#unity lost
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bills-bible-basics · 6 months ago
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DRIFTED AND SIFTED -- a poem by Bill Kochman
#Unity #Poetry #Poem To see other poems related to this one, and to listen to the actual song, go to: https://www.billkochman.com/Poetry/index.html#Spiritual-Unity "Doctrinal and Spiritual Unity" Bible Verse List: https://www.billkochman.com/VerseLists/verse013.html "One Body But Many Members" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse369.html "Avoid Arguing" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse002.html Article: "Should Christians Engage in Doctrinal Debates?": https://www.billkochman.com/Articles/Doctrinal-Debate-01.html "Broken Down the Middle Wall of Partition" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse463.html "Led by the Spirit in Our Understanding" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse479.html "Taught by No Man" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse465.html "Taught by Revelation of the Holy Spirit" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse319.html Article: "Humility in Our Understanding of God's Word": https://www.billkochman.com/Articles/Humility-in-Our-Understanding-01.html
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sweet-like-cinnamon-5 · 2 months ago
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In which (1) person knows what's going on, and it's Unity Kinkaid 🩷
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mizaryrottmnt · 6 months ago
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Lost company X Rottmnt & Oc
If Unity was really here she would be a hologram that Donnie carries with him in his missions. The kind of hologram who have a lot of data that helps Donnie a lot.
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lotusishere · 25 days ago
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Keefe’s parents are basically what happens when a lavender marriage goes horribly wrong. Spread the word
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saintseiyaqueerpoll · 16 days ago
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Round 1 - Match 22
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This poll will be open for a week! Happy voting!
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writing-for-life · 2 months ago
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Lost Hearts Everywhere…
…or why comics issue #16 is so central to the whole storyline of The Sandman
We are currently reading #16 of the comics in our community (join us!), and I don’t know about you, but seeing Lost Hearts in context of the whole run always makes me a bit unwell because the visual and thematic parallels are just so strong…
About Lips, Hearts, Living, Dying & Dreaming
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Sleep of the Just : Lost Hearts
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About Family, Gender, Losing Your Heart & Desire
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Tales in the Sand : Lost Hearts
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Speaking of Which: About Interfering Cats, Their Toys & Memory Fragments
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Overture : Lost Hearts
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About Not Wanting to Kill, the Consequences of Failing in One’s Duty & Why Responsibilities Mean Everything
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Overture : Lost Hearts
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About Being Tired & Walking Away, Victories & Defeats, Life & Death
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Lost Hearts : The Kindly Ones
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deathstars · 2 years ago
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one thing i’ll continue to love about arno as a protagonist is that he’s literally not special at all. the only reason his memories are being explored is because he happened to run into a sage in his lifetime. like edward was a renowned pirate and mentor of the brotherhood, connor was its savior after destruction, ezio was a literal prophet, and i don’t think i need to explain how large altair’s legacy looms. arno was just another assassin. he never became a mentor of the brotherhood, was not even really a great assassin in the length of his memory we do explore. but his redemption later on doesn’t matter, we don’t get to see it. he only matters in what he was able to witness and never change. he, the individual, the man, doesn’t matter to the narrative of the animus and modern assassins at all.
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saintseiyaartbykerulin · 5 months ago
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nesonkin · 1 year ago
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Gouache painting from a reference
Reference:
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fisherrprince · 2 years ago
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miskellaneous
#tumblr is still my doodle archive#my art#venitas#ffxiv#kh#sprawl au#ooooo veni you are so creature#first of all. Bunny. Bnnuy. I would like to consider the bunny. Sorry for trapping him he’s doing plot in my brain#I drew vani a while ago but I should have made him a catboy. I will next time I draw him#second of all back in pic order#ari is trying to be kind but violence is extremely fun for him. He loves it. He loves to gloat and he loves to cackle#if he’s allowed at a target for his pent up rage and aggression he gets weird#second of all I’ve been thinking about gender as one does. And what it would look like 5000 years in the future#so like in sprawl. there’s an entire timeline of gender studies and anthropology that leads from our time#through where the entire notion COMPLETELY fell apart; through where there was a resurgence of ancient gender roles#back and forth and in circles and where new things sprung up and fell and debates about the validity of self went nuts#Xion knows a lot about it bc she will claim trans as a label vanitas also knows a lot of things because he Doesn’t consider himself#trans. vens confused he was literally never taught about any of this. unity(divine) has its own… kinda messed up way of doing it#he got lost somewhere around the advent of gene augmentation and nonhuman drag (she didn’t have to go into that detail she just thinks it’s#really cool)#(Also that was really early —)#Anyways. vanitas is also getting his sense of touch back up there. xions a miracle worker#transgender is even a slightly archaic term. it completely died for about a thousand years and then came back with a retro wave
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voxina · 3 days ago
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byberbunk2069 · 4 months ago
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sweet-like-cinnamon-5 · 2 months ago
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On the end of The Doll's House arc, the question of happy endings, and coping (or not coping) with It All in general
The Sandman Book Club is discussing Issue # 16, Lost Hearts, this week. Here are some thoughts on Unity Kinkaid and the end of the Doll's House arc.
