#with full context and such

[bonefall]

I know this has nothing to fo with you, but it reminded me of you and it was so bonkers I had to tell someone

Saw a conversation on the WC Subreddit (yikes already, I know) about Brambleclaw being a good dad. I replied that for the most part I thought he was pretty average aside from when he learned Ashfur was beating Lionpaw and didn't do anything about it

And THIS was the reply I got: "Brambleclaw didn't see the training, and technically speaking, how Ashfur trains his apprentice is no business of Brambleclaw's even if he is Lionpaw's father and clan Deputy so long as Lionpaw remains fit, which he was. "

...dude, what?? So Brambleclaw learns his son is getting smacked around by his mentor but it's "none of his business as long as Lionpaw is fit"?? Hello?? That's his kid no shit it's his business, not to mention he seems to know that other cats finding out would be bad since he tells Hollypaw not to say anything?? Did we read the same goddamn book

Anyways, rant over, I was just so baffled by that reply I had to run somewhere and the closest person was local Warrior cats guy Bonefall

I swear, either Bramblestans have been getting worse lately, or their bad takes have been breaking containment more often in the past couple weeks. Still, it doesn't stop making me wince that people can say something like that and actually believe it.

"You see, the abused child's father, who is also the second in command of the entire Clan, has no business saying anything because i dont want to believe my favorite sadboy has ever done anything wrong ever. And he didnt even see it or go to look at his son to confirm how bad he was beaten" Do you hear yourself.

[shesmore-shoebill]

"I had choice paralysis :(" is a KILLER line.

He's such a comedic powerhouse, I'm glad more people are getting exposed to him :'D

[itsbasicallycanon]

was reading little kid with a big death wish (@remedyturtles) and wanted to play around with visualizing leo and sensei's headspace and putting it alongside the outside world and i'm mostly happy with it so i'm posting it

[lazylittledragon]

a word for word interaction i had with my boyfriend that i think about at least once a day

[evelili]

twilight sparkle's tamagotchi resurrection services (stay up all night hatching an identical replacement pet)

[ministarfruit]

stardew valley marriage candidates

[starry-songs-canvas]

Take Care of Him

The boy, who had Damian’s face, couldn’t be more different than Dick’s (alive?) baby brother.

Aside from his Snow White hair, he smiled and laughed freely, making puns on top of his embarrassing story about his supposed twin brother.  

(“Clones don’t have childhood memories right?  So if I have an embarrassing story or two, that’ll give you a way to check that I’m not a clone AND give you ammunition for teasing!”)

“—And that’s how his face—and his pride—was forever wounded by Sparta the warrior cat!”  Danny finished his story with a flourish, cracking up immediately after.

“Huh, and to think he left it at “training”, obviously he didn’t think anyone would let the cat out of the bag.”  Dick said, laughing even as he eyed the lookalike.

Danny snorted.  “Yeah, I doubt he thought anything as Cat-astropic as that would happen.”

They sat in silence for a moment, overlooking the buildings below, with the Dalv. Co. Labs smoking in the distance and the breeze blowing past the two, yet only seeming to affect Nightwing and not the phantom beside him.

“Is he safe?  Is he happy?” Danny murmurs as he looks up at the stars, looking every bit the forlorn ghost he claimed to be.

“…We keep each other safe.  And I’d say once he got past the stabbing faze, he’s pretty happy in Gotham.”

“But I’m sure it’d make him happy to see you again.”  Dick thought back to the comments the vampire-ghost they’d fought earlier.  It didn’t sound exactly, “happy” or “safe” for Danny.  Or anyone else involved.

Danny shook his head.  “Nah.  He’s… moved on.  And with how crazy my after-life is?  I’m already dealing with ghosts, ghost-hunters, and my—err—that frootloop from earlier.  I do not need to add furries and murder-ninjas to the mix.”

Danny sighed as he floated into a standing position.  “Speaking of which, if you could just, maybe not tell him you saw me?  Better to let dead dogs lie.”

Danny’s piercing Lazarus green eyes looked at Dick and he saw the exact same expression B had on whenever he “had to do it alone”.

“Just, take care of him, Kay?  Or I’ll haunt you to the ends of the universe!”  He said, throwing up a peace sign as he turned invisible.

Dick snorted, “Yeah, sure kid.”

Dick got up and started off toward the bat-plane.  He had a brother to interrogate, and another brother/clone of his brother to find.

[mayasaura]

did you see te pati maori declared independence??

I DID NOT! Holy shit! Thanks for the news!

