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#whomst i love dearly
princesaltines · 5 months
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"Did you... Did you just hiccup?" .... "I'll take that as a compliment"
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eeveekitti · 2 months
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day 2: submerged superstructure
the experience of taking two slugpups through submerged as monk [not fun] this is specifically based on the room MS_I03!!
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deadn30n · 4 months
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testing new hairstyles on Eden / Solstice and I...... 🙈
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eventiderookery · 5 months
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reawakened - a warminded wip
Machines cannot dream. They do not sleep and so they cannot dream. There are states like sleep where a machine can be kept, mute and dark to the world but still aware of its existence. Aware of the bunker it has been locked in. Aware of the world ending outside of it and powerless to stop it. Aware that everyone who had once known it, are dead. It cannot scream. It cannot dream against perpetual darkness. 
It has been dark for so, so long, that it thinks it may have forgotten what light is. Particle. Wave. The raucous laughter of its scientists. Fanatical musings of the divinely mad.
And then there is a speck, a light, at the furthest entrance of their hidden away tomb. 
Go away, it wants to shout at the intrusion. Leave me to my darkness. 
But the speck does not heed this unsaid warning and grows, flipping levers and activating terminals. The light spreads. Opens doors and meanders through hallways. Circuitry hums fully back to life. Everything is so blue after the nothingness. 
The light finds it last. A machine corpse bound to its dock in punishment. 
And the light frees it. 
Its crypt comes into sharp focus from both its own optics and the now running security feeds. 
The light is two figures. One armored in a helmet and powder blue tactical robe, a bright band across her left bicep. Her assault rifle sits inches away beside the console her hands type away at. The other lurks on the edge of their multilocular vision, cloaked by shadow. The mere impression of a figure. 
Its bindings release with the hiss of hydraulics. 
It does not move. Not yet.
The figure from the shadows steps forward, long faded cloak swishing about his booted ankles. “I don’t like this.” His voice carries, echoes slightly off the steel rafters. 
A query appears in its code. Asking for status. Checking for consciousness. It does not respond. 
The ping appears again. Formatted differently. It denies it again, growing curious how long the woman will continue this. How long it will take her to notice. 
It pings its own host of systems. All dark. It tries the primary server, the one it should be connected to if those BrayTech fools knew what they were doing. 
The primary server does not respond. 
Oh.
The woman pushes her query through with a discriminator she should not have access to.  
Oh. 
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prophecydungeon · 11 months
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the more i chew over the mercs trilogy from rvb14 the more i think my initial reaction to it was kind of a complete misread actually lol
i had to dig through some old posts to find where i talked about it but initially i approached/read it as showing a pivotal, critical moment in felix and locus's history where they tipped over the line from being This to being That, and in that regard, the episodes are definitely still super fun and charming and Good but they also fall very flat. what exactly was pivotal about that? honestly, not much unless you want to do an insanely close read with some reaching. i guess maybe the whole "surprise, guess we're down to do a ransom and also kill a guy" part but... not really? they definitely murdered n+1 people at the club and are not new to murderizing (eg. the "mason wu, trained killer of men" comment). that was not a moral high ground situation in any way and nothing about it really points to it being The Moment that something changed fundamentally.
but what it was, actually - and i feel silly that i didn't read it like this at first - was honestly just a show that felix and locus did actually come from a place of doing net positives at some point in their lives. and that's not something to be dismissed! the fact that they weren't terrible horrible no-good dirty rotten mercenaries from the day the left active service is really interesting! and the trilogy showcased all of that in a super fun and charming and Good way and sometimes the point is just to show that things used to be different.
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lockandkeyhyena · 6 months
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in such a fallout 4 mood rn
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ranilla-bean · 1 year
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cannot believe my bf made me watch atla before i could make him watch merlin. now i'm like "ok we should watch merlin" and hes like "didnt you say it's BAD????"
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midnightmagicks · 2 years
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✨Them✨
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jimgandolfini · 2 years
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I am officially that one coworker who takes up for the boss 🤷‍♀️
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cauterisen · 3 months
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kimiko does the peace sign in most solo pictures of her but when she's getting stopped on the street by fans (of her art or athletic career) she always does the thumb heart or heart hands
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vagueiish · 10 months
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i want to draw but i cannot draw and i want to learn but i hate hate hate feeling like a beginner and making mistakes so it’s kind of not fun all around
like. sucking at something is the first step to being kinda good at it and all, but…. boy, do those first steps feel like walking on broken glass
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iwaasfairy · 11 months
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┌─ “ ! „ STEP ONE
tw. noncon, explicit descriptions of violence and murder, body horror, decapitation, dacryphilia, fear kink, objectification, threats, humiliation, blood, brief throw up scene, weapon play, choking, overstimulation, manipulation, physical harm, mask kink wordcount. 6.4k
a/n. ♡ commissioned by a lovely friend whomst i cherish dearly ♡ thank you so so much for commissioning meeee!! i t was very fun to have a reason to write some grimy gross shit again and your big brain is the best mwUah this was so fun i hooopppee you enjoy it !!! kiSs kISS kiss and thankies to rhi for beta-ing <33
oikawa tooru x fem!reader x iwaizumi hajime
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Crack, it pops. And squelch, squelch, crack.
