So, I know I'm a little (very) late to the AvA stuff, but I was rewatching AvM Season 3 for the seven hundredth time and, well, I noticed something and I'm curious to know if it's been discussed before.
AvM Episode 29, Purple's story, specifically, Pink's death.
Her color changes as she dies, or is represented to have died.
It fades to grey.
Now, the question is, can we, or rather should we, use this to infer anything lore-related? Was this just an artistic choice to depict the act of becoming unhealthy/dying, or could this be what actually happens to stick figures that die over a period of time? Are their colors linked to their health?
Let's have a bit of fun with it, and presume that the fading of one's color can happen to a stick figure for health-related reasons, as the scene could imply.
This fading seems to involve loosing the saturation of one's color into grey. Saturation is how vibrant a color is, and the complete lack of saturation is greyscale.
The World-of-Alan reason for Pink's death is that she 'got sick', which is where the health connection of this theory comes from. If she did loose her color as she was dying as the notes depict, that loss of color was likely a result of her failing health rather than any other factors, like age or outside variables. A whole bunch of human body stuff are indicators for good vs poor health, including skin color (jaundice and cyanasis are good examples) so why not a stick's color for them?
What if, when they fully die, they lose all of their original color?
Now, let me propose this…
Who else do we know of who has had their color loose vibrancy?
What if Victim's color has lightened because he's ill?
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one thing I’m hoping is addressed in future episodes is the fact that laudna sometimes acts like she’s the only one who’s ever been through her own trauma. and yes, what she’s been through is AWFUL, but everyone has been through something
- laudna was tricked, tortured, hung, revived, and wandered the world for about 30 years by herself before she found Imogen (though Marisha has stated there was someone before Imogen, but that hasn’t come up in game yet), and then died again, before being revived again. she has delilah in her head, which is Not Great, but laudna consciously brought her back
- imogen was abandoned by her mother at a young age and grew up with an absent father, who revered her as a freak, and was an outcast everywhere she went
- fearne was abandoned by her parents and has had her life be in the hands of others for over 100 years, mainly her “grandmother”, who has been stretching their time together to keep her longer. she’s also been killed, and found out that she was a purposefully made by a villain for some nefarious purposes
- ashton lives every single day in pain, grew up in a cult, died, woke up in a new body that was broken, didn’t know anything about himself, has been alone since he was a child, exploded into a thousand pieces before painfully reforming with new, more “broken” body parts
- fcg was an assassin bot that sat untouched for 2,000 years before being brought to life and thrown headfirst into society with no help or instructions, and then died tragically
- chetney has lived over 300 years by himself because his family abandoned him and he had to come to terms with the fact that they’re all likely dead, and the loss messed him up so bad that he’s avoided making meaningful connections with people ever since, and he literally JUST died, was revived, and watched the person who deemed him worthy of saving sacrifice themself
- orym watched the love of his life and his father figure be cut down in front of him, watched his friend accept a cursed crown that permanently changed her, was killed and revived
there’s no denying that she’s been through something horrendous, but she has to make the conscious choice to get better. to quote matt & marisha both: laudna is an addict, and she digs herself into her grief so deeply that she can’t see the cracks in everyone else.
she was right that orym should’ve talked to the whole group before taking otohan’s sword, but she was a hypocrite because she tried to steal it off of him. the sword is the source of her trauma, but it’s the source of orym’s too. she told chetney to not talk to her about loss after learning just mere weeks ago that he lost his entire family in one day.
i thought dorian put it beautifully: “it’s just a thing.” it only holds power over you if you let it. she’s dead. the blade no longer hurts you unless you let it.
there’s something so riveting about watching the nuances of trauma unfold in juicy, juicy ways
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I've seen some people complain about loser, baby featuring Husk comparing his gambling addiction to Angel's sexual abuse. And I feel like this criticism entirely misses the larger context of them bonding over having both sold their souls. Like, maybe slavery isn't quite the right analogy for this situation (it's unclear what power owning someone's soul actually gives you. Alastor and Valentino resort to bribery and manipulation respectively, so whatever power it is doesn't seem to be absolute) but its pretty darn close.
This song is one person who doesn't fully own himself telling another "our lives our fucked beyond repair. Give up your pride, it won't save you anymore. But. We can still make something worwhile out of our lives, if we acknowledge the pain and help each other weather it."
An example ive seen criticiszed a lot is when angel says "it's OK to be a coked up dick suckiny ho?" And husk says "baby that's fine with me"
But in context, husks reply is less '"I see no problem with this and think it's fine" and more "I get it man. I won't abandon you for the things your master makes you do, or the way you cope with them. We're in this together"
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ponder for a moment, zosanuso with Zoro realizing he likes pet names
Sanji and Usopp get together first. They are very lovey dovey and sappy because Sanji is lovey dovey and sappy and Usopp loves it, gets very swept away with it, and does his best to reciprocate. This shit is practically the bane of Zoro's existence. And that's not even getting into the pet names.
Some time later, he's got the realization that oh, huh, he likes Usopp. And oh, ugh, he likes the Cook too. And he might lament his own feelings about it, but eventually he tells them and then Zoro has two boyfriends.
And then one morning, Usopp comes to breakfast looking incredibly sleepy, and casually gives a "Morning, babe" to Zoro before taking his seat.
And Zoro finds he likes that. He really really likes it. And he's definitely showing it on his face somehow because soon after Sanji is ranting and raving about Zoro being an absolute hypocrite, because how dare he complain all this time about Sanji and Usopp calling each other honey and cher and darling, when he was just as bad as them-
Usopp is more awake now and trying not to laugh, for Zoro's sake. Zoro is very red and keeps trying to interrupt Sanji, but Sanji just talks louder over him. Zoro would start a fight, but Sanji hadn't finished serving breakfast yet and his arms are full of plates so he's forced to suffer.
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