#what's that azula line from atla?

[lucy-moderatz]

[evilkitten3]

atla crack au where zuko and azula burn the palace down as kids (like 12 and 10, respectively, pre-banishment but post-grandpacide), run away to avoid consequences, and somehow end up "discreetly" living in the abandoned fire nation ship in the south pole ("discreetly" is a word which here means "all the adults know they're there bc they have massive arguments every other day, and when hakoda's nearby he "drops" things that might be useful")

ozai ends up blaming the palace fire on iroh and banishes him. he must capture the children to regain his honor (translator's note: this is adult speak for "get their asses back here so i can ground them for the rest of their lives")

[shieldsurf]

it would be fun to try animating ray to her voiceclaim but unfortunately even though grey griffin is incredibly prolific none of what i can find works for one reason or another

[lilith-91]

Damn atla fandom is always looking for the yin/yang dynamic and "soulmates" trope when in the canon series it's literally...... Zuko and Aang

I mean, Sokka IS absolutely Aang's best friend and brother, but the soulmates platonic bond belong to them

Enemies to friends, opposite elements in terms of temperament, both related to Roku and Sozin, both have "restore my honor" thing, both have scars from Azula, "the Avatar bring Zuko hope" line etc etc

They are meant to be friends bonded by the universe (Roku and Sozin again, hello?) and their respective paths were constantly intertwined. You learn about their backstories BY PARALLELS, BY DREAMS

“The storm” and "The Avatar and the Fire Lord" are two of my favorite episodes because it really highlights how their fates are intertwined

They are THE narrative foils of the series. From episode 1 until the very end you know they are connected

I mean look at Zuko here

You can’t tell me Zuko didn’t think about this convo/experience in general all the time before switching sides. He’s not angry or disappointed. He looks contemplative, like what Aang said really got to him, even if he doesn’t know it yet.

Aang couldn't never hate Zuko because he knew why Zuko was the way he was and Zuko was obsessed with him for 3 seasons.

In the end they are presented together side by side as the Fire Lord and the Avatar. Their union is what will bring peace

But since it's not a "romantic connection" this relationship is ignored bruh

[longing-for-rain]

Katara and Mutuality in Relationships

There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.

Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.

In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.

Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.

So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?

Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.

But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.

Take Haru, for instance.

Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.

Katara: So that's why you hide your earthbending.

Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Katara: See this necklace? My mother gave it to me.

Haru: It’s beautiful.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

Haru: It’s not enough, is it?

Katara: No.

This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.

Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.

But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.

Another character she reaches out to like this is Jet.

Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.

Katara: What about you?

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Katara: Sokka and I lost our mother to the Fire Nation.

Jet: I’m so sorry, Katara.

Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.

That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.

A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?

Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.

Aang: What about 'em?

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.

And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.

This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.

Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.

This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.

But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.

Also noteworthy:

Katara: But I didn’t forgive him. I’ll never forgive him.

Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.

Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.

Now, to address the elephant in the room.

Which character does actually add to Katara’s narrative and support her growth as a character?

Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.

You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.

Even before this, Zuko is shown to empathize with Katara.

Zuko: I’m sorry. That’s something we have in common.

I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.

And finally, how else does Zuko add to Katara’s arc?

I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.

Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.

Then, this:

Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.

This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.

So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.

Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.

[prying-pandora666]

The Cast and Crew Don’t Deserve Your Hate

I know many of us feel hurt and betrayed by NATLA. I know this. I feel the same.

Please stop cursing Albert Kim and the production crew. The fact is, he inherited a huge mess that was already behind schedule. Studios nowadays want the fastest turn around possible and are willing to pour money into projects.

But not time.

I’ve said it before, but LOTR is the absolute gold standard for production. They took years of pre-production time to hand craft their costumes and props and wigs. They hired artisans to hand make tunics and chainmail by hand. They sourced and layered real human hair for their hair pieces. It was incredible.

GOT also attempted something similar though not nearly at the same scale.

That’s why both of these productions have such fantastic and realistic feeling costumes, wigs, and props.