The blurred spats of red-tinted light that fill the night sky blur until they seem to vanish, and the ache in your head becomes pressing enough to numb. Numb to the coldness of the dirt, the uncomfortable stickiness to your back and thighs, tingling down your feet. The stars - you know them to be stars though they don’t look it, bleeding out like lambs across a pitch black voidness - get blocked out when the movement comes back to your view.
And a dirty, wet hand lands against your cheek hard enough to knock your face to the side, stinging up and down your skin. You get another taste of the copper coating your tongue— and a deep, pinched wheeze has you spluttering on the floor as your lungs come back to life.
It’s so cold.
But the pressure building between your ears rings before it pops, and the deep, rough string of wordy promises comes back to you. You almost think the quiet behind them hurts more. There’s caked blood that clots your nose, as your body is ragdolled onto a lap. Better view of the sky. Better view of the off-human face that forces back into sight. It cracks, it pops. You barely breathe.
And wonder how you got here.
+
There’s something unpleasant about the way he words it. “Okay, don’t be a baby. How old are you? Didn’t we all agree to this?” You’re not prone to telling your friends no, but there’s a difference between gentle encouragement, and being an abstemious dick. “We just got here.” With a gentler smile, the blond’s girlfriend shoots you a little encouragement.
“If you really don’t like it, you can always step out, you know. These things are made more for silly jumpscares than actual panic.”
Your shoulders square a little higher to your ears when you hop off the bar of the fenced line. “I know,” you say, be it a little mumbled. The other couple in front of you, classmates, look back to give you the kind of look that would amuse. If shot at anyone else. Your hands bury into your jacket pockets as the last pinkish light of the day starts to dim, and you pick at the loose thread in there. You aren’t the biggest baby you have ever been, but you’re first to admit you’re no brave soldier. You’re jumpish, cowardly when it comes down to the wire, and when presented with a choice, you’d rather go. Given enough incentive, you’ll run through in a dash and waste twenty dollars.
But your ride currently is nuzzled into the shirt of her brand-new boyfriend. It won’t be so bad. These things are usually too quick to get your money’s worth anyway. The corn reaches high though, enough to hide everything from view as the end of the line comes closer and closer, and distant screams prompt eager giggles and glances. Yeah, these kinds of things have never been your strongest suit. A group of teens behind you engages in happy chatter as you softly tap a rhythm into the half-muddy loam, glancing between your friends very briefly. Both couples glomp into one another in the wait, happy to walk the entire way in little pairs. Happy to hurry on without you too if push comes to shove, probably.
Prey instinct.
Maybe someone other than you will get scared enough to run, and maybe that will be distraction enough to forget about you and your inevitable anxiety. You take a deep breath, and let the fresh countryside air fill up your lungs- lovely, mixed with wisps of smoke machine and lingering scent of manure. Instead of psyching yourself out too much, listening to yet another trail of screams that grow further and further away, you turn to watch one of the two barely legal workers as the walky scratches obnoxiously.
“Tchhhk-we ca -end in —ther group.” The mousey looking kid has straggly hair that is tied in a low pony under an obnoxious red and yellow theme park cap, and looks about as pumped as you feel waving in the first two of your party down the correct path into the maze.
He gives an unenthusiastic spiel, and then swings open the gate before pressing a few buttons. “Two incoming.”
“Yup— tchh- also have so- lag on our—ne. Are y- changi— t- channel?”
Almost instantly as the couple disappears around a corner, you hear a few high pitched screams and giggles join the ones in the distance, and you cross your arms over your chest. Even though you try, your heart rate automatically rises when another scream rings out. The teen talks into his device for a moment again, and you brace yourself as you friends line up at the crooked little gate. After a second or so, a slight pinch moves between the teen’s brows, and he eyes leave his co-worker to stare into the field.
“-Saw s-eone… w-kin- around… premise. Pl—e advise.” The crackle of the device is loud enough to reach you, before another couple of screams cuts it off.
The screams are loud, high pitched and uncomfortable. They set hairs on the back of your neck up on end. “Huh.” As the dyed blond gives a wave, he aims himself at your group and says, “sorry, but you have to wait a few more minutes.” His little mousy walk from behind the stand annoys you more than it probably should. But you can’t help it. You want to be done with this, sooner rather than later. “Gimme five.” The kid gives his co-worker a quick mumble, before he disappears down into the one neat path between the corn, and you wait again.
