#with hope in my heart; saved

[auvra]

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[bevioletskies]

gemini & fourth (in every universe) ↳ heart vs. tinn vs. kongthap + pictures on their phone

"Let’s take some photos...to remind us of our first date."

[c-hrona]

Hope-

Or tfw you touch grass for the first time in your life, and it makes you so sappy that you can't help it but pray for a brigther future.

If, in said future, there's also your best friend, well, who are you to not hope a little more?

Little comic without any kind of expectations and is showing I did to try the 8 page zine layout and it does work!!! I will do more of these because it was fun as heck and really made me happy to do it!

If you want to print it and have a physical copy, you can find the file on my Ko-fi for free!

Here some photos of my own little prints, tried both the A3 and A4 format and they are so cute! **

[kakooshi]

My Hero Academia is ending in 5 chapters so that there will be a sequel where Bakudeku are married and they start a hero agency with Shouto as their sexy secretary. And they all fall in love while trying to navigate post-war society and make it a better one for both heroes and villains. It's true, HORI TOLD ME.

[buckypascal]

❤️ Happy Valentine's Day 💜 from Smiley Matt Murdock ❤️

+ bonus || feel free to use at your disposal

[mourn-and-watch]

no but essek's abnormal behaviours in the last arc and especially in episode 140 are my roman empire. which is ironic because aeor is something of a roman empire itself. but in all seriousness, it was the episode that made me realise i love essek and his development so much and it kinda summarised it even before caleb's epilogue.

and i mean the "it's not fair" scene specifically. it's like, an epitome of his whole character progression from a person who put An Objectively Important Goal above all else without hesitation to someone who can't help but care for people around even more than his goal, no matter how big and relevant it is.

the mighty nein - and he alongside them - pretty much saved the world and freed an ancient city from thousand-year-long suffering. they defeated nine extremely powerful menacing entities who managed to stay out of everyone's sight for years and were so close to achieving their goal and dooming exandria in the process. they did the impossible and became heroes and somehow, they survived, even though they had bidden farewells a couple of hours ago because they had already understood what they had been facing. and nevertheless. they made it.

and none of them was celebrating.

mighty nein are basically essek's only friends. he knew them to be very unusual people, to put it lightly, loud and stubborn and completely inescapable once they consider you to be one of their own. and they showed him so much kindness and put so much faith in him, they were here playing the most atrocious music ever and digging clay in his backyard for a spell they invented just to help one of theirs and asking him if he could bring them pastries the day after they found out he was lying to them and had started a war. they were chaotic and weird and sometimes unbearable but most importantly they were carrying so much hope with them all this time - a hope they could end the war, a hope they could stop the angel of irons cult, a hope they could get better, a hope he could get better, and now, finally, that they could save their lost friend.

and that hope shattered, just like that, the moments after they'd already made the impossible. they saved so many souls - and then could not get back just that one.

for essek "my intentions were never good they were important" thelyss it just. shouldn't have mattered. they won. it could have been worse. people die and when they die they rarely come back. they should've been happy everyone else barely made it alive.

but for some reason, mighty nein being so defeated after they saved the world exposed him to that overwhelming feeling of injustice and unfairness. and i mean, there were many things essek considered to be unfair, but when i watched his first appearance and his interactions with mighty nein later on til their reunion in aeor arc, i wouldn't dare to guess that one of the things on that list would be something that personal. and personal not even to him.

the thing is, essek didn't even know who that guy was. why mighty nein cared about him so much. he had an idea, i guess, that he was their friend once, or someone in that body was. it was also a person who wanted to unleash a terrifying horrific aberration onto the material plane. it was a person very dedicated to killing essek and his friends - and they still didn't take any pleasure in fighting him. essek didn't feel strongly about lucien or molly, because he never knew them.

i don't think he mourned his death and failed resurrection. he mourned mighty nein's hope, the one they put in him when they had no reason to, the one they offered yasha in the cathedral and the one they kept after the spell for veth failed and the one they carried til the very end because they wanted it to reach molly. they had saved people with this hope. they had saved nations. they had saved the world. but they ended up feeling like it hadn't even been worth anything.

how desperate would it feel, witnessing people who for some reason always saw good in you when they absolutely shouldn't, who made literal miracles out of nothing, who ended wars and fought gods and tricked the hags and freed cities from horrors beyond anyone's comprehension purely because they thought it was the right thing to do and also loved their friends this much, silently crying over a dead body they couldn't bring back to life? how desperate would it feel to realise that with all your knowledge about time you dedicated your life to and threw away any principles for, you can't undo this? no one can. some things are left to fate alone and this time it wasn't kind to them. no matter how much good they did, they still got slapped in the face.