Spoiler warning for all of the Sandman comics 🖤
Unity Kinkaid and the end of The Doll's House arc
I've said before how much I like the ending of the Doll's House arc. Unity Kinkaid, a character who has been manipulated and controlled and played with like a doll for her entire life- takes full control of everything, grabs the narrative with both hands, and, if it's not too corny to say, basically saves the entire day. Unity ex machina.
Here's what we know of Unity's life:
Sleep of the Just:
-1916, in her very first appearance: "She dreams of a tall, dark man. His eyes burn like twin stars in her head." She is dreaming of Dream himself, probably in an indication that she is about to manifest as the Dream Vortex.
-Before she can start manifesting as the Dream Vortex: Dream is captured and imprisoned in the binding circle. Unity falls victim to the Sleepy Sickness.
-While asleep, Unity is impregnated by Desire and gives birth.
-Decades pass, Unity's parents die, she is moved into a nursing home. She's still asleep. More years pass. "The nursing home staff pretend that Unity is awake. They wheel her from room to room with the other patients. Asleep, she watches television. Asleep, she relaxes in the sun."
-1988: Dream breaks out of jail, Unity wakes up.
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The Doll's House
The next time we see Unity, she's doing MUCH better. She's awake and alert, she's fully in control of her faculties, and she's located her missing family and arranged for them to travel to her.
However.
In Unity's own words, to Rose:
"I was... ill for a very long time, dear. I only came to my senses last year. Whilst I was ill I... I had a baby. That was your mother, Rose. That was Miranda. My family arranged for the baby to be adopted. When I recovered, I called in Mr. Holdaway. I told him I wanted to know about the baby. At first he lied to me. Eventually he admitted the truth. There had been a baby...
"...I am a very rich woman. We hired private detectives to find the child. The trail was very cold, but there had been records. Eventually they found Miranda, and you, Rose. I had Holdaway send you two the letters, and the airfare... and... well... here you are."
Ok!
So Unity: as a young woman was starting to manifest as a Vortex- then fell into the Sleepy Sickness- then was violated and impregnated and gave birth while sleeping- then continued to sleep for decades and missed out on most of her life- then was moved to a nursing home and moved around from room to room, like a doll, by the nursing home staff, while still sleeping- then woke up and recovered, hooray- but then REMEMBERED her baby that she had given birth to while asleep- and then was LIED TO by her family solicitor about the existence of said baby- and then, after her solicitor finally acknowledged that yes, correct, this baby does exist, had to go through private investigators to find her lost family- and then finally had to try to have Rose untangle the custody/foster care mystery of what had happened to Jed.
-From initially being the Vortex (caused by Dream, unintentionally)
-to losing decades of her life to the sleepy sickness (caused by Burgess, a side effect of his imprisoning Dream)
-to being impregnated by Desire (as part of Desire's plan to destroy Dream)
-to being moved around like a doll by the nursing home staff
-to being lied to by her solicitor about the existence of her baby:
Unity has been... let's say, jerked around. By forces great and small. For most of her life. Controlled and manipulated and moved around like a doll in a doll's house. Obviously there's a lot of variety in these instances (from the nursing home staff, who seem to have provided excellent care to the sleeping Unity over the years, on one end... to Desire, who is happy to impregnate Unity as a means to their own ends, on the other)- but the one thing they have in common is that Unity isn't in control.
