#when i tell u i am LOSING MY MIND over this... | Explore Tumblr Posts and Blogs

leclsrc · 1 year

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it’s never over ✴︎ cl16

genre: childhood friends to friends with benefits to lovers (a mouthful), smut, humor, Fluffff!!!!, several references to 70’s music,

word count: 12.9k

You must have lost the plot along the way, because pretending to date your childhood best friend was not on your 2023 bingo card. (Neither was the fact that things are looking a lot more real as time passes.)

nsfw warnings under the cut!

18+ because... handjob (f receiving), penetrative sex, semi public sex, praise central, size kink

auds here… hi hi hi!!! you’ve no idea how much i missed writing posting and interacting w u guys. thank u for all the love & follows i’ve gotten in my periods of mia. more things soon i promise ty for ur patience love love love u allll 🌟🤎🤠💋 this is my love letter to fic tropes. i feared if it was too long i’d lose the plot somehow so i had to condense it. i truly hope u all like it :) will try & reopen reqs sometime soon to get inspo kicking

It’s later than late. The lights are strobing purple and blue, the “let’s get you even drunker than you are” headache inducing kind. The floor is crowded, swelling with teenagers who are probably too young to get in, drunk off cheap aperol and watered-down tequila shots. You’re balancing yourself on a barstool, one hand busy wrapped around a slim glass, the other clawing your miniskirt lower because the air bites at your legs.

“Another voddy Red Bull!” You’re slurring, mind spinning almost as fast as your vision. You almost drop your empty glass in your rush to look for another one—but right as it slips clumsily out of your fingers, it’s caught.

Charles, your cocktail’s knight in armor and yours just as well, is eighteen. His hair is light brown and long, but not draping over his eyes like before. You know before because you’ve never not known before—Charles has been your best friend since you were five.

Snoopy, he says, voice steady and calm in your ear. His frame is still lanky but he’s tall and his grip on your shoulders is enough to quell the yelling. You pout. Get me another voddy red, you plead. Charlie, it’s my birthday. He smiles to himself, knowing your vision’s too cloudy to see him and your mind’s too bogged to remember any of this. You’d already slipped up and told two bouncers you were seventeen and not eighteen, like your poorly-Photoshopped ID suggested; Charles had to keep you in check, lest you or your friends end up kicked out of the club.

A song booms in through the speakers and your eyes widen with recognition. Charles doesn’t anticipate your reaction fast enough, affording only a stumble backwards when you attempt to leave the barstool to dance. He swears under his breath, mind recounting the five previous dance sessions that left you exhausted and out of breath earlier.

I’ll get you a vodka Red Bull if you sit down, he tells you. He enunciates because, twelve years later, you still can’t wrap your mind around his thick European accent. Sit down.

Alriiiight! You hoot, throwing two fists up in the air. Customary for many bartenders on nights as busy as this one, a free shot is thrust into your vacant hand and you cheer loudly, much to Charles’ chagrin. With whatever malice the eighteen-year-old can muster, he casts the bartender a dirty look before turning to face you again, worried. He places a hand on your shoulder and watches, half-anxious and half-endeared, you take the shot and visibly grimace at the raw taste. Fuck. It’s gin I think, you sputter. Charles presses: You okay?

More than, you holler, smiling. I am officially seventeeee—

The bartender’s eyebrows furrow, the thirty-something businessman in the adjacent stool turns to look—so Charles has no choice but to shut you up, leaning in and pressing his lips to yours before you can seal your fate.

Your eyes widen briefly, and when Charles feels the passed seconds are sufficient, he pulls away. You stare, eyes hazy, at the pretty boy you’ve had feelings for since you turned fourteen, and lean in to kiss him again.

—

Pascale is hosting her weekly Sunday brunch at the Leclerc residence, all French windows and wide kitchens and bowls of fruit. As always, your place is at the kitchen island picking at plates to taste test them. Bonjour, Arthur drawls when he walks in. He turns to Pascale. Mum. Then you. Snoopy.

You halt biting into your forkful of arugula and turn toward the younger Leclerc, eyebrows raised. “What’d you just call me?”

“Snoopy,” he says simply. He’s beside Pascale, one arm wrapped around her affectionately. “Or, Snoops, if you like that. Yes?”

“Who told you about that nickname?”

“Lorenzo.”

“Hasn’t been in use since your voice was cracking every sentence.”

“Tête de noeud.” Pascale swats his arm and he yelps, so you resume your arugula with satisfaction.

Charles is late for reasons he did not disclose, but everyone is used to it. The open kitchen door stretches into the front yard, where the table is set up and Lorenzo is setting the places. You know that although you usually expect a few more relatives, today’s just for the family—and you, but you’re basically family.

“How is Paris?” Arthur asks, licking hummus off a spoon opposite you. Your position is reminiscent of how you spent afternoons after school with Charles before, and the memory strikes a chord in you. Strange nostalgia, fondness.

“It’s fine.”

“Oh really?” He laughs in-between nibbles of carrot.

“I got an offer for a higher position,” you relent. Pascale calls you both, and you get up and walk toward the yard to sit down. “If you must know.”

“Oh? Let me know how that goes.” He follows you, carrot slice in hand, chewing. The conversation is cut short by the smooth noise of Charles’ decidedly un-smooth parking outside.

You’re seated at your usual spot—in-between Charles and Lorenzo, across Arthur—when the former finally walks into the yard. He looks tired, moreso than usual, bags under his eyes deep and hair a bit more disheveled.

He sits beside you. “I need to talk to you.” Then, quieter, “Private.”

You hum confusedly, eyes flitting across the three other people at the table to gauge their reactions. They’re equally aloof. “Wh—now?” He nods.

You end up talking in the kitchen. He’s sighing the whole fifteen steps there, rubbing the bridge of his nose, exhaling, inhaling. Ever observant, and of someone as close to you as he is, you pick up on the tiny actions, behaviors. Charles is wringing his hands. He’s tried to pop the same knuckle twice. He isn’t frantic—he’s scared. You lean against the counter, waiting, eyes looking him up and down to identify his exact emotions.

“Tell me,” you press. “Whatever it is, I won’t judge.”

“The—my—the iCloud of my phone has been leaked. The press found out.”

When you were eight and he was nine, you and Charles summered in Villefranche with your mum and dad. The weather then was the kind you could write love letters to and about—blue skies, salty wind, soft sand. The current was calm enough that you could ride the gentle waves without fear of going under or straying far from the shore, where your parents sunbathed blissfully.

Don’t drown, he’d warned you, ever protective. You wore pink floaties over your arms, so it was already difficult to.

You dove under with great effort, fighting against the buoyancy, and poked his bare knee, surfacing to watch his reaction. He grimaced. Slowpoke, you teased, swimming away. You wondered then what it might feel to drown. Maybe not in the blue water of Villefranche, but anywhere else.

You think it hurts to drown? You blubbered, bobbing above the wave. Charles swam in front of you and wiped water off your face gently. I hope you never find out, he said, smiling.

But this is you finding out. This is it now, the drowning. Your fingers flex over the edge of the counter and you gulp, eyes fluttering with nerves. “Shit?” It comes out like a question from how nervous you are. “Um, sorry. What are we—” But your question is cut short by Pascale’s voice, cutting through the tension like it’s wet cardboard. The agreement is silent and mutual: save this discussion for later.

—

Charles can’t wake up fast enough. There are calls, texts, voicemails from every officer on his team, which isn’t that surprising given he’s up two hours late. But the amount—the sheer amount of notifications is dizzying. Overwhelmed, he finds it in himself to pull up his search engine app and let his fingers possess themselves.

All he types is his last name, and then The Sun article is splashed onto his face like a pot of scalding coffee: “F1 DRIVER ICLOUD LEAKED, PERSONAL PHOTOS ALL OVER INTERNET.” Daily Mail is next, of course, watering down the situation to seem more dirty and scandalous: “Naughty Driver? Charles Leclerc’s iCloud Hacked, Reveals Mystery Girl.” And then of course Page Six, who doesn’t miss a beat—

Wait. He blinks and presses the back arrow to return to the previous webpage. He reads over it again, slower this time. Mystery Girl? Shit—no. No way. It’s almost (it should be) silly, the way he’s reading vigorously over the reports like he’s a fan, but he’s anxious. He scrolls, because if any tabloid is daft enough to publish the leaked photos, it’s got to be the Daily Mail.

He pauses his quick swiping when his eyes harden with recognition, and staring back at him, on his phone’s full brightness, is a picture of you on his lap at Christmas. It’s the one Lance took while attempting to guess Charles’ password, one of you wine drunk with his head buried in your neck.

It’s unmistakably him, at his own house in Monaco where the drivers had a holiday get-together. It’s unmistakably you, hair draped over your face, three gold rings on your fingers. You had just given him a Strokes vinyl, he recalls. That’s why you were hugging.

There’s another one of you playing Scrabble in his bed—he’s not in the frame, but he remembers taking it. This, he could deny. He’s not in it, and he’s pretty sure the fans don’t know his house this well. Already his brain’s doing manual damage control, dread filling his veins at the thought of reading through his team’s frantic messages.

Another message stands out, pinned on top of all the others—from his mum, reminding him about brunch. He gets ready half-focused, half-lucid. Fully worried. He worries about the PR crisis this may cause, about his iCloud security, about the reactions online. Above all, though, he worries about you. About what he should tell the press. About how “actually, we’re not dating, we just fuck constantly” might hold up for the fans.

—

You’re twelve and Charles thirteen, both of you seated across Hervé and Pascale. Behind them stand your own parents, and they all look stern. What this is, Pascale says gently, is a family meeting. Okay?

Okay. It leaves your high voices in shaky unison. You both know what you’re doing here—you snuck out of school to catch a movie earlier, the teacher naturally caught wind of the misdeed, and now you’re in a meeting for it.

Snoops, Charles whispers, trying to ease your nerves with lighthearted commentary. This is the worst.

No, you want to tell preteen Charles—this is. You’re older now, yet still subjected to similar questioning, though today it’s Pascale going solo. It’s been three days since the fated day where the press leaked the pictures of you and Charles in compromising positions, and like any boomer, she’s used Facebook to her advantage and gotten ahold of the compromising pictures, too.

“How long?” Her voice is enunciated in hard syllables.

“Mum—”

“Answer the question.” She looks back and forth, moving into territory of intense questions. “Both of you.”

“Um.”

“Because… I’ve been…”

You notice it immediately, given your observant track record: her shoulders relax and her lips smile just slightly. You sit still, and wait for the next words out of her mouth. “…waiting for this all my life!”

You and Charles watch in mild horror as Pascale’s face goes from firm to absolutely elated. Her eyes soften and a smile spreads over her face, illuminating her with pure joy. Do you even know how many bets I made with your papa, Charles? She claps her hands together several times.

Charles opens his mouth to verbalize dissent, but she doesn’t take it—she’s already droning on and on about how long she’s waited for this to finally happen. Your eyes glide over to the doorway of the dining area, where Lorenzo and Arthur watch with smug looks on their faces. Little shits won’t help you. You don’t even try to protest, and at some point Charles gives up, too. You don’t know how it’ll come across, anyway.

Ninety minutes later, you’re in Arthur’s bedroom rifling through his desk and praying you don’t find anything too gross. He’s on his bed throwing a bouncy ball up in the air, conversing with Charles about your gameplan with their mum.

The sky outside is in limbo between afternoon and night. It’s cloudy, so the sunset is a pale yellow instead of angry orange. “Why not just tell her the truth?”

You’d also thought that was the easiest option, escape route, exit path. But that would involve breaking Pascale’s heart, and that was out of the question for you, let alone Charles, certified mommy’s boy.

“I can’t, Arthur.” Charles’ voice is steady and unwavering.

“You can.”

“No.”

“Fine. Next best thing then.”

You fiddle with a Rubik’s cube, then turn in the seat. “What?”

“Pretend you’re dating.”

“Arthur,” you say seriously. “Shut up.” But he doesn’t join you, and you realize neither does Charles. You stare blankly at both of them, unwilling to believe they’d actually bank on this as an actual plan.

“You guys realize this kind of thing never works? Zero percent success rate.”

“It’s just paddock appearences. You’re not pretending for millions of people,” Arthur says, shrugging. He catches the ball and throws it to you—you catch it one-handed. “You’re pretending for Mum.”

“Sure. And by extension, millions of people. Are you dense, or do you think the paddock appearances will just breeze by everyone who saw the leaks?”

“Ughhh. You’re acting like it’s impossible.” Arthur holds his breath before he utters the next sentence. “Like you two aren’t fucking every other w—”

“—oh, my God!” Shocked, you get up, and so does Charles. “Wh—I’m—language, Arthur!”

Charles balks. “How did you even—”

“I didn’t. But merci mille fois for confirming my theory,” Arthur quips faux-sweetly, smiling dopily. “I mean, I was going to find out! Your pictures are so… intimate. So just pretend to date and throw Maman off your scent.”

You protest briefly, wrestling with the option, and reconvene on the bed, you cross-legged and leaning on Charles’ shoulder and Arthur in front of the both of you. He’s always had a knack for schemes—he never got caught sneaking out, which destroyed your and Charles’ record of being caught twelve times by either of your parents. It’s a bit childish, but he gets the job done.

“Do it for… let’s say a month. Tell Mum you’ve been dating a while—Christmas isn’t that long ago, and that was the least recent picture. D’accord?”

You both nod, hyperfocused.

“During race weekends, be all over each other—shouldn’t be hard—especially in front of Mum. People might catch you doing it, but I wouldn’t worry.”

“No, wait—I mean.” You shrug. “People—tifosi—they know I’m Charles’ friend. They’re going to be all over the fact that we’re apparently dating.”

“Don’t worry. We’ll use palatable density,” Charles says, nodding.

You pause. Arthur does, too, sensing something off.

“You mean plausible deniability.” Your deadpan voice is tinged with amusement, muffled into his shoulder.

“Right, ouais, that.” He smiles, chuckling a bit; his shoulder shakes with it and your head nearly slips off. He brings a hand to cup over your jaw and hold you steady. “Sorry.”

“S’fine.” You sigh. “I’m totally okay with this. Just worried it’s going to have unintended consequences.”

Arthur quells you with rushed explanations about how it’ll be over and you two can say something like we decided we’re better off as friends to really sell the thing. At the seven-minute mark of your and Charles’ intense interrogation, he promptly kicks you out to figure out if you’re willing to do it yourselves.

You wedge yourself into Charles’ front seat, knowing you were headed to his place anyway. You massage your temples with one hand and fiddle with the hem of your shorts with the other. Nervous. Antsy. “Did Fred say anything?”

“Got the IT team to fortify my account.”

“You think this thing’s going to be okay from a professional standpoint?” You look up and toward him; he’s already gazing at you, eyes soft. “I’m worried. Plus, with my job offer thing in London and New Y—”

“Don’t be.” He starts the car and maneuvers out of the driveway, into the dips of Monaco streets and the familiar route back to his place. “Bitter with the sweet. The only thing you need to worry about”—he takes your hand in the centre console, laces your fingers together loosely—“is your acting skills.”

“God, you’re right.” You sigh, looking out the window. “How am I going to pretend I can stand you?” Then, for good measure, you squeeze his hand wrapped in yours.

—

You visit Monaco from uni in London over spring, and for the first time in months, your schedule aligns with Charles’—though you learn this indirectly when you visit the Leclerc home. Pascale, of course, is the one who tells you his new flat’s address before she presses a kiss to your cheek and then leaves to run errands in the city. Alone, and in a burst of excitement, you make the drive there, take the elevator upstairs and shove the door open without knocking. He’s there. Your Charles. You can tell because the music he plays is loud—The Kooks—like his ears are still fourteen and not twenty-one, like he’s still in middle school and not in Formula One.

“Save your eardrums,” you say, before beelining toward the couch and leaping onto him for a hug. He sits up to match your energy, arms wrapping around you, sitting up straighter to keep you from totally falling atop him.

“How’s uni?”

“Shit,” you say into his hair. It smells like his shampoo and his favorite cologne. Clean, soapy. “Obviously. How’s the Ferrari?”

“Amazing.” He smiles. “Obviously. How’d you know I was in? Mum told you?”

“Ouais. She’s running errands. Listen, can we drink tonight?” You sigh, parting from the hug and sitting across him.

Yeah, sure. His voice is concerned, thick with worry. You shake your head—it’s not that deep, you tell him. It’s just—I had a bad date before I left and it’s put me in the worst mood.

Oh? He leans back, clasping two hands behind his head as he goes.What happened? He laughs.

You tense visibly, rolling your eyes despite yourself. “He was just weird. Nothing.”

He wiggles his eyebrows. “You shy, Snoops?”

Ha-ha. You roll your eyes, but your face is flushed and your gaze avoids him. You reach up to tuck the loose strands of hair by your ears behind them, face warm. You’d never talked with Charles about boys or flings before—maybe several times, but never in full detail. It was always vague umbrella statements, like Ryan is boring or Greg is such a prick, but never anything beyond that. Come to think of it, you don’t know why, either.

“You can tell me.”

“The—when we—I had to fake,” you say cuttingly. “You know.”

He purses his lips and smiles, eyebrows furrowing. I don’t, actually. Something unnamed trills through you—through your stomach and into your fingertips. Your first time talking to your best friend in real life after months of uni and racing and this is the topic? It’s, if anything, a sign of your growing up, you guess.

Charles lets up on the teasing and you end up rejecting the club in lieu of sharing a bottle of vodka, throwing it back raw and without any type of chaser (to really prove nothing at all; you don’t even know why any sane human would do this). You do a Just Dance party on his TV, even try out drunk sim racing and FIFA, but by the end you’re well exhausted and retired to the couch again.

His voice is wavy and tipsy when he speaks. “You really had to fake it?”

“Yeah.” You pout. “Can never—um, finish, I dunno.” Your inhibition’s gone, shame loosened and untied by the vodka. You shift in your position on the couch.

“Maybe because it was too casual.” His voice hardens.

“So you’re saying I should…” You swallow dryly, eyes fluttering. “Sleep with somebody I know?” You’ve dropped the implication and it floats up, hangs above.

His eyes flick over to your legs, folded on the couch. The hem of your shorts. Your fingers playing with your empty shot glass. He didn’t mean anything by that. He’s half-sure you didn’t.

“I am just saying that a good friend would do that for you.”

“You’re a good friend,” you say, volume low.

Five minutes later you’ve properly crashed into each other, him pinning you down against the couch, licking fire up your throat. His lips trail across your jaw.

He dips a hand into your shorts, presses against your clothed core. He’s smiling. So wet for me. He’s got his mouth pressed messily up to your jaw, when he sinks one finger all the way in, slow and stretching; and you’re clenching around him—

Come on, he’s saying. Insisting. You’re trembling, yanking desperately at his hair as he pumps his finger slowly in and out of you, aching to be full of him, to take him deeper.

He slips another one in, and you feel the cold of his ring pressed against your entrance, then he’s fucking them into you and you’re leaking around them.

Yes, yeah, Charles—you’re gasping, airy breaths tapering into whimpers that sound sinful, desperate. He knows you so well already. Presses his fingers against your sweet spot, watches your eyes flutter.

So needy, and you’re chanting his name under your breath as he quickens his pace, craving the stretch of him desperately. I know you want to cum, baby. He’s calling you baby and you’re closer, so much closer. Come on, for me, yeah?

You melt, crashing and crumpling into him and shuddering as you release all over his fingers. He presses his forehead to yours and lets you take a beat. You feel giddy and dizzy and warm, which is weird because you don’t feel drunk at all anymore. This dizziness is something different. It’s Charles.

“Are we going to do that again?” You ask meekly, hand still in his hair.

“Only if you want. Whatever you want,” he says. He’d do anything for you. He’d do whatever you wanted.

“I do, I do want.” And Charles, the good friend he is, helps you out.

—

Imola is humid, warm, and the racetrack is absolutely teeming with people. But you’re not there—clad in linen shorts and a fresh tank top, you’re walking around the vicinity of the track, cup of gelato in hand, sunglasses over your eyes. The restaurant near you is playing music out loud. Beside you, singing along and drafting a list of wedding appetizers, is Lorenzo.

“Lamb chops?” You suggest, licking amaretto off the plastic spoon. The weather is pleasant enough that people are crowding the streets without it being too unbearably hot. Stevie Wonder flows from the speakers, permeates the entire block.

“I was thinking more seafood.”

“Tuna? Make ‘em little tacos.”

“Good idea. Think I’ll go for those. Hey, are you sure you’re on board with fake-dating my brother?”

You turn sharply toward him, taken aback. He hadn’t brought it up in the week and a half this plan had been in the works—he’d been privy to it the entire time, too, which makes it weirder that he’s asking so suddenly.

“I meaaan…” You slow your pace, contemplative. A shy smile plays at your lips, brows knitted together. “It’s only going to be for a month. Ish. So, yeah. Are you—do you—sorry. Is it alright with you? Sorry.”

“It is not not okay.”

“So it’s…” You pause. “Okay.”

“It’s—yes, but I worry, is all. How sure are you that this won’t hurt anyone?”

“I don’t know, it’s… bitter with the sweet. And who’s getting hurt… like the fans?” You laugh a little. “They’ll live, won’t they?”

“Like you.” He pauses. “Like Charles.”

