TW: discussion of something approximating suicidal tendencies but with the usual crack programming of this blog
“Ah, High General Windu”, says Fox, pleasantly. “So we meet again.”
High General Windu raises an unimpressed eyebrow at him, Fox thinks, though it’s getting hard to tell with all the blood rushing to his head. “If I let you go, will you try to throw yourself out of another window?”
Fox makes a vague shrugging motion - or tries to, anyways. It’s hard to tell where any of his limbs are going, hanging upside down in the air as he is. “I am willing to discuss terms.” A bridge will do just fine.
Impossibly, the High General’s eyebrows climb even further up his forehead. “A compromise, then, esteemed Commander.” And so, he righths Fox the head way up in the air, but leaves him floating just above the ground, at which point several painted shells come skidding around the corner followed by billowing robes and screeches.
“WHAT”, says Kote, calmly, “THE BANTHA-KARKED, FORCE-LOVING KRIFF, FOX.”
“You’ll short out your helmet mic”, Fox advises him, sagely. Fondly, he thinks back to decimating his own on only his second time in the newly-christened official Coruscant Guard Scream Closet. He’d just received the comm about the Zillo Beast being transported to 000, and made sure to take his bucket off thereafter to improve the quality of his closet time.
High General Windu’s face does something complicated between sympathy and constipation.
Because the Galaxy doesn’t hate Fox enough already and Cody wasn’t enough on his own, Wolffe elbows his way through their batch to plant himself in front of him, shoulders squared and shaking with repressed rage. “If you try that again, dickhead”, he begins, in a low growl that quite frankly sounds more cringe that intimidating, “I’m going to resurrect you and then kill you again.”
“Ah, Wolffe”, Plo Koon says, in his deep, shivery timbre, “Remember our conversations about effective conflict resolution and communication of needs?”
Wolffe’s eyes narrow at Fox, because all non-Guard are sweet summer children who walk around buckets off on 000 like absolute lunatics. Fox prays they never have to find out why that’s a bad idea. “I feel”, his ori’vod presses out between clenched teeth, “that if you make me watch you throw yourself out of another window, I’m going to jump after you and strangle you on the way down, you little bitch.”
“That’s fair”, says Fox, and watches High General Kenobi bury his face in his hands. Wolffe twitches in place and makes an aborted groaning noise, the hypocrite.
“Excuse me, High Marshall Commander Fox, but I fail to see what’s so dire about this situation that the Jedi High Council and your brothers cannot help you solve”, says Windu, the only sane one left on this Force-forsaken bloated corpse of a planet. Behind the gaggle of Jedi and ori’vode already gathered in front of Fox, the rest of them come veering around the corner in a commotion that’s quite frankly embarrassing. High General Yoda is mounted on Skywalker’s back like he’s a race-Eopie, which is Fox’ only consolation.
He got up this morning at 0300, bleary-eyed and with a pounding headache as always, and all was right in the world. And then Fox got called into the Jedi High Council’s chambers and was ceremoniously informed that in the wake of Chancellor Palpatine’s unfortunate demise (hah), and through the emergency state of the Senate, as well as several invented promotions foisted on Fox to make the delegation of any and all paperwork less shady, he was now next in the chain of command and-
Well, Fox is the acting Chancellor, in short.
Haha, he had said, and been meet with several seconds of silence, until it got both awkward and exceedingly painful. Wait, he’d said. You’re kriffing serious.
Kriffing serious, we are, had said High General Yoda, and thus Fox launched himself out the first best window with a maniacal cackle of, you’ll have to catch me first!
And catch him, High General Windu sure did.
“The will of the Force this is”, Yoda interrupts Fox’ train of thought. He scans him thoughtfully from beneath his wizened brow, and hems to himself. “Shake things up, this will. Determine the fate of the Galaxy, this shall. A feeling, I have, that a good Chancellor you will make. A better one, hmmm.”
“That’d be high praise, if not for the fact that a dead lemming would make for a better Chancellor than the last one”, says Fox, drawing and indignant gasp from Skywalker. He doesn’t bother with either that or the green goblin’s cackle, lost in the deep sense of resignation that settles over his shoulders like a suffocating blanket.
“Alright, then, get me Thorn on the comm. As my first act in office, I’m firing all the Jedi. No offense, but you’re kind of a disaster. Then, someone get me to the Chancellor’s office, I’m calling Dooku to let him know the war’s off. And please get me Judicial, they’ll be up all night working on my datafolders - I’m having the Senate arrested.”
“Who - is - arresting - “, Bly pants, hands on his knees from where he’s just come sprinting around the corner with his Jedi.
Underneath his bucket, Fox smiles a smile that’s all teeth. “The Senate”, he says, sweetly, wondering if he’s just imagined the shiver that’s gone through the room. “I’m suing the Senate, and taking them all into temporary custody for abuse of sentient rights.”
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Mabel despises Bill, send post.
Okay, I'll say more than that.