Okay, now reporting back from one research deep-dive, the recent context as I understand it is this:

Last November, a conservative right-wing Prime Minister, Christopher Luxon, assumed office. He's got a lot of less than stellar right-wing policies, and that includes making cuts to the Ministry of Social Development and opposing co-governance with the Waitangi Tribunal and other Māori leadership organisations over the administering of public services such as education, health, and infrastructure. He's been openly critical of Māori seats in Parliament, though he hasn't (yet) opposed them. Over the course of his administration, there's been an initiative to omit or cut mentions of the Treaty of Waitangi, the foundational document of New Zealand that forms the basis of arguments for Māori protections, from official language.

Which brings us to yesterday, May 30th. Budget Day. The day the new administration would announce their first budget and a day of mass action for supporters of te Pāti Māori protesting the treatment of Māori under the new government. I don't have any concrete numbers, but RNZ reports thousands of protestors, while the NZ Herald estimates "tens of thousands" turning out nation-wide, and a walking protest that delayed rush-hour traffic in Auckland for hours.

You may have already guessed that the budget was Bad. As I understand it, the budget effectively cut any kind of targeted funding for Māori health or education, and decreased funding for Māori cultural festivals and celebrations. And again, I cannot stress enough how much I am not an expert on this topic, so there's probably a lot more in there I don't know about.

In response to the new budget, Māori Party MP Rawiri Waititi issued a Declaration of Independence to the New Zealand Parliament, (video of his speech in link) with the support of his fellow te Pāti Māori co-leader Debbie Ngarewa-Packer.

There doesn't seem to be any concrete plan in place yet for the organisation of the new Māori parliament, but MPs Waititi and Ngarewa-Packer met with protestors to collect signatures for the Declaration, which they plan to bring to a hui taumata (meeting of congress) today, Friday, May 31st. The text of the Declaration can be found on te Pāti Māori website, in the form of a petition. You do not have to be Māori to sign, but I believe you do have to be kiwi.

[haunted-xander]

Riku bugs :(

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[omo321]

based on that one mk chapter cover. vaaaguely

[bucket-of-cheese]

Day 3 - Murder Mystery + Haunted

@hot-scarian-summer-2024

[buzzingroyalty]

im so pissed off at that episode ending bc why the FUCK didnt he just

[egophiliac]

LEON

LEON YOUR EYEBALLS

[theminecraftbee]

Grian had taken her aside quietly. He'd awkwardly talked around the idea of her remembering now; apparently, he didn't know if her victory counted. She'd rubbed the back of her head and hadn't quite realized what he was talking about and said something about the games and, ah. Apparently she does remember now. Apparently the victory counts. Apparently this means he needs to say sorry.

Cleo considers not accepting the apology. Grian would get the wrong idea then. If she said: you don't need to apologize for shit, or maybe, there's nothing to apologize for, he'd take that as: you are exactly as bad as you're convinced you are. Honestly, Cleo's not sure whether that means Grian would decide he'd done nothing wrong or everything, but that's besides the point.

She'd never not remembered, is the point.

Frankly, Cleo hadn't realized people were meant to be not remembering. She's honestly a bit embarrassed not to have figured it out. Surely that can't be right. Cleo has held every single slight and every single ally and every single person she has ever connected to right in her ribcage, next to where her carved-out, unbeating, torn-up heart lies, the entire time these games have gone on. Each game, a new fact carved into the bone that makes them up.

Names ribbon around her memories. Bdubs and the Crastle and Scott and soulmates and Pearl and friend-turned-foe and Etho and survivor and Bigb and traitor and Scar and son and everything else. She wouldn't be the same at all if she didn't remember. Everything she is, it's built on top of everyone that was.

Maybe it's a zombie thing. The undead are said to be memories that can't fade as much as anything else, after all.

But she can't really explain this to Grian, of course. If nothing else, that would require explaining the place he's taken next to her heart, too, and frankly, that's way too mushy for the both of them. What ends up coming out her mouth is: "Oh. Does that really change anything?"

Grian stares at her a moment.

"You know, I guess not?" he says.

"Right then," Cleo says. "Cool. Good to know my victory means nothing then."

Grian squawks. "You can't just say it like that! That's depressing!"

Good enough.

She buries 'not-supposed-to-remember' 'not-sure-if-it-counts' 'laughing-as-scott-dies' and 'I-have-always remembered' in the same place in her ribcage, so she won't forget it, and then she does the thing that sets her apart from the common zombie:

She moves on.

[solargeist]

xelqua and religious trauma