—

Pierre is running a comb through his hair, staring at himself in the mirror; his Narcissus moment is interrupted by a banana to the back of his head. Bonjour, he says, monotone and already knowing the culprit.

“We need to talk.”

“Could this possibly be about the news of your brand new ‘girlfriend’ over last week? Where is she, by the way?”

“With Lorenzo. Listen, here’s the thing. Mum thinks we’re dating, and I don’t know how to tell her we’re not—so I won’t.”

“Lie to your mum, go ahead.” Pierre crosses his arms and hums.

“Tais-toi. It’s for her own good.”

“So you’re going to pretend to date.”

“Ouais.”

“Should be easy. You guys are hooking up and making out or whatever all the time.”

Charles pauses and lets the silence speak for itself. When Pierre makes a noise of confusion, he gives. We don’t kiss, he says finally. She thinks it is too intimate, and we ‘are not dating,’ so sex is the only thing we do. Sex, and if you still have leftover antsy energy, you pull on his shirt and sit up against the headboard to finish a crossword puzzle. Sometimes he helps you, but most of the time he’s just there to press lazy kisses to your hair and temple, cheekbone and jaw—never your lips.

“You don’t kiss?” Pierre’s genuinely shocked. “Putain, you’re a hero. How does that even work?”

“We just do not kiss. We fuck, but no kissing.” He shrugs. “It’s always been that way.”

“So how about her birthday?”

“She doesn’t…” Charlex exhales tightly. “Remember.”

“Charles,” you suddenly say, head appearing into the doorway. “Oh, hey. Fred said you might be here. What are you guys talking about?”

“Sprint racing,” Pierre says, an easy lie.

Charles, though, is never good at the lying bit. “International tariffs.”

—

Your only memories of your seventeenth birthday are applying lip gloss and mascara, wearing your shortest skirt and tightest top, and reciting your supposed date of birth in line like a mantra. Anything after that’s been sprayed off by the ultra-clutch strength of vodka. Which, you’ve been told, was your drink of choice.

“Headache’s better,” you moan over the phone, face squashed onto your pillow. “Mum gave me an Advil but I was so sick all morning.”

“Did you snog anyone?” Charles is always teasing.

“God, I wish.” You shut your eyes and try to remember if your drunken stupor had somehow managed to get you successful in lip-locked matters. Nothing comes up and you wipe a dry hand over your face, heaving a sigh. “I really wanted to kiss Matthew but I think he left before you and I did.”

A pause. Then Charles clears his throat. “You mean you and me and the police car that escorted us home?” He snorts.

“You’re such a prick!” You scream into your pillow, laughing. “I already thanked you for being my literal savior last night.”

He smiles to himself. “You’re welcome.”

“Did you have fun?” You flop onto your back and stare at the stick-on stars on your ceiling. You make a mental note to try and remove them.

“Bit boring because I vowed not to drink at all, but I got to dance. Bitter with the sweet, right?”

—

“Nervous?”

“I mean, fuck, yeah.” You fix the hem of your dress, speaking to Giada through the phone. “Pascale’s waiting for us on the paddock. And so are, like, a hundred photographers.” You wince. “Can you even imagine Charles and me? It’s just—I dunno—it’s weird.”

“It isn’t,” she says, laughing. “Not really. It makes sense. Plus, aren’t you on the whole arrangement?” You envision her air quotes.

“Yeah, but”—you slip your sandals on—“it’s on and off, and that’s not dating. It’s sex. Two different things.”

“Is it really, though? Considering how close you are outside of bed, aren’t y—”

“Okay, input no longer needed,” you laugh. “Bye, Gi. I’ll text you later.”

You reunite with Charles just by the paddock entrance. The throng of fans holding cutouts and posters notice you two before anyone else does, inciting a collective bout of yells around the both of you. He notices your blue silk dress first, eyes unmoving. “You look like the sky.”

“Thanks, man.” A beat, and you squint through your sunglasses. “That’s a compliment, right?”

“Sure.”

“Prick.” You peek over them and to the fans, who wave more aggressively when they notice you’re looking. Nervously, you raise a hand and wave back, and the noise heightens. “I think I’m going to be replacing you.”

“Dream on. On y va?”

You turn back to him, smiling, and you both enter at the same time. His hand wraps around your waist, dips a bit lower to rest at the small of your back as you walk—the fans clearly dig it, because everyone’s yelling in a frenzy as you depart. What are you doing, you ask through your smiling teeth.

“Did you forget we’re supposed to be dating?” He maintains an equally pleasant (totally duplicitous) façade, smiling.

“I didn’t think,” you say, still smiling falsely, “that you’d put your hands on me five minutes into the whole agreement.”

“Smile, honey,” he teases. “I see at least five cameras at us right now.”

“It’s seven,” you beam. “Dumbass.”

“Again with the competitive streak.” memory

“I totally deserved to win last week’s game. You’re just a sore loser.”

“No you’re just a—hi, hi, hello!”

Your walk to the motorhome is interrupted by running into a friend of Charles’—someone from McLaren, one of the executives there. While Lando has been informed of your stunt, nobody else on that team has.

They handshake and he waves at you politely. “Whole paddock’s buzzing with news of you dating,” he says, smiling. “It’s a tad crazy! I remember seeing you as Charles’ plus one back when he was in Formula Two. And now you two are dating. How did—well, if you don’t mind me asking, where’d it all happen?”

“Oh,” you say, laughing. “Yeah, Monaco.”

“Texas,” Charles says at the same time.

Alarm bells go off in your head at the totally random, unwarranted statement out of Charles’ mouth. Texas? Neither of you have even ever been at the same time. “He means”—you say, coughing and nodding—“we went on this, um. Wild West themed, um, restaurant in Monaco, and that’s where he asked me out.” You make a face that you hope conveys you get it, and it seems to work.

“Definitely not what I had in mind, but if it worked, it worked, eh?” He grins. “I guess I always knew you two would end up together. Alright, ciao!”

You’re smiling and waving after him as he leaves, and then you’re (semi) alone again, or at least within your own space on the incredibly crowded paddock.

You turn to him, unable to hide your confusion. “Um? Texas?! What’s up with the backstories?”

“It slipped out! Sorry. But nice save.”

“You’re so f—” You try to scold him, but can’t, bursting into laughter and leaning forward to laugh into his chest. “Texas, really?”

“Sorry,” he says. You feel the vibration of his own laugh through his chest and it’s warm and nice. You peel yourself off lest you look too clingy, and resume your walk to the motorhome.

Ferrari is crowded, filled with people and strategists and guests. You’re given a bottle of water and then hounded with questions from the team who haven’t been informed of the situation at hand. David, one of the engineers close to Charles who you’d previously spoken to in one of the earlier races, asks to borrow him.

“Ciao, ciao.” They speak in one of the outdoor patio areas. “Is everything okay?”

“The car is fine. I just wanted to ask about the girl.” David punches his arm, playful. “You finally got her!”

“Oh.”

“It’s just… I remember all the times she would show up and you’d tell me about how much you liked her… I don’t know, it’s perfect for things to end up like this, no? Bravo!”

“Oh, si. I’ve just been, you know…” He looks through the glass sliding door and into the hospitality, where you’re talking to Isa and Carlos, sunglasses over your hair. Your hands are moving quickly, and you’re smiling while talking. He wonders what you’re so passionate about. When you’re caught in fits of happiness and passion, you’re extra animated. Your eyes are lively, and your lips can’t stop curling into a slight beaming smile. Now, maybe it’s France, maybe it’s crossword puzzles, slim chance it’s your job—whatever it is, he could watch you talk like this for hours. He thinks it’s beautiful, the way you transform, the way you smile, when you talk of things you absolutely love.

“… crazy about her forever.”

—

There are banners, Italian flags, and Charles’ face on every other wall. He’s done his first hat-trick of the season (of several more, you’re hoping). You’ve foregone the usual clubbing for dinner with a smaller group of people, but only because you’ve been told the nightlife is bleak and you’d rather save that energy for the next race.

Lando picked out the restaurant—he’s “on a massive Yelp high” trying to get the best restaurants in every city they get to. He’s tried two over the weekend, and is hoping this guns for first place. The restaurant’s name is long and so very Italian, to the point where your semi-fluency fails you. The food is amazing, though, and so is the wine—a whole other level of grape-flavored bliss.

You’re in-between Joris and Charles, nursing your fourth glass while Charles downs a bottle of beer. Light conversation flows through the table, but your sleepiness only allows you to hear some of it. You’re content with the white noise.

Lando is getting a new cat, Lewis bought a new pair of shoes—oh, no, shares in the company that makes the shoes—Joris bought the shoes, Lorenzo will now buy the shoes, why isn’t anyone paying attention to Lando’s cat. It’s funny, entertaining, and the perfect nightcap to your immensely exhausting day of acting.

Wine tipsy makes you loopy and snoozy. By default, your head lolls onto Charles’ body; he immediately wraps a sweater-clad arm around your frame, leans back, pulls you closer. Doesn’t miss a beat. In fact, while doing so, he’s even able to get a dig in against Lando’s affinity for cats.

“No more wine, m’kay?” He whispers quietly, angling his head to yours.

“Oh, but it was so good, though.” You mope, but nod in agreement. “I could seriously drink wine out of a keg here.”

“Sure did that a lot with beer.” You laugh, punching his bicep with what little space you’re given. “You sleepy?”

“Yeah. But I’m fine,” you respond, smiling. “Now shut up. I need to know what happened to Lando’s cat.”

Lewis leaves first, claiming he’s into this whole “sleeping at 9PM” thing, and Lorenzo follows to get ahead of an early flight tomorrow. It’s you, Joris, Charles, and Lando now, and you’re good as dead, eyes half-shut and fluttering, head slipping off his shoulder.

How was it? Lando asks, lowering his volume to keep from being too jarring. Day 1, fake dating? I actually read something like this in one of those, um, fanfiction stuff the fans do. Joris and Charles cast him a half-weirded out, half-amused pair of looks, but Lando defends himself. They’re actually pretty good, guys. I read one where I ended up with my rival or summat.

“Sorry to burst your bubble, Lando,” you croak, voice raspy with sleepiness and a day of bubbling laughter, “but Charles and I probably didn’t do your fanfiction kink justice.”

“Ignoring the emasculation.” He says, turning beet red. “What’d you do, then? Wasn’t it hard?”

“It was hard, but it’s like that.” Charles likes to substitute the phrase it is what it is to it’s like that, a result likely stemming from his trilingual childhood. “We just. Pretended. Oi, we held hands in front of the cameras.”

“Yeah, you can get a good wank in if that does it for you,” you joke. Lando hurls a cube of parmigiano at your face; it lands squarely and you flip him off, the table erupting with peals of laughter.

“In all seriousness, though—how are you two okay with this? I know I’d be second guessing my feelings every second.”

You shift, trying to hide your obvious lack of answer. It’s quiet for a few seconds, and then Charles says, “We’re both comfortable with each other, I think.”

“Yeah, comfortable enough that we can, you know, be honest.” You’re looking at Lando when you say that. You don’t know how well you could repeat the sentence if you were looking straight into Charles’ eyes.

You leave the restaurant with a generous tip, and Charles helps you pull your coat on when you’re out the door, back into the chilly night air. It’s then that all four of you catch news via text, of a club invite somewhere in the city.

“It’ll be fun, guys.” Joris and Lando stand in front of you and Charles, bumbling with excitement. “I heard Lil Tjay is going to be there.”

“It sounds very fun,” you say, smiling, “but I might pass out if I drink anything other than water, and I have zero energy. You three go ahead.”

“Wh—no, I’m not going, either.” You raise an eyebrow at Charles. “Serious! I wasn’t in the mood much, anyway. Joris, take Lando’s car and we’ll take mine.”

“Alright,” Lando whistles. “Suit yourselves, agoraphobes.”

“Joke’s on you”—Charles smiles, smug—“I don’t know what that means.”

“Not the dig you think it is, Charles,” you say, rolling your eyes. “Night, Joris, Lando. See you guys tomorrow. Use protection!”

“Should be saying that to you guys,” quips Joris with an evil grin that he closes the car door on.

The climb into the car feels like a chore in itself with how tipsy and sleepy you’ve become. Charles likes to bring his Ferrari to race weekends, but you convinced him to use a different car for this one, because you honest-to-God can’t stand the low seats anymore.

“You want dessert?” He asks when he’s rounded the car and settled into his seat. “Gelato, a cone, biscotti…”

“No, no,” you say, voice thin. A palm covers your shutting eyes; blindly, you reach for his hand. It’s easy because he sees you searching and takes your hand to cut it short. “I’m good. So sleepy. Can I sleep at your hotel room?”

“Sure.” He starts the car, waves to the wait staff idle by the entrance, and drives off. “How was the day as my fake girlfriend? Anyone ask about me?” He wiggles his eyebrows, flickering his gaze to your figure beside him. “Wasn’t too tough, I hope.”

Imola whizzes by, trees and city, and a poorly stifled yawn escapes your lips, wine stained. You laugh sleepily. “It was a bit awkward, but bitter with the sweet, right?” He smiles, nodding, and you continue. “Yeah, few strategists, some people who knew you from Prema. I was talking to Isa and Carlos, too, earlier. Even if they know it’s fake.”

He recalls seeing you talk to them through the glass. “About?”

“You.”

—

The sun is merciless on the clay courts, and so are your shoes, shuddering against the surface in your continuing attempt to beat the opposing team. Charles cowers behind you—he’s scored less than half of your points thus far—but you’re on a mission, like your competitive self always is when you’re put in a position to be able to win.

You’re two points down now, and the noontime is becoming increasingly itchy and unforgiving; across you both, Giada and Joris call a mutual time out. “That’s not allowed!” You say, petulant.

“This is a practice session,” Charles says gently, nearing you. “Mate, none of us are actual players.”

You wipe sweat off your forehead. “Right. Désolée. I’m just—I’m in the zone.”

“Ouais, I get it. Relax, m’kay? We got this.”

You shake yourself off and hop a few times, skirt bobbing by your waist as you go. Your braid bounces on your shoulder and you nod, turning your racquet over in your grip.

Charles pings the ball hard and it soars over to land just shy of the line, seemingly scoring a point for you two and securing your win. Giada and Joris chime in with protests, claiming that the ball’s out. You throw your hands up in question.

“Okay, what? That was clearly a point!”

“Snoops, I think they might be right. The ball looked out to me,” Charles says, wrapping a sweaty arm around your red shoulders.

“What are you talking about, Charlie? That ball was in! I saw it!” You elbow yourself out of his grip, aghast.

“How about…” He suggests quietly. “We let them win? You did win the last”—he pauses to count—“five sets. Come on, Snoops. They need this. Bitter with the—”

You take a deep breath, staring into his eyes. “Fucking sweet, right, okay. Fine, fine.”

Charles thinks he’s in the clear and he’s managed to extinguish your flames of frustration—that is, until you walk into the Leclerc household for lunch an hour later and, after greeting Pascale and Hervé, you point squarely to the jar on the kitchen counter. “Five euros.”

He splutters. “Five? Wh—non, non! I was trying to calm you down.”

“You were blind and gave Giada and Joris a fake win,” you say playfully.

“Saluuut,” Lorenzo greets, sitting at the stool beside yours. “Quoi de neuf?”

“Charles has five euros for the jar.” The jar, the infamous jar, sometimes dubbed the Dumbass Jar when Pascale’s out of earshot. It was Lorenzo who first made it up after three straight instances of Charles pulling a push door (three different establishments).

Arthur’s joined in at this point, but its biggest indirect donors are definitely Lorenzo and Hervé, who view it as just about the funniest thing in the world. Out of pity, you don’t call dumbass too often, but the tennis loss is bruising enough that you warrant the usage.

“You heard Snoopy. Five euros. We’ll be able to get milkshakes with this money after next week.” You high five. “At this rate, Charles, you could open a restaurant in Paris.”

“He’s going to race,” you correct. You both watch a begrudged Charles junk a bill into the nearly-full jar. “What race driver is going to open a restaurant?”

—

You meet Yuki Tsunoda on a flight to Nice. You’ve seen him several times before, not too frequently but enough that his name and face are familiar on your mind. Also a personality trait that Pierre would bring up in fond conversations with you and/or Charles: he loves food, apparently.

“Yuki’s volunteering AlphaTauri to be your hideout,” Pierre tells you and Charles, across him.

Turns out, the hardest part (insofar) of this whole schtick: the officially appointed paddock photographers are being extra sneaky with it, finding the best vantage points to snap pictures of an unwitting you and Charles.

They’re like hawks, watching for even the slightest glimpse so they can post the photos on Instagram and get clicks.

So, just a few hours earlier, Charles asked if there was a place you and him could talk if needed where photographers wouldn’t be awaiting you already, and this was the answer.

“If it’s too much trouble, feel no need to… you know.”

“Nonsense.” Pierre smiles goofily and Yuki pokes him to stop, pausing his session of eating a quesadilla (where he’d even acquired it, you’re clueless). “Yukino would be happy to.”

The flight lands and the drive to Monaco is infected with notoriously slow traffic; you pop an Advil to try and alleviate the motion sickness. Pierre and Yuki, it seems, have joined you even outside of the flight. They’re in the backseat offering bits of conversation.

“Oh, mate, we should totally play tennis while we’re here.” Pierre sighs. “Didn’t you guys play before?”

“Mmm, yeah,” you mumble with a lilt of amusement at the memories from basically a decade ago. “At the country club. Doubles always, otherwise I’d knock Charles out of the park.”

“Hey, I won a couple times!” He protests weakly. “Like… twice.”

You laugh out loud. “Anyway, Pierre, do not bring me into tennis. I get all competitive and develop anger issues.”

“I had to calm her down twice a set,” Charles says; you swat him lightly to silence him. “Still do.”

“You know, if the Dumbass Jar still existed,” you say cuttingly, “I swear I’d be able to buy off Ferrari with that money.”

—

Monaco is swelterinly hot today. You know this because you know the weather here, you know the curves and ups and downs of it—this is your home. And today is hot. Every few minutes a breeze filters through the air and you can hear journalists or PAs sigh a collective breath of relief before they’re all subjected to the inane, high-degree weather again.

It’s also, according to Arthur, a good day to kiss in front of the cameras. He says it easily over a plate of sliced kiwi, with a devious smile, because he assumes your friends-with-benefits arrangement equates to constant kissing. But the truth is you’ve never kissed Charles, and it intimidates you.

“Do we have to kiss?” You play with his bracelets, sitting beside him on the sofa. The talk of kissing entertains the thought of sex and you can’t help but mentally complain at the remembrance that you haven’t gotten laid in weeks.

“If you don’t want to—”

“I do.” You splutter, eyes going wide, face warm. “No! I mean I don’t mind. If it sells the thing.”

“D’accord, then we will.” He smiles. “That okay?”

“Sure. First kiss,” you say. Your voice feels as clammy as your hands.

“First.” He looks away.

You take your woes off the kiss by playing a friendly round of tennis with your favourite opponents, Giada and Joris. They bemoan your competitive nature (that, to be fair, allots you and Charles three straight wins), and Giada incites a protest for a girls versus boys round.

You both embarrass Charles and Joris, heckling them as you win another two straight games. Charles runs over to you when you throw up the L sign on your hand, lifting you up and making you squeal.

“Put me down, loser!”

Giada and Joris exchange a look. Amused, knowing. “Charles! You’re such a cunt.” You kick hard, and manage to snag his abdomen, so he gently places you onto the clay again. He laughs and paces back over to his side, and you play with the tail of your braid as you watch.

You play set after set, but the kiss comes anyway. When you know photographers can see you—by the entrance—and it happens faster than your mind can muster. He’s leaning in, you’re reaching up, and your mouths slot together. It’s—and it feels crazy to say it, but—

It’s perfect. It’s lovely. You smile against his lips like they belong there and like they’re familiar and yours and like maybe this is all you’ve ever wanted, and like they deserve the smile, because they do. You feel your need to pull away before you can’t help but keep him tethered to you always. It’s strange and it’s not platonic—you’re mature enough to admit that, but not enough to label exactly what it is.

You spend the day with your fingers pressed to your lips, like you’re sealing the memory. Hours later, Charles wins. There’s massive uproar and you’re in the crowd when it happens, in the sea of strategists going to congratulate him on winning Monaco, which—that’s—it’s winning Monaco. Your ears ring by the end of it and your throat’s dry from your own cheering. Carlos comes in second, and the outlook for their team is going much better than it’d been at the start of the year, so there’s a lot to celebrate.

And celebrate you do. It starts with being pinned up against the door, hungry kisses along your jaw and neck. One kiss, it seems, has broken the dam from the few years you’ve spent abstaining from the kissing. He’s just finished interviews. He’s only just changed into his polo, and now he’s tugging it off again, feverish.

This is rushed and dirty, down low and dark. Only one light’s been switched on and he’s hiking your dress up, panties down with one hand to tug his cock out with the other. He’s kissing you—kissing you stupid, almost. Like he’s waited forever to taste your lips and now he’ll starve if he’s away for just a moment. He needs you. So have me, you want to say, all of me, push me up against the wall again and cover my mouth with your palm. Or don’t, don’t—so everyone knows I’m yours.

