#unstable premiere

[tkstrandreyes]

Natacha Karam & Brianna Baker at Rob Lowe’s Unstable Premiere on March 23, 2023.

[ronenrubinsteinsource]

Congrats papa @Netflix !

Ronen Rubinstein attending Rob Lowe’s Unstable Premiere - March 23, 2023.

[tkstrandsource]

Ronen Rubinstein at the premiere of Rob Lowe’s new Netflix series Unstable.

[lonestarlgbt]

Natacha Karam, Brianna Baker, Brian Michael Smith and Julian Works at the Unstable season one premiere

[nancygilliansource]

Brianna Baker and Chad Lowe at the Unstable premiere

[oh-okay-kay]

thank you stampy for changing my life for the better, for TEN years

[graysongraysoff]

some people will tell you that the best thing about having a degree in english literature is that you develop the skills to think critically and communicate effectively but i’m here to tell you that the best thing about having a degree in english literature is the uniquely unhinged way you will enjoy season 2 of bungo stray dogs

[curemoonliite]

The average light/laser powered superhero subversion: They're the top hero in the country and make a big show of loving the people they save, but it's really just a big power trip for them and they secretly see humans as weaker.

My magical girl OC Actress Espoir: Is the top hero of the land, has light powers, and makes a big show of loving the people they save, but it's really out of the insecurity that comes from being a genetically engineered superbeing created only to be a weapon and knowing that saving people is the only thing she's good for, even though all she really wants is to be the professional athlete she's posing as for the mission forever, to the point where she even insists her fellow magical girls call her by her civilian name Valka even behind closed doors, because all she wants is to be Valka and leave everything behind and finally get the help she needs but she can't because everyone needs her and after all, being a weapon is the only thing she's ever been good for.

[shockercoco]

Unconventional Confessions

Austin Butler x reader

Warnings - 18+, smut, fingering/fingering in front of mirror, dirty talk, squirting, oh no he's hot!

Word count - 1759

a/n - It took me 30 minutes to choose a gif and I’m still not happy with it lol. Here's the winner of the poll so I hope you enjoy :)

“So, did you enjoy it?” Austin asks you over the commotion in the theater.

Austin had brought you as his date to the premiere of Dune, a new movie he had a part in. As soon as the credits began rolling, everyone in the audience stood up to applaud the performance of the cast members, including you. Although, your applause was targeted more towards Austin and his performance.

You walked into the movie not expecting to find your boyfriend’s character attractive, like you have in the past with his other roles. After all, he played a pale, bald psychotic sadist with black teeth – someone that most people would be disgusted by. 

Not you, though, because as soon as Feyd came on screen you were drawn in, not just because of how good he looked shirtless, but from his strange and deviant behavior. The way he dragged his tongue against his blade, how unsympathetic he was for human life, how he laughed and drooled in the face of danger all weirdly had an affect on you.

 You noticed this when you felt your insides turn, and when you glanced down at your lap you saw that you had unconsciously crossed your legs. You knew how much Austin takes his career seriously and how easily it was for him to immerse himself into his roles, but you never expected this from him.

“I loved it. The sound, the acting, the cinematography – it was all amazing,” you smile as you turn to look up at him. You’ve always had a love for film, and Austin knew this and loved that about you.

A smile forms on Austin’s face at your response as he leans down to hug you and to place a quick kiss on your lips.

The ride back to the hotel was long due to New York traffic, but Austin decided to take this time to pull up the partition and put you into his lap and kiss you. He always did this in the car after an event or party, and each time you would tell him no, given the fact it was dangerous to not have your seatbelt on, but you always end up caving in the end.

You decide to take a shower when you arrive back at the hotel, not only to get clean, but to calm your nerves. After you get out and begin your skin care, Austin enters the bathroom and wraps his arms around you from behind, placing his chin atop your head.

“I know I already asked you if you liked the movie, but what did you think of me?” he asks as he looks at you through the mirror. Austin would always overthink when it came to his acting and would come to you for reassurance.

“You were great, just like you always are,” you tell him as you continue on with your routine.

He groans and gives your hips a squeeze. “Come on, you gotta give me more than that.”

You smile at him through the mirror. “I really enjoyed your performance, given the fact you’ve never done anything like that. You were unrecognizable, and not just because of the makeup,” you laughed,” Your deduction really paid off.”

You watch as Austin beams at your response. “Really?”

“Yes, really.”

“Anything else?” he asks you.

Yes, yes there is.

