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hybbart · 1 year

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Day 1904: The spread of sculk is too much to just clean. After salvaging what they could, the ranch is taken down...

Bonus short story below.

Jimmy watched as the last of the house blazed in the twilight. Around the edges of the flames Pearl and Sausage marched, searching for anything flammable that might catch. It was the beginning of winter, and the constant rains had kept everything soaked, but they couldn’t risk it in the middle of the forest. Lizzie had stayed closer as well, securing the last of their belongings to take away in the morning. It was only a few metres down the driveway, but the ranchers couldn’t even get that far.

Tango let out a low growl. His grip on Jimmy’s sleeve tightened, pulling the thick fabric further over his eyes. Puffing up his feathers, Jimmy pulled his rancher closer into his side. Tango only stayed because of Jimmy, and because he couldn’t bring himself to leave the ranch behind. It was what he’d said yesterday, before the first burning. But he couldn’t watch. He could barely help them clear it out before the sledgehammers came in. Sparks flickered through his hair in lieu of tears in his eyes as he kept his face buried.

Jimmy, though… He was entranced. Every crack in the beams that cause a burst of sparks or shift in the wind that billowed the smoke in a new direction. The smoke made his eyes water, but none fell. Maybe he’d finally grown numb. Maybe it looked too different. There was a pile of flaming rubble where his home once was, his first home, but his chest only felt hollow. All that was left with a twitch in his wing, the desire to run and keep far away.

Pity in her eyes, Lizzie approached them from the trailer. Reins were pushed into Jimmy’s hand against his protest. “Take a horse and head back to my house before it gets dark.” She said.

“But-”

“No arguing.” Despite the firmness of her words her voice was low and sad. “You need to sleep in a real bed, Sausage is going to stay here tonight. The last of your things will be fine overnight with us.”

Even after years, Jimmy was never able to argue with Lizzie when she said something reasonable, and he’d given up trying. Jimmy glanced to Tango, who was still hiding from the world in Jimmy’s sleeve. A small tug on his hem was all he got in response. “We’ll be back in the morning with more water.” He assured. They rounded up Bullseye and began the long, quiet ride to Lizzie’s.

By the time they arrived it was dark, the home illuminated from within the kitchen. Though half the house was cloaked in tarps to save unfinished work from the rain, they’d moved into the completed half already. A bit of smart planning on Scar and Joel’s part.

One of the kids must have spotted their lantern, as the door opened before the ranchers could get down from their horse. Tom came rushing up with Revy on his tail. He took Bullseye's reins from them and led him to the cow pen. It was more cramped than it should be, since the rain had flooded the rancher’s outer pastures. Revy whined and licked at Tango’s hand until he gave the dog a weak pat.

Joel shouted something after him before guiding the men inside. “We just started eating if you want to sit down.” He explained as he took Jimmy’s coat. One glance at Tango was enough to answer.

“I’ll grab some in a bit.” Jimmy tried to smile gratefully, but it came out as a grimace. Joel let them be with a nod, hand held out to the hall down which Sausage’s room awaited.

It was colourful, though the furniture was rudimentary, with a mattress stolen from Scar’s hospital. The bed so much smaller than they’d gotten used to, but Jimmy doubted it would matter for tonight. Norman and Flick waited on the windowsill, and Joel had already set up Jimmy’s breathing machine. It took some coaxing to get Tango to change out of his coveralls - which went into a plastic bag to be washed separate - and take off his arm. Even more coaxing was needed to get him to let go long enough for Jimmy to also change. When Jimmy turned back around the blazeborn had Revy wrapped up in his lap instead. The dog’s tail beat against the bed, happy to be held, but whining, nonetheless.

“Do you think you can eat?” Jimmy asked quietly. Tango didn’t respond. He grabbed only one bowl from the kitchen, unsure he could eat much either without it coming back up. Smoke still clung to their skin and hair, dragging them back to the ranch every time it filled their nostrils, but it was much too dark to run a hot bath. Still, Jimmy knew he had to eat something, even if it was in silence.

Tango migrated behind Jimmy at the end of the bed, tail wrapping around the avian’s waist. Its tuft flicking with agitation. Jimmy could feel the heat rolling off his rancher. “It’s not fair.” He rasped.

Jimmy’s wings flattened. “It was an old wood house. It would have had a mold problem eventually unless we rebuilt completely.”

“But why did it have to be sculk!” He snapped, tail sparkling in Jimmy’s lap. Jimmy tried to smooth it down, but it had little effect. “Why’d it have to make it here?”

There wasn’t an answer, not one Jimmy could provide. Maybe Doc or Zed could explain. It was probably in the well and washing into the surrounding water supply now. Would it be washed away? They should have listened to Grian’s worries back when Jimmy’s feathers had been infected somewhere. Or, maybe, back when they’d first found that infested corpse, they should have done something more. It didn’t matter now that their home was already gone. When nowhere felt safe.

His wings itched while his rancher bristled. Tango couldn’t cry, but he was made to fume. “Why aren’t you angry?”

“There’s no one to be angry at.” Jimmy shrugged.

“The stupid sculk! The idiots who let it loose! The world!” The bed creaked as Tango kicked off it to pace the small room. Revy whimpered, shifting his nose into Jimmy’s lap. “It’s been half a decade. It was supposed to get better. We live out in the middle of nowhere. And the end of the world still found us! We build our own home and make our own food and do everything we can, and it still comes and finds us!” The blazeborn was consumed in his spiral. Flames burst like firecrackers along his tail, startling Flick when it whipped past the poor cat.

“Tango…” Jimmy sighed, giving the man a miserable look. When he continued to pace, threatening to scorch their hosts’ possessions, Jimmy finally put a hand up in front to stop him.

A hiss escaped Tango, narrowed eyes glaring at the hand which proceeded to latch onto his shirt and drag him off course. Tango tried to shake it off, but Jimmy kept his hold. “It’s not fair that there’s nothing to fight back against.” He lamented, voice cracking. “I just have to sit here and hope tomorrow it doesn’t get in your wings, or start growing into Revy’s brain, or infest another basement! That it doesn’t get everywhere and take everything. At least the stupid zombie I can punch in the face!” By the end his voice was so shrill and watery Jimmy could barely understand it.

“Me and Revenge are okay. We’re right here.” Jimmy assured, pulling Tango back down beside him.

It made something finally break. Tango curled into himself across Jimmy’s lap, heaving dryly. Talons raked gently through the blazeborn’s hair. Between sobs Tango mumbled incomprehensibly while Jimmy cooed to keep himself from crying as well. There were too many things roiling just beneath his impulse control. If he let one out, the rest would follow, he was sure. So, he focused on Tango. His rancher needed him.

“I don’t think we’d win if it was someone you had to fight, to be honest.” He whispered half-jokingly as the sobs died down.

Tango stilled, then slumped further into Jimmy’s chest. “I could at least try, instead of this.”

Jimmy hummed. Even if they could, Jimmy wasn’t so sure he would in the moment, and he knew Tango wasn’t all that dissimilar. Unlike Joel or the downtowners, their talent was for running and hiding. That wasn’t the point though, Jimmy knew, so he didn’t argue. “What do we do in the spring?” He asked instead.

“… I dunno.” Tango mulled, head tilted out to look at his thoughts. “It’s not safe to rebuild there.”

“Scar has most of the grain safe, and Lizzie has our animals. We could find another plot, there’s plenty around.” Though, most of them had been stripped of their valuable supplies and building materials over the years or rotted away from lack of care. But the land was still good, and they and Pearl didn’t need much room.

Would Pearl stay with them? They’d lived with her much longer than without her – if the time before her arrival weren’t so chaotic, he might not recall so well what it was like without her – but she always seemed to keep her distance. A guest, even after she was given her own room. Having someone there to take care of things even when they couldn’t let them grow the ranch to almost thirty cattle, but without her...

That Lizzie’s family would have their own ranch soon was the only thing that calmed the nervous itch in his wings recently.

“We’d have to move closer.” Tango’s voice cut through his thoughts.

“Huh?”

He was no longer curled up, though he hadn’t bothered to remove himself from Jimmy. There was that look in his eyes, where his brain was moving far too fast for Jimmy to keep up. At least it had occupied him with something other than the sculk and fire. “We can’t rebuild around the ranch, we won’t know how bad the infection around it is until next winter, and the water probably isn’t safe. If we rebuilt we’d have to move further west down the mountains towards the city, OR-” Tango raised his hand before Jimmy could protest. “We move closer to the hospital, somewhere around here, or maybe further into the interior on the other side.”

Jimmy clamped up. They’d all had more than a few conversations about this, between them and the hospital, other settlements, and over the radio. Don’t put all your eggs in one basket. Keep spread out. Far enough that, if something happens, everyone else is safe, but close enough to reach neighbours relatively quick. Like a long chain snaking across the mountains. By now everyone had horses or bikes and access to the recap radio, and it helped them cover more resources. A farm needed land, anyways, especially to keep up with how many people there now were within the network.

That thought seemed too much right now, though. He could feel the ash in his wings turning to lead. Losing the ranch didn’t just affect them. The cattle were saved but almost all their stores were gone, including two cows’ worth of beef that was to be sent out. It would take weeks, if not the whole season, to get things back in motion, in the months they were relied on most. Would people starve? Would the sculk spread from the ranch? It was a responsibility that seemed natural and seamless just weeks ago, but now felt suffocating.

“I’m not sure-” Jimmy finally replied. “I’m not sure I can rebuild the ranch right now.” Flashes of the burning rubble filled his mind, along with that numbness he’d felt. There was at least three months before they could begin, plenty of time to get over it. But right now… “I don’t even know if I want to.”

He expected perhaps a gasp or shouting from Tango. ‘We’re the ranchers!’ Maybe. But the blazeborn, to Jimmy’s surprise, nodded. Laughed, even. “We’ve been running one for years, why’s it feel impossible now?”

It was probably just nerves. Anxiety. In a few weeks it would wear away. But for now, Jimmy leaned his head against the top of Tango’s and entertained other things. “We could move back to the hospital.”

“That’d drive you insane, and Revy would kill Grian.” Tango chuckled.

So would you, Jimmy thought. He was sure if Tango had to see more sculk every day he would lose it. “What about visiting Gem and Impulse then?” He suggested instead. “I heard they’ve been doing a lot of forestry. It might be good to learn from them. Or we could finally go to the coast.”

“We never did make it that far, did we?” Tango recalled. “… Why not both? Go back up the mountain and race back down until we hit the coast. Maybe find some more people outside the recap’s range and bring them in.”

“If they’ve survived this long then I doubt they’d want to move now.”

“They might. Or maybe we can help extend the radio range for them.”

Jimmy smiled. “Maybe we should go east, instead. Find a ranch in the prairies. Be real cowboys.”

“Never been out there, even before all this.” Tango relaxed back against Jimmy, patting his leg for Revenge to come lay across. “You could stretch your wings.”

“That sounds nice.” He admitted with a sigh.

The pair continued to chatter, naming everything and everywhere. Making plans they’d likely never use. Anything to take their mind off the ranch. Just for one night.

#solidaritygaming #tango tek #ldshadowlady #pearlescentmoon #mythicalsausage #rancher apocalypse au #team rancher #fanfic #fanart #bioppunk #spooky #character #scene #background #writing #art #sketch #colour #Hybbart

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steddielations · 11 months

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Flight of Icarus lore dump part 2:

Part 1 | Character List

- Wayne has a green thumb. He reads Gardener’s Weekly magazine. It doesn’t say what he grows, but it says he buys vegetables from the store so I’m going to say that gruff old man Wayne has the prettiest petunias in the whole trailer park.

- Eddie sneaks into the Hawk with his best friend Ronnie to watch action movies and thinks Snake Plissken, Han Solo and Conan the Barbarian are cool.

- Eddie talks for hours about the intricacies of Elven politics in Tolkien.

- Eddie read comics as a kid and hid them all over the house "like a little squirrel" under the bed, behind the nightstand, under the rug. Wayne found his Uncanny X-Men in the freezer between stacks of tv dinners. Also, "Hellfire Club" comes from these X-Men comics.

- Floor time! There's a part where Eddie is literally just lying on his back on his bedroom floor counting down from a million. When Wayne comes home, Eddie army crawls on his belly to the doorway to see him.

- Eddie reads Gormenghast paperbacks, gothic fantasy novels. It mentions that Wayne saved them from the house fire along with Eddie’s guitar. It never says how/when Eddie originally got his guitar.

- Eddie says lots of cc’s original songs have D&D references. It's implied that he writes them. One is called “Fire Shroud” after a spell

- Eddie is called Freak King at school and Munson Junior or just Junior around town and he hates all of it

- Eddie talks about having anxiety a lot and it's implied he has had panic attacks in the past

- Eddie is the lead singer and guitarist of cc. He started the band with Ronnie specifically because it was required to participate in the school talent show.

- Neither Wayne or Al graduated high school. When Eddie (temporarily) drops out, Al celebrates.

- Eddie doesn't cook. He doesn't even own a spatula. The smell of cooking in their house actually shocks him and gives him a deep longing for family meals, which Al uses to manipulate him

- Eddie jokes about being into Saturday Night Fever and strikes the pose a couple times.

- Eddie knows how to hotwire and how to pick locks. Al taught him this at the age of ten. Eddie is "disgusted" with himself any time he does either of those things.

- Eddie "drives like a monster" when he's upset about something.

- Eddie smokes cigarettes occasionally. Weed is mentioned a lot in the book but it never says anything about Eddie smoking it or doing any drugs. He either doesn't smoke much or he hasn't tried anything yet in the book. Also, he’s just now meeting Rick. But It’s pretty clear after everything he went through why he would start

- There's lots of mentions of PBR and Bud Light. Though Eddie says he doesn't like to drink after his shifts at the Hideout (where he's a barback). He mostly drinks off-brand Big Buy soda in the book (he calls it "pop")

- Eddie's parents were married on March 12th, 1966. The date is inscribed on the bottle of their wedding wine. Eddie asks what kind it is and Al says they only had 'red or white' kind of money

- Al breaks out the wedding wine (to manipulate Eddie, you guessed it) it's red wine and Eddie really, really likes it

- Eddie went to War Zone with his dad for supplies for the truck heist (spike strips, coveralls, etc)

- Eddie's band played Exciter by Judas Priest at the talent show. The song was only approved because they emphasized the "priest"

- There was another (?) talent show in Winter of 1981 where Eddie's band played "Prowler" and they were kicked off stage halfway through because the song was considered Satanic, and the PTA visited all their parents for trying to convert everyone to Satanism.

