#watching The Studio Job episode again

[eepersjeepers]

Blushing, covering my face, giggling, yelling, kicking my feet, losing my mind, falling head over heels, eating my hand-

[biolumien]

Hi Hi! first time requesting like this and I just recently finished watching the latest episode of Kaiju number 8. I was wondering if your could write something for Vice Captain Hoshina.

I was thinking something along the lines of a reincarnation storyline? Maybe Reader is a renowned painter or something. And one day they come across a dream of Hoshina in their past life and they paint his face. And Hoshina is suddenly bombarded by a few officers/cadets a few days later about a sudden article blowing up online with a painting that had extremely similar structure to his face. And maybe they'd end up meeting because of it?

I love your writing. Particularly the one with the glasses reader that I read a few days back. You're free to change things as you see fit. And I'm sure whatever you come up with will be very nice. Sorry if my words are confusing. I don't speak english language that well. 😊👌 Thank you if you decide to write for this ask.

notes: ok the way i am. actually obsessed with this i hope you enjoy!!

every 'one line' drawn.

soshiro hoshina x gn!reader no warnings, i think wc: 1768

in your dreams, you always see the same face. red eyes watching your face, purple hair framed over his face and the feeling of a callused hand on your hand, on your cheek. and every time he leans into kiss you, you find yourself pressing your face closer to his, as if desperate, and then you wake up. 

and when you wake up, you always feel the telltale trickle of a tear down your face, the feeling of salt on your tongue. 

there’s no time to wonder what the dreams ever mean, what with your job as a painter. you lived commission to commission—and while your customers were always high brow and paid generously, still meant that you couldn’t be lost in daydreams forever. 

and in your studio, with the pungent smell of turpentine and linseed oil, with your hands inevitably smeared with oil paints, it was easy to forget the stranger whose hands felt rough and weary, and yet held your face with measured gentleness. it was easy to forget him—up until you went back to bed, and you’d always be back in the same dream. 

“i keep seeing you,” you murmur in your dream. “who are you?” 

the man laughs. 

he seems sad, for a second. 

“a dear friend,” he responds. you see it on his face, the way his lips twist at his words, that it’s not quite true. and he leans in again, watching your face. “it’s okay if you don’t remember me.” 

“but i do,” you say in protest. you think you remember this face. “i want to.” 

you must remember this face, surely—this face that, upon your words, looks sadder. and then you wonder if he’s even real—or if this is simply your subconscious, saddened that you can’t remember. saddened that your mind replays this moment, again and again, a repeated brushstroke pulling open the blank canvas underneath. 

“we all want things we can’t have, sometimes,” the man says. 

he leans into kiss you, 

and you jolt up out of bed, awakening to a phone call from your manager. 

“hello…?” you mumble into your phone, pressing it against your cheek as you rub the sleep out of your eyes. “it’s rare you call me randomly like this…” 

“tis no random call,” your manager responds. “you’ve received a request to exhibit some of your works from a museum. will you do it? i hear the pay’s pretty good.”

“mmm… any specific theme?” you ask. 

“not really. they said to let your imagination go wild.” 

“hm.” 

you touch your lips, and when you close your eyes, you see a hint of those crimson eyes again. 

“alright. i think i’ve got a pretty good muse this time,” you say. 

[…]

hoshina wasn’t exactly someone who was very in the know about art. his job, for one, meant that it’s not like he would exactly be interested in art in general, and it’s not like he was even spending his days off on art museum trips or admiring the local art scene. 

so why was it that everyone seemed all abuzz about art today?

and why did it seem like there were more eyes on him than before? not that he particularly abhorred attention or anything, but the eyes seemed to be looking at his face specifically. 

his eyes flit to some of the new officer recruits—iharu, reno, kafka… fuck, even haruichi and aoi? what the hell was going on—huddled around a laptop. haruichi’s brow furrows as he stares at the illuminated screen, and then flits up to look at hoshina. when hoshina stares back, harder, haruichi’s gaze immediately ducks back to the laptop.  

okay. 

well, something was definitely up. 

hoshina strolls over to the recruits, who immediately seem to start panicking—the panic is written across kafka’s face more obviously than the others, and reno elbows kafka in the side. 

“what’s all this about? if you’ve got time to huddle you’ve got time to run laps—” hoshina starts, leaning over at the screen before—

“about that, vice captain,” iharu says. 

hoshina’s in stunned silence staring at the screen, because… isn’t that—

“holy shit,” hoshina says. 

“holy shit indeed,” haruichi says grimly. 

on haruichi’s laptop screen is a painting of— him. hoshina’s damned face, brows gentle and a softened smile on his face. it was a beautiful painting, and yet—there was something sad about the smile, the brows belying deep sorrow. 

“this painter’s pretty well-known, too, aren’t they?” kafka asks. “for like… the psychedelic stuff.” 

“no,” reno says. “they’re like our modern-day monet or something. impressionist paintings.” 

“impressi-what? how do you know this much about art, reno?” iharu asks, wrapping his arm around reno’s neck in a headlock. reno coughs, slapping iharu’s arm. 

“shut up,” reno chokes out, but even as the bickering picks up, hoshina’s gaze is still transfixed on the painting. 

it’s him. no doubt about it. 

“i’ve never talked to them before,” hoshina says after a moment. at once the arguments rattle to a halt, but in the empty relief of silence is the carved truth—that the painting is definitely of him, and its painter was a person who he’d never talked to before in his life. 

“the artist is going to be doing a panel about their exhibition soon,” haruichi says, glancing up at hoshina. “i think they can get me a ticket if i ask.” 

“… just don’t expect me to lighten your laps around the training course,” hoshina says with a chuckle. 

[…]

you hated speaking in front of an audience. cliche, of course, the introverted artist that squirrels away in in their studio—but that was often your reality. you liked to say you wanted your work to ‘speak for itself’, as it were, so you didn’t often make public appearances. 

but your most recent exhibition, featuring the painting of your mysterious dream visitor, created far more buzz than you could have asked for. suddenly everyone and anyone wanted an answer as for who your muse was, why he had a very striking resemblance to soshiro hoshina of the japan anti-kaiju defense force’s third division, and had you gotten permission from hoshina to do it? did you have a specific message surrounding your work?

“just stick to the script,” your manager says to you. “i talked it through with some of the reporters and i wrote some answers for you if you’re scared.” he hands you a slip of paper, and your eyes scan the page, and you swallow the lump in forming in your throat. 

“i shouldn’t have done the painting after all,” you say.

it was strange. in the days and weeks you’d worked on the painting, you hadn’t seen your muse in your dreams at all. you’d been forced to rely on only the memory of the dream–which only seemed to get fuzzier and fuzzier until it became barely a wisp. and now, in those ensuing weeks that the painting has been on exhibition, you almost felt embarrassed of the painting–its vague subject matter might have been charming and a little kitsch, but charming and a little kitsch wasn’t supposed to garner this much attention.

“nonsense,” your manager says. “it’s a wonderful painting.” he pushes you by the back, gently urging you forward. “they’re ready for you.”

you push past the door separating you from the reporters–and then are immediately flashbanged with cameras and lights, and jumbling, layered voices creating a discordant symphony that made you wince.

“um. thank you… for…” you wince as your grip fumbles on your microphone, nearly dropping it, the feedback screeching across speakers. “um. sorry. i’m not exactly the best public speaker–my repertoire of events… like this, isn’t many. but thank you for attending this panel… surrounding my exhibition of my latest work. i’ll answer… a few questions.”

the reporters looked like a jumbled blob for the most part–a thrumming organism of similar faces that melted together into one homogenous mess, a splotch of badly-mixed paint on the palette that you’d scrape away with a knife and discard. 

reciting your manager’s written responses wasn’t the hard part. as you continued to banter, your eyes swept across the crowd.

what were you even doing here?

you wanted to crawl back to your studio, already, and go back to painting. at least then the idea that you’d dreamed up some man who bore a striking resemblance to someone who already existed would fade away with time. and then your eyes found that telltale shade of crimson and purple–for just a moment. and you think his eyes meet yours, too–crimson eyes the exact shade as the one in your dreams. 

his eyes widen. 