“Well, I may or may not have found Feyd attractive, even though he’s mentally unstable. Too bad we won’t see him in the next movie.” you fake sadness towards the end. You talk casually as if what you said was minor.

You watch as Austin lights up and lifts his head. He raises his eyebrows with a smirk. “Is that right?”

“Mhm,” you nod your head, “it just sucks that you’re not him.”

And you guess that set him off because next thing you know he’s pulling you even closer into him as he places soft kisses on your neck. You laugh and playfully try to shove him off, but Austin just laughs into your ear and continues as one his hands begins to slowly travel south. When you feel his hand reach the waistband of your pajama shorts you freeze. You look at Austin through the mirror to see that his gaze is already on you, a sly smile showing on his face.

“If you couldn’t tell, I’m a little busy right now,” you joke.

“Oh, don’t stop on my account. Just pretend I’m not even here,” he says without taking his eyes away from yours. You stare back at him for a second before starting the last step of your routine – brushing your teeth. Austin keeps his focus on your face.

Just as you were reaching for your toothbrush, his hand dips inside your shorts and stops when his fingers reach your clit over your underwear. You tightly grip the toothbrush in your hand when you feel his fingers start to lightly rub circles into you through the fabric. You can already feel yourself getting wet from the teasing, warmth pooling in your lower half. As you reach for the toothpaste, he adds more pressure to your clit, and you clench your teeth to keep the sounds in your throat from escaping.

Austin smirks to himself once he notices the tension in your jaw, which you feel as it forms on his lips that are still attached to your neck. When you reach for the toothpaste, he begins to glide his fingers up and down your slit through your underwear, feeling the damp fabric.

As you begin to squeeze the toothpaste on your toothbrush, you feel Austin’s hand quickly dip inside the waistband of your underwear and collect your arousal on his fingers before spreading it through your folds. This time you can’t stop the moan from escaping your lips as your mouth falls open.

“I said don’t stop,” he whispers into your ear and ends the sentence with a kiss behind your ear, causing a shiver to make its way through your body. You look at him in the mirror to see his eyes still on you, feeling another wave of heat run through your body from the eye contact.

You go to squeeze the toothpaste on your toothbrush only to feel Austin shove a finger into your opening. You have to brace yourself against the counter as you feel your walls welcome him in, but Austin keeps his finger still inside of you, waiting for you to continue. 

When you lift the toothbrush to your lips with an unsteady hand, he pushes a second finger into you. Another moan leaves your mouth as you feel yourself stretch around him, and once you feel his fingers move inside you, you immediately drop the toothbrush and toothbrush for it to land in the sink. There’s no way you can carry on now.

Austin laughs at your reaction and continues to thrust his fingers inside of you as he finally lifts his head away from the crease of your neck to fully watch your facial expressions. He gradually increases the speed of his fingers and tightly wraps his unoccupied arm around your waist when you begin to squirm against his front. You feel his hard length against your backside, turning you on even more, but your main focus is the fingers pushing in and out of you with persistence.

You place one hand back on the counter and use the other to cling onto the arm around your waist. You feel your head drop and your eyes squeeze shut as whines fall out of your mouth, but Austin isn’t a fan of this. He removes the arm from your waist and grips your chin, forcing you to look up.

“Keep your eyes open,” he says, and you whine at his words. 

“Austin-” you start, but he cuts you off.

“Keep your eyes open.”

You pry your eyes open and look at the hand moving in your shorts. Austin gives your chin another squeeze and pushes it up for you to look at him through the mirror. He smirks at your present state, and if it wasn’t for him currently pleasing you, you would slap that smirk off his face. He knows you hate prolonged eye contact.

“You fall apart so easily, don’t you?” he asks, and you weren’t aware he wanted you to answer until he repeats, “don’t you?”

“Yes,” you breathe out.

His fingers arrive at that special spongy spot inside of you, making your body jerk and your jaw go slack. He continuously hits the area with precision as he curls his fingers into you. His arm finds its place around your waist again once you start to writhe against him. You squeal as he speeds his fingers up even more, causing wet squelches to fall out of your soaked cunt, the sound echoing in your ears.

You feel the pressure in your quickly building up, and you close your eyes again – it’s taking too much energy to continue holding them open. This time Austin lets you. One of your hands moves down towards his wrist, but he quickly grabs it and holds against you as his arm wraps around you once again. Your thighs squeeze together as the pressure becomes too much and you come closer and closer to your climax, but this doesn’t stop him.

Austin feels your walls tighten and flutter around his fingers, and he does everything to make you fall over the edge. You let out a silent cry as your orgasm makes its way through your limbs.

