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being right
Trent's opinion of Ted Lasso goes from utterly dismal, to slowly wearing down into something generally negative but with an edge of reluctantly impressed, to, abruptly, turning on a dime, into something glowing.
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murderwasthecase · 6 years
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Showcasing Marvel’s Daredevil - The Crown Jewel of MCU
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Quick rant about the situation
So this shit just happened and of course I wanted to say something. Daredevil has been CANCELLED by Netflix. Honestly, if you follow this kinda stuff, I think you all saw it coming after they did the same thing to Iron Fist and Luke Cage, but this shit hurts because the show’s third season which was, in my opinion, maybe the best one yet still hasn’t cooled off, people are still talking about it, it received many praise from critics and audiences alike, and it just came off as a really cold thing to cancel the show now especially if you’re a fan of the series.
There are already millions of videos and essays on what this kind of Thanos-snapping his fingers action that Netflix just did with Marvel’s heroes could mean and I will not talk about them in this particular piece. Instead, I’m gonna pay a tribute to the show by going through some of my favorite moments of the three seasons that we got. We definitely deserved a few more and as of now it could theoretically happen on some other network, but the Netflix era of Daredevil is over and during that time, it made it the best superhero tv show that was ever created and probably the best thing to ever come out of MCU alongside Infinity War. And now you’ll see why. By the way, the idea is to showcase the genius of the series through some of its best scenes so if you haven’t seen it, you are warned.
Writer’s room of Daredevil has blessed the MCU with some of its richest characters. Their actions are well-thought, striking and every one of them has some kind of dilemma going on in their heads which makes them more human and more interesting for the viewer. They have personal demons and individual values which are fleshed out to the maximum. That characteristic just brings those fictional people closer to the audience, resonating with their own lives. While MCU’s movie characters are more concerned with battling aliens and saving the planet, ones in Daredevil fight the battles of the ordinary people. 
The drama in Daredevil is mainly based around the clashes of polar opposites in the lives of its main characters. The best example of this is, of course, Matthew (brilliant Charlie Cox), whose ever-lasting moral fight with his Catholic faith and God is one of the running themes of the show. The crescendo of it comes in the series’ third season when Matt, much more pessimistic than before, considers taking another man’s life which he earlier swore never to do, running away from the fundamental principles of his religion which earlier guided him through his vigilante mission.
While the aforementioned third season takes that battle inside the mind of Matt Murdock, in the previous one, we can see that fight literally taking place with another person. Enter Frank Castle, aka The Punisher, played by the amazing badass that is Jon Bernthal, who does the same thing as Daredevil, except he TAKES lives because of his beliefs. Psychological clash between these two broken men takes it’s heights in the third episode of the show’s second season, where Daredevil confronts Frank Castle and tries to reason with him, eventually planting the seeds for clash in his own head a season after that.
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That is exceptional writing and phenomenal acting right there. Even though I think the second season of Daredevil is the least good one from all of them because of the tiring ninja subplot, the Punisher arc is one of the strongest things that happened in these series. That’s another polar opposite for you.
Dialogues like that are one fantastic way to flesh out characters and their essence, to show us who they are and what goes on in their heads. Daredevil isn’t overcrowded with quips and sarcastic insults like the movies are, the time it’s not wasted on melodramatic, soap-opera style love triangles which occur in the CW shows. Compared to them and even to other Netflix superhero TV series, Daredevil brings a deeper meaning to its characters by including philosophical arguments that connect us to their dilemmas, layering the story in the process. For instance, take a look at this scene (can’t embed it because of Tumblr) from season 1, when father Lantom tries to answer Matthew’s question about the existence of Devil.
Have you heard the last question in that clip? This scene not only brings a thought-provoking anecdote to the table - it’s much more than that. It serves as a great MOTIVATION for the main character to link the speech to his real-life situation, to try and stop the evil, even if its power seems impossible. This is superhero mythology at its finest.
And it works for antiheroes as well. Like the situation from season two, where Punisher refuses to deny his radical beliefs, taking a piss on the whole judicial system in the process, packed with another great Jon Bernthal performance.
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Talking about great acting, it would be a sin not to showcase the ability of Vincent D’Onofrio who gives a role of his career as the main villain Wilson Fisk, the pinnacle of excellent writing on this show.
His portrayal of this crime lord is so menacing. D’Onofrio plays Fisk who with his posture and gestures reminds you more of a shy child than a criminal mastermind, but he’s at the same time almost harrowingly dominant and explosive.  This makes for an extremely unpredictable villian who is layered, complex and whose character development is, as a result, ever-lasting. Just watch as he transforms the scene by delivering this great analogy about the good samaritan.
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To all you aspiring writers, actors and directors who want to work in the superhero medium - take notes.
