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truthseekerthedragon · 2 years

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Thoughts on The Flames of Hope

TW: references to abuse, minor body horror, references to violence, brief reference to drugs

And here… we… go.

So, the book was dumb. Like, in my opinion, worse than TDG levels of dumb. How is it possible for someone to set a bar that low and then trip on it? Like how? I must know how Tui fumbled writing a climax this badly. Tui, you already set up an arc, the payoff was right there, and you still missed it by around two million miles. Somehow.

I’ll be analyzing The Flames of Hope from a storytelling or “troper’s” perspective, meaning I’ll be examining the story in terms of plot, characterization, and how well it tells the story it wants to tell. I’ll be looking at how well characters like Luna are written and dissecting why I like or don’t like certain characters or plot points; I won’t judge the story by whether my favorite character died or if a ship I liked worked out, because that would be silly, although expect my personal opinion on things to slip through every once in a while. Expect a lot of sarcasm.

This has been stewing in my mind for some time, so prepare for a lot of thoughts. Trust me, there is a lot to unpack here.

If you disagree with anything that I say, I wholeheartedly respect your opinion. These are just my personal thoughts, of course, and you hold the right to like/dislike this book or any of the characters in it.

There’s a prologue, I think, but it isn’t important. Who was the PoV in it again?

The story begins with Luna thinking about how she’s some kind of glorious Chosen One and how she wants all the HiveWings to die. Is this supposed to be the good guy? Well, it doesn’t matter, because after the first chapter she will lose all this personality and become blander than cardboard! Tui will, of course, prop up an illusion of a personality by making her think about tapestries a lot. This gimmick will be fun the first couple times it shows up but will wear thin very, very quickly.

Speaking of illusion of personality, pretty much everyone on the secret stealth team has, uh, lost their character traits. Not counting those who had no personality in the first place, of course (Sky), or lost it earlier in the series (Moon). Seriously, I can’t think of a single personality trait of anyone on this team other than “annoying.”

So Luna thinks about everyone on the team or whatever, to maintain the illusion of personality, and at one point she remarks that Bullfrog, the MudWing, has a personality that’s “buried deep inside” or whatever. This is Tui’s excuse for not giving him an actual personality. Seriously, what does Bullfrog do except be dumb, dull, and think about cows? He’s a walking MudWing stereotype. And Tui, being stoic isn’t the same thing as having no personality. You have to show something beneath the emotionless surface, otherwise the emotionless surface is the personality.

The team sets off toward Pantala with the magic items they have. Now let’s go off on a tangent and talk about expectations, and I swear this is relevant to the conversation, so stick with me here.

Before this book came out, fan theories and speculation was wild. Tui had released a few tidbits of information thus far, and we were hungry for more. There was a lot of wild mass guessing about what was going to happen in the book. For instance, there was a lot of talk about the possibility of a cure to the othermind being found, or Monarch being restored to the SilkWing throne, or an “I know you’re in there somewhere” fight between Luna and Blue. Standard fare like that. It’s exactly what you’d expect from a mediocre, tropey writer like Tui T. Sutherland.

Heck, I even wrote a parody of the story based partially on what I thought was going to happen! You know, the usual fare: Sky does something dumb and gets the entire team captured, Wasp keeps prisoners instead of, you know, killing them, Pineapple and Bullfrog dies to establish how dangerous Pantala is, and a few jokey things like a Batman reference and a Wasp redemption arc. *sigh* And an othermind redemption arc, too. It was supposed to be a joke. *sob*

No one honestly believed there was going to be an othermind redemption arc, and no one thought Wasp would get randomly taken out by a side character. Heck, in my parody—which I wrote to be intentionally bad—Luna confronts Wasp directly! There was the occasional joke about the othermind getting redeemed or secretly being a scavenger, but no one took these ideas seriously because no one expected Tui to pull something like that.

And… well, Tui did exactly that, thus subverting audience expectations and sacrificing the story for the sake of shock bait, but I’ll explain that in more detail as I go.

Anyways, back to the story. So the team goes to Pantala. They immediately encounter a HiveWing force before they even reach the main continent, because Tui has to establish how dangerous Pantala is, and—gasp—Moon, who is the most useful member of the team by virtue of being able to read minds and see the future, is captured! Oh noes! Pantala is super dangerous, y’all! Oh, and Qibli and Pineapple get captured too, I guess. And Tsunami.

Also, we see a mind-controlled SilkWing, yada yada oh no everyone’s in danger now! Didn’t we already establish this two books ago? Anyways, the mind-controlled SilkWing uses their spidey-sense—wait, I meant lateral line—wait, I meant antennae—to try and find the invisible protags, but the good guys stay still because that’s totally how “air vibrations” (read: sound) work, so they only grab Moon, Qibli, Pineapple, and Tsunami. That’s actually a lot of dragons.

Oh noes, we need to save Moon now! Speaking of her, you know what makes me sad other than her personality vanishing after MR? We never see her read the minds of the mind-controlled dragons and remark how blank they are or use them to predict Wasp’s movements. We never see her get a vision of the future about anything. We only see her use her powers, like, twice, and once in an incident that doesn’t make sense when you think about it for two seconds, but we’ll get to that later.

So Sundew and Lynx decide to go off and rescue Moon—offscreen, of course, because nothing interesting is allowed to happen in this book—and everyone stays invisible. This is gimmicky for a while, but the novelty of it wears off very quickly, and eventually it just comes off as silly.

The team runs around underground and meet the nonbinary representation character, Axolotl the scavenger! They will only be there to be a cave guide and then will fade into irrelevance, only to reappear in the epilogue where they treat Cricket like a pack animal. Hooray.

What? I’m not salty about the scavengers gaining relevance in this series at all, or the fact that they ride sentient dragons like they’re horses or something! I’ll probably explain this scavenger nonsense in detail in a later post, and why usually-standard fare like scavengers riding dragons is especially egregious in this series.