He continues to push his fingers in and out of you to prolong your pleasure, and you let out a cry as you feel a gush of liquid fall out of you. It soaks your underwear and shorts as it makes its way down your leg. Austin still doesn’t let up on his pace so you go to squeeze his wrist, and he begins to slow his movements.

When he finally stops, he pulls his fingers out of you and brings them up to his mouth to suck the taste of you off. Despite your energy being drained, you still manage to roll your eyes at him.

“Come on, sweetheart, round two in the bedroom. You need to lay down, your legs must be tired from standing,” he smirks and gives you a wink as he backs away from you and heads out the bathroom.

You grab the tube of toothpaste from the sink and chuck it at his head, but you miss, making Austin laugh.

[markrosewater]

What were you most surprised that had to be acorn because it didn't work within the rules?

I tried so many times to make a direct damage spell with trample. I really thought there was a way to do it. Eventually, I made it in Unstable. Then Dave Humpherys somehow got one made in a premier set. : )

[911lsbts]

Rob, you recently wrapped production on the fifth — and potentially final — season of “9-1-1: Lone Star,” which will kick off with a three-episode train derailment. What else can we expect from the new season?

Rob: We all went into it pretty much knowing that it was going to be the last season, so that affected everything we did. We wanted to really show everybody what is still possible in network television if people have the appetite to do it. It feels like it’s probably the end of an era of a certain type — well, it doesn’t feel like it. It is the end of an era of a certain type of show we once had an opportunity to make, and I think they’re great. We wanted to go out making our case for the value of shows like that, and I think we did a really good job. The stories that we were able to tell on a weekly basis in terms of the scope and scale — that’s probably the thing I’m the most proud of. They were truly like mini-movies every week.

One of the most common critiques of “Lone Star,” since its premiere in 2020, has been the way that the show has consistently underused minority characters in order to center your character, Owen. Rob, you’re an executive producer in addition to the star. John Owen, you were a writer for the first three seasons. How would you both respond to that criticism? Was that ever a concern when you were writing or producing the show?

John Owen: [Deadpans] I can tell you confidently, it was never a concern of Rob’s.

But no, I think, look, everyone’s always going to have a take on what it must be like internally, creatively, and usually, it’s not 100% percent accurate. And in this case, it’s not accurate at all. I was there when we were blue-skying Season 1 — and I want to preface this by saying I was starting out as a very green, new writer and learned from some of the best. It was such a fun experience for me. Owen was always the central piece of the show. He was one of the mediums through which we got to tell stories about the other characters and built them out into such lovable characters that people got frustrated, maybe, when they didn’t have as much screen time.

I remember my first episode that I wrote, being so excited to tell the first story that really featured Mateo [played by Julian Works]. He and Marjan [Natacha Karam] have this beautiful storyline where she’s helping him study, and I think that was one of the first times we learned Julian was a throwdown actor. And then we were like, “Great, let’s write to him.” So I know, at least from the room’s perspective, we were learning strengths and then started leaning into them. I think in any case where a show has a strong ensemble, people always are going to be frustrated with maybe not seeing as much of their favorite characters as they’d like — and I think that’s a good thing. You always want to leave people wanting more.

Rob: I think when [creators] Ryan [Murphy], [Brad] Falchuk and Tim Minear came to me, they were very clear about what they wanted to accomplish with the show. They imagined a show centered around the only survivor of a terrible tragedy in 9/11 and him rebuilding a firehouse, but also rebuilding his family. And in terms of playing time, I think that they did a really good job.

I don’t think there is another show on television with as diverse a cast as we had, telling the kind of diverse stories that we did. Owen was there as a way to tell those kinds of stories and I’m really proud of how we were able to do it.

[tkstrandreyes]

Natacha Karam, Rob Lowe, John Owen Lowe, Brian Michael Smith, Brianna Baker and Julian Works attend the Los Angeles Premiere of Netflix's "Unstable" at TUDUM Theater on March 23, 2023 in Hollywood, California. (Photo by Emma McIntyre & Michael Buckner)

[ronenrubinsteinsource]

Ronen Rubinstein and Jessica Parker Kennedy attend the Los Angeles Premiere of Netflix's "Unstable" at TUDUM Theater on March 23, 2023 in Hollywood, California. (Photo by Emma McIntyre & Michael Buckner)

[herejusttosufferalong]

Let me take a stab at this...

A was def a rebound situationship at the beginning and a way for L to deal, or not deal, with feelings for N.