and it was, i think, such a genuine moment of empathy. like, essek is the character who prefers to put up a facade and act distant and self-composed but this time he just. walked away unable to watch this. the could only say to fjord that it wasn't fair. even when he was caught off guard in nicodranas he was able to explain himself and his motives to an extent even though he was a nervous wreck whose extra important plan went to hell the second the only people he cared about appeared. this time he had nothing to elaborate on. it just wasn't fair. it wasn't fair his friends didn't get what they wanted the most. it wasn't fair he couldn't do anything to make it right.

it is such a sad and beautiful and even cathartic scene because it is about person who started a war that destroyed so many lives - and then met this ragtag group of weirdos who saw a lonely stand-offish guy and said "hey, let's be friends!" and didn't even wait for him to answer. he saw them being serious and calculated and he saw them being ridiculous and extremely stupid, he saw their mistrust to outsiders and their loyalty to each other, he made spells with them and paid a visit to their hot tub, he ate their stale pastries and drank their hot chocolate mixed with whiskey, he was welcomed amongst them and in their wonderful home, both in xhorhas before they even found out what he had done and in the tower when they already knew - and then, he saw them mourning their loss, defeated and helpless, and he, a person who believed there were things more important than whole nations, let alone just one life, couldn't help but share the pain they felt. a pure display of compassion from someone who detached himself from it, who didn't believe he could grow into a better person capable of it again, but became one nonetheless without even realising it

[kinokoshoujoart]

oops all rock (springtime edition)

i’ll be able to draw digitally again soon! ;w; in the meantime i’ve been scribbling a lot on paper…

could not wait for Soon, so i resorted to coloring it using the markup tool in default iphone photos app (don’t do that ever again)

[a-dauntless-daffodil]

@val-the-bun you are Evil. You are evil putting this in my inbox.

More were-harpy Vaggie but it's sad now and everything HURTS (copy pasted here bc the format in the ask got effed but i refuse to suffer this alone)

val-the-bun asked:

And then, of course, *the trial happens*.

And *the absolute shit timing of the fallout*.

Charlie is too stuck in her own spiral while vaggie just... Tries to hole up on her own (her usual 'nest' was in their suite. But she didnt want charlie to have to deal with her).

Charlie is curled up on vaggie's side of the bed, buried in blankets while she questions if anything they had was real.

While vaggie is in agony for the first time in three years since she'd started changing. Every fiber of her being wants to call for charlie. Yearns for that safety... but instead she bites her tongue and just curls in on herself, alone in the room she hastily barred shut. ~~She deserves this. To be alone.~~

Not sure which hazbin is the one to hear vaggie's pain and tries to check on her (let's go with angel and husk).

The hasty barricade she put on the door isnt enough. Not when the others are trying to force it open.

Vaggie tries to scream for them to go away. The last scrap of clarity she has before that warning turns into a predatory *shriek*. Vaggie's monster form tears apart the already falling barricade, and bursts into the hall.

'WHAT THE FUCK IS THAT?!'

'Fuck if I know, just run! Angel, hurry up!'

Vaggie is *tearing through the halls*, jaws snapping after Husk and Angel. They manage to hit the lobby, Husky grabbing Angel and flying like his life depends on it.

Meanwhile monster vaggie leaps after them... *right into the chandelier*.

Charlie hears the sound of that distant, shattering crash down below, and she *realizes*. Suddenly those painful worries have to get shoved down as charlie bolts out of their room.

'Please dont hurt anyone. Please, please, *please...!'*

Charlie's heart sinks as the shadows around the hotel start to writhe, and radio static fills the air.

'My my, what a surprising turn!'

Vaggie is *shrieking*, thrashing against shadowy tendrils as she tries to claw at Alastor.

'Now now. *Stay down*'

A rap of his cane, and vaggie's practically being crushed into the floor.

'What the fuck is wrong with you?!'

Husk is holding Angel back, looking away as Alastor starts to raise his hand. He cant watch this...

'Let her go.'

Alastor freezes when he feels the tip of an angelic spear under his chin.

There, standing at his side, in her full demon form, *is Charlie*.

'Ah, miss Charlotte. Lovely to see--'

'Let. Her. *Go!'*

For a moment, everything is quiet except for the sounds of vagging struggling, her talons digging into the floor. She's bleeding, golden blood pooling on the lobby floor... *And dripping from the claws on Alastor's hand.*

'Oh, very well. Good luck!'

Vaggie is snarling when Alastor lets her go. She starts getting ready to pounce when Charlie steps in front of her, spear in hand. Vaggie starts backing away, looking less like a predator and more... *like a cornered animal*. Her whole body seems coiled to run away as she keeps backing up, snarling and shrieking more in warning than anything else.