And that's why I like the ending.
"Unity hears a voice, her own voice, and it whispers to her in the darkness. The voice whispers to her of her life before the long sleep. Whispers childhood dreams of a tall, dark man, whose eyes danced like twin stars in her head. Whispers the truth. And then she gives in to sleep, her breath shallow and halt. Dying, in a world she finally understands... Unity dreams."
Unity is the one to figure it out. SHE should have been the vortex.
Unity is the one to act. SHE can be the vortex again now.
Fiddler's Green is hoping and praying for a solution (and yes, very sweetly offering his life for Rose's- but unfortunately, since he's not the vortex, that won't do it). Matthew is trying to convince Rose that dying isn't so bad. Dream is apologizing over and over and over. None of them want Rose to die. We, the readers, don't want Rose to die. But killing vortices is one of Dream's most important duties. There doesn't seem to be any way out.
And then!
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Look at this absolute queen, here to save the day!
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Unity is HERE, and she's going to resume being the vortex, sacrifice herself, save the Dreaming, save the world, save Dream from spilling family blood (not that she knows that part), save Rose, and call Dream an idiot right to his face. Honestly, what a hero. And, in my opinion, what a deeply satisfying ending to this arc- as Unity, who has been in control of so little of her entire life- who has been played like a doll by so many forces beyond her control- is the one writing it all.
The Question of Happy Endings
So Unity has saved the day. And then, to make things ever better, Dream is going to save Jed! Everything is looking up for the Walker siblings!
This is truly the happiest ending possible that this arc could have had.
And maybe I thought the next page would be- Unity hanging out in Fiddler's Green, enjoying her afterlife in the Dreaming. Maybe she's becoming friends with Matthew. Maybe Dream walks by and subtly smiles. Maybe Rose visits her in a dream and grandmother and granddaughter are able to emotionally process together. Maybe everything is great, and all the characters are enjoying this happy ending that occurred.
Well.
If I had thought that, I would've been in for quite a surprise.
Unity exits the narrative and is never heard from again. (For reasons that are completely unclear to me btw??? Brief side note but wouldn't she have been a great character to reappear in TKO and/or The Wake? I don't believe she is even at Morpheus's funeral? Am I wrong about this?)
And as for Rose-
On the next page it's 6 months later and she is pretty traumatized from everything she went through and is decidedly Not Doing Well.
And I will admit that I had a bit of whiplash the first time I read this ("We just had a happy ending?? Why isn't everyone happy??") but it probably is incredibly realistic for anyone who had such a direct brush with the Endless and everything that that entails. Because in the world of The Sandman, for there to be such inconceivably powerful forces at work- and for us, as humans, to bump into them so directly- I can only imagine that it would fuck anyone up. It's like Rose came face to face with truths of existence that are just too much for any of us, as humans, to comprehend.
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Yeah. I would like to think that in her place I'd be like, "Well Lord Morpheus, that was cool, let's be friends now!" - but honestly - I too would probably be like - "well that was traumatizing, I'm going back to pretending that that was all Just A Dream, because otherwise I will completely lose my shit and be unable to function."
On Dealing With "It All" ... or not
And speaking of comforting lies that we tell ourselves in order to be able to function...
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No one wants to think of themselves as a doll, powerless to the whims of the universe, being played with and manipulated by forces outside of their control. Whether it's someone as comparatively powerless as a human mortal, or someone as inconceivably powerful as Desire of the Endless.
So Desire goes back to their favorite (and honestly for them fairly effective) coping mechanism: denial.
And it's not the first time that I've had thoughts about the various Endless siblings, and their ways of dealing (or, honestly, not dealing). Even Desire, in a briefly self-aware moment, considers the coping mechanisms available and the... reactions to everything that some of the various Endless siblings choose.
