#when hands say no lineart

[yuriyuruandyuraart]

bored out of my mind

[the-acid-pear-art]

Save a cowboy, ride a huge fucking sausage today 🏜️

(i will hopefully get around to making more Peppi pin ups in the future-)

[oozeandgoo-art]

[mushroom-for-art]

The Rueeee my most fave ever the beloved belonging to @blues-sues! Featuring Rue!Au May who's a bit scarred up bless her and hey when the hell, how, Banny???

[mementoasts]

jonathan sims head archivist of the magnus institute london

[riwrite]

lady wind master for @deiscension !!

[xxthefairywitchxx]

I refuse to do anything normal, here's Mormon Missionary Wally Darling, an AU where YOU get to corrupt the puppet man

[iarrelm]

Continuing my yearly spooky season tradition of posting angel/demon au khunbam!! I drew Khun last year so it’s Bam’s turn this year!

[zip-toonz]

The fun thing about making pokemon aus is that the manga is just free real estate for me. I go on my little manga site and skim through the pages digging through pannels to make silly little edits

[hakuryuu]

unstoppable force (desire to start a new story and write something new for nano) vs immovable object (Brain Fucking Broken)

[zosanbrainrot]

part 06!! and the end of Act 1

01 02 03 04 05 06

OK SO THAT'S THAT

I don't have anything else storyboarded right now, I have the dialogues for Act 3 written down, but for the 2nd Act I'm gonna have to rewatch parts of WCI. I'm also thinking of a different approach, more like a series of illustrations not a comic, but idk yet, I'll have to rewatch and see!

It's not like I'm actually using a 3 Act structure as in 'a method of writing a story', I don't know how to and I haven't tried learning that (YET). I just think its neat and reflects how I divided my artistic process. I've always seen this story in my head as 3 parts.

And before I delve into part 06, I can't stop myself from saying that....... part 05 really needed another closeup on Sanji's face. If I ever try and repost it to another site then maybe I'll add it (between the panels of Ichiji & Zoro and the closeup on the spear, it would help the rythym but also strengthen the emotional connection, before Sanji shuts himself off)

Anyhow part 06

Most panels were a breeze, but the last two, my god, I just couldn't get them right for the longest time. In the end my favourite panels are the closeups of Luffy and Nami, I should really draw them more.

Here's how this panel in particular went:

I did like how the pose was looking in my first rough pass, the face is scrunched, the shoulders are high with tension, the direction is consistent

Couldn't execute it though... I think in the first rough sketch the camera is looking at Luffy slightly from above? Like he's leaning into it. That's why the shoulders can be so high up, but I didn't realize what it was when trying to clean it. So when cleaning the sketch I drew the head on the same level as the camera which made the whole pose look flat, also in this weird angle, like it's not fully 3/4, but it's not facing forwards either.

I didn't know what wasn't working, so I doubled down and tried with the lineart, but it didn't magically help. It just looks like he's slouching.

4. so I tried to rethink the pose and commit to a 3/4 view. I like that more of the neck is visible now, you can feel that he's leaning forward with the scream, but I think I could have pushed it a bit more still

5. with linework I made some small changes, like a bit shorter hair, smaller nose and the eyes pushed back a bit. I also added the scratches and filled in the black parts

6. added flat colors & shading!

Last panel with Sanji was even harder to draw hehe

so I thought this would be easy bcs I wanted to basically redraw the panel from the anime

that's why my rough sketch was extremely rough, I didn't think about it much

and then I had so much trouble with it lmao You'd think that it would be easier when you're covering the character's face, but I was in this undecided space of on one hand wanting to show the pain on Sanji's face and staying truthful to the anime scene on the other. I also found it super diffucult to show the emotions without the eyes

4. The pose in 3. also wasn't working so I tried to make him more slouched, like he's curling in on himself more, it was definitely a better direction. I tried going into lineart from here but I didn't like how the fingers were turning out

5. So I decided to get a new ref and took a picture of how I'd make this gesture myself. With this pose I also changed the position and angle of the face slightly, bcs it would have created a very small space between the hand and the nose and I wanted the two shapes to connect

6. I really liked the hand, but was having trouble with the hair, it felt too short, still couldn't get the face right either

7. so I elongated the hair and worked on the face some more and was finally happy with what I had!