He presses your chest against the wall so your back’s turned to him, thrusts in with a breathless, throaty grunt.

“S’ big,” you’re saying, clawing at words the pleasure bars you from finding.

“Barely even in,” he whispers. “Slow down, baby, come on, take it.”

Your toes curl. You’re high on the win, on the kissing, on Charles, on the slow delicious stretch of his cock. “I’m taking it, I’m taking it,” you say, shaky. He thrusts, slow and deep and dirty, until he’s bottomed out and you’re tiptoeing from the overwhelm.

“I feel you,” you’re whimpering, moans and gasps leaving your mouth. You blindly search for his hand, find it against your hip, drag it to your abdomen, under your dress that he hasn’t even fully removed. “I feel you there,” you say, an edge of teasing to your voice.

His cock’s bulging, almost, out of your stomach, and it’s getting you both all lightheaded. He thrusts harder, a devious smile felt against your neck.

I need it, Charles, you plead, please, please fuck me harder. You feel it coming, the familiar pleasure intensifying so quickly—you don’t usually cum so early, he’s always making you wait for it—pussy squeezing around him.

Jesus, already? He’s groaning but a laugh escapes, breathy and amused and taunting. He’s fucking you harder, faster. It’s so good, each hit getting you closer. Taking me so well, you’re bruised all over now, baby. You hate how well he knows what turns you on; memories of mornings post-sex spent inspecting the purple marks on your hips flash through your head and you’re even closer now, shaking, whimpering, begging.

You’re half-sure someone can hear, but it doesn’t even phase you. Harder, deeper— and you’re collapsing, legs spasming uncontrollably, orgasm so intense it’s on the brink of totally hurting. Tears roll down your sweaty face and he kisses them away, cumming onto your back to wipe off in a few minutes.

“I never even”—you pant, tired—“got to say congratulations.”

“That was more than enough.”

—

Charles is elated when you tell him his family has thrown a party for him the day next. He’s boyish in that way, optimistic and kiddy, the kind of person who’s up at five-thirty to announce their own birthday.

He drives you both to his childhood home, a route so familiar he could drive with his eyes closed. (“I hope you’re not driving closed-eyed,” you’d warned.)

Even if he could, anyway, he’d rather not. The scenery of Monaco is stunning, ever-changing, and he never tires of it—the buildings, the skies, the trees and shrubbery, stores lining the streets, clean entrances.

And you—in the passenger seat, humming softly to a song of his choosing. Drives are always better when you’re in the passenger seat.

The turnout is generous: extended family, and several friends from school. There’s bowls of fruit, salad, plates of salmon and racks of lamb, knobs of butter with warm bread. Pascale commands the kitchen—visible in how she leaves it cluttered with bowls, ingredients, whisks still dripping with syrup or batter, spoons licked for tasting. The good kind of clutter.

Lorenzo has also taken reign of the AUX, because it’s 70’s music playing, which is what he’s fond of for family gatherings like these. It’s My Cherie Amour now, Stevie Wonder mellowing across the lawn and into the house.

Charles knows you love the kitchen as much as his mum does, so when you get to the house, he’s not surprised to see you leave him in favor of checking out what damage has been done to your favorite marble countertops. He watches Pascale turn from the gas range, her eyes lit when she sees you, inviting you into an embrace.

You look like the song playing, pretty and lovely, breeze in the summer. He almost loses himself in thought before his great-aunt Eden places two bony hands on his arms and greets him in feeble Italian.

He flits his eyes away from you, if just briefly, and faces the woman with a smile on his face. “Ciao, zia,” he says, voice buoyant, happy. “You came here to see me, no?”

All five-foot-one of her shakes in disagreement. She wags a finger for extra measure. “No,” she says. “Sono venuto a vedere la tua ragazza.”

His eyes widen. “She’s—” He pauses. He debates telling Eden you’re not actually his girlfriend, that this was a setup to appease Pascale and, by extension, tifosi. But he backtracks.

He shouldn’t, but he gives in, lives out his dreams for a bit. “Ah, she’s over there, zia. Con mamma.” He points to the open door, and to you on the far end of the room inside, holding a spoon. “Beautiful, yes?”

“Molto,” she says proudly. “You marry her?”

Fact: his great-aunt has the worst memory. She forgot Charles’ name twenty times, let alone niche facts like this one. Another fact: she rarely shows up to family events. Maybe now, because it’s a racing thing; but baby showers and funerals, she’s at home. So he indulges a bit more.

“Si, we’re engaged. But—it’s a secret, zia.” He grins. “Non dire a nessuno. Okay?”

“Sei fidanzato?!” She claps once, excited. “Ay, Charles. I waited my whole life for this moment, si?” And she’s wobbling away, still muttering under her breath.

—

“How is my son?” Pascale’s voice is teasing. She sighs happily. “For years I wondered if this would happen. And it really is.”

“Oui, sure is,” you sing-song, laughing a bit awkwardly. “We’re—he’s okay. We’re great. In love.”

“Oh, in love,” she swoons. She leaves you, after fifteen more minutes of detailed discussion, with half a spoonful of vinaigrette to taste-test, departing to check on the guests for a few minutes. In her place arrives Lorenzo, already bearing a shit-eating grin. “Saluuut.”

“Mmm, good to see you, too.” You taste the liquid and add lemon to the bowl. “How’s wedding planning?”

“Think we’ll throw a shower. Is that pretentious?”

“No,” you say, mulling over it. “Sure, a bit. But just don’t make it a whole thing, you’re golden.”

“I see.” He sighs fondly. “You know, many a conversation we’ve had right here at this counter. About anything.”

—

You loosen your school tie, slicing an apple like you so often do, waiting for Charles’ karting practice to end. Pascale had fixed you a bowl of something, Hervé a glass of orange juice. And somebody else would always, without fail, steal your food. A hand swipes two slices form your chopping board and your head whips up.

“Lorenzo!” You stomp your foot. “Stop stealing! That is my apple.”

“You mean the Leclercs’ apple.” He laughs, pops another slice into his mouth, smiling.

You roll your eyes, shaking your head. The braid beside your head shakes with it as you continue slicing it into perfect quarters. He pipes up again: “How was school?”

“Shit, as usual.” You lower your voice and smile, leaning in. “Pascale scolded me earlier, for saying that word.”

“Did Papa?”

“Obviously not. He fist bumped me.” You share a laugh, both chewing on apple slices now. “Anyway, I aced a math test, had aubergine for lunch… got driven here by Charlotte’s mum.”

“Charlotte?” Lorenzo hums conspiratorially, making a mmmm sound. You look up from the yellow chopping board, furrowing your eyebrows. He persists: “Mmm. Cha-r-lotte.”

“What’s up with Charlotte?” Bit impolitely, you ask, in-between chews.

“I think she likes Charles, a little.” You nod slowly, trying to follow. Charlotte liking Charles. Your Charles. Wait, no. Not your—or nobody’s, really. Just Charles. Yeah.

“What? Bull!” You narrow your eyes. “Says who?”

“Why do you care?”

“Wh—I don’t!” You squeak, caught. “Just… I think I’d know, Lorenzo.” You make a tch noise, crossing your sweater-clad arms. “So—says who?”

“I saw her leering at him during his birthday party.”

“You’re wrong,” you say, but you don’t really know who you’re convincing. He reaches over for an apple slice, and you move the chopping board out of the way sharply.

“Mon dieu, you’re snappy. Fine, fine. I might be wrong,” he relents, shrugging. He gets up and slides beside you to be able to acquire more slices. “I talked to her during the party, too.”

“Weirdo,” you tease, allowing him to take a few more. “About Charles, yes?

“No, about her brand new dress.”

“You’re the funniest Leclerc brother, I assure you.”

“She told me…” He says, louder this time, shushing you effectively. “She told me she ‘finds Charles cute.’” Air quotes, shrug. “But that they ‘probably won’t’ date.”

“Huh. Did, um. Did she say why?” You play with the tail of your braid, shuffling back and forth on your flats. You don’t know why you’re so fidgety—you aren’t nervous, you don’t think.

“Because…” he says, chewing to allow for a pause. “She said every time she looks for Charles to try and ask for time alone, or on a date, or something, he’s already following you around like some puppy.”

—

You comb your hair into a bun and venture into the patio, having avoided a good chunk of the noon heat. You greet some relatives politely along the way, and receive a hand squeeze from great-aunt Eden. At one of the tables is Charles, beside Joris and another friend, and Giada and Charlotte across them, an empty seat beside the latter.

You seat yourself in it and Giada kisses your cheek. “Hey. Ça va?”

“Fine,” you say, smiling. Then you lower your voice to a whisper. “Do you remember when I told you about my crush on Charlie? For the first time?”

“Yeah,” she whispers back. “Around… 2013.”

“Ouais. And… and it disappeared after that,” you say. “Right?”

“You said it did,” she says. “A year later. When we were sixteen.”

“Right.” You think. Seventeen onwards—you’d never formed a full-fledged crush on Charles. “Okay. It’s nothing. Just a memory. I was just. Yeah, oui.”

“Oui, let’s eat.” The memory fades and so does your running mind. Charles’ eyes meet yours across the table, and suddenly you feel a little less like your thoughts have ripped you open.

—

When you and Charles were younger, you adopted the adage “bitter with the sweet.” Charles will have people believe it was made by the both of you, with philosophical minds stretched so far beyond their years. Well, revisionist history. The truth lay in the Carole King song of the same name you’d heard on the stereo.

Those are the exact words Charles tells Ted when he’s interviewing for the Spain Grand Prix. It’s a hot day and you’re especially doubled down on by the fact that he’s finished ninth.

You’d been fake-dating for the cameras all weekend. At all costs, you try and avoid interviews, but the damned Drive to Survive producers insist on a soundbite and start following the two of you around everywhere (only to find your conversations sound very weird and niche, and not scandalous or sexy).

Pascale also called—Charles first, and when he didn’t check his phone, you. You spent an hour on the phone just talking about the race. About the penalties and the nasty headlines that followed, and just everything.

“I’m glad you’re there,” she says. “God knows he needs you.”

You end up biking to try and relieve the stress, posing with fans for pictures.

“I’m such a big fan. I stalk Charles’ Insta like, all the time, and it’s crazy how you guys are dating.” A teenaged girl laughs nervously. “Where’d it happen?”

“Texas!” He, again, tries out the bit to appease the fans but you have to extinguish the flames of his blatant lies.

“He’s kidding,” you interject. “It’s just—it just happened, really.”

How does something just happen? Someone told you once, in a Paris bar, that love is like an echo. It’s always there, in the underbelly, underneath it all, and then one day it echoes, like a bass drum or a cymbal. And the echo—the echo is you feeling it. You feel the echo, the all-encompassing echo, even if the love itself’s been there all along.

With Charles, it’s out of the question. You love him. He’s your best friend. You trusted him before you even learned what trust meant, for Chrissake.

How could you not love him? That seemed impossible. The love was there. The love’s always been there and it’ll never go away.

It echoes at half-past-two in Barcelona, when he whips past you on his bike and says on your left. The breeze pulls your hair to the left, covers your face, and when you rake it away he’s stopped to check if he accidentally bumped you in his rush to look cool.

You’re creepily observant; you’ve been told this many times before. What people don’t know is with the observance comes even more questions. Ifs, whys, wheres, whens, hows, God the hows. The questions keep coming because there’s never an answer.

“Are you okay?” He asks. Green eyes glittering like a lake. Smile like the sun. Hair curly at the ends. “Did I hurt you?”

Then you realize. In the matters of love, every question—every single question. Every single one. The answer is Charles.

“Of course not,” you say. And you smile.

—

You almost drop your book in your rush to scurry past the paparazzi. They’re still busy on the two figures (Alex and Lily, you think) on another end of the paddock, which allows you only a few moments to try and evade them.

Others are stationed near the Ferrari hospitality, which means you’re going to need your hideout. Yuki had texted Pierre who had texted Charles who had told you that it was all clear to go there for a few minutes while waiting for the photographers to clear out.

Hurry, Charles is saying. Laughing. His hand’s gentle in yours. You want them there forever. You want to drag the tip of your nail over the barely-perceptible grooves of his fingerprints so he knows how much you need him.

The days post-Spain were spent biking, watching shows, listening to music, eating food. The travel to Canada—long, cold, compression socks. Pascale had called mid-flight to check on her “favorite pair”—you maneuvered yourselves into a much more cuddly position to appease her, and her giddy smile was incentive enough to stay that way for ninety minutes.

You’d been in a weird mental state trying to grapple with your rapidly returning and intensifying feelings for him, which have dawned on you all at once.

But he makes it better. You’re still laughing when you wedge yourselves in, eyes meeting.

And then you’re quiet.

The gaze you share is intense, but almost unsure, like you’re supposed to be looking away anytime now. You step backward shakily, and his hand moves from your waist to the small of your back to keep you from stumbling any further. You’re closer now. But this shouldn’t feel as strange as it does when you two have been in much more scandalous positions before—what’s different?

He’s so close, so so close, his green eyes looking right through you. You lean closer, ready to kiss him like you have before, ready to feel his mouth slot softly over yours, comforting and safe and Charles.

Funnily enough, it’s then that the illusion breaks, his grip loosening and the distance between you increasing. He coughs twice, awkwardly.

“Shit—sorry,” you say profusely, clearly having read the moment wrong. Embarrassment wells up in your system, warming your face. You laugh to diffuse the tension but it barely does anything.

“No, don’t—” He exhales, squeezes the bridge of his nose, trying to find words. “It’s not that I don’t want to kiss you. I do.”

“So kiss me,” you suggest simply, looking around for anything that might stop him. The embarrassment ebbs away, replaced quickly by confusion.

“I don’t want to kiss you in an AlphaTauri stock room,” he mopes, burying his head in his hands in clear frustration. “An AlphaTauri stock room.” He repeats it in a hushed whisper, disbelief etched all over his pretty face.

“Charles,” you begin, smiling already, the quaint way that makes his knees go weak every time. “You’re acting like you and I haven’t kissed before.”

“This is different.” He says firmly, looking away lest he lean in involuntarily. He interjects with conviction, not realizing what he’s implying until the implication’s hanging in the air. The longing kills him softly, and he feels if he looks at you a second longer he’ll kiss you anyway.

It’s a wonderfully confusing feeling. You open your mouth to respond but you can’t; your brain tacks itself onto his sentence, the division created between the kisses before now and the kiss that might happen anytime soon.

“H…” you trail off, throat drying. Blinking, you try again, “How different?”

He looks up, eyes conveying all the things his lips never will. This is different. You know it. I love you this time.

The answer is exchanged and accepted wordlessly. You slip out of the room when Pierre tells you it’s okay to, and it’s only then—only then—that Charles’ hand leaves your body. You seem to burn alive with its absence.

It’s a Ferrari 1-2. You snap a thousand pictures with Isa and Carlos holding Carlos’ trophy while Charles is doing interviews, and they invite you to join them for the break. You’re open to it—the win, the good standings, they definitely warrant a celebration for the few weeks’ break. So your original itinerary is Portugal—beaches, coasts, food—but the jet re-charts a route and the flight is cut much shorter because you’re in New York City.

—

Somewhere in Manhattan, a wedding shower is thrown on an outdoor rooftop. “This is one hell of a wedding shower,” you squeal excitedly when you spot him, bringing Lorenzo in for a hug. Your yellow dress flows in the wind. “I thought you guys were going to throw it in Monaco?”

“Yeah, well… why not here, right? It’s beautiful.” He gestures to the skyline, smiling. “Plus, Charles, Arthur, and Mum were already near the country for work, so we got ahead of it. Everyone was happy to fly out.”

“Well, for what it’s worth, I love it.” You beam. “I can’t believe it, either. When’s the final date?”

He opens his mouth to reply, but the wind is knocked out of him by Charles barreling into his arms for a hug. You roll your eyes at the latter’s childish behavior, smiling despite yourself. They part and Charles finds his place beside you, arm snaking around your shoulders. “What a wedding shower!”

“Don’t flatter me, dipshit,” Lorenzo jokes.

“It’s a lovely one.” Lorenzo thanks him. “An amazing shower. You know, it’s a total golden shower!”

You purse your lips. “Charles—”

“A golden shower, mate. Absolutely.”

That garners at least three odd looks and you calmly place a hand on his chest to whisper don’t ever fucking say that again it means something completely different please don’t embarrass me or your brother.

For all your embarrassment, you make up for it in having the literal time of your life. The food is good, the city view is amazing, the weather is fair and the music—Desafinado now—is amazing. “I could see myself here,” you say offhandedly to Charles, who nods back with a faint smile. He’s half-distracted.

“You look beautiful, by the way,” he says, squinting from the sun in his eyes. “Very.”

You part ways at some point—Pascale whisks him off, no doubt for another long round of questioning about your relationship, and you meander around with a glass of champagne.

You’re halfway through swiping a mini quiche when a hand wraps around your wrist and squeezes to get your attention—Charles’ great-aunt Eden. She speaks only intermittent English, and your Italian fails to carry you through well enough, but you smile and greet her. “Ciao, Eden!”

“Ciao, bella.” She smiles. “Flight was long.”

“Oh, yeah. New York’s far. I might work here someday. I’ll hear results in around two weeks, but I’m hoping for London instead.” You slow your speech.

“When will you two wed?”

“Wed?” Your face warms and you stutter through a giggly mess of a sentence. “Oh, Eden—zia—no, no! We’re just friends.”

“My Charles told me you two are to be married.” You both crane your heads to the right, where Charles is leaning against the terrace railing talking to one of your friends, Matthew, animatedly. He meets your eyes, sees Eden beside you, and seems to connect the dots.

Jokingly, perhaps, he raises his hand and wiggles his empty ring finger. You can’t help but smile as you turn back to the old woman. “Oh, did he, zia?”

“Si, he did.”

“Well, we’re just going to let it happen, then. You’re invited. Front row.” You kiss her cheek and she smiles, wobbling off to drink more wine before any of the adults can stop her.

It’s announced then that the dance floor is open, and many of Pascale’s friends filter through to show off their moves to the 70’s music. You watch, amused, at the display of dexterity to Frankie Valli and Aretha Franklin. You cheer them on, content to watch them against the backdrop of the New York sunset.

When Ain’t No Mountain High Enough plays, the dance floor grows, because nobody can resist the song—not even Charles, apparently, who takes your hand without preamble and takes you, squealing, to the centre.

You sing each of the parts, like you always do when the song comes on. It’s semi-tradition at this point: you take Marvin Gaye’s, Charles takes Tammi Terrell’s. You both exaggerate your dance moves and pretend you’re performing.

His hand’s in yours, winding you around and pulling you close. At some point he starts robot dancing to entertain you. It works—you laugh out loud, your eyes half-shut and faced to the stars above. He could write a poem about this. Or a song.

The song ends and you lean onto his shoulder to take a breather—then the photographer swoops in and takes a picture. “That’s going into the RSVPs!” He says, accent unmistakably American.

“Does he know we’re not the couple here?” You ask.

Do we know we’re not the couple? Charles asks himself.

The night escalates as the “oldies” leave, and Matthew, Joris, and Giada join you both for one last round of drinks again. You’re all standing at the exit making conversation; Lorenzo attends to his friends at the other end of the terrace.

“I feel young again,” Matthew says, liberated by Tito’s vodka. He takes another swig and pulls his coat on.

“You’re twenty-five, calm down,” you joke. “Dodged that bullet.” You’re poking fun at the semi-massive crush you had on Matthew in secondary school, and a laugh passes through the four of you. “Anyway, you three be careful. No driving.”

“Jesus, but really—I haven’t been this drunk since you”—he points at you, laughing—“turned seventeen at that club, Amber? No?”

“Oh, God. Y’know, same.” You fail to notice Charles and Giada share a look. “I remember nothing from that night! Or, like, the first two hours at least.”

“I remember drinking my body weight because of heartbreak,” he jeers.

“Heartbreak? Were you—were you with anyone?” You ask, confused.

It happens before anyone can stop it. “No, when Charles kissed you. And you kissed him after. Alright, night mates! Lorenzo—merci!”

Oh, fuck, you hear in the back of your now-muddled brain. Giada’s voice.

You open and close your mouth. “Ch—wait, he—what?”

“I—let’s talk here,” Charles flounders, dragging you to a more secluded spot and facing you. The three of your friends exit; Giada waves, apologetic. “When… we were at Amber… and you were absolutely hammered, we kissed. It was twice—just twice. And you didn’t, um. Remember a thing.”

You’re unsure. “In Amber?” You blink, confused. “What do you mean?”

“We… I don’t—I mean, I understand why you don’t remember. We kissed that night.”

“So that’s… Charles… You didn’t tell me.” Your voice quivers, like a wire flicked. “Why didn’t you say it at the time?”

He doesn’t give you an answer. He just looks at the counter, imagines the way your eyebrows furrow, your lips move, eyes glitter. He can’t give you one. He doesn’t want to hurt, disappoint, sadden you. He wants to get on his knees and root you here, so he’ll have all the time in the world to come up with an answer.

“Charles.” But he loves you, and he can at the very least be honest for you. “Look at me.”

“I was scared.” His eyes gravitate to yours.

“Of?”