“... as you were saying?” a reporter’s words float back to your ears, ephemeral, and you pause.

“can we… no more questions.” you shake your head, finding your vision swimming, blurring, and you raise a hand wiping tears from your face. “sorry. something just… came up–”

and you push into the crowd, trying to find the face from your dreams.

that had to be him, right? his face? it was like as soon as you saw him, the underpainting of your memories flowed back to you–a heartaching loss pounding in your chest. something was wrong. something was missing, because you’d forgotten–and now that you’d remembered it, it hurt. 

“i’m sorry,” you say. 

“you’ve nothing to be sorry for,” the man says to you, and leans in to kiss you. “i’ll find you again in the next life.”

“i’ll remember you,” you say. 

the man watches you, a somewhat sad look on his face.

you press your thumb to the corner of his lip.

“and when i do, i’ll do something big. to capture your attention. and then your eyes will be on me forever.”

you finally manage to catch the man in the crowd, and you realize you’ve seen him before. only once or twice, though–on a small poster or on television. soshiro hoshina, of the third division. you did know this man–but just barely.

he lets out a surprised noise as soon as you collide with him, and you gasp breathlessly. 

“i’m sorry,” you say, looking up at hoshina. “i just… have we…”

“met?” hoshina answers your question, cocking his head, blinking down at you.

“yes,” you say. “i think… i think so. maybe. we… you look familiar.”

hoshina blinks, and then smiles.

it’s so different than the way he smiled at you in your dream. the corners of his lips quirk up, his eyebrows relax almost as he watches you. 

“i thought so too,” hoshina says, and you hear relief in his voice. “so… um. hi.”

“hi,” you respond, and he laughs.

[jinkiezzsstuff]

I know you wrote something similar. Can I request Valentino finding an excuse to spank bunny reader who's usually very obedient. She isn't doing anything bad compared to a lot of the other stars. He just reached for an excuse to tell Y/N she's naughty and spank her. She's perfectly fine with being spanked because she secretly loves it.

Smut plz!!

woooot i love bunny reader! thank you so much for this request sorry it took me forever to get to it i have been busy, i hope you enjoy it. also sorry it’s short but it was nice writing something that was short and easy to break the block <3

warnings: SMUT 18+, fingering only, spanking kink, valentino, unhealthy relationship dynamics, bunny reader, pet names, val’s a dick but like not always to you, not proofread i’m lazy teehee, i think that’s it? swearing :)

Valentino watched you prancing around the studio, your little tail flickering behind you. He tasked you will setting out some refreshment for the stars as you weren’t currently on the job, just here to watch and sit pretty alongside your Tino.

You were royalty around here and everyone knew it, you were Valentino’s yesman, he asked you did, he beckoned you followed. Lucifer forbid anyone made a mistake around you, you’d go hopping straight to the big boss, snitching to Valentino about what the others did.

You rarely got punished as well, Valentino never really attempted to quell his anger issues or explosive episodes, but when it came to his little bunny, he thought twice. You were a sensitive little demon and though he couldn’t care less about the tears- the fits you threw weren’t worth the short satisfaction of yelling at you. So it came to everybody in the studios surprise when Valentinos wings splayed out wide, scowl on his face as he watched you bend over to pick up the cup you had knocked over.

You looked over your shoulder and up at him, his body cascading shadows over you, wings out and hairs on end. Your lip puckered out as you stood, cup in hand, liquid on the floor. “Aí bunny you know better then this. All these expensive wires and cables. I can’t do my job without them.” Valentino hissed glaring down at your through his glasses, your ears had fallen behind you sad and droopy.

“I’m sorry Val, I won’t do it again.” You squeaked out meekly, not used to being at the receiving end of his anger. “No, you won’t,” Valentino hummed out voice laced with false kindness. “Private room.” The moth cooed at you, wings falling to his side as he turned and walked off toward said private room.

The others in the studio looked at you with little remorse, everyone had to put up with his anger, you weren’t special or getting any pity because you’re finally facing Val on one of his short temper days. Tears clouded your eyes, blurring the room as you walked, thankfully seeing wasn’t needed as you had the studio layout memorized.

You walked into the private room on autopilot thinking of all the mean things Valentino was going to say to you. Opening the door, Valentino sat, your surprise, calmly. Sucking large huffs of hot pink smoke into his lungs he waited, legs and wings splayed out, just for you. Closing the door behind you, you stood stiff by it awaiting to be told what to do.

Valentinos hand lifted, finger beckoning come hither, his gaze fixed in front of him not even looking at you. Frowning, you scuttled over like the prey you were until you reached his stuck out knee. That’s when he looked at you, removing his sunglasses he grinned widely. “You know, I hate to punish such a pretty whore, but ah, that’s how it is~” Everything he said was smooth and sultry, making your legs inadvertently clench. Patting his thighs with one set of arms, the other left arm coming up to the small of your back. “Bend over~ I won’t bite,” As you bent over his thighs, he leaned down and whispered in your hear: “Yet.” Before darkly chuckling.

It started with one wack, but it progressed quickly ending with him kneading your ass with two of his hands, with one stayed attached to his pipe. “Look at’chu baby, you’re a mess~” He sneered at you pulling your skimpy underwear to the side to play with the slick you had accumulated. “All for you, you’re the only one who can get me off without the cams,” You admit breathlessly between whines of pleasure.

Valentino chuckled darkly, slowly and teasingly filling you with two of his long fingers. A groan of pleasure with full timbre echoed within your chest at the feeling of him, not only did he have you off in some room like the whore you were for him, but he wasn’t really mad. He realistically wouldn’t have been so quick and kind with his affections.

“I bet you spilt it on purpose, just to have me spread you out, filthy thing.” Valentino spoke with an amused tone as he watched you squirm agaisnt his slow prodding. “Yes always want your attention,” You whined attempting to back up into the pimps thrusts, but he kissed his teeth disapprovingly at you. “Oh little conejita, you’ve been so good, i’ll give you mercy.�� Without another word Valentinos finger’s vigorously thrusted in and out of you, curling to hit that spongey spot inside of you. Gripping his thigh, you cried out and wheezed the last of your breath as your orgasm came rough and fast. Stars twinkled uncomfortably in your vision as your felt his warm fingers leave your body, making you whimper.

Above you Valentino licked his fingers clean, long tongue slithering around his digits like a starved man. With an evil giggle, he pushed you off his lap and stood. “Maybe next time i’ll give you all of me, hmm?” You groaned at his remark, lifting yourself up enough to watch you leave, you’ll definitely have to get him back for this.

[ressonancee]

LOVE TRANSIT S01EP01 - TEASER

♥ SYNOPSIS: Soonyoung is a man on a mission to get his ex back, even if this means enduring watching her going on dates in a reality TV show - ok maybe he didn't think it through when he thought it was a good idea to go on said tv show. Alternatively; Soonyoung love transit episode. ♥ GENRE: (this is me trying to do) comedy, romance, a little dash of angsty because they are exes and because it is me writting I guess. ♥ TEASER WORD COUNT: 437 words, FIC WORD COUNT: around 25k? I don't know it is getting out of hands ♥ FEATURING: Wen Junhui as Soonyoung's number one enemy, Xu Minghao, Lee Chan, Boo Seungkwan as a cranky panelist, Seo Changbin as a normal panelist, Girls Day Yura just because I love her, Pi Cheolin as a panelist that nobody knows why he has been cast but he makes it work. ♥ PLAYLIST: 1. VINTAGE - NIKI, 2. LAS JORDANS - TINI, 3. CALL ME - RENGGA JONES, 4. STILL INTO YOU - PARAMORE, 5. LOVE LIKE THAT - SAM KIM, 6. TENTA ACREDITAR - ANAVITÓRIA, 7. URS - NIKI ♥ LOVE TRANSIT MASTERLIST

[INTERVIEW ROOM][CAMERA 2]

“Do you know you have to think about other options too, right?” The producer asks him. The giant camera is way too close to his face and the producer is sitting just under it - in a little stool that looks utterly uncomfortable. Soonyoung wanted to face her, but she begged three different times to stare right at the camera. He is sitting so still that he can feel the energy accumulating on his body, making him almost quick in his seat.