Modern studios just want fast turn around. They’ll pour in money but they want it fast. That’s why the modern takes on LOTR and GOT (ROP and HOTD) look like mediocre cosplay by comparison. The stylists are doing their best, but there’s only so much you can do with so little time.

That’s exactly what’s happened here. You can tell in how awful all the wigs and beards look, even compared to the Shyamalan film of all things! It’s why you can see machine stitching and the fabrics aren’t thick enough to pass for animal pelts. It’s why Iroh’s beard looks like it’s going to fall off, and Yue’s hair looks like a Lego piece, and Azula’s bangs are visibly attached extensions of a completely different sort from the rest of the synthetic wig. It’s why Zuko’s scar looks like a birthmark and not a burn.

It’s why the bending, despite having impressive animation, doesn’t line up well with the actors’ movements and feels pasted on. Almost as if the artists and fight choreographers didn’t get to communicate and plan together.

It’s why the scripts are a poorly juggled mish mash of plots, with threads left to hang in the wind while others are so oversimplified that it feels like a playschool version of ATLA rather then the “adult” version it’s supposed to be.

And it’s why the the Chinese writing is grammatically a mess like they just ran it through Google translate.

I have nothing but respect for Albert Kim and the cast and crew that worked tirelessly to bring this disaster to life under these conditions.

I worry about the poor crew being put through some awful crunch time for this show…

Yes it’s bad. But it’s not only bad as a piece of media. It’s bad as an indicator of what studios prioritize now, and it’s neither audiences nor their own staff.

[theladyofmanyfandomsfanfiction]

Imagine Zuko when you’re paralysed with fear at the sight of Azula…

It had been a peaceful morning just like the previous two days - until the ground quaked violently. Eyes flew open at the imminent danger and Aang was quick enough to deflect an incoming fireball as the rest of the group scrambled to their feet.

Zuko’s eyes widened when he realised their attacker. “It’s Azula.”

You had just thrown a bag into Appa’s saddle when you heard him and ice trickled through your body. Stumbling back, you accidentally stepped on Momo’s tail to which he screeched and then nursed in his little paws.

You would have apologised. You would have done anything but you stood frozen with fear clawing at your throat seizing all breath.

There was a series of calls for you but it was fuzzy to your ears - all but one. Golden eyes found themselves in your line of vision until it was all you could see. A warm hand against your waist, another on your cheek giving off a natural heat that thawed you for a few moments to focus.

“Look at me. You need to get on the saddle, okay? I’ll handle this.” Zuko said.

You took in a small breath, apparently you were still alive and breathing. Unable to find the words, you blinked and it was enough for the Prince.

He gently but quickly urged you towards the sky bison where Sokka had a hand extended. When he had yours gripped firmly, Zuko let you go and ran for the ledge to face his sister.

What happened in the moments after were a blur, there was yelling and the smell of fire and earth in the air. Appa was speeding through the valleys in order to escape and you held the side of the saddle to keep from flying off.

Just as he levelled out, you heard a voice in the air. That conceited, cold, relentless one that spent days and nights in your prison chamber. Then you heard her laugh - the very same one that echoed when spikes of lightning shot into your shackled, defenceless body until your screams forced blood.

Scrunching your eyes, you let go of the saddle and covered your ears. You didn’t care if you flew off. You just wanted to be away from her. Curling into yourself, you laid on the leather base and tried to drown out the sound.

There were shouts from somewhere above. A hand gently pressed against your arm as Appa changed flight and dipped low hard. The hot rush of air reminded you too much of the prison cell and memories began to flash. You started to drown in them, missing the additional thud of a body in the saddle.

Appa levelled out once more, still maintaining speed but the loud voices outside had reduced to softer tones - unlike the ones in your head.

Your nails dug into your scalp as your mind drowned you in the very worst trauma. And you begged for it to stop. You’d do anything for it to stop.

Something familiar moved closer, warm hands finding purchase over yours. They were steady and safe, carefully prying the tight hold away. A muffled voice made its way through your head and worked a soothing balm across the chaos.

Finally, you could feel a line between the past and reality. And you fought hard to stay in the land of the latter.

The air around you had cooled. Your cheeks felt wet and your hands were holding onto a soft fabric that smelled of home.