'Was it a lie?'

Vaggie shrieks at her, swiping at the air in the hopes Charlie would stay away.

'When you told me you didnt know what this was, was it a lie?'

Angel starts to step forward, but husk grabs his arm.

'Just let them do this...'

'Did. You. Lie?!'

Vaggie backs right into the wall, feathers flaring with a hiss.

'Was any of it real?'

Charlie can feel the tears on her cheeks. But what she wasnt expecting was to see tears in Vaggie's eye... Even as she snarled, and shrieked, and snapped her fangs, she was crying.

Charlie presses forward, Vaggie raising up over Charlie with a hawk-like screech, talons lashing out... But they dont connect, her talons *trembling* as they stilled inches from Charlie's face, her own spear aimed at her chest. Vaggie's eye is wild and afraid, but Charlie can see the *pain* there, too. She let out another shriek, closing her eye like she was bracing for the inevitable...

[mikeyswayy]

How daaaa helllllll y'all come up with yalls killjoy names like yall is soooo good wit em too 😭😭😭🙏🙏🙏🙏🙏

[signanothername]

obsessed with how u do killer btw. like im SO unwell about him you get it ok

Thank you thank you, Ive been obsessed with this beautiful boi since 2019 and the amazing wonderful no self preservation idiot just has a special little place in my heart, I really love his canon character, and especially in a fandom that prefers fanon, I kinda take it upon myself to keep him as canon as i can (not to say i hate fanon interpretations, I’m guilty of drawing fanon Kills myself) and i really love how silly Killer can be, but his silly side is just one side of him and i just wish to see a lot more than just his silly side sometimes hdhdhdhd

Let my traumatized multilayered killer boi be a traumatized multilayered killer boi <333

And since you’re a Killer enthusiast just like i am here are four sketches that i haven’t really finished and literally don’t know if i’ll ever do so why not share them already

Here you have my lil headcanon that Killer hates looking at mirrors cause he hates to see who’d he become

Here you have the canon fact that Killer avoids food that reminds him of his past, and what’s worse than being served the very food that his brother (that he killed himself) was obsessed with

And these are just two sketches of him being a super silly girl™

Lil headcanon that Nightmare bans Killer from guns and especially machine guns cause then all hell breaks loose

[schmweed]

[swordheld]

hello! do u have any new music recommendations?

of course!!! going to throw some general pop/indie/rock/instrumental all over vibes at you? these are some of the ones that i've been having on repeat a lot lately because they bring something bright and fun into my days - hope you enjoy them !! 💛

if i'm honest (trousdale) – oh the absolute vibes of this one. the harmonies. the beat. the slow downs and build ups? that ending? it's like easy, slow, growing ease and joy. that point 3/4 of the ways through the song, that building of things? the payoff? those background horns? the drums? i cannot sit through it without some kind of air guitar / drums / chair dance type beat. it's too good that you cannot help it, it just goes so hard.

close one (fizz) – i have been writing so much love poetry to this song. it is soft and slow and serene like light, all golden hour, the soft golden hues of almost, of here, like this, with me? that little 'fuck it' before the chorus is so fun. this group is made of insanely popular individuals (dodie/orla gartland/greta isaac/martin luke brown???) and together .... they are so powerful. cannot wait to see what they create next !!

run (maisie peters) – there is such a fun vibe to this song. that line of the chorus, that 'i've been lied to / i've been cut and deleted / i've heard some things i will leave unrepeated' is sooooo good, that rhyme scheme that syllable count balance? it immediately went onto my writing playlist w/ that fun beat, that synth, that catchy repetition? the whole album this comes off of is so very good too, esp. 'the band and i'? i really enjoy her sound!!

like a brother (hey, nothing) – this song feels like a lullaby, in the way of being swung in a hammock? all late summer, early winter winds? but there is such a lyricism that gets stuck in my brain, the whole layout of the chorus and is just so soft. i feel so many things. another easy one for the poetry playlist.

margo (sally boy) – oh the orchestral, string opening? the easy flow of it, instrumental and light, before hitting that small bit of silence before the guitar and lyrics come in? and then the absolute hit that is the beat of the chorus hitting? obsessed. phenomenal. i love the balance of gentle, light instruments and the slow instruction of the drumbeat, it feels like a whole story that you can experience, the flow of it!

eightball girl (maddie zahm) – i can leave this song for a few days and then out of nowhere it'll just be in my head again, the vibes of it, that beat of the chorus? the layered voice effects? sometimes songs have this balance to them that my brain just sucks up like a sponge and this is one of them. soooo good. i'll be in the supermarket and my brain will just go eightball girllll, tell me how you feel about meeee and it's perfect.