But at some point during the tour, do you think it became more transactional bc he was ready to end things (intensifying feelings btwn him and N) and A wasn't and he didn't want her blowing up the tour (ie creating drama for N as the other woman, cheating allegations for him, etc). He might not have told N what specifically he agreed to with A (I keep forgetting about the DM stuff too but that would fall into this agreement) but N would have been told A wasn't a romantic factor anymore.

Premiere night arrives and A is there as part of this deal. N would probably know about that and just didn't feel the need to deal with her. The pap pics are only supposed to be mainly him leaving with a hint that he left with "friends." But paps are tipped off about the after-after and A takes her shot and basically blows shit up for a few days.

L makes it right with N (and maybe even in coordination with N), but the agreement with A is still in place. Maybe she's finally forced into an NDA after the pap stunt. But he now has to deal with public awareness of A as a rumored gf. The trip to LA and the GQ events were already part of the agreement; these events also let the image of a relationship breathe without him having to do anything that would confirm.

I don't know if there would have been anything in the agreement that he would have to publicly support any kind of career move for her (like the purse brand); I kind of doubt it. But maybe still a link to him as it develops (which is happening now?).

I don't know if anything is happening btwn L and N right now... she's busy and he's trying to lay low while this agreement ends and trying to contain A and her unpredictable behavior. (I do think she tries to manipulate and/or pressure him into more; pushes the bounds of the NDA, uses the friend connections etc.) (She also seems a little unstable.) But I do think L and N are in communication and waiting for A to be fully out of the picture.

**This doesn't have to be posted on the tl but if you want to give some kind of indication on where you land, that would be awesome. Lol

🥃

[onlydylanobrien]

‘SNL 1975’ Finds Its Garrett Morris, Dan Aykroyd, Chevy Chase And John Belushi

By Justin Kroll, Anthony D'Alessandro January 30, 2024 10:00am

Lamorne Morris playing Garrett Morris, Dylan O’Brien playing Dan Aykroyd, Cory Michael Smith playing Chevy Chase and Matt Wood playing John Belushi

EXCLUSIVE: Lamorne Morris, Dylan O’Brien, Cory Michael Smith and Matt Wood have joined the cast of Sony Pictures’ SNL 1975 that will be directed by Jason Reitman and based on the real-life behind the scenes accounts of the opening night of Saturday Night Live. Morris will play Garrett Morris, O’Brien will play Dan Aykroyd, Smith will play Chevy Chase, and Wood will play Belushi. The original screenplay is written by Reitman and Gil Kenan.

On October 11, 1975, a ferocious troupe of young comedians and writers changed television forever. SNL 1975 is the true story of what happened behind the scenes that night in the moments leading up to the first broadcast of NBC’s SNL. It depicts the chaos and magic of a revolution that almost wasn’t, counting down the minutes in real time to the infamous words, “Live from New York, it’s Saturday Night!”

The screenplay is based on an extensive series of interviews conducted by Reitman and Kenan with all the living cast members, writers and crew. Reitman, Kenan, Jason Blumenfeld, Erica Mills and Peter Rice are producing.

Morris can currently be seen in FX’s fifth season of Noah Hawley’s hit drama series Fargo as North Dakota Deputy Witt Farr. He joined the cast of Netflix’s Unstable for season two opposite Rob Lowe. Prior to this, he starred as the titular lead in the hybrid live-action/animated Hulu series Woke, inspired by the life and art of cartoonist Keith Knight.

O’Brien was most recently starring in Ponyboi, which premiered as one of ten films in the U.S. Dramatic Competition at the 2024 Sundance Film Festival. Up next, he will be seen in the feature films Caddo Lake, from the writing-directing team of Logan George and Celine Held and producer M. Night Shyamalan, and Anniversary, a thriller co-starring Diane Lane, Kyle Chandler, Zoey Deutch and Phoebe Dynevor. His other credits include Searchlight feature Not Okay from writer-director Quinn Shephard, the critically-acclaimed crime drama The Outfit, opposite Mark Rylance, Zoey Deutch, and Johnny Flynn; Paramount’s Love and Monsters and the popular Maze Runner franchise

Best known for his role on as the Riddler on the popular Fox series Gotham, Smith can currently be seen as Julianne Moore’s son in Todd Haynes’ May December. He most recently starred as Varian Fry in Anna Winger’s limited series Transatlantic opposite Gillian Jacobs and Corey Stoll for Netflix. Smith has also worked with Todd Haynes in both Carol (as private investigator Tommy Tucker) and Wonderstruck.