It was enough to finally pull you out of the haze and understand where you were.

Zuko was laying with you. His arms wrapped protectively, body flush against yours. His head nuzzled by your neck while his mouth whispered to you alone.

He was telling you a story about a prince who promised to give his life to protect the love of his life.

“You’re the love of mine.” He said with a gentle squeeze. “You will always be and I will never let you hurt like that again. I promise.”

~ More imagines here ~ (for more ATLA)

A/n: 2.5 hours sleep works wonders sometimes…

[pokiona]

LOVE YOUR WORK 🫶🤩

my request airbender!reader (fem or gn whatever your most comfortable with) that’s aangs older sibling reacting to atla characters confessing to them

confessions

SUMMARY : atla characters confessing to you

A/N : TYSMM and so sorry this is short I need to rewatch the show lmao😭😭

katara

- paused for a minute but smiled bashfully right after

- either is just holding your hand or is holding your hand while confessing

- n gets all blushy and has doe eyes subconsciously as she smiles at you

zuko

- he definitely practiced lines for this very moment but it’s painfully obvious how bad he is at that

- a awkward and nervous mess because he can’t remember his lines

- had still planned to confess first despite him practicing his lines for when you confessed and he was still shocked

- tried to act nonchalant

- asked aang for permission or his thoughts on it before or after it happened despite you being older

azula

- “*awkward pick up line that has got to be violence based*”

- tried to remember what ty lee told her and laughed at everything you said until she started talking about power couples.

- if you weren’t strong already she would train you to the bone so you guys can rule together<3 it’d just be very harsh

- pretty skeptical about being related to aang at first but after a while you’d have her trust

[ragzonacamrencruise]

Betrayal (An ATLA analysis)

It's really important to me, how, in the Avatar universe, the person who's at the right side of the throne (essentially the right hand), always betrays the one sitting on the said throne.

Exhibit A:

Long Feng, kept the King oblivious to the Hundered Year War and handled all matters that are not partying or charity events, making him the de facto ruler of Ba Sing Se without even the King's knowledge, essentially paving a way for his betrayal.

Exhibit B:

Zuko, said it himself, that he was literally at his father's right hand. Even Azula got only the second best seat. And the next thing Zuko does? He betrays his father. I know what you're all thinking. But didn't Zuko already betray him before? Well, he did when he released Aang from Zhao as the Blue Spirit. But, the important point is, his explicit orders were to capture the Avatar to restore his honour. It didn't matter which methods he used to do it. He only ever openly betrayed his father during the eclipse and that was after he was placed at the right hand in the war meeting.

Exhibit C:

Mai, a betrayal that was a turning point in Azula's declining mental health. But hey, Ty Lee betrayed Azula too, right? Yes. But that doesn't change the fact that Mai did it first and she was sat at Azula's right hand. Mai never really feared Azula. She only followed her around out of her own will. Ty Lee on the other hand, when Azula recruits her at the circus, is found showing fear. She only had the guts to betray Azula after Mai did.

It really puts into perspective how Ty Lee couldn't betray Azula until provoked because she feared her, and Mai betrayed Azula because she didn't fear her enough. It further solidifies Azula's stellar line, "You should've feared me more!", insisting that if Mai had feared her more, she wouldn't have betrayed her. This especially holds true because it's later explained by Azula herself that, "Fear is the only reliable way." Fear kept Ty Lee in line but liberalised Mai cuz she didn't fear Azula more.

But all that goes out the window because Ty Lee betrayed Azula too. This is also one of the main reasons why Azula banishes most of the people around her. Because, "None of them can be trusted", and she trusted Mai as she knew Mai never feared her. It hurts her deeper because she trusted Mai and let her mantra of "Fear is the only reliable way" go, and guess what happens? She betrays her.

This solidifies three things in her brain: 1. Trust doesn't work, and, 2. Fear doesn't work either. 3. Nothing works, really.

Therefore, her action of banishing everybody with, "Sooner or later they all would've betrayed me."

This works for Exhibits A and B too. Long Feng never feared King Kuei and King Kuei completely trusted him until he learned of his betrayal. Trust didn't work, and fear didn't work either.