One thing that I haven't seen people talk about (and that I've in fact seen some fan content ignore) is the fact that The Book of Bill makes it explicitly clear that Mabel Pines despises Bill Cipher as of the end of the series. I think there's a tendency to view Mabel as a bastion of love and forgiveness, and while it's true that Mabel does have a lot of love and kindness in her heart, a.) she's not actually an all-forgiving heroine (see: she never comes close to forgiving Gideon for attacking Dipper in "The Hand that Rocks the Mabel"), and b.) we're given explicit text on multiple pages in The Book of Bill that outline just how much she hates Bill and will actually do violence unto him (again) if she ever gets the chance. (Because remember, she got him in the eye with spray paint with extreme prejudice.)
We're first told about this when Bill recounts the story of how he visited Mabel's dreams days before Weirdmageddon in the hopes of making a deal. (Which, side note -- how was that possible? The unicorn hair spell was supposed to prevent that sort of thing from happening. I guess she must have been at a sleepover at Candy's or Grenda's house when this little dream jump occurred.) Bill at first gushes about how much he likes Mabel and would like to sway her to his side, but then:
"Unfortunately, her mind had Wanted posters of me everywhere -- just because I possessed her brother one time!"
Mabel wasn't a fan of Bill's even before "Sock Opera," but as of "Sock Opera" it seems that there's no chance of forgiveness from her for him. And this tracks; in "The Hand that Rocks the Mabel," Gideon treated her horribly. He pressured her into the initial date with him, and then continued to use public pressure and guilt trips in order to keep her locked into successive dates and a suffocating relationship that she couldn't escape from. He was emotionally manipulative, possessive, selfish, and cruel. Despite this, Mabel still felt bad for asking Dipper to break up with him on her behalf and initially went to the factory to apologize to Gideon, until she saw him attacking Dipper through the window. It was only at that point, when he attacked her brother, that Mabel's opinion on Gideon did a 180 and he was no longer worthy of any sympathy or forgiveness in her eyes. Regardless of how he treated her, it was hurting Dipper that Mabel could not forgive.
So it makes sense, then, that possessing Dipper would be the breaking point for Mabel with Bill, particularly considering the note that Bill left for her (and specifically for her, part of it was addressed to her) to find in the car on the way back from the play at the end, as revealed in Journal 3:
"Note to self: Possessing people is hilarious! To think of all the sensations I've been missing out on -- burning, stabbing, drowning. It's like a buffet tray of fun! Once I destroy that journal, I'll enjoy giving this body its grand finale -- by throwing it off the water tower! Best of all, people will just think Pine Tree lost his mind, and his mental form will wander in the mindscape forever. Want to join him, Shooting Star?"
(Yeah, I sure believe Bill that Mabel's a kid he likes. 😬 Maybe "likes" is more appropriate . . . even his lies are lies . . .)
So Bill possessed Dipper on purpose, threw his body down stairs, stabbed forks into his arms, poured soda into his eyes, slammed his hands in drawers, and then had planned to throw his body off a water tower, killing him in what would look like a suicide attempt. I don't think it's any wonder that after this, Bill crossed the point of no return in Mabel's mind. Bill recognizes as such by the time he's finished in her mind as well:
"That was it. She'd never make a deal with me."
It was why he had to possess Blendin in the first place and make up the lie about a way to extend the summer; because thanks to Craz and Xyler, he knew that Mabel was sad about summer ending, and that she could be tricked by someone she thought had a way of extending summer, like a time agent. Bill had to possess a known time agent, because Mabel wouldn't have believed anyone else could do it, and it had to be Blendin because Blendin wore goggles that obscured his eyes (and thanks to fighting against Bipper, Mabel knew how to look for possession eyes, and would never make a deal with Bill). Bill using Blendin to trick Mabel was calculated, and extremely so, because Mabel hates his guts because of what he did (and wanted to do) to her brother.
But it doesn't end there, because then we get to Mabel's letter. (And Dipper's as well, but mostly Mabel's.) Some might be thinking, well, if Mabel knew about Bill's backstory, she might regain some sympathy for him. However, I don't think that's the case . . . because Mabel does learn about Bill's backstory (or at least his history with Ford), and she doesn't feel sympathy for him. Ford's letter not only states that the entire family was reading the book when he exited his lab (and laughing so hard they were crying at it), but Mabel's letter in specific has her write this:
"Anyway, Bill seems to me like a super-needy ex."
We have all laughed and enjoyed this line because of how it further cements Billford as canon toxic old man yaoi, but think about what this means for a moment. This means that:
Mabel has read Bill's backstory, at least re: everything that went down between him and Ford and how heartbroken Bill was over it (she knows about O'Sadleys and the intergalactic Taco Bell incident)
She doesn't feel sympathy, in fact, she's calling him super-needy, which is insulting
Mabel isn't sympathetic toward Bill; she's patronizing. She's one step away from calling him cringe. Her "helpful tips" for how to move on are her condescending to him as she tells him to get the hell away from Ford -- and speaking of which, let's not forget that she says "if you're reading this from space or hell or wherever," indicating exactly where she thinks he very well could be. If she felt sympathetic toward him at all, knowing what she does about his past, I really doubt she'd think he'd be burning in hell.
