#unfortunate: writer can not write

[mittenlady]

thinkin about klavquill

(the audience boos)

[sciderman]

I give you one better, I invite you to avoid the negativity and tell us. What would be the perfect DP/SP cannon comic for you? Like that topics and motivations and even silly jokes would make you fill with joy and happiness and fun reading it?

Also if you could choose any writer to do it, who would it be?

for real the spideypool book of all time is avenging spider-man #12-#13, for wade and peter's ridiculous dynamic where - unlike most of deadpool and spider-man's team-ups, spider-man is honestly in good spirits and good humour, and is rolling with the punches.

i think that's the big reason why i love this particular team-up so much - it's not as mean-spirited as literally every other spider-man and deadpool routine, where spider-man is kind of excessively mean to deadpool. like sure, wade and peter aren't friends, exactly, but peter's not excessively mean, and they just have this delightful little dynamic where - like, peter's disappointed, but i don't know, it doesn't feel belittling to me. even when peter's disappointed.

it's the most likeable peter's ever been in any spider-man and deadpool team-up. he really really has a likability issue in every single spider-man/deadpool team-up. in every single one, save for this one, peter is just... really unlikeable in the spider-man/deadpool dynamic. he's always holier-than-thou, and i really can't stand it.

so if there were a spider-man and deadpool book i'd want to read - it would have to have wade and peter on equal footing. none of this holier-than-thou stuff - peter doesn't see himself as superior. he probably will still see deadpool as a nuisance, but he doesn't think he's better than wade. i'd want it to stay street-level. i'd want a lot of opportunities for each of them to surprise each other with their abilities - i'd want wade to constantly be taken aback by peter's brilliance, and i'd want peter to be taken aback by how sharp wade is. i'd want that respect between them to grow, over time. equal footing. a balance of powers. i really don't think it's fair that, kind of consistently, peter's always held the power in the dynamic and wade's kind of always a bit of a doormat with peter. so - i want them to dismantle that hero-worship dynamic, and put them on equal footing.

god. and the series has to be funny. dear god let it be funny. the sm/dp series was just - not funny. i can't remember a single joke that landed, for me. if there's anything a spider-man and deadpool book has to be, it's funny. please. deeeeaaaar god please.

[angelsdean]

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

[incorrect-riordanverse]

finally reading tsats here are my live thoughts (spoilers, obviously):

i’m so excited because some pages are darkly decorated and its so cool. still don’t vibe with the title though (the sun IS a star and its peeving me)

why are we talking about dating darth vader 😟 where are we rn (anakin is a yes, but DARTH VADER???)

maybe i’m too old but the jokes are not funny 😭

“this whole place feels like my soul. empty and dark. dark as the pit of the underworld.” <- i don’t care if he’s joking nico would never say thissss 🙏😭 we’re only 10 pages in but please stop butchering my fav character he’s not himselffff i am cringing so bad

i know i’m being dramatic but if they do nico dirty in this book i’m going to end it all

oh my god i don’t think i’ve thought about the words “significant annoyance” in so long. bringing back good memories for sure.

i can tell which parts were written by riordan and which parts were written by oshiro. i don’t think their voices are blending very well together…

also, maybe it’s because it’s the start of the book and they’re trying to familiarise new readers quickly with the characters but it feels like they’re making nico the caricature of ‘emo and shadow and ebony darkness dementia raven way 🥀⛓️🖤’ and will the caricature of ‘happy and sunshine and blonde and flower gleam and glow ☀️🌈🫧’ and i usually like this dynamic when it’s not blatantly pointed out every other page. i have faith they’ll show more complexity than this later on though. future yan will let me know by the end. (future yan here, im not at the end but the characterisation def does get more complex thank gods)

oh ok so it is bob the titan

since when was nico’s actual name niccolo??? how did i forget this detail??

“you have to listen if not you’ll share my fate.” “ominous much?” <- ok he’s finally himself again guys it’s all good

the one-sided beef nico has with percy will never not be funny

“cookie monster appeared over the mouth of the jar, reached inside and gobbled up nico like the chocolate-chip cookie he was.” <- nevermind i’ve gone back to hating this book again

“what was one straight boy when you spent your whole life longing for the impossible?” <- i’m reminded of that time a few years back where everyone made ‘having an unrequited crush on percy’ nico’s whole fanon personality, so i’m glad they addressed this somewhat. this boy has been through so much and people really thought crushing on percy was the biggest thing to focus on about ‘nico angst.’