- Eddie imagines hitting his dad twice. Once with a glass bottle and once with a metal wrench. (He should've- oops who said that)

- The only hug Eddie gets in the book is when his dad first comes back, Eddie knows it's the first step in his cycle of showing up, using Eddie and leaving, but Eddie still accepts the hug and feels guilty for enjoying it.

- It's implied Eddie gets close to tears a couple times in the book, but the only time they actually spring up is when his mom's favorite song (from Muddy Waters) comes on in the truck radio while Eddie is doing the heist with his dad and feeling awful about it. Eddie has several flashbacks of dancing with her to this song, it seems like his happiest memory that he always returns to.

- Whenever Eddie is doing what his dad wants (hotwiring, charming a person into their plans) he puts on what he calls his "best Al Munson smile" and he's terrified that it will eventually take over his whole face. There's a part at the end where Eddie is sitting in a jail cell and says "All I want to do is tear my face off. If a new one grows in it's place, maybe it'll make me a different person. Someone who isn't such a complete fuckup."

#eddie munson the nerd that you are #steddie writers eddie recites tolkien purposely to be annoying so write that down #these always get progressively sadder oh boy #eddie munson #flight of icarus #wayne munson #al munson #ronnie ecker #stranger things #i'm gonna do one more of all the places name dropped and then a deep dive into eddie's d word issues #mp

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pisupsala · 9 months

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Of All The Stars in The Sky | 16 | Bradley ‘Rooster’ Bradshaw

Summary | War looks different from high above in the sky. But when Bradley finds himself on the ground, far behind enemy lines, it becomes a race against the clock to get out. And try not to look back at what he’s leaving behind.

Pairing | Bradley 'Rooster' Bradshaw x fem!reader / Bradley 'Rooster' Bradshaw x fem!oc (no use of y/n)

Warnings |Mature content | 18+ only[WWII AU] swearing, war, violence, death, explicit smut

Words | 9.1k

Library

Chapter 16 - The End of The World

That summer of 1943 that you spent with your parents will be the last light before the long and dark night that follows. The war is going badly — for your occupiers, that is. The Allies have taken Sicily, and the Soviets have booked a major victory at Kursk. News coming in is sporadic, the censors working overtime to downplay military setbacks, but rumors persist. The pincer is closing from the south and east; they whisper: Stalin’s Red Army will punch through the Eastern front after winter, and the Allies will be crossing the Alps.

More tangential proof of how the war is going is how more and more men disappear from public life — Hitler must be getting desperate, drafting reinforcements from the traitorous country that assassinated his right-hand man. And where the men disappear, women take their place.

Registered as unemployed, you received a summons in the late fall of 1943 to report for labor in support of the war effort. At the outskirts of the capital, a car factory has been converted to produce army trucks — massive 3-ton personnel carriers. Every morning, when the sun is barely up, you get on a bus with about fifty other women of all ages, all dressed in the same drab, dirty blue coveralls. The only splash of color in the early morning twilight is the scarves everyone ties around their head to protect their hair.

Your nimble fingers earn you a position wiring the dashboard and ignition systems; your once soft hands and manicured nails are definitely a thing of the past now. Your fingertips start forming blisters and calluses from twisting the copper wires into place; your nails are chipped and broken, caked in dirt and thick black grease. The harsh degreaser soap cracks the skin on your palms, leaving them sore — the cold winter air stinging the raw skin.

You haven’t heard from anyone in the resistance since your last encounter with Jan — he probably reported you as compromised to Emil, and everyone has been steering clear of you since then. Rationally, you know it’s not personal. But in your heart, you cannot help but be bitter: after all you’ve done, after all the risks you have taken, you end up on the assembly line building trucks for the enemy. And not a peep from your comrades.

But you don’t need them, you think sourly. You took your first steps into resistance activities by yourself, stealing food stamps here and there to help the people you knew. It grew from there, but it wasn’t until late 1941 that you actually got in contact with the resistance proper and your activities were scaled up. And now that you’re on your own again, you’ll just do what you always did: as much as you possibly can.

The factory is run tightly. Hawk-eyed supervisors check every aspect on the line, writing up workers for faults, deficiencies, and mistakes. They are supported by the armed guards — young boys with large guns and on an even larger power trip — that patrol the grounds and the factory floor and gleefully punish poor performance.

Poking and prodding, trying to find cracks in the system, you knew you’d push the envelope too far at some point. It’s a risk you’re willing to take — you wouldn’t be able to live with yourself if you didn’t at least try. So you experiment: wiping sand on the fine gears behind the fuel gauge, making the cursor stick. It’s simple and subtle enough not to get noticed during inspection. The first time you get caught, it’s for cross-wiring to the headlights with the windscreen wipers — which, in terms of sabotage, is mostly harmless, at most an inconvenience. A warning and compulsory study of the manual is all you get. But you know you probably overstepped when you get caught not tightening the contact cables in the ignition system, which would cause them to fall out sooner rather than later, stalling the whole machine.

“With me, missy,” Your supervisor sneers, her red-painted lips twisted into a scowl, knuckles whitening as she clutches her clipboard. It hasn’t escaped your notice how your supervisor has dressed quite nicely daily: makeup, well-fitted dresses, nylons.

“It was a mistake,” You lie, defending yourself. “It’s cold, and my fingers-”

You don’t finish your sentence as the supervisor grabs you by the collar of your coveralls and pulls you out of the factory hall. “Are you insane?” She hisses. “Sabotage is treason.”

“They’re going to kill us anyway,” You choke out, stumbling after her.

Harshly pushing you out the factory door into the snowy courtyard, she stares after you, coiled with anger. “I’ll take my chances,” She spits after you. “Stay there until I come get you!” She adds, yelling.

Folding your arms, you shuffle your feet in an attempt to get warm. It’s still early in the day, and it’s freezing cold. Your breath is coming out in puffs of opaque smoke, and within a minute, you are shivering. Opportunistic bitch, you seethe.

You nearly scream out when you are suddenly doused in ice-cold water, your sopping coveralls now so cold it’s practically burning on your skin. From the boyish laughter behind you, you know these are the guards, joking in German — there’s nothing you can do.

You stand frozen in place, the cold water trickling from your wet hair down your spine — it’s like you’ve just run a marathon; you struggle to catch your breath, thoughts running through your head in a blind panic. Finally, you sink into a squat, your legs almost giving out from under you — you need to hunker down, tucking your hands under your arms, desperately trying to preserve your core temperature. You are shivering so hard it’s making your stomach hurt, like your intestines themselves are violently shivering too.

It’s impossible to say how long you sit there. You notice it starts snowing again, but you can’t feel it. It’s like you’re frozen into place, your insides still quaking. The snowflakes stick to your lashes, making your lids heavy and your movements even more sluggish. It feels like your blood flow has slowed down to a crawl. You want to cry from pain, from humiliation. From anger. But your tears are frozen solid with the rest of your body.

When you are forcefully pulled up back onto your feet, no sound makes it out of your mouth. Your lungs hurt — your throat is so dry it’s numb. Whatever sound of pain or protest you try to make only comes out as a puff of air past your ice-cold lips. Your legs are stiff and barely cooperating, but the supervisor, who is holding you by your arm, nails digging through the layers of freezing fabric, doesn’t stop pulling until she shoves you down by the coal furnace near the offices.

The moment she lets go of you, your legs immediately give out again — your knees skid over the concrete floor. The warm air is like relentless pinpricks on your skin.

“Let this be a lesson for you and everyone that has any ideas,” She hisses at you venomously, grabbing your chin to force you to look up. “Warm up and return to your place on the line.”

It’s a lesson, alright.

Next time, you won’t get caught.

The winter of 1943 into 1944 is long, and the cough you’ve developed doesn’t disappear until late spring. Miraculously, you never really got sick after your punishment besides the persistent coughing, but as your grief wanes, a wave of new anger emerges in you. You never wished ill, hurt, or even death on specific people — your ultimate goal was always freedom. But now you find a macabre kind of glee as you sprinkle sand on the fuel gauge and fray the cables in the ignition.

I hope your truck stalls as you run. I hope you run out of fuel. I hope it kills you.

When you catch sight of the supervisor, you smile sweetly at her. You’ll get yours too, you think.

At night, you sit with your ear pressed against the radio, listening to the BBC news on the lowest possible volume, running Bradley’s bracelet between your fingers like rosary beads. You are desperate for any news of the advance. Southern Italy is so far away — is Bradley there now? The reports say the fighting is heavy; progress comes at great cost. You stopped being scared for yourself, but the more you are scared for Bradley. Alone in the dark apartment, tears roll down your tired face.

Talking during work is forbidden, but on break, huddled together in the corner of the factory courtyard, whispered rumors swirl out of the earshot of supervisors and guards. When one of the armed guards passes, everyone dissolves in a fit of giggles, not from nerves but as a carefully honed defense mechanism. The bored guards don’t bother with women’s gossip.

Soon, rumors and gossip are the only things to go around: rations are tightening, and more and more is getting diverted to the war effort. Cigarettes get passed around after a single puff, soup becomes more water than anything else, and you even resort to sharing mugs of ersatz coffee. The less there is, the more you care for each other. During breaks, you brush each other’s hair, braiding it or pinning it into curls. Sometimes, someone procures some hand cream, and you take turns massaging it into each other’s sore hands. It establishes a strange sense of normalcy in a world that steadily feels like it’s in free fall.

***

Every key Bradley touches on the creaky piano seems to be the wrong one. He can hear the melody so clearly in his head, but when he tries to play it or even just hum or whistle it, it’s like he cannot find the right tone. It sounds off.

He can remember the moment so clearly: the starry spring night along the river bank, the melody floating down from the open window. Flexing his hand, he can almost feel your fingers threaded through his, your body pressed against his as you followed his lead. Just like he tries to remember the melody, Bradley tries to remember your smile.

He knows he remembers, but he just can’t recall it. When Bradley tries, he is unsure if he remembers you correctly. It’s like it all happened in a dream, and he remembers shapes and colors, but the more he tries to grasp the details, the vaguer they become.

It’s January 1944, and the last six months have been one frustration after another for Bradley. At least he’s no longer grounded, but he hasn’t felt like himself since returning to England. It’s like Bradley woke up, and reality wrapped around him like a coat he had outgrown — constricting his movements, leaving him uncomfortable in his own skin. He can forget that only when he flies, at least for a moment.

Except it’s making him forget everything, he desperately wants to hold onto.

“I thought I’d find you here, Rooster,”

Bradley sighs lightly before turning to the voice. Mav stands at the door opening, in his crisp dress uniform, an easy grin on his face. As he saunters into the empty pub, a gust of cold air follows him from outside.

“Long time no see,” Mav continues as he pulls out a chair, still grinning, plopping himself down across from Bradley.

“Yeah, good to you again, Mav,” Bradley responds neutrally as he closes the lid on the piano, slowly turning around to face Mav. “How are Penny and Amelia?” He asks conversationally.

For a moment, the older man’s looks soften, his cocky grin faltering. “Good, good,” He nods. “Amelia sent you a letter to thank you for the postcards. Did you get it?”

“I’m not sure; it might have gotten lost in the mail,” Bradley replies vaguely. It’s probably somewhere in the packet of unread mail piling up in Bradley’s footlocker. Writing letters has been a chore because he cannot talk about what he wants to. The censor would not allow it, so putting pen to paper and pretending that everything is just okay is something Bradley rarely can summon the energy for.

He feels guilty. He knows this makes him a terrible friend, and he cannot explain why he can’t just write a short message home.

Mav just nods but doesn’t reply. An uneasy silence falls between the two men. They haven’t seen each other in a good two years, since before Bradley went on detachment to the UK. For a while, Bradley thought it would do them good — the distance would soften the sharp edges of their fraught relationship a bit more. Maybe he put too much stock in it.

“So,” Bradley starts, tone forcefully light. “What brings you here, Mav?”

“Mass mobilization,” Mav shrugs in response. “You know that something big is afoot.”

“I meant here,” Bradley’s voice is a little bit sharper as he gestures around him vaguely. He ignores the jab of guilt in his gut. “In this empty pub.”

“Oh, yes-” Mav pulls an envelope from this heavy woolen navy coat. “You are getting recalled to the US Navy Fleet.”

Bradley reaches out and plucks the envelope from Mav’s outstretched hand. He scans the letter's contents — he’s due to report at Navy command for the European theater in five days. There’s nothing odd about the order in the larger scheme of things.

“Why are you the one delivering it?” Bradley looks at Mav, eyes tight. Is he getting picked up like a small child?

Mav’s eyes widen for a split second, before his easy grin returns. “Wouldn’t want to get this lost in the mail,”

Another moment of silence.

“And I have shore leave, so I thought…” Mav trails off, face suddenly serious. He looks at Bradley intently, who meets his gaze almost defiantly. “I wanted to check in on you. See you are doing okay.” Mav adds levelly. Bradley sighs.

“I’m fine,” He replies softly. Even to his own ears, it sounds like a lie.

“So I thought…” Mav starts again.

“It’s funny,” Bradley cuts in, unable to stop himself. The burden of guilt is weighing him down — leaving you behind, failing his friends and family, forgetting — so he lashes out. From guilt. From shame. From pain. He wants to pretend it makes him feel better. “It’s really funny how you always tell me not to think, and yet that’s all you seem to do.”

Mav stares at him, face neutral, unimpressed. The lack of reaction is making Bradley angrier. “So you thought — you thought what? That you know better? That you know what I need?”

“Calm down, lieutenant,” Mav simply replies, suddenly and simply pulling rank, effectively ending the conversation. Knuckles white, Bradley grits his teeth. Deep breaths.

Mav gets up, dusting himself off, not a tremor of anger in his movement. He is the picture of calm, not sparing him a single look. Bradley stands up automatically, as he would for any ranking officer.

“Something is in the works,” Mav simply says. “Something big — bigger than we’ve ever seen.”

Finally, he meets Bradley’s eye again. Mav’s expression betrays little, but his eyes are full of hurt. “I th- I had hoped we could make amends,”

Before it’s too late.

Bradley nods — the guilt now like a stone around his neck. No one knows what is happening, only that ship upon ship of American armed forces is being unloaded and stationed in England. There are whispers of an attack on a scale never seen before. A landing. A suicide mission.

“I trust no one in the air more than you, Mav,” Bradley finally admits, the last of the frustration finally ebbing away. Why does he keep getting so angry? “It’ll be an honor to fly with you again.”

Mav cracks a smile — a genuine one. “Thank you, Bradley, and welcome back to the fleet.”

Bradley chuckles, but inside, he knows he’s not ready. Forgiveness is more difficult than a few words.

But does it really matter?

In the end, when he will inevitably fly to his death, the very fate Mav tried to shield him from — will it matter?

“How long are you staying, Mav?” He asks instead, grabbing his coat. “Enough time for a drink or two?”