“It felt stupid, is all. That you didn’t remember, and maybe you did but you were pretending you weren’t. I didn’t—it didn’t—sorry.” He laughs, stutters. “I convinced myself it didn’t mean anything because we didn’t have feelings for each other.” He pauses. “Then.”

“Well,” you say, slow. Eyes stuck to his. “How about now?”

“Now?”

“I love you, now. I mean, isn’t that all this is? Loving? Even if? De—despite of?”

And this—God. This is how it feels. He’s looking at you and you’re telling him you love him because you do, and finally he’s been over with reassurance.

You love him, too. That way. He trembles with it. His hands are shaky when they lace into yours, like you’re a shrine, a prayer, and he feels like maybe these are the emotions that swirl through the human body when one wins the lottery and gets struck by angry lightning at the same time.

This is it, he thinks. Profound and lovely and an echo of sweet memories. He’s yours. Here in a city unfamiliar to both of you, yet to be conquered, your fingers lace lightly and you smile, smile, smile at each other, as if you’re the last two people on Earth. He’s yours, so foolishly in love with you.

Even far from home, you’re both filled with warmth, with longing. Extended stares, pits of your stomachs welling up with something lovely in between homesickness and nostalgia. Here again, you again, us again—it’ll always be us again, your heart seems to say, surrounded by the same love the same hurt the same sad the same everything, you and me, all the love in the world, all the confusion, we’re here. It’s never over.

Across the terrace, Lorenzo watches. Two figures, laughing, emanating happiness, gentle unkowing love. You two have finally made it here, after what felt like a thousand trials and dreams and stories.

So even if you’re taller, in high heels and a yellow dress—and Charles is broader, in a suit and tie—Lorenzo thinks he can blink and see the two little kids who hosted a tea party in the backyard. He can blink again and see you hugging, eyes shut, his lips pressed to your forehead to convey the intimacy nothing else will do as well.

“So what now?” You ask. Again with the questions. In your defense—it begs so many follow-up questions. A love so many years in the making—layer after layer after layer—of course it begs all the questions, almost to the point of overwhelming capacity. What’ll we tell Pascale? The fans? The family? Everyone?!

But one look and he makes it better. His green eyes, bright against the deep black of the skyline. You’ve grown. You’ve done it. You’re here. “We’ll figure it out.” He smiles. “We deserve this kind of ending, don’t you think?”

—

“He has my name.” A tubby finger points to the boy on the greeting card. “That one.”

“And who’s the dog?” Asks the girl beside him, hair wound into a plait. She likes this boy. He’s cute. She plays with the end of her braid and stares, eyes flickering in-between him and the card they’re staring at.

“The name’s right there. They’re best friends.”

“Okay, that’ll be me.”

“So that’s us.”

“Oui.” She smiles. “Charlie and Snoopy.”

–

read an omitted scene here :)

#f1 #charles leclerc #charles leclerc smut #charles leclerc fluff #charles leclerc imagines #charles leclerc fanfic #charles leclerc drabble #charles leclerc x reader #f1 x reader

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inkbybambi · 7 months

Text

best friend!simon riley picking you up from a bad date —

words: 2.2k rating: nothing explicit apart from a brief mention of sex, just some light angst and comfort. my blog is 18+ so minors please dni. warning: hurt/comfort, fluff, pet names, insecurity/doubt/worry, mentions of sex, simon is the softie we all know he is notes: originally written for @ghosts-cyphera ♡ we all need a bestfriend!simon in our lives who's so sweet and gentle with us.

one thing you love about simon — besides everything — is how reliable he is. strong, steadfast, there when you need him. even when he’s not physically there — his work taking him away for weeks or even months at a time — you find yourself reading over the messages he’s sent, the little sticky notes he’s left, whatever memento you’ve kept of him tucked away in the drawer in your bedside table.

not that you’ll tell him that.

you hate asking him for favors — asking anyone for favors, really, but him especially. whenever you ask someone for help, it's always accompanied by a long-suffering sigh or a roll of the eyes or some very clear indication that they'd rather do anything else.

except for simon.

which is why you're hesitant to ask him more than you absolutely need to. you don't want to push your luck too far, less he eventually tires of you as well.

losing people hurts, always assuming it's you that caused the problem. you've come to accept this, even if the dark feelings of being too much or a burden claw at the edges of your mind.

but losing simon? you don't think you'd ever get over that.

it's just after 9pm, the sky dark and clouds threatening, with thunder rumbling steadily in the sky. your hand shakes as you fumble your phone from your pocket, trying to hold your tears at bay as you scroll through your contacts.

your call log is all simon.

some appointments here and there, but simon everywhere else.

fuck.

you hiccup, the tears spilling from your eyes as the sky finally opens up, joining you in your mourning.

you don't have any other choice, really, so you click his number before you can talk yourself out of it and walk home instead, bringing it up to your ear as it rings.

he answers before the third ring.

"i'm so sorry to bother you," you sniffle into the phone, before he has a chance to say anything. you take in a sharp breath, blood turning to ice. "am i bothering you?" you sound so meek and small and tired.

“no, dove, you’re not,” comes his calm, reassuring voice. you’re only half-convinced.

"i'm sorry," you begin again. your heart falls to your stomach, convincing yourself that this is his final straw. you're overtaken by a wave of nausea, despite not having eaten anything since lunch. "i didn't know who else to call, and i lost my tram pass, and i don't have an umbrella, and — "

“dove,” he says, his accent soothing to your ears — he's so endlessly patient and kind. you ache.

"i can just walk home, i-i'm sorry," you whimper out, unable to stop the tears blurring your vision, feeling pathetic and weak and so, so alone.

“darling,” he says, a little stern. not angry, never angry. trying to focus you. “what’s wrong?”

“u-um, my date stood me up,” you sniff, swallowing hard. "i waited an hour," you mumble, looking to your shoes. "messaged him too, y'know. but he just. didn't show."

you think you hear simon curse over the line and your heart lurches, feeling like you're about to be sick.

“where are you?”

there's a rustle of fabric, the clink of keys, the heel of his boot walking across his floor. you manage to tell him the name of the restaurant, voice cracking.

“twenty minutes,” he says, and you’re about to protest but he beats you to it. “sit there and be good and patient and i’ll pick you up, yeah?”

"okay," you whisper in agreement, before the line clicks dead and you allow yourself to cry, huddling under the awning as some protection from the rain, now coming down in thick, sharp waves.

thirteen minutes later, the headlights of his truck shine through the dark, pulling up to the curb. you make a mad dash for the passenger door, still getting drenched in the process.

you can't even look at him, hands shaking as you buckle the belt, trying to make yourself as small as possible.

he says your name gently. you take in a shuddering breath and let it out just as shaky, looking over towards him. he's wearing his balaclava, but his eyes — even in the dark, you can make out his beautiful eyes. assessing you, worrying.

"i'm sorry," you croak out. you can't help it. it's burned into your tongue, driven into your mind to make him understand you didn't want to bother him. he doesn't have to forgive you, but as long as he knows, that's enough.

"love," he says, and there's... something in his voice, as he reaches over for your hand, holding it gently in his own. his eyes never leave yours. "'m never gonna be mad about you askin' for help." your eyes flit away, but he squeezes your hand and you reluctantly look back. "you know me better than that," he says, as if he can read the treacherous thoughts swirling in your head, drowning you and making it hard to breathe.

you can only nod, not trusting your voice at the moment. he hums, bringing the back of your hand up to graze his covered lips over the back, pulling out to drive you back.

"this is your flat," you say, fifteen minutes later as he shuts the car off. you were too busy looking at the window, watching the rain drops race down the glass, to notice that he wasn't driving the familiar route to your place.

"yes," he replies, as if it's obvious he'd bring you here. "you really think i'd let you stay home alone?"

his eyes are so fucking bright. it startles you, and you hate how your heart twists and thumps at how intently he's looking.

"i..." you start, chewing on your bottom lip for a moment. his eyes flicker to your lips, snapping away just as quick. "i was gonna eat ice cream and drink shitty, cheap wine," you say.

"as if i don't have either of those things here," he replies, opening the door and effectively ending the conversation. you scramble after him, eager to be inside in the warmth and burrow yourself into his couch.

"go get changed," he says, voice clear as he removes the balaclava and bends to untie his shoes.

you hesitate for a second, until he looks up to you and there's that something lingering in his gaze — the same something that was in his voice.

"go on now," he repeats, softer, and you ditch your shoes and your uncomfortably wet jacket by his.

his flat is as familiar as your own — you could walk through it blindfolded at night and you wouldn't knock into a single thing.

well.

you might knock into a corner or two, but that's not a vision thing. it's a you're a bit clumsy thing. simon finds it endlessly amusing, poking at the bruises that blossom on your skin while you bat his hand away.

his bedroom is familiar as well. which is why you don't think twice before you're shimmying out of your clothes — undergarments as well — and rifling through his drawers, finding your favorite shirt of his and a pair of his boxers.

you take a moment to smell the collar, taking comfort in the scent that lingers. you’ve been dressed in his clothes many times before this but it feels different this time.

as you pad back out to the living room, simon’s already on the couch. your favorite blanket is draped across his lap, two bowls of ice cream and a bottle of cheap wine sitting open, glasses filled far more than you would’ve. but you’ll indulge him, mostly because you have the sneaking suspicion that he’ll have you sleep here anyways.

his balaclava is off. the last dregs of tension drain from you as he looks over to you, face soft in the lowlight of the lamp, tv already ready with a show you’ve watched a thousand times that he watches with you without complaint.

“knew you’d choose that one,” he says with a bit of a smirk as you crawl on the couch, burrowing yourself into his side, his arm slinging across the back of the cushion.

“am i that predictable?” you mumble, a small ‘thank you’ as he hands you a bowl.

he doesn’t answer, but you feel the burn of his stare before he snorts, flicking the tv to start playing, the familiar theme relaxing you further.

the silence with him is comfortable, lingering in a hazy in-between of awake and sleep, empty bowls and mostly empty glasses sitting on the coffee table.

“were you going to fuck him?” he asks, three episodes in, bottle empty.

you blink, not sure if you heard him properly as you pull back to look at him. you can’t read his eyes. something hot twists in your gut.

“i-i don’t know, simon,” you start, the weight of his stare heavy. “maybe?”

he doesn’t say anything and you chew your lip for a moment, fingers curling to play with the blanket. “depends how the date went, i suppose. doesn’t matter much now,” you snort. his gaze hasn’t changed. “why?”

his jaw clicks, taking a deep breath. “you deserve better ‘n that.”

a confused frown pulls at your mouth, unsure how to reply. “i know how to be safe,” you tell him, voice soft.

he seems to be weighing his words in his head, lowering the volume of the show. you feel sick.

dark eyes rove over your face, taking in every minute detail. you bite at your nail, just for something to do.

“don’t think there’s a bloke in the world that’s worthy of ya.”

your frown deepens, breaking your eyes from his, twisting your fingers in your lap. relationships aren’t easy. being that vulnerable with someone isn’t easy.

you never want someone to pay for you, and even the smallest gestures like opening the car door or pulling out your chair feel like it’s too much. you don’t deserve that kind of attention. after a while, they’ll get tired. you’ll become a burden to them like everything else in your life.

it’s easier to be by yourself. the only person you have to worry about bothering is you.

“love.” he tilts his head, eyes trying to catch yours. how hasn’t he tired of you yet?

a hand under your chin forces your gaze up, and you try to shrink yourself against the back of the couch. your voice catches in your throat, words stuck there.

“what’s goin’ on in tha’ pretty head f’yours?”

you swallow thickly, finding it damn near impossible to keep your eyes on his.

“‘s not like it matters,” you start. his brows furrow, but he stays silent. “no one would want me anyways.”

“‘n why would you say that?”

frustration burns the back of your throat. isn’t it obvious? you can barely call him in a dire situation without thinking the worst of yourself. how can he think of you as anything but a nuisance? how could he think anyone else would put up with it?

“you wouldn’t understand,” you say, defeated. you crumble back into the couch.

“make me understand.”

heat flashes at the nape of your neck. he takes your hands in his, cradling them in his warmth. your name sounds so soft in his voice.

“how aren’t you tired of me?” comes your whispered question, nose tingling and eyes threatening to water. you look at him. hesitant. scared.

the silence is loud. his frown deepens. it takes a few painful minutes, but you see the moment something clicks in place.

“you know i’d do anything for you, yeah?”

your lip quivers, sniffling as you beg yourself not to cry.

“because you do the same for me,” he continues. you doubt it, mind going blank of every time he’s come to you for something.

his touch moves to your elbow, tugging you forward gently until he can arrange you in his lap. he slips his hands beneath the hem of his shirt, thumbs rubbing on your hips where the waistband of his boxers start.

you slowly brace your hands on his shoulders. firm and broad and safe.

“you apologize so much. you worry so much.” the tears slip down your cheeks, throat aching, but now you can’t look away from him. one hand moves to cup the nape of your neck, thumb rubbing gently at the skin behind your ear.

“you’re allowed to ask for help.”

you shake your head, a “no” caught in your throat, tears blurring your vision.

“oh, love.” he cradles you into the curve of his neck, arm wrapping around your waist and keeping a gentle hold at the base of your skull. “you have me wrapped around your finger ‘n you don’t even know it.”

he lets you cry into his neck, dampening the collar of his shirt. but his cologne is soothing and you eventually slump against him. you’re so tired.

his lips graze your temple, his soft touch lulling you to sleep. you’ll talk about it tomorrow, but for now you want to stay wrapped up in his arms, held by someone who genuinely loves you.

#ink by bambi #simon riley #simon ghost riley #simon riley/reader #simon riley/you #simon riley x reader #simon riley x you #simon riley hurt/comfort #simon riley fluff #ghost fluff #ghost imagine #modern warfare imagine

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woahjo · 3 months

Text

The People We Became (Bakugou x Reader)

masterlist | ao3

Pairing: Bakugou x Reader

Summary: Zombie Apocalypse Au.

The world fell apart almost a year ago and you refused to go with it. Left alone and to your own devices in a world full of monsters, where the dead come back to life, you believe that maybe surviving isn't living.

When Katsuki finds you alone in the woods and on the precipice of collapsing from exhaustion, he decides to bring you back to the house his group calls home. Against your better judgement and hesitancy to become attached, you decide to stay. In this world, everyone has lost someone. No soul is spared the violence, and you start sleeping with Bakugou Katsuki to dull the ache. Somehow, peace finds you anyway, but not without sacrifice.

Chapter Content Warnings: fem!reader, gender neutral pronouns, strangers to lovers, violence typical of zombies, blood, gore, romance, slow-ish burn (for the emotional stuff), angst, kissin', questions of identity, loss, grief, graphic depictions of death and/or violence, mentions and descriptions of starvation/exhaustion typical of an apocalypse setting, very slight implications of possible sexual violence typical of an apocalypse setting, derealization, depersonalization, weapons (guns, blades, and traps), loss of identity

All content warnings can be found on ao3 with the rest of the series.

Word Count: 14.4k — 53k total on ao3

A/N: it's finally done... i'm sweating. i screamed. i cried. i bled. you know the drill. i am posting this a little differently than my other fics and series. only the first chapter will be posted here on tumblr (this post), with the rest of it broken up into chapters and posted on ao3.. purely because it was originally meant as a one shot and i don't like posting chapters on tumblr. it's not built for that and im tired. anyway, im nervous this is my new baby and im pretty sure my soul is somewhere in here. if u read this, pls come tell me what you think.. it fuels me. enjoy, cry, sweat, or whatever else you do when you read. as always, thank you and i love you.

Two hundred and seventy six. It’s been two hundred and seventy six days since the world completely went to shit. You don’t really count the initial outbreak. The initial outbreak was relatively contained once people found out about it. You quarantined. You stayed inside. All it really took were a handful of idiots. Someone selfish. Someone who panicked and ran instead of facing the world honorably, and that was it. It only took days to lose almost every semblance of a normal life and a week to lose everything else.

The light of your fire is dim, embers burning low as you sit in a foldable chair beside it. The chair is from a friend, someone you’re not with anymore and who went somewhere you couldn’t follow, and you've got a metal spatula in your hand. You're not sure why you grabbed it when you fled, but panic does weird things to the mind. You absentmindedly wonder why you’ve brought it along with you all this time. There’s no logical reason for you to tote the thing around. A friend had told you how strange it was that you thought to toss it into your bag and continue carrying it. This, along with a few other oddities, are all you managed to take from your house when the world fell to ruin. Everything else are things scavenged along the way or from people you'd met, joined, and lost.

Maybe it’s because the spatula is somewhat normal, like somehow when you cook the game on your makeshift tin over your shitty fire, you can pretend you’re in your kitchen. A smash burger sounds good right now, with grilled onions on a brioche bun like the ones from the place by your apartment.

The night is near silent and trees creak and crack like the hulls of great ships under heavy pressure, but the birds don't sing and nothing in the crowded wood you're taking shelter in makes a sound. Well, except for you and the gentle crackle of your fire.

It’s easy to miss the noise that used to irritate you when the world goes quiet. You used to hate the sounds and lights of passing trucks when they’d cross on the street below your apartment window. Now, you’d do anything for the familiar comfort. The world is so dark and quiet, like it’s holding its breath and waiting for this to be over. The silence is almost too much, so loud that it hurts your ears. You huddle closer to the fire, craving its quiet sound. Focusing on it lessens the anxiety of the other noises. The ones you don’t want to hear.

Your head is on a swivel. It has been for months. Ever since the outbreak, ever since the dead rose and began consuming and infecting the living, you've kept watch. A paranoid, never ending cycle that you suppose—if left on your own—will burn itself out. You swallow thick and return your attention to the fire, watching the tree line just in front of you for any hint of movement or monsters.

A branch cracks just behind you. A swift sound, followed by rapid footsteps. You stand, quickly turning your head, only to see a figure a few feet away from you. They move quickly and the dancing light of the fire obscures their features from view. Their eyes, most importantly. You can always tell if someone is dead or alive based on their eyes and the sounds that their joints make. In this light, should this stranger have that milky white film over them, you wouldn't be able to tell.

You make a small noise, something between a whimper and a shout, as the person comes to a stop in front of you and holds a flashlight directly into your face. You squint, panic in your veins as your eyes adjust as best they can to the sudden assault. It takes you a moment to realize that there is a gun pointed directly at your forehead. The living. This person is alive. You're not sure yet if encountering one of the dead would have been worse.

"Shut up and drop your weapon," he says in a hurried voice. It's aggressive and threatening. It comes from deep in his chest, like somehow fear has gripped and mutilated it into something violent.

You raise your shaky hands to your head quickly at the order, screwing your eyes shut in the beam of the flashlight.

"It's not a weapon!" you shout, voice cracking. "It's a spatula. It's a spatula."

The words are rushed and heavy, fear seizing your chest as you look down the barrel of the gun. The flashlight turns off, sending you back into the dark. Your eyes fight to adjust, catching the firelight that glints off of the barrel, and you begin to makeout the man’s features. He's big, blonde under the grime, you think. A man, not the best thing to encounter alone at night in times like these.

You see him hesitate for a moment, eyes darting between you and the silver kitchen item in your hand. You drop it quickly, hoping to appeal to his humanity.

"Do you have a weapon on you?" he questions, voice a little less urgent.

You shake your head in response and then shakily look beside the chair, choking out the word “ground”. There's a knife there and a pistol with no bullets. You're a poor shot and you had run out of ammo the previous week. He glances at it, the gun still raised at you, and sidesteps to grab the two items. When he does, he cautiously lowers the weapon and you start to lower your trembling hands.

Then, as if struck by some realization, the man stomps towards the fire and you jump as he does.

"The fuck are you doing lighting a fire this late?" he says angrily, opening the clip of your pistol. "And with no fucking bullets. Those things may be dead, but they can still fuckin' see. That's a good way to get yourself killed."

He stomps out the fire as he talks, urgently stamping out what's left of the low-burning logs.

"I didn't think there were many in the area," you justify, furrowing your eyebrows as you step away from him.

"And that's a risk you want to take?" he says indignantly. You wonder briefly what business he has worrying about you.

"What do you want?" you snap, "My food? Weapons? Life? What is it?"

The man scoffs, "Jesus, none of that. I don’t want your shit."

You narrow your eyes and take a step back. One thing this world has done is remove trust from every chance encounter, and that was already hard enough when the place was sane.

"Not all people who camp out in the woods are good," he says. "But I sure as shit didn't expect to find someone like you alone lighting a damn fire. Stupid."

"There were others," you say indignantly, like somehow that makes it better. "Force of habit, I guess."

The man pauses for a moment as understanding passes between the two of you. It's a relatable feeling. Everyone has lost someone now.

"Got a name?" he asks.

You hesitate in giving it to him and the pause causes him to roll his eyes. “You want me to call you Idiot-with-no-bullets instead?”

You give him your name and the man nods as if he likes the sound of it, turning it over in his head before inhaling.

"I'm Katsuki," he furrows his eyebrows. "You're alone?"

You nod, swallowing down the grief that pushes at your throat.

"Wasn't always," you respond, "but yeah. Now, I am."

He nods his understanding.

"Come with me."

"Where?" you say instinctively, a defensive edge to your voice. Katsuki looks at you as if you’re stupid, or maybe it's pity, like you're a wounded animal. Probably both.

"Where the fuck do you think?" he retorts. "We've got a camp a little ways from here. I saw your fire from the watch post we have stationed."