Zuko had never trusted his father. He only feared him. He has a physical scar on his body to prove it. But once that fear starts to deteriorate, he openly confronts his father and betrays him, letting go of his fear with, "It was cruel, and it was wrong!". Trust didn't work, and fear didn't work either.

So, what does work?

Well, the answer is pretty simple.

Love.

Love works. Any number and different kinds of love, be it platonic, or sibling, or romantic, it doesn't matter. It is foolproof!

Genuine care and affection for a person, doesn't let you betray them that easily. It's what made Sokka decide they should help Aang in Book 1. It's what made Yue turn into the moon. It's what made Toph come back to the Gaang again after she stormed off in Book 2. It's what made Aang come back for Bumi in Omashu in Book 2. It's what made Zuko find his path to Iroh again in Book 3.

The lack of love (from her own parents) is what made Azula's mental health deteriorate, as she thought nothing worked; it's depressing because she doesn't know that love actually works, cuz she's never known or experienced love her entire life, so she doesn't even consider it as an option.

The lack of love is what made the Dai Li betray Long Feng. The lack of it drove Zuko's betrayal to Ozai, Mai and Ty Lee's betrayal to Azula and even Jet's betrayal to Katara.

This could go on and on, but the end point here is that Azula's words on betrayal are true, but only when love is taken out of the equation. Love is the 'X' factor. Without it, there really is no equation, as all leads to zero.

[andthemoonsingswisely]

seeing the atla fandom being all “being abused doesn’t excuse your actions” for Azula but doing a 180 when it comes to Ursa is insane. In general I think fandom wants black and white women, and Ursa being a flawed parent clashes with this mental image of a “perfect mom”. Ursa wasn’t a good parent to Azula; the original Nickelodeon bio outright states that Zuko is Ursa’s favorite child, and Azula is clearly impacted by this to the point where she’s hurt by it years later. Ursa says “what is wrong with that child” out loud while Azula can hear, and Azula remembers her mother as thinking of her as a monster. I’ve seen a lot of people claim that Ozai manipulated her to think Ursa hated her, but we don’t have any evidence to back that up; y’all are just filling gaps that DON’T EXIST so that Ursa can be the perfect mom you envisioned. Moreover, I see people quote that “she was afraid for me” line in Azula and the Spirit Temple a lot, but say that Azula was just confused when she said her mother was afraid of her as well. Why is one true and the other the words of an unreliable narrator? There’s nothing from the text to indicate she’s wrong, or that she’s misremembering; the answer can be that Ursa was feeling both afraid for and afraid of. She cared about Azula, but she didn’t love Azula enough to overcome her fear and not distance herself from her (referring to her as “that child”) which led Azula to believe that her mother didn’t love her at all and thought she was a monster. This is canon. Not me doing mental gymnastics to interpret the show/text in whatever way supports my headcanon.

I see so many atla fans talk about how much they love “complex female characters” but the moment they’re handed one, they erase important aspects. Genuinely annoying.

[missaccuracy]

Why do you think so many people are uncomfortable with having to admit that Ursa wasn't perfect?

For a number of reasons:

1. Ursa was a victim af abuse and according to the fandom, a true victim of abuse must be perfect and can do no wrong. Many people think that if a victim isn't perfect, than she's not a victim anymore(just like how they think about Azula).

2. They don't want to aknowledge Azula's trauma. Azula says she feels like Ursa liked Zuko more than her? It is Azula who is lying or is getting it wrong somehow, or it's her fault and so on... Or even, in some posts I've seen, they prefer to just conveniently overlook it and not mention this Azula's line at all.

3. I see a pattern that this claims usually come from Zuko stans, and I think that's because they just have a hard time seeing flaws in a character that was kind to Zuko.

4. They're musinterpreting the mirror scene. I already made a few posts about this. To put it briefly, many people didn't get that the hallucination is an unreliable narrator and take the line " I love you, Azula, I do" too literally, coming to the conclusion that this is what Azula knows about, when it doesn't necessarily have to be true.