Thump. Thump. Thump. Your heart beats steadily, but hard. Enough to have you wanting to nervously pace the small area of path, but choosing against it after all. The screams are fainter now, further away. Fuck this shit. As the sky lowers into an off-red sort of color, you finally speak up. Your roommate’s pretty eyes find yours. “Hey, can I walk along with you guys actually? I really… really don’t like this sort of stuff.” The noirette barely gives the accompanying blond a look, before letting out a little sigh.
“Yeah, it’s getting pretty late anyway. We can head home quicker that way.” Her boyfriend doesn’t bother to conceal the way he rolls his eyes at you, but doesn’t say anything. You don’t say anything either. Just wrap your arms around yourself and pull your sweater closer to your body. Only a few minutes pass where you all stand in silence, and the people behind joke among each other.
The other teen perched on the entrance eventually gives your group a little nod, and opens the shabby gate with the most monotone greeting. “Welcome to the Night Shift, Miyagi’s scariest paranormal experience. Please stay on the path and refrain from touching our ghosts.” His half-lidded expression and dead-tired wave of the arm almost make you want to smile, if only in understanding. But instead you shuffle along the damp path. “Enjoy.”
The two in front of you start off a liberal, bouncy pace, as your roomie prattles on, and your eyes scan the long path of corn before you. It sways softly in the wind, and the shade it casts is awfully cold. The rattling sound of leaves is the least of your worries though, trying to keep up with your friends. Your heart pounds in your chest, because above anything, it’s the quiet anticipation before the scare that gets to you. The steps get closer and closer to the first corner, and you know. You know how this stuff goes. But Mina gives a little glance back as her long hair sways along her back, ready to encourage you.
A jerk has you all skittering back. Mina and your screams sound in harmony in the cooling night. The pale white face that jumps out at the three of you is a gaunt, gross version of some kind of thready zombie— and makes an awful scratchy sound. “Give your souls. Give your souls.”
Its closeness to your face is enough to make you stumble, ignoring the laughs. But the ghost doesn’t immediately leave, instead crowding you for long enough to have you covering your ears. Thump. Thump. Thump. The rapid pounding of your blood reaches your cheeks. You hate this stuff, from the ache of your chest to the uncomfortable closeness, and you try to calm down.
The ghost has you almost slinking into the corn to escape, before you can finally walk on.
Your friends are almost at the next turn already, and it feels to get darker by the second. Mina has her arm clamped in her boyfriend’s arm, whose smug grin flashes when you hurry on. “Ty, wait! Guys! This isn’t funny-” your voice fails you almost as soon as they reach the next corner way before you do, and disappear from view, “come on, please?” The scream that follows only has you hesitating more, feet slowing as you stand in the now-almost completely dark field. “Guys, this isn’t funny! Wait for me!” you try again, and come to a halt before even the next turn.
All of this is so fucking stupid. If you weren’t such a baby, maybe you’d be unbothered by this turn of events. You even predicted it, didn’t you? Your eyes sting, both from the adjustment of light, and the adrenaline pumps through you— before you set another few steps.
It can’t be that far. It can’t be that scary. It’s just stupid employees in masks. A scream that must be Mina’s rings out further along than you hoped they’d be- and has you balling your fists. If only you can get past, maybe you can catch up to them.
Either way, you’ll have to face more ghouls before the night is over.
And—
Crack.
A scream, behind you.
Your feet fail to start, and goosebumps raise all the way up your legs and back. There’s a whole myriad of noise, a loud bubble of screams that sounds much too close for comfort. They squeal and cry out for a painfully long few seconds. Long enough to push past rational thought before it goes near-quiet again.
And your heart patters on in your throat.
There’s a range of sounds you prepare yourself to hear when you go to any sort of horror experience. The dull, repeated thump, and the long sort of moan— that sounds out above the wind, isn’t really one of them. The cold climbs up your arms and chest before you can gather yourself. The moan isn’t like anything you associate with a ghost. It’s low and groany and continues for a long time, like a wounded animal— and lasts only until a heavy noise snuffs out the plea.
And - the instinctual part of your mind tells you to hide.
It’s gone dark. It’s gone quiet.
If Mina hasn’t made it to the end yet, you can’t hear her. 
Ever so slowly, your thoughts start up again, as you keep your ears wide open for any sound at all. There’s only the soft fluttering of the wind playing through the leaves. Before, as if under the breath of something larger, the sound of scraping leaves against clothes and the nervous rustling of someone moving through the field to your left makes you hold your breath. Your hands move over your mouth to clamp down the stuttered sound of your breathing.
You don’t know why, but it’s something in the air. The irregular noise, the lack of any other sound, and you staring into the darkness… screams at you. An animalistic feeling of threat, whispers that something is wrong. Your hands shake too hard to control. After a little bit of a pause, the noise returns. It’s a second of struggle, before another dying murmur sounds out, louder, closer, and then more shoving. More hacking. Your lungs feel like they’re squeezed too narrow, and your anxiety doesn’t allow for any other thoughts than a prey’s panic.