Desire briefly considers how they, and how Delirium, and how Destruction cope. And if you ask me, this is how all of the Endless siblings cope/have coped with things:
Temporarily quit and then find a (possibly? hopefully?) healthy way to deal: Death
Go completely insane (and maybe possibly find some sanity within that? maybe a "just crazy enough to be sane" sort of deal?): Delirium
Go into complete denial: Desire
Leave: Destruction
Die: Despair and Dream
Whatever the hell Destiny does
(🤷‍♀️😬)
Although this arc ends on pretty much as happy a note as possible, there's still an underlying sense of uneasiness, a bad feeling that we're possibly all (human and Endless alike) hanging on by a thread.
But at the same time, things aren't entirely hopeless. Rose has been traumatized and isolated for 6 months, but then she does decide to leave her room and rejoin the land of the living. Rose and Jed and Miranda are all together. Jed seems to be doing remarkably well after everything he has been through.
And so the arc ends. The Walker siblings are off to look at foxes. Desire is wandering their doll-like realm and refusing to acknowledge their doll-like properties. Dream himself is doing ok, has successfully dealt with the vortex (or really, has had Unity deal with it for him), and has successfully uncovered Desire's entire complicated scheme from a pretty small amount of clues. And Unity? We don't know. But I'm pretty sure she's enjoying her afterlife in the Dreaming, after rewriting her end and saving the entire world.
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why did i make this
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b-plot-butch · 2 years ago
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only on my recent rewatch did i realise that rose wrote her story "into the night" ABOUT UNITY. I AM A MESS
and it's what unity deserves, honestly. i adore her
here are the first few lines that i can decipher--if anyone has a clearer image, i would love to see if you can piece together more!
All throughout her twelfth birthday in 1916, Unity Kincaid found herself dreaming of the kind of person she would grow up to be. Twelve was an important number. Twelve months in a year. Twelve hours on the clock’s face. Twelve noon between morning and day. Twelve midnight between night and morning.
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writing-for-life · 1 year ago
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The Sandman Overture and Exiles: Omnia Mutantur, Nihil Interit
Everything Changes, Nothing Is Truly Lost—Not Even Hope
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There once was a little girl (well, not a human girl) known by the name Hope Beautiful Lost Nebula, egg-daughter of Clearly who died in childbirth, sperm-daughter of Troubling World who was murdered by reavers. She is one of the most meaningful characters of the whole Sandman, so why does fandom hardly talk about her, not even those who have read the comics?
Understanding Hope, her story and her connection to Dream, is more or less understanding the entirety of The Sandman, and that's why I want to write about Hope and hope.
This contains major spoilers for Overture, Exiles and the ending of the Sandman, so if you’d rather not, this is your exit sign…
Pictures often speak louder than words, so I would like to start with these [I will add Alt text gradually, it’s a lot]…
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If you haven't read Overture, you would not know that the words Dream speaks in Hell when he wins the Oldest Game are a direct mirror of Hope's words, down to repeating "I am...". It is not a sudden epiphany about how to win—it is a memory.
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How much Morpheus truly remembers about the universe before the reset in Overture—it is something we cannot know for certain, and we have discussed it on here many, many times. I personally lean towards his remembering a lot more than we might think, and I've written about it in other metas before, e.g. here (super long with many tangents) or here. The narration is unreliable on this, because Desire in cat-form says in Overture that “there won’t be anything to remember”, but also that Dream will be “the only one to remember”. But whether he remembers every detail, or whether it is exactly the way Glory states in the above panel and it’s just that Hope's name is there for him when he needs it most, is secondary. What matters is that he does remember (side-note: It also matters because Dream promised her himself. And he never goes back on a promise, for better, for worse).
The above conversation with Glory is often taken as proof that there is no hope in the new universe, and by extension, the whole of the Sandman turns into a story with a hopeless ending. But in my opinion, that isn’t true. Yes, as a mortal being, Hope does not exist in the universe we are now in. But two very specific panels in Overture are directly contradicted by what happens in the later arcs of The Sandman:
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The Star says here, after Hope's above statement that she is not nothing, that she is Hope, "As if saying that might ever change something." [And the Star’s tone is equally mocking than that of Lucifer Morningstar when they say, “What are you then, Dream Lord?”, but that just as an aside.]
And since Hope is killed in the very next panel (because Time pulled Dream out of that situation, so he wasn't able to protect her anymore. Who needs parents, right?), we might be inclined to believe this.