5. And perhaps the last reason, but surely not the least: black-and-white thinking and difficulty with grasping a nuance in the story.

Zuko's abuse was depicted a lot more straightforwardly. Not to say that there wasn't any nuance in a way Ozai treated Zuko, but still, Zuko's abuse was made very clear because it wasn't only emotional, but also physical. It's much easier to overlook a purely emotional abuse.

And clearly Ursa, while wasn't perfect, wasn't a completely horrible parent either, like Ozai. And if Ursa isn't an evil monster, than it means she must be a saint, there's no other explanation.

Every member of the fire nation royal family is interesting in their own right and reducing Ursa to just a saintly mother, when it was implied in the show that she also had a hand in how Azula turned out, is a disservice to a show as complex as ATLA.

[zvtara-was-never-canon]

they managed to massacre Aang's character and all the struggle and importance of his choice in the finale in a SINGLE page, and yet there are people who think the comics are good

and of course Katara's would have nothing to say on the matter, toootally in-character

Not to mention: yes, Zuko is right that a lifetime of indoctrination won't magically stop affecting him just because he's aware of it now, but the way the comics really said "If you're not perfect, you deserve to die. Not rehabilitation, not even incarceration despite it being an option, just straight to violent, lethal punishment" is horrying.

And lets not forget the blatant abuse apologism of having Zuko, the kid who was told by his abusive parent that his disfigurement and banishment was "for his own good" after he made one "mistake", turning to his closest friends and asking them to be his "safety net" by MURDERING HIM IF EVER STEPS OUT OF LINE - and said friends then agree to it.

Are you fucking kidding me? The real Aang would have double-down on the "You're NOT your father" bit, and the entire friend group would have been super concerned about Zuko because a victim of abuse saying they're as bad as their abuser thus deserve to die is one hell of a red flag as to how their mental health is going.

Speaking of mental health: I talk a lot about how Azula was constantly being abused by the supposed heroes in the comics, and how the justification of it is rooted in ableism, but this nonsense with Zuko asking to be put down like a dog is also peak victim blaming, and one of the few moments in which one can actually feel bad for comics!Zuko.

And it ties into a disturbing pattern I noticed among Avatar fans - and mainly Zuko fans. They don't truly understand that what Ozai put his children through was wrong, they simply think he chose the wrong kid as the escapegoat. They think Azula should have been the one that is constantly punished just for existing, while Zuko is the golden child that can do no wrong - or else.

This moment right here? With the people that he trusts agreeing to inflict violence on him if he ever makes a mistake? This is that "or else". This is literally the same mentality that led to Azula's breakdown because NO ONE CAN SURVIVE UNDER THAT MUCH PRESSURE.

And that leads us to the main reason why the comcis suck: Yang was using Zuko as a self-insert.

"Zuko‘s relationship with Ozai is something we – Mike, Brian, Dark Horse, Nickelodeon, and I – talked about extensively when we first started working together. There’s this strange thing that happens to people in power. The pressures of power often blur the lines between enemies. That’s part of what happens to Zuko here. Ozai is the only one who knows what it’s like to be Fire Lord, the only one who has the wisdom of experience. I also looked at my own life. I used to clash with my dad quite a bit when I was a teenager. However, as I grew up and found myself in roles that he used to have, I began to understand more and more of his decisions. My father isn't thoroughly evil, of course, but I imagine Zuko feels a little of the same pull."

Yang. My guy. My dude. The words "Ozai" and "wisdom" should NEVER be in the same sentence. Every single action of Ozai's as Fire Lord was based on him being an abusive piece of shit that finally got access to absolute power. He is not a stern dad, he is abusive. He's not misunderstood, he needed to be stopped and locked away. He is a human being with feelings and motivations, yes, but he is WRONG ABOUT LITERALLY EVERYTHING EVER. He NEVER had a point. Zuko has nothing to learn from him except what NOT to do. That's why he looks like an older, unscarred Zuko. A version of Zuko that never changed.