“we made a mistake. you have to fix it.” <- call me a red flag but if i was nico i would do anything and everything to not go. i would medicate myself so highly on sleeping pills that i can’t dream (doctor bf can go kick rocks). i would track percy and annabeth down and haul their asses into tartarus instead to do it. and if i had to go i would only go in to kill bob myself for sending me those traumatic ass nightmares. no thx. bro willingly jumped in himself and now wants me to save him. nuh uh.

not cupid being will 😭 its like his aphrodite 😭 i am not well.

they always have a really good and emotionally moving scene and they ruin it with a dumb joke. let it be heavy 👏👏

something’s really fishy and i have a feeling that it might not be bob calling for him

if this whole “grumpy ball of darkness” thing continues i will actually lose it

you can’t tell me the percabeth pep talk was actually needed. i will forgive it because i miss them though

im sensing tension in the gap between nico’s connection to the underworld and his relationship with will and i’m here for ittttt. give me the dramaaa

who is the gorgyra girl and why is she in their business sm?

oh shit a will solace pov??? christmas came early 🙏

nevermind that whole nightmare sequence was so fucked up 😭😭

somebody HELP HIM i never thought we would get will angst (nico angst fs, but will???)

DONT JUMP IN THE STYX PLEASE

SOMEBODY TELL HIM HE’S HELPFUL OMG

nico strangling epiales in his sleep is so fucking cool he’s literally HIM he’s literally THAT GUY

[kekisu]

not to step onto anyones toes or whatever, im not really a writer or anything but i think fanfic writers are allowed to call themselves writers, mostly because fanartists are allowed to call themselves artists. im just applying the same logic because it makes sense. im not a fanfic reader either its just not really my thing usually but this is just my opinion, i dont get separating fanfic writers from "real writers," the same way it isnt right to separate fanartists from "real artists" because at the end of the day we all have the same fundamental skill set and are passionate about what we make. the only difference is that we're expanding upon already existing work rather than making something brand new, and even then fanwork can be incredibly transformative to the point of being unrecognizable as being based off that outside thing. idk

[tswwwit]

Wait, does the cheating thing on the bond always works? bcs that would be kinda freaky for R!Dipper like imagine you get pinned down by someone in the corner of a br or smthng and then said person kissed you and proceeded to explode into red mist and you literally have no idea what happened.

Also, would the constellation mark be a "cursed" Mark over the years, like you would give birth to a baby and the doctor says "😟 I am so sorry ma'am,,, I'm afraid your baby has the Cipher Companion mark. ( could also be something equally as science-y like Ursa Major, Constellation Calamation, etc idk)" And you just burst into tears.

Would that mean that dipper would get into a special program(demon wrangling program or smthng, demonologist? Maybe)? Or would the parents hide it away hoping that Bill would never take their child away?

(Sorry this au is just very interesting to me,,,, I hope u get more motivation, keep writing author 💪)

These are all options! The fun part of reincarnation AU being left ambiguous is that technically any of them could happen.

[cerise-on-top]

Could I ask for some fluff of a Hank x Reader x 2BDamned? If that's okay, please!

Hello! Of course you can! Here you go!