You look at him like he's a little crazy for even thinking to bring you. Kindness, especially the selfless type, is so rare now and you find it difficult to believe that he’s willing to take you there at no cost.

He scoffs and rolls his head over his shoulder. "Look, we've got men and women," then he pauses. "Used to have children. We're not gonna hurt you. World's gone to shit, do you really wanna keep at it alone?"

He's probably right. You've been alone for weeks now, exhausted for longer, and though your common sense tells you not to go off with a strange man in this kind of world, the promise of rest is far too tempting. You nod and glance back to your camp. A measly collection of supplies haphazardly put together. You suppose that it doesn’t look so promising.

"We'll come back for it when it's light," he says. "I don't know about you, but I'd rather not spend longer in these dark ass woods than I have to."

"Okay," you say. The presence of another person both sets you on edge and makes you feel the press of fatigue even more. A gun's barrel on your nose followed by the promise of safety and you're going with him? You must be stupider than a horror movie protagonist. "Do you take in a lot of strays?"

Katsuki looks over his shoulder and you think you see him smile a little at the phrase.

"If that's what you want to call it," he says begrudgingly. Then, with a softer tone of voice, barely noticeable with the quiet whisper you both have been speaking at. "I'm sure the others won't mind one more."

You nod a little and follow him through the wood, stepping over obstacles. Your eyes have adjusted to the dark, but you feel unsteady on your feet. Everything you’ve ever learned about this world tells you that maybe you shouldn’t go with him. What if they’re dangerous? It’s easy to lie about women and children, about a community that doesn’t exist. Or worse, it’s easy to fool yourself that where you are is good, but you don’t know yet if he’s the type to delude himself. He doesn’t seem it.

The two of you walk for what feels like forever, even if it is only a little over half a mile. Your feet have been aching for days and every step you take feels like a blade into the heel. Katsuki seems steady, his gun secured at his hip and a large knife in his dominant hand. He doesn’t have the flashlight out, but he seems sure-footed and takes every step in stride, as if he’s too heavy to be swayed by any missed step.

As you move, you can barely make out his back in the white tank top he wears. You use it as a landmark, following the glowing white as it catches the light from the moon. Like chasing a ghost through the trees.

Then, the wood eases up. The trees grow sparse and the suffocating humidity of the forest eases into a more breathable, open-air breeze. Katsuki steps out into a clearing. It’s relatively small, for how large the world is, but it’s some of the most open space you’ve seen in a while. The feeling of stepping out into the tall grass, where you’re both visible to any wandering thing, sends a rush of fear through you.

By the edge of the clearing, there’s a small house with a short steeple. It almost looks like a Christian church, but you get the sense that it’s likely a barn. That must be the watchtower and you wonder just how good the view of the forest is from up there if Katsuki managed to see the light of your fire. How many other people had seen your fires over the weeks and not made it out to confront you? How close had you come before to safety or annihilation?

"Hey!" a girl's voice calls. "He's back!"

In the near distance, you can see a large and dimly lit house. It looks a little worn down, but soft and hardly noticeable light emanates from it in a way that makes it seem inviting.You can’t make out its exact silhouette and night blurs just how broken-down it is, but you can tell that people live there in the same way you can tell when someone has just left a room.

Someone runs across the field to you both. It looks like a man and a woman, maybe around Katsuki's age. They move quickly through the tall grass and for a moment, the urgency that they move with frightens you. You worry that your presence will ignite some protective sort of panic. You linger back, letting Katsuki grow a little farther from you as they call out to him.

“Yeah, yeah," he half-shouts, no longer seeming to care about keeping quiet. Guess that's what happens when there's a group. "I found the fire I mentioned."

The two come to a stop in front of him, resting their hands on their hips as they catch the breath they lost.

"We started to get a little worried," says the girl. She's pretty, with big eyes and curly hair that looks like it probably used to be dyed. "You've been gone for a while."

"Well, I'm back," he says.

"And you brought a friend," the other man says, sounding shocked. His tone is noticeably kind. The boisterous type of kind and when he smiles, you can see that he has sharp canines. His hair is straight, sticking out in different directions, and tinged with red in this light.

"More like an acquaintance," Katsuki says. “I found them in the woods with a fire and an empty clip. Felt like their blood would be on my hands if I didn’t bring them back.” The red-haired man gives him a telling look and Katsuki scoffs in response and turns to the girl. "Get them settled, Mina, will you?" The girl called Mina nods and Katsuki takes off toward the house without another word.

"You're lucky," she says, pausing when you flinch as she steps closer. "You're gettin' the last solo room in the place. Kirishima, is it set up?"

Kirishima shrugs his shoulders. "You'd have to ask Izuku. He'd know all about that, but I can go check."

Mina shakes her head and turns her attention to you, giving you a quick once over with her eyebrows pulled together.

"You must be tired.”

When you nod, she gives you an empathetic smile and motions for you to come with her. "We'll fix that. You hungry?"

"What do you think?" you manage, saliva pooling in your mouth. "Do you have food?"

"Plenty," she smiles. "not quite enough for leftovers just yet though, don’t tell anyone."

You smile awkwardly. Who on earth would you tell?

"Sounds like a good deal," you say.

You follow Mina up to the house. Around it, there are a few parked cars. They look like they could pull out at any moment, and through the dust covered windows, you can just make out supplies in the back seats as you pass. In the distance, you can see the fuzzy silhouette of the barn you’d assumed was a watchtower in the dark of the field and you figure that maybe it used to be a place to keep livestock.

Mina doesn't say much to you as you pass through the field, and when you walk into the door, the first thing you notice is a large group of people seated at a dining table. They all look up at you when you enter and it's with a bit of shock that you register their faces as healthy. Well, healthier. These people live well. Something stirs in your chest, both anxiety and excitement at the thought of possibly having found somewhere safe. They blink at you for a moment, exchanging looks that all end up landing on Katsuki.

"This is the group. Well, most of us," Mina says pleasantly and with a light huff. "That's Izuku, Denki, Ochako, Sero, and you already know the handsome guy on the end there. Kiri's probably checking to see if the room is half decent.." They all greet you with a glad murmur. "Group, this is..."

She looks at you expectantly. When you tell them your name, you can't help but look at Katsuki who already knows it. He raises his eyebrows unconsciously and turns his attention to the glass in front of him.

There’s an awkward pause as you stand in the doorway, suddenly conscious of just how dirty you must look. Remnants of an older world, you suppose. No one really worries about things like that anymore.

“Uhm…” you search for something to say, but your people skills seem to have left you.

“You’re okay,” Mina says lightly. “Plenty of time to get to know you when you’ve rested and had something to eat.”

Mina sits you down at a chair that she pulls in from the other room. It doesn't match the other ones in the dining room, but you suppose no one is really thinking of the decor in their house anymore. It's only now that you realize the house has electricity.

"You have power?" you say incredulously, looking at the center light in the dining room on its low setting.

"Mhm," Mina hums as she sits down next to you and spoons a helping of vegetables onto your plate. "It's got a generator. We got lucky finding this place. I don't think many of us would be alive if we hadn't."

Those listening in the group nod their affirmation.

"It draws from well water too," she adds. "With the right care, the place practically runs on its own. Hard work but what isn't nowadays?"

“Like you do any of the heavy lifting," Sero scoffs across from her.

"That's not fair," Katsuki adds with a slick smirk, "you know damn well none of our vegetables would be so well socialized if she didn't use them like a damn diary all day."

The group laughs a little and Mina rolls her eyes and sits back in the chair. You avoid looking at anyone, shoveling the food into your mouth. You’re salivating an almost embarrassing amount, struggling to eat at a normal pace. There’s something about food cooked inside, about the way food tastes when you can smell it wafting in from the kitchen.

"Don't worry," she turns to you, as if you’re at all concerned with the implication that she doesn’t do much work, "they know we’d hardly have vegetables at all if it weren't my job to tend them. I used to garden quite a bit before all of this."

Sero tosses her a sideways glance and you get the sense that maybe it isn’t just her doing it.

"Mina does a lot of the garden stuff," Ochako pitches in, her voice hesitant. "We all sort of just do what we can."

You can’t really keep up with the conversation and instead just blink at her for a moment before turning back to your food. Maybe that’s rude, but you don’t have the energy to consider it. There’s food in front of you. Food that doesn’t taste like it’s been poorly slaughtered or rotting in a cabinet for months.

The group at the table with you shifts back into what you feel is their normal conversation and you watch them through your peripheral. You can’t relax yet, maybe you never will. Always on watch with your guard up.

They pass the dishes around the table, plates going from hand to hand over mismatched sets of silverware. The action feels strange to you. Your chest squeezes at the thought. Just a few weeks ago, you’d done this around a fire with the people you loved. You’d passed a too-hot-to-touch pot around a circle of friends, laughing quietly at the little moments of joy you could find. It feels far away now and jealousy rouses beside hope as you sit.

“So, where did you come from?” Izuku at the end of the table asks.

It takes you a moment to realize that he’s talking to you and there’s an edge to his voice that has everyone at the table sitting up with curiosity. You stare at him for a moment, exhausted and defeated and unable to muster the words.

“Leave them be,” Katsuki says, looking up from his plate. “They just got here. They’re probably freaked out.”

The table goes a little quiet, a hush falling over it. You look around as glances are exchanged before Mina stands up quickly and quietly claps her hands together.

“I think,” she says with an awkward laugh, “it may be time for bed.”

Mina turns to you. “I’ll show you where you can sleep.”

You nod, standing up and turning to the group with furrowed eyebrows. You want to thank them, to tell them that you’re grateful for the meal and their kindness, but the words don’t come. Instead, you meet Katsuki’s gaze, grateful for the intervention, but suspicious at such forthcoming kindness. He scoffs a little and turns away.

—

“It’s just up here,” Mina says as she guides you through the house.

You pass rooms with their doors ajar. They are lived in, with unmade beds and glasses of clean water on nightstands. It’s like something out of a life gone by, with a few less amenities. You can imagine a family moving through this house. Girls in school uniforms calling through the halls about a stolen hair clip. Now, you picture these people doing that. Living and not just surviving.

“The bathroom is across the hall,” she says. “You can take a shower if you want. I’ll leave a towel and some clothes in there just in case.”

You nod.

“No worries if you don’t,” Mina adds in a whisper. “When I first met everyone, I didn’t undress to bathe for days so… take your time. We won’t be offended.”

She shuts the door behind her when she leaves and you stumble back onto the bed, shocked by just how soft it feels after spending weeks on the floor. It’s not much, but it’s nicer than anything you’ve experienced in the last nine months, and there's a working shower. You haven’t had a shower since everything fell apart and the layer of grime on your skin is so thick that you can feel it. You haven’t felt safe enough to properly wash since you’d lost the rest of your group, only stopping to rinse your body in streams you pass if the thought occurred to you. The idea of running water and a shower is near euphoric.

You probably shouldn’t. It may not be wise to shower tonight. You still don’t know these people or what they’re capable of, but the temptation of being clean is too great and as soon as you hear Mina close the bathroom door and walk away, you hurry across the hall on the balls of your feet.

The bathroom looks old and the sink is white porcelain, eggshell now with a lack of care. The shower has a bathtub in it and though it’s cloudy, there’s a mirror over the sink where you catch the first clear glimpse you’ve had of yourself in weeks.

You don’t know who you’re looking at. The person in the mirror is nearly unrecognizable. Their eyes are wide and frightened, wild like an animal’s, and their face is covered in a layer of grime that looks like it can never be washed out. Their hair is unruly, sticking out in some areas and matted down with blood in others. This is a person you’ve never seen or met before. Someone you would have avoided only a year ago if you’d ever encountered them.

You reach up to touch your face, running your hand over the dried blood that has made a home on the underside of your jaw. How long has it been there? Have you always looked so unwell? So sick in mind and body? The promise of a shower grows unbearably pleasant.

The knob squeaks when you turn it, screeching as the pipes hum and clang to life. Water spits out in a few bursts before raining down from the faucet and hitting the back of the tub in a steady thrum. It sounds a little bit like music to you, constant and heavy, and it gives the impression of normalcy as you begin undressing.

The fabric of your clothes sticks to your skin, peeling from your body in an unbearable and disgusting way. You don’t look at your body in the mirror. In fact, you avoid it entirely. Not recognizing your face was enough, but your body—a part of yourself you never really recognized—would drive you over the edge.

Then, you pull the shower curtain back and stick your hand under the water, stepping into it fully with a deep sigh. The water is lukewarm. They probably turned off the heater to conserve power and allow the main generator to function for longer. That’s fine. Beggars can’t be choosers and everyone is a beggar nowadays. Besides, it’s warm enough outside that the water isn’t too cold as it is. In the winter, you probably wouldn’t be able to shower and the pipes might freeze entirely until the following spring.

There’s a normalcy that you settle into as you wash your body. You return to muscle memory, running your hands over your skin and scrubbing the grime out. It’s simultaneously like the first shower of your life and as if you’ve been doing it every day. You return to a state of pleasant, familiar humanity as you wash away dirt that has built up for weeks. You feel as it pours off of you, see it run down your body onto the porcelain of the tub and swirl down the drain. It’s dirt and dried blood that has been caked onto your skin. You worry that even after washing, it will leave a permanent mark.

The person in the mirror when you get out of the shower is in stark contrast to the person who went into it. They’re someone that you recognize. You could almost convince yourself that nothing ever changed. Your water-soaked skin is so familiar to you, that you could be getting out of the shower and dressing to go to work. If it weren’t for the look in your eyes, you could have fooled yourself. Something undefinable has changed in you, something that you will carry with you forever. You glance at yourself in the foggy mirror and think that there is no going back.

The house is quiet when you dry yourself and open the bathroom door. You step across the hall on the balls of your feet, careful not to make any noise, and when you push the bedroom door open, you do a visual sweep to make sure that it’s safe out of habit.

Your body is exhausted. You are so thoroughly tired that you think you could collapse at any moment, but when you sit down on the bed in your fresh clothes, you find yourself restless. This place is new to you and you’re unsure if the safe feeling is your mind playing desperate tricks on you or the real thing. The lamp by your bed is on, casting a yellow glow across the bedsheets and the dark wood furniture. Come to think of it, you didn’t get a good look at the house when you came in and the thought starts to bother you as you stare at the closed door to the hallway.

Someone could be behind it. They could be waiting for you to lay down, to sleep, before doing something awful. You almost feel guilty for thinking this way about them. They’ve fed you, given you a shower, given you fresh clothes. Luxuries you weren’t sure even existed anymore, yet you’re sitting here doubting them, wishing you had your pistol or knife.

The bedroom door creaks as you open it. You wince, nervous that you’ve disturbed the quiet peace of the house and that everything will come crashing down as quickly as it seemed to come together. The hallway is dark, save for some light coming from under two doors at the end of the hall. One of them turns out as you creep past it to the stairs, and you hear the distinct sound of box springs squeaking as someone crawls into bed. You let go of the breath you’d been holding, straightening up as you relax into the late-night environment.

The house looks old even from the inside. It gives the impression of having once been dirty and in near disrepair. There are dust stains and dull spots that no amount of scrubbing could get out. You can almost picture how this place may have looked when they found it and it’s entirely possible that it had been abandoned before the actual outbreak. Someone run out of their home for lack of money. What a trivial thing now.

The stairs are sturdy, probably held together so well by the foundation of the house, and they’re made of dark wood. They’re steep too, the kind that a baby or old person might trip over, and you hold the railing to calm the shaking of your legs as you slowly feel your way down. You can see the light on in the kitchen from around the corner, spreading out onto the floor of the old fashioned drawing room. Dishes clink in the kitchen, like someone is washing them, and you jump a little at the noise as you creep around the corner.

Kirishima is standing at the sink with his back to you, whispering something to someone beside him. The expanse of his back is broad, moving every time he goes to run his hand over the dish in front of him. Then, he turns to look at you and you see Mina pop her head around the corner.

“Oh,” Kiri says, “did you need something?”

You shake your head. “Not really, I just couldn’t sleep.”

Kiri nods sympathetically as if he knows the feeling. “Well, you look like you feel a little better at least.”

You pad over to where he’s doing the dishes and Mina offers you a soft smile and a knowing look. It all seems so normal. Doing the dishes, whispering quietly as they do. Something about it screams a kind of humanity you haven’t experienced in a long while, even with your last group.

“Are you sure we can’t get you something?” Mina says, furrowing her brows.

“Why are you all being so nice to me?” You ask. “You don’t know the first thing about me.”

“Is there some reason why we shouldn’t be nice to you?” Kiri says over his shoulder.

“No,” you shake your head. “I just think it’s reckless, that’s all. I could have been anyone.”

Kirishima and Mina exchange a look. They glance at each other, like they’re debating on saying something, and then Kiri turns and rests his palms on the back of the sink. He looks at Mina.

“We don’t usually decide to do this so quickly,” she admits. “We’re friendly, but nobody’s that friendly anymore.”

Kiri nods his agreement and you listen quietly, trying to determine if they plan to toss you back out into the woods in the morning.

“But, Katsuki doesn’t usually bring people in,” she continues.

“He’s a little more closed off than the rest of us,” Kirishima adds. “He’s a good guy, just takes a while to warm up, is all.”

“Mhm,” Mina says.

“What does that have to do with me?” you ask. “This is nice and all, but I’m sure you get why I’m wary.”

“He’s a good judge of character,” Kiri adds earnestly. “He doesn’t bring people in often, but when he does, he’s usually right.”

You nod, not quite understanding. Sure, you don’t plan to do anything terrible. In fact, you’re content to accept their kindness and stay, if they’d let you. Anything is better than being alone, but their blind trust in one man’s judgment of character makes you uneasy.

“He was alone for a really long time,” Mina adds. “A lot of us were. I got lucky meeting Kirishima early on, but Katsuki’s luck was a little less fortuitous.”

“So you all just… happened upon each other by chance?” You ask.

“Yeah, pretty much,” Mina says. “It was me and Kiri for a long time. Just the two of us. We’d found Izuku and Katsuki together a while later, but they didn’t seem to like each other all that much. We still haven’t really figured that out, especially because they’re so close now. Ochako and Sero ended up cornered together by accident. We found them just before we found this place, and Denki just sort of showed up here one day and promised to fix the generator in exchange for safety. That was months ago. We’ve been like this since.”

“So you’re all strays,” you say and Mina laughs a little and looks at Kiri.

“Sure,” she says. “We’re all strays. There were others too. Shoji. Jirou. She was Denki’s girlfriend.”

“I’m sorry,” you say with a frown. It feels pointless to apologize for the dead, if you get caught up in it, you’d be apologizing forever.

“Don’t be,” Kiri adds. “But best not to bring her up. It was pretty recent and Denki’s only just started to get over it.”

You swallow thick and nod a little.

“Anyway,” Mina says, “we can’t really explain it. We just trust him. We trust Katsuki. That’s all.”

“Hm,” you hum, understanding that to a degree.

You trusted the people in your group. If they believed in someone, you were willing to as well, so you suppose you can understand a little where they’re coming from.

“What are you talking about,” Katsuki rounds the corner, walking into the kitchen and putting his water bottle under the sink.

“Nothing really,” Mina says.

Katsuki furrows his eyebrows and then looks at you. He gives you a once over, taking in your new clothing before scoffing lightly.

“Don’t you look cozy,” he says. “You get settled?”

“When can I go get my stuff?” You ask.

“Someone’s eager,” he says through lightly gritted teeth. “Didn’t I tell ya we could go in the morning? Besides, what’s there really to miss in that lot of junk?”

“Katsuki!” Mina quietly chides.

“I have things I care about there,” you say. “Things I’m not ready to lose.”

Katsuki blinks at you for a second before swearing under his breath. “We’ll leave when you get up in the morning.”

“You don’t have to come with me,” you say, frowning a bit at his sour attitude.

“Like hell,” he scoffs. “What if the dead are waiting back there for you?”

“I made it this far on my own,” you respond.

Katsuki nods for a second. “I’m going. Come find me in the morning.”

He walks off and around the corner. You hear him go up the stairs, followed by the distinct click of a bedroom door shutting.

“Don’t pay too much attention to that,” Mina says. “It’s past his bedtime.”

“You’ll get used to him,” Kiri adds.

“Right,” you say, swallowing down your frustration in favor of trying to be appreciative of the help. You sway on your feet a little and then steady yourself. “I’m going to go to sleep. Thank you for the meal and the bed.”

Mina and Kiri nod, but you don’t stick around to hear a response. Fatigue creeps up on you. It ambushes your senses and you go from feeling dream-like to delusional in a matter of moments. You make your way up the stairs, your body feeling heavy as lead, and wobble your way into the bedroom they’re letting you stay in.

When your head hits the pillow, you’re out. The world around you fades to dark and just before you sleep, you swear that you can hear the sounds of cars passing on the highway. A busy night, Saturday maybe, and people go about their daily lives outside of the window the way that they always have. They live, never the wiser to just how quickly things fall apart and how little it takes for our humanity to leave us.

—

Mornings in this place are boisterous. The sun coming through the lone window in your room wakes you up and you can hear the calls of busy people getting to work outside. There are voices from the porch out front that your window looks over and though you can’t see them, you get the sense that they’re having a pleasant conversation.