***

It’s dark in the small, crowded room. You sit on the floor, packed in like sardines. The bare bulb that had been burning in a harsh yellow light earlier spluttered before softly popping out of life. The noises from the outside are disorientating — you hear screaming and yelling, doors slamming and shots. You have your arms around a girl younger than you, softly stroking your fingers over her hairline as she cries into your shoulder. Somewhere in the distance, you hear the whine of Stukas as they fly towards the capital. You think.

The thing is, you haven’t been allowed to leave the factory for over a week now. After the news broke that Berlin had fallen and the Führer was dead, all the guards, the young boys with rifles too big for them, went into a blind panic. They locked the gates, screaming orders, pointing their surely loaded guns at the sacred factory workers.

Since then, you’ve been sleeping on the hard concrete floor as the next shift picked up. You suppose you should be happy it’s May, so the floor is not so cold anymore.

The winter of 1944 into 1945 had been the harshest you’ve seen in years: it was bitingly cold, rations were lower than they’ve ever been, and there was no bread, milk, or flour. Soup was more water than anything else, more potato peel than vegetable. Even if you still had extra ration books, they wouldn’t do you any good — there simply wasn’t anything to trade them for. Gas and coal became a rarity, turning the city into an unforgiving ice-cold hellscape. You had never been so cold for so long in your life.

The ugly blue coveralls were increasingly ill-fitting, hanging off your frame awkwardly.

It shouldn’t have brought you joy, but as production was being pushed into overdrive, supervisors were forced to join the line, leaving behind their clipboards and clean clothes. More shifts were added, the factory now roaring day and night — sometimes shifts were scheduled in such quick succession there was no time to go home. You would huddle up with the other girls in the corner of the factory on the cold floor (because god forbid you’d use the now-empty offices), so exhausted you couldn’t even hear the noises of the line anymore.

The guards were getting rotated out quickly, replaced by seemingly younger and younger boys — some almost dwarfed by the rifle on their back; their too-large uniforms make it look like they're playing dress-up.

In the end, this also meant that since winter, all regulations were out the door — no more clipboards, no more testing before the trucks as they joined the motor pool, ready to be distributed over the rapidly approaching front. It made sabotage a lot easier: the majority of trucks that rolled off the line in your factory were faulty in one way or another. Knowing looks were exchanged: nuts and bolts were not fully tightened, hoses were not fully screwed in, and contacts were not fully connected.

Everyone is doing their own part — their own small resistance. There was no discussion; there was no structure or organization. Just a hope that every little bit helps bring the war to an earlier end as the Allies and Soviets are approaching.

You hear gunshots now — the wave of terror that moves through the room is almost physical, as everyone recoils as one. You tighten your arms around the girl as she chokes out a sob.

“Shhh, it’s okay, sweetie,” You console her softly despite wanting to cry yourself. You’ve been cut off from the world, and there’s no guessing what has been happening since the fall of Berlin. Are the Allies here?

Naively, your heart feels a little bit lighter at the thought. Far from any sea or ocean, Bradley wouldn’t be there, but — and you hate yourself for hoping it so fiercely — maybe you could ask someone to contact him? Tell you where to send a letter. If only to find out that he is still alive. To let him know you are still alive.

That you are waiting.

In the dark room, shaking from fear, the small fantasy brings you comfort.

More shots ring out — you hear shouting, but you cannot make out what language through the thick concrete walls of the factory. When the heavy door suddenly rattles violently, like someone is trying to force it open, the room suddenly erupts in a flurry of chaotic and panicked movements; the air is pierced by crying and screaming. Everyone is scrambling up, trying to get away from the door. In the crush, you fall back, awkwardly wedged between bodies—the girl you had been holding before has disappeared in the darkness. The door rattles again; it sounds like someone is trying to break it down.

More screaming, the mass of people moves back even more. It’s getting hard to breathe and the uncomfortable angle of your body—upper body leaned back, feet barely touching the ground—makes it hard to push back. It’s getting hot.

The door explodes open—the last oxygen is pushed from your lungs—light streams into the room. You aren’t sure if the spots in your vision are from the sudden blinding brightness or it’s your consciousness slipping. Just when you think you’ll lose grasp, eyes fluttering closed, the bodies disperse. Stumbling forward, you follow the flow of the crowd out the door. All the noise seems far away as you try to catch your breath.

A tall figure is motioning sternly at the door opening, commanding everyone to come out. You do your best to keep pace with the rest, coughing dryly, trying to keep yourself from tripping over your own feet.

Hurrying out the door, tearing up from the bright May sunshine stinging your eyes, you’re stopped dead in your tracks by someone calling out your name.

“Anya? - Anya!”

You haven’t heard that voice in so long, for a moment, you are confused. You should know who that is. Turning toward the voice, eyes still struggling to focus — your breath stocks mid-cough.

“Emil!” You choke out. It’s been almost two years now since you last saw him. Blinking, you stare at him — he’s dressed in his pre-war military uniform, looking more clean-cut than you have ever seen him, two rifles slung over his back. It’s making you acutely aware you are standing there in dirty coveralls and messy hair after sleeping on the floor for the past week.

He pulls you into a hug, clapping his hand a little too hard on your shoulder, rattling your skeleton.

“I’m so glad you made it,” He admits.

“I’m glad to see you well,” You reply with a smile. “What’s the occasion?” You motion to his uniform as you pull away, awkwardly straightening your coveralls as if that would hide the grease stains.

Emil smiles at you — and it’s probably the most genuine smile you’ve ever seen on him. “We’re liberating the city.”

“I want to fight too.” The words are out of your mouth before you fully realize the implication — but you are determined.

“I didn’t expect anything less from you,” Emil laughs, not in an unfriendly way, but in the way a big brother humors his younger sibling. “And I could use your help right away.”

A dizzying amount has happened since the fall of Berlin, since you’ve been locked away in the factory — the Allies under Patton are crossing the border into Bohemia, while the Soviets have punched through the eastern defensive line at the Dukla pass. The Wehrmacht and SS are retreating from the oncoming fronts on both sides — which is, unfortunately, driving them straight into the valley of central Bohemia and straight into Prague.

“We will not allow them to have their last stand here,” Emil concludes as you follow him through the motor pool. You nod fiercely. If the Nazis are allowed to build a final stronghold here, the Allies and Soviets will not hesitate to raze the entire city to the ground if it will end the war.

“But first, we need trucks,” He states, looking around pensively. “Unfortunately, the guards were probably warned of the government army mutiny in the city, and they’ve gotten rid of all the keys.”

“You need mechanics first,” You cut him off. “Most of these trucks were sabotaged in one way or another.” You add sheepishly. Emil shakes his head, laughing.

“Again, I wouldn’t expect anything less from you in a factory where they had the misfortune of putting you to work.”

“How many do you need?” You get straight to business. “I can put together teams to check the trucks and-”

“And how will we start them, Anya?”

“Lucky for you,” You frown, trying not to sound arrogant as you pull the cabin door of the truck open. “I’m quite the expert on ignition systems now.”

Clambering in, you waste no time ramming the heel of your boot repeatedly into the metal plating under the steering wheel. The ongoing shortages of almost everything meant that the overall quality of factory parts had decreased. The screws are weak — you’ve turned so many of them just but simply trying to affix the plating, you know that a few well-placed kicks will shake them right out of their holes.

Emil has climbed up the steps and is looking at you skeptically. But you are right; at the fourth kick, the metal plate practically pops out of place. Prying it away with your fingers, the small screws scatter over the cabin floor. Now for the best part. Reaching into the hollow under the steering wheel, you gently tug at the contact cables. One comes out so easily; you know it would have probably disconnected at the first large bump in the road. The other one needs a little bit more cajoling before it releases from the ignition.

Triumphantly, you show the two cables to Emil, stepping on the clutch as you twist the exposed copper ends together. The truck roars to life.

“So, how many did you need?” You reiterate lightly. Emil claps you on your back as he laughs again. You cough uncomfortably. Spending several years traveling in partisan groups has robbed Emil of some of his gentler habits.

You have a renewed energy as you pull out your toolbox and direct the women who decided to stay, check over any trucks in the motor pool and ready them for rollout. You work until your fingers bleed — but it doesn’t matter. Liberation is close, and you're determined to speed up the process in any way you can.

It’s late afternoon as the last of the trucks rolls out from the motor pool. Emil climbs into the cabin; you are hot on his heels.

“What’s next?” You ask almost breathlessly, so wired in anticipation you can barely feel the pain in your hands and the tiredness prickling behind your eyes. Emil smiles down at you from the passenger seat, as you balance on the bottom step of the truck cabin. “Go home, Anya,” He tells you, in that same borderline patronizing voice that a big brother would use for their annoying sibling.

“I want to help,” You defend yourself. Haven’t you proven again and again that you are capable enough? Why are you being sent home like some small child? “I can help.”

“Go home, eat, and rest up,” Emil re-iterates, undisturbed by your acerbic tone. The truck rumbles impatiently. “When you are ready, come find me.”

You deflate a little. “Find you where?” “Do you remember where old Vineyard Street is?”

“Of course I do!” You bite out, almost offended. It’s one of the main streets on the eastern side of town, leading from the river valley over the large hill and ending somewhere on the far outskirts of the metro area. It was renamed to Schweiner Street at the start of the occupation, like so many streets, but you never forgot.

“Then I’ll see you there!” He grins, hand on the door, slowly pulling it close. You jump back onto the ground.

“Wait!” You call out over the roaring engine sound. “Where on Vinyard Street?”

The longest fucking street in the city, half of it steeply uphill.

“You’ll know it when you see it!”

Fuck. As the trucks roll away, the energy leaves you, too. Dragging your heavy feet, you finally start getting ready to get home.

You’ll know when you see it? Fucking riddles are the last thing you need now.

***

It’s pitch dark when you finally reach the bottom of Vineyard Street. A warm shower, hot gruel, and fitful sleep strangely make for the best few hours you’ve had in weeks. Dressed in fresh clothes, hands buried deep in the pockets of your increasingly threadbare green wool coat, you keep your gaze down.

It’s chilly for a night in early May when the sun takes all the warmth with it as soon as it goes down. But you can smell the blooms in the air, and the first lilacs are dotting the streets in happy colors. There are no stars in the sky; only an occasional flicker of the moon peeks out between the heavy clouds rolling by.

It’s eerily quiet. The streets lights are off, and most buildings are dark. The whole city looks like this. As a precaution, you have been moving through side streets, keeping out of sight from patrols. Small groups of people are moving through the dark — you can’t tell if they are friend or foe, so you’re not staying around to find out.

There is a strange buzz in the air. It has you on edge.

Before leaving home, you emptied the old cardboard box you had wedged deep behind the heavy wooden armoire in your bedroom. It’s where you kept everything you never wanted anyone to find: the old fake identities, your gun, and Bradley’s identification bracelet. The cold metal of the gun presses uncomfortably against the small of your back.

Ironically, what feels even stranger is the foreign weight of Bradley’s bracelet on your wrist. You’ve never worn it before — it was always tucked in your pocket or twisted around your fingers. It feels odd as it’s a bit big on you, almost sagging down your hand. But more than anything, it feels right. There’s a reason you still have it; there’s a reason you put it on tonight. If anything, it makes you feel less alone as you make your way through the darkness, preparing for the battle ahead. The road ahead of you goes up at a steep angle. From your vantage point at the bottom of the hill, the street disappears into the darkness before you. It’s eerie, like you are looking at a ghost town. Not a single light is on as far as you can see, the buildings flanking the road looming.

You’ll know it when you see it.

As you trudge up the street, you can’t help but feel hesitant. See what? What are you on the lookout for? What if you miss it?

You hear the faint echo of voices. It stops you dead in your tracks, heart beating frantically. Hands sweaty, you can fumble open your coat, reaching back for the gun tucked in your waistband. Back flat against the wall, you edge up the street.

You can’t see over the top of the road, where it flattens out for about a block before it the way pitches up at a severe angle again. But the flicker of lights, reflected in the dark windows around you, catches your eye. Someone or something is just over the edge.

Holding your breath, afraid to make the smallest sound, you shuffle up the sidewalk. The light becomes brighter, growing from small sparks reflected in the dark windows, to a soft flickering glow cast on the walls. You hear the echo of whispers. It’s hard to pinpoint where they are coming from, the sound strangely, hauntingly, bouncing down the barren street. Craning your neck, trying to peer up, catch a glimpse of some movement at the top of the road. The closer you get, the more you expect to see over the bend, see where the voices and lights are coming from.

But there is just darkness. If it weren’t for the surrounding buildings, you’d be sure the way up was simply vanishing in never-ending darkness. Your hands are shaking, fingers gripping the gun tightly. The more you try to calm yourself down, the harder the tremors become. The strange sense of impending terror has been creeping up on you with every step, slowly completely devouring you, until your breath is stocking in your throat, your chest is tight, and your legs feel like they are filled with jello.

You can’t stop the small whimper escaping your lips. You have to keep going. Standing on an unlit street, by yourself, with a gun in your hand in the middle of the night, is bound to get you into trouble. You have to trust that you will find Emil.

Willing your legs forward, almost tripping as your ankle gives out as you put weight on it, but it doesn’t deter you. If anything, it makes you angry enough to keep going.

It’s only another minute before you reach the top of the road, and it’s like a bubble pops and you’re stepping into a completely different world.

The cobblestone street is dug up, the stones built high in three-line deep barricades — cars, trams, and furniture are haphazardly piled between the cobblestones. The whispers are clear now, yet as unintelligible as before — there is no one source of light, just flashes of lanterns between the barricades.

You are stunned. For sure, there is no way you could have missed that, but of all the things you were expecting to find — this, whatever this is, wasn’t it. Even after years of living under occupation, bombings, and soldiers marching down the street, Bradley; you feel wholly unprepared for walking into, well, a battlefield.

Aimlessly standing before the first barricade, eyes wide, you only belatedly notice you are starting down the barrel of a rifle perched just over the top of the pile of stones.

Shit.

“I - I,” The words barely make it out of your mouth between the shaky breaths. You put your hands up more by instinct than by rational purpose. Bradley’s bracelet is heavy on your wrist.

“Get down!” A voice hisses from behind the barricade. You practically fall to the ground, your knees buckling. Breaking your ungraceful movement downward with your hands, the gun you have been holding all this time clatters loudly against the stones. A few moments of silence pass before a hand, holding a burning cigarette between the fingers as the only source of light, beacons you with a simple wave.

“Stay low!” The voice hisses again. You scramble, clumsily cramming the gun in your coat pocket, before crawling on hands and knees to a lower spot in the barricade. Just when you start crawling over, someone grabs you by the arm and pulls you over forcefully. You yelp as you vault over the pile of rocks, landing on your elbow.