So anyways. Axolotl the nonbinary rep. I was kind of hoping that a) they would get to assert their gender in the story and b) they would get a lot of screen time. We got neither; Wren just heard their pronouns offscreen. Oh well, at least there isn’t an awkward misgendering moment. Oh, and I wanted the nonbinary representation to be a dragon instead of a hairless monkey, but we can’t have everything, I suppose! No, I’m not bitter at all!

Okay. To be fair, I understand the enby rep getting minimal screentime; Tui’s hands were probably tied due to executive mandates. But I digress.

Tangent: How do Wren and Axo understand each other perfectly even though their societies have been separated for five thousand years? Language drift exists, you know, and given that Tui’s first written work was Shakespeare fanfiction she really should know that. This is like if an English speaker could understand someone speaking Swedish or Dutch, except it’s worse in this case because Pyrrhia and Pantala have been completely isolated from each other, meaning zero loanwords or any of that fun linguistics stuff. The thing with dragons is slightly less egregious, because they’ve been separated for two thousand years and Tsunami describes Willow with a strange accent, but it’s still egregious. This is basically the field of linguistics being set on fire for the sake of plot convenience. And honestly, wouldn’t it be more interesting if dragons struggled to communicate with one another to tell each other things like how dire the situation is?

Anyways, Luna and co get led to a group of other dragons also hiding underground, where we meet a few characters, like Pokeweed. Pokeweed is consistently described by the narrative as slow and dull, but his dialogue is actually quite snarky. This is a problem Tui has in general; she relies too much on tell instead of show, leading to disconnects like this and Bullfrog supposedly having a personality when he doesn’t. Oh, and she overuses said bookisms and adverbs in dialogue tags, which is another symptom of the tell-not-show disease.

Luna also meets a bunch of dragonets, because Tui really likes her dragonet characters. I get that she’s a mother of two, but can we not bog down the narrative with useless tiny sidekicks, please?

One of these dragonets is Dusky the orphan SilkWing from the horrendous Bloodworm Hive, because we need to establish sympathy points for him ASAP! Luna gets attached to him, or something, and later she will do arguably the dumbest action ever undertaken in the series for him. My friends, we call this type of character a plot device.

Some people on Discord also brought up that Dusky's backstory only seemed to be there to justify the Bloodworm Hive burning, so there's also that, I guess. Ugh.

Tangent: I’m still angry that Bloodworm Hive’s burning wasn’t addressed at all. Like, the LeafWings probably killed a bunch of HiveWings, and even if no one died—which is unlikely—that’s still a ninth of the HiveWing and SilkWing population displaced plus all material goods in the Hive lost. Why is no one talking about this? I’m pretty sure this qualifies as a war crime and it wasn’t even brought up in this book. I mean, if the HiveWings did something similar to the LeafWings, we’d hear no end of it, but hey, the good guys did it, and that makes it okay! Remember, kids, if you’re fighting for freedom and the oppressed, that gives you the green light to do whatever horrible things you want, because as we all know, the ends always justify the means! Uh, that got a bit racy there. Let’s go back to the book.

Several chapters go by in which pretty much nothing happens, and then Luna decides to go exploring with Dusky. They come across a mural or something, and Luna thinks about the Scorching and how scavengers took something dragons had or something, according to the myths.

Okay, time for another tangent. Fans have been begging Tui for information on the Scorching since the beginning of time, so Tui decided to hand it over, apparently. This book felt a lot like fanservice at points, and so did the previous book. There’s nothing wrong with blatant fanservice (see Spider-Man: No Way Home), but in this case it felt like a monkey’s paw situation, where we technically got what we asked for, but in the worst way possible. Here, the fanservice itself was bad and hurt the story overall. I’ll dissect this later.

Around here Luna meets that random scavenger we saw in the epilogue of the last book… why was she in that epilogue again?… Anyways, this random scavenger we don’t care half an iota about, Raven, appears here and then disappears for the rest of the book. So what was the point of her appearance—wait a second. Why does she have a raven feather in her hair? Doesn’t she spend, like, all her time underground? Speaking of underground, where do the abyss humans get their food? Do they exclusively eat lichens and mushrooms or something? Why is the worldbuilding in this series so broken?

Oh, right. The thoughts post. Ahem.

So then Vole runs up and kidnaps Dusky, and Luna is like, “Oh no!” And she runs after them.

Short tangent: Vole made an appearance earlier in the story, and Luna described him to have a scraggly beard. I must ask… is there a word in draconic for “beard” now? How does Luna know what a beard is when so far she’s only met female scavengers? Why does Luna distinguish a beard on Vole as opposed to, you know, describing him as hairy and scraggly in general? Questions!

Another short tangent placed here because I don’t know where else to put it: This is a problem pervasive throughout the whole book and the series as a whole, but this book was filled with cheap chapter cliffhangers. You know, like, “The monster turned toward them! Want to know what happened next? Go to the next chapter!” And in the next chapter it turned out to be not a threat. (1) It’s cheap, it’s transparent, it’s annoying, and it’s used as a hook to keep the reader in the book when the plot or characters can’t sustain the reader’s interest. Please stop using them, Tui, or if you have to use them, please make them lead into something interesting.

Anyways, Vole jumps into the glowing green abyss—which, by the way, is near Lake Scorpion as opposed to the sinkhole that appeared in TLC. Oh, you thought that random hole that appeared in the beginning of the arc had to be a Chekhov’s Gun? Nope! It wasn’t important, which pretty much relegates the sinkhole to a random thing that appeared and amounted to nothing. It wasn’t even set up as a red herring.

And here… *sigh*

Here Luna does the dumbest thing anyone does in this entire series.

She YEETs herself after Dusky, plummeting toward certain doom and mind control, to rescue a dragonet she’s only known for a few days.