As you rouse, you come to the realization of just how exhausted you’d really been. They probably saved your life by bringing you to this place, feeding you, and offering you a bed. In hindsight, it’s easy to see just how little you had left in you. You get the sense now that you’d been running on an empty tank for days, slowly coming to an inglorious, gruesome, sputtering stop.

Things seem a little clearer, like the sunlight is somehow less bleak than it had been the days previous and you feel a little bit like you have a new lease on life. There are no big emotions, no swells of hope or humanity just yet, and you dread the moment you are rested enough to let grief consume you. Right now, you can’t feel it, but there is a fear in you that as you get to know these people who live relatively beautifully in an ugly world, it will weigh you down so much that you’ll never be able to outrun it.

You wonder if they’ll let you stay. They very well may not, even with the way they were talking last night. Strangers are more dangerous than they’ve ever been and if they ask you whether or not you’ve killed someone, you refuse to lie to them. Sitting up on the bed, you mull over the very real possibility that you could be back out there on your own again in a matter of days and you don’t even have that many good acts under your belt to plead your case. You’re just a person and you’ve done what you needed to in order to survive. Now, you’re not sure if that’s enough.

You swallow thick, wandering over to the mirror on the dresser. It’s fogged, though less than the bathroom mirror, and you can make out your features a little better than you could last night. You feel a bit more sane, though you still don’t recognize the frightful and distrustful look in your eyes. Like a wounded animal. Inside your head, you acknowledge that you are completely different from the person you were two hundred and seventy seven days ago.

The voices grow louder as you climb down the stairs, more secure on your feet than you felt last night. You can hear them talking about the generator, as well as a name you don’t recognize.

“He should be back by now,” a woman says. “Shoto’s never gone longer than a day or two, max.”

“We shouldn’t jump to conclusions,” another woman says with a worried bite in her voice. Mina, maybe? “We’re only a few hours into the day. He probably got holed up somewhere.”

“Someone needs to go look for him,” a man says.

“And what? Risk getting yourself killed?” the first woman says. “No, it doesn’t make sense. We need you here.”

“You’d rather we leave him to die on his own?”

“No one’s fuckin’ dying.”

You recognize Katsuki’s voice.

“He’s perfectly capable of going on a gasoline run,” he continues. “He’s done it before.”

“I should have gone with him,” says the same woman.

“On that leg? You wouldn’t have made it halfway to town, let alone there and back,” his voice raises a little. “Don’t be stupid. He’ll be back.”

You clear your throat and step around the corner. The group turns to face you quickly at the sound, their eyes wide for a moment before relaxing. You can’t sneak up on anyone nowadays.

“Sorry,” you say, “I didn’t mean to eavesdrop. Is everything okay?”

It’s not your business, but you ask anyway, wondering for yourself about the safety of Shoto.

“Fine,” Izuku says, shaking his head. You recognize him to be the one who'd vouched for going after their friend. Katsuki takes a step away from the broad man as he says this. “Nothing for you to worry about. Did you rest?”

Izuku smiles gently at you, his chest inflating a little at the question. The movement broadens his shoulders and you realize that he stands almost a head taller than Katsuki. You look briefly between the two of them before nodding.

“I did,” you say. “Thank you.”

“Nothing wrong with a little hospitality now and then,” he smiles and you can’t help but furrow your eyebrows at the distinct hesitance in his voice.

“I don’t think we’ve met,” the woman standing across from Izuku says. “I’m Momo. Sorry I wasn’t there to meet you last night. I’ve been a little under the weather.”

You introduce yourself to her and glance down at her leg. Her ankle is swollen and wrapped in a bandage. Her sneaker laces are untied at the top to make room for the swelling and you can see that she’s guarding that side of her leg.

“Is it…?” you grimace, taking an instinctive step away from her. You almost feel bad for it, but sometimes good people make bad decisions when loved ones get bit.

“No,” she says quickly, “no, it isn’t. Caught an edge in an old chain link fence on the property a couple days back.”

Momo smiles slightly at you as if to reassure you. She’s really beautiful, with thick dark hair pulled back into a somewhat messy ponytail. Her eyes are bright, like she’s engaged in lively conversation, and you find yourself feeling a little sad for her. She’ll need medicine soon, if they can get it. Infections set in easily these days and you get the sense that even she knows that she may not have long without it. Maybe that’s something else their friend Shoto set out to find.

“I assume you’ll be wanting to go get your supplies?” Katsuki says, cutting the conversation short. Maybe he could sense the sour turn of thoughts.

“Ready when you are,” you respond with a nod.

Katsuki glances at Izuku, who gives him a slightly disapproving look.

“Someone get them something to eat,” Katsuki says. “...I’ll get my shit ready.”

“Fig jam…” Mina mumbles as she motions for you to follow her to the kitchen.

You oblige her, not exactly jumping to turn down a meal. She walks you into the kitchen and opens up a cabinet, where she pulls out a jar filled with a dark and seed filled paste. It’s a jam, sealed in a jar that looks older than what’s inside of it. The seal breaks open with a pleasant pop.

“This stuff is so good,” she says to you over her shoulder, pulling out a package of crackers that have likely gone stale. “You won’t believe it.”

She spreads the jam on a few crackers and sets it in front of you on a plate, pushing it across the counter towards you.

“It’s fig jam,” she says with a smile. “Homemade.”

You look down at the plate, your mouth watering at the prospect of something sweet like this. It’s been so long since you've had fresh jam. It could be as long as 10 years. You don’t think you’ve had it since you were a kid, when jam came easily and you preferred the processed brands at the supermarket to the ones your mom used to make sometimes.

You raise the cracker to your mouth and stuff it in with little grace. The sweetness spreads across your tongue as soon as you bite into the stale cracker. It fizzes and pops almost, the sugar melting across your tongue as the seeds crack softly between your teeth. The smile that hits your face is completely involuntary and though you know that nine months ago, this jam wouldn’t have been much, today it is something extraordinary.

Mina nods a kind of girlish agreement, like the way people used to when they had their friend try something at their favorite restaurant.

“We got here in the fall. I want to say late October or early November?” she offers. “We were starving and there wasn’t enough food to feed all of us. By that time there were like… nine of us.”

You listen as you eat your crackers.

“This place was in such an awful state,” she laughs. “I mean, really terrible. But, it was big and there was a fig tree in the back. A little thing, probably only a few years old and it had fruit on it. We ate so many of them that if the world were normal, we’d have sworn off of them forever. When we realized that the house actually had some old food in it,” she interrupts herself “-nothing good, canned stuff mostly- we decided to jar up the rest of the figs so that they didn’t rot.”

She smiles at you like it’s a pleasant memory, but you can only think about how hungry they must have been. Your stomach growls as you eat.

“I know it doesn’t sound like much,” she says, “but for some reason it’s a really nice memory. Honestly, we’re lucky we didn’t die.”

Mina laughs a little.

“I mean,” she continues, “we didn’t even clear the area before we started pulling at the figs and throwing them into our mouths.”

You tilt your head at her and furrow your eyebrows with a small smile.

“You’re really forthcoming with information.”

“You just seem a little hesitant, is all,” she answers.

“Can you blame me?”

Mina shrugs her shoulders but doesn’t really offer an answer. You assume it’s because she can’t, because Mina has the same doubts everyone carries with them in this world. All of the what ifs people would think about before they slept have become more prevalent than anyone would have ever liked.

“The jam is good,” you say, trying to be friendly in the same way she is. “Even if it is months old.”

“Things keep well in jars,” Mina defends softly, smiling a little as she gets another out of you.

This place feels like a little slice of paradise. A blessing from whoever lived here before and kept a garden stocked with vegetables. From someone who lived in an old house with stables and well-water, who kept canned food past its expiration date. It feels almost too good to be true, like these people live in a bubble bound to pop.

“You ready?” Katsuki thuds into the kitchen with an empty backpack slung over his shoulder.

You turn, startled by his sudden appearance and nod as you quickly finish chewing the last cracker. Katsuki furrows his eyebrows as he watches the way you scarf it down.

When you stand from the table, Katsuki turns on his heel to make for the front door and you follow with a light step. Mina says something about staying safe, but you don’t respond, glancing once over your shoulder at the girl.

It’s strange, the world has made you wishy-washy and uncommitted. You never used to be like that, never so distrusting as to second guess someone’s kindness the moment your back is turned to them, and you’re certainly not the type to be friendly one moment and closed off the next. Now though, you find that doubt creeps in easily through cracks and any foundation that didn’t exist before, seems to be swallowed before you can finish building it.

Katsuki leads you back across the small clearing you’d come through the night before. It looks different in the day, almost romantic, and it lacks any of the ominous feeling it had the previous evening. He steps over mounds in the dirt from moles and gophers that have made lawns their new home and you try to mimic his steps, sinking occasionally into a particularly soft patch of dirt. Every now and then, Katsuki glances behind him to check that you’re still there and you offer him a forced smile that he never returns.

You catch up to him when you hit the trees, sticking close at his side like something will come and take you away if you’re not. It’s unintentional, but you don’t have a weapon on you. Your knife is back at your makeshift camp, along with the unloaded pistol and your trusty spatula.

“How do you know where we’re going?” You ask in a whisper.

Katsuki tosses a look at you over his shoulder. “I’m good with directions.”

His tone is clipped, like he’s pissed about something, and your expression sours at it. Sure, you get it but it irritates you to some small degree. You hadn’t asked him to come along. In fact, you’d have been fine getting back here to collect your stuff on your own. You’d have asked for a knife and set out without a second thought, if only because being alone in the woods with some guy was less preferable than doing it by yourself. Of course, some guy also probably saved your life, but you’re not quite ready to relinquish your trust completely.

“Thanks for coming,” you decide. A peace offering.

Katsuki doesn’t answer and you furrow your brows a little bit. You wonder if he’s always been like this or if the end of the world brought on the loss of his manners.

Then, he stops, taking you by the arm and pulling you down beside a bush. You gasp and he puts his hand over your mouth to silence you. There’s the urge to bite him, to catch the fleshy bit connecting his thumb and pointer finger between your teeth and bite down till he bleeds, but you stop when you catch what he’s looking at.

Two of the living dead crouch by a tree, clicking their tongues as they eat something just out of sight. You furrow your eyebrows, eyes widening at the horror of it. For some reason, seeing them always brings about a round of momentary shock. You’ve yet to let go of the hounding thought that they used to be people and sometimes have to reorient yourself to the world you’re in now.

You catch Katsuki’s eye behind you, his calloused hand still clasped over your mouth, and nod your head. It’s a silent communication that you’ve seen what he has and he removes his palm from your face to grab a knife tucked into his belt, passing it to you quickly.

The two infected haven’t noticed the two of you yet, but they will soon, if only by the smell of your flesh which has yet to rot. You hear Katsuki let out a breath, as if to calm his heart, and do the same. There’s time to look at them like this and you’re struck by how human you can pretend they are in your head. Well, you suppose they were human once, now they’re a disease using someone’s skin as a mask.

Infected people aren’t quick, that’s one thing to be grateful for. Back when the outbreak first started, the CDC had released information on what to look out for in those who might have contracted the virus. The first was obviously a bite wound from another infected person, but you can tell from other symptoms. Early symptoms are average. Body aches, fever, lethargy, and delirium. All things you might see with a nasty flu. Then, infection of the wound site, twitching, foggy eyes—like low-grade cataracts—that develop within a matter of hours or days, severe disorientation, aversion to food, insomnia, with the final symptom being a coma that no one ever wakes up as themselves from.

These are the symptoms that people are conscious for. The ones they feel. The sickness that people tried to nurse others back from. There is no coming back though, not alive at the very least. The virus attacks the nerves throughout the brain and body, that’s what causes the twitching and convulsions. It’s what ultimately kills us, and it's what they think causes the bodies to come back.

Most infected will crack when they move. It’s the cartilage breaking down as the bones grind together and crack as they’re weakened from the marrow out. They twitch like rabid animals, unable to keep masterful control of their bodies because they are run like puppets from the brain stem. You don’t know if they think. If somehow the people they used to be are still in there, unable to stop themselves from consuming and spreading the virus to others. All you really know is that they twitch and click, functions of the brain that still remain. Tiny impulses sent through the synapses. You imagine it to be like the way you twitch when you sleep, an arm here or a leg there, the way someone might call out with their voice to a room with no one in it.

Maybe the infected think they’re dreaming. A nightmare that they never wake up from, like those of us who have to put them down. You could see it as a mercy from that perspective. You have an easier time rationalizing putting a knife in someone’s skull if you convince yourself that they’re silently begging for it.

Katsuki shifts his weight and looks at you. He mouths the words no guns and you nod, briefly wondering where the fuck he thinks you could have gotten a gun from.

Then, you kick off and run with Katsuki towards the infected. They don’t really have time to begin moving towards you both. You’re faster than them, but you hear the crack of their legs as they stand from their crouched positions, pulled in at the idea of their next meal.

Katsuki takes the farther one, sinking the knife into the soft spot of its temple with relative ease. You switch yourself off and take the one closest only a few moments later, sending your blade through the top of its skull. That happens to you when you have to do this. You turn yourself off for a bit, just so that you don’t have to remember the way it feels to hit the soft part of someone’s brain. You didn’t used to do that, only starting when you realized that there’s no going through this world anymore without it.

Katsuki wipes the blood on his pants. It’s brown, no longer oxygenated, and the area around you begins to reek. You notice, but for some reason the smell of decomposition doesn’t register in your brain and you continue on behind him.

There are a few beats of silence, save for twigs breaking under your feet, before Katsuki speaks up.

“You okay?” It’s barely above a whisper and you wouldn’t have caught it were you not listening for the distinctive crack of human bones.

“Yeah,” you say, continuing forward.

The campsite rounds into view and in this light, with your full night’s sleep under your belt, you can see just how pitiful it looks. A tent that you’d hastily put up before nightfall, the remains of your stamped out fire, the folding chair which has since been knocked over, and your weapons on the floor covered by a few leaves disturbed by the wind.

You snatch them up and move to grab your backpack out of the tent. The inside is shitty too and your torn sleeping bag hadn’t even been rolled out yet. You pick up the bag, returning to the folding chair as Katsuki begins to take down the tent. The polyester and nylon blend zips together as he makes quick work of folding it. Then, he kicks some dry brush over the remains of the fire, like he’s covering your tracks.

“The next person that comes through here might not be alone,” he says plainly. “And they may have more bullets than you did.”

“Right,” you respond. Your voice sounds a little far off and you settle your backpack on your shoulder in one quick motion.

“Got everything?”

You nod, following him as he heads out in the direction you both came from. The two of you pass the bodies of the infected you’d killed. The smell has permeated the air, lingering like how it does in cities, only less pungent. Their fogged eyes stare blankly at nothing, expressions plain and unreadable. You pass and try not to think much about it.

Katsuki is a few feet ahead of you and he doesn’t glance back to make sure you’re following. You could leave now and never get attached to these people. You could head off in another direction and never have to think twice about it. No more worrying about who you could lose, about who’s next to become one of the sick masses. Just you by yourself. Then, when you finally kick the can, someone else can put you down the way you did to those strangers.

Is there really a point to it anymore? To community or living in general. No one is as they once were. Does that make it fantasy to live in their beautiful bubble? Could you even find it in yourself to pretend again, to make nice and play house in that place? They saved your life, sure. They fed you, clothed you, bathed you, but for what point? Tomorrow, you could end up back in the woods, lighting fires with twigs you found in the brush, paranoid that someone would find you or the fire would spread.

You watch Katsuki’s back as he moves, shoulders shifting with each step. His shirt is stained, white turned eggshell from the wear and tear of time. It seems so off to you that he looks relatively clean, like he lives well.

Fear strikes you as you realize that your rambling thoughts have merit. Anything you fear now has become real and loss is so tangible to you that you can squeeze it in your hand. They could turn you out. Tomorrow night you could begin the starve and step all over again, moving from place to place, talking to yourself, filling your hours with paranoid thoughts like these that plague you when you’re alone. Is that worse than loss? If you’re alone long enough, you’d probably forget what you’re missing. Losing anyone else could make the wound fresh. For now, the hunger wins out.

Katsuki jogs ahead of you to get to the house. Momo is on the porch waving him in and he hurries up the steps and bursts through the front door. As you approach, you can hear voices, some of which are relieved, others hurried. When you enter the room, you find a man standing there whom you’ve never seen before, Shoto maybe.

“A plus one,” the man looks up, tilting his head at you in an odd way.

“Katsuki’s,” Kiri says with a low smirk.

Shoto’s eyes widen as he peers at his friend, clutching what looks like an injured shoulder. Katsuki just huffs his irritation.

“Well, that’s rare,” Shoto says.

“What’s rare?” Katsuki spits. “They were in the woods with a fire. What was I supposed to do? Let ‘em die?”

“Maybe,” Shoto says, a light smile creeping onto his features. Then, he turns to you. “What’s your name?”

You give it to him and he nods his head, tilting it at you again.

“How long are you staying?”

You’re not sure how to answer that question. In fact, no one is, and it feels like more of a test than it does a genuine inquiry. Kiri and Mina exchange a glance and Katsuki tosses a somewhat dirty look towards Shoto. Ochako gives Shoto a knowing glance and Sero and Denki shift uncomfortably on their feet. Then, Momo clears her throat, spurring Izuku to say something.

“Shoto,” he says. “You’re probably hungry, you should eat something and lay down. Ochako? Could you take a look at his shoulder?”

“Sure,” the girl says softly, giving a closed mouth smile to Shoto as she takes him by the arm.

She glances at you as she passes, almost like she’s too embarrassed to look at you fully in the face. You suppose this is what happens when people are forced to think about whether or not they will potentially leave someone else to die. It’s like the trolley cart question and though in this case there is always the possibility of a better outcome, it’s not likely in this world.

“Just until I’m rested,” you add with a small tilt of your head. “A few days.”

Shoto looks at you over his shoulder and gives you a small smile. It’s funny, you can see kindness there. His actions aren’t kind, but you can feel that he has kindness in him, though his rudeness stems from something different than Katsuki’s, you think. Like he’s strange in some way.

“I’ll start on dinner,” Sero says. “Kiri, give me a hand.”

The group disperses and you head upstairs without speaking to anyone else. A few days to rest and then cut the first people you’ve spoken to in weeks loose. What sort of idiot gives up something like this to avoid a little awkwardness? Not that you necessarily had your mind made up. You wonder briefly if you’ve just sealed your own tomb.

—

After dinner, you go upstairs to sleep after eating as much as they would offer you. Your stomach has ceased its constant growling and the shakiness that comes with hunger has receded almost entirely into the background. The bed is soft, with a slight dent in it from whoever slept in here before. The thought unsettles you that they’re probably dead now, but you try to push it from your mind as you steel yourself for what comes within the next few days.

You had volunteered yourself to leave. To what? Save yourself the embarrassment of pleading? Did you even want to plead? Why are you regretting not asking to stay? These people don’t know you, what trust can you have built with them in only a few days? Your skin crawls at the expanse of possibilities in front of you after so many weeks without any.

You think that if you let yourself walk away, you’ll probably die. You’re out of bullets and don’t know where to find any food except by luck. You can try to catch prey, but prey hides whenever infected are around, and they’re everywhere nowadays. It’s spring, water wouldn’t be a problem, but running water has its clear comforts. Then, there’s the possibility of loss. You’d come to care for these people if you stayed, you know it.

You furrow your eyebrows and look at the ceiling. There’s really no choice to be made. You’ll let them make it for you, even if you don’t know them. It’s their house and you won’t walk in uninvited or try to take it. You’re not about to become a monster just because the world is full of them now.

The darkness grows and your eyes drift to the dim light wandering in under the crack of the door. Hushed voices whisper in the living room, you can hear them. It’s a heated discussion, lively, but deliberately quiet. It’s been hours since everyone went to bed, yet you get the impression that many people are chiming in. You’re too nosey to leave it be.

You open the bedroom door silently, turning the cool knob with a wince as it clicks out of place. When you peer into the hallway, every upstairs bedroom door is open with the room empty. The light is coming from down stairs and around the corner, and you can see shadows move as you inch closer to the source.

You pause at the top of the stairs, knowing that they creak, and crouch by the bannister to listen. You’re out of sight. The only way they’d know you’re listening is if you made a sound, but you won’t. You’re good at being quiet.

“We don’t even know them,” someone says in a rushed whisper. “We don’t know what they’ve done before.”

“Everyone’s done things they’re not proud of now, Shoto,” a woman adds. It’s Mina. She’s spoken enough to you that you recognize her voice.

“I agree with Shoto,” says another woman, her voice higher pitched. She sounds guilty and her voice is tight as she speaks “We have no clue who they are. They could be dangerous.”

“You mean like me, Ochako?” A man adds. “I could have been dangerous.”

The group grows quiet for a moment.

“No,” Momo says. You recognize the cadence of her voice. “Shoto might be right, Denki. It’s been nearly six months since you got here and the world has changed a lot. We don’t- we can’t know for sure.”

“Can we really know anything for sure?” Another man adds, Kiri.

“What about you guys?” Shoto says, presumably to the rest of the group.

“I don’t know.”

“I’m hesitant, but I don’t know either.”