“I am not interested in that,” Soonyoung answers - staring at the camera and trying to not blink too much even if the lights of the studio hurt his eyes. 

“But the point of this program is that you are open to dating other people and letting her date other people as well,” the producer insisted, and Soonyoung almost laughed. He knows that, for fucking sake he only got his date because he is a master in rock paper scissors and his ex went on a date with fucking Junhui. He knows the point of everything, he just doesn't really care.

“Like I said, I am not interested in that, my goal with this,” He tries to explain, using his hand to point at everything, the set actually looked way better on camera and it was very flimsy in real life, and every time he thinks he will break a fake wall. “Is that we get back together,” he grins confidently, “Sorry pd-nim but we will get back together before this end.” 

He hears the producer groan, he is pretty sure she shouldn’t be groaning and this won’t go to the final cut. He thinks the audio people will handle it, they probably will put a fade in music or whatever, they are professionals. 

[PANELIST CORNER - XX FLOWER SHOP][CAMERA 3]

“I mean,” Seungkwan starts with his broadcast voice, “does he understand the point of the program?”

“I don’t think he does,” Changbin answered him, “He still has feelings for her doesn’t he? Like he talked about her the whole date,” he said laughing.

“I am sorry,” Seungkwan pipes up again, “PD-nim are you sure that this guy is even trying? Are you guys even doing your job picking guys like this one?” 

“This one is definitely unique, he is not even trying,” Yura laughs, “But I really did like her dynamic with Jun, the date was super cute.”

“Me too, me too,” Pi Cheolin says, a little way too enthusiastic, “But I don’t think Soonyoung will let us see more of them together.” 

[lulu2992]

Greg Bryk was in episode 25 of Podcast141, co-hosted by Marwen Heni, Mars Lipowski, and Jim Boeven, to talk about his acting career in general, but also and mostly his role as Joseph Seed in Far Cry 5.

Since he’s already shared a lot of anecdotes in interviews and live videos on Instagram, I thought I wouldn’t learn anything new... but I did, so here’s a summary of what he said about his experience playing the Father.

We knew that the dev team (he specifically mentioned Dan Hay and Drew Holmes) had struggled to find the “right” actor for the role, but what I don’t remember ever hearing before is that, after two years of unsuccessful search, the project was almost cancelled for this reason!

Thankfully, that was when Greg Bryk auditioned. He had already said the script they gave him (and that he thought was “amazing”) was what became Joseph’s monologue in the mission “We Must Be Strong”, but he gave more details about what was originally in it. In this early version of his backstory, Joseph was 23 years old and working two jobs to support his family. One night, exhausted, he fell asleep on the couch as his pregnant wife went out to get ice cream. He was then awoken by a knock on the door, told she had been in an accident, and taken to the hospital. The rest of the story is what he says in Far Cry 5: when he arrives, his wife is dead, their premature daughter is “stuffed with tubes”, he hears God’s calling, and understands he has to make this sacrifice.

So he got the role, and when they called him again to record a sermon (my guess is it was this one, but I’m just speculating), he saw what the game looked like and thought everything and everyone was “incredible”. Over time, as they got to know him, they even changed the character and partly rewrote the Father specifically for him.

The team was also very accommodating. For example, the scenes are usually shot in the huge performance capture studio, but for the Heralds’ eulogies, which are much more intimate, they built a small room so he felt like he actually had something around him instead of a big, empty space.

A day before the game came out, the cutscenes were already available online and he watched some of them. He was very impressed by the last eulogy (or, as he calls it, “snot monologue”) in particular because of how “vivid” and “human” it felt. It brought tears to his eyes and he recalls his wife was “blown away”; it was “special”.

As for the fans, he thinks they’ve been very supportive and welcoming. Some have told him they felt heard and seen by Joseph, and he believes it’s because he’s a character who loves people for who they are. At this point, he and the co-hosts agreed that being an actor was a gift because it gives an opportunity to make people’s lives better, especially in video games because there’s a unique connection that doesn’t really exist in movies or TV series.

Marwen Heni mentioned that, while most villains want you to hate them, Joseph, on the contrary, wanted you to reflect and think that he might be right. Greg Bryk admitted that he believed everything he said, especially about family and technology. Sometimes, people are isolated or only have online connections, so having someone tell them, “I see you and I love you for what you are” is powerful. In his opinion, this message resonated with a lot of players because it’s a simple truth and we all want to be part of a family.

Joseph doesn’t control his followers with fear, Marwen Heni commented, but with devotion, and that too makes him compelling. As he was playing Far Cry 5, he started questioning whether or not he (as the Deputy) was right for opposing the Father, which is something Greg Bryk says he saw a lot in comments. He believes there’s “an intimacy to the relationship” between Joseph and the player, a “seduction” in the sense that we all want to belong. He’s humbled by the impact his work had on people.

When asked if he would be open to reprising the role, this time, he answered, “Absolutely”. In fact, and this is news to me, he revealed there were discussions about turning Far Cry into a TV show, and the different games would have been standalone seasons. That said, he added that, at a certain point, it’s necessary to let characters go and that he was grateful for what he had already experienced playing the Father.

Marwen Heni then asked if Joseph, who is very complex, was entirely fictional or if it was Greg talking through him. He answered his characters are always him, to a degree, because he wants to connect with the material so he never lies and can work from things that matter to him. He never judges them and tries to think about what he wants to express through them. He’s interested in their humanity and what motivates them. “We’re all broken,” he said. “Some are much more broken than others, and sometimes those broken pieces are very sharp and jagged, and they lash out.”

He also revealed he had “very specific rituals” to help him become a character and then let them go. He mentioned a few prayers that one of his friends, who is a Wiccan, taught him. In fact, and all the co-hosts agreed, it can be very hard to “disconnect” from a character sometimes because actors aren’t just pretending; they’re using real emotions.

He had already said his son Dempsey had done the mocap for John and Jacob in the Collapse DLC and that he felt carrying Ethan’s body in New Dawn was a way for him to honor his “boy”, his dead dog Lucky, since he deeply regretted that he couldn’t be there to take him to the veterinarian the day he passed. What I didn’t know, however, is that it was Greg himself who had asked if Joseph could carry Ethan, and the team made it happen. He also explained that, when it was time to play this scene, he tried to imagine what it would be like to actually lose his son.

But who is Greg Bryk’s favorite Far Cry villain? Well, when he auditioned and started researching the franchise, he was interested in Vaas because of Michael Mando’s performance. He still doesn’t know him personally but has a friend who worked with him and who spoke about “how electrifying his talent was”. There’s something “unhinged” and “primal” to him as a performer; he’s a “wild” and “special” actor.

Finally, when told he was born to play Joseph, he confessed he felt he was indeed “called” to play this part but wants to give credit to Dan Hay, Drew Holmes, and Jean-Sébastien Décant for creating such a “terrifyingly human” antagonist in the first place.

[strawmates]

i'm so grateful to live in a same timeline where attack on titan is created. thank you yams for this wonderful, genius, and heart wrenching masterpiece. 

this story has been part of my life these past few years, i grew up with this series, and shared the same emotional ride with all the characters. 

although the manga ended 2.5 years ago, i still harbor the same feelings the first time i read the final chapter of the manga as i watch the last episode of the anime, ever. 

i still believe that eren and mikasa deserved so much better. all they ever wanted was to be with each other but we all know that wouldn't happen. i was crying the whole time while watching the episode to a point i couldn't breathe through my blocked nose and i couldn't even read the subtitles through my blurry vision filled with nonstop tears. 

to all the people involved in the publication and production of this series, Kodansha, WIT studio, MAPPA, all the voice actors, all the music artists who composed and sing the opening and ending songs and many more. thank you for your hard work all these years. cheers to a job well done!

thank you again yams for giving me something to look forward to every month these past few years. you don't know how much that meant to me. 

the world is cruel yet beautiful. 

see you later, eren and everyone else. 

[distracted-and-diffused]

On streaming and cancellation

Wanted to get a bit off my chest about the Dead Boy Detectives cancellation and the state of television today, so this is going to be a bit of a ramble/rant.