Who cares if she gets mind controlled! What will the team do without her? Who cares! And it’s not like she’s guaranteed to get mind controlled since she’s literally entering the lair of the othermind. Nope, she’ll risk everything, the entire world even, to rescue a random dragonet.

Now to be fair, someone on Discord pointed out that this actually ties into Luna’s character arc of struggling with her bystander status. But it’s pretty telling that I don’t remember any of that character arc stuff, isn’t it? Shouldn’t something as important as the protagonist’s character arc be remembered by the audience? Oh right, Luna doesn’t have a character arc because she has all the personality of a piece of cardboard. You can’t multiply by zero.

Maybe, just maybe, instead of giving Luna a proper character arc Tui was only paying lip service to it to justify Luna’s monumentally stupid decision.

Now here’s a point you might bring up: Luna was a hero! Of course she had to save Dusky!

Uh, no. Luna had no personality to speak of; we never saw her do anything heroic, we just saw her walk around and act stupid for the entire arc. She’s basically a walking plot device that Tui’s using to further the plot. Luna complaining about the treatment of SilkWings even though she grew up in the system and we, the audience, can clearly see SilkWings being discriminated against? She’s just there to explain things to the audience! Her deciding to leave the caves to use her newfound wings even though it was extremely dangerous outside? She did it so she could get attacked by HiveWings! Her deciding to use her silk while being attacked by HiveWings and being unable to stop spinning silk for some reason while she gets blown away like a chump? She did it so she could get whisked off to Pyrrhia and found by Jerboa!

I’ll bring up a counterexample of someone doing something similar to what Luna did: Peter Parker rescuing the kid in the burning building in Spider-Man 2, and I’m using that film because I’m assuming everyone has seen it, not to mention that it’s brilliant and anyone who says otherwise can zip it. And hey, both Peter (in the Raimi films anyway) and Luna have organic web-shooters and were trying to rescue a kid at huge peril to themselves, so it fits!

At this point Peter has given up his responsibility as Spider-Man after a) being a superhero interfered too much with his normal life and b) he lost his powers. At one point he sees a burning building and, upon hearing that there’s still someone trapped inside, he immediately runs in to rescue the kid at risk of him dying a horrible death, and it’s especially risky since his powers are on the fritz. So why does this work? Because Peter has been previously established to be heroic—it’s part of his backstory of not standing by while something bad happens—not to mention that at this point in the film he’s given up his responsibility as Spider-Man, so to him, he can afford to die.

Does Luna have either of these points going for her? No. She has zero characterization because she’s a walking plot device, and she’s probably the only non-mind-controlled flamesilk at this point and she’s on the secret stealth team—there’s a prophecy, remember? Talons need to unite? That includes Luna. Ergo, she’s important, and she should know it.

Short tangent: I am so tired of these either/or prophecies in these arcs. Did this arc need a prophecy, even? The prophecy just undermines tension, because look, the prophecy said the team would succeed if we did this thing! If we need a prophecy, could we make it ambiguous or easily misinterpreted instead? “You need to do X or Y will happen” wears thin after a while.

But no. Luna YEETs herself after Dusky the plot device even though she really shouldn’t have, and don’t try to pretend it’s anything but Tui using Luna as a puppet for plot reasons.

So she enters the abyss and gets mind-controlled, because of course, but before that she sees a room… with a scavenger husk and a dragonet husk, but with plants growing out of their heads. Gasp! Body horror! Whatever, I’ve seen way worse on the SCP Foundation.

And here we get to the point where the book stops trying to make sense, or even form a resemblance of sense.

Because here, Luna is subjected to three chapters of flashbacks! Hooray! It’s not like that got old in the last book.

Yes, you heard that right. Flashbacks. And to pre-Scorching times. How does this work? It’s never explained! When I was reading this, I initially thought the flashback took place on Earth because the descriptions were confusing. And in case you were wondering, the flashbacks take place on the good ol’ dragon planet. Which still doesn’t have a name, by the way.

So in the never-explained flashbacks, we learn that humans used to rule Pyrrhia, but at one point someone named Cottonmouth decided to steal a bunch of dragon eggs to use as weapons of war, which essentially makes this a poor dragon’s Temeraire. As revenge, the dragons flew out and destroyed human civilization. How the dragons defeated the scavengers during the Scorching when previously they’ve been pushed to the fringes of the wilderness by those same scavengers is never explained. Maybe their rage gave them a powerup or something.

To escape impending death, Cottonmouth and a group of followers set out with a dragon egg, making it to Pantala, finding the breath of evil, somehow connecting it to Cottonmouth’s brain—this is also never explained, by the way—and then Cottonmouth connecting the dragonet from the egg to his brain also. And then they died but their consciousnesses remained alive in the breath of evil. Somehow.

“Animus scavenger” would’ve made more sense. And it would’ve been less convoluted.

Short tangent: People keep asking, so I’ll answer: A cottonmouth is a kind of snake, so named for their white mouths. Because in this series, everyone with a snake name has to be evil or at least be very, very nasty.

It really feels like Tui here was like, “Oh, you don’t like the othermind being a sentient plant? And you want to know what happened during the Scorching? Well, here you go! Might as well kill two birds with one stone!” And we ended up with the othermind being a scavenger and a dragon. Plus a bunch of flashbacks that padded out what was supposed to be, you know, the climax of this arc. Can’t we save this Scorching stuff for a Legends book or that dragon field guide Tui’s working on?

You see, monkey’s paw.

After the flashbacks are done, we’re introduced to two new characters, both of whom I absolutely despise: Cottonmouth the scavenger and the proto-LeafWing-RainWing he has with him, then called Lizard, now called Freedom. I’ll be calling her Freedom throughout this even though she’s technically called Lizard until near the end of the book.

Why do I hate these characters, you might ask? What has Freedom in particular done to earn your seething hatred?