8. added colors! At first I had it colored like the other panels, color just on Sanji then gradient on the bottom helping it fade to black, but it wasn't sitting well with me. Maybe because the space above his head was too big and I didn't want to have a background here and also wasn't adding the little floating pieces to the carriage scene (these were reserved for the grass battlefield)

9. SO! I made Sanji's figure darker and also added a darker shade to the whole scene and I think it ended up working really nice. Like he's drowning in the darkness, the only element piercing through it are Luffy's words. It also just fills up the space better lmao, feels less empty visually

Its gonna be A WHILE, before I have updates for this, I'm gonna have to start with the rewatch anyway. Right now I'm gonna have to focus on finishing my extra pieces for the @rdtriozine !! If any of you read this far you may as well check it out lmao I have a full illustration spread there and gonna have spots for a fic too ❤️ I just need to draw them!!! AGHHHH

[sammydem0n64]

The depression that I know is leading up to the Cycle is ughhhh especially bc it’s trying to convince me my art is shit. Like my brother in Christ I’m redrawing old Pop! Tart! Refs. There is no way you’re saying Vivian’s old art is objectively better than her updated art .

[sanchoyo]

Holy shit, clip studios new auto shader tool?? How did they do this. wtf

[u3pxx]

ah, dungeon food... delicious in dungeon!

1 | 2 | 3 | one out of three dungeon meshi illustrations i did for a class! 🍲🐲

id in alt text | like this art? it's a print, here! | like what i do? support me on ko-fi!

hi there! this is actually the first illustration i finished out of the three but i decided to post the falin one first because it seemed fitting when the dragon episode came out pftt

and since a while has passed, i'm very happy to say that i got a high grade for the mock covers i did! which i'm really happy for since ngl, the venn diagram of "drawings for school that i got a high grade for" and "drawings for school that i'm actually proud of" is very, very small lmao

to save time, i had to forgo coloring in the lines for this drawing which gives it a fair amount of contrast, while i still enjoy looking at it, i wonder what it would look like if i softened it with colored lineart.

i used a different pen for inking this and i was actually surprised at how quick i was! if you don't know, i love doing lineart but i usually am terribly slow at it, inking this one was a pretty fast ordeal!

i streamed this over on the klapollomb server as i was drawing it and i just distinctly remember that after the flats stage and onto shading it: i paused, pen in my hand, looking at the screen with a blank look before i typed into voice chat in all caps, "I FORGOT HOW I RENDER" ASKSKSK

it's been a while since i've actually drawn anything digital that's like, a fullass piece, so yeah 😭 i can forget sometimes. i've been doing trad art for school for like 2 years straight now so the moment i got the opportunity to do digital art i went all out lol

[dirkxcaliborn]

making cookies is actually a traumatic event

[jadenvargen]

If I want to study someone's art or style, how do I do that? Like where do you even start when looking at an illustration that they made 😭thank you!!!

Here’s stuff i think about. i don’t do that many style studies, so idunno how helpful it is! pls sound in tha comments if anyone has tips:) 

Pinpoint what stuff you like, and focus on that. Focus on technique rather than exact replication, for example ( just first thing comes to mind) if you like rostov’s disco elysium cover art and want to study it, don’t just repaint the image, find what’s key in the style. looseness, maybe? then, instead of copying the image with your technique, try to apply the same looseness. (feat. shitty 5 min sketch plz dont judge example of how i normally approax paintings, versus a study. ALSO not to say u CANT do this it's just how i would study, myself. )

That being said, don’t force yourself to make art decisions that feel unnatural to you. a lot of the time artists make decisions based on their weaknesses as well as strengths. I do very shaky, hatchy lineart because my hands are very shaky. I focus on painting what I* feel is important and fun. 

Instead of copying a style from a picture, look at a variety of pictures and find technique. For example a lot of people redrawing a screenshot in “sailor moon style” or “ghibli style” will draw… let’s say, an old man, looking like a usagi because that’s the screenshot they looked at, instead of watching what stylistic choices for example takeuchi made when stylizing an old man. So the “studies” end up homogenous. I personally find it unproductive to replicate a painting for purposes of study, but like focusing on individual elements. say you like egon schiele, replicating whole paintings at a time IMO isn't gonna do much, but maybe you can set out on a series where you sketch copy his hands or feet from different paintings, and then try stylizing your own hands the same way? Or maybe your fave artist draws moonlight like a blue stream, or a red one? Try applying only that light to your paintings.

You could also color pick or look at the colors they make and paint whatever you want with those same colors, to understand how they work together and what can be done with them.

Also, if you can, look at their influences! Everyone learns art by seeing others art. Chances are they saw art they liked and picked from there what elements they enjoyed. Looking at the inspiration can help make some of the techniques more obvious.

Basically focus less on copying(not that copying is bad- but not always helpful for studying), and more on what you like. If you find what you like, you can work from there and try to think about your own art from the same perspective.

IDK if this helps as i said, feel free to add onto^_^