“I almost thought you wouldn’t make it, Anya,” Emil grins at you, a lit cigarette loosely hanging from his lips. His uniform still looks crisp but has a vague whiff of mothballs. Rubbing your elbow, you sit up, frowning.

“I wouldn’t miss this for the world,” You deadpan, trying to save some of your dignity. Looking around, there are a lot more people than you anticipated. Now that you are inside the barricade, small groups of people are crouched down, huddled together. You realize that the flickering ghostly lights you have seen are matches lighting cigarettes.

Keeping low, you follow Emil to the far end of the barricade.

“Did you sleep before you came here?” He asks, shrugging the rifle off his shoulder and sitting down, leaning against the smooth wooden surface of a dinner table jammed into the barricade as structural support.

“A couple of hours,” You reply, still glancing around, trying to understand what is happening around you.

“Good,” Emil yawns as he hands you the rifle before making himself comfortable. “You’re on night watch.”

Hesitantly, you reach for the rifle. You notice Emil’s eyes flash towards your wrist as you grab it from him. A little bit too fast, you pull the rifle from his hands, covertly trying to pull the sleeve of your coat further over your wrist before he can ask.

You’ve done nothing wrong. You have nothing to be ashamed of. It’s your business and yours alone, you think tersely. So why are you so afraid of getting questioned?

Mercifully, Emil has already pulled his cap over his eyes.

Before you manage to settle, trying to find a comfortable spot while leaning into the high barricade, rifle aimed over the top, you hear soft snoring.

Peering into the darkness over the river valley, distressingly few lights spread throughout the city; these are the last moments of peace and quiet you will know for a long time. Before the sun comes up, someone comes to relieve you from the watch. Emil is still fast asleep. Handing the rifle on, you huddle beside Emil, burrowing in your coat.

You don’t feel tired at all, you think. You are wired with anticipation. This is it. This is the last stand.

Freedom or death.

Your body catches up before your brain does — you don’t know how long you have been asleep. It could have been a catnap or hours. Whatever it is, it wasn’t enough. Your eyes feel so heavy. So much so it’s a struggle to open them. You sigh tiredly. Around you, voices are chattering — you can’t really hear what they are saying, just the shape of words and sounds that reach your ears.

When you realize that you won’t fall asleep again, your brain finally starts up, and you become much more aware of your surroundings. There’s something heavy on your head, pulled over your eyes. Lazily shrugging it off, you blink heavily against the sun, still bleary-eyed.

“Anya, are you awake?” Emil materializes next to you, crouched down. He deftly picks up his cover from your lap, where it fell, neatly setting it on his head again. Did he put that on your head to shield your eyes from the morning sun?

As aloof as Emil always has been, awkward in friendly gestures, he is kind.

However, following Emil as a shadow is Jan. He’s hard to miss, but you didn’t notice him last night. You look at him pointedly, daring him to say something. He meets your gaze shortly before huffing and turning away. Emil doesn’t notice, or isn’t interested in noticing, as he unfolds a map in front of you.

The battle is beginning.

***

You are running. The ground is shaking under your feet; you’ve never felt something like it. Things you are pretty sure shouldn't move, like whole buildings, are quaking. The sound of the artillery shells tearing through stone and flesh is deafening, but somehow, your heavy breathing is louder than anything else in your head.

As a shell hits so close, you almost skid down the stairs you’re running up, as it turns the whole world into jello for a moment—the paper map of the city in your pocket crinkles as your hip collides with the wall. Between the explosions and screams, it’s such a mundane sound it sticks out. You clutch onto the railing for dear life.

Is it possible to be so scared you just stop being scared?

You are not sure if you’re feeling anything right now.

All you can think about is that you need to get to the roof. High up on the hill, you and several others were sent sprinting up the road, looking for an even higher vantage point to see where the guns are. You hesitate to really think why some doors to buildings are open: the windows smashed, the facades charred. The silence, the complete lack of human sound in the buildings, is far more chilling than the hellfire raining down on you.

It’s quiet now.

You wait for almost half a minute, frozen on the stairs you almost slipped down, hands still around the railing so tightly your knuckles have turned white. The explosions don’t return.

They may be recalculating their trajectory, picking new targets.

You scramble up, not even bothering to dust yourself off. Part of you wants to start running again to get to the top of the building as fast as possible. But your gut tells you to tiptoe, not betray your position.

Trust your gut.

It has gotten you this far.

Threading lightly in your heavy boots, holding your breath intermittently as you make your way up the next two flights of stairs. Outside, it’s still quiet; you can even hear the birds twitter in the trees again — it’s completely surreal.

But then you hear it. At first, so softly, you think you must be imagining it. There is no one here. But it sounds like a voice. Not like someone in conversation but someone dictating — flat inflection, clipped tones.

You tiptoe up the next flight of stairs. On the landing, you see one apartment door open. Someone is here — no one should be here. This is dangerous. Should you be scared? But try as you might, you can’t really recall the feeling: the icy grip on your heart, the knot in your stomach. Is it because you haven’t felt anything but fear in the past few days? Is it just part of you now?

You pull out your gun with a calmness you hardly thought you could possess in a moment like this. Carefully, you click the safety off. The soft click echoes through the hall, but the voice drones on undeterred.

Creeping past the entry door, the house you enter is in disarray. Whoever lived here fled — afraid of the Nazis feeling from the east, afraid of the Soviets following them or the Allies closing the pincer from the west. Who knows.

People spent the war in many ways. Someone was always going to lose. Those who chose to support the Nazi regime are already being rounded up—those who flee run west. The Americans are kinder captors than the Russians, they say.

A small twinge in your soul. Will the Allies beat the Red Army to Bohemia? Could it be that…

You bury the thought as you move deeper into the apartment.

Now is not the time for dreaming.

You hold the gun pointed at the ground — grip firm, not frantic. Breathing steady, not panicked.

The voice becomes louder. The door between you and the voice is slightly ajar, muffling the sound. It’s definitely a man’s voice. And he’s speaking… German?

You falter for a moment, coming to a standstill in the hallway.

What are you about to walk in on? A scout? A spy? A group left behind?

Holding your breath for a moment, you close your eyes. Focus.

You can only hear one voice — that much you are sure about. But as you listen, that is not what stands out. It’s that low buzz, the crackle of static. It’s a sound so etched into your mind you are almost surprised you didn’t hear it earlier.

You’re only hearing one voice because whoever is in there is relaying something through radio in German.

With the tip of your boot, you gently push the door open. The hinges whine softly. You slink through the opening.

It looks like a bomb went off in the sitting room. The floor is covered in books and broken glass. The windows are wide open, the curtains billowing into the room. And there, by the window, crouched between the chaos, is a figure dictating coordinates he is reading from a map.

Suddenly, it all makes sense, but you also don’t understand anything about what you see.

Glass breaks under your boot.

Jan turns around, eyes wide. Within a fraction of a second, his face turns red, like a kid that had been caught with his hand in the cookie jar.

That moment might have been less than a second; it might have been ten. You don’t know. You can’t feel. You can’t think.

You just raise your arm, pointing your gun at his head.

Not a single tremor in your aim. Not a hitch in your breathing. You squeeze the trigger.

The recoil is the only thing you feel. Jan slumps against the wall, the radio still buzzing. Blood gushes from this head, quickly pooling around his lifeless body.

Methodically, like it’s just your physical form going through the motions, you simply brush past the body, turning off the radio and wrenching the Nazi map Jan had been holding.

Every barricade on the hill is marked on it. Jan had been calling in the positions of the uprising strongholds to the artillery battery on the other bank.

Your blood should run cold. You should be angry. One of your own.

Instead, you tear off the tricolor resistance armband off Jan’s arm. He’s not one of you. He will not be remembered as one of you.

When you return to the barricade Emil is commanding, he’s waiting for you already. Wordlessly, you hand him Jan’s map and armband. Emil doesn’t say anything — he just looks at you. At first, you think it’s with pity. When he claps his hand on your shoulder a little too forcefully, somewhat awkwardly, you realize it isn’t pity in his eyes. It’s sympathy.

Someone hands you tea in a chipped enamel mug. Sitting down on an upturned apple crate, the enamel too hot against your fingers, you catch sight of Bradley’s bracelet on your wrist. In just a few days, the weight has become so familiar, such a constant, you almost forgot it’s there.

Your stomach twists. It’s the first thing you’ve really felt in hours. Bradley was the first person you ever pointed a gun at. It’s very vivid in your mind how much your hands shook, how breathing in the icy mountain weather hurt your lungs, and how the terror coursed through every fiber of your body.

You felt so much, you felt so deeply then.

It’s strange. Alien. You know it happened to you but in a different lifetime. It’s like you’re fragmented. The you who was a student wasn’t the you who met Bradley. The you who said goodbye to Bradley wasn’t the you who sabotaged trucks. The you that has killed… you’re not even sure if there’s anything left of you, really.

In the hours and days to follow, you barely get the time to ponder the changes in yourself when the world is rapidly changing around you. A world born from flames and blood. The artillery batteries pound resistance positions and soon get support from the air. The high whine of Stukas, in broad daylight, rain bullets and incendiary bombs down on the city. The plumes of smoke obscure the sky. The smell of fire, burning houses, fabric… bodies, permeates.

When a breeze picks up, you think, you hope you can still smell lilacs. Just to assure yourself that the putrid smell of burnt rubber, scorched flesh, and hair has not settled in your nose permanently.

“Why aren’t the Allies coming to help?” A young man, his old uniform jacket dirty, sleeves slightly too short, peers out of the broken cellar window into the street as a sortie passes low overhead. Emil, after days of fighting, is not looking as crisp anymore — streaks of dirt cover his face, his uniform dusty, tired look in his eyes. “After all we’ve done -” The young man turns angrily. “Where is the RAF?”

You don’t bother looking up; instead, you inspect your dirty fingertips and broken nails. Idly, you wonder if your hands will ever be clean again. Mindlessly, you tug on your coat sleeve — the seam is fraying — gently brushing your calloused fingertips across Bradley’s nameplate. Every ridge and divot of his embossed name and the insignia are a comfort, a constant. Every time you remember to feel the weight on your wrist, your heart skips a beat — it’s still there, it’s still real. It’s your final tether to him. Your final tether to you.

“The weather over the channel still hasn’t cleared up,” Emil finally replies, voice monotone.

“And the Americans are stopped at the demarcation line in the west,” You add, closing your eyes and leaning your head back against the bare cellar wall. When you first heard that Patton’s army crossed the border and liberated the city of Pilsen, you were so sure it was only hours until they’d make it into Prague.

That was two days ago.

“And we are stuck here, in hellfire, no air support, and cut off from supply lines by an entire Army Group and the SS,” The young man spits. “We are left to die while the Red Army takes its sweet time — they skipped liberating us to get to Berlin first, and now we’re the last defense for every Nazi in Europe!”

“To fight is to die, soldier,” Emil intones mildly, in that same bored tone as he plays with his lighter. “You knew that, and yet you picked up a gun.”

Silence falls in the cellar. Outside, the explosions rumble, sending tremors through the ground. You are not scared of dying. If you ever were, then you can’t even really remember anymore. Fear, anger, happiness, you know what they are, you know you’ve felt them, but now it’s like a thick fog has taken its place. All you feel is kind of nauseous, tired, and the chill from the wall behind you.

Before you know it, you are back on your feet, clambering into a truck, tearing down the hill toward Resistance HQ in the old town. Someone dumps a glug of clear alcohol over your hands, in a vain attempt to clean them. You wince as you desperately wipe down your hands with a rag, the alcohol penetrating every crack and cut in your skin. There is no running water anymore. This will have to do.

The uprising is only a few days old, but the horrors you’ve witnessed are more than you have seen in the years of occupation. The carcasses of burned-out residential buildings barely stop smoking before a new salvo of artillery lands. Bodies — fighters, civilians, enemies, limbs — litter the street. Fireballs light up the night sky so brightly it almost looks like daytime in a terrifying, incredible display. The smell is unbelievable.

A jumped-up schoolgirl playing at war.

Maybe there was more truth in that than you’d like to admit.

However, you don’t have time to dwell on it as the truck finally comes to a violent halt. In the first few seconds, you barely recognize where you are. It’s like walking into a wasteland that was once the old town. You used to walk down this street every day, from the tram to class. The town hall, which was used as the HQ for the uprising, is… no there anymore. The air is thick with smoke and dust. The ground is strangely hot, and everything is cast in a strange orange glow from the surrounding fires.

Pulling a rag from your pocket, you tie it around your face. It does little against the smell, but it at least stops some dust and smoke from choking you completely. After that, you move on autopilot.

Save whom can be saved.

Note who didn’t make it.

Get out before the Luftwaffe returns.

Your heart is beating a mile a minute, adrenaline coursing through your veins. But you aren’t scared, focusing only on your task: pushing away rubble, helping victims up, trying to stop the bleeding on a too-deep leg wound, grunting in exertion as you push the stretcher with the man above your head so he can get pulled into the back to the truck—a flash.

You blink, disorientated. Colorful spots fill your vision.

Turning, you try to find the source of it in the chaos and the smoke. More flashes. Finally, your sight refocuses — someone is taking pictures. Through all the noise, you hear it clear as day.

“Let’s go; we need to get out of here.”

It’s an American.

Your feet start walking before your brain catches up. The man is walking quickly to another truck with a Red Cross. The Red Cross is here? Your breathing is rapid now. You need to talk to them. You have no idea what you will tell the photographer, but you need to speak to him.

You pick up your pace. The Red Cross photographer is disappearing quickly through the smoke.

“Wait!” You yell out, pulling the rag from your face. He is already climbing into the truck cabin. “Hey! Wait!” You yell louder, more desperately.

He looks over his shoulder, straight at you. It looks like the Red Cross photographer waits for you to catch up for a moment, but then he slams the truck door shut. You break out into a sprint, almost reaching the truck before it tears away.

“Fuck you!” You scream, tears suddenly stinging in your eyes. Breathing heavily, you stay behind, seething, on the torn-up street, watching the Red Cross truck disappear in the mess of the medieval maze of the old town.

The desperate anger is the first thing you have felt in days. It’s overwhelming. Suffocating.

Distracting.

It’s only when someone almost knocks you over as they run past you in a mad dash, it’s like you wake up from the wash of madness that had you rooted in place.

A high-pitched whistle pierces the air, closing in on you at frighting speed.

You run, scrambling over the broken pieces of stone, slipping over pools of blood.

Don’t look back.

The truck with the wounded is behind you.

Don’t look back.

You need to get out of here, find any place to hide.

Don’t look back.