Cottonmouth is obviously meant to be hated, but I don’t hate him because his character is despicable, I hate him because of how he’s written. He’s obviously meant to be the Worst Big Bad Ever in the series, even worse than someone cool like Scarlet, and Tui keeps trying to tell us how obviously dangerous he is. Look! He controls, like, everyone on Pantala! He’s been around since the Scorching! In fact, he started the Scorching! He’s so bad and dangerous, y’all, fear and hate him!

Unfortunately, his execution falls flat. He just comes across as a mean old guy with no real character substance, nor does he have villainous panache to make up for it like Scarlet. I don’t know why I should respect this guy, much less fear him. He kind of reminds me of Hush from the Batman comics in this regard: the OMG Most Dangerous Villain Evar who’s just… blah and boring. And also an annoying jerk. Who’s also gimmicky. Look, folks, Cottonmouth is an old guy who’s dead and his consciousness can mind control things, and he started the Scorching! Look, folks, Hush is a doctor dressed up in bandages for no reason who spouts Plato, and he’s Bruce’s childhood friend and he nearly killed Batman the first time they fought! (2)

There is nothing less cool than an author desperately trying to convince you that their character is cool.

Similarly poor execution afflicted the other character who appeared here, Freedom. She’s obviously meant to be pitied because of her backstory, but she has a terrible personality and it’s hard for me to sympathize with someone like her. She’s abrasive, whiny, selfish, sadistic, and 100% willing to help Cottonmouth, none of which are good character traits. It doesn’t help that she unironically says things like “I BARF at you” and “you bozo,” nor does it help that the narrative is desperately trying to get us to sympathize with her. No one calls her out on her actions; instead, everyone is all, “Oh, poor baby! Cottonmouth abuses you and it’s so sad! Here, have some happy memories!”

And this is coming from the person who sympathized with Winter on account of his abusive family backstory, even though he was a jerk—albeit one who was fundamentally good. Cricket, too, even though she had a less nuanced personality than I normally prefer. I sympathize with characters with abusive parents at the drop of a hat, so you have to be impressively nasty or badly written for me to hate you with a backstory like that.

Now, if Freedom had been instead been written as a terrified dragonet, horrifically traumatized from millennia of abuse from Cottonmouth, afraid to speak most of the time but willing to help Luna out of the goodness of her heart, that would give her way more sympathy points than someone who only helps Luna because it will give her memories and enjoys puppeting dragons.

Hmm, let’s do another comparison. Take Anfang the gryphon from The Gryphon Generation, a self-published series that by all evidence has been read by a total of, like, three people, myself included. This will require a bit more context. Anfang is a nasty character. He toys with his murder victims, he eats people, and yet he still comes off as sympathetic due to a combination of factors: he was a lot nicer before the military experimented on him as shown in flashbacks and Thyra’s thoughts; his horrific crimes, horrific appearance, and lack of societal knowledge make wider society reject him, with Thyra being the only individual who still thinks there’s good in him, and even that can get dubious; Anfang wants to be accepted by Thyra and actually tries to be a better individual, which feeds into his character arc; there’s also the fact that pretty much everyone calls him out on his terrible actions. It helps that he has a nuanced and interesting personality, with differing perspectives on things like love and religion allowing him to foil off characters like Thyra, the protagonist, and Matthew, the big bad.

Both characters have been taught that humans/dragons/whatever are fundamentally selfish and horrible, they’re both controlled by nasty bad guys, and they’re both sadistic, but Anfang isn’t a Karma Houdini—he faces actual consequences for his actions, such as rejection by characters who otherwise might have given him a chance. Freedom, though, is, and no matter what she does, she will be given a free Authorial Get out of Jail Free card, because she’s supposed to be sympathetic, look at the babey! Hey, I think I found the biggest reason why I dislike Freedom so much. (3)

Oh, and how many people expected the othermind to be a scavenger? No one. There were jokes, sure, but no one expected a scavenger othermind for real; again, Tui is pulling twists from thin air because it’ll surprise the audience and subvert expectations. Because what we clearly needed after a plant was revealed to be the twist villain was a second twist villain where we learn that the big bad is actually a scavenger! How thrilling! It’s not like this is gimmicky or cheap or anything. Heck, even Disney dropped the twist villain thing after a while because it was getting old.

Is it possible to write a good villain twist? Yes. Pretty much every Brandon Sanderson story has a twist villain in it. However, these are good twists, and always feel like an extension of the story, where the twist makes sense in hindsight and doesn’t feel gimmicky. Unfortunately, Tui does not have Brandon’s skill in executing plot twists, so her villain twists feel shallow and flat.

Anyways, back to whatever the heck the plot in this book is. Luna, Cottonmouth, and Freedom are chilling in a “mindspace,” which also makes zero sense. Where did it come from? How does it work? Very good questions that Tui will never answer, because details are for suckers. Anyways, using the mindspace, the group telepathically views a scene where Wasp tries to get Pineapple and Qibli to get mind controlled by her or something. Where’s Moon, you may ask? She got busted out earlier by Lynx and Sundew in a daring infiltration scheme that happened entirely offscreen. We will never see this scene, by the way. Nor will we hear a recounting of this story by any of the participants. Instead, we get to listen to Freedom whine, because that’s way more interesting than a retrieval mission!

Short tangent: Why does Wasp always want to mind control dragons and leave them alive for them to be rescued instead of just killing them immediately? Sure, she likes mind control, but she literally has thousands of dragons. She doesn’t need two more drones or puppets or whatever. Oh right, I forgot, she’s a villain in the Wings of Fire series, where intelligence isn’t required for villainy.

At least Malachite is in this scene. He wasn’t forgotten or anything, so kudos to Tui for remembering that he exists.

So Qibli and Pineapple attack Wasp. Oh, right, Tsunami was in this too, I forgot. There’s a fight scene here, except it isn’t very exciting because Luna, the protagonist in her own book, is relegated to a passive bystander while she watches Pineapple defeat Wasp with magical death spit.