I know that Dead Boy Detectives cannot have been the cheapest or least challenging show to film in the Netflix Originals lineup. I am very grateful that Netflix picked it up in the first place, because the alternative seems to have been that it would have quietly moldered after having been dropped by HBO.

And I know that the realities and financials of the business of television are very different now than they have been in the past. I’m pretty sure they’re a black box to most people now, because Netflix sure isn’t sharing the fine details of how they are making those financial decisions, and their only real important metric seems to be “subscription number goes up.”

But I’m so exhausted by this current model, which seems to launch fans into the “bargaining” mode of grieving by default, even before the show gets cancelled.

As a fan, I should not be worried about whether I found and started watching the show quickly enough, or whether I should have watched more of it sooner. (I think my first watch-through ended just within that first month).

As a fan, I should not be worried about whether I posted enough, or did enough to evangelize about the show. (I like talking about stuff that I like, but I am personally uncomfortable with evangelizing about anything.)

As a fan, it is not my job to be an influencer, or the unpaid wing of Netflix’s marketing department. (And if I was going to be, oh, I have so many ideas about improvements they could make… but those improvements would probably exceed their modest in-house marketing budget. And again, not my job.)

As a fan, my only job is to love the show, and I do, and I did. So, so much. (I made it through nearly six complete rewatches; I was halfway through episode six again when I heard the news — and that’s not me putting on the show in the background, that’s actively watching each time — and they should know that from the number of times I rewound certain scenes. I had to stop putting it on while I was cooking because I kept missing parts I wanted to see more closely.)

And I know that as much as I loved this show, there are so many other fans out there who loved it that much more.

---

So it’s disheartening to hear that the show supposedly didn’t have the numbers or the engagement, but it’s also disheartening to see fans feel like this is something we could have prevented. Because I’m pretty sure we couldn’t.

Netflix doesn’t want to see that the show is critically acclaimed (it is!), or that people who like it really like it (they do!). The fact that it’s really good is great, but at the end of the day they’re not that interested.

They want to know that it’s something that will gain them subscribers. They want to see that it’s a sure thing that will make them back their money. (And this sentiment is not exclusive to Netflix, of course; any streamer, any studio has the same concerns at this point.)

And Season Two would probably cost more than Season One. Honestly, if we had gotten a Season Two I would have wanted them to give a bit more time and money to Season Two than Season One, because as great as it was, I feel like I could see places where the show was held back from being even better.

---

There’s nothing that I can do, as a fan, to let Netflix know that Dead Boy Detectives Season Two would have been a sure thing that would absolutely make them back their money. All I could have done is to go on loving the show, and telling other people about how much I love the show, and I think in time it absolutely would have found a wider audience of people who loved it.

Netflix used to be one of those companies that thrived (or at least, claimed to thrive) on the long tail, on people discovering the things that they loved and spoke specifically to them (maybe long after they were made), over and over and over again. It’s not that anymore. And I’m not even sure that the execs have ever thought of the Netflix Originals in that context.

And that’s sad for us, but it’s also sad for them, because here’s the thing:

We’re now in a climate where all of the major streamers are raising rates while also trying to maintain their user base. And that makes sense, from a certain point of view — content, licensed or in-house — is ultimately expensive. At the same time, everyone wants subscriber counts to go up, even as they start to reach saturation.

So then we start hearing streamers bemoaning churn — people signing up for a few months and then cancelling, and then coming back months or a year later to sign up for a few months again. That’s not steady or reliable income. And every time you lose someone to a cancellation, there’s a chance that they might find something else to occupy their time (could be another streaming service, could be their DVD collection, or woodworking), and they might take longer the next time to come back. Or they might not come back at all.

---

And to me, if you want a steady user base, then you want people that want to rewatch your content. You want people to find their comfort shows. You want people to find things that they don’t just like, but love, and especially to have confidence that you can offer them those things, and that you will help them find them.

But that’s just me, and I’m feeling old and tired now. I’m one of those people who can’t afford to spend more on streaming and who doesn’t like ads, and is eyeing my subscription change at the end of the month now that Basic is going away.

[gabessquishytum]

Dream is an HGTV designer who has Hob on his show for a design job. The sexual tension is so strong, they might not be able to show the show on TV.

The production team (Matthew, Lucienne and Joanna) aren't sure how to produce a cleam cut of the show! The whole master bedroom segment is unusable; the backyard segment where Hob is "helping" cut wood (OR hammering along with the team building the pergola) is just Dream staring in a human representation of blue screen of death - Dream had 2 pages of script to get through. Matthew thinks Dream forgot words when Hob lifted up his shirt to use the hem to wipe his forehead sweat. Hob isn't any better -- the "demo" day segement is just Hob standing in a corner watching Dream knock out the cabinets.

The final design is beautiful, but the crew think some time during the late night sprint to finish, the two gave in and now there are soo many shots of Hob and Dream necking behind corners, what they think is out of frame of the cameras --- it's so not.

Akskdjfbasjdbd Matthew gets them both into the studio and he's like "should we just go ahead and upload this to pornhub? BECAUSE THATS ALL SOME OF THIS FOOTAGE IS FIT FOR, YOU HORNY ASSHOLES!"

He's yelling because he's been up all night going through the footage. And also because it's not like this stuff can be re-filmed. The project is finished, they can't knock it down and build it all over again!

Hob has the good grace to look apologetic. There's an enormous hickey on the side of his neck, and he refuses to sit down on any of the chairs, so it's fairly obvious that he got absolutely railed within an inch of his life. Dream glares at Matthew, ever the asshat, and says that it's not his problem that the camera happened to be there.

Matthew puts his head in his hands. Jo is honestly trying not to laugh. Her suggestion is to simply leave the (pg 13) kisses in and make a feature out of it for the show. Maybe do an interview with Hob about what it was like to get a newly designed house AND a boyfriend in the same week?

In the end, the steamy looks remain in the final cut of the show, while the kissing and groping is edited out. A few extra scenes are added with Hob talking about how much he loves Dream’s design, with a few spicy innuendos to make the whole sexual tension kind of comedic? And they tag on a final scene at the end where Hob and Dream sit on the gorgeous new patio and share a toast to the completed project... and Hob presses a family friendly kiss to the back of Dream’s hand.

The whole episode takes 10 years off Matthew's life... so it's a good thing that it goes viral and brings a whole new lease of life to the show <3 especially when the viewers notice that massive fucking hickey ajsbsbdb <333

[chrysalis-the-butterfly]

Sir Pentious perhaps?

Certainly, my dear!

Send me a character and I’ll list:

Favourite thing about them: His dorkiness! I like how he starts out trying to be intimidating so he'll be thought of as a formidable foe, and then learns to embrace his naturally dorky self and be a better person. Maybe there's a message there about toxic masculinity? Or maybe I'm reading too much into it.

Least favourite thing about them: That so-called 'joke' in Episode 6. You know the one. I mean, you can't have a whole episode taking sexual assault seriously when it happens to Angel Dust and then turn it into a joke when it happens to Sir Pentious. I'd have preferred it if, instead of Pen being dragged into the sex room, Valentino overheard his "sex with everybody" line and started offering him a job at the porn studio and making him flustered, and that was what motivated Angel to stand up for his friends.

Favourite line: "The only cool thing here is to say 'No' to drugs! Now, if you'll excuse me, I'm off to not have sexual intercourse before marriage!"

brOTP: I like the enemies-to-friends thing he had going on with Angel Dust! My favourite moment is in Episode 5, when Pen is trying to shield his cookies for Lucifer from Angel's grabby hands, and then he has to stand up straight to salute Lucifer with a quick, "Your majesty!" before he goes back to shielding the cookies, but it's too late because Angel's taken one, but Angel doesn't make a big deal of it, he just says, "Heya, short king," to Lucifer as if there's nothing out of the ordinary going on. They're like brothers! Pen is the responsible one and Angel is the naughty one, but at the end of the day, they've got each other's back. It's fun to watch!

Also, now that Sir Pentious is in Heaven, I love the thought of Emily becoming his new best friend! She could show him how Heaven works, and he could teach her what he knows about Hell, and together they could try to find a way to let Charlie know that redemption actually works.