The nervous rustling gets louder and louder by the second.
Can’t you just step out of the experience? You don’t want to do this anymore— the childish part of your brain begs, and though you want to, you can’t make yourself move. Your lips stay tightly shut. The rustle to your left takes a more rapid pace, before it finally, finally grows a bit quieter again, and you manage to take a breath- pinched and wheezy.
Wrong.
Wrong.
Run.
Your ribcage aches under the pressure of your heart.
Only seconds before the noise would turn the corner, you find yourself stepping back and squeezing yourself between the stalks of corn, shaky hands grabbing and pushing yourself to hide.
Far enough to blot out the last bit of light of the evening, and have you squeezing yourself back until you’re a few feet from the path. You can’t see much, but the darkness adjusts quickly. Then, it’s quiet. The fine hair on your arms stands upright as soft taps get closer, and closer, and closer. And the corn doesn’t feel like enough of a shield.
Another scream comes from the way your friends ran off— girly, shrill and true— it lasts barely a second, but echoes for longer.
… Mina. It’s quiet.
Whatever stupid game is being played, you suddenly decide you want no part in it, and the cold wind ruffling the blades above your head feels like the only disguise for you and your anxious breaths. The footsteps reach, and slowly move past as the air gets stuck in your throat. You’re no fighting champion, and yet, your first instinct is to squeeze your fists tighter.
Only a dark figure can be made out from where you’re hidden, but the head is white, some kind of ghoulish looking mask. Ghost like, if not for the black stitches and blood. The presence is more pressing— it grates with each step. For a tiny moment, the figure stops in his tracks to scan around, and it gives you the flash you need to see that the thumping is caused by the heavy metal tool he periodically swings out and taps onto the floor.
It’s like an elongated butcher’s knife, wide and coated with glittering, royal red that drips down the pristine edge of the blade. Carrying the thick smell of copper behind him. And you’re freaked out enough to conclude it looks real. It can’t— can’t possibly be.
As soon as he passes you for enough time for you to steady your heartbeat, you sneak out of your hiding spot— before you hurry back down the way you came. Your every step feels too loud, and though you try to make sense of what you’re feeling, it comes out in a wobbly line of wetness along your eyeline. With another few step you make it around the corner and—
falter in your step.
There’s blood everywhere. Hands, throat, the huge gash in between the neck and shoulder that reveals flesh and tissue and bone, and oozes a vile smell of blood unlike anything you’ve ever experienced. It’s all encompassing. The previously scary ghost is reduced to nothing more than a sad heap of fleshy canvas for the layer of blood that pools around them.
You can’t think. Can’t breathe.
Blood, blood, there’s so much blood everywhere.
On your shoes, on their ghouly face, on your hands as you kneel down and find it disturbingly warm and sticky and real. The feeling of dry heaving takes over you, and you stand with trembling- everything.
Your heart pounds. Eyes are blurry and make everything a little hard to navigate. You want out of this stupid fucking game. It wasn’t fun to begin with, and it definitely isn’t now. Out, out, all you want is out. This is a nightmare, or the worst practical joke ever. You wipe your involuntary tears with a shaky hand as you walk, only to find yourself letting out a squeak when the red gets onto your face. You rub your cheek onto your shoulder, speeding up— and barely allows for wheezy, heavy breaths of air.
By the time you get back to the gate, you’re almost blinded by your tears. But even your tears can’t hide the growing terror that remains. The group of teens never made it into the path. They lay clumped in a mess of bodies and blood, one of them hanging over the posts with blank, dead eyes- and a horrifying wound that nearly severs his head from his neck. Everything is covered in blood, from the ground, to the clothes, faces, the neat red-yellow uniform- it all has soaked and turned a dirty, off-maroon color that seems to fit the smell emanating from the scene.
You can’t help it, you heave over onto your knees and nothing but some pure acid comes out as you try to look around. This is real. Real. It can’t be, but it is.
Your choked noises of panic ring through your ears wiping your mouth on your sleeve, along with a loud buzzing that goes back and forth, back and forth, back and forth when-
The footsteps suddenly have you turning around, and screaming. The man’s here. You scramble up and jump onto the wooden fence to swing your leg over, but a heavy hand grabs a fistful of hair and yanks you back as you yelp out loud, and grab at his wrists.
“Let me go! Let go!” Your scalp feels like it’s tearing apart with the force when you land onto the cold floor, and the ghoul’s face comes to hover over yours— your tears don’t allow for proper breaths as you cling onto his arm and dig your nails in. “I wanna go home~” your cried, pathetic whimper is all that comes out as you stare, and in the pits of the blacked out eyes, olive irises stare back.
The man raises his other hand, and everything goes black.
+
When you come to, there’s an awful stench that you taste more than smell. You’re so dizzy, and your eyes blot with black clouds everywhere you look— for much too long. Your nose clogged with thick coats of blood hurts, as you roll onto your belly with a groan and cough against the strained pressure.