Yes. Pineapple, the random side character who was introduced in the last book, was the one who defeated Wasp. Not Luna, who is the protagonist, nor any of the other third arc protags. Pineapple. The random side character. Defeated Wasp.

*sigh*

Again, this is Tui trying to surprise the audience for the sake of a surprise, because who cares about things like payoff? Basic narrative structure is for suckers. It’s not like this undermines the story or anything. And as we all know, The Last Jedi and the eighth season of Game of Thrones are beloved for being pure shock bait!

Oh right, the rainbow blood. For some reason, Wasp has green blood in this scene, and Tsunami’s blood is blue. I have zero idea why Tui made this decision, and it’s even more inexplicable that the editor and beta readers failed to catch this, but whatever. Fandom made a big deal out of it, but I have much bigger problems in this book to dissect, so I don’t really care. It was a mistake on Tui’s part, no one has not-red blood except for IceWings, move on.

Short tangent: By the way, Malachite gets his face set on fire in this scene. But the next time we see him, he’s perfectly alright. Tui does realize that getting your face set on fire is potentially lethal, right? At the very least he should have second-degree burns, which are extremely painful, and facial burns need emergency medical treatment immediately to prevent infection as well as prevent or mitigate a potentially deadly inflammatory response. At the very least Malachite should have some facial scarring and/or be seriously traumatized from the experience. But he’s fine, don’t worry about him!

So anyways, Wasp is defeated by a side character, and Luna wants Freedom to help her friends, but Freedom is selfish so Luna has to trade her memories. The friends escape, but Cottonmouth says he has already infected someone on the team… it’s obviously Pineapple, because Tui displays blatant favoritism towards characters who used to be protags, especially Qibli, and it would be especially undignified for him to get mind controlled! Her boi is too smart for that to happen to him! It would be similarly undignified for this to happen to Tsunami, so by process of elimination the mind-controlled dragon is Pineapple.

After that we see Cottonmouth superimpose himself over Pineapple’s body while he’s flying, which kind of reminds me of that Spider-Man: No Way Home meme. It makes me smile. Seriously, it does.

Now, where was I? Oh, right. It’s pretty clear at this point that Freedom is going to be redeemed, otherwise Luna will be stuck in the abyss forever, and there’s no way Tui’s going to let that happen. I wasn’t looking forward to the redemption arc then and I still hate it now.

So Freedom demands Luna to give her her memories. Oh, right, Dusky was in this too, and she wants his memories as well. So they give her their memories, she sees them, and whines about how boring they are because instead of fighting, she sees… gasp… friendship and family! And Luna starts thinking about how she can manipulate this five-thousand-year-old dragonet into helping them.

Is anyone getting a feeling of deja vu?

Because this is a retread of Snowfall’s character arc in the last book.

A whiny dragonet with immense power and sorely lacking in compassion is shown a series of flashbacks, memories, visions, whatever by a plot point outside her control. This causes the character to reconsider her compassion level and perspective on life and becomes better, or something, and does something that says she’s good now.

It’s almost the exact same thing as the last book. The exact same thing, because… I dunno, because Tui liked what she did with Snowfall and wanted to repeat what she did? Did she consider TDG her best book before TFoH came out, even though it was her worst Wings of Fire book by far at that point? What was Tui thinking here?

Short tangent: Around this time we see a bunch of trees near Lake Scorpion or something like that, meaning Wasp was either too lazy to do her job properly or was a liar.

Oh, and Moon appears in the mindspace, even though she isn’t mind-controlled. This is explained by the fact that she can read minds, but… she listens to dragons’ thoughts, she can’t project them or anything. She’s like a mind radio (does anyone still use radios?); she can pick up transmissions, but can’t broadcast them herself.

But, you may ask, what about in MR when Moon and Darkstalker talked to each other?

Darkstalker was a highly trained mind reader; he was likely taught a method to amplify his thoughts so Moon could hear them more clearly. He can’t project thoughts, and neither can Moon; they were two mind readers conversing with one another by reading each other’s minds. In fact, according to Tui, only a NightWing telepath hatched under a blood moon can project thoughts.

In other words, Tui forgot her own rules about mind reading. All for the sake of plot convenience, because poor babey needs memories because she’s so sad y’all, pity her!

So everyone shares happy memories with Freedom, because there’s nothing sweeter than manipulating an ancient dragonet into helping you while not giving her the full picture of what dragonkind is like, because dragons can’t be vicious at all. Aww! Did Tui and I even grow up on the same planet?

As if the “you’re more than your parents” thing in previous books wasn’t bad enough. Subtle, my a—I mean, uh, subtle, my bucket of worms. Right. Hmm, we’ll shelf the theme discussion for now and talk about it later.

Moon uses her mind reading powers to find out that Pineapple is mind-controlled. Everyone freaks out, Pineapple gets frostbreath to the shoulder, something something. At least the end is near, y’all.

Short tangent: I needn’t mention how the frostbreath to the shoulder is possibly deadly, due to the large amount of important blood vessels, nerves, and muscles in the shoulders, and should’ve incapacitated Pineapple, right? But he’s fine! It’s like nothing happened to him at all! He can still move and fight. It’s like no one can get hurt in this book or something.

Oh, and Freedom gets “redeemed” sometime in this horrendous mess of a plot, because she’s nice now! She thinks all dragons are wonderful and warmhearted. How she missed all Luna and Dusky’s memories of HiveWing oppression is beyond me. How does the memory sharing thing work, anyway? Who cares! Explanations are for losers. (4)

There’s some problems here.

So first, the redemption happened way too quickly. It happened in what, a day? Does Tui expect me to believe that a dragonet who has lived with a certain mindset for thousands of years will just change said mindset in a single day or two because she saw some warm fuzzy memories? I know Tui is the queen of unrealistically quick character development, and it’s always egregious, (5) but it’s the worst here.

Freedom’s actions here are also deeply out of character. She has been selfish for thousands of years; having her suddenly decide to help Luna is deeply out of character and just doesn’t make sense.