“Jesus,” another man with a baritone voice, harsher than the rest. That’s Katsuki, the first voice you’d heard of the group. “You guys make me a little sick.”

��That’s not fair,” Ochako says.

“No,” he interrupts. “It is fair. You guys want to… what? Send them back out there to die?”

“It’s not like that,” Shoto says.

“It is like that,” he says, raising his voice and then lowering it back to a whisper. “You didn’t see them when they got here, Shoto. They- they didn’t look… shit. The rest of you, you saw them. You really want to send them back out there to fuckin’ waste away? I don’t know about you all, but I won’t do that to a person.”

There’s a pregnant pause.

“Katsuki’s right,” Izuku says with a bit of conviction, like he’s finally made up his mind. “Sending someone out there alone is a death sentence. How does doing that make us any better than the people we’re trying to protect ourselves from?”

“What if there are more of them?” Ochako says quietly. “What if they’re not alone?”

“Trust me,” Katsuki says, “They were alone.”

“But what if they’re not?” She insists at a whisper, a bit of shame creeping into her voice. “What if people come for us?”

“See?” Shoto says gently. “There are so many what-ifs.”

“That works the other way too,” Mina adds.

You don’t listen to hear the rest of their conversation. They’re going to run themselves in circles debating about you. They’ll go around and around and land on whichever argument ends with the most votes. They’ll convince each other of one thing and it will happen totally out of your control.

The bedroom door shuts with a low click that makes you wince again. You think about the people who went to bat for you and the people who didn’t. You don’t blame those who opposed. You’d have probably reacted similarly if your old group were still alive and you understand very clearly why they do it. One person’s stupid reaction can be catastrophic and they don’t know enough about you to be certain that you’re not one of those stupid people. It’s how the world went to shit in the first place and though nine months ago you’d have surely condemned someone for making the same decision, you know that fear has warped humanity beyond comprehension. You didn’t get it until you lived it.

Still, Katsuki’s humanity feels intact somehow, more so than yours at least. His response is something you probably never would have said under the same conditions and you can’t help but feel some sort of fondness bloom in you for him. Call it connection, gratefulness for his willingness to stick his neck out for you, a trauma response. You still feel it. Mina and Kiri had said that Katsuki was a good judge of character and that’s why they were willing to back him. You wonder briefly if maybe Katsuki sees something in you that you don’t recognize in yourself anymore, or maybe something you don’t expect other people to recognize. What is it that he wants so badly to protect?

Someone stomps down the hallway, heavy boots against the old creaky floors. You hear the steps recede down the hallway, maybe a door or two down, before it shuts quickly. The sound makes you wince and you listen as the house grows quiet and then hums quietly with the sound of others coming upstairs a few moments later. Someone pads to the end of the hall, pushing the door open.

You hear a woman’s voice, so muffled that you can’t make out what she’s saying. Then, you hear the sound of a man’s affirmation before the bedroom door shuts and the visitor moves back down the hall to a separate bedroom. Information passing through the house.

Someone is moving around in a room below you and you figure that there are probably bedrooms downstairs as well. From the outside, you’d never guess that the place could house ten people. Inside though, the bedrooms are small. That’s probably why so many can fit. You’d guess that the place used to have multiple generations living in it, or maybe even rented out rooms to people for a few months. It sort of has a boarding house feel to it, like many people have come and gone even before people stopped staying in one place.

That’s a good thing to call it, the boarding house. It certainly has that sort of feel to it, many of its spaces undeniably communal.

You turn over in the bed, facing the bedroom door. The lights have gone out completely now and the house is quiet save for the occasional creak or thud from someone preparing to sleep. It’s been a long while since the sounds of living have been so prevalent near you. You’re eased by the sounds of the house settling, a familiar reminder of what living used to be. Your group had been on the road long before you lost them and the comforts of an interior are almost overwhelmingly nostalgic. You’re better rested to notice it now and shutting your eyes, you savor the feeling.

—

“Need some help?” You say.

Denki turns around, grease smeared across his nose where he likely wiped it with his dirty hands. He’s holding a wrench in a glove so tattered that it hardly counts as a glove anymore. He looks startled, amber eyes widening before he uses his forearm to brush stray hairs out of his face. The rest of it is pulled up into a messy ponytail, revealing the moist back of his neck.

“Oh, sure,” he says, a bit surprised. “Do you know how generators work?”

He crouches back over the machine and you step up behind him.

The machine is rusted near the bottom and between the exposed winding pipes. Its paint has chipped away, leaving the weather-damaged metal open for you to see. On the side, a fan-like piece spins slowly in circles and the machine whirs and sputters softly as it… generates power, probably.

“Not quite, but an extra pair of hands is always helpful,” you say softly, passing him a tool he’d been reaching for. “Did it break?”

“No,” Denki says, “but it’s probably on its last legs. The thing’s almost as old as we are, probably older, so it’s good to tune it up a bunch.”

You hum your agreement, tilting your head as you stand and watch him work.

You’re not necessarily comfortable with Denki, but he feels like a safe person for some reason. Maybe it’s because he’s got a sort of ditzy, non-threatening vibe to him. You can almost distinctly picture him tripping over his own feet and something about that makes you feel considerably safer than someone who wouldn’t. That and he was the first person you’ve come across this morning who you don’t think distrusts you too badly.

“Are you dodging something?” Denki smirks up at you from his crouch.

“Who on earth would I be dodging?” you snort a bit defensively.

“Shoto,” he says with a light smile. “He put you in a tight spot the other day.”

“Yeah, well,” you say, glancing over your shoulder. “It wasn’t anything he didn’t have a right to ask.”

“Right, but it sure was rude, huh?”

Denki laughs to himself a little and you’re surprised by how easygoing he is. You subconsciously begin to categorize him with Mina and Kiri. The dichotomy of this group baffles you a bit, but you can certainly see all nine of them as a collective. Tightly knit and well acquainted with the habits of others.

“Oh!” He exclaims, “I have something you can do for me.”

You tilt your head.

“There’s a bucket over there,” he says, pointing absentmindedly to a shitty plastic bucket against the side of the house. “We use the water from the creek as coolant. It’s not factory grade, but it does the trick. You wanna go fill it up and bring it back for when I’m done tuning this thing up?”

You furrow your eyebrows, not sure where the creek he’s talking about is.

“The creek is just over there,” he points behind the house to the edge of the treeline. “I know you can’t see it from here, but if you walk in a straight line, you’ll hit it. Katsuki should be down there too, so you can use him as a landmark.”

When you don’t immediately answer, Denki whines a little.

“I mean,” he says, “I’d go myself, but-”

“I’ll do it,” you laugh a little and Denki seems surprised that you do.

“Really?”

“Yeah,” you shrug. “I’d like to pull some weight at least while I’m here. Plus, I offered.”

Denki mumbles his pleasure and you walk to the bucket without another word and set off in the direction Denki pointed. You’re much more willing to go out to the treeline now that you have a knife back at your side.

The walk to the trees is longer than it looks, like how sometimes the horizon looks like something you could reach out and climb up onto. The walk stretches with each step you take and you become a little more understanding of why Denki didn’t want to do it himself. But the walk is actually pleasant, the warmth of mid May collecting evenly on your skin as the humidity grows more intense with the sun.

You wonder what Katsuki would be doing by the creek. Maybe he’s fishing, or crouched over himself sharpening an arsenal of knives that you think he might keep in a roll attached to his belt sometimes. You’re not sure why, but Katsuki sort of has that expression to him. He’s handsome, but the scowl projects something hostile that makes him seem unapproachable.

As you cross through the middle of the clearing, you could almost imagine that this is a normal day. Humidity collects on your skin, making you sweat a little as you dodge gopher holes and soft spots of dirt. It almost feels like summer camp, if it weren’t for the looming idea that you’re contributing to something you may not be a part of. Denki’s attitude though, has you hoping for a more favorable outcome, if you want to call it that.

You’re only a few steps into the line of trees when the earth dips into a sand-lined ravine. The trees leave room for the sun to beat down on warmed rocks, making the area seem brighter with their subtle reflection of the light. The noise of the creek drowns out the sound of your footsteps and you shuffle toward where the earth flattens just before the water starts. A little ways to your right, you can see Katsuki sitting on a rock in the sun, his hands dipped into a large bucket. You narrow your eyes as he pulls what looks like a cloth out of the water, rubbing the fabric together before dipping it in the cool water of the creek.

As you approach, you realize what it is that he’s doing. It’s laundry. On the other side of him, you can see a bin of what look like dirty clothes and water-soaked clean ones. Talk about misjudged character.

“Katsuki,” you say as you approach him, the bucket still empty in your hand.

He squints up at you, shifting his face so that it's in your shadow.

“You’re still here,” he says plainly, returning to his task.

“Clearly,” you respond, watching as he runs his fingers over the next piece of clothing in the bucket.

“Why are you down here? Did Denki pawn the generator water onto you?” He says, like he’s somewhat frustrated. “He does that shit to anyone he can.”

You shrug your shoulders and continue to stare at him.

“Are you just gonna stand there?” He huffs out.

“You’re doing laundry.”

“Yeah?” he furrows his eyebrows and looks at you. “So?”

“Nothing,” you say. “I just didn’t expect that.”

“Yeah well,” he stops for a moment like he’s struggling to find the words. “It needed to be done. Figured I might as well.”

“How progressive of you,” you joke with a straight face.

He looks at you out of the corner of his eyes and sighs, not justifying your comment with a response. You find yourself smiling a little bit.

“If you’re going to linger, sit down and do it,” he says. “You’re creeping me out.”

You oblige him and sit down on a rock next to him, far enough that you’re not touching, but near enough to hear him if you speak in a low voice. For some reason, you feel a sort of kinship with Katsuki. You’d thought longer than you’d like to admit about his willingness to vouch for you and find that you want to live up to his expectation of your goodness, even if it’s not what you believe yourself to be anymore. Maybe it’s because you’ve slept well the past few nights and feel more like yourself, but there’s a certain casualness to conversing with him that you enjoy. He’s not looking at what you could be, but rather what you’re showing him that you are. His lack of doubt in that is something you find relatively attractive.

You watch his arms out of the corner of your eye in between gazing at the treeline and the sky. Your field of vision catches on them, his sleeves cut short to expose his biceps, a bit muddied near the elbows where the mud has begun to stick.

Katsuki doesn’t seem all that bothered by your presence, but now and then you’ll catch the sideways glance he gives you, almost like he’s trying to figure out exactly why you’re lingering.

“How long have you been with them?” You ask, more as a way to fill the silence.

Katsuki’s hands pause as he thinks about answering, then, they continue their steady pace.

“A decent amount of time,” he says. “I met Izuku first, probably in November just before Mina and Kiri. The rest came later.”

You furrow your eyebrows.

“No offense,” you start, “but you don’t really seem like the group type.”

“And you don’t seem like the type who’d be alone,” he retorts, like your statement was stupid.

You press your lips into a tight line, not really knowing how to respond.

“Sorry,” he says, shaking his head a little.

“Were you?”

“What? Was I sorry?” He furrows his eyebrows at you.

“No,” you shake your head. “Were you alone? Before Izuku.”

He goes silent. You’ll take that as a yes, but you regret asking a little. It had just slipped out. If someone were to ask you something like that, you’d probably react the same way. That’s just as well, you don’t really need to know him like that anyway.

You wonder briefly if anyone does. He seems closed off, but Mina and Kiri spoke about him a few days prior like they knew him well. Well enough at least to allude to a history you’ll likely never be privy to. Then there’s Momo, who whispers little things to him that he answers in kind. Curiosity gets the better of you, if only to tease.

“Do you have a girlfriend?” you ask and Katsuki’s response is to rest his elbows on his knees and let out a dry laugh.

He turns his head and looks at you from the side. “And what the fuck are you asking me that for?”

“Just curious,” you say. “Is it Momo?”

“Momo?” He makes a sour face at you. “Yeah, right.”

“She’s pretty,” you say.

“Sure is,” he responds dryly. “If you’re into the mom type.”

“What? You’re not into moms?” You grin a little and Katsuki furrows his eyebrows at you.

“So you do have a personality,” he scoffs a little.

There’s a pause. You haven’t felt this in a while. The feeling of bonding with someone new, compatibility on the human level that feels nearly instant.

“I’m kinda serious though,” you say, tilting your head down to catch his eye. “Do you?”

You’re leaning a little closer to him now.

“You seen any nice restaurants to take a person out to these days?” he questions, clearly a little frustrated with you in the way someone gets when they’re a bit amused.

“You don’t have to take someone out to a restaurant to fuck them, you know?” You laugh a little.

Katsuki’s lips part and he swallows like his mouth has gone dry.

“Yeah, well,” he starts, looking away from you. “I’m a romantic. Sue me.”

He’s just full of surprises, isn’t he? You find that you’re captivated by this feeling, this humanity, that exists in him. It’s something alive between you both, something left behind from the old world, and you crave it the same way you crave food.

Katsuki continues scrubbing the clothes, rubbing the fabric together and then dunking it in the bucket before plunging it into the freshwater creek. You’re not sure why you do it, but the next time he looks at you, you kiss him.

It’s not as if you like him, but it’s something to feel. Some remnant of the butterflies you used to feel on dates and the kiss makes you feel like you could be close to human again. You pull away almost as soon as you put his lips to yours and you can tell that the expression on your face is one of surprise.

Katsuki blinks for a second, looking at you with his brows knitted together. The expression doesn’t leave him as he places a wet hand on the side of your face to kiss you again. It’s an anxious kiss, confused and slow but—like someone riding a bike for the first time in years—it quickly becomes something familiar. Muscle memory that you both let yourselves sink into.

You can feel his expression as he kisses you, something between confusion and desire, like his own actions are perplexing. You feel the same way, hesitant, but reaching in the dark for the promise of some sort of normalcy. You want to feel like a person again. You haven’t felt it in so long and you push yourself against him as the ache swells in you.

The two of you continue like this for a moment, Katsuki’s fingers pressing lightly into the skin of your neck. You moan softly as his tongue slips into your mouth, taking a sharp inhale at the sensation of skin on skin. The sound of the creek drowns out the clicking of your mouths, but you can feel the way he hums into your mouth. They’re little sounds, involuntary ones driven by the nervous, desirous feelings inside of you both.

Then, Katsuki pulls away, swallowing thick as he takes his bottom lip between his teeth for a moment. You appreciate the way they look. They’re swollen, anxious to continue and keep forgetting where you really are. He drops his hand from your face with a sigh and almost seems like he comes back to himself. You do the same, moving back into an upright position.

“Denki will want that water soon,” he clears his throat and motions to the empty bucket by your feet.

“Oh,” you say, laughing a little. “Right.”

You stand, dusting off the back of your pants and dunking the bucket into the water. It sloshes, the liquid hitting the back of the plastic with a satisfying elastic sound. You begin to walk away without another word, heading down the way you came to climb up the gentler part of the slope.

“Hey,” Katsuki calls softly. “You should stay. We talked it over last night. You can if you want to.”

The last part, he says facing the wash, his hands moving as if he hadn’t said anything at all. You don’t respond, knowing that the obvious answer is already yes.

Dread settles in your stomach. It’s an icky, swirling feeling that threatens to make you double over. You climb up the bank, the water in the bucket sloshing as you move through the trees and enter the clearing. The feeling doesn’t dissipate, growing as you leave the cover of the trees. You probably wouldn’t have kissed him if he’d asked you that earlier.

The boarding house comes into view and you can see Denki sitting beside the generator, conversing with who appears to be Shoto. They turn and Denki waves you down, Shoto turning away and starting around for the front of the house.

Denki jogs to meet you, taking the bucket from your hand. You flex your fingers as the weight is removed, wincing a little at how stiff they feel.

“Jeez, what took you so long?” Denki laughs and with your new information, you understand his willingness to be friendly with you a little better.

“I asked Katsuki for his life story,” you respond dryly, following him back to the generator.

Denki looks over his shoulder and laughs at you. “Did he tell you?”

You pause for a moment, watching as Denki unscrews something and pours the water in.

“Nope,” you say. “Not a thing.”

Click Here to go to the second chapter and find the rest of the series on ao3. The remainder will not be posted on tumlbr, but please feel free to reblog!

#bakugou x reader #bakugou katsuki x reader #mha x reader #bakugou smut #bakugou x reader smut #mha smut #bakugou fanfiction #mha fanfiction #my hero academia #bakugou katsuki #apocalypse au #tw.violence #tw.blood #tw.loss of identity #tw.derealization #tw.depersonalization #tw.exhaustion #cal.writing #char.bakugou

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jwonsite · 4 months

Note

attempting to ride jungwon but failing cuz it's js too much to handle (his ego just boosted like x1000) and resulting in him fucking you dumb you can barely talk ☹☹

the way i forgot this was in my inbox goodbye im so sorry

warnings: dom jw, riding, unprotected sex (wrap before u tap), he cums inside </3, hitting it from the back lmao, petnames, reader is afab

anyways i think about this a lot ngl,, like me personally i am a BOTTOM like the most bottom bottom to ever bottom,, pillow princess type shit,, and won feels like he would just love that,, like just being able to take his gf in anyway he wants :( if you ever suggested riding him he would be a bit surprised at first but DEFINITELY is not saying no.

he would lay back against the headboard of the bed,, both hands behind his head at first,, letting you do all the work. as you settle yourself over him he's going to have the biggest smirk on his face oh my lorddddd,, like hes gonna love it. when you finally sink down onto him he is going to lose his MIND. def is moaning out loud,, hands flying to your waist to hold on to it. he'll make you sit there,, fully inside you for a few seconds before removing his hands from your waist as a sign for you to start moving. expect him to be soooo vocal as you're riding him,, moans,, whines,, and praises falling from his lips every couple seconds.

"you're doing so good for me pretty"

"my baby doing so well just for me"

"fuck,, you look so pretty fucking yourself on my dick"

when he notices you starting to get tired/overstimmed,, lawddd he's gonna tease you so badly.

"is it too much for my baby?"

"pretty girl can't even stay focused enough to finish yourself off"

"are you tired pretty?"

you'll probably so fucked out that you won't even answer him,, whining softly at his words. he'll just coo at you and flip you over,, telling you how he'll do all the work just for his pretty pretty girlfriend. he'll flip you both over,, having you face down ass up as he pounds into you from behind,, not even giving you a second to breathe. he def is making you cum at least 4 times before he finally does,, spilling into you as he continues to slowly fuck his cum into you </3 he'll pull out and pull you onto his chest,, your naked sweaty bodies meshing together as he rubs your back gently,, whispering sweet nothings into your ear about how much he loves you and how good you are for him :((

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am-i-the-asshole-official · 4 months

Note

AITA for not taking my ADHD meds?

I (m 21) have ADHD. My girlfriend (20) does not. We’ve been dating for just over a year. I don’t like taking my ADHD meds bc 1) they’re expensive, 2) it’s too difficult for me to maintain a regular schedule which makes them basically useless, and mostly, 3) I don’t like how they make me feel. I feel more like myself when I don’t take them.

My girlfriend gets really frustrated/angry at me when I’m off my meds. She says I’m too irresponsible and I forget when we have dates planned, when we have uni assessments due (we both do the same degree), I lose things all the time, things like that. I tell her that’s just part of who I am, and if she cares about me she just needs to deal with that.

She likes to be the boss in most situations, and my friends have said she’s controlling. I’ve given up smoking for her, and I’ve converted to Christianity for her bc she doesn’t believe in sex before marriage (side note: I’m bisexual but she thinks same sex attraction is a sin. We don’t really talk about it but it does bother me a bit). I honestly don’t mind her calling the shots most of the time, and I really care about her so much. I can imagine getting married to her one day (we’d both be happy to get married young, just out of uni). She can come across as super tough and cold when u first meet her, and I think that’s why my friends think she’s controlling, but really she’s just insecure like everyone else and acting tough is how she deals with that. When we’re alone she’s soft and gentle and smiley, and I like that she saves that side of her just for me.

But this is something that really pisses me off that she tries to control. She says I’m not thinking about her and our relationship by not taking my ADHD medication, and it’s damaging our relationship. I tell her she needs to learn how to be more flexible and that this is real me. It’s only damaging our relationship bc she’s making it a problem. Yeah, I fuck up more often when I’m not on my meds, but I’ve already made huge life changes for her, and it doesn’t feel fair, basically. My friends agree with me, but they don’t like my gf, so I’m not exactly taking them at their word.

Am I the asshole??

What are these acronyms?

#aita #am i the asshole

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writingstoraes · 1 year

Text

you're losing me 🎤

pairing: charles leclerc/fem!singer!reader

type: instagram imagine, social media au

notes: randomly got this idea yesterday so i started working on it before i forgot lolol i missed writing here hehe lmk what u guys think!

about: just when everyone suspects you and charles have called it quits, you release a single entitled "you're losing me".

yourusername

liked by charles_leclerc, zendaya, selenagomez, and 14,892,001 others

yourusername Stop, you're losing me. I can't find a pulse, my heart won't start anymore.

Been debating on whether to release this track or not for 2 weeks now. This is a song close to my heart and recently wrote.