Wood has appeared in the original Broadway cast of Spongebob Squarepants and as husky kid icon Augustus Gloop in the Broadway First National Tour of Charlie and the Chocolate Factory. Television credits include Law and Order: SVU, Instinct and Difficult People.

Morris is represented by CAA, Entertainment 360, The Lede Company, and Myman Greenspan Fox Rosenberg Mobasser Younger & Light. O’Brien is repped by William Morris Endeavor Entertainment, Principal Entertainment LA, and Lichter, Grossman, Nichols, Feldman, Rogal, Shikora & Clark. Smith is repped by Circle of Confusion. Wood is repped by BRS/Gage Talent Agency.

Source: deadline.com

[tumblydovereviews]

Primos Was Okay (And That's Okay!)

On Thursday, after over a year of controversy, delays, and pushback from the general public, Primos finally premiered on Disney Channel, to a surprisingly stable reception.

First of all, congratulations to the cast and crew for the premiere! For a show that was on such unstable waters just a year back, it's great to see that Primos has seen the light of day and not simply became a tax write-off.

As anyone involved in the animation community in June 2023 may recall, Primos' initial response was not great in the slightest, and for good reason. Based on solely the theme song alone, the show featured grammatical errors, unintentionally insensitive names, and was dismissed by others as Disney's cheap copy of The Casagrandes. Comments from cast members such as Tater's voice actor herself only added fuel to the fire. The show, initially set to drop in the fall of that same year, was delayed to January, then June as a precursor to the Big City Greens movie, and finally, July of 2024.

I personally didn't care for the Primos drama too much. Sure, I liked the theme song's beat and for a while it became an earworm, but I wasn't looking too closely at being a consistent viewer on the show. I was mixed on the artstyle, the characters, and the plot, which, while not awful by any means, weren't anything amazing as well.

But, with nothing else to do, I ultimately decided to view the first episode of Primos on YouTube the day after the big debut.

And, the show was serviceable.

The characters weren't annoying, and there were some moments that made me chuckle a bit. The songs were serviceable, and the themes on self-discovery are unique. But, ultimately, I don't see myself with any reason to really engage with this show outside of just watching a few episodes. The story of Primos is all there, but on its own, it's just there.

If there's any character I truly hated, it was Tater and Nellie's mother, Bibi. Knowing fully well she didn't have the time or effort to efficiently take care of twelve kids on top of her two daughters and baby son, yet inviting then over anyways for the sake of 'memories' instead of listening to her kids. No wonder they address her by her first name.

As for characters I liked, I honestly enjoyed the three most 'normal' Primos in my opinion: Lita, Scooter, and Lucita. They get along well and have acceptable personalities. I can especially relate to Scooter and his anxiety, as a person who gets quite nervous themselves sometimes. Also, shout-out to Lucita, who's deaf and actually communicates through ASL on the occasion. Deaf representation is lacking in media, and I love how this show is helping us move one step further in that regard.

I also enjoyed Nellie as a character as well; it is admittedly a but weird how she's an eight-year-old with a Luisa-deep voice but her chemistry with Tater is great.

As for Tater herself, she's okay. She server her purpose as the disgruntled almost ten-year-old trying to find herself. Nothing too much or too little. I can relate to her in the sense of needing peace and quiet away from cousins; my cousins actually moved into my own house temporarily last year for a few months,

i talk about characters a lot in this show, because I believe that it's Primos' best achievement. In a way, each of the characters work off of Tater in their own way, keeping the show fresh and upbeat, but not being afraid to scale things back when needed. I thought that the Primos would act as nothing but plot devices whose only merit is to ruin Tater's life, but, thankfully, that's not the case.

Now, what about this show being mediocre? It can't be all that good, right?

Well, like I said before, the animation and art designs are not my favorites. I can't push back too much since the rough, earthy tone translate into the series as a whole, but personal preference is also a factor. The music and songs, while good for what they are, don't add anything too much to the series and I personally would have preferred if this show wasn't a musical al all; Disney Channel admittedly has plenty of those nowadays.

And, that essentially encapsulates my feelings on Primos as a while. On its own, it works for what it has, but compared to shows with similar plots such as The Loud House, it only holds a candle compared to the latter's sun.

And, you know what? That's okay. If anything, it's a miracle that a show detested so much by the general public during its initial preview became nothing but a mediocre addon at worst.

Maybe I'll tune into a few more episodes to fully solidify my thoughts on this show. But, for now, I'll only be an occasional onlooker exploring the world of Tater Ramirez Humphrey and company. I'm okay with that, and I'm sure you'll be okay too.