This is the core issue of the comics, and why it had so many moments of unintentional abuse apologism: they say Ozai is a villain, but they're going out of their way to constantly make the characters come dangerously close to saying "Maybe he had a point." That's why they have Zuko turn to Ozai for advice despite claiming he wants to avoid becoming like him - because the guy writting them couldn't understand that the bad guy was, in fact, bad and in the wrong and has no wisdom to offer to anyone.

Avatar, the series, is about the world moving past from the sick mentality people like Ozai had, and about his son realizing that he did not deserve to be abused. The Avatar Comics are about telling Zuko (and others) "Ozai isn't wrong actually, you'll understand when you're older."

No, Yang, they won't. Because there's nothing to "understand" here other than THE GUY THAT ABUSED HIS CHILDREN AND COMMITED GENOCIDE WAS WRONG ABOUT EVERYTHING, YOU DUMBASS!

Saying "the villain had a point" does not make a story better unless it is true - and in Ozai's case, it simply isn't. Insisting otherwise doesn't make the story and characters more mature, it just means you couldn't understand a cartoon aimed at 7-year-olds despite being a grown-ass man.

And I won't even get into Bryke approving of this bullshit otherwise I'll start tearing my hair out in rage at how badly they seem to have lost touch with the message of their best work, so let me just use a simple statemet to make everyone understand just how much of a disaster this is:

Even M. Night Shyamalan didn't misunderstand ATLA to the point of thinking Ozai wasn't actually wrong, but Bryan, Mike and Yang did. The comics understand the show less than M. Night Shyamalan did.

I rest my fucking case.

[newtthetranswriter]

Hi, I saw that your ATLA requests are open again! Could I get a Zuko x f/reader, where they were childhood best friends until he was banished? The reader joined the avatar after running away and now they meet again for the first time? And they kinda hate each other and fight but at the same time avoid hurting each other? Thanks!!

Word Count: 1388

Paring: Zuko x reader

Warnings: Canon typical violence, probably ooc zuko (it’s my first time writing for him)

A/n: I’m so sorry it took so long for me to finish this. I kept trying and had to rewrite it multiple times cause I wasn’t happy with how it was turning out, but I think it’s good now. I hope you enjoy and remember to hydrate or diedrate.

A/n2: I just wanted to add that I changed the timeline slightly. Zuko was still banished at 13 but instead of Aang being found when Zuko is 16, he’s found when Zuko is 18.  Also, yes I know they run into Zuko after the fortune teller episode but it was just the best spot I could work reader into joining the Team.

    Being the daughter of Ozai’s closest advisor gave some pretty great perks, like growing up alongside Prince Zuko. Zuko and I were as close as two friends could get, we would spend most of our time together avoiding Azula and feeding the turtle ducks. When we weren’t playing we were practicing our fire bending together, again being a high ranking advisor's kid got you a lot, including lessons with the royal families firebending  teachers. For the longest time it was me and Zuko against the world, but alas all good things come to an end. Shortly after we turned thirteen, Zuko was invited by his father to a war council meeting where he spoke up against a general’s plan. Having offended his father Zuko was subject to an Agni Kai where Ozai burned him and then banished the young prince, sending him on a wild goose chase for the Avatar.

    I tried to go with him but Zuko pushed me away telling me I need to stay safe in the walls of the Palace. I had, at the time, agreed, but after two years of watching the ‘Great Fire Nation’ destroy the world, I had enough. One night when I knew ships bound for the Earth Kingdom were docking to pick up new soldiers, I snuck out of my room in the palace with only a change of clothes and snuck onto one of the mini ships. I stayed hidden on the ship for days, sneaking food from the kitchen when it was empty at night. The first stop the ship made outside of the Fire Nation, I took my chance and fled into the Earth Kingdom.

   I spent three years moving around different villages in the Earth Kingdom, mostly avoiding any signs of the Fire Nation. If a village I had been staying in got attacked I would leave. It may sound bad but if I stayed to help, I’d only end up back in the Fire Nation and likely executed for treason so the best choice was to keep moving whenever they got close. Although that plan changed when rumors of the Avatar’s return started to surface. Taking the information as a sign to start fighting back, I packed up what little things I owned and left the town I had been staying in.