Oh look, more examples to contrast this book with! I’ll go back to works everyone’s heard of. Take Anakin Skywalker, for instance, particularly his portrayal in the Clone Wars TV show (the 2008 one, although I’d recommend everyone watch the 2003 miniseries as well). He has a key character trait demonstrated again and again throughout the show: he will sacrifice a lot of things, put himself at risk, and go against orders to save those he loves, like Ahsoka and Obi-Wan. The show highlighted this trait a lot better than the prequel films did, and makes Darth Vader’s sacrifice in Return of the Jedi retroactively better, because fundamentally Anakin never acts out of character; it’s just that the circumstances under which he acts changes. He’ll kill a spy/saboteur to save Obi-Wan and a ship full of politicians, he’ll kill a bunch of kids to save Padme… eugh… and he’ll kill Palpatine to save his son Luke.

I’ll use another example from Spider-Man 2 because I feel like it; you’ll just have to deal with it. Early in the film, Otto Octavius tells Peter that intelligence is a gift, not a privilege, and that he should use it for the good of mankind, establishing that he likes science but prioritizes helping humans. He tries to build a fusion reactor specifically to help humans obtain a source of cheap energy. However, after the reactor experiment goes awry and the tentacles fuse to his spine, the tentacles’ AI start whispering into his brain like tiny metal psychic raptors, influencing him to become a supervillain with no regard for human life; he decides to recreate the failed fusion experiment despite the very real possibility of the reactor going wrong again, this time wiping out a good chunk of NYC.

During the climax, Peter even has to reteach Ock that "intelligence is a gift" lesson from earlier in the film. Ock then demands the tentacles to listen to him, and the metal raptors—I mean tentacle arms—cower and stop influencing him, very clearly demonstrating that Otto could've stopped listening to the tentacles at any time. While events such as the failed fusion project and his wife's death did make him more suscetible to the AI, he still chose to listen and do what the raptor arms said. After that, Otto opts to destroy the out-of-control fusion reactor by dragging it into the river, sacrificing himself in the process and preventing NYC from being destroyed by a miniature sunball. In other words, his "help mankind" nature kicked in, and he did what he had to do.

Why did I use these two examples? Because they’re both examples of the “redemption equals death” trope and their heel-face turn itself occurs at the climax of the story, which is also Freedom's whole deal. I was going to use Zuko as an example of how to do a redemption arc, but didn’t because a) he doesn't fulfill either of the above criteria, making him less relevant to this conversation and b) don’t get me wrong, I love Zuko, but there are roughly two million thinkpieces about what makes him so awesome, making anything I say very redundant, and if you want to compare him to Freedom it wouldn’t be hard to dig up one of those thinkpieces. But I digress.

Is Freedom like either of these characters, where her redemption results from a natural extension of her character? No. She’s been selfish for five thousand years, but will suddenly become selfless because the book demands that you feel bad for her right now!

Some people will argue that Freedom changing her mind makes sense because she’s been exposed to new information, but in my experience, people do not change their minds easily; a conspiracy theorist would rather continue believing a lie than admit they were wrong, even when faced with all evidence to the contrary. A shift in mindset, such as Vin in Mistborn slowly learning to trust and open up to others, only works if it occurs over the course of months or even years. Tui does not do that here.

Also, this redemption wasn’t earned. Characters have to actively work toward their own redemption—they have to strive to be better people. They have to realize what they did was wrong, atone for it, and work to be better, making up for their past decisions. Freedom, though, just suddenly decides to be better because warm fuzzy memories. She doesn’t apologize, much less atone, for thousands of years’ worth of mind controlling who knows how many dragons, because all that happened offscreen and no one cares about those dragons anyway. She doesn’t have to work for her redemption, either; she’s handed the warm fuzzy memories on a silver platter, and she has zero self-doubts or internal struggles. She doesn’t have to work for anything, because look at the babey, isn’t she cute! If you don’t feel bad for her, you are a heartless monster and therefore all your criticisms are invalid!

Take the previous redemption examples I brought up. Anakin had to choose between ol' Palps and his son, and Otto had to fight the AI. There were, you know, actual hurdles to overcome in these moments.

And here's another thing. Notice how Anakin brought down the Empire he had helped found, and Otto dismantled the fusion reactor he had built? They were atoning for actions they had directly taken, a sort of 1:1 "I did this bad thing, now I'll fix it" scenario. Freedom, though? She shows how to destroy the othermind, even though the othermind's establishment wasn't her fault; it was all Cottonmouth, that dastardly, evil, mustache-twirling goateed villain. She's atoning for something she didn't do! Tui was so desperate to show how amazing and innocent her super speshul babey was that she forgot to give her something to atone for, and the atonement process is important in a redemption arc. Well, I guess her jerk behavior could be atoned for. That should've been what Freedom did.

You could argue that her atonement came in the form of her willingness to die to save the continent, and that’s a valid interpretation, but I personally think death isn’t as big of a deal for immortals compared to regular mortal people, because they’ve been around for so long and suffered so much that they usually see death as a kind of reprieve; in fact, I'm pretty sure Freedom hated Cottonmouth and wanted to get away from him as fast as possible, and was tired of her life. And I’m usually lenient toward the “redemption equals death” trope, because I see death as the ultimate atonement of sorts, but only for people who are actually scared of death and see it as a bad thing, especially so if resurrection or a fakeout death isn’t a viable option. Not to mention that a bad immortal did a lot more bad things than a bad mortal by sheer virtue of being around for way longer. But I digress.