When talking about Daredevil I obviously have to talk about action scenes. I would argue that Marvel’s Daredevil is probably the best action series of all time considering how it balances good writing and exhilarating fighting sequences, but I’ll let someone more experienced to prove that hypothesis.
The action in Daredevil has reached almost a mythical point by now, with fans making memes about their duration and ridiculously coordinated and well-executed stuntwork and camera work. Hallway fights have become a norm on the show and there are lots of good YouTube videos that analyse them so I won’t get in detail here and dissect them even though that would be fun - I will rather point out the one geeky detail about them which is key to why the most talked about action scenes in Daredevil are so good.
You know what was my all-time favorite action scene on tv for a long time? Let’s take you back to the first season of True Detective, precisely, to the end of fourth episode, when Rust Cohle infiltrates this biker gang and goes on a mission to the hood with them - just to blow his cover and capture their leader. This is one of the best scenes I’ve ever seen in tv series, ever. Director Cary Fukunaga decided to film this as a TRACKING SHOT.
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By placing the camera directly behind Matthew McConaughey’s back he placed US in the perspective, almost creating a 3D, video-game like environment in which we get close to the situation as much as possible. Doing this, he creates tension, the feel of urgency and danger which resonates with audience and makes everything more interesting. That raid scene was six minutes long without visible cuts or edits. Fukunaga used a long take which made episode end on the high note. In my opinion, this is how grounded action should be made. It has to communicate with viewer, it enhances the atmosphere.
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When I saw something similar in the hallway fight in Daredevil’s first season, I was hyped. It wasn’t exactly that as we watched everything from the hall, not from “behind Matt’s back” perspective, but it reminded me vividly of Fukunaga’s take. And in the second season, when they filmed the Staircase scene, they used that exact method which they pushed it to the limits in the prison sequence in the third season which is as of right now definitely my favorite action scene in any tv series, of all time, period. And another thing which is mind-boggling is how they make it longer every season. Hallway fight from the first season was three minutes long, Staircase was five minutes, while Prison was around eight. All in single take. By that, you can see how the cast and crew tried harder and harder every season, pushing the boundaries of not only superhero genre, but the tv series making in general. Do you know how hard it is to film something like those scenes? You can look it up online, it’s an extremely difficult work.
DAREDEVIL has created a perfect mixture of drama and superhero crime story, presenting us a gritty world of crime-ridden New York. Of course, as everything, it has a few problems here and there, but it’s by far the most mature thing to come out of MCU. I don’t know who’s really responsible for the cancellation, is it Disney or Netflix or both of them, but I hope they’ll realize what stupid move they’ve made and let the cast and crew continue their magic. Because if not, our dear MCU has just lost one of its crown jewels.
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evenstevensranked · 7 years
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#26: Season 3, Episode 13 - “Boy On A Rock”
Louis is under the impression that Twitty's ex-girlfriend Allison is hitting on him judging by the looks they've been exchanging. A plot filled with wonderful miscommunication ensues! Meanwhile, Steve volunteers at LJH and Ren competes against Tom for a spot to march in the annual Rose Parade. 
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This one opens with Steve driving Louis, Twitty and Ren to school. Steve takes the opportunity to tell them that he’s signed up to be a parent volunteer at their school, to Louis and Ren’s absolute dismay. It’s pretty great when Louis asks if he’s going to embarrass them and Steve says “Well, that’s probably unavoidable.” Well, at least he knows. But, since he knows he’s embarrassing.. why can’t he make a conscious decision to dial it down?! 
We see that Twitty is talking quietly on the phone to someone before he hangs up and reveals it was Allison and that they just broke up. I love this bit because it comes across as refreshingly grown-up. Another thing that feels more High School than Middle School to me. It’s also a very nice moment for Louis and Twitty’s friendship. Louis is super comforting and soft spoken here all “Dude, I’m sorry...” Awww. I love it. 
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At school, the flag core is rehearsing their routine for the annual Rose Parade. Coach Tugnut tells them, “Hey! Don’t get too cocky. One miss-twirl and, well..... We all know what happened to Shamski.” This is so funny. Whatever “unfortunate incident” happened to this Shamski guy has opened up a spot on the team. Literally no one else wants the spot other than Ren, so Tugnut is about to give it to her by default -- until good’ol Tom Gribalski comes jogging into the picture, late due to Opera Club running overtime, hoping to try out. Tugnut tells them both to practice and they’ll hold official tryouts after school. 
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Louis is in class about to take a quiz when Allison walks by the door and starts cheekily smiling at him. I swear to god this is so freaking funny. Louis does a double take because... why would she randomly stop and stare at him like that?! There’s this sultry, instrumental Spanish flamenco music playing and it kills me. 