Poly 2BHank x Reader Fluff

I would say that the both of them are rather busy people, so you won’t be spending too much time together. It’s not like they can make too much time for each other either, though. However, they’ll try. It’s fairly risky for everyone involved, especially for you. If you’re not part of S.Q. then you’ll likely become the target of some attack if you’re seen with Doc. If you’re seen with Hank, if people can tell you’re affiliated with him, then they’ll attack you as well. So really, you’ll be at a disadvantage either way. However, it’s not like either of them feel like going out too much with you. Yes, Hank will want to get some hot dogs with you at some point since he does like those, but after a mission he’s usually torn as a rag and just wants to sleep. Doc is well aware of the dangers he poses towards your wellbeing, so he actively chooses to not go out with you too much either. However, that doesn’t mean that the three of you can’t be lovey dovey at home. It’s very rare to see Hank and Doc cuddle properly with each other, but it happens. Neither of them are touchy people, but sometimes you just desire the touch of a loved one, so you might catch Hank sitting on the floor next to Doc from time to time, his head in his lap. Hank could fall asleep like this too, actually, but he wants to protect you and Doc, so he usually doesn’t. Doc sometimes has a hand on Hank’s shoulder and gently rubs it to show he’s there for him, but he needs his other hand to go through files. If you join Hank on his endeavours, cuddling up to Doc yourself, then the grunt will sigh in feign annoyance and get away from his work for some time to give the two of you some attention. You can get him to settle down for the night like this as well, but he will only begrudgingly do so. 2B may not be the cuddliest person out there, and neither is Hank, but he does enjoy some physical touch from time to time. You will likely switch it up when it comes to cuddling. While you may be the little spoon now, chances are you’ll be the big spoon next time. 2B and Hank are versatile like that. While Hank may prefer holding someone as he falls asleep, if he’s not headed to bed then he can go either way.

Although it’s rare for Hank to show his softer side, he will do so for you and Doc only. Sometimes he’ll come back from a mission, bloody and almost entirely disassembled, holding a few flowers he found. Maybe even a nice scarf or a cool weapon. Despite being a very confident grunt, he knows he can easily protect you, he does believe that you having a weapon yourself would help you with defending yourself. Sometimes he’ll get you a nice katana, one like he has. Other times you can expect a rocket launcher or chainsaw from him as well. His metaphorical tail starts wagging whenever either you or Doc accept his gifts and thank him. He did a good job on this one, you will be safe and sound from here on out. Give him a nice pat, either on his arm or head, and he’ll happily grunt away. Doc pats Hank from time to time and Hank absolutely loves it. However, only you and Doc are allowed to do that, anyone else will be dealt with immediately. Hank definitely doesn’t mind being treated like a dog from time to time. If he’s in a good mood you can call him a good boy and put his face in your hands, he eats that right up. Be enthusiastic about it as well and he’ll lightly headbutt you. Don’t get mad at him for doing so, he doesn’t know what to do with these positive emotions, so he goes straight for gentle violence again.

Going on dates with the two of them mostly consists of something simple. Doc usually suggests Burger Gil’s since no one cares that Hank is there. People are there for the food, not to get mauled by Hank, so they usually leave you alone. Sometimes the three of you go to take a look at the red sun on a cliff as well, though, and reminisce about the better times. Hank still remembers the greenery that used to be in Nevada. He doesn’t remember it well since he doesn’t miss it in the slightest, but he’s lived a good chunk of his life surrounded by plants. Doc barely remembers them, but he still thinks back on them fondly. While neither of the two of them may be sentimental people, they do like discussing the past. There’s always something new to be learned about each other. There’s this unspoken trust between the three of you, so you know each other better than anyone else. For example, you know that Hank likes being picked up, even if he’s far too tall and heavy for that these days. Sometimes you pretend to try and pick him up just to make him feel good. One fact you’ve learned about Doc is that he sometimes, when you and Hank are asleep, likes to hold one hand of each of you. Sometimes he can’t sleep well, or at all, so he opts to spend that time resting from time to time. He won’t particularly go all out in holding you since he doesn’t wanna risk waking you, you’re both extremely tired, after all, but he does like holding your hands, sometimes playing with your fingers as well. He denies this, but you both know it happens. Sometimes Hank makes fun of Doc for it in his usual demeanour, but he secretly loves it. Hank’s favourite activity aside from killing and maiming is helping you and Doc out with whatever you need, even if it’s just holding the wrench. Doc loves showing you his creations. While he knows you likely won’t understand a word he’s saying, he explains them to you anyway. Besides, if he’s made a mistake thinking it over, then he’s more likely to find it while talking. Besides, he gets to spend time with you, what else could he possibly want?

[figofswords]

anybody remember the stephanie brown essay I was working on under a research grant fully last summer? yeah it’s not done yet it super needs to be done and I’ve been avoiding working on it for weeks. someone tell me to just do it already

[starbuck]

if anyone was wondering, i’m currently reading published RPF about F. Scott Fitzgerald for *checks notes* my job, so that’s how my life is going.

