#we love two best friends

[mexipoopy]

tsunderes and yanderes...💖

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

[ssaseaprince]

Can we talk about how Derek obviously has a type because Spencer and Penelope are so similar.

[casukaga]

some doodles based on pre-campaign scenes @artbykatybug has written about cable and ophelia as they visit ophelia’s family ranch!

our dnd ocs — cable (he/they) • ophelia (she/her)

🌟 Instagram | Twitter | Youtube | Ko-fi 🌟

[ratatatastic]

"wdym by especially barky 🤨" "yeah i was—*motions to his beautiful wife who works her ass off improving her defense this whole year*" love how matthew took offence to *especially barky* like all of us are out here getting pucks to the dick we ALL play defense dammit you will not come into our home and spread these lies!

the head thrown back as george richards [fhn] mentions reino as matthew tries to defend himself while sasha looks absolutely smitten with matthew...

sasha acknowledging his wife defensive pursuits and backs her up with "well you wanna answer it?" and matthew immediately going "no!" god forbid he does work god forbid it! heres just here to whine and look pretty really how dare you make the princess think of answers despite how she doth protests!

they cant help but giggle all throughout the answer oh OH MADNESS CONSUMES ME. MADNESS.

"especially defence right?" matthew getting one last dig at george (he was on the mic again for the question he was answering) hes so proud of himself... his little jester bells sing to him he must make the room erupt into giggles lest this presser be a failure! sasha little smile... so slight... so itty bitty... but there...

new york rangers @ florida panthers game 6 postgame interview | 6.1.24 (x)

[biblicalhorror]

Aroace Riz real but also Fabian is SO clearly in love with him and Riz has no idea

[blmpff]

✨ Various Tropes: Neck Touch (2/?) ✨

TITLES IN ORDER: 1. We Best Love: Fighting Mr. 2nd (2021) 2: History 3: Make Our Days Count (2021) 3: Love Mechanics (2022) 4: Big Dragon (2022) 5: Bon Appetit (2023) 6: Love Class 2 (2023) 7: Bed Friend (2023) 8: Pit Babe (2023) 9: The Sign (2023) 10. Playboyy (2023) 11. For Him (2023) 12: Dead Friend Forever (2023)

[windrider01]

♚ Commission Info ♚

I’m new to the Ace Attorney fandom, but have this art I did of these two cute love birds <3

[im-no-jedi]

the moment they became besties 🥰

[samarecharm]

Its so funny that Makoto gets such an awful rep (usually bc of her treatment of Futaba), but going through the game again, Makoto is the one who leads the conversation into getting her to open up for the palace door. She immediately offers up the idea of just being honest with Futaba; no lies or soft words, just straight facts in a calm voice. She knew Futaba wanted the change of heart, badly enough that shed listen without having to be convinced by force. And when Futaba panics about having to open up, Makoto makes sure she has no chance of backing out (‘give me time to open the door’ ‘ten seconds’ ‘WHAT???!’). Its for her own good!!

I think it can come across as mean and overbearing and even insensitive, especially if you are someone who is sees themself IN Futaba, but Makoto is both incredibly caring, sisterly, and understanding during the entirety of her arc. Like most characters, fandom seems to completely warp and exaggerate very specific moments and traits and sum up entire personalities bc of it. Ryuji and him being stupid; Ann and her being loud and mean; Yusuke being dumb as shit and singleminded for NO discernible reason, etc etc. People took the snooping and her one vaguely insensitive comment (about futaba and her whole Thing) and decided that she was a cunt and a bitch that couldnt be reasoned with.

Its so bizarre. Im aware that every piece of media w vaguely assertive girls has this issue (Sakura, Katara, Aqua, etc etc) but its still crazy that this is prevalent. Shes like the direct mirror of Goro and he does not get this specific kind of hate (usually its ‘he backstabbed and blackmailed us so i hate him’). Sorry. I need to be a Makoto Apologist to protect her from the rest of the world. My girl did nothing wrong shes just weird. She thought she could fight a mafia boss and she was RIGHT! She WON!!!!

[widevibratobitch]

ive been neck deep in fitzconte the last few days and it's amazing the things people can do with a character who has 4 minutes of screentime, says like three lines in total and also never actually directly interacts with the character the fandom decided is their bestie their pal their sweet cheese their good-time boy. and lover.

the cheetah is a homoerotic allegory yes yes we know.

[madamescarlette]

don't you love when you're like, okay now I'm going to leave this sorrow in the old year so I don't turn into a crotchety bitter person over it, and then you walk on feeling all refreshed and bright no longer carrying it on your shoulders, but then the sorrow wanders after you like a child who was lost in the supermarket weeping its eyes out and it says to you where did you GO I was lost! I was lost and I missed you!!! and you can only sigh and take it by its hand and say to it very well. here's your seat. I'm sorry I left you behind, I promise it was with the best of intentions, but I want to do my best by you, so let's sit together and try to figure out what you're saying to me.

[seagull-scribbles]

ʟᴇᴛ'ꜱ ɢᴏ ᴘᴀɪɴᴛ ᴛʜᴇ ᴛᴏᴡɴ ᴏɴ ᴏᴜʀ ᴡᴀʏ ʜᴏᴍᴇ,

ᴛʜᴇ ʙʟɪɴᴋɪɴɢ ʟɪɢʜᴛꜱ ᴀʀᴇ ʙʀᴇᴀᴋɪɴɢ ʙᴏɴᴇꜱ

[booasaur]

Harlem (2021) - Season 2 Trailer - Quinn and Tye as two queer main characters

[blmpff]

✨ Various Tropes: Back Hug (2/?) ✨

TITLES IN ORDER: 1&2. 2 Moons 2 (2019) 3: Journey To The Shore (2020) 4: We Best Love: Fighting Mr. 2nd (2021) 5: About Youth (2022) 6: Big Dragon (2022) 7: My Tooth Your Love (2022) 8&9: .My Secret Love (2022) 10. Bed Friend (2023) 11. Love Class 2 (2023) 12: Kiseki: Dear To Me (2023)

[hualianisms]

i love how fanghua are so danmei coded. fang duobing as the protective nianxia ml whose life was so monumentally changed and shaped by a shifu he met only once when he was younger but whose small act of kindness moved him so deeply that he spent most of his life trying to get stronger, working hard to finally be able to catch up to and be worthy of that glorious shifu that he so admired.

except he finally meets that shifu again years later as an adult and he's finally caught up to him but now their positions are reversed - li lianhua is now the sickly one, and fallen from grace; fdb is now the (physically) stronger one, the young hero, and he becomes friends with and falls for llh who he now no. longer wants to be the disciple of. instead, he now wants to protect and care for li lianhua like one protects and cares for a lover.