It must be a mere second before impact now; the whistle of the bomb is so loud your eardrums scream along with it.

In a fatal moment, you turn your head.

A sea of flames melts the truck from sight. The pressure wave, so hot your mouth is drier than cotton on the first breath, is powerful it lifts your feet from the ground and carries you up like a feather in the wind.

“I’m flying,” Is all your brain manages to conjure up in the split second, almost with a sense of wonder and joy, before your body is flung against a wall. Crashing to the ground, you lose consciousness as fire rains down on you.

note | good news: war is almost over. bad news: everything else

#bradley rooster bradshaw #bradley bradshaw #bradley bradshaw fanfiction #bradley bradshaw x female reader #rooster bradshaw #top gun maverick #rooster fanfic #rooster top gun #rooster x oc #bradley rooster bradshaw x reader #rooster x you #rooster x female reader #top gun fanfiction #bradley bradshaw imagine #rooster bradshaw x female reader #rooster bradshaw fic #bradley bradshaw x oc #rooster bradshaw x oc

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telekinetictrait · 1 year

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"I have my happiness, which I guard like a wolf, and I have authority now and a certain amount of daring, which, if you remember correctly, I never had before." (Two Serious Ladies – Jane Bowles, 1943)

the first half of the 1940s was, of course, dominated by world war two. just as with world war one, more women were involved in the war effort, and those who weren't often took the jobs dominated by men. icons such as rosie the riveter propagated a sort of idealized "tough girl" image, with her denim coveralls and clenched fists – yet red lips, defined lashes, and thin brows. she was just masculine enough to fit the mold of serving one's country, and still feminine enough for the general public to accept. once again, fabric rationing led to certain garments and styles being reused and revamped. some designers, like claire mccardell, worked within the confines of wool and silk rationing to create clothing made of denim and jersey knits. "ready-to-wear" clothing was becoming more popular, especially in the united states, allowing fashion trends to spread faster and further than before. at the end of the decade, christian dior debuted his "new look", which would set the stage for the iconic mid-century silhouette: cinched waists (thanks a lot, dior...), full skirts, and round shoulders. this "new look" emphasized the stereotypical ideal of femininity and ruled post-war fashion.

okay, maybe the tangent about claire mccardell wasn't that important, but i did just see a museum exhibit about her, so i wanted to include it.

(ps. i know 1942 isnt entirely accurate but it was a fit of inspiration, and it takes like 20 minutes to get my game open so i was not willing to exit when i already had two looks done)

1800’s/ 1900-1909 / 1910-1919 / 1920-1929 / 1930-1939

cc links under the cut!

see my resources page for genetics

oakley : candycottonchu's vintage waves / gilded-ghosts' big heat beret / bustedpixels' fifth avenue fashion top conversion / gilded-ghosts' victory skirt / base game gloves / historysims4's stretching nylon socks / waxesnostalgic's cuban heel mary janes

océane : javitrulovesims' clayified wings hair / gilded-ghosts' dizzy dame hat / needleworkreve's rita eyeshadow + betty lipstick / mochadonuts' ruthienne dress / blueraptorsden’s vintage stockings / historysims4's uptowner heels

odelie : strangerville hat + jacket / seasons gloves / gilded-ghosts' sleuthhound slacks / base game boots

ollie : javitrulovesims' clayified wings hair / cottage living hat / needleworkreve's rita eyeshadow + betty lipstick / sentate's 1949 grace necklace / satterlly's retro anna dress / historysims4's stretching nylon socks / waxesnostalgic's cuban heel mary janes

onyx : joshseoh's blaire hair conversion / gilded-ghosts' big sleep dress / base game saddle shoes

ophelia : twentiethcenturysims' dorothy hair / base game pearls / twentiethcenturysims' french hen outfit / historysims4's stretching nylon socks / jius-sims' mary jane pumps #2

orlando : gilded-ghosts' wartime waves and bows / lordreboot's catherine jumpsuit

osannah : gilded-ghosts' noir or never hair / paranormal hat / needleworkreve's rita eyeshadow + betty lipstick / sentate's 1949 dior bar jacket / blueraptorsden’s vintage stockings / waxesnostalgic's cuban heel mary janes

ottoline : gilded-ghosts' swingin siren bun + dizzy dame hat / needleworkreve's rita eyeshadow + betty lipstick / simsbrush's 1940's winter coat / plumbjam’s wool leggings / simtone’s oxford heels

owen : tekri's betty jo hair / needleworkreve's rita eyeshadow + betty lipstick / simplesimmer's emilee dress long v2 / plumbjam’s wool leggings / waxesnostalgic's cuban heel mary janes

thank you to @candycottonchu @gilded-ghosts @bustedpixels @historysims4 @waxesnostalgic @javitrulovesims @needleworkreve @mochadonuts @blueraptorsden @sentate @satterlly @joshseoh @twentiethcenturysims @jius-sims @lordreboot @simsbrush @simtone @tekri and @blogsimplesimmer !!

#my sims #sims 4 lookbook #ts4 lookbook #sims 4 1940s #ts4 1940s #ts4 retro lookbook #sims 4 retro lookbook #ts4 retro #sims 4 retro #223 years #historical #1940s

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coverallfan · 3 months

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Caleb & Thomas

An AI generated story.

It was a bitterly cold winter's morning, the kind that made even the heartiest of men shiver and wish for the warmth of their beds. But for two young farmers, Caleb and Thomas, there was no rest to be had. They were already up and about, trudging through the snow-covered fields in their worn thermal underwear, quilted flannel shirts, and heavy insulated coveralls. Their boots were caked with ice and snow, making each step a struggle against the elements.

Their hair was frozen into unruly tufts, and their breath billowed out in white clouds around them as they spoke. "Morning, Tom," Caleb mumbled through chattering teeth, "cold enough for ya?"

Thomas shivered, wrapping his scarf tighter around his neck. "Cold enough for you to keep your hands off my sheep, you mean?" he teased, a mischievous glint in his eye. Caleb rolled his eyes but couldn't help but smile at his friend's playful banter.

They continued their labor in silence for a while, their breath forming clouds in the frigid air as they worked. The sun was just beginning to peek over the horizon, casting a warm glow across the snow-covered landscape. Despite the bitter cold, there was something about the beauty of the morning that made their spirits lift.

As they approached the barn, Caleb glanced over at Thomas, noticing the way his breath fogged up his glasses. "You know," he said, "you should really get new glasses. Those things are frozen solid."

SUMMARY^1: Two poor farmers, Caleb and Thomas, work through bitter winter weather in tattered clothing. They tease each other about sheep while laboring in silence. The cold morning eventually gives way to a warm glow as the sun rises. Despite their poverty and the harsh conditions, they find comfort in each other's company and their shared daily struggles.

Thomas grumbled in agreement, but didn't make any move to wipe them clean. "I can't afford new glasses," he said, his voice muffled by the thick wool of his scarf. "Besides, what good would they do me if I can't afford to heat the house?" They shared a brief, sad laugh before continuing on in silence.

Their conversation was interrupted by the sound of a twig snapping behind them. Both men turned around, their hearts racing with fear. But it was only a stray dog, its fur matted with snow and ice. It let out a pathetic whine before continuing on its way.

As they reached the barn, the weight of their situation settled heavily upon them. The endless winter showed no signs of letting up, and their meager income from farming was quickly dwindling. Their clothes were becoming more tattered with each passing day, but their love for each other only grew stronger.

Caleb reached into his pocket and pulled out a handful of jerky, the last of their food. He offered it to Thomas with a sad smile. "Here, Tom. I know it's not much, but it's all I've got. We'll get through this together." Thomas took the jerky gratefully, his eyes welling up with tears. "Thanks, Caleb. I appreciate it." They stood in silence for a moment, each lost in their own thoughts about their bleak future.

SUMMARY^1: Two poor farmers, Caleb and Thomas, are close friends despite their hardships. They find comfort in each other's company as they struggle through winter. When a stray dog appears, they feel sympathy for its plight. Their financial situation grows worse, but their love for each other remains strong. They share what little food they have, promising to face their struggles together.

The dog, sensing their despair, returned once more. It approached them tentatively, its tail tucked between its legs. Caleb and Thomas exchanged glances before crouching down beside the animal. "Here," Caleb said, offering it the remainder of their jerky. "Take it. You must be hungrier than we are." The dog hesitantly took the meat, wolfing it down in large gulps. As it finished, it looked up at them with grateful eyes.

Thomas reached out and gently stroked its fur. "You know, Caleb," he said, his voice barely above a whisper, "I used to have a dog just like that. Back when I was a kid. We were so poor that we had to share whatever food we had with him. Sometimes it was all we had to eat." Caleb placed a comforting hand on his shoulder. "We're not so different from that dog, Tom. We'll get through this together." And with that, they continued their work, their bond stronger than ever.

As they tended to the horses, the dog remained close by, occasionally nudging them with its cold nose. It seemed to sense the desperation in their movements, the hopelessness that hung like a shroud over the barn. They too felt it, but they refused to let it break them. They continued to tend to the animals, to feed them the last of their hay, and to shovel away the snow that threatened to bury them all.

The sun began to set, painting the sky in hues of orange and pink. It cast a warm glow over the frozen landscape, but it did little to warm their bones. They knew that soon, the cold of night would set in, and they'd have to find a way to keep warm, to survive until morning. They glanced at each other, and without a word, they understood. They would huddle together in the hayloft, sharing what little body heat they had. The dog, sensing their intentions, trotted over to them, its tail wagging tentatively. It seemed to be asking for permission to join them.

Caleb and Thomas looked at each other, and then at the dog. They shared a small smile, knowing that they couldn't turn it away. With a sigh, they motioned for it to come closer. "All right," Caleb said, his voice rough with emotion, "you can sleep with us tonight. But tomorrow, we've got to figure out how to get more food for all of us." The dog, grateful for their acceptance, nestled itself between them, its warm breath tickling their necks. And as they huddled together in the hayloft, they knew that they were not alone. They were in this together, and they would face whatever came their way, as long as they had each other.

The hayloft was cold and drafty, but the heat from their bodies and the dog's helped to keep them somewhat warm. They shifted positions, trying to find a comfortable spot, and soon fell into an uneasy sleep. The wind howled outside, and snow piled up against the barn, but they were too exhausted to notice. Their dreams were haunted by images of their old lives, of full pantries and warm hearths. They longed for those days, but they knew they could never go back.

When they awoke, the first rays of dawn were just beginning to filter through the cracks in the walls. The dog stirred, yawning and stretching its limbs. It looked at them, its tail wagging slowly. "We've got to get moving," Thomas said, his voice hoarse from sleep. "We've got to find a way to get more food for all of us." They climbed down from the hayloft, their muscles stiff and sore from the cold. The dog followed closely behind, its nose twitching in the frigid air.

Outside, the world was covered in a blanket of snow. The trees were heavy with ice, and the air was so cold it burned their lungs. But they didn't let the harsh conditions deter them. They knew that they had to find a way to survive, to keep their new family together. They looked at each other, and then at the dog, and knew that together, they could face whatever challenges came their way.

They moved deeper into the woods, following the tracks of deer and rabbits. The snow crunched beneath their feet, and their breath fogged the air around them. Caleb, who had grown up in these woods, knew where to look, and soon enough, they spotted a group of rabbits nibbling on some burdock roots. He signaled to Thomas, who nodded in understanding. Together, they crept forward, slowly and quietly. The dog, sensing their intentions, stayed close by, its tail wagging gently.

They were almost within striking distance when the rabbits bolted, their white tails flashing in the distance. The three of them gave chase, their hearts pounding in their chests. They followed the rabbits deeper into the woods, leaping over fallen trees and ducking beneath low-hanging branches. The dog was soon far ahead of them, its prey drive taking over. They watched as it disappeared around a bend, only to hear the sound of a struggle a moment later.

When they rounded the corner, they saw the dog with a rabbit in its mouth. Its ears were flat against its head, and its tail was wagging excitedly. They exchanged looks of triumph and relief, knowing that they had found a way to survive at least for one more day. They skinned the rabbit and gutted it, then roasted it over a makeshift fire, sharing the meat between the three of them. As they ate, they could feel the strength returning to their bodies, and for the first time in days, they felt hopeful.

They knew that hunting and fishing would be their main source of food from now on. Caleb's knowledge of the woods would be invaluable, and the dog's keen senses would help them track down prey. Thomas, who had always been good with his hands, could fashion crude traps and snares to catch fish and small game. Together, they could make it through this. And as they lay by the fire that night, the dog curled up at their feet, they knew that they were no longer alone. They had each other, and that was all they needed to survive.

The next day, they set out again, the dog leading the way. Their steps were more confident now, their bodies no longer wracked with hunger. They moved deeper into the woods, following the dog's nose to a small clearing where a herd of deer grazed peacefully. They crouched low, watching and waiting, their hearts pounding in anticipation. As the deer began to grow suspicious and move away, they set off after them, the dog barking excitedly.

The chase led them up a steep hill, the air growing colder with each step. At the top, they came to a frozen lake, its surface sparkling like diamonds in the sunlight. The deer had vanished, and for a moment, they feared they had lost them. But then, they heard the sound of hooves on ice, and turned to see the deer galloping across the lake, their breath forming misty clouds in the air.

Without hesitation, they followed, the dog bounding across the ice with ease. The surface was uneven, and they had to be careful not to slip, but they pushed forward, their determination burning hot inside them. As they neared the far shore, they saw the deer disappear into a dense thicket of brambles. They knew that they had to be careful now; if they weren't stealthy, the deer might escape them.

They crept forward slowly, the dog sniffing along the ground, its tail wagging eagerly. They parted the brambles and peered through the thicket, their hearts racing in their chests. There, just a few yards away, they saw the herd of deer, grazing peacefully. They exchanged glances, nodding to each other, and then signaled to the dog. Together, they prepared to make their move.

With practiced efficiency, they took aim at the largest buck, their hands steady despite the pounding of their hearts. The gunshot echoed through the woods, sending a flock of startled birds into the air. The buck staggered, then fell to the ground with a thud. The other deer bolted, disappearing into the woods, their hooves thundering on the earth.

Carefully, they approached the downed deer, their senses on high alert. They had to act quickly to ensure that they didn't lose any more of the precious meat. They retrieved their knives and set to work, carefully skinning and gutting the deer, then hanging the carcass from a nearby tree to bleed out. As they worked, the dog kept watch over them, growling low in its throat, ever vigilant.

When they finally finished, they sat back on their heels, wiping sweat from their brows. They knew that this meat would see them through for weeks, maybe even longer. It was a precious gift, a second chance at survival. They stood up, stretching their tired muscles, and turned to leave the clearing, the dog padding silently behind them.