  Spending a few weeks following sightings of the Avatar hoping to catch up with him eventually. I miraculously managed to catch up with him and his friends when they were helping to protect a village from an erupting volcano. After assisting them, I explained that I had run away from the Fire Nation and wanted to help them end the war. It took a lot of convincing but they eventually agreed to let me join them on their journey to the Northern Watertribe.

   After a couple of weeks of flying, making stops for food and letting Appa rest, we eventually made it to the Northern Tribe. Not long after our arrival in the north, the Fire Nation attacked. After trying to take out the ships on his own, Aang decided he needed to go into the spirit world in search of help. Joining Aang, Katara, and Yue, I positioned myself near the entrance of the Spirit Oasis ready to be the first line of defense in case anyone tries to stop Aang. 

   I zoned out of the conversation Katara was having with the Princess as she was just explaining that as long as no one moved Aang’s body everything would be fine. Right as I was about to agree with Katara for saying we could protect him, I heard a voice that I thought I would never hear again.

   “Well, aren’t you a big girl now.” Sure, his voice was deeper and void of any emotion other than anger. I knew it was him. Moving closer to Katara, I motioned for Yue to run and continued to watch my old friend’s confrontation with my new friend. I could hear a quiet ‘no’ leaving Katara as she realized someone was here to take Aang. “Yes. Hand him over and I won’t have to hurt you.” Zuko said, getting in a fighting stance.

   Katara responded by also taking a fighting stance. Using the distraction of the two of them fighting I moved to place myself in front of Aang so no stray attacks could hit him. Normally when fighting firebenders I would step in, but seeing as it’s currently the night I know waterbending is more powerful and so I let Katara deal with Zuko. I watched in amazement as Katara used a wave of water to push Zuko up a wall and then freeze him there. 

   After trapping Zuko, Katara ran to make sure Aang was ok. While she was distracted, I felt a slight increase in energy come from my bending, knowing that it was likely day break I turned back to where Zuko had been trapped. “Katara stand back and keep an eye on him.” I said getting in my own fighting stance. She let out a confused sound as a blast of fire was sent directly at her. Acting quickly I deflected the attack.

  “You rise with the moon … I rise with the sun.” Zuko said not paying attention to the fact his attack missed.

   Taking his momentary pridefulness as an opening, I sent my own attack his way kicking a stream of fire at his legs effectively knocking him down. “So do I dipshit.” I said as he jumped back to his feet, confusion written across his face. “Surprised to see me? Now if you want to get to Aang you have to go through me.” Getting ready for a counter attack. When one didn’t happen I took another shot, sending a ball of fire towards him.

   Snapping out of his confusion, Zuko quickly deflected. “What are you doing here? You’re supposed to be safe, back in the Fire Nation.” He asked, not bothering to fight back. 

   “I haven’t been in the Fire Nation for three years, Zuko. I left after all that happened to you and then watching the Fire Nation kill thousands of innocent people, I couldn’t sit and watch them destroy the world for no reason.” I explained, sending attack after attack his way. “You of all people should understand that your father doesn’t care about the innocent lives lost and just wants to keep this war going.”

   Up until mentioning his father, Zuko only deflected my attacks. But as soon as the Fire Lord was mentioned, he sent his own volley of attacks my way, though for some reason it felt like he wasn’t giving it his all. “How dare you speak poorly about my father. He gave you so much, let you learn fire bending from the same masters who only teach royalty, let you live in his palace, and here you are saying he just wants an endless war.” 

   Rolling my eyes, I continued to send attacks his way. After what felt like hours, but was probably only twenty minutes, Zuko got the upper hand. He sent a well timed blast at my stomach as I was trying to catch my breath. It wasn’t strong enough to burn or leave any lasting damage but just enough to knock what little air I had out of my lungs and send me tumbling to the ground. While I was down I heard Katara start to fight back but it was quickly followed by the sound of her also hitting the ground. Still trying to catch my breath I sat up and watched as Zuko grabbed Aang and ran.

