Not My Country
i.
My father came to this country
through the womb. My mother, too.
Their mothers and their fathers, too.
But somewhere behind them: a crossing.
We dug cabbage and we dug coal.
I kill Chesapeake fish my mother cannot fry.
My grandmothers keep me from trees
where rash and poison live. Things
we do not call by name—we do not,
cannot speak the language of this land.
We drink of its pipes, not of its waters.
ii.
In Michoacán I plant avocado and lime
with my wife, and we play make believe
in tall grass. Sturdy dog, basket of mangoes,
adobe and tejas, June storm in valley, and then—
a baby, my wife nursing in hammock. Now
we carry water and open the gate to measure
our wellbeing in the cherry's new leaves.
I love her in a simple, error-prone tongue,
full of clumsy genders and confused tenses.
Her father names each tree, but the Purépecha
is slaughtered by my settler tongue.
iii.
With seven generations of shipwreck
in his lungs, my grandfather sets his chair
in a riot of pole beans and tells me how
to save beehive from locust, when to hunt morels,
how much Chinese paid for ginseng,
and how to dry walnuts. But a country he believed his
cannot be mine: it draws borders through
my wedding vows. He and I are of a scattering tribe
slashing as we go. The sun is set to rise
though no one calls it by its rightful name.
When the river swallows me and we dive
up through marigolds, I will not know to offer song.
Who will know to call our names?
— Andrew Payton, featured in VerseDaily (source)
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When he left the asylum, some paintings
were abandoned or forgotten in a case
in his cell,
maybe a companion piece to the ravine
but painted in morning light, which
changes
everything. Sun in the valley citron,
and in shadow, rock face purple and rich
blue
rosemary emerald and russet gold. Path
empty,
and the music of yellow warblers, his
favorite
color, that kind of hope.
How the boy who found the pictures
showed them to his friend—
"What shall we do with them?"
"We could use them as targets,"
and they propped Les Peyroulets in
Morning Sun
and shot it full of holes.
Maybe van Gogh would've said the
profane is no less
profound than the sacred—
only more wounded.
— Carmen Germain, from "The Fixed Stars"
source: versedaily
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FLP CHAPBOOK OF THE DAY: Spineless: Memoir in Invertebrates by Melody Wilson
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Spineless: Memoir in Invertebrates looks at #life from the ground up, as well as from the curtain rod, and the window screen. This collection of poems explores the relationship between the hand and the small creature held in the hand, between the aquarium wall and the being on the other side. We know how our lives are touched by the #creatures lying on the rug or the windowsill, but what about all those we can scarcely look at? Spineless: Memoir in Invertebrates attempts to do that. #nature
Melody Wilson’s recent work appears in Quartet, Re Dactions, Sky Island Review and on VerseDaily. New work will appear in Sugar House Review, Minnow, and Nimrod. She received the 2021 Kay Snow Award and recognition for the Oberon, Dobler, and Pablo Neruda Awards. Find her work at melodywilson.com.
PRAISE FOR Spineless: Memoir in Invertebrates by Melody Wilson
Spider, firefly, snail, cricket, starfish, maggot: a spineless creature does indeed make an appearance in every one of this chapbook’s poems, but that commonality is not the only notable feature here. Each of Melody Wilson’s poems relays a part of her personal history. Each shines with lyric grace. Butterflies “corrugate / trunks like furred lungs molting silver / and sage.” Octopus tentacles “twine / dozily among themselves, / in and out, / sentient fiddleheads.” Wilson is a poet who can call a galaxy into her lines, offering us “all the elusive matter // that flutters and glows.”
–Paulann Petersen, Oregon Poet Laureate Emerita
The poems in Melody Wilson’s Spineless: Memoir in Invertebrates buzz, hum, creak, and slide, and do what my favorite poetry does: remind me there’s a bigger world outside of me, and I would do well to pay attention. These poems, as varied in form and approach as that branch of organism itself—the invertebrate—tell stories of family, memory, worry, wonder, and loss, and do so with sharp wit, beautiful imagery, and style. One can’t help but fall in love with Melody Wilson’s vision and voice.
–Jeff Whitney, author of Sixteen Stories (Flume Press) and Radio Silence (Black Lawrence Press)
We don’t have to be entomologists to appreciate Melody Wilson’s intriguing chapbook. As insects like fireflies, ladybirds, crickets, roaches, and garden snails thread their way through these well-crafted poems, she situates them in the landscape of memory. With a voice that is precise, intimate, and tender, she captures moments from childhood to motherhood and invites us to experience them with her. For example, metaphorically describing her own pregnancy, she writes, I don’t recall deciding, just evolving, one stage to another,/migrating like a monarch from dark to light./You fluttered first on a drive to Salinas. The subtlest/brush against my heart,/and in that instant,/I came to exist.These poems exist to engage us with a master poet who reveals––and revels in ––the beautiful truths of verte- and invertebrates. What a creative achievement!
–Carolyn Martin, Ph.D., poetry editor of Kosmos Quarterly: journal for global transformation
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Feral
That year the world handbasketed to hell,
To bind our busted
Loves to something guileless and frail
We brought a rabbit home. We bought the cage,
The sweetest timothy,
The pellets and the pine. We rearranged
The house to make him room. We couldn't wait
To rest his softness
In our laps, to feel him soften
To our touch, to touch the tender of his head
All undefended.
But he flinched from every gentle,
Every gesture in his presence, trembled
When we tendrilled
Green shoots to his feeding,
Hunched for cover at our coming. Every evening's
New endeavor
To lure him into his enclosure
He fled, and ended hackled in a corner
Heartbeating
Like we were predators.
The more he ran, the more we had to chase.
Anon, apace,
We each fulfilled the other's fears.
Kimberly Johnson
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Commit your work to the Lord and your plans will be established. #proverbs16 #bibleverse #biblestudy #versedaily #dailyverse http://ift.tt/2mdJNIT
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