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The girl is literally biting her lip... what de heck. 
Of course, this is all it takes for Louis to start thinking he’s God’s gift to earth and that every woman ever must be after him. He goes to talk to Tawny about it and says Allison gave him “The Eye” which is great. Tawny thinks he’s being ridiculous so Louis is all “Sounds like you’re jealous that ~the ladies~ are checkin’ me out.” Oh my god. Tawny says “We had our little thing, and now we’re just friends. I’m fine if the ~ladies~ are checking you out” -- which we know is a lie but okay. Again, this all feels very high school to me and I love it tbh. 
Later in the cafeteria line, Allison gives Louis another look. THE MUSIC KICKS IN AGAIN AND IT’S MY FAVORITE THING. This melody gets stuck in my head constantly. I just hum it and laugh to myself because it’s so dramatic and overly romantic sounding for this situation. Louis is now totally convinced that he’s not crazy and she’s definitely into him. Tawny’s had enough already and flat out asks Allison if she’s been checking him out and she says “I have. I like his look.” WELL, DANG. It’s amazing because as soon as she says that, one single chord from the flamenco guitar plays as she walks away and I die every time. This counts as music humor to me. 
Louis gets lost in his thoughts and it zooms into his brain to show us these two elderly men chillin at a Deli discussing the current drama of Louis’ life. WHAT?! 
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This show is so freaking random. I don’t even know where they come up with this stuff. I used to think these guys were stupid and pointless, which they kinda are. Especially since we’ve never seen them before and they’re only featured in this one episode. But, the more I thought about it.. the more I started to find it hilarious. One of them thinks Louis should go for it and date Allison, the other thinks it’s wrong because she’s his best friend’s ex. Um, I agree with the latter. Twitty and Allison broke up THAT MORNING and Louis is already considering going in for the kill. I cannot. He’s insane. But that’s already been established many times and these Deli men are just the icing on the cake. 
Just then, Steve busts out of the kitchen shouting “HOWDY, KIDS! STEP RIGHT UP TO BIG STEVE’S TEXAS BARBECUE!” Are you kidding me right now? Yeah, ya know how I said if Steve knows he’s embarrassing he should just do his best to dial it down? It’s like he purposely turned it up to 11: 
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I love how Shia does the shirt-over-the-head thing to hide from the embarrassment, lol.
Cut to the flag core tryouts. Ren tries her best, but of course, Tom blows her away. Some stock music that reminds me of “76 Trombones” from The Music Man plays while he does his routine, lol. Steve is now on trash duty and comes over to Ren and asks how it went. She says she’ll probably be watching the parade from home again and Steve is clearly a little mad. You can tell he’s gonna do something about it which... come on, man. Let the better person win. Coach Tugnut goes on to say one of my favorite lines when Tom asks which one of them made the team: “Well, I could tell you that right now... But it would be better for your character if I were to prolong the agony for a couple more hours.” So good. Tugnut says quite a few gems throughout the series, tbh. 
Tawny is me once again and confronts Louis about him seriously considering getting together with Allison. She, too, agrees that it’s way too soon. It cuts to the Deli guys and one of them just says “What does she know?! Ehh, this corned beef is too fatty!” which just makes me laugh. Louis suddenly agrees about it being too soon and says he’ll put a stop to whatever’s brewing between him and Allison IMMEDIATELY. Just then, Allison approaches him and it takes all of 0.5 seconds for Louis to completely cave. 
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The flamenco music is playing again here, btw. 
Honestly, y’all gotta hear what this music sounds like for yourself so it can be hilariously stuck in your head too:
Louis goes to the bathroom to talk to himself (and the guys in his head) out loud, as you do when you’re in crisis. Speaking of the bathroom, ya know how I’ve mentioned a few times that Louis moved up to 8th grade in Season 3? Well, this scene is one of the few that definitely confirm it!! The door clearly tells us that he’s in the 8th grade bathroom. Ayyyy!
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Still not sure why the bathrooms are segregated like that tho??? Is that a thing?
Tom is in one of the stalls practicing his flag routine and Louis is shocked. He’s all “TOM! What were you doing in there?!” but Tom turns the tables “The better question is, who are you talking to out here?” Gotta love how Louis owns his craziness and explains “OH! Well, there’s these two old guys who hang out at a Deli in my head and help me out with lifes little problems.” Fantastic. Louis asks Tom where Templeton Park is and we get one of the best moments ever. (Tumblr won’t let me embed more than one thing, so click that link to see what I’m talking about. Tom is the GREATEST.) So, yeah. Louis finds out that people call it “Temptation Park” because it’s a popular makeout spot. Seriously, these kids are in high school ok. I refuse to believe otherwise. 