   When Sokka and Yue entered the Oasis, I couldn’t help but feel that it was my fault Aang was taken. I listened as Katara explained that we had both tried to fight him off but he got the upper hand and knocked us both down. When Sokka turned to look at me, I just shook my head. Not wanting to face the fact they all now knew I have history with Zuko and were probably thinking I pulled my punches because of it. Turning away from the group as they decided it was best to go after him and find Aang, I declined, not wanting to be caught pulling my punches against Zuko again.

[teaforthotxxx]

Im sorry guys. But, make the villains as babygirl as you want so that fans can sympathise with them. But, remember whose narrative you are writing. If the main perspective in ATLA is Gaang that were hunted and harassed by Princess Azula. If we are meant to look through the lens of the older brother she bullied throughout her life, these people are would not have seen her insecure moments. These people don’t view her as a fourteen year old cog in a greater evil. In their head, she is evil personified (especially from Katara’s POV).

We, the audience, see her more vulnerable side in brief moments from her POV (which only occurs after Zuko’s POV somewhat merges with the Gaang) and in small moments from TyLee’s PoV. Even in the Ember Island episode, Azula’s vulnerability is never shown from her POV because plot twist guys AZULA DOESN’T see herself as insecure. In her own narrative, she is the monster, she is the villain. She is a fourteen year old with an over-inflated ego. She isn’t afraid of disappointing her dad or being the least favourite because SHE WAS BUILT UP BY OZAI INTO DELUSION.

She is beautiful. She is flawless. She is intelligent. She is powerful. She is THE true Fire Lord! That’s how she views herself. This ideal never crumbles- not even when she is cracks and her friends leave her. And, that is what Ozai did to her. Ozai (this abstract force in ATLA) hurt her by feeding into her delusion and manipulating her into a tool.

All of this could not have been shown if ATLA had been told through Azula’s POV. IMO the Netflix writers demystified a lot of plot lines (ie giving Ozai a face, introducing Azula too early, emphasising Kiyoshi). This takes away from the wonder of slowly introducing audiences into the ATLA world.

This brings me back to narratives. Katara is the best narrator because to some degree, she was isolated from the rest of the world since she was young. Through her lens, the ATLA world outside of the Southern water tribe is coloured in wonder.

If the series had been told through Aang’s POV (Aang who had already travelled the world), the world after the war would have become very small and dismal (we see this when he discovers the air temple grave yard). Furthermore, Zuko’s POV while still isolated serves to remind us of the horrors of war. He shows us a more adult-world but it is always tainted by anger and hate. He cannot be the main narrator (he is only a supplemental narrator) because it would make the show too dark and sucks out the fun.

The NATLA missed the most basics of narrative storytelling of ATLA. And, thats so sad because I feel like the actors put their all into their roles. Katara’s actress is so Katara-coded irl but the show did her so dirty.

P.s. if you want more ATLA content, please read the comics or the book, the OG cartoon was fine. We don’t need Carbon Copy nostalgia bait.

[doyouevenshipbr0]

**ATLA SPOILERS AS OF EP 5**

ok i knew that it was gonna be hard to accept some of the changes they made. but i understand they have to move some stuff around to get it to flow how they want it to flow (jet is on omashu, teo and his dad are in omashu, katara gets the scroll from gran gran) like thats all fine

but why are we stuffing in stuff from the later seasons that have no business being in the show right now… i actually like that we know azula already (probably bc i am a die hard azula fan) but most of the other stuff is ??? like leaves from the vine (lu ten), knowing what happened to katara’s mom, the cave of two lovers/secret tunnel, why the spirit world seems to be subbing in for the swamp episode, WAN SHI TONG????? that one is the most egregious to me. u can argue that’s so minor but genuinely what in the fuck is he doing here! his wholeeee connection is to the library!

dont get me wrong, even the things that they have flat out added arent all bad! (like kiyoshi kicking fire nation ass through aang, iroh’s convos w aang, seeing the raid on the air nomads, and more). i like these additions!!!!!!

but jamming in sooo many characters/ideas/plot lines that dont even come till the later seasons seems so unnecessary. seems like theyre adding allllllll this stuff to have moments where the audience goes “OMG LOOK ITS ____!!!!” like. cmon. lets focus on making s1 the best it can be. no need to jump ahead.

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney hasn't seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!