You're Losing Me. Out tomorrow, 12 AM ET.

zendaya Cannot wait to hear it! ❤

popgirls THATS MOTHER!!!

yncore ma'am are those the lyrics... oh this song depressing as fuck

midnights16 not her releasing this the day she goes trending for apparently having broken up with charles too 😭

lecsainzz Pls dont let this be the confirmation I AM THIS CLOSE TO CRYING

hamiltonhero OH THIS IS SICKKK RIGHT WHEN THE BREAK UP RUMORS ARE AT ITS PEAK

charles_leclerc

liked by yourusername, maxverstappen, isahernaez, and 2,349,881 others

charles_leclerc You're never gonna lose me ❤️

tagged: yourusername

danielricciardo Blew all the breakup rumors right out of the water 🤣

landonorris I'm gonna tell my engineer to play the song while I'm driving hahaha

yourusername Friday dethroned? I'm shocked

landonorris Anything for my favorite pop star ☺️

charles_leclerc I am literally sitting beside you

landonorris ?? I am literally her #1 fan get out of here please

yourusername Last I heard, we broke up 🤔

charles_leclerc No plans of letting you go, amour 😘

yourusername

liked by kendalljenner, zendaya, taylorswift, and 10,992,229 others

yourusername Apparently you're single now, mind if I take you out to dinner?

tagged: charles_leclerc

charles_leclerc You can keep me forever and I wouldn't mind :)

yukitsunoda0511 Mom? Dad???

arthurleclerc This is how you won her over? 🤣

carlossainz55 3 years later and he still smiles at your pick up lines, Y/N 😆

yourusername Take a pic for me next time, Chili!

---------

tagging: @slytherheign i know you love angst but this is what the emoji u chose meant 🤣

notes: this took so much time LMAOOO anyways i really missed writing here hehe lmk what u guys think! (still have so many drafts i have yet to finish) thank u for reading ♡

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kombuuuu · 1 year

Note

pavitir x reader cuddle hc🛐

Lovebug? No, Cuddlebug.

“Your hands are so warm.”

Pavitr x Gn!Reader

my baby pavitr is the most bright ray of sunshine

You: Pink

Pavitr: Orange

(i’ve used Hindi for endearments, as in Hindi Pavitr Prabhakar means “Pure Light Maker.”)

This man will squeeze you and not let go

he is an avid “hug until he cant breathe” advocate

will let you crush his bones if you wanted

he loves the feeling of another person around him

doesn’t matter if your lying on top of him, or he’s on you.

sometimes he grabs you and presses against your back, drapes his arms over your shoulders and kind of flops there.

his fav hug types are 1 and 4 (predominately four tho)

“You doing okay there, Pav?”

“Thithli, my body is worn. Please hold me.”

He will let you suffocate him if you so pleased

and absolutely adores when you try and crush him

squeeze as much as possible

literally try as hard as you can, he loves the lingering feeling of you on him

but if you get hurt if he squeezes too hard

he cries

he straight up sobs

he’s apologising profusely and not letting you tell him it’s okay

“Pav baby, it’s okay.”

“No! Don’t forgive me,” *sniffle* “,I hurt you!”

“I’m not even hurt, Do I look hurt?”

“..”

“C’mere.”

*sobs*

Now when it comes to cuddles??

this man is a god send

he’ll come back home to you after a day of spidering

lay you down and strip himself of his suit and gear

and will give you the best massage of your fucking life

and you know he’s good at it 2

you’ve seen how dexterous he is with his webs

he knows what he’s doin

his love language is touch and words of affirmation so you can imagine how that goes

“Doing so good for me, Shonu.”

“Just relax, your doing great.”

“Mm, relaxed, jus’ wan’ cuddle you.”

“We can cuddle after, need you comfy.”

He even goes shopping sometimes just to get you massage oils

the ones that smell nice

they remind him of you, okay? leave him alone

he loves u

“Baby, what are these?”

“They’re massage oils! I’m thinking maybe we should get a massage table too, we can make the whole set up.”

“Why are there so many?”

“I chose the ones that smelt most like you.”

“…You think I smell like vanilla cinnamon?”

“Yeah—“ *kiss*

“Oh! Awe, love you too.”

“Hmmph”

Now comes the cuddles,

once he’s finished he’ll put everything away and lay down next to you

your basically deadweight at this point

like you feel like jelly

will snuggle up against you

loves putting his head on your chest, or your stomach

he likes feeling like he’s worshipping you

when you’re almost asleep, he’ll lay down next to you

will wrap his arms around your waist and drag your body over his

will fix your limbs so your basically buried in him

put your arms around his neck, your head tucked under his chin

let you move around as much as you want

you’re uncomfy this way? okay, he’ll move his leg

your arms are dead, bring em down baby

“Pav.. My hand is dead.”

“Oh! Thithli, am I laying on it?”

“Mm.. Felt good at first. Now it’s dead.”

“Move it here, honey, c’mon.”

“Your hands are so warm!”

“You were warmin’ ‘em up.”

All with a smile on his face

he loves sleepy you

it’s knowing how much you trust him that brings him to his knees

how vulnerable you can be with him that has him swooning in his hopeless romanticism

sings to you sometimes

only when your asleep

when he’s still up, maybe thinking about spider things

or even just school

he gives you a little hum

you don’t even know how much you love it

or subconsciously love it

it’s such a nice feeling to lay on his rumbling chest

like your being lulled into a deeper sleep

eventually falls asleep with you, and will probably wake up half way off the bed with you clinging onto him

bonus!!

THREAD UR HANDS THROUGH HIS HAIR!!!!! MANS WILL MELT I KNOW IT

—

losing my mind hes so fucking cute hes so adorable he’s so baby

tags :>

@sodapopzds @squiiv @blublubluu

#pavitr my beloved #pavitr x reader #pavitr prabhakar #atsv pavitr #spiderverse pavitr #pavitr x you #spiderverse x reader

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007reid · 8 months

Note

u have absolutely no idea what 'coffee caramels' did to me omg 😭 u write spencer and his mannerisms so WELL hsbsghdbdh so i come to u with a lil request if that's okay with u !!

spencer insists on playing pretend-doctor for reader who's sick (but denying it) so he invokes his technically-a-doctor card and gives his second opinion just to take care of reader n smother them w looooove

essentially just him teasing y/n and being the stupid Cute attentive nerd he is <3

(inspired by S5E3 where he gets stuck at the bau w garcia bc he was being stubborn abt his injury)

i am never ever Normal abt this guy 😞 i look forward to reading more of ur work and losing my mind over reid with u, aine !! mwa

hiii tysm for requesting, youre so fucking sweet!! <33 drop an emoji to let me know who you are and let’s loose our mind over our fav boy together anon!!!! also sorry this took so long, i wrote like 3k but then hated it so i started over, i love this prompt sm so i feel like i had to do it justice.

pspspsp i love s5 spence so fucking much... his hair went from beautiful to ethereal to mad sexy...s5 treated us well. requests are ALWAYS appreciated !!!!!!

soup. spencer reid

spencer reid x fem!reader, 3k

you've been off it for so long, dodging virus after virus and disease after disease and just right when you thought that you are immune to sickness, you caught it. the inevitable fever.

there was no denying it, you've tried. after getting a headache, you popped a tylenol before you went to sleep, nonchalant. the next morning was when reality really came crashing down. a sore throat.

it progressively got worse throughout the day, and when you came crashing into bed after a long day at work, your nose was feeling stuffy and your were coughing, spewing sickness everywhere you went. you woke up in the middle of night sweating like you had just ran a fucking marathon and only able to breathe through one nostril unless you shift your body entirely.

you did not take to these news well. firmly in denial, you still planned to show up to work the next day.

except you didn't show up to work. sickly and delirious, the part when you press snooze then snooze again slip your mind and at one point you must've turn off your alarm entirely. drifting in and out of consciousness and slipping into dream after dream, it gets harder to tell what is real and what is not.

"y/n? y/n!"

now, it is very probable that the voice isn’t actually real, because why the hell would you be hearing spencer reid’s voice outside of work? the chances are slim to none, and despite the heat pounding at your skull you manage to smile. there is something unexplainably comforting about spencer’s voice, soft and deliberate. it would be foolish to say that under the mad spell he’d cast on you (him simply saying two words) he’s managed to melt away your headache, because he didn’t. you still feel like shit.

“y/n?”

you frown, the voice sounding too insistent and real and not matching up with the visuals of your dream. you feel a tapping on your shoulder and when you blink your eyes open you could’ve screamed.

you jump up and then backwards, huddling your blanket with you, scared for your life. because right in front of you is perhaps the most intimidating creature on the earth; spencer reid in a purple sweater vest with his face so close to yours he could breathe in your sickness, hair tucked carefully behind his ear.

“spencer?” you ask incredulously, but instead your voice comes out a rasp. you clear your throat, feeling something warm creep up your cheek. it might be a blush, but you blame it on the chills. you keep blinking, trying to regain your vision and feel instantaneous embarrassment. you look a mess, sick and dehydrated with dry lips and bad hair and you probably reek of morning breath. and spencer’s there, looking like heaven’s finest angel, smiling at you like he’s smiling at a person and not a monster. spencer has the tendency to treat and look at everyone like they’re the love of his life. you sort of hate it.

“hi y/n,” he breathes, crouching down on the floor before you on the bed. “i—“

“what are you doing here?” you’re too impatient to wait, still in shock.

now. you try not to make it obvious that you have a mad crush on spencer, because if the fact were to spill, you’re not eager cleaning up the consequences. it’s an unestablished, unspoken rule that should be common sense that no workplace dating will be allowed and usually it’s a ridiculous rule, because who the hell would want to date their coworker, like actually? work crushes are normal but they exist only in a part of your day, an eye-candy for you to stare at to get through the day, then you go home or go out and forget about them. who actually has serious work crushes, actually? actually? it’s ridiculous.

your defense is completely solid, you’d say. your number one defense is you can’t help the fact that you and spencer were meant to be friends. the moment you joined the team, you and spencer clicked together like two lego pieces, despite your clashing personalities. you find it refreshing to have someone like spencer, someone who’s soft and sweet but cunning and resourceful but thoughtful and kind, and it was equally refreshing for spencer to have someone blunt and straightforward but still patient enough to put up with him.

spencer doesn’t like physical touch but ever since your first week he made you the exception and if you could, you would parade the privilege around like a badge. what can you say, you’re proud to be spencer’s little exception, anyone would be. he makes you feel special, differently than the others do and what’s a girl to do? to have that great of a relationship with a coworker and not be work spouses and not be actually head over heels with the guy? how laughable.

it’s not something you’re proud of, however. you know it’s a lost cause, chasing after spencer. it hurts, sometimes, but you always patted yourself on the back with an ‘it is what it is.’ spencer, as sweet and vulnerable as he is, has layers behind his thinly veiled heart. he talks a lot but he never talks about himself and he never talks about the past so he doesn’t have to revive it, so all the memories are just wounds left out and neglected to burn. spencer’s trouble, definitely trouble, but it’s hard to be aware of the workload that spencer reid is when he’s rambling to you about something as innocent as halloween or knocking his knuckles on your knee during a flight trying to get your attention.

spencer blinks sheepishly, settling criss cross apple sauce on the ground, lanky legs twisting uncomfortably. “you didn’t come into work and you didn’t answer your phone,” he explains. “emily told me to go check on you.”

you nod. he’s here because emily told him to. it makes a lot more sense now. “i’ll head in the office now,” you say, making your way out of bed, wiping at your eyes. “sorry—“

“no you’re not,” spencer says immediately, not even hesitating. he places a hand on your upper chest, pressing you back down on the bed. the butterflies at the pit of your stomach throws a fit. you know he means nothing by the action—has spencer reid ever been the one knowledgeable about romance?—but knowing that doesn’t help the heat that spread up your cheeks that’s definitely not from the sickness. “you’re burning up,” he says. “i’ll get you some water. you should clean up,” he says, uncrossing his legs difficultly and then stumbling out the room, mismatched socks slipping on the hardwood floor.

you take advantage of the time that spencer’s not there and race to the bathroom, ignoring the blackout and the dizziness that threatens to make you faint from getting up too abruptly. you squirt some toothpaste onto your toothbrush and by the time you exit the bathroom, spencer is already there, waiting, except he’s by your desk, hands on a book.

typical.

he perks up when he hears your footsteps pad into the room, turning around, looking like a child who’s been caught with your book in his hands. you smile at him, albeit it’s a pathetic smile. you feel dizzy.

“you like toni morrison?”

“i love toni morrison,” spencer chirps, excitement bouncing all over his face. “especially her masterwork, beloved,” he looks back down at your red copy admiringly then sets it down. "get back in bed," he says, and you can't wrap your hand around how ridiculous the situation is. your coworker, or work crush, is at your house, checking your temperature and shooing you to bed to rest. "i bought you soup so you can eat up, i--"

“you bought me soup?” you ask, incredulous. spencer nods seriously.

“it's proven that eating soup makes people feel better, not just some stereotype. the right amount of sodium can help help relieve sore throat pains and the vitamins and minerals found in soup can play a very large part in recovery...i had a feeling you were going to be sick, it’s the weather, you know? everyone is catching the cold. you need to eat it before it gets cold, the heat helps with nasal digestion and also sinus pressure and it'll be useless if you ate it lukewarm...i’ll be right back…” and with the babbling his voice fades out as he walks back out to the living room, leaving you alone standing on the side of your bed. you look at the forgotten copy of beloved set carefully back onto your desk, smiling to yourself slightly before climbing back into bed, because spencer says so and spencer’s always right but mostly because your legs feel like they’re going to give out.

spencer is speedy, striding several steps at once with his ridiculously long legs that looks unnaturally lanky but once he reaches your room again, soup and spoon in hand you were already nodding off, head lolling and eyes slipping shut. spencer stops at your bed stand, thinking to himself for a second before balancing the plastic bowl of soup on one hand and using the other to gently nudge at your face, waking you up. he grimaces when he feels that your skin burns to the touch, a bright tint to your cheeks that he hates himself for liking because you're sick, he shouldn't be thinking that you're pretty or stuff like that.

spencer waves the thought away, determined to focus on his mission. deliver soup, make sure you're okay, and send his farewells. that's what emily told him to do, and even though derek added a "kiss her goodnight too, loverboy!" he's only going to listen to emily, because emily knows best.

yes. perfect. that's exactly what he's going to do.

"hey," he whispers, caressing his thumb across the lightly purple patch under your eye, frowning to himself. you haven't been getting good enough sleep, and he feels guiltier for waking you up, but then straightens himself up resolutely--no. emily said the soup must be delivered and consumed--just to melt again when your eyes flutter open, confused and traces of sleep still floating around your facial expression. "sorry," he mumbles, feeling oddly embarrassed. "it's just--i mean, you don't have to, jus' want you to eat something before you sleep again."

you sit up slowly, and once you're fully awake again, the smell of the soup hits you like a bucket of ice and you suddenly feel your mouth watering. you feel like a princess, sitting there with your hands crossed in your lap while you wait for spencer to unwrap the plastic utensils and tissues from its clear packaging, carefully opening up the lid of the soup on the night stand and hot steam floats around the room, engulfing both you and spencer in a bubble of tomato soup.

spencer, a planner that he is, didn't let you eat directly from the plastic take-out bowl from the restaurant and had rummaged through your kitchen for a bowl and pours half the soup into the ceramic, no spillage and perfectly clean. then he hands the soup to you, and you eat.

to say that spencer is concerned is to say the least. you're a profiler, and you're trained to pick up on this sort of thing but you only need to be a child with an undeveloped brain to work out that spencer's worried, watching your every move and monitoring that you eat enough, the crease in his brows deepen whenever you set the bowl down so you pick it up again and stuff two more spoonfuls in your mouth, to hopefully make him worry less.

the silence is awkward, the only sounds in the room is you biting down on the spoon occasionally as you drink your soup and spencer watching intently, hands on his chin and unaware of his staring problem. you and spencer rarely has these kind of silences, the silences where you scramble for things to say because the atmosphere would always be too comfortable. you sneak glances at him as you eat. since spencer's completely oblivious to the heaviness of the silence, you feel it's up to you to break it.

"i'll clock in once i'm finish eating this, don't worry," you say, trying your best to sound reassuring as you try to choke back a spoonful of soup too big. you lick your lips, and spencer is biting his, a bad habit.

"no you're not, y/n," he says, exasperated. normally, when spencer uses his 'i'm right so you should listen to me' tone like this, it means he's geared for an argument and you would be happy to challenge him, but now you can't find the energy for it. yet you muster enough up anyway.

"i'm only a bit shaken up 'cause of the weather," you say, trying to sound as convincing as possible, still in the calm before the storm of the bicker. "'m not immobile. and i already used up all my off days visiting my family--"

spencer, however, didn't bother for the peaceful offering. "you're not coming in today, y/n," he says, and he sounds a bit anxious but you know his true intent. his eyes are mirthful with confidence, and he knows he's already won the argument. despite the buzzing in your ears and the fuzziness in your brain, you can't let the bastard win. you can't.

“i can’t miss anymore days spencer, and i won’t,” you say coldly, but you slurping on the soup hungrily like it’s your last day on earth sort of ruined your cool facade. “i’m not too sick, either, it’ll be useless for me to stay home—“

spencer reaches to press his palm against your forehead, his skin cold to the touch. you close your eyes instinctively.

“you’re burning up,” he announces. “means your sick. you’re not coming in today, y/n.”

“says who?” you say defensively, feeling a bit like you’re loosing.

“says me,” spencer says cooly, cheeky smile at his lips. you should hate it more than you do. “who’s a doctor.”

you scoff. “so now you’re an actual doctor? you got a medical phd on you?”

“i have a bachelor in medicine and enough doctorates to make me slightly knowledgeable in every field,” spencer quips and you didn��t even know that he had a bachelor in medicine. how many fucking degrees does this guy even have on his resume?

“whatever,” you grumble, sounding a lot like someone who’s just got defeated. you set the bowl of soup down on the nightstand and spencer hands you a bottled water before you could think about needing water. you pluck it from his offering hands, muttering a “thanks” under your breath.

spencer laughs quietly, watching you drink patiently and putting the cap back on when you hand him back the bottle, setting it next to your soup. you feel ridiculously babied and your cheeks burn with the guilt you feel. you’re talking him off his office hours just to be here and feed you stuff and make sure you’re taking care of yourself.

spencer, the 24/7 profiler, notices. "is something wrong?" he asks innocently, round eyes blinking and oblivious. bless him. "you got redder. is it too hot? i can adjust the a/c."

“fine,” you mumble, still a little embarrassed with your realization. “little cold, actually.”

“it's the chills from your fever,” spencer informs you. “i…” he pauses, frowning again, frustrated from not being able to finish his thought. he abandons it. “do you need anything else?”

“no spence,” you laugh sort of pathetically, throat strained. “you’ve been an angel already. you can go back to the office, if you want.”

spencer thinks back to what emily had told him. soup. make sure she’s ok. leave. he’s done the past two steps. it’s time he completes his mission.

but…

“are you sure?” he prods, a little bit of him hoping that you'd say no. he doesn't know what it is; something bothering him, making him dread leaving.

you didn't get the cue. "mhmm," you shoot him a reassuring smile. as reassuring as you can manage, anyway, grimacing at the insistent throb in your head. spencer gnaws on his bottom lip, indecisive. you don't know what he was deciding between.

whatever battle it was, he wraps it up quick. "okay," he repeats. "i'll get back."

"you do that."

"remember to drink water."

"i will."

"do you need me to bring you more?"

"i'm okay."

"okay."

the conversation feels incomplete and spencer isn't interested to complete it, booting out the door, except he lingers for a bit and awkwardly turns around, hand on the frame. you are already looking at him when he looks at you.

you and spencer are never this awkward, never this hesitant and strange. the tension that suffocates your room feels like signature first-date-tension, the kind of nervous excitement and tip-toeing blind lovers and uncertainty.

"are you sure?"

i'd rather you stay. you push the response away. "i am."

"you have medicine right?"

you do have medicine. for a brief moment, you want to lie about it; want to say that you ran out this morning and then he would run to the store for you and return and then spend more time in your insufferable, sickly presence. you brush the thought away within a second. never in a million years do you want to bother spencer, especially not with a thing as selfish as that. maybe it's because of your biased vision but spencer is looking like he's desperate to leave, practically screaming for outlet at the door. it's time you let him go and indulge in the worst sleep you'll ever have.

"yeah," you say, clearing your throat. "i do."

"okay," spencer says. "i'll go."

"thanks," you add awkwardly. "for the soup. and for coming."

"'course" spencer says absentmindedly, lingering at the door frame but not looking at you in particular, not looking at anything. he snaps back and sends you a wave. spencer has a power to him where everything he does looks unplanned, like he's doing it against his own will.

he leaves. if you had change your mind and ask for him to come back, for him to stay, he would've. no hesitation. but you didn't, and he wiggles back in his broken in converses and return back to the bau with no elevator partner.

maybe another day.

a/n: sorry for the ending, this was getting too long so i had to cut it short 😓😓but i think it's kinda fitting! lmk if you guys want a part 2 <3

#spencer reid #spencer reid drabble #spencer reid oneshot #spencer reid x fem!reader #spencer reid x y/n #criminal minds #criminal minds fandom #matthew gray gubler #mgg #spencer reid fanfiction #criminal minds x reader #spencer reid x reader #spencer reid angst #spencer reid smut #spencer reid fluff #my works

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