be able to find out why Kristoph did what he did. Maybe, if he tries hard enough, he can shove the right evidence in Kristoph's face. Maybe, if he just does more, he'll be able to talk to his brother again.
It consumes him. He talks to no one. He barely goes home-- instead, he stays up for days at a time and collapses in his chair when his body succumbs to the exhaustion. He lives almost entirely off of coffee and cigarettes and whatever snacks are in the prosecutors' office break room. He looks awful. He feels awful. He stops making progress after a certain point, just falling into this awful, awful spiral of hatred and guilt and shame.
And it's nearly a miracle when Phoenix Wright comes to his office, asking him to help test a new trial system. He accepts without a second thought, not even bothering to check what case it was.
Oh, 4-4. Oh, when Klavier realizes with mounting horror what he's gotten himself into. When Klavier figures out that not only is his brother a murderer, he's a serial murderer. Kristoph has a seemingly never-ending web of lies, plots, schemes, and the like. And there's Apollo Justice, and himself, working in awful tandem to tear it all apart. Justice doesn't even realize that he's pulling Klavier apart at the same time, does he?
Klavier keeps looking at Kristoph, begging for any kind of retort. Any truth that can cut down Justice's line of logic. That retort doesn't come. The family closet's been full and shut for a long time, and now suddenly it's all being pulled out to the tune of "Objection!"
It's sick. It's an awful nightmare. He's not waking up from it.
Klavier is stronger than a lot of people give him credit for. But he's not strong enough for all this.
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Behind the scenes, American officials also believe there is limited time for Israel to try to accomplish its stated objective of taking out Hamas in its current operation before uproar over the humanitarian suffering and civilian casualties – and calls for a ceasefire – reaches a tipping point.
In fact, there is recognition within the administration that that moment may arrive quickly: Some of the president’s close advisers believe that there are only weeks, not months, until rebuffing the pressure on the US government to publicly call for a ceasefire becomes untenable, sources told CNN.
A lot of this pressure — the majority, I would wager — that Biden and US national leaders are getting is the result of people calling their reps, attending protests, writing to their newspapers and generally making themselves heard on this issue. People make a difference, and it's always worth reaching out to your legislators and telling them what you think.
Senators' info is pretty easy to find, since you've got two for every state (even DC and other non-state people have someone they can call!) but sometimes it's a little tricky remembering who your representative is, especially now with the district lines having changed up. So check your address here and then call their office — I've found more luck getting hold of an actual person at their local offices rather than the DC one, fwiw.
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Okay I have a little theory about code eggs, I'll try to make sense of it.
I'm thinking why Code Flippa wasn't at the event spawning mobs and attacking players, I'm thinking why she talks (weird) and Code Tilin, Trumpet, and Bobby didn't, I'm thinking why code Chayanne does (perfectly).
First, Code Chayanne and Tallulah are based off of eggs that are still alive, probably made by the federation using data they've collected with pictures and watching them interact with players, built by them from zero, but not acting similar enough, not enough data.
Code Tilin, Trumpet, and Bobby could be made from tampering with the code of actual eggs that have passed away, who were given time to spend some last moment with their parents, then taken away BY the federation, who presumably has all their data and memories, which makes them convincing yes, but hard to control, especially Bobby.
Out of all the deceased eggs, Booby lived the longest and had a strong bond with both of his parents, maybe that's why he didn't fight Jaiden and Roier himself, unlike Tilin and Trumpet who had no problem killing players.
But why wasn't Code Flippa there? Why was she hiding in the caves and talks weirdly, asking Slime not to tell anyone about her being there?
I think Code Flippa is a runaway
Now hear me out! She was the first to die, then brought back to life, DIED AGAIN, was given a gun(unobtainable) by the devil, flew multiple times in creative. Juana Flippa, in my opinion, has the most chaotic code/data out of all the eggs. Whether the eggs were reprogrammed or made out of their original code, I'd say Flippa would be the most difficult to kept under control, which she did broke free of.
Code Flippa is roaming free (as free as hiding from feds can be), trying her best to talk to her dad , and she is not going back.
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