As they walked back through the woods, their steps lighter and more confident than they had been in days, they knew that they had made it. They had survived the first hunt, and in doing so, they had found hope. The future was still uncertain, but they were no longer alone. They had each other, and the woods, and the dog. And for now, that was enough.

The blizzard howled around them, the wind whipping their faces as they trudged through the deep snow. But they didn't mind; they were used to it now. They knew how to survive in this harsh, unforgiving land. They had adapted, and they would continue to do so, as long as they had each other.

As they neared their shelter, they saw that Caleb had already started a fire, the warmth of it beckoning them like a long-lost friend. They unloaded the sled, piling the meat high in the makeshift pantry they had constructed from branches and blankets. Then, exhausted but content, they collapsed onto their makeshift beds, the dog curling up at their feet.

For the first time in months, they slept soundly, the snow drifting gently against the sides of the shelter, the fire crackling in the background. They knew that tomorrow would bring new challenges, but they were ready for them. They were survivors, and together, they would make it through this winter.

As they awoke, the blizzard howled outside, the world reduced to a white, featureless void. They crawled out of their makeshift bed and surveyed the scene before them. The snow was piled high against the sides of the shelter, the wind driving it through the air like a relentless, vengeful force. They knew that they had to venture out, to scavenge for food and firewood, to gather anything that might help them endure this endless winter.

Caleb and Tom exchanged a glance, their eyes speaking volumes about their shared determination. They checked on the dog, making sure it was warm and safe, then set about preparing for the day's hunt. They donned their patched-up clothes, their faces wrapped in scarves and balaclavas to protect them from the bitter cold. The dog trotted along beside them, its paws silently padding through the snow.

They had no idea where they would find food or firewood, but they knew that they had to try. The landscape seemed endless, the snow stretching out in all directions, the only signs of life the occasional animal tracks that crisscrossed the surface. They trudged on, their strength and determination fueled by the knowledge that they were not alone.

Hours passed, and their progress was slow, agonizingly so. The wind and snow made it difficult to see more than a few feet ahead of them, and their bodies ached from the effort of pushing through the relentless storm. But they persevered, refusing to give in to the elements. Finally, they stumbled upon a stand of trees, their branches heavy with the weight of snow. With renewed energy, they set to work, chopping down branches and gathering firewood.

The dog sniffed around, alerting them to a nearby animal trail. Caleb and Tom exchanged hopeful glances, their bodies tense with anticipation. They followed the dog into the woods, their hearts racing in their chests. The animal trail led them deeper into the wilderness, the trees growing taller and more dense around them. The dog suddenly stopped, its ears pricked forward, and they knew that they were close. Very close.

They crept forward, their senses on high alert, their every muscle taut with anticipation. The dog growled low in its throat, its body tensing as it prepared to spring. And then, they saw it: a large buck, its antlers glistening in the moonlight. They exchanged a look, their eyes wide with disbelief. It was a sign, a message from the universe that they were meant to survive. They knew that if they could take down this buck, they would have food for weeks, maybe even months.

They drew their bows, taking careful aim at the unsuspecting animal. The dog crouched low, its muscles tense and ready to spring. They held their breath, willing the buck to stand still for just a moment longer. And then, in a flash, they released their arrows, the sound of their bowstrings singing through the air. The buck staggered, its legs giving out beneath it, and then it fell, its lifeless body crashing into the snow.

Caleb and Tom exchanged a look of triumph, their chests heaving as they struggled to catch their breath. The dog, panting heavily, stood over the buck, its tail wagging slowly. They knew that this was a turning point, a moment that would change the course of their lives. They had survived the storm, they had found food, and they had proven that they could work together against all odds.

As they skinned the buck and cut it into pieces, they talked about their families, their past lives, and their hopes for the future. They laughed as the dog rolled in the snow, trying to rid itself of the blood and gore. And when they finally had enough meat to carry, they set off back towards their camp, their steps lighter and their spirits higher than they had been in weeks.

The journey back was long and arduous, the snow once again slowing their progress to a crawl. But they didn't mind; they knew that each step brought them closer to safety, to warmth, and to the possibility of one day returning to the world they had left behind. As the sun began to set, casting a warm glow over the snow-covered landscape, they finally saw the outline of their camp in the distance. With renewed energy, they pushed forward, eager to share their bounty with the other survivors.

They arrived at the camp filled with hope and a sense of purpose. They celebrated their survival with a meager feast, toasting to the strength of their newfound brotherhood and the resilience of the human spirit. And as they huddled together around the dying embers of their fire, they knew that they could face anything,

#coveralls #insulatedcoveralls #cold weather #ai generated

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koravelliumavast · 2 years

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Someone should draw Rlain like in a stereotypical farmer getup. Please it would be so funny. He actually likes farming stuff lol

Anyway here’s what he needs to wear if he’s gonna be in a stereotypical old farmer get up from someone who lives in a stereotypical farmer get up community and sees this at least once a week from multiple men:

A plaid button up shirt. Specifically blue. Sometimes other colors but 9 times outta 10, they’re in blue. In the summer it’s long sleeves too. It doesn’t matter if it’s 110. They’re wearing long sleeve shirts and jeans.

Overalls. These old men LOVE their overalls. Typically they say the name of a feed store on them. The overalls are mostly light blue because they’ve been washed a lot.

If they’re not in overalls then it’s dark wash blue jeans and suspenders. I don’t know why but again old farmers love ‘em. The suspenders never match the shirts exactly.

Mud boots. The only thing these old farmers love more than overalls is mud boots. On Sundays you might find them donning their nice cowboy boots to go to church but mostly they’ve got the mud boots on. Specifically black mud boots. Their cowboy boots are mostly the tall brown basic leather ones.

A feed store hat or a ___ livestock hat. They’ve gotta be a baseball cap. Bonus points if it’s dirty. Old farmers always have some kind of baseball cap on. Typical colors are green black and red brim and front part with a white mesh like back.

If it’s winter time they might don the brown thick Carhartt coats. These things are the most warmest things I’ve ever worn. They hold so much heat in. I have a pair of carhartt coveralls from the feed store that i wear in the winter and they’ve seen better days for sure but I love them. Bonus points if the sleeves have a few holes specifically around the band by where your hands go.

#anyways old farmer get up Rlain would be so funny #cosmere #brandon Sanderson #stormlight archives #Rlain #I can’t really draw or I would do it #I don’t know why I thought of this but I did.

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customsweaterproducer · 6 months

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opticalhub · 7 months

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Best Alexander McQueen Glasses 2023

Alexander McQueen has long been synonymous with boundary-pushing fashion, and eyewear is no exception. This list of our best selling Alexander McQueen glasses 2023 is a testament to the brand's ethos of blending high fashion with bold statements. We delve into the illustrious lineup, highlighting the craftsmanship, design, and innovation that place Alexander McQueen glasses in a league of their own. From the daringly designed frames to the intricately fashioned lenses, each model reflects a commitment to quality and a flair for the dramatic, embodying the true spirit of the legendary fashion house. AM0355The first model on our best-selling list, Alexander McQueen AM0355S, showcases the brand's dedication to superior craftsmanship for the modern woman. From the 2023 collection, these sunglasses blend the hallmarks of quality and style. Crafted from high-grade acetate, the AM0355S model presents an elegant silhouette, reflecting originality with every detail. Previous Next Each pair emanates the Alexander McQueen spirit of inventive design, offering a lavish addition to any outfit, harmonizing refinement with cutting-edge fashion. This model is an epitome of the brand's journey through innovation and avant-garde luxury in eyewear. AM0354Alexander McQueen's AM0354S model stands out in the 2023 collection for encapsulating both durability and the maison's trendsetting aesthetics. These men's sunglasses feature a refined profile with a timeless black acetate frame that promises lasting resilience. Paired with vibrant lenses, the design is both a visual statement and a protective shield, offering comprehensive defense against harmful UV rays. Previous Next The choice of hypoallergenic and lightweight acetate underscores the brand’s commitment to comfort and luxury, making the AM0354S an embodiment of high fashion and functionality in eyewear for the discerning individual. AM0340Crafted with a base curve of 4, the Alexander McQueen AM0340 sunglasses meld function with fashion. The frame, sculpted from acetate, boasts a hypoallergenic and lightweight profile tailored for everyday comfort. Notably, its versatility shines through the rich palette of color options available. Fitted with CR39 lenses, renowned for their scratch-resistant properties, these sunglasses offer durability without compromising on style.

The lenses' adaptability extends to an array of tints and coatings, providing wearers with the opportunity to express their individuality while enjoying clarity of vision and full protection from the sun's rays. Fashion Forward: The Best Alexander McQueen Glasses 2023https://youtu.be/Q3fAL4la2OEThe Alexander McQueen Autumn/Winter 2023 Menswear collection.A return to formality. An exploration of beauty and power through men’s tailoring and a focus on cut, proportion and silhouette. The classic subverted. Volume is alternatively neat – strict – and exploded. Jackets are spliced and slashed, stripped back and focussed on the body within. Waists are high, elongating the leg: the bumster in reverse. Kilts and the coverall are reimagined: both references to early McQueen. The most prominent motif in the collection is the orchid, a cultivated flower. Like the tailoring it is dissected: printed, woven and embroidered. The McQueen seal appears alongside. shop now AM0302The Alexander McQueen AM0302S model captures the essence of masculine elegance with its bold square shape and sizable 59 mm caliber. These sunglasses reflect a seamless fusion of traditional charm and contemporary finesse. The dark allure of the black acetate frames ensures versatility and enduring appeal while promising robust durability. Previous Next Gradient grey lenses add a sleek touch, transcending from a darker shade to lighter tones. Untreated, yet fully UV-protective, the lenses safeguard against the glare of modern life. With a 13 mm bridge and 145 mm temples, this design guarantees a comfortable and secure fit for a variety of face shapes. AM0299The Alexander McQueen AM0299S model is a paradisiacal blend of luxury and practicality, embodying the modern woman's multifaceted nature. Manufactured by Kering Eyewear, these sunglasses have been meticulously designed to meet a prescription range of '-7.00 to '+7.00. Crafted from premium acetate, a hypoallergenic and adaptable material, the frames offer a lightweight yet striking statement with their square shape and a variety of vibrant colors. Previous Next The lenses are of CR39 quality, ensuring scratch resistance and flexibility in tinting options, complete with Category 3 UV protection for sublime defense against the sun's intensity. The 54 mm caliber, coupled with a 16 mm bridge and 145 mm temples, ensures a progressive fit that resonates with the wearer's individuality. The lenses' gradient styling adds an extra layer of allure, seamlessly transitioning from concentrated color to lighter shades for a distinguished aesthetic. ...and the Best of the Best Alexander McQueen Glasses 2023:

AM0335

Concluding the list is the best-selling Alexander McQueen Glasses 2023—the AM0335S model. This unisex design features a rebellious spirit drawn from the brand's punk heritage, offering a rectangular acetate shape and lenses that boldly extend beyond the frame, held in place by signature spiked studs. Alexander McQueen's attention to detail is evident, with the logo precisely lasered onto the temples. The black frames combined with silver logos and grey lenses blend timeless nuances with modern edginess.

These sunglasses come with a two-year manufacturer's warranty and are crafted in Italy, ensuring quality and durability with essential UV protection. The AM0335S's distinctive aesthetic embodies Alexander McQueen's ethos of freedom and self-expression.A Bold Statement of Style from Alexander McQueenhttps://www.youtube.com/watch?v=jXQJL4JOHA8&ab_channel=AlexanderMcQueenThe Alexander McQueen Pre-Autumn/Winter 2023 Womenswear CollectionAn exploration of beauty and power through tailoring and a focus on cut, proportion and silhouette. The classic subverted: wardrobe spliced and slashed. Uniform is re-imagined. Discover our offer Embrace Your Alexander McQueen Glasses 2023As we conclude our journey through the majestic realm of Alexander McQueen's 2023 eyewear, we're reminded of the enduring legacy and artistry that these pieces carry. With each model offering a unique vision of elegance and edge, they truly define what it means to be at the forefront of fashion. For those looking to make a statement that speaks volumes of their taste and individuality, these glasses are a perfect fit. We invite you to discover the full extent of our Alexander McQueen glasses selection in our online store, where sophistication meets avant-garde design, ready to be delivered to your collection. shop now Facebook Youtube Instagram Pinterest Twitter Linkedin Wordpress Read the full article

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gmandco · 7 months

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Check out this listing I just added to my Poshmark closet: Carhartt Men's Flame Resistant Unlined Coverall Dark Blue Size Medium EUC.

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sweatermakers · 9 months

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juliebrost · 11 months

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Check out this listing I just added to my Poshmark closet: Vintage Carhartt Coveralls Mens 44 Regular Used Lined 996QZR.

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chokoreaccessories · 2 years

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Some Irresistible Reasons to Love Stoles for Women!

Being a great accessory and coverall for years, stoles for women are not a new charm. They have been giving us all warm hugs in some way or other, such as scarves, shawls, and more, for decades. For those, however, who think they are only the best meant for winters can not be more wrong. Accessories such as this can be a beauty to behold and serve you in more ways than you can imagine. For instance, besides being a perfect layer of extra warmth on cold nights and in air-conditioned rooms, they also keep you at bay from direct sun, dust, and pollution. In addition, they often are spotted as fascinating accessories when worn over the head. This brief read will share our prime reasons for loving stoles for women!

6 Good Reasons to Get Grooving With Stoles for Women:

Look at how scarves and stoles may be our go-to item for staying warm while always looking chic!

Makes You Look Taller & Trendy: Grab your scarf and put on your high heels to give the impression that you are tall. Your profile will be significantly straightened and slimmed down by draping a long scarf around your neck or folding a square scarf diagonally into a narrow band.

Refresh Your Style: Do you get sick of using the same handbag every day? Or probably the same watch? Adding a stole can also revamp your look and add a breath of fresh air to your wardrobe. For an extra bit of flare, you can tie a lovely silk ladies stole around the handles of your handbag.

Keep Yourself Warm & Snug: When it's cold outside, your closest friends are a silk scarf or a pashmina stole. Or even when the temperature fluctuates from being warm and cold in a single day, as happens throughout season changes. Not to mention the summer, when going into a room with the air conditioner blasting might influence work! Did we also mention how useful a ladies stole can be on frigid flights? They can always give you those cosy hugs and be handy whenever needed.

Spice Up Any Boring Outfit: On the days when you step out wearing a plain outfit but suddenly get included in last-minute plans, a fancy stole for ladies can be your saviour. Designer stoles can add that extra touch of oomph and speak volumes of your taste.

On Formal Occasions: Designer stoles or fancy stole for ladies can be a truly game-changer and, when paired with formal outfits, make a statement look. A solid or plain stole goes very well in such cases.

