imagine living with a tactile&obnoxious prick
val and vel don't have to lmao☂️
also i'm back with some textless human au
because actions speak louder than words
94 notes
·
View notes
oh boy !! ! ! ! !!! !
thANK y0u all for the kind words on my last art posts. you all get it and i was/still am so happy about it
as promised, here's some close-ups of the comic for image quality's sake, and other screenshots i rescued from the community whiteboard
(and something else)
first up another sketch of mystery gender-ambiguous being.
(please send me more name ideas for them if you got one- i like to hear em! (reminder it's the side character that appeared for <10 seconds in AvM Ep. 30))
a few fav scenes
emotional support cwab
they weren't meant for this purpose exactly, but i do have countless "fluffy sticks" loose in my notes and homework sheets from the school years.
papery critter.
even when i wasn't confident in fur or feathers, they helped me practice posing and create some satisfying gradients/flowing poses.
(im a sucker for good tail poses) (oh yay! i found a good pic...)
and finally,
little sneak peak for you for reading so far ;3
i realized that whiteboardfox is pretty great for my working needs. simple and to the point and all. feels nice with the mouse and the tablet.
so i started hashing out a big project idea just to see if it holds up and
[
several hours later ...
]
oh
oh man
it's a little bigger than i expected
<next>
61 notes
·
View notes
The most dramatic action that Minkowski takes towards Eiffel in the finale (sending him back in the Sol) is going against Eiffel's choices in an attempt to prevent him coming to harm. In contrast, the most dramatic action that Hera takes towards Eiffel in the finale (the memory-wipe) is causing him to come to harm in order to enact a choice that he's made.
In a sense, these actions are conceptual opposites. But they are both taken with love and respect for Eiffel. They are both extremely selfless actions which Minkowski and Hera find painful to take.
They are also both actions which could be considered to be harming Eiffel. Both of these actions involve doing something to Eiffel that Minkowski/Hera would hate to have done to them. And both of those actions are taken with the awareness that they are fairly likely to result in losing Eiffel in a sense (either because he's headed back to Earth while Minkowski is on the Hephaestus, or because he's losing part of what makes him him). That's part of what makes those acts painful and complicated and significant.
Minkowski and Hera both care about Eiffel so deeply, and their care often expresses itself in contrasting ways because they are very different people. The finale emphasises these different manifestations of their care. Love can be 'I will do whatever I can to keep you safe, even when that's not what you want'. Love can also be 'I will support the choices that you make to bring about our common goal, even when that causes you harm'. The way Minkowski's care for Eiffel manifests is tied up in her sense of responsibility for her crew's safety. The way Hera's care for Eiffel manifests is linked to how she's had to fight for her own autonomy.
Neither of their actions in the finale are perfect or typical expressions of love, but in their very different ways, they both act with love, and that's important to me.
205 notes
·
View notes
i often forget that reiji canonically has an actual official fan club in universe and i need to remember that more. they have fans with his face on them. why don't i insert them into more things
30 notes
·
View notes
Cyn is the administrator of every Disassembly Drone, and Cyn (the Solver?) also has backups of them should they die. Uzi is also a Solver-user and she is now the administrator of N and V.
I feel like Uzi could have backups of our N and V, which is only important should they die. Granted, Cyn's backups come with a body (likely produced from the mass the Solver has consumed) and Uzi's backups would likely only be able to copy their mind into another body. Which I guess makes our clone N and V able to be Workers again should the opportunity present itself (something that, should it happen, would probably only happen towards the end of the show). Otherwise, I assume that "Tessa" brought unused clone bodies for N and V with her in one of the other pods, which could be used in case Uzi needs to put her backups into a body too (and prevent Cyn's backups from going in).
I think this the main reason for bringing up the whole adminship thing with Disassembly Drones. So far it's mostly been used to stop memory wiping and block out memory access on them (ep5 and ep7, the only exception to the adminship memory stuff is Cyn blocking AS on N in ep1). It's definitely seems memory-tied, and backups also tie into that since they capture memories.
(I'm super congested rn hoping this reads soundly)
12 notes
·
View notes
I still can't believe how much more appealing Yoosung is in everyone else's route besides his own LOL. Tho' one thing remains is that no matter what, Yoosung really is a ride or die for mc. Like... he will NOT care if he gets the shit beaten out of him if it's for mc's sake, he will do crime and trust that it's for a good reason (and that Seven and Jumin would bail him out LMAO). Even tho' he's a crybaby, he will let anyone know EXACTLY how he feels, doesn't care if everyone doesn't agree. He's extremely loyal, honest, and open to whatever if that means it would make mc happy. His innocent nature allows others to let their guard down around him and pamper him, but deep inside he's obsessive, possessive, and pretty scary-- And so I love him.
58 notes
·
View notes
Summary: After getting badly injured, Ingo isn't sure where he keeps waking up. But there is always someone he doesn't recognize, but knows he loves with him. Emmet is equal parts happy and stressed over Ingo's return home.
I'm finally getting this up before I forget again
23 notes
·
View notes