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But by now, we all know that the Star is WRONG. These are not "three words that mean nothing." Once again:
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And also this (I couldn’t find a gif with the bit where she says, “I will never give up hope,” but we all know she does say these words):
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What else makes Dream/s prevail in Hell, what else are the dreams Morpheus speaks about here than hopes?
The Star is directly proven wrong. And so are we if we assume that Hope’s spirit doesn’t exist anymore. Because hope as a concept, hope as the thing that Morpheus remembers when he fights Lucifer/Choronzon in Hell, still exists. Even though this was said in the old universe before the reset, it DOES mean something. It DOES change something. Because Morpheus remembers.
Remembering Hope means to have hope.
And if we believe there isn’t any H/hope, we are also directly proven wrong by Time, who tells us that there will always be a universe in which Hope (the being) exists, and that there will always be one in which she doesn’t. And they, in a way, exist simultaneously. So even in a universe without Hope, her spirit, her memory, prevails. That is not a universe entirely without hope.
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And that is also our tie-in to Exiles, because Morpheus and Daniel also exist simultaneously. Omnia mutantur, nihil interit—everything changes, nothing is truly lost.
Morpheus has moved on, but he still exists—in story, in memory of those who cared about him, in Daniel!Dream, in the “Soft Places” at the fray where reality and dreams meet. And it is exactly what H/hope is in the Sandman universe—it keeps on existing: In stories, in memories, in the “soft places”. Because to hope means to love, and to love means to hope.
Sometimes, you need to find hope…
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Sometimes, she needs a bit of coaxing. Sometimes, hope means not to forget, so you keep going and remember what truly matters…
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Sometimes, we lose her, and even Hope loses memory of who she was, but we can be reminded…
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Hope might transform, but she never truly disappears in The Sandman.
On that note: I totally understand the attachment to Morpheus as a character. He is my favourite character, too. I cried buckets when I first knew what was going to happen (decades ago I dare say, and not at the end of The Kindly Ones, but during World’s End). And I think it is totally legitimate to want him to survive. Part of me does, too. It is a bit baffling to assume that people who read the story with acceptance and find meaning in it don’t care enough about Morpheus as a character to want him to survive, and that they are even a bit stupid for thinking The Sandman’s underlying message is one of hope. I don’t know many people who aren’t heartbroken in one way or another. But the story had to end the way it ended because it is not just about Morpheus and humanising him.
I often feel that by clinging to his character and person alone, we are losing sight of the deeper meaning, and we are closing our eyes to all the messages that are there, in plain sight, if we just let them speak to us:
The Sandman is not simply a story about Morpheus. He is the protagonist (even that could be argued), but he is also a vessel for the meaning and power of change, for letting go instead of clinging to what doesn’t serve us (and isn’t it ironic that by desperately wanting him to live and getting upset about the fact he doesn’t, we are doing exactly that instead of leaning into catharsis that actually has the potential to bring on change in us?).
Dream does not die because Dream cannot die. He changes. What dies is a point of view (symbolised by Morpheus). That’s it. That is the message. Omnia mutantur, nihil interit.
Hope is not gone. Not in this universe or in any other. Her spirit prevails. Because when she calls you out, when she touches you, you remember what matters:
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“I’m not,” he says after thinking for a hot second, and proceeds to do exactly that regardless.
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She touches him, she holds his hand, and calls him out.
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She touches him, she holds his hand, and he is honest with himself, for once.
Hope touched Dream, but did she touch Desire in the same way? I already wrote about it here, and I think in certain ways, she did:
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Hope prevails…
Hope is what saved the universe in the first place.
Hope is what Morpheus remembers when it matters.
Hope is what Nada finds again in A Hope in Hell after she gave up hope in Tales in the Sand.
Hope is what drives Unity and ultimately lets Rose survive.
Hope springs eternal in people like Rosemary who are willing to help and overcome their own fears. And in the TV series, that hope gets rewarded, and that’s important (I am glad they made that change).
Hope is even what drives Morpheus, but to see that, we need to take our eyes off only focusing on his having hope for himself, his having hope for his point of view (that does not serve him or anyone else, and he knows). If that’s the hope we’re looking for, we won’t find it. No, that’s not entirely true either. Because again, Dream can’t die. But the true reason is:
Morpheus is bigger than that. The story is bigger than that.