Plus, there's the angst potential of Sir Pentious interacting with Molly - he knows who Angel Dust is, and she knows who Anthony is, but they don't know they're talking about the same person... I'd love to see a Pen/Emily/Molly trio going on escapades in Season 2!

OTP: CherriSnake! I wasn't sure about the ship at first, but it's grown on me. It's a neat example of the enemies-to-lovers trope, where Sir Pentious' admiration for Cherri as a worthy opponent turns into something more romantic. And they could have bonded over being inventors - Pen with his gadgets and Cherri with her "brilliant explosive contraptions". Too bad he only confessed his love a few seconds before his heroic sacrifice...

I think I like this ship for its potential. What will Cherri do now that Pen is gone? Will she find out he's in Heaven? Will that motivate her to stay at the Hazbin Hotel, to get redeemed herself and be reunited with him? It's rife with story possibilities!

nOTP: Sir Pentious and Vox (StaticSnake?). Mainly because Vox told Pen to kill himself in Episode 2. That was unacceptable.

Random headcanon: Sir Pentious has a son! Remember that moment in the pilot when Angel said, "Harder, Daddy!" and Pen replied, "Son?!" I think Pen did actually father a child when he was alive, and he'd been scouring Hell trying to find him again. (And for a moment there, he thought Angel was declaring that he was his son.) Pen never found his son in Hell, but now he's in Heaven, maybe he'll have better luck...

Unpopular opinion: I actually quite like Sir Pentious' singing voice! It's nowhere near as bad as people make it out to be. And I much prefer it when characters' singing voices match their speaking voices, instead of being wildly different. (Looking at you, Vaggie.)

Song I associate with them: @hazbinned made a video of Pen being kept awake at night by Angel blasting out "Made You Look" by Meghan Trainor, so now I associate that song with Sir Pentious! LOL!

Favourite picture of them:

[drunkkenobi]

Well. This is the weirdest one of these I’ve ever made.

I’m not going to rehash the wank from the Watcher TV announcement. You all know what happened. I am standing by my assertion that this streaming platform is the only way they’re going to stay afloat because YouTube is just not the place for them or anyone else making videos that aren’t just of one person in their house. (nothing against those folks, it’s just a completely different business model)

Anyway.

First up, here’s how Mystery Files season 2 did. It did well, with each ep hitting a million fairly quickly, but it didn’t do as well as season 1. Not significantly worse, just not as high. (two weeks after season 1 ended, the average per episode was 1.854 and for s2 it’s at 1.194million) Of course, the two weeks since season 2 ended have been fucking insane so it’s impossible to say how much of that is a factor.

I will say that views between last week and this week are down overall, but that’s expected. If someone has paid for the streamer and you want to rewatch Ghost Files or whatever, you’re going to watch it ad-free on the app you pay for and not YouTube for the most part. Also it’s very possible people are just not rewatching stuff right now for their own personal reasons, which is fine. I also just don’t think it’s something to worry about.

For better or worse, the Goodbye YouTube video is the best opening weekend Watcher has ever had (and will have?) on YouTube.

Watcher lost around 100k subscribers over The Announcement but, again, if people are paying them directly now then this is kind of a non-factor. For posterity, they’re at 2.84 million subscribers today.

I’m not sure what else to say this time, tbh! It felt like a good time to make one of these with MF season 2 being over but YouTube viewcounts are just…not going to be important anymore for Watcher so there’s not much to say about them. Finding out that a million views only nets between $10-30k has been very eye-opening to me about how piddly the revenue from YouTube is for a production studio like Watcher. The shows they want to make just cost more than they can make off of there. It’s that simple. No one has to like that fact, but that is the heart of all this.

Also, with all of that being said, I think my time as a spreadsheet gremlin is coming to a close. I’m going to keep up with it for a few more weeks and probably do one last round-up for every single video’s views, but with Watcher moving away from YouTube as a business model, there’s little reason to keep up with these. I’ve been making these updates less this year anyway because of a job change and I was losing my steam for it a bit too, so the timing feels right. Like I said, this won’t be my last viewcount post, but maybe second-to-last? And who knows, maybe I’ll check in when Ghost Files premieres but the counts will mean so much less now that the videos will premiere with a month delay from the streamer. We’ll just have to wait and see how the wind blows on this.

Thank you all, as always, for reading, reblogging, replying, liking these posts. Y’all are the reason I’ve kept up with it for four years (and my own nosiness but having encouragement helps!). And don’t worry, I’m sure I’ll have some other spreadsheets to share in the future of Watcher fandom. (I have…so many) So, until next time, thanks again. ❤️

[aslongasimhereyoureinvincible]

haikyuu!! the dumpster battle ramblings

saw it earlier today and am going to see it again tomorow with a friend, am very Full Of Thoughts, if u dont wont spoilers for the movie well take this as your warning ig

okay first of all the sound direction, the sound direction was INSANELY good

this is absolutely a movie that needs to be experienced in cinema, the soundscape of tokyo gymnasium and the karasuno v nekoma match felt so vividly real it was like i was at an actual game

the soundtrack was great too, i mean it always is w/ hayashi yuuki

there were i think two tracks that used the leitmotif from 'above', good shit

the animation was also really great, overall it didnt look massively better than season 4 of the anime

which is fine, season 4 looked great imo (minus that outsourced episode)

but holy shit when the sakuga hit it hit HARD

tsukki and lev blocking, kageyama doing his thing, kenma and kuroo's quick, there were lots of really great sakuga moments

they also reused some shots from earlier on in the anime and idk maybe thats 'lazy' or whatever but i liked it, it was very nostalgic :')

they did re-animate and i think re-voice hinata and kenma's first meeting tho, framing it from kenma's POV, loved that

i think my favourite sakuga shot had to be hinata and kenma with the knives at each other's throats tho, that ate

not sure how i didnt know about this before hand but it made perfect sense to me when i saw studio trigger in the end credits, some of the sakuga, esp the blocking, had a bit of that trigger flair to it

so obviously they werent gonna fit in everything from the manga, and the movie definitely had kenma as its focus, but i think overall they did a decent job in picking and chosing what to cut

the one thing im annoyed about is the removal of old coach ukai and coach nekomata's backstory, i really i think it makes the handshake at the end of the game hit that much harder

other than that tho i dont think the movie suffered from not adapting everything in the manga, i mean obviously i wouldve LIKED it, but i dont think the movie NEEDED it to be a good movie

it very much felt like kenma was the main character of the movie, and the main focus, with kuroo and hinata as his deuteragonists

which i liked!!! i think framing the match from kenma's POV for the most part makes sense, and its fun to spend more time in outsider POVs of karasuno

rlly loved the adaptation of kuroo and kenma's childhood flashback, im pretty sure kaji yuuki voiced kid kenma too

watching their friendship grow and seeing them play togther now as high schoolers, AUGH RIGHT IN THE FEELS

theres also a montage of kid kuroo barging into kenma's room to demand they go play volleyball together that ends on kuroo doing so whilst kenma's changing/putting on trousers which was rlly funny and silly

the stuff with kuroo and tsukki was so good too

'thanks to everyone, occasionally it's fun', 'thank god i wasnt wrong', 'he's a man who walks ahead of me'

AUUUGHHHHHH IT WAS SO GOOD :')

the scene that completely stole my breath away though was kageyama setting the open toss to hinata

i know ive already lost my mind over the whole 'threat of trust' thing and truly, the inarizaki match goes insane with that concept i will always adore it

but holy shit that scene smacked me over the head, HARD, with the concept of 'setting as a love language'

i just... i literally dont even have words for it it was SO amazingly good, i legitimately teared up in the cinema

speaking of other great scenes;

'stay interesting, 'kay?'