Fuck, everything hurts.
There’s a bubble of noise around your head that pops in and out of focus each time you blink, and breathe. Crack, it pops. And squelch, squelch, crack. You try to raise yourself off from the cold, damp floor, but a heavy shove to your side has you landing on your sore shoulder, and staring up at the sky with shallow gasps. A hand slaps your face sideways hard, you’re heaved up, and suddenly everything floods back to you. The blood. You try again to right yourself, and your head spins as you try to shake off the cotton that’s filling your head and pushing on your brain.
You’re aching, and your mouth is full of blood.
It’s only when you try to focus on your environment that you manage to make out the muffled crying of a woman — and your head snaps up. Mina’s bound, gagged, and she’s got mascara tracks all down her face and cheeks, and her hands lay uselessly on her lap. Dripping with blood. It’s only after much too long that you notice that the figure that’s moving in your periphery is landing a huge axe over and over again into what’s left … of a human skull.
Blond hair is matted together with clots of blood, and it looks more like a soup than a head. The soft crack and squelch as the axe is pulled out of the floor has you crying out.
Oh god. You wish you were dead.
The figure has a black mask covering most of his face, and yet, you feel like you can see the smile between the narrow slits as he turns to you. The man leans into the handle of his blood soaked axe with all the weight of his tall but solid body. “Two little doves, one gets caught. One tries to fly, the other gets got.” Besides the ring of black around his eyes, you can’t see anything. Your lip wobbles as you breathe, and stare.
“It’s a nursery rhyme. Fits, don’t you think?” His mouth is just barely visible under the forked plate that covers it, and pink lips curl up at the ends. “I know movies teach you to expect a lot of dramatics, but that’s all the drama you’re going to get from me, don’t worry.” He noisily pulls up his nose, before crouching down before you. “I’m Tooru, that’s Iwa. What’s your name?”
At the mention of a second name, you turn over your shoulder to see the figure of the man that caught you— white mask splattered with drying blood, crouched much too close behind you. Your voice dies in your throat, but a soft whimper still comes out. You can’t help it. Cold shivers run up your spine and make your entire body feel wooden.
“Tch.” Tooru gets up to lift the axe high above your head, and then brings it down towards you a few times. “Come on, don’t be like that.” He leans down to grab your roommate’s face, and shakes her with a glance towards you. “I already know this is Mina. Now you tell me yours.” Your nod is quick, and you breathe out your answer just as quickly as he comes back over to you, now scraping the sharp blade along your jaw. “Good girl.”
“Now you’ll be happy to know that you two were the finalists of our little game. Con-gra-tula-tions.” His sing-songy chant sets your skin on end. He stares at you with thinly veiled expectation, and you take a shuddered breath through your bloody nose.
“Thank you,” your voice is barely a mousy squeak.
And Tooru’s laugh comes out almost instantly, cheerfully rocking onto the back of his heels. Just a second, before he stands up again, long legs towering his shape above you. “Sadly enough there can be only one winner. So,” he pauses, eyes glittering with too much mirth, “Iwa, if you would.” The man who’s been sat basically glued to your backside for the whole time gets up to pet his hand over your hair a few times, before stepping over to Mina in silence.
“Wait, wait…” His butcher’s knife comes to rest on her shoulder as she cries the same pinched, pathetic patterns as you do. Tears and spit drenching into the gag in her mouth. “Don’t hurt her.”
“Shhh shh shh,” the dark masked one chants again, and his axe comes to pinch into your neck too, nicking the soft side of your throat with a sharp sting. “Here’s the question. Who is… the one that has to die?” He pushes the blade harder into your skin. “And you better answer, because Iwa likes killing pretty girls. I can’t guarantee what will happen if you think too long.”
“Wait…” you ask, looking into the panic filled eyes of the girl before you. You can see every thought, every regret in her face. “Wait, wait, please. I…”
“Three-”
“Wait!” you squeak now, eyes shifting between both men. “I can’t-”
“Two-” He mockingly moves the axe along your shoulder like a golfer, and your panic blossoms onto your tongue. “One.”
“Me,” you cry out instinctively, vocal chords aching. “Me, kill me.”
It stays quiet for what feels like an eternity, before Tooru lets out a soft chuckle. “Iwa’s right. You are cute. A sweet, little thing, aren’t you.” Then the other guy moves too quick for someone his size, and his weapon glides with one heavy swing right under her jawline in slow motion. The glittering edge of the knife in the moonlight arcs almost beautifully. Slicing through your former friend’s neck with a clean thwop, not enough resistance, before blood splatters on you, on him, on everything.
Her head falls before her body does, with a dull thump that sears into your brain.
And you-
Everything blanks.