He has hope for humanity and sentient beings that are under his purview—what else are dreams but hopes? And Morpheus as the “point of view” understands that said point of view needs to make space for a better, kinder, more human (for lack of better term—human=/=man but human=with humanity) Dream to exist. And said Dream comes into existence with Daniel, but he also still contains all that was Morpheus. See it as having learned from experience and moving on with a new point of view instead of letting our hurt define us and holding on to it indefinitely. It is something we recommend in real life all the time—why can’t we find it in this story? Because it is right there, again, in plain sight: Omnia mutantur, nihil interit.
I am not saying this is how you have to see it. But I am saying that engaging with the story on this level makes it easier to come to terms with an ending that is commonly interpreted as hopeless because we can't see the forest for the trees.
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Hope is hope. And she saved the universe and us. Not just once, but many times over. The new universe isn’t the hopeless, sad universe. The old one was. The new one has hope because it keeps existing. With Hope’s spirit and a Dream who has changed…
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linuxgamenews · 3 days ago
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Lost in Random: The Eternal Die on Steam Deck
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Lost in Random: The Eternal Die is a fast-paced action roguelite game where chaos reigns and dice decide your fate on Steam Deck and Linux via Windows PC. All thanks to the creative minds at Stormteller Games. They brought this wild and unforgettable world. You will be able to find it on Steam, which also has a blazing 92% Very Positive reviews.
If you’ve been craving something dark, weird, and wildly fun, listen up. Thunderful’s newest fast-paced action roguelite, Lost in Random: The Eternal Die, is finally here. Well, almost. But if you’ve grabbed the Fortune Edition, you’re already in! That’s right – pre-ordering the Fortune Edition gets you Advanced Access. You get a four-day head start before the title’s full launch on Tuesday, June 17th. And yes – it’s coming to Linux and fully Verified for Steam Deck via Proton.
Now, Lost in Random: The Eternal Die isn’t just another roguelite. This one’s got teeth – and heart. You’ll step into the shoes of Queen Aleksandra, a once-mighty ruler on a quest for vengeance. You will do so in the beautifully twisted world of Random. It’s dark, it’s bizarre, and it looks like Tim Burton met Hades and decided to throw a dice-powered tea party in a haunted puppet theatre. It's in the best way possible.
Combat? Oh, it’s got that satisfying mix of chaos and tactics. Real-time action meets card-based abilities and relics with elemental powers, all while you roll your magical die-companion, Fortune, to shift the odds in your favor. One moment you’re slicing through corrupted toy soldiers with a frost sword, the next you’re tactically placing cards for an explosive combo. It’s risky, it’s wild – and it’s addictively good.
Lost in Random: The Eternal Die | Official Gameplay Trailer
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If you went all-in with the Fortune Edition, you’re not just playing early – you’re getting some serious loot. We’re talking a digital artbook, the game’s eerie and epic soundtrack, and exclusive cosmetic DLCs (Steam gets the whole set, consoles get the DLCs). A perfect package for anyone who loves collecting behind-the-scenes goodies or just wants their character looking fly while dishing out damage.
To crank the Lost in Random: The Eternal Die hype even higher, Thunderful just released a new trailer with Senior Narrative Designer Oskar Hanska. He breaks down the deep, surreal lore of the Random universe, getting us ready for the emotional ride Aleksandra’s about to take us on.
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Oh – and don’t miss the final dev diary either. 3D artist Tommy Karnerfors gives a haunting tour of the game’s settings. You can also explore twisted fairgrounds and living architecture. It’s like walking through a storybook nightmare, and it’s glorious.
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And if you’re like me – someone who wants all the juicy behind-the-scenes details. Well, the entire dev diary series is up on Thunderful’s official YouTube. Highly recommend watching with headphones and a hot drink in hand. It’s a vibe.
So yeah – Lost in Random: The Eternal Die is shaping up to be a must-play fast-paced action roguelite on Steam. It’s stylish, smart, and it knows how to keep you on your toes. Whether you're playing on a full Linux PC or Steam Deck, this Windows PC release deserves a spot in your library. Fortune favors the bold – and the bold are already playing.
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