Seek Comfort Always: If you are feeling conscious about that plunging neckline or the straps of your dress are slipping too often from the shoulders, a ladies stole can come into play.

Now all that's left is for you to pick some phenomenal stoles for women and get set with your styling game. Don't worry; we will not leave your side just yet. If you are someone who wishes to have some prints and some solids without compromising the quality, have a look at Chokore. Chokore is a design-led premium accessories brand for both men and women. The collection they have is truly a dream come true for every accessories lover. Brace yourself before you take a dive into their extensive collection, as you would probably want to buy them all. They house silk stoles for women, offered in beautiful shades and lively prints, each taking inspiration and crossing the bounds of imagination to surprise you. Now that you know where to find the best designer stoles, we hope you liked the read, and it turned out to be fruitful for you. Happy styling, and we hope you shine wherever you go with stoles!

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scorsosports · 2 years

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kelyon · 3 years

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Golden Rings 18: A Bouquet

The Storybrooke Sequel to Golden Cuffs

Lacey Gold looks deeper into her past.

Trigger warning for grief over a deceased parent.

Read on AO3

Her mother is dead.

It does not rain on the day of Mama’s funeral, even though it should. The skies should break open and flood the earth. The sun should never shine again. All of nature should be consumed by darkness and despair.

Instead, it is a lovely, sunny day in early summer. Pink roses burst into life all over the castle grounds. They were her favorite flower. Mama always wanted her to get married at this time of year, when the roses bloomed.

Now, every pink rose that was in the gardens covers the casket. Even the flowers that showed only the slightest bud have been cut down before they had a chance to bloom. Some of them are already turning brown.

The roses are dying. The roses are dead. This is wrong. Mama wouldn’t want her favorite flowers to die.

She stands beside Papa at the graveside. Both of them are dressed in black. He says nothing. He does not let himself weep. He must show strength as a leader to their people. Mama is not the first casualty of what the common folk are already calling the Ogres War.

It is a small funeral, only the castle inhabitants and the villagers who live nearby. Traveling is dangerous now, and those far away cannot take the risk. King Midas should have come, or at least sent a royal envoy. The rest of Mama’s family and friends should be here. The whole kingdom--the whole world--should mourn the loss of the greatest woman of this generation.

As it is, all she has of her mother’s family is Uncle Pierre, Aunt Therese, and their children. Her cousins stand in the cemetery with the rest of the meager party. Little Claude may be too young to understand the words being said, but she knows her aunt is gone. She stays quiet and still. Jeanne cries into a handkerchief. She despairs for the future, for everyone in the land. Andre tries to be a man--he knows that he will see more dead very soon--but he cannot keep his lip from quivering. This is the first death that has come to their family. Does he know, somehow, that he and his father will be next?

Papa’s brother, Uncle Armand, keeps his head bowed. His long, curling hair falls over his face. Normally a man of laughter and warmth, he is solemn.

Ermintrude, Mama’s closest friend, is as stone-faced as Papa. It must not be decorous for a lady to weep over someone who is not a blood relative. Even if you have known her all your life and raised your children together. Even if you were the last person to see her alive. The last person to hear her screams as monsters ripped her out of your hands and left you holding nothing but a broken necklace. Ermintrude does not weep, but she holds her own daughter’s hand in a clenching grip and does not let go until long after the funeral has ended. Mathilde clings to her mother with equal desperation.

A cleric prays over Mama’s casket. She does not hear what he says. She speaks when it is time to speak, repeats the words she knows by heart. She sings the hymns and makes the signs. But it does not reach her.

They cover the casket in dirt. The pink roses will never see the sun again. Mama is dead. The world has ended.

What future is left for her now?

****

Mrs. Lacey Gold started the morning by walking away from the pawn shop and towards Marine Automotive. These red and navy mary janes were the lowest heels she had, and the sound of them was strange on the sidewalk. Mrs. Gold was used to the sharp click-clack of her stilettos, the powerful stride she made sure to use every time she went out in public, no matter how she felt in the privacy of her own skull.

But things were different now. She was different. She wasn’t just Mrs. Gold anymore. But she wasn’t Lacey French anymore either.

Truth be told, she had never thought much about being Lacey French, not the way she thought about being Mrs. Gold. She’d never trudged the halls of Storybrooke High thinking about how Lacey French would walk. She’d never pulled on an oversized tee-shirt and jeans because she thought that was the sort of thing Lacey French would wear. She had never wanted to be herself, she just was.

She wanted to be Mrs. Gold. She’d put effort into it. But now Mr. Gold didn’t seem to care. So she had to try something else. She had to try being someone else.

Why not Lacey?

Above her, Marco the handyman was hammering something into the roof of the hardware store. When she looked up at him and waved, the old man just frowned and muttered something in Italian. Maybe it was a curse. Maybe it was a sign against curses, something that protected good men from vile harlots. Either way, Mrs. Gold squared her shoulders and kept walking.

Marine Automotive was right across from the old abandoned library. Mom had always wished that the library would open up again, so she could get access to more books. At least once a day, every time she had a free minute, she would sneak off to her rocking chair by the window with some well-worn paperback. The flower shop was named after one of her favorite books.

The garage was empty when she got there, no one in the office and only one car lifted up into a bay. A young kid, Billy Citrouille, was rubbing his backside in front of a space heater. He stopped when he noticed her.

“Hey there,” he smiled. His dark eyes were warm and his white teeth shone against tan skin. “How are you today, Mrs. Gold?”

Her first instinct was to giggle. She wanted to bounce on her heels and twirl her skirt and make some stupid joke about getting her motor running. Over the years, Mrs. Gold had had a lot of fun playing with Billy. He wore loose coveralls, but she could make them feel very tight when she wanted to.

But she was trying to be better.

Lacey looked around the empty garage. “Is Manny in today?”

Billy shrugged. “Business is slow, so he went over to Game of Thorns for a bit.”

“Oh.” Her stomach sank. “Did he… say when he’d be back?”

“He’s supposed to be on a fifteen minute break, but he left an hour ago, so there’s no telling.”

“Oh,” she said again. It was suddenly very difficult to swallow. “Great.”

“Is there something I can do for you, Mrs. Gold? What’s going on with that gorgeous caddy? I’m surprised it’s giving you any trouble.”

She shook her head. “No, it’s not Mr. Gold’s car. This is just… a family thing.”

“Oh, okay,” Billy said. Then he began to nod. “Oh that’s right, you were Manny’s niece!”

“I still am,” Lacey snapped, more angry than she wanted to be. “There’s no expiration date on being someone’s family.”

At least, she hoped not.

Without saying more to Billy, she left the garage. Game of Thorns was on a dinky little side street in Old Town, only a block away from Marine Automotive. The location didn’t offer much opportunity for foot traffic, but it was the best the owners could get when they bought it. All the properties on Main Street, all the good places, were owned by Mr. Gold. Moe French took it as a point of pride that he owned the deed to his building, that he had paid off the mortgage in ten years. Owning property meant equity, it meant security, it meant being the lord of your own castle.

It meant he had something to sell to Mr. Gold when the cancer treatments had wiped out all their savings and the medical bills were still unpaid. It meant his family became tenants, renters in their own home, swallowed up in the financial ruin that came with tragedy.

When they got married, Mr. Gold had given her this building as a wedding present.

In the spring and summer the exterior of the shop hosted a riot of potted and hanging plants for sale. The front was covered in ivy, always advertising the greenery within. But on this winter afternoon, the ivy was dead. All the plants were kept inside. The store barely looked open or alive at all.

The front window display was themed for Valentine’s Day, one of the busiest days of the year. Faded red cloth provided a backdrop for limp paper hearts and plastic vases full of dusty fake roses. Of course, all the real flowers had been sold already. Cheap, plastic garlands were strewn haphazardly around the window. The whole thing looked so tawdry, so pitiful.

She tried not to think of the hours Mom had spent every holiday, planning out designs for the displays. And then the hours more they had spent together, executing her vision. “It’s more than just color, Lacey-loo. There’s texture and balance and harmony--and always some memorable details. A good display will tell a story. That’s what makes people want to stop and look. And then come in and buy.”

Dad was trying his best, she knew he was. But it wasn’t the same. Nothing could ever be the same again.

Tempting as it was to linger in front of the window reminiscing, she knew she had to go inside. Mrs. Gold tried to press her fingernails into her palms, but then remembered she was wearing gloves. Right. So she would just have to do this without any of her usual crutches.

Great.

Game of Thorns smelled damp and moldy. Most people would say it smelled like flowers, but Lacey knew the smell of floral foam and pesticides, of fertilizer chemicals and a building that had been patched up with endless haphazard DIY projects for as long as she could remember.

Refrigerated flower cases lined one wall, mostly empty. The flickering fluorescent lights provided most of the illumination in the store. There were overhead lights, but it looked like her father was keeping them off when there was no one in the store, to save on the electric bill.

Merchandise was crammed into every inch of floor space, but she knew the path by heart. The tables of gifts and knickknacks, the shelves of mugs and boxes of chocolate, the helium tank and the display of balloons--nothing had moved. Except for the accumulation of dust, nothing had changed at all.

That was Storybrooke for you.

The cash register was in the back of the store. Did the drawer still stick when it rang out, or had Dad ever fixed it? He’d been saying he would fix it for years now.

Behind the desk, someone was reading a newspaper. Lacey could tell it was a man, but the paper covered up his face. She stood in the middle of the floor--near the desk, but not close enough to touch the counter. Which one of them was behind the paper, her uncle or her father? Who was she going to see first, and how would they react to seeing her again?

She took a breath, and cleared her throat.

The paper lowered. Long, curling hair in a neat center part emerged from the other side. Then raised, dark eyebrows and wide, dark eyes. The eyes lit up. The paper was cast aside.

Uncle Manny beamed at her and stood up.

“Hey! Look who’s back!” Arms wide open, he walked around the desk to offer her a hug.

Lacey accepted his embrace and hugged him back. How long had it been since her last hug? Months or years? Uncle Manny’s coveralls smelled like metal and motor oil and aftershave. Smelling it made her feel like a kid in the best way--small and weak, but loved and valued.

She felt safe.

Dad’s younger brother had never been married and never had children. But he had been around for Lacey’s whole life--another parent in the web of family love she’d grown up with, and then been away from for so long. Uncle Manny had an open enthusiasm that Dad never bothered with. She could show him her crayon drawings or her middle school science projects and he would shower her with praise. When she became valedictorian, he’d been so proud of her he actually cried.

When the hug ended, she didn’t know what to say. Torn between saying nothing and saying everything, Lacey blurted out something completely stupid. “Your hair didn’t used to be so long.”

Uncle Manny laughed and clapped her on the back. “It was that cousin of yours, Janine. This past October she convinced me that if I let it grow out more, I wouldn’t look so much like a white man with an afro.”

Lacey let herself smile. “Well she would know. She’s the hair stylist.”

“I thought this would be better than getting it close-cropped. Curly hair is the French family trademark, you know.”

“I know.”

“Big hair and big brains, that’s us. All except for your father, but I think he’s adopted.”

Now Lacey giggled. The joke wasn’t funny, but it hadn’t been funny the first time Uncle Manny had told it to her when she was five years old. The funny part had been Lacey very carefully explaining to her uncle that Dad couldn’t be adopted, because that would mean she wasn’t really a French and that was impossible because she definitely had big hair and big brains.

Uncle Manny had been so tickled by the exchange, he had repeated it at least once a month ever since. Dad--who his entire adult life had kept his hair so short that almost no one knew it could curl--had never thought it was very funny. Which only made it better as a joke.

“It’s good to hear you laugh again,” he said. “It’s good to see you!” He held her by the arms and looked her up and down. “Yep, still pretty. You got that from Linda.”

That was a well-meaning lie. The Woolverton look was wispy blonde hair with bright blue eyes. Janine and Chloe looked like Mom in old pictures. Andrew had been the spitting image of Uncle Peter. Lacey had Mom’s eyes and Dad’s hair, but she didn’t really look like either one of them.

She changed the subject. “How have you been? I’m sorry we haven’t talked much since…” She trailed off, leaving the sentence unfinished, the past unspoken, unspeakable.

Uncle Manny kept his hand on her upper arm. He looked her in the face, his dark eyes worried and painfully sincere. “You don’t need to apologize, kiddo. Not to me. Didn’t you hear that love means never having to say you’re sorry?”

“That’s the dumbest thing I ever heard.” She didn’t know whether to laugh or cry. The quote was another family joke, a line from an old movie making fun of another old movie. Lacey repeated the words she knew by heart, she let the ritual of them comfort her.

Why did it feel so strange to be here? This had been her home, this had been her family. For most of Lacey’s life, this had been her whole world. Had she really outgrown this place so much? Had she really let her marriage turn her into a different person?

Behind the thin walls, the steps up from the basement creaked and groaned under a heavy weight. She swallowed and her heart sank a little more as she automatically looked towards the door into the back room.

Moe French came up from the basement, his arms full with a plastic-lined cardboard box that overflowed with flowers. Dad had always been a big bear of a man--gruff but loving, full of ideas and hope for the future. Lacey remembered the game when he would pick her up over his head and twirl her around. Mom made up a story that Lacey was a clever warrior who refused to slay a dragon, but had tamed it instead and now she could fly on it to anywhere in the world.

Once Mom was gone, Dad had shrunk into himself, and the only thing bearish about him was his temper. A temper that Lacey had inherited and Mom wasn’t around to quell in either of them.

“Oh,” he said when he saw her. “Mrs. Gold.”

He took the time to put the box on the countertop before he turned and brushed his hands on his jeans. He crossed his arms tightly over his chest. His baseball cap was pulled low over his eyes, so his expression was unreadable.

“So, has the landlady decided it was time to start charging rent?”

She felt her expression change, felt her lips purse and her jaw clench. She felt her hackles raise, all without thinking about it.

Uncle Manny spoke up. “Moe, come on. It’s just Lacey.”

“I know who it is.” Dad didn’t raise his voice. He didn’t have to. The judgement came through better when he sounded neutral.

It really was a rare gift, the way he could mean so much while saying so little. Even now, he hadn’t said anything that wasn’t true. She was his landlady, she could start charging rent. Those were facts. But he said them like they were crimes.

And it was a neat trick, too, because he never had to defend himself. Because he had never actually said anything mean. For most of her adolescence, Lacey had known how useless it was to rant about feeling belittled or shamed or trapped. She would never have a direct quote that she could repeat to him to make him understand how much he’d hurt her.

Even now, she’d take a lifetime of Mr. Gold’s most obscene insults over hearing her father say “Fine,” with no emotion ever again.