[dallonwrites]

bestie how the fuck do you start writing again when you haven't written in years bc you're so paralyzed with Fear of Writing Badly mixed with How Do I Get Started and also WHAT do I write about HELP

I WANT to write but every part of it is. so. DAUNTING

Ohhh bestie I have BEEN there. Whenever I take breaks from writing I find myself scared that I'll have just….forgotten to write?? I think the fear of "bad writing" is amplified when you don't write for a while, however long, because you have to like hype yourself up to go back to writing and it's like what if I do all that and then I just can't do it? Returning to writing, especially after a long time, for me has taken a lot of mental work, trying to understand what will make writing fun and healthy for me. A lot of it, honestly, is easier said than done, but also it's mental work you'll keep doing after you start writing again and as you write, and for me it's easier to process my relationship with writing when I am actually writing.

A big part of that mental work for me, and something I think is so valuable, is to reconsider what "bad" writing is and give yourself permission to write it. Sometimes you will think your writing sucks, happens to all of us, but that isn't all it has to be. Like yeah, I'll think something I wrote sucks, but I still wrote it. I can revisit it and work on it and maybe I'll turn it into something I'm happy with. And even if I don't, I still wrote it, I learned from it. Writing does not need to be "good" by whatever standard we're holding it up to for it to have value. And you can delete it! Nobody has to see it! Also you can have fun writing something and still think it's not your best. I've written a lot of "bad" scenes that I had fun with because the scene was entertaining to me! I love when writing turns out how I like it, or I write a banger prose line, but equally I found it helpful to give myself permission to not worry about that all the time and just focus on my interest/enjoyment in what I'm writing, regardless of the "quality". Again, easier said than done, but something I've found easier the more I write, because you'll have bad writing days but you'll also have writing days that are so good

I know a lot of people see writing as a skill that they want to improve, and like I agree it feels really good to see your writing grow, but writing is so much more than the skill and the craft and the theory. There is no objective "perfection" to reach with writing like we are not Sims with levelled skills LOL. Writing is art and creativity and it should be fun and fulfilling. And IMO, the more you focus on what makes writing fun, you will grow and "improve" as a writer a lot quicker and in a way that is a lot more enjoyable than if you treat writing like some icy quest for perfection. You also get to decide what "good" writing is for you/your story. Some of my stories are more prose focused and I'll play more with language, imagery etc. Others are more about the plot and just having fun imagining this scene. Sometimes it's a mix of both. What is "good" writing depends on the writer, story, genre, etc. There is no one way to write.

I'm rambling a lot because I'm just really passionate about this and I cannot express enough how easier writing got, including all the difficult and ugly and frustrating parts, when I gave space to prioritise my enjoyment and fun. People love to romanticise the idea of the "struggling" writer. I see stuff on here and I'm like you guys….writing should be fun. Like yeah sometimes it's hard and we should talk about that but like, you Need to make sure you are having fun. Anyway I'm going to try not to ramble and bullet point some things that helped me:

Make Writing Fun: Lol! Literally whatever makes writing fun. Sometimes I just write super indulgent scenes and the fun of that sets me up to work on my projects. When I work on my projects I try to find what in each scene I'm going to enjoy the most, and focus on that to help me write the rest. I make playlists, moodboards, memes, art etc for my story because it's fun, and it helps me be engaged with my story outside of writing it. Just, have fun.

On productivity: some people will benefit from setting clear goals and running towards them. Some people don't. For me it depends on my headspace. I don't think productivity is a bad thing, it can feel good, but productivity should not be the only reason you write. And the most productive writing process is whichever one makes writing enjoyable for you, because that's how you'll get words on the page

On that note, please be wary of anyone online who who treats the writing advice they share as Fact. I'm not saying every writing teacher out there does...but some of them market it that way! And creators do not have an authority on writing just because they have a platform however big. There are some AMAZING content creators out there who talk about writing, and I have found them motivating, but like just let yourself be picky about who you listen to/engage with. I say this because I consumed some very Strict writing advice when I was younger and it literally contributed to my years long slump so like...I'm picky now LOL

