My sister, who does not have a tumblr account and instead leeches off of mine, drew something on my iPad and wanted to share with the other good omens fans
She said if this hits a certain amount of notes they’ll make a tumblr account
Edit: it hit the certain amount, she’s @cultconstel
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matt narrating dorian seeing all of bell’s hells and “you see your friend, fearne,” and “and you see orym.” being the last he narrates,,, thank u for my life mr. dungeon master matthew mercer sir
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I saw Hadestown recently and... the metanarrative aspects didn't need to go that hard. The entire cyclical structure with the story being acknowledged as an "old tale from way back when" that they tell again and again despite knowing the tragic ending, which is explored as precious proof of the enduring ability to hope? Orpheus and Eurydice falling in love so fast because they feel that they already know each other, they always have, and we know they're right? Hermes fluidly switching between character who emotionally invests in the doomed lovers and omniscient narrator who knows they're doomed, and the revelation in "Road to Hell (Reprise)" that he's genuinely been both from the beginning? The final song, a requiem for the living by the dead, with the cast out of character after the curtain call? When Orpheus toasts to "the world we dream about" but then also "the one we live in now" and everyone on stage looks straight at the audience for a moment of absolutely chilling silence? I was not prepared and I'm not okay.
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anyways this session has really solidified the reason quackity chose the people he did for me. because i remember connor getting an ask a while back complaining about how they wanted quackity to add people who would actually play instead of his friends (ie wilbur) who may not be active as often and. it rubbed me the wrong way for a lot of reasons, but mainly because it's clear quackity didn't choose just his friends. sure, it was a bonus that he was close to them, but quackity's first priority has never been "who can minmax the server and stream every day?" it's been "who is a good storyteller/who can tell a good story?"
because that's the core of it. the qsmp isn't about streaming or playtime, not necessarily. it's about the story. during the first announcement, people were surprised to see dantdm and jaidenanimations on the cast, because dan isn't really in quackity's circle and jaiden is barely an mcyt even if you push it. but you know what they were? storytellers. dan was a part of so many people's childhoods with his mod showcases and miscellaneous videos, all of which had lore. jaiden creates entire stories from video games! games with pre-determined stories that she has to spin into something new, something of her own.
and then the brazilians were added. some of them still did minecraft content, sure, but not all of them. but they were still storytellers. cellbit has his entire rpg. pac and mike have multiple roleplay series. and when you get to the french, the pattern repeats. baghera, for example, with her gta roleplay. not all of them are minecrafters at their core, but they are storytellers, and for most of them, improvisational ones at that. the same, of course, goes for the newest batch. pol is a filmmaker. vshojo has insane, deeply complex lore for all their vtubers. bagi is adept at ttrpg. sure, people being able to log on often is a necessity, but what good would that be if it ended up sacrificing quality for quantity?
this session really nailed it for me because you could see their expertise shine through. i feel like, even still, a lot of mcrp is seen as "lesser" because of its medium, or because of how it can switch between roleplay and just creators hanging out. roleplay is only typically praised and called to attention when it's highly emotional, and the same goes for the storytelling, with a heavier focus on how well creators can utilize angst as opposed to other moments. but this was treated differently. the silliness of minecraft was gone. what was previously disregarded came into light, like how fucking smart foolish is when writing characters and how well quackity is able to play into the story while staying true to his character, among other things! i just think quackity's brilliance in selecting his server members isn't talked about enough, because holy shit has he done a fantastic job
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‘Quilted Chicken’, gouache on grey paper, 2024 (April)
A painting from yesterday I did of a quilted chicken my partners grandmother made. It’s such a fun and interesting object, I really enjoyed deciding how much detail to render in the fabric strips.
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dorian calling “I heard this party could use a humble bard!” and orym immediately running directly to dorian, jumping into his arms to hug him,,, fearne clomping over to join them and kissing dorian all over,,,
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Something about change and Kristen Applebees and Ally Beardsley. Riz the goblin, Fabian the half-elf, Adaine the high-elf, Gorgug the half-orc, and Fig the tiefling, these 5 actors and performers saw D&D and made something so inherently engaged with the fantasy of not being yourself. Ally Beardsley, now nearly 6 years ago, looked at this system and said yeah I'll be a human girl who believes in God. And it is the most interesting one to me. Because where the other 5 play a character who more and more diverges from the self (never completely though) Ally continues to have Kristen grow and change and yet remain a human girl who believes in something. Maybe it's not always God anymore but it's god or gods or YES! or YES? and on and on, but it's a human girl who will not stop believing. And Kristen stays mostly the same. In that place, though, Ally changes. Ally goes from she/her to they/them, Ally starts T, Ally gets top surgery. The way this character interacts with and lives with change contrasts Ally the actor so incredibly.
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