OHHHHH GODDDDDDDDDD

they did it perfectly

the music and the soundscape completely cutting out, the background whiting out so its just kenma and the net, kaji yuuki's delivery of the line

it genuinely felt like something out of a horror movie, it was creepy, and unsettling, and PERFECT

also;

hinata's reaction after kenma collapses and says 'that was fun'

murase ayumu's delivery was so VISCERAL, dude got in that booth and CHEERED

you really felt hinata's sheer utter come through in that little scene, same with kuroo's incredulous laugh

the end of the match was slightly a mixed bag for me

on the good hand;

having done from kenma's first person POV was cool, i dont think haikyuu's ever really done that before, and it looked awesome

cutting back on the music and background soundscaping so we just focus on kenma's breathing and the sound of the ball/players jumping/shoes squeaking etc was a great way to really immerse the viewer in the scene, and put us inside kenma's head

on the bad hand;

it was anticlimatic, and i KNOW the whole point of the end of the match is that its anticlimatic,

but i had always imagined the scene with dramatic swelling music and the characters running frantically, only for it to all cut away when the ball slips and all you can hear is kenma's 'ah-' and there'd be a close-up of his facial expression

the stage play did a very similar thing and it worked EXTREMELY well imo

instead by doing it in the first person POV and already not having music it just,,, didnt feel quite as impactful as it shouldve imo??

like the match points for the seijoh, shiratorizawa, or inarizaki matches were done really dramatically

and i know the whole point is that the nekoma match is kinda an outlier in that it ends in that anticlimatic way with the ball slipping, and theres that big beat with hinata calling out 'nice serve' to tanaka before the realisation sets in that theyve won, but jusstttt

idk like it certainly wasnt BAD, i still DEEPLY DEEPLY enjoyed it, but just personally if i'd been the director i wouldve done it differently

also!! because it was from his first person POV we didnt get to see kenma's face on the 'idiot! the ball hasn't dropped yet!!!' line, which was pretty disapointing ngl i rlly love that scene how it is in the manga

ok enough complaining tho back to the infinite list of stuff i loved about the movie

the camera work! good god the camera work was so fucking cool

it really made the space of the gymnasium feel 3d and real, the way the camera would move over and through the net with the ball helped emphasise the physicality of the players and the court

i know jack shit about cinematography but yeah, after the sound design the camera work was prolly the best thing

the post credits scene was great!! daishou trying and failing to neg kuroo cracks me up every damn time

and the set up for the kamomedai match was so hype

speaking of; the very vague forshadowing for hinata's fever of him having flushed cheeks and not being all exhausted after the game like the others, auughhh my heartttt

if he isnt already, this movie will make kenma one of your top 5 haikyuu characters

seriously i love how they switched the perspective and framing so it was a bit more like kenma was the 'main character' of this match and hinata was the 'rival'

overall the movie was cool, creative, and a really clearly loving adaptation, im more than happy to be paying to see it again tmr lol

i'll probably have even more to say after seeing it a 2nd time so tune in for that ig

[studentofetherium]

watch Monogatari

Monogatari is a lot of things. across 18 novels or 102 episodes and three movies, the series spans numerous tones and genres

the premise of Monogatari is that there are supernatural creatures called oddities that represent the characters' mental problems. in each arc, a new oddity happens to force the characters into situations. that's rather broad! because the series does a lot with its concept and treats it rather loosely. the point is, the focus of the series is on its characters and their numerous psychological issues. as a result, the topics the series handles can be rather serious. this includes things like domestic violence, child abuse, and rape. however, not all its plots are so serious, and others focus on sexuality or sibling relationships

Monogatari is highly unconventional. i could say a lot about the bizarre presentation of the anime, or Nisioisin's distinct prose, but i think it's been seen rather than described. needless to say, Studio Shaft and specifically the directors Tatsuya Oishi (who directed the first two arcs, Bakemonogatari and Kizumonogatari) and Tomoyuki Itamura (who directed everything after) did a fantastic job in the series

what about the characters? it's hard to talk about the characters in Monogatari without going into spoilers, but suffice to say that each is distinct in their own ways

Koyomi Araragi is the series' protagonist as well as its narrator. for good and bad, his view is how we see the world. during spring break, an incident occurred which left him in a twilight state between humanity and undeath as a half-vampire. the supernatural attracts the supernatural, so since then, he has found himself involved in a number of other oddity incidents

Hitagi Senjougahara is the cool beauty, a tsundere with a violent side. after a run-in with a crab, she found that her weight had been stolen, causing her to come down with poor health

Mayoi Hachikuji is a precocious and energetic elemental schooler who can't find her way home. at times, she can come across as wise beyond her years, but at others, she seems exactly her age

Suruga Kanbaru is the princely athletic star of the school. however, a recent incident has led to her early retirement. at the same time, she begins to spend more time around (stalk) Koyomi for some unclear reason

Nadeko Sengoku is the little sister character who Koyomi forgot. he remembers her again when he stumbles across her at the shrine in the mountain, taking part in some sort of dark ritual...

and last but certainly not least, Tsubasa Hanekawa is the studious class president who shares some hazy recent history with Koyomi

and of course, there are many more characters than this, but i can't spend all my time introducing them

unfortunately, Monogatari has problems. i already mentioned that it tackles serious issues such as abuse or rape, and while it handles them well, there needs to be a warning for their presence, as the series does not shy away from them. however, not everything is handled well. complaints about the series oversexualizing its cast are frequent, and especially Koyomi's relationship with Mayoi falls under scrutiny. much as i love the show, i would be remiss to not warn people about these issues

but! if you still want to watch the series despite those problems (and you should), knowing what and how to watch can be difficult. the series is infamously hard to translate, meaning not every translation is equal. official subs are not always ideal and streaming services are far from the ideal way to watch the series. i recommend torrenting the series (suggested torrents are linked below). each arc name is unnumbered which easily causes confusion if you're not already familiar for the series. the watch order for the series are:

Bakemonogatari

Kizumonogatari

Nisemonogatari

Nekomonogatari Black

Second Season

Tsukimonogatari

Owarimonogatari season one

Koyomimonogatari

Owarimonogatari season two

Zoku Owarimonogatari

this may seem complicated, but it's much less so once you're familiar with the series

there is so much more i could say about Monogatari. the series is really deep, leaving lots of room for analysis of its characters and stories. even if you aren't inclined to go that far, there is so much to appreciate about the series. Monogatari is without a doubt my favorite story ever, and for many people it has been lifechanging. i cannot recommend it more and i hope if you've read all of this, that you're interested in checking it out!

[berrypass-de-murdler]

100. Murder at the Murdle Premiere

The final episode.

please I implore you, provide feedback of what you thought of the series, and if you're looking forward to the second installment - I strongly want to improve or potentially end depending on general response this series <3

DON'T READ THE EPISODES UNTIL YOU'VE FINISHED THE FIRST BOOK!!

Logico can’t sleep. He tosses and turns in his lonely apartment bed in the dead of night. The movie Murdle is tomorrow… and as much as he wishes he could just leave Hollywood and pretend the film never happened, he can’t. He has to be there, to solve an inevitable murder… and because Midnight III is forcing him to. He is jumpscared by a call from an unknown number. He answers it with his heart beating out of his chest.

???: I know who framed Irratino!

The voice is too quiet to identify.

LOGICO: Who are you!

Of course, the caller immediately hangs up. Logico rubs his eye and falls back down, miserable, praying this will all be over soon.

The next night, after the poor chap had essentially been sleeping all day, Logico wearily heads outside to a surprise. Inspector Irratino is in a full suit, in front of a sparkling limousine. 

LOGICO: Irratino… what the hell? IRRATINO: I know you hate to drive. Come on - guest of honor first.

Flustered but touched, the little man climbs in. Irratino gives him a miniature tux to match, so he’ll look even more like a penguin. Logico is afraid of what will happen at this showing. But he snuggles into Irratino in the backseat as they’re taken to the most extravagant cinema in the world.

Everything in the theater is sparkling velvet and gold - it’s so luxurious it’s an eyesore. The crowd they’re met with is insane, it seems like every suspect from every case has come to watch the film. And the screen on the stage is the largest anyone has ever seen. In fact, the very last thing that comes to Logico’s attention is the body. 

PRESIDENT: The Vice President. A complete waste of My time, but regardless, a person. MIDNIGHT: Look Logico. A murder. Deal with it before the movie starts.

Obsidian stands close by, looking suspicious as ever. Irratino is staring intensely. Logico finds a paper in the dead man’s pocket with a phone number. And he looks up at the four people who are in front of him. 

Logico knows he’s been set up. That this entire adventure that has worn him down to nothing was meticulously planned by someone. Midnight III forced him into this job. The President is bound by his father’s will to keep the studio intact. Obsidian has been playing him since the beginning and will do anything for her own success. And Irratino knows too much. The goat approaches him. Logico, unable to bring himself to speak, holds out his hand to stop him. 