About goals: Personally, gentle goals are what help me get back into writing. Maybe just write for 20 minutes, or write every day for a couple days. When I do word count goals, I base them on how I feel that day, and recently I don't make a word count, I'll transfer it to the next session but smaller. So if I try to write 500 words but can't I'll say okay, lets try 250 next time. Goals can be a great motivator and way to feel achieved, and maybe bigger goals will help you, but you're also allowed to adjust them as you go to make it easier

On finding new ideas, having been there before, you don't need a fully fleshed out idea to start writing. My longest break I came back to writing with...one character and a backstory? If you have stories/characters already you can revisit them, either build on what you have or completely change it. Or if you don't have that, if there's a piece of media you like you can take that concept and play around with it in your own way, or you can even just write fanfic until you have your own idea (if you want your own idea, fanfic is cool too!) You can even just find a cool pic on pinterest and play around with describing it, writing about it, seeing if you can get anything from that. Ideas are everywhere and they can be tiny, and I think if you have that want to write you Will find your story eventually. All writers have had the Idea struggle, but I think the more you engage with writing and think about what concepts and stories interest you already, the more you'll like train yourself to get ideas

That was very long and maybe a lot but like, I am very passionate about this! I've been in writing "slumps" where I didn't know if I would write again, I've started writing again with no ideas, and in those times all I had was the fact I knew I wanted to write. There are a lot of reasons why we end up having long breaks from writing and it is totally normal, sometimes beneficial for us, and we should never give ourselves a hard time for not writing for however long. But also remember that you can always come back. Every one of us has the capacity to create, whatever that looks like, and you can make it as self indulgent and self serving as you want.

[firstkanaphans]

Can I ask you a personal question? How do you deal with ungrateful or demanding comments on your stories? Like people demanding you write more or something like that? Or have you ever received a negative comment? How does one deal with that?

I must admit that overall, this fandom has been quite good to me. I do still get a few hate comments every now and then, but they’re few and far between compared to other fandoms I've been in.

By far the meanest comments I get on BL fics are about top/bottom dynamics (i.e. “I can’t believe I’ve read this whole stupid fic only for Akk to bottom. You should have tagged that shit from the beginning 🤬🤬🤬”). These comments do not faze me. At all. In fact, I take almost a perverse pleasure in them. If someone is so homophobic that a character’s preferred sexual position affects how they feel about the story, then they do not get an opinion and they should not be allowed to consume queer media. Period.

Outright hate comments (i.e. “You are so overrated. I don’t know why anyone would read this crap”) come from jealous trolls 100% of the time. Don’t listen to anything they say. Usually these are writers who think their own works deserve more attention and they’re trying to eliminate the competition by convincing you to stop writing. Although it might not feel like it, this actually is a compliment. I usually clap back at these people because I find it fun, but you’d probably do better to just block and delete.

Like you mentioned in your original ask, ungrateful comments are common and they’re also frustrating. Usually these are readers who demand the next chapter right now. Although there’s no way to know for sure, I tend to assume that these comments come from people who might not speak English as their first language because the comments themselves are not rude…they’re just a bit irritating. I think these commenters probably just don’t understand how their words come across.

Although "update pls" comments certainly aren’t my favorite, essentially what they’re saying is that they're enjoying your story so much they literally can’t wait for more. And that’s a good thing! It is annoying, though. Especially when that’s all they say. So a rule of thumb for any commenters: It’s perfectly fine for you to voice your excitement for the next chapter, but maybe include a nice note about the current chapter as well? “Loved this chapter! Can’t wait for the next one!” is fine. “I NEED ANOTHER CHAPTER RIGHT NOW” is not.

Ironically, the comments that bother me the most are usually well-intentioned. I am far more sensitive to critique than I am to hate. Comments like “This character annoys me” or “I don’t understand why this character would do this” or “Can they please just get together already?!” come from people wanting to engage with a fic on a deeper level, but when I read them, they make me feel like I did something wrong. That character isn’t supposed to be annoying, so what am I doing that’s making it come across that way? Am I not explaining the character’s motivations clearly enough? Is something off with my pacing?

I think I’ve come to the conclusion that my reaction to comments like this is just me being too sensitive and that if the reader is coming back chapter after chapter with commentary (even if it is a bit lackluster), they must have found something worthwhile about the story.

