Briskly Wheat Field Wednesday
-
"Why is the sky weezer blue?" Moss said as she imploded upon asking such a question
-
I wanted to do a background for the first time in a while! My last real attempt being around a year ago lol. Also got inspired from a bunch of different things here, just finished Mushoku Tensei and Fullmetal Alchemist Brotherhood, in which they both have wheat fields hehe. I wanted a new phone wallpaper, so here we are
-
Moss (02) - she/them
-
-
Please don't steal or repost my art
🐝da tags🐝
6 notes
·
View notes
Vincent Van Gogh, Wheatfield With A Reaper, 1889
460 notes
·
View notes
A Hungarian-born American artist, Agnes Denes (b. 1931) is a pioneer in environmental, ecological, and conceptual art. Her family survived the Nazi occupation in WWII and migrated to Sweden before settling in the United States.
In 1982, Denes planted a 2-acre wheatfield on a landfill in Manhattan two blocks away from the Wall Street and the World Trade Center. Against the backdrop of Wall Street, this golden wheatfield stood for four months and mesmerized many New Yorkers. Denes said in regard to this work, “… the work had to have a meaning, a strong message, and, of course, the paradox. … the work turned out to be one block from Wall Street, facing the Statue of Liberty, for which this country stands, in the middle of traffic in a bustling city. A large golden field of grain on land meant for the rich, on expensive real estate.” (From an interview with Ulrich Obrist)
Today, more than forty years after she created this monumental work entitled “Wheatfield – A Confrontation: Battery Park Landfill, Downtown Manhattan,” her vision touches even more deeply given the ever-increasing degradation of our environment, the ongoing mismanagement of land and food systems, and the widening divide between the poor and the wealthy—all the result of corporate capitalism, as well as geopolitical control of resources.
Denes said that this work represented “food, energy, commerce, world trade, economics” and referred to “mismanagement, waste, world hunger.” She also said, “My decision to plant a wheatfield in Manhattan, instead of designing just another public sculpture, grew out of the longstanding concern and need to call attention to our misplaced priorities and deteriorating human values.”
At the age of 88, Denes finally had her retrospective at the Shed in New York in 2019. This publication presents more than 130 works from the exhibition, spanning the artist’s entire 50-year career.
Agnes Denes : absolutes and intermediates
New York, NY : The Shed, [2019]
English
Catalog of an exhibition held at The Shed, October 9, 2019-January 19, 2020.
HOLLIS number: 99153868498803941
111 notes
·
View notes
It is my intention to listen, but my hands
keep giggling while reminding me
I don’t get to be a human being
for very long, as if this were the punchline to a joke
whose first half I missed. I arrived too late.
I typically arrive about three years too late.
I wish I had been able to sit in that white,
aromatic kitchen and look you in the face,
but I was not ready. I was still on my way.
— Mikko Harvey, from "Wind-Related Ripple in the Wheatfield," Let the World Have You
470 notes
·
View notes
Pixel art of "Wheatfield with Crows" (Vincent van Gogh, 1890)
14 notes
·
View notes