To make matters worse, everyone in the audience is staring. Logico looks at them all and can barely see straight. 

PRESIDENT: Hey. [kneels down to him] How do We know You’d even be able to solve something like this? LOGICO: Just start the film.

He gives up and leaves. He is so tired of solving murders. He never wants to do this again. 

PRESIDENT: There We go.

Irratino tenses, and shoves the president out of the way, heading after Logico.

LOGICO: [sobbing] I can’t do this… I never wanted to be here… I want to go home.

A shadow looms over him.

LOGICO: …Irratino… I… know you’re there. IRRATINO: G- LOGICO: Don’t say anything. 

He doesn’t. He just shows him two notes - one in Detective Code, and one in the code that he taught him on the cruise. Remembering the symbols, Logico is able to read both, and looks up at the goat lord, who gives him a soft smile. 

LOGICO: [quietly] I could have never done this without you.

Hug <3

And they go back to the stage.

LOGICO: It was Midnight III - he’s behind everything.

Everyone kind of looks in confusion. What evidence does he have to back that up? But staring dead at the cloud of smoke, Logico knows he’ll break. He’s just too cocky not to.

MIDNIGHT: Fine. I did it. I killed the vice president, but I only did it because he got it my way. PRESIDENT: Son. Stop talking. Wait until Blackstone gets here. BLACKSTONE: I am here!! I heard the whole thing- MIDNIGHT: Shut up, Dad. 

Midnight’s voice is starting to get really gravelly and scathing, unlike how he sounded before..

MIDNIGHT: I don’t care about your lawyers. I’m sick of you altogether. You inherited a company built on oil, and you tried to make it half about movies. Your pathetic attempt to make art got in the way of what we needed to make, and what I needed to make. 

He continues to explain his evil plan, as every weak villain does. But it’s a lot of dialogue, and I’m too lazy to write the entire thing word-for-word. And if you’ve read the book, like you should have, you already know what he says!

MIDNIGHT: I hope you’re both murdered soon. And I want this fucking show to end. Can’t you see you’ve all been played. Can’t you see that… that your stupid story was planned. I was doomed to fail from the beginning. CAN’T YOU SEE WE’RE ALL DESTINED TO-

Obsidian steps in and forces the little blob off the stage. And the President too - he’s useless. Midnight continues ranting, but no one can hear him anymore. Logico and Irratino stare at the vast audience of previous offenders. There’s a long silence. And then, suddenly, everyone bursts into a roaring applause. They’re cheering for Logico! The real Logico… not just some character he plays. Obsidian smiles and raises a glass to him. He tears up and looks at Irratino, who grabs him into a tight hug. For the first time, Logico feels so relieved. He doesn’t want this moment to end.

IRRATINO: Logico... remember when you brought that penguin from the dead and we had a drunk party? LOGICO: Yes, Irratino, how could I ever forget. IRRATINO: ...Could we do that again?

And they do. For once, Logico doesn't care if he and Irratino look like idiots, because this is worth celebrating.

The movie sucked, but who cares? It’s just a movie, and Logico got enough money for a slightly bigger apartment. He leads Irratino to it.

LOGICO: All right, open your eyes.

He does, and gasps when he sees a new desk labeled ‘I. IRRATINO’. The hapless goat squeals and squeezes Gico, ready to move in as soon as he can. This is not what Logico meant. But he’s not going to say no.

On the backside of the door, there’s a note he certainly didn’t write, and neither did Irratino. It’s made of only numbers. And Logico can’t figure out what it means… 

IRRATINO: Hey Logico. LOGICO: …what. IRRATINO: You know when there were ancient ruins on the moon? LOGICO: WHAT? You weren’t there for that! IRRATINO: Ah, but was I? The ruins may be oil deposits, but that doesn’t explain anything about the one on the moon - how’d ancient people even get up there without some kind of alien presence? LOGICO: Oh come on, are we doing this now? This is just stupid…

Irratino shuts the door behind them, slowly zooming out on the apartment, the building, and the city.

IRRATINO: Alright, if it’s so stupid, how do you explain it? LOGICO: Pfft. It’s not ALIENS. IRRATINO: Then what is it?? LOGICO: No more questions. IRRATINO: Logico…

And they continue to banter on, deep into the night.

The end (for real this time)! 

Thank you to anyone who bothered to read this - I love you all.

May the power of Goat Lord compel you

[sadquickchristmassnowman]

Overall what do you think of mythic quest? It's on my list to watch. How would you intrigue someone to watch it

(just want to preemptively say that I know this ask has been sitting in my inbox for months and I am so sorry for taking so long to get back to you)

I absolutely love mythic quest. It's my #4 sitcom of all time, which might sound not very high, but numbers 1-3 are taken by the good place, community, and it's always sunny, and I mean. there's no beating those. anyway

I don't know how much you know about it, so I'll give a quick introduction. mythic quest is centered around a video game studio, which produces a video game of the same name. season one opens with them launching their new expansion: Mythic Quest: Raven's Banquet. the show follows around the different employees of the company as they each chaotically try to achieve their goals. there are a lot of sitcoms centered around a workplace (the office, parks & recreation, brooklyn nine-nine, superstore, just to name a few), so I suppose you could say mythic quest follows a similar sort of formula to those. but, I think it's super unique and has a lot of stand-out qualities, which I love. it's difficult to make something so unique, to do things on tv that have never been done before (or, at the very least, are rarely done) and I think mythic quest does a great job with all of that.

for one, the types of interpersonal relationships mythic quest portrays are extremely unique. it's hard to go into detail without spoiling too much, but I'll do my best. the show is definitely an ensemble sitcom (a whole gang of "main" characters), but I'd say the show focuses mainly on Poppy and Ian, and their relationship. but, they make it explicitly clear that they are NOT romantically or sexually involved. there's a few jokes here and there, but they react with disgust every time. their relationship is 100% platonic, throughout all three seasons that are out, and it is the FOCUS of the show. how many tv shows have done that? hell, how many stories, period? it's so incredibly important to me, especially as someone on the aroace spectrum, and it makes mythic quest that much more unique and interesting.

(disclaimer that of course there are some people who ship poppy and ian together, which is just kind of. objectively wrong imo. but yk. people can do whatever they want I suppose. the point is, that ship will never sail in canon.)

the ONE current romantic pairing is a lesbian couple!!! that is just SO wild to me. literally none of the other main characters have any sort of (canon) romantic subplot or anything. and the lesbians don't get put through a ton of heartbreak and unnecessary drama either!!! there's pining, there's slight miscommunication and the characters themselves go through some things, but the relationship itself??? pretty much thriving, even through the end of season three. again, SO incredibly important to me.

the character work, writing, and acting is also exemplary. given that mythic quest is already on your list to watch, you probably know some of the actors who are in it: namely, Rob McElhenney, Danny Pudi, David Hornsby, Ashly Burch, etc. The show was created by Rob McElhenney, Megan Ganz, and Charlie Day, who all obviously worked together on iasip. Megan actively writes for MQ, Rob stars in and writes, and Charlie has been pretty hands-off since the show actually got up and running, but who knows. maybe he'll have a cameo one day. David, Danny, and Ashly have all also been involved behind the scenes. I'm sure there's other stuff I’m missing, but that's what I can think of off the top of my head, production and acting-wise.

one of the biggest things that makes mythic quest unique is that, once a season, they have a "backstory" episode, which provides context to a different aspect of the show. the first time I watched season 1 and the backstory episode came on (it's called "A Dark Quiet Death") I had to double check that I didn't accidentally click on another show lmao. I didn't know What was going on. the backstory episodes from seasons 2 and 3 have more immediately recognizable connections to the main story, so they're easier to follow right off the bat, but yeah. the mythic quest backstory episodes are absolutely fantastic. it allows the writers to play with different story layouts, deviate from the established feel of the show, introduce different characters, etc. I could talk about each one for hours, but I won't right now. but yeah. those episodes alone would make the show worth watching.

a few other things I love: danny pudi playing mean, brad as a character in general, the chemistry the characters and actors have, the way it's shot is beautiful, the post season 1 specials (quarantine and everlight), how fleshed out and real the universe is (so much so that I thought mythic quest was a real game for a while), the animations they use as scene transitions, the multitude of background details that I notice more of on every rewatch, the sheer complexity of the characters, the diversity and representation (queer characters, mental health issues, familial trauma, etc), and god so much more. I could go on and on and on about this show. because this ask was so long ago it's possible you've already watched it but if you haven't please do! if you're not the asker and you haven't seen mythic quest and are reading this, ALSO please do! and let me know what you think afterwards If You So Choose. as we've pretty clearly established, I am always super down to talk about my favorite shows :)

TL;DR: mythic quest is amazing and I would recommend it to anyone. unique episode/season layouts, dense worldbuilding, great writing and acting, lesbians, hilarious yet occasionally heart-wrenching plots, complex characters, and so much more. give it a shot. you won't regret it 👍👍👍 (plus season 4 is coming out this year!!!)