Basically, to shorten and simplify this subplot: Steve bribes Tugnut with donuts so that Ren will get the spot on the flag core... which she does. Ren finds out and gets mad because she a very fair-and-square person. So, she in turn bribes Tugnut with a cheese calzone to ensure Tom gets the spot instead... which he does. THE END!
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Ren handing her flag over to Tom -- whose life has just been made. 
Louis is a nervous wreck around Twitty because he obviously knows that he should not be messing around with Allison in any way shape or form. So when Twitty asks if he wants to hang out later, Louis makes up some bogus excuse about needing to go sock shopping with his dad. Wow. As usual, Twitty knows that something’s up. 
CUT TO ~TEMPTATION PARK~! The miscommunication culminates here and I love it so much. Louis meets Allison at the park and she lays out a blanket for them and everything. They get comfortable and she asks “Soo, you wanna try something fun?” and Louis’ voice cracks so bad when he answers “.......su..re....” Oh my freaking god. He’s totally thinking they’re about to makeout or something and it’s too much. It only gets worse when she asks him to slip into a bathing suit she brought with her. I’m dyin right now. The guys in his head are all “No good can come of this!!” - Ain’t that the truth. This is where Louis draws the line. He tells her that Twitty is his best friend and what they’re doing is VERY VERY WRONG. Allison is confused out of her mind like “....what are we doing?” Then we get one of my favorite Louis quotes: 
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I cannot get over how CONFIDENT Louis is?! He thought he could easily make a 36 year old woman fall in love with him. Now he assumes Allison can’t resist his gorgeousness as if he’s 1997 Leonardo DiCaprio. Chill, Louis. 
It’s here that we finally learn the real reason why Allison has been checking him out and invited him to the park. She explains “I don’t want to date you, I want to paint you!” Louis is crumbling, oh man... And it only gets worse. She says she wants to recreate her favorite painting “Boy On A Rock” and she was staring at Louis so much because said boy on the rock is literally Louis:
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I swear, if Shia had to actually sit for that painting... that is iconic and yet another poster that should exist if Even Stevens ever becomes as big as Seinfeld. Which it won’t. But still. I’d buy it. It’s actually a real painting by Dan Haberkorn, who was the art director for the show. He has it up on his website in high quality! It’s amazing. I so wish he’d sell prints/posters of it! Gah. 
Allison just keeps going on about the similarities between Louis and the painting: “See? Not really handsome, kinda of quirky, a little off...” “OK I GET IT!” Louis interrupts, lol. That must’ve been a wakeup call. Since Louis stopped their non-existent relationship because of Twitty, Allison tells him he’s a very good friend. I like that. They’re cool after that and Louis poses for the painting. (cover photo) I love the quote here: 
Allison: “Louis, you look perfect. Except you’re missing one thing...” 
Louis: “My dignity?”
Twitty happens to be passing through the park and sees Allison running her hands through Louis' hair to make it look more like the original painting. Twitty gets pissed at Louis for lying which leads to the most ridiculous chase sequence. The way Shia runs is so funny, omg. There’s also some stock song that’s sung in gibberish or something that plays here and it always gets stuck in my head, too. Which sucks because there are no actual lyrics, lol. Louis falls into some mud while running which irks me every time. That poor bathing suit! 
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He ends up wandering into the middle of some girl scout meeting. They call him a mud monster, accidentally toss a cake on his head, and start chasing him as well, lol. These chases are also amazing because Louis is screaming the entire time, and we all know how great his scream is. Twitty eventually catches up to him and I love this dialogue so much:
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Twitty: "So, why're you running?"
Louis: "CAUSE YOU'RE CHASIN' ME, TWITTY!"
My mom and I quote this at least once a week. This is a nice scene, though. The two of them have a heart to heart. Louis basically says it was stupid to let a girl come between them, so they agree that “from now on it’s friends first” -- Disney’s way of saying “bros b4 hoes” which is definitely what two 14 year old middle school boys would say instead. 
Then the girl scouts catch up to him again and the episode fades out on Louis running from them: 
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Some say he’s still running today...
And that’s it! This is one of my personal favorites, guys. I LOVE the Louis plot here, haha. I’ve said before, I’m a sucker for teen drama and seeing Louis spiral into insanity over girls will never not be entertaining and endearing. I think this episode is funny, solid, fast-paced, and quotable! AND again, it’s a personal fave. This one has a lot going for it imo. It kinda kills me to place this one at 26, juuuust shy of the Top 25 (which, can you believe we’re about to hit the Top 25?! I can’t!) but yeah. I like this Ren plot too because it involves Tom and he is the best. 
In case you missed the last entry you can read it here. 
Thanks for reading! 
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