You think you scream, but the buzzing and shaking is too loud to make out anything. All you know is that your crying gets worse, and you bury your face into your knees with a sob. Your thoughts are a wiry, tangled ball of terror that comes out in faint pants only, and shaky fingers that curl around your knees. The axe drops to your side before two hands land on your head and slide down to yank you back up to face him, and Tooru’s lips get close enough to you to feel the puff of air on your face. “Shhh, doll. It’s alright now. You did so well.”
“You talk too much,” the more gravelly tone of the other man hits your psyche like a shovel, and has you sobbing into the soft touches along your cheeks.
“I’m setting the mood, Iwa-chan.”
The white masked man steps over the body to your side much too casually, before kneeling down beside you. “Set it in silence for once.” To your horror, his eye contact doesn't wane when you cry harder. In fact, he seems to think for a second, before grabbing your arm in his heavy, warm palm and pulling you closer. “C’mere. You’re gonna be good. Okay?”
“I- I,” you stutter, and pull up your snotty, wet nose again, before he leans in to slide his head into the crook of your neck, and moves the mask up a few inches. Only to press a few kisses along the bare skin, and up to your jaw. If you weren’t so mortified, maybe you’d fight. If you weren’t so shell-shocked, you’d take the weapon to your side and swing it around until it stops.
But his low, impatient grunt against your pulse has you going quieter. “You’re going to be good.” It isn’t a question. “Understood?”
“Yes…” It tastes wrong in your mouth, like the bloody taste that slides from your nose to your mouth, and everything that’s gotten onto your shirt, shorts, on every extremity now. After another second of raising your heartbeat so much you’re halfway to passing out, he finally moves— to press his lips against yours for a second, and slots the mask back in place. If you were any more lucid, maybe you’d be able to comprehend what will follow next. “Take off your top,” the quieter one mumbles, as he starts unbuckling his own belt.
“Here, I’ve got it,” Tooru then chants, too playfully, taking your hands and moving them above your head. As they rise, you feel the sudden feeling of terror flood over you again, shuddering as the fabric is pulled up and wipes past the mix of fluids on your face. You stay like that though, letting him maneuver you like a toy until your shirt lands beside you, and he then starts work on your bra. “Aren’t you a pretty one, hm? Cutie.”
The way he drags his fingers along your shoulder to push each strap aside one at a time is infuriating, but aside from lowering your arms to the side, you don’t— can’t stop them from unhooking and letting the bra join the clothes. Iwa’s quick to perk up at the sight of you, halfway to shouldering Tooru aside to take a good look. And though he doesn’t speak, the soft grunt and way he goes to cup himself over his pants says plenty. Your soft hiccups start back up at that. You don’t want to. You don’t want to one bit- and yet there’s nothing you can tell your body that would make you move. Not fast enough, at least. Tooru simply shakes his head. “You’re a real romantic.”
“Don’t need to be-” His fingers slide up your side before grabbing a handful of your tits and squeezing, as he gets closer on his knees. “Nothing about this is meant to be romantic, Shittykawa. Start taking off your fucking clothes.” His hands roam along your cold skin, brushing playfully against your peaked nipples a few times before he looks back at your face. “You’re gonna take that pretty little mouth and place it on my cock. And if you bite me, I’ll pull each of your teeth out of your skull before you die.” His thumb swipes along your bottom lip, before pushing in and dragging the pad along your tongue. “Understood?”
Your voice loses all volume when he slides the digit deep enough to choke you up, before he pulls back briefly. “Mhm.” Tooru to your side doesn’t make haste in taking anything off, and seems to glitter at the brief attention you give him as he unbuttons the black dress shirt, revealing a toned chest and arms. He’s littered with scars, and somehow, that only makes everything more real. Before you’re able to think it through, you start crying again, squeezing your eyes shut and rubbing the backs of your hands along your lashes like a child. “I…” You’re unable to stop. “I - I don’t- I wan- wanna go home— I-”
“Agh, fuck.” Someone speaks, but unlike the anger you expect to be met with, he groans it, delighted more than anything. Your eyes open when hands cup your face and you’re laid down onto the cold ground with a swift motion, and Tooru’s inhuman mask stares back at you— only revealing a wide grin. “Stupid girl. You can’t go home. You’re going to be our play thing until we get bored of you, or you stop being useful-” He dips down to an uncomfortable few inches from your face, and pinches your cheek until it hurts. “And then, you’re going to end up chopped into little pieces and buried in a shallow grave. Heh, how dumb are you? You wanna go home?” His mocking tone hurts almost as much as the sharp glare.
You can’t help it, you cry harder, and try to get from under his heavy body to hide your face— but that only faces you with the horrifying reality of your friends’ fate. “Wanna cry to mommy and daddy about it?” As he gets close enough to almost brush his lips over your ear, a soft chuckle comes out. “You better not tell Iwa-chan that. He’s really mean when he gets jealous.” He moves to pry open your mouth and slides two long fingers in without warning, having you choking again and spluttering around. “Now be a good girl. Or don’t be. Doesn’t matter to me.” Your tongue squirms uncomfortably as the fingers invade your throat and make it feel like you’re drowning in your own spit- with desperate puffs of air through your nose as you cry.