[putschki1969]

2024/03/30 Blog post by Wakana ジブリをうたうコンサート〜全私が泣いた日〜

❗This is Fan Club EXCLUSIVE content❗ ❗PERSONAL USE ONLY❗ ❗Do NOT SHARE on other sites❗ ❗Join her FAN CLUB! Check out my detailed TUTORIAL ❗

“Ghibli wo Utau” Concert~A Night Of Tears~

“Ghibli wo Utau” Concert ~ Produced by Satoshi Takebe was held on March 27th (*'▽'*) It still feels like a dream to be able to perform at a tribute concert for my all-time favourite Studio Ghibli works. Today I will be sharing plenty of photos from that concert! It was held at Tokyo International Forum Hall A✨ The screen at the back shows famous scenes from each work. When I was singing, I believe they showed San and Moro in the background 😍 (I was facing the audience the whole time so I couldn't see them...)

This time, I chose a dress inspired by San from Princess Mononoke 👗 It was so cute ♡ Here I am together with Mr. Satoshi Takebe who is literally a super-human, he was hosting the whole event, taking charge of the MCs, performed on the piano and he also arranged all the songs for this concert😂😂It's amazing😂 When I was asked to sing ``Princess Mononoke'' for the album, I remember that at first I jumped up and down with joy but then I quickly started to feel anxious, wondering whether I would be able to do a good job... However, when I saw Takebe-san and everyone involved in the production working so incredibly hard to make a good album, I swore to myself that I would give my very best and work as hard as I could. I am grateful to Takebe-san for always believing in me and never giving up on me! ! Takebe-san, thank you very much for your hard work! ! ･:*+.\(( °ω° ))/.:+

This was my first time collaborating with Leo Ieiri! I got to sing “Itsumo Nando Demo” together with her, it was so much fun 😊 She was a very kind and wonderful person...😳✨ We actually have something in common, we are both Sagittariuses from Fukuoka, that made me happy 😊 I hope to see you again✨

And here I am with Shigeru Kishida from “Quruli”! We had our picture taken while I got to hold my personal Totoro😂 During the concert, I watched most of the artists' performances from the stage side wings, Kishida-san's story was particularly funny 😂 It seems like Takebe-san tends to call him "Shige-chan" 😂 So cute 😂 Not only his performance of “My Neighbor Totoro” but also “Ponyo on the Cliff by the Sea” was amazing!

I also had a photo taken together with Kaela Kimura! She is too cute~~🥺💕 I felt the audience get even more excited during Kaela's "Rouge's Message"😊 She is a very powerful and charming performer😍

I brought a lot of my Ghibli mascots with me that day, actually, everything except Tet was a gift from my fans 😂 All of you really know and understand me...😭✨Thank you😭✨ (Totoro and his friends on the right, Acorn and Kurosuke are matryoshka dolls. Ashitaka and Kodama are finger puppets, and Totoro on the left is a pouch!)

The Totoro cream puffs provided by the catering service were super cute! (It doesn't even look out of place when lined up side by side with all of my mascots!)

I really enjoyed reflecting on that special day with lots of photos! I was among the first ones to perform so I actually wanted to tell all of you in advance that you should make sure to arrive in time 😂 And then when I stood on stage, I immediately started looking for familiar faces in the audience😂

It was my first time standing on stage with so many artists since I became a solo artist so I was a little nervous... I sang while thinking of all of you, believing that my botanical friends were definitely there in among the many gathered fans! 😂 Thank you to everyone who came and everyone who supported me...😭✨ I was beyond thrilled to be able to participate in a concert that allowed me to be so involved with Ghibli's music! The concert will be streamed on U-NEXT on May 18th, so please look forward to it ＼＼\\٩( 'ω' )و //／／

Also, the submission deadline for the next "Talk Garden" episode is tomorrow! This time's theme is "Something I Want to Ask Wakana/Something I Want Wakana to Talk About"! 😊 Please send it here ↓↓ https://wakana-fc.jp/answers/botanical_oshaberi_8/new

Finally, here are some fun photos~☆ YAY! ! (I'm floating in the air)

Until next time~☆( *'▽'*)/

＊＊＊Wakana＊＊＊

Wakana to Perform at Everyday's Omatsuri

Wakana will appear at "AirTrip Presents Everyday's Omatsuri 2024" featuring a variety of amazing artists, held every day from July 3rd to July 15th! Wakana will be performing as part of a two-man live together with RYTHEM on July 13th, starting at 19:00. Please look forward to it! ! (Source)

《Performance overview》 Title: “AirTrip presents Everyday's Omatsuri 2024” Date and time:July 13, 2024 Open 18:30 / Start 19:00 Venue: Yokohama Red Brick Warehouse Performers: RYTHEM・Wakana Ticket type: Luxury seats 7,000 yen / Premium seats 6,500 yen / General seats 6,000 yen Official site: http://omatsuridays.jp/ Advanced ticket lottery for FC members of Botanical Land has started! ! 【Application period】4/1～4/8 【Results】4/12～ 【Payment period】4/12～4/14

[thegoodwitchynki]

Be thinking about why Kiki's delivery service resonates so much with people more and more as time goes by and I think there's actually a couple different ways to look at it..

The first is nostalgia. Whether you grew up with this movie or not it really taps into a nostalgic place. A very 'simpler story from a simpler time', even the chaos "big city" seems pretty tame compared to modern day. And like most studio ghibli movies, do it takes a little time to romanticize the simpler, more old fashioned ways of life.

The second reason is how well it depicts burn out and depression. This is a childers movie that came out in the 80's and I'm not sure that I could think of a better example. Kiki pushed herself to the point that she loses her magic and losing her magic throws her into a depressive episode. She spends a lot of time alone, she has mood swings, and she trys and trys to fly but she can't. When she goes to visit Ursula she gives her some of the best advice for burn out

“Stop trying. Take long walks. Look at scenery. Doze off at noon. Don’t even think about flying. And then, pretty soon, you’ll be flying again.”

Even when she gets her magic back she still can't talk to Jiji anymore because she's not the same as before.

Noralities has a great video about all this and explains it much better, you should definitely go watch it

But one thing she doesn't mention that I think is another reason this reaches so many people is Kiki's work itself. Kiki works a service job, like a lot of us do. Her first job she loses the toy she's suppose to delivery and works really hard to get it back but we see the kids is not interested in the toy at all. He's more excited about the cage it came in.

The other job we see her doing is delivering a pie to a girl's birthday party from her grandmother. When the old woman tells her she can't delivery it because the oven isn't working, Kiki immediately offers to help get the old wood oven work so they can cook the pie. When it's finally done she flies across town in a strom just for this ungrateful brat girl to take the pie, mention how much she hates her grandma's pies and then slam the door in her face. Kiki even missed a party that the first friend she had made invited her to for this delivery!

Kiki makes some little sacrifice throughout the movie. She takes her mom's broom at the start even though she worked hard on her own, she wants to buy newer clothes but has to buy food and kitchen supplies, she misses her party for work. Kiki is always shown working hard, in the bakery, cleaning up her new space, and especially with her delivery service. Kiki literally work herself sick and she's barely even thanked.

And I think that's why Kiki's delivery service resonates so much with me