snow angel (reneé rapp) – this was one of the first ones i found on my daylist that was just like, how did i go so long without you. how did i not know about you. and since then it's been a daily listen. the slow, gentle breeze of that beginning? there is such a rising and falling to this song, like seasons, like the breeze? all tide, all here and there and back again, all resilience and ferocity, softness and violence? that electric guitar and the piano and the feedback just makes me want to just. aaaaaaa. this whole album is just banger after banger too!!

grace (henrik) – it's so fun!!! it brings me so much joy and energy, the easy breezy pop vibes, it's so hopeful and gentle and loving. i have it set as my alarm rn because i really do think it'll last through the sisyphean task of getting me out of bed in the mornings, it just feels like sunlight.

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[lopposting]

Why I think P, canonically, never wins to the Nameless puppet.

[again, not really from a lore reasoning, but from more of a storytelling interpretation.]

I think it's because the devs didn't want it to become P vs. Carlo.

I think maybe they wanted to dissuade the idea that P needed to win against Carlo's memory, that it's about "defeating Carlo" [I mean it kind of is but not like that], or to "prove" himself. It's not about who is the "better" one. It is Geppetto who is pitting the boys against each other, not anyone else.

It also shows us that even when P "wins" (which he could never do), it would never have earned Geppetto's respect or love; he still curses us out in the Free ending. This is not a fight to win Geppetto's affection, nor is it a fight for P to prove himself, this is a fight for his life. I think having P win victoriously against Carlo's dead body could have completely superseded whatever point they wanted to make.

P only survives because of Geppetto's interference. He would have unquestionably lost if it weren't for Geppetto suddenly blocking the move. Then they immediately dispel any notion that Geppetto did it out of care for us, to both the audience, and to P. The puppet is stopped just long enough for P to strategically grab the heart (He went for the head earlier). At best, I think it's meant to be interpreted as a tie.

Another thought: You know how the item description says it could likely have felt only hatred? I think it also may have been Nameless' hatred that cost it the second win. It's too enamoured with Geppetto's death that it's distracted enough for P to take the grab.

[gingermintpepper]

Hello! I want to know... Besides Hyacinthus, who is your fav Apollo's lover (male or female)? I really love Cyrene 🤭

Oho, thank you so much for the ask!

There are a couple candidates that immediately come to mind tbh. I'm not the sort that has a strict OTP sense when it comes to Apollo because I imagine there's importance in each of the affairs of the gods that are written about - there must be some reason that we remember their names and stories even now, y'know?

Ultimately, I have a brief selection of the lovers of Apollo whose stories I have personal and vested interest in with no particular preference except maybe for Evadne who, if I were forced to give only one additional favourite besides Hyacinthus, I would probably say it's her.

As for why I prefer Evadne over all the great and powerful romances Apollo has had; maybe it's just because I'm a sucker for the ooey-gooey romances but there's something so sweet about Evadne and Apollo's relationship and the consequent relationship Apollo has with Iamus, his and Evadne's son. I also love the subtle politics of such a relationship - from Evadne's side, yes she's a princess but more importantly, she's one of Poseidon's inhuman daughters - a child between Poseidon and a nymph - and the child between her and Apollo - a son of Zeus - goes on to become the father of a long line of famous prophets for the King of the Gods himself. That makes Iamus one of those rare children of a major god who is not divine but certainly not human either, something that is further exacerbated by the fact that for the first five days of his life, Iamus is cared for by his father who ensures that the baby is fed not milk but honey from the fangs of a snake.

All in all, it's not a very remarkable story in the grand scheme of things. There's no big drama like with Admetus and there's no great tragedy like with Coronis or Melia. Apollo doesn't act particularly noteworthy in either Pindar or Hyginus' account of the tale like he does for Cyrene or Branchus and the end result is a line of prophets sacred to Zeus and the Olympia oracle - a classic example of Apollo in his role as father to the great prophets and wisemen and yet something about the gentleness of Apollo in his affair with Evadne has always captivated me.

Evadne, who so feared her father that she would abandon her newborn child just to spare herself his anger, was able to trust and love Apollo. Likewise, Apollo did not once abandon her, sending the most blessed of attendants to help in her birthing and automatically stepping in to make sure Iamus was fed, clothed and warm until his mother returned for him. It's something about a young Iamus going into the River Alpheus - an ancient stream - and calling out for his purpose from his father and grandfather. It's something about Apollo's immediate and calm response and the way he leads the youth to the temple that will be his destiny and personally educates him in the ways of divination.

It's just one of those stories that always sticks out to me for the portrait of a father and lover it sketches of Apollo, even in a seemingly innocuous myth such as this one.