Mabel ends her letter with this delightful gem.
"Anyway, Bill -- you tried to kill my brother. If I ever see you again, I'm doing this! [illustration of her biting him in half] Deal with it!"
There is no love for Bill Cipher in her heart. There is only a wish to sever him in half, preferably so that his precious eyeball is split in two, with her teeth.
Now, this is in her letter. But we also get some of this in Dipper's letter, too, since she interjects over there. Dipper also delivers a death threat to Bill, and Mabel comments on it. Her commentary praises Dipper's threats (and confident in making his threat):
Dipper: "Come at us again and I'll end you."
Mabel: "Wow, Dipper!! So confident!!"
Dipper: "Was it . . . was it too confident?"
Mabel: "No, it was just right! 13 looks good on you!"
Now, again, this is mostly praising his confidence. But the "it was just right" could also apply to the threat, considering she made a very similar one herself. Many people focus on Dipper's threat to Bill, considering how cutthroat Dipper seemed toward Bill in the show (and how it was their relationship that was focused on because Dipper was the primary protagonist).
But this book has made it explicitly clear that Mabel hates Bill's flat yellow ass with her entire sparkly heart. She wants him away from her grunkle because she knows how badly he treated Ford. And she especially wants to rip him to pieces herself if she ever sees him within a 100 mile radius of her brother again. The idea that Mabel would be forgiving of, or sympathetic to, Bill because of his backstory just doesn't jive with what we know both of her character or her actual, canonical feelings toward him as of the most recent canonical material. Mabel is a loving, kind person, yes -- but she has her limits, and those limits come with those that cause serious harm to her family, just like the rest of the Pines. She's not a two-dimensional, all-forgiving heroine. She's a well-rounded character who forgives when things are forgivable, when it's warranted, when it's deserved. And it's been demonstrated that in Mabel's eyes, certain things -- like trying to cut out her brother's tongue with lamb shears, or possessing him and threatening to throw his body off a water tower -- simply aren't forgivable.
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ヾ(•ω•`)o Hiiii!!!! Don't worry about it! Don't be afraid. It's not real.
Excerpt from: https://en.wikipedia.org/wiki/The_Black_Phone
"In 1978, a local serial child abductor and murderer only known as "The Grabber" prowls the streets of a suburb in North Denver. Finney Blake and his younger sister Gwen live in the area with their abusive, alcoholic father Terrence, whose wife committed suicide after having a series of disturbing psychic dreams. Finney is frequently bullied and harassed at school, but his friend and classmate Robin fends off the bullies.
Having inherited her mother's ability, Gwen dreams about the Grabber's abduction of Bruce, a boy Finney knew from Little League. Two police detectives, Wright and Miller, interview Gwen at school, believing that she may have knowledge about the Grabber. When Terrence learns about the questioning, he beats her with a belt. Soon afterward, the Grabber abducts first Robin and then Finney.
Finney awakens in a soundproofed basement with a disconnected black rotary dial telephone on one wall. It begins to ring on its own at times; Finney hears only static when he first answers it, but then hears Bruce's voice telling him about a floor tile he can remove in order to dig an escape tunnel. Finney starts to dig, but the foundations of the house are sunk too deeply for him to go beneath them.
The Grabber brings Finney a meal and leaves the basement door unlocked. As Finney is about to sneak out, he gets a call from Billy, another past victim. Billy warns Finney that the Grabber is waiting at the top of the basement stairs to punish him if he tries to leave, as part of a cruel game. At Billy's suggestion, Finney uses a hidden length of cable to climb up to the basement window; however, his weight pulls out the grate covering the pane, leaving him with no way to reach it again.
As Gwen confides to Terrence about her dreams of Finney's abduction, Wright and Miller question an eccentric man named Max who is staying in the area with his brother and who has shown great interest in the Grabber's crimes. It is revealed that Finney is being held in Max's basement, and that the Grabber is his brother.
Finney receives a call from Griffin, a third victim, who gives him the combination to the lock securing the house's front door and tells him that the Grabber has fallen asleep. He sneaks out and unlocks the door, but the Grabber quickly recaptures Finney after his dog Samson barks to wake him. A fourth victim, a juvenile delinquent named Vance, calls to tell Finney that he can break through a wall and into a freezer in the adjacent room. Finney does so, but finds the freezer door locked. As Finney despairs over his fate, he receives one last call from Robin, who urges him to stand up for himself and fight back by packing the phone receiver with dirt to use as a bludgeon.
After seeing the Grabber's house in a vision, Gwen calls Wright and Miller to give them the address. The police rush to the house and find the bodies of the Grabber's victims buried in the basement. Meanwhile, Max realizes Finney is being held in the basement and rushes to free him, but the Grabber kills him with an axe and attacks Finney, having decided to end his game. Finney uses the byproducts from his previous escape attempts to trap the Grabber in a pit he has dug, beats him with the receiver, and breaks his neck with the phone cord as his past victims taunt him. "
fucked up thing to send him btw
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