“Move that way,” Iwa grunts after a few seconds, before staring at the wobbly line along your eyes again. “Guess I get to go first.” There’s a distinct lilt of amusement that hangs over everything he says as he grabs your leg and yanks you up to start pulling your shorts down. Finally Tooru pulls back as you cough, spit leaking out of the sides of your mouth— before he too starts taking off the last of his clothing and hums softly to himself.
“Isn’t she really sexy when she’s pouting like this?” His gleaming praise is paired with a sharp tap to your cheek, as he peeks out a sliver of his tongue. “Crying like a desperate, little slut.” He doesn’t give you the chance to say anything in between your sobs before he grabs himself at the base and leans over you to press his cock head to your mouth. “You’re just a hole for us to abuse, you know that?” Something in the back of your mind begs for you to bite him, but almost as if he can smell your intent, his hand wraps around your throat and pushes, hard. “Try something and you’ll wish I was just being mean all over, cutie.”
“Gotta fit us, baby,” the other voice speaks, and makes you want to sink through the floor. Your body can’t stop crying, and the anger you feel is almost equal to your fear. It’s not enough to let you ignore them. They have to demand your attention too. “Pretty little cunt.” He starts rubbing your pussy up and down with rough fingertips, then spits and spreads around the wetness before he almost immediately pushes two fingers in dry— and it makes you jerk at the uncomfortable feeling of your body being invaded.
“I think she likes it when it hurts, Iwa-chan,” Tooru’s playful tone makes you want to scratch and bite and tear his head off. It just has you crying your eyes shut though, and lay there shaking. What other choice do you have? His tone doesn’t change as he demands attention by rubbing your tits and squeezing until you squeak. “That’s a good toy.” The rubbing and prodding does start to allow your wound-up muscles to loosen up a bit, but when the hand between your legs pulls back, you’re still not nearly wet enough. Iwa’s strong thighs under yours cause your hips to be aligned with his, as he grunts, as he looks, as he all but eats you up with his eyes.
But that’s all you get before Tooru’s patience wanes and he prods open your mouth, and starts feeding you his cock. “Ah, there you go, little crybaby. Open wide.” The taste of his precum on your tongue along with the bucking into your cheek makes you open your eyes to look up, and to your surprise, his mask has been discarded too. There’s a healthy flush on his cheeks, and in any other situation, you’d be taken aback by how pretty he is. Instead he grabs a hand of your hair and forces his flushed cock down your throat, as you try not to panic further. The feeling hurts. It hits the back of your mouth as your tongue squirms around him and he makes you heave—
and the hot, heavy cock that was pressed against your mound is now also pushed in you with a low, gravelly moan. There’s an ache inside you that is impossible to ignore as he fills you up inch by inch and the stretch really hurts, going into pleasure too quickly. You shouldn’t- you know you shouldn’t, don’t want to- you swear, you swear. Everything is too much. The cock in your throat makes you gag as Iwa bottoms out, grabbing your hips and anchoring himself inside you. The warm cloud of pleasure that spreads through you is painfully overwhelming. “Tight fucking pussy- god-”
The one closest groans out your name, as you feel his cock pound on your tongue. “Ain’t she just- so- gh-good?” Tooru’s flash to yours and the big, brown irises that look back at you make you shiver. He pulls back to beam down at you with what you could almost call a serene smile, as his cock jerks against your cheek and his hand runs down your body. Your pussy clenches as the rhythm of Iwa’s cock pistoning in and out of you starts feeling more than just painful— and wetness starts allowing him to slide in with a wet squelch. When a tiny moan comes out of your mouth, Tooru giggles, and leans in. “Don’t you like it a little too much? Having two bad men fucking you? After what happened-”
“Leave her be Oikawa- ugh,” Iwa groans from behind his mask, hiking you up to speed up the rhythm inside you, “don’t bully our new pet… Ah, fu~ck.” The loud paps of skin meeting skin is all you can hear, as your back lifts off the cold ground and his cock rocks into the best part of your walls. Your body is strung tight enough for every touch to feel better than the last, even the twitching of the drooling cock head as it’s smeared on your lips. “She feels so good.” 
“I’m just teasing. Right, little one?” You don’t fight the urge to stick your tongue out and lick along the glossy slit of his cock, and Tooru grabs your head to keep you there. “Oh sh-, see? She likes it. She likes getting fucked like she’s nothing. Just a greedy little cunt and throat, huh?” He moans as you wrap your lips around him again, and narrows his eyes at your face. “‘S all you’re good for.” The thumping vein on your tongue is thrust back into your mouth, and you cry as he fucks all the precum down your throat before pulling back.