Mrs. Gold stepped away from her uncle and faced her father. She said “Hi,” and it felt like a declaration of war.

Dad nodded. Without a word, he turned back to the box and began to pull out flowers. They were mixed roses--every color except white and red, which got their own packaging. He began to separate yellow from orange from salmon from magenta from pink.

Lacey’s heart skipped a beat at the pink roses. They were mom’s favorite. She’d always said they represented the best kind of love--sweet, gentle, light. Red roses were for the burning passion of new romance, and white roses were innocent and bridal. But pink roses were the compromise, the roses of marriage, of the simple love that warmed your heart and made every day a little brighter. A little spark of joy, those were pink roses for Mom.

And that was Mom for everyone who knew her.

She wanted me to marry in spring, when the roses bloomed.

Wordless, Lacey walked over to the counter and watched Dad sort the flowers. He placed the ends of the stems under a cutter and pulled the blade down like a lever. It looked mercenary, but it was for the flower’s own good. You had to cut off the parts that were dead so they could take in more water and stay fresher longer. It hurt, but was a part of growing--or at least staying alive in a world that wouldn’t let you grow.

After a few minutes, he stepped to the side, so there was enough room for her to stand beside him and help. If she wanted to.

That was the flip side of the way Dad said things without saying them--sometimes he could say nice things too. Sometimes it was easier for both of them not to talk. Then neither of them could say the wrong thing. She stood beside him, and began to place the sorted roses into different buckets filled with water and plant food. That way, he would have more room on the counter.

“Well, I guess I’ll get back to work,” Uncle Manny announced.

“Oh, do you have a job? I couldn’t tell,” Dad grumbled.

Lacey snorted. Out of the corner of her eye, she could see the slightest grin from Dad.

Uncle Manny ignored the jab. “Lacey-girl, it was good to see you. You come and talk to me any time, okay?”

“I will.” She looked up from the flowers. “Thank you.”

“Ah, I gotta have one more hug!” Uncle Manny crossed the length of the store and wrapped his arms around her again. She felt the press of his lips on her curly French family hair. “Love you, kiddo.”

“Love you.”

“Aww, do I get a hug too?” Dad said. It would have been good-natured, if it didn’t sound so bitter.

“Brother of mine, you’ll get a sock in the jaw if you drive our girl away again. I’ll go with her this time, she’s better company than you.”

“Get outta here, you mangy grease monkey.”

Uncle Manny went back to the garage and Lacey and Dad worked together in silence. When the box was empty, Dad wiped his hands on a green rag and handed it over for her to do the same. It had been Mom’s idea for all of the shop’s towels to be green. That way they wouldn’t get mixed up with the blue and pink towels they used at home.

Lacey rubbed the rag between her finger and her thumb. The fabric was worn and scratchy, not like the big fluffy towels in Mr. Gold’s house. She kept her eyes on the ground. Dad hadn’t moved. He was waiting.

They were both waiting for the other one to speak first.

Papa, I’ve missed you.

It took her a minute, but finally she did the brave thing.

“Look,” Lacey said. “I guess I’m sorry it took me this long to come visit.”

She wanted to offer an excuse, but there was nothing she could say that wouldn’t be an outright lie. She hadn’t spoken to her father in years because she hadn’t wanted to. Because he made her angry and sad and made her remember things she’d rather forget. Because she had been too busy enjoying the better life she’d had as Mrs. Gold.

Dad looked around, trying to find something to do. He began to move the buckets of roses into the flower case. “The shop was always here,” he said, not as gruff as he could have been. “You own the place, you could have come by any time.”

“I didn’t want to bother you.” She’d taken her coat off to work, and now she clutched it over her chest. “I didn’t want to… embarrass you.”

Straightening up, Dad looked down at her. He was tall--a trait she had not inherited. His face was worn out, tired. Was he still disappointed in her?

“You didn’t have to do it, you know. Marry him. The rent wasn’t that overdue. I could have worked something out on my own.”

She’d married Mr. Gold on the day before Valentine’s Day. Two weeks after the January rent was due, one day before a huge influx of cash would be coming in for the store. If Mr. Gold had demanded that she marry him in lieu of rent, the timing could not have been more painfully tragic.

But that wasn’t what happened.

“I didn’t marry him for rent money, Dad. I married him because… because I wanted to.”

He grumbled and shook his head. Turning away, he reached into the bucket of yellow roses and counted out twelve blooms for a grab-and-go bouquet. Out of habit, Lacey went to her old place by the cash register and leaned over the counter.

More silence. It was times like these when she missed Mom the most. Mom loved words, she lived in words. She understood how to talk so people would listen, and she never said the wrong thing.

Dad counted out more bouquets, at least one for every color of roses. When he came to the bucket of pink roses, he lingered. It looked like he was trying to pick out the best ones, the largest, freshest blooms. As he had with all the others, he wrapped the bouquet in plastic and secured it with a rubber band.

But instead of placing it in the display, he set it on the counter in front of Lacey. She didn’t pick it up, but put her hand over the stems. There were thorns on these roses, but they were still so beautiful. Beauty and pain, Mom would say sometimes. No life was complete without both.

“I don’t… understand,” he said slowly. “And I don’t want to understand. Why you would… want that. Want him.” Dad shook his head. He looked like he had a bad taste in his mouth.

Lacey bit her lip. She waited for the rest of it. The condemnations, the accusations, the “we raised you betters.” She’d certainly heard enough of that once Mom got sick. Once she wasn’t everything he’d always wanted her to be.

But Dad just sighed, and put his hand over hers on the bouquet. His big hand covered half her fingers, stopping at her wedding ring. “Your mother… would want you to be happy.”

He didn’t ask if she was happy, or if Mr. Gold made her happy, or if he could help her be happy. But somehow, it was enough. Just to hear him say it. Mom would want her to be happy.

She knew what he meant.

****

It was a long walk to the cemetery. She might have asked Mr. Gold if she could borrow the Cadillac, but she didn’t feel like telling him that she was going anywhere. It was none of his business.

She couldn’t remember the last time she’d been here. Her feet walked like they were separate from her mind along the rows of headstones. They took her where she needed to go without her having to think about it.

Past the crosses and obelisks and statues of angels. The back of the cemetery wasn’t quite a potter’s field, but it also wasn’t as neat and well-maintained as the section by the gates. That was where the mausoleums were, the polished marble and memorial benches for people who used to be rich and influential.

Even in death, there was no equality.

Before she got where she was going, two tombstones stood out to her. Small and cheap and side by side. There were no decorations in the stone, no carved images or poems. Even adding dates would have been too expensive. All they had were words:

PETER HOWARD WOOLVERTON, BELOVED HUSBAND AND FATHER

ANDREW PETER WOOLVERTON, BELOVED SON AND BROTHER

“And uncle,” Lacey whispered as she stood by the graves. “And cousin.”

Unlike a lot of other headstones in this section, these had all the snow and moss and bird shit cleared off. There were flowers in the little vases, cloth bouquets that wouldn’t be affected by the cold. Daisies for Andrew, calla lilies for Uncle Peter.

Lacey wondered who was maintaining the graves. Even though Aunt Terri hadn’t been in the car crash, she had been all but comatose ever since it had happened. She’d withdrawn into her own sadness, leaving Janine to hold herself and Chloe together. Did Janine have time to care for the dead? Did Aunt Terri have the will for it? Or was it a family decision, an event? Maybe mourning was the only thing all of them could do together anymore.

Her family had been falling apart. They had been breaking at the seams while Mrs. Gold had strutted around like a prostitute, flaunting the money she had earned from being a fucktoy to the man who held all of Storybrooke in the palm of his hand.

Shaking her head, Lacey moved on. She wasn’t strutting now. She was hunched over in the cold, burdened by her memories. She had carried the plastic-wrapped bouquet all the way from town, through the neighborhoods and woods and into this lonely graveyard.

It was two rows up from Andrew and Uncle Peter. This was a double headstone. Her father’s name was already carved onto it, right beside her mother’s.

LINDA WOOLVERTON FRENCH

To Lacey, the grave looked like a double bed, like Mom had gone to sleep before Dad and was waiting for him to join her. Waiting for them to be together again at last.

There was already a bouquet here. Pink roses, brown and withered from at least a week’s worth of exposure to the cold. Was it wrong to leave Mom’s favorite flowers out here to die? Wouldn’t she think that was a waste?

But wasn’t death always a waste?

Crouching down, Lacey took the old bouquet and set the new one down in its place. The granite was dark and polished. She could see her own reflection in her mother’s grave.

“Mom,” Lacey whispered.

Mama.

For days now, she had been in a cycle of crying and being too worn out to cry. Ever since her fight with Mr. Gold, she’d felt like the world had ended. But the truth was that the world had ended before. The world had ended the day after she’d graduated high school, when Mom had gone to her doctor and come back with the diagnosis. Then the world ended a thousand more times: When she gave up her scholarship and her dreams of going to college, when Dad sold the store to Mr. Gold, every time there were new results from the doctor and none of them were good, every time Mom checked in to the hospital.

The time Mom didn’t check out of the hospital.

The funeral, more costs, more spending money they did have. Less than a month afterward, Andrew and Uncle Peter tried to leave Storybrooke to interview for jobs that paid double what the cannery offered. They took the widowmaker highway. It lived up to its name.

Death and debt. Over and over. The world never stopped ending.

“Mom, I’m sorry,” Lacey whispered.

In hospice, the nurses had told them that hearing was the last sense to go, that they should keep talking even if she seemed unresponsive. Mom could hear her. Mom was listening, even if she wasn’t talking.

Tears rolled down her cheeks and she didn’t stop them. “I’m sorry I couldn’t save us. I’m sorry I couldn’t stop any of it.”

She knew that it was irrational to blame herself for events that were beyond any human control. She knew Mom wouldn’t want her to think that. Mom wanted her to be happy.

“I’m sorry I only saved myself.”

That’s what it had been, to marry Mr. Gold, to do whatever he said in exchange for whatever he would give. She had been running away from her old life, the life of poverty and scraping by. She’d escaped. She’d gotten out. She’d saved herself and never looked back.

Until now.

She hugged her arms over her chest. She thought of all the hugs she’d ever had, and all the hugs she’d never have again.

“You know, I thought it would be easy. To not love someone. Because God knows if you love someone, you can lose them. It destroyed Dad. It destroyed Aunt Terri. I thought it would be easier to just not bother loving the man I married. To marry someone who would never love me. It was just a deal.” Mrs. Gold closed her eyes and shook her head. “Just a deal.”

A sob racked through her. She fell on her knees and let her tears fall onto the snow.

I love him.

“I wasn’t supposed to love him! I didn’t want to love him. I thought I was safe with just sex. I thought that was all he wanted too.”

But as soon as Mr. Gold had stopped demanding sex from her, as soon as he had started treating her with kindness--even that lukewarm politeness that she hated--then she had begun to see something real about him. Something that she just had to fall in love with.

He is so good. It’s hard to find, but it’s there. He’s so loving, Mama. He loves me so much.

Hearing those thoughts in her head, thoughts that she wanted to believe but knew were lies, just made her break down even more. Maybe she was going crazy. Maybe all these years of grief and loss and hopelessness were finally compounding on themselves to the point where she was hearing voices. What other finale could there be to this joke of a life than to end up in some kind of asylum?

The snow was seeping through her coat. She had to stand. She had to get somewhere warm. She had to start walking. She had to go home.

Or at least, back to Mr. Gold’s house.

“I miss you, Mom,” she whispered. “I wish you were here.”

I wish he could have met you.

****

She’d stopped crying by the time she got to the entrance of the cemetery. It wasn’t cold enough for her tears to freeze to her face, but her eyes were raw, and her skin was chapping in the wind. Her makeup was ruined and there was a trail of snot running down the front of her scarf. Not much she could do about it right now.

A black Mercedes-Benz was parked in front of one of the mausoleums. The car was smaller than Mr. Gold’s Cadillac, but newer and more luxurious.

She picked up her pace. The last thing she wanted was for somebody to see her like this. Especially not someone as important as--

“Mrs. Gold?”

Fuck.

No! Not Regina!

Mayor Mills came out of the mausoleum that bore her family’s name. Like Lacey, she held a bouquet of withered flowers--white chrysanthemums, it looked like.

Oh right. It was Wednesday. Every Wednesday Mayor Mills went to put flowers on her father’s grave. Everyone knew that.

How does everyone know that?

Maybe if she stayed far enough away from the Mayor, she wouldn’t notice what a state she was in. So Lacey just nodded and kept on walking.

But Mayor Mills didn’t give up. “Mrs. Gold, is that really you? I’ve never seen you so subdued.”

Run! Get away from her!

She couldn’t run. Now that the Mayor had seen her, she had to stop. She had to turn around and make polite small talk until she let her go. Before she turned around, she took a second to rearrange her scarf and put on a decent expression.

“Well, it is a cemetery,” she tried. “You’re not supposed to be happy here, right?”

“But you look downright tortured, dear.” The Mayor’s face was full of concern. “Are you alright? Do you want to talk?”

This was the second time Mayor Mills had offered support to Mrs. Gold. The first time had been when she’d seen her in the alley with Dr. Whale. Just like then, Mrs. Gold had the strangest urge to confide in the Mayor. She wanted to tell her everything, everything about Mr. Gold and their marriage and how miserable she had been for so long.

But the voice in her head had been screaming ever since Mrs. Gold turned around. Was that a sign that she was even crazier? This was an offer of help and her subconscious or whatever was reacting like the Mayor was holding a dagger to her throat.

“I--” Mrs. Gold began. But it was hard to even speak over the racket in her thoughts. “I need to go.”

“Oh, let me give you a ride back into town.”

You made me walk barefoot through the snow, you merciless bitch!

These fucking thoughts would only get worse if she got into the Mayor’s car. And she had enough of a headache as it was.

“No, thank you, Madame Mayor. I don’t want to trouble you.”

“Why, it’s no trouble at all! I’m happy to help someone in need.”

Get away from me, you monster!

“I’m sorry.” She began to back away. “Mr. Gold doesn’t like me to get in cars with anybody but him.”

The lie worked. The Mayor’s expression changed from insistent concern to sympathetic understanding.

“Well,” she said, more huskily than she had been speaking before. “You’re a good girl for doing what Mr. Gold tells you to. Will you tell him that you saw me here? Let him know I’m always around for you, whenever you need me.”

The Mayor smiled, all red lips and white teeth.

Burn in every hell, you lying, murdering--

“Yes, of course.” Mrs. Gold said loudly. She didn’t have time for the bullshit ramblings of her own head. “Have a good day, Madame Mayor.”

“And you as well, Mrs. Gold.”

#golden rings #rumbelle #rumbelle fic

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