And here’s another thing. A lot in a story hinges on whether we care about a character or not, one of which is whether we care about their journey and personal growth through the story. We are given zero reasons to care about Freedom, and thus zero reason why we should care about whether she’s redeemed or not. Sure, she has a sob story, but her personality is so loathsome that, by all accounts, everyone should hate her. Well, I certainly did, but Tui must’ve sacrificed her firstborn son to cast some sinister black magic spell that made most of fandom like Freedom or something. My point is, if a character already starts off horrible and unlikeable without any redeeming qualities, such as Freedom, then the author shouldn’t waste their time trying to “redeem” them, at risk of making the character seem like they were too easily forgiven or they got off too lightly for their crimes or the like. In fact, this is exactly how I think of Freedom, if my earlier thoughts were any indication.

Okay, back to the story. Freedom tells Luna how to kill the othermind, though it’ll get rid of her and Cottonmouth as well. Somehow Luna manages to escape the mindspace and wiggle toward where the plant is connected to the husks, intending to sever the connection.

Meanwhile, Cottonmouth has used a bunch of dragons to attack the team, intending to inject them full of breath of evil using a dragon named Carabid. He talks about this fight like he’s a sports commentator or something, except it isn’t any fun because we can’t even see the game—I mean fight.

So while the main action is somewhere else, Luna decides to sever the vine from the husks with a strand of silk. So to defeat the big bad, the protagonist has to do essentially some garden trimming.

This… is such a pitiful anticlimax that it puts the other anticlimaxes in this series to shame. I shouldn’t have to explain why this is bad. Shouldn’t there at least have been a large battle between the team and a mind-controlled army, or a confrontation with Wasp, or at least one explosion? Haha, no. Instead the protagonist spends half the book not doing anything except passively watch stuff happen, and in the end it’s Freedom who tells Luna how to defeat the othermind. We can’t have the book be interesting or even at least follow basic narrative structure like having a decent climax! That might lead to people actually liking the book!

Luna tries to sever the connection between Cottonmouth and Freedom because she doesn’t want Freedom to die, and I actually expected Tui here to have her cake and eat it too. I wouldn’t have put it past her. Surprisingly, though, Freedom actually has to die, because… something about how the breath of evil is semi-sentient or whatever.

So if the plant is semi-sentient and Cottonmouth was keeping it at bay, then wouldn’t getting rid of Freedom just make the plant problem worse? Or is it only semi-sentient when it’s connected to a mind? How does that work? Even without a mind making the plant semi-sentient, then isn’t it still a parasitic mind-affecting plant, as shown in the flashbacks? Why does getting rid of Freedom fix the problem? How does this make any sense?

But then, it means Freedom dies, so I’m not complaining much.

However, since *checks notes* Dusky has skewed priorities and wants to give this dragonet a name instead of, you know, saving the world before something bad happens, everyone’s all, “Oh, you sad poor babey, you need a name other than Lizard!” And she picks… Freedom.

Why, out of all things, did Tui have to pick a word so closely associated with ‘MURICA!? Because Tui loves ‘MURICA! and wants everyone to know it. It’s not like a childish yet cute name like Destroyer would’ve been good. Nope. Had to be a word that was associated with ‘MURICA! Tui wants to proclaim her ‘MURICAN! patriotism to everyone who might listen; it’s not like this is distracting and puts off all non-Americans and a lot of Americans reading this story.

Someone argued that Freedom picked this word because she was now free from Cottonmouth and the breath of evil. Fair point, but why didn’t Tui pick one of the numerous synonyms of the word “freedom” that doesn’t remind the reader of ‘MURICA!? You know, such as independence, liberation, or amnesty? Because, again, ‘MURICA! IS! THE BEST! AND TUI WANTS YOU TO KNOW IT!

And then Freedom dies and it’s supposed to be sad, but I didn’t feel a thing except relief this book was nearly over. Gasp! I’m such a heartless monster!

And now for the ending. There are so many problems with it I don’t even know where to start. Warning, it might get a bit racy here.

So first, Wasp and her sisters are dealt with offscreen while Luna makes out with Swordtail. What. The. Ffffffffudge. Why why why why why is the bad guy we're first introduced to in this arc and made to be a big deal in the books handled by Sundew offscreen, instead of by the actual protagonist? You know what, I already talked about this when Pineapple defeated Wasp, so I'm not going to repeat myself. You know how bad for the story this is.

For contrast, I'd like to add that Brandon Sanderson's decoy antagonists, despite not being the big bad, aren't tossed aside like garbage after the true villain reveal. They still have a large impact on the story as a whole and are dealt with accordingly. I'd list examples, but Brandon Sanderson isn't well known in the Wings of Fire fandom, probably because he mainly writes adult fantasy, and I don't want to spoil. (6)

In addition, we're told that all Wasp's sisters except Jewel were locked up in the flamesilk cavern. We were given some lip service to Bloodworm's cruelty, sure, but what about the other sisters? We're never told, much less shown, why these other sisters are terrible. We're just given Tui's word for it. I would've appreciated at least a comment or two about what the other sisters did to warrant a punishment as bad as the one given to Wasp and Bloodworm.

Anyways, in the epilogue we see a bunch of Pyrrhians coming to Pantala. Uh, why are they coming here other than because the author wanted a nice visual image? Are the Pyrrhians coming because they intend to move here? I mean, from what I've seen throughout the series the Pyrrhians in Possibility and the like live pretty cushy lives, and as for places like the Scorpion Den, if the way Tui thinks about queens is any indication, such places will probably be improved in the near future. So why would Pyrrhians risk their prosperity and happiness to move to a continent they had never seen before? I mean, unless everyone was told that Pantala was like 'Murica, aka the land of opportunity, then it could've made sense, but we never see that. It's just, "Oh, a bunch of Pyrrhians are here now and Luna is making a tapestry, hooray!"

Or maybe they're just tourists and I'm overthinking this, but you probably came here to see me overthink things anyway.

Sundew's replanting trees on Pantala, meanwhile, using… Pyrrhian trees. Okay, no. Just no. Those trees will either die because the soil composition, climate, etc is different, or those trees will become invasive and harm the growth of native trees by way of stealing resources. The Pyrrhian trees will be bad for the Pantalan wildlife, too: they may have defense mechanisms such as poisonous leaves or thorns that Pantalan animals just aren't accustomed to. All in all, terrible idea. There is a reason why trees planted in, say, the Northwest Coast are native to the region. And since according to this very same book, non-jungle trees are still present on this continent, maybe use the seeds from those? And even if there weren't, Cricket literally found a tree seed on a field trip. Those things are probably everywhere. Why use invasive species? Just… why?

Short tangent: Cricket's tree turns out to be from the fig family, even though when we were first shown the sapling, it was a conifer. But I digress.

Luna has the wonderful idea of splitting the SilkWings, HiveWings, and LeafWings into two separate nations, with the SilkWings and LeafWings living in some kind of forest paradise called the LeafSilk Kingdom; the SilkWings, LeafWings, and three good HiveWings in the entire tribe are going to live there. Putting aside the fact that Luna could have, you know, called it anything, this is a terrible, terrible idea. Splitting up the historical oppressors and oppressed isn't going to make things better, it'll just make them worse, because now interactions between the groups will be more limited, allowing more ignorance, and more hatred, to fester. And what about things like the fact that SilkWings made up, like, half the HiveWing empire's work force? I'm not saying that SilkWings should stay at their menial jobs, mind you, although they need a pay raise at the very least. What I'm saying is that the HiveWing economy will collapse if the SilkWings move to a separate country. But who cares! The HiveWings are the bad guys, so we don't care about their livelihoods.

Also, the HiveWing kingdom and the LeafSilk kingdom will fall into a cycle of warming relations and a violent war. How do I know? Search up India-Pakistan relations. It isn't a perfect 1:1 comparison, but they both involve ethnic groups that hate each other moving to different countries. And you can't say that the HiveWings and LeafSilk kingdom will never have a disputed territory. Luna and friends are carving out a whole new country from an old one, there's bound to be a border dispute.

The HiveWings, meanwhile, get a new queen! It's Jewel. You know, the dragon who literally has objectified SilkWings in her Hive? The one who throws parties all night instead of taking care of her Hive and probably has terrible crime rates as a result? Yeah, she'll make a good queen, all right. At least they don't call her "Jewel the Illiterate" or something because they think she can't read.

We're also told that some HiveWings want Wasp back, mind control and all. Gasp! This is obviously Tui trying to make a statement on white privilege (note to self: make a post talking about why the racism metaphors in Wings of Fire are… bad), but let's put that aside for a moment and look at it from the HiveWings' perspective.

For your entire life, you've been told that LeafWings are terrorists that need to be stopped. You think it's all propaganda and LeafWings are actually extinct, but around this time, a bunch of rebels steal the sacred text of your religion. Wouldn't that be scary? You don't even know why they stole it; for all you know they plan to burn it. Oh, and then it turns out that LeafWings are still alive, and they burn down an entire Hive. Maybe you were from that Hive and barely escaped with your life, losing all your belongings, or maybe you had a friend or loved one who barely escaped or died, or maybe you keep hearing about all the horrible eyewitness accounts of the stampeding panic and thick, choking smoke and the flames as they crept closer and closer.

As retaliation, Wasp gets everyone and sends them to attack the LeafWings and wipe them out once and for all in a decisive strike. You think this is justified, of course; they hurt the country, and you want them to get what they deserve. There's maybe a battle and it's confusing, but Wasp seems to think she's won, and everything kind of goes back to normal.

And then a bunch of strange dragons, from tribes you have never seen before, show up out of nowhere and throw Wasp and most of her sisters into prison. They get all the SilkWings to live under a separate government, the LeafWing terrorists return to your country's lands, the lands which Wasp pushed them out of, and now Jewel, whom you've always viewed as the most incompetent of the sisters due to her constant throwing of parties and neglect of crime rates in her Hive, is queen now. And those new dragons? Well, even more of them are coming to your country now. Maybe they're tourists, but maybe they're here to take over your country and subdue you. For all you know, these new dragons collaborated with the LeafWing terrorists and SilkWing traitors to take down your queen, and they probably did, in fact! Maybe they want to carve up your country and take the pieces for themselves! You don't know!

What I'm saying is that I'm surprised there aren't any HiveWing rebellions or resistance or separatist movements. Oh, and the "good guys" automatically dismiss these HiveWings as "evil," because this is a message about white privilege or something. Why do authors keep putting bad racism allegories into their fantasy books? Please stop. Just… stop.

So there's all this, not to mention all the things that weren't wrapped up and were seemingly forgotten by Tui. What happened to the flamesilks? Were they freed? I'd assume so, but we're never told what happened to them. How are they doing in actual society? Did Blue make amends with Admiral? What about the underlying and systemic oppression of SilkWings? Is anyone working to dismantle the system while the brand new separate kingdom is being planned? How did the HiveWings react to the arrival of Pyrrhians? Do they see Moonwatcher as the reincarnation of Clearsight? What about the fact that HiveWings learned that everything they were ever taught is propaganda? How are they dealing with the LeafWings returning? Speaking of LeafWings, did the PoisonWings and SapWings ever reconcile? What about the Pantalan refugees who moved to Pyrrhia? How many of them came back, and how many chose to stay and why? How are the queens handling the new scavenger law? Is anyone actually following it? How is Snowfall handling the IceWing nobility now that she destroyed the most important aspect of their culture and traditions? What happened to Pineapple, Bullfrog, and the other Pyrrhians? Did they go back to their continent, or are they staying to help run things in Pantala? Oh, and why is the burning of Bloodworm Hive still not brought up?

Absolutely none of these questions are answered, because the book was rushed and was probably only half done when Scholastic published it.

And now, let’s talk themes. They’re not as important to me as plot and character, but they encompass the overall work, so I’ll talk about them here.

Tui has gone on record saying that the theme of the third arc is empathy vs resistance. To quote an interview, "Arc 3 is