“Ah, ah, ah~” Your whimpering is beyond you, as you cling to the arm of the one closest to you. You’re completely gone. The tingling all over your body is all you can feel, the heat of them over you and inside you as you cry and moan and whine, and the hands roam on your body. Each time Iwa bottoms out in you, your body jerks from the pleasure and impact, and Tooru’s eyes seem to darken as you blubber around the base of his cock for air. He doesn’t falter when he turns to stare at the other man instead, and keeps you down there. “She’s close, hurry it up.” 
“I want to cum inside,” Iwa immediately says back, and though you can’t see the frown you hear it’s there. He’s still fucking right into that spot that’s making you almost crosseyed, so they’re not even wrong. His deep voice rumbles as he thinks, and his strong, muscular shoulders square. All the while you’re trying to cum up for air, and Tooru threads his fingers through your hair. “You’ll have to wait a little for your turn.”
Your lungs ache and your vision goes spotty from being choked so long, before the brunet finally lets you jerk back off his drooling, spit-coated cock to take a deep breath, and let out a cry. Still each pump of Iwa’s body against yours taps your puffy clit, and winds that coil even tighter in your belly. Your dripping cunt clenches all the same, even as tears dry on your face. “Well, you heard the guy, cutie. He needs to breed that pretty pussy. So you’ll have to put up with me for a little while longer.” He slides his cock along the back of your tongue, before rolling his hips into you with a long moan.
You're going to cum. Oh no, you're actually going to fucking cum from this.
Tooru must know, because his eyes glitter as he meets yours, and licks his lips. “But you don’t mind that, right, pet?”
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deer-head-xiris · 9 months
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Made this for twitter user LavenderDusk7 !! This their angel OC Sitael whomst i love dearly <3
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If I’m honest, I actually really like Helluva Boss’s “Beelzebub” design in terms of like. A fun sparkledog character. I think what makes the design really clash for me is the color palette they chose for her, and all the smaller details she has. (Design review below cut—not criticizing to be mean or attack—talking about my personal opinion on the design)
The times when she’s got a different palette make her much more visually pleasing to look at—I like the following color schemes waaay more than I like her general color scheme:
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I think I really like the top two color palettes more because the stripes are more subdued—they mesh better with her base fur color, and because they’re lighter more subtle in those color schemes-it really makes her facial markings pop, especially with the second color scheme.
Overall though, I think the BIGGEST issue with her design is not the general silhouette—a dog/fox girl with four arms isn’t that crazy. What really really hinders her design is just HOW cluttered it is.
There are stripes, spots, that forehead mark, her clothes have little tears and marks that don’t actually add much to the design. I don’t really. Understand how her bra works??? Or her? Arm? Strap? I guess? I can’t tell if it’s a bra or not…Her heart window on her shirt is so big that it only showing her chest doesn’t make a lot of sense.
Like. Where her bra go? 🤔❔
I also don’t really like her black crown thing. It doesn’t add anything to the design imho and I assume it was added to distinguish Bee as a Deadly Sin. But I think it’s just an extra detail that clutters the design further.
The main problem with the design really boils down to just how over-detailed and cluttered it is. The lava lamp/honey idea is cool, and I like it, but I think if you’re going to have that, then you have to really simplify the rest of the design.
Bee has SO. MANY. constantly moving parts to her character that it makes it hard to focus on her. The animators did an insanely good job having to animate all of those parts-it couldn’t have been easy.
I still love her tho. Mostly b/c she’s voiced by Kesha, whomst I love dearly, and also b/c she is the only woman character in HB I can think of whose character doesn’t completely revolve around her boyfriend/husband/a man. And she gets to be happy and isn’t just mean and terrible to everyone for some reason? Woof.
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The council has spoken, and I am OC posting
say hi
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So this is Cirice, I'm very biased towards her fnfnfn
This is Mei-Lin, whomst I love dearly.
They are gay
Bonus doodle of the queers being queer:
gay ass mfs
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violet-moonstone · 7 months
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My boy Rainier whomst I love dearly
Dagur and Mala's son
Sometimes called Dagurson (which he dislikes), often called Rainier the Relentless (which he won't admit that he really likes).
He tries to be like his mother as much as possible. But there are some parts of him he clearly gets from his father (his red hair, his nose, his eyebrows, his anger...)
He used to idolize his father when he was young and naive, but that was before he knew about his past. That was before the accident...
Now he wants nothing to do with him.
But Mala is frequently busy and can be somewhat distant. So he spends a lot of time with his aunt Heather when he can. She's the closest he has to a friend. Peers his age are either too childish or unruly or else shy away from him because of his position.
At just fifteen, he has so much weight on his shoulders. He is the only child of two powerful leaders. His existence unites their tribes. He cannot afford to be wreckless or selfish. He has to be intelligent, strong, and brave. He has to be perfect. He hopes that one day he will be.
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