In general, I think what helps me process rude comments is simply that I’m very confident in my own writing. I know I write well and nothing anyone says is ever going to change my mind about that. I’m stubborn that way. And although I know confidence is not easy to come by, I would recommend at least writing things that you enjoy so that if someone comes to you with a complaint, you can say, “Well, I liked that part and I’m writing this for me, not for you, so I don’t really care what you think.”

And if mean comments are something you receive a lot of or if the possibility of mean comments stresses you out every time you post, consider turning off anonymous commenting on AO3. That should at least get rid of the trolls.

All of that said, it would be remiss of me not to remind y'all of my favorite comment of all time.

Moral of the story: Sometimes people are just dumb.

[carnivalcarriondiscarded]

Fanwork creators self rec! When you get this, reply with your five favorite fics/art/podfics/etc. that you've made, then pass on to others. Let’s spread the self-love 🌼

(No pressure if you don't want to though!)

Hope you have a good day! ✨

ah damn ok uhhhh i'm still very happy with This Rojade piece, My Murder Boy, this Flight Rising thing, this Julie one, and my DC fantasy fic copper & gold <3

[aberooski]

The way things are going right now just in general, it's probably gonna be a hot minute before I get this fic done and ready for the world. But in the meantime, have this cover art style piece I meant to post for Halloween and didn't oops.

[compacflt]

no like i respect the fact that he’s so dedicated to his own unhappiness that he becomes the worlds most unreliable narrator, however, if per se i had him hooked up to a polygraph machine on an electric chair and asked him to recount every detail from venice he could possibly remember…….what do you think he’d say

Diary of RDML Tom Kazansky 1 February 2002:

VENICE, ITA: 0900: Scheduled phone call with Dept. of Commerce Defense Security Cooperation Agency (DSCA) Deputy Director later today to discuss Foreign Military Sales program financing for the possible U.S.-Swiss F/A-18C sale.

0945: Spoke to Swiss US Export-Import Bank representative over the phone. All systems go.

1030: Reviewed Boeing-McDonnell F/A-18C fact sheet & identified points of Swiss Air Force strategic interest to push at tomorrow’s trilateral summit. Of particular note: high maneuverability at speed & long F-18 history of maintenance intercapabilities, suggesting future SWZ-US A/D industry partnership.

1215: Lunch with ITA Navy Adm. Lambretti & SWZ Asst. Deputy Minister of Defense Leipheimer. Discussed: coalition movements in Afghanistan, ongoing 9/11 relief & recovery efforts and ways allies can continue to help, SWZ tax credit for American investment.

1430: Spoke to US DOD Undersecretary for Policy (Acquisition) re: recent clarification of DOD acquisition policy. Received invitation to attend next year’s IARPA conference. Will consult with OJCS J4 leadership.

1500: Spoke with USN CDR Ron Kerner. Wished me a happy birthday.

1600: Preparatory staff meeting ahead of tomorrow’s summit.

1630: Spoke with Dept. of Commerce DSCA Deputy Director re: FMS financing. Inconclusive.

1900: Dinner with USN CDR Pete Mitchell who arrived in town today to speak at Thursday’s moderated discussion of the F/A-18C platform. He is staying till Saturday. Discussed future of Navy Fighter Weapons School & details of his presentation to be given Thurs. Stressed his adversary F-16 angle & asked him to consider putting together a future talk about F-18 evasive tactics and the concept of a joint multilateral US aerial combat training program (like NFWS) to bolster our allies’ expertise on US platforms. He did not like this idea. Scheduled follow-up dinners tomorrow (Wed 2 Feb) and Thurs (3 Feb) to continue our discussion. Will have lunch with him tomorrow as well. Due to an unfortunate scheduling error tonight’s dinner will be billed as dinner with SWZ Asst. Deputy Minister of Defense Leipheimer. DOD will likely compensate anyway.

(End)

[theflyingfeeling]

fanfic rambling in the tags, nothing interesting really, just me talking to myself lol, okay to ignore or read as you please ✨

[age-of-moonknight]

“Danse Macabre,” Moon Knight (Vol. 9/2021), #25.

Writer: Jed MacKay; Pencilers and Inkers: Alessandro Cappuccio, Alessandro Vitti, and Partha Pratim; Colorist: Rachelle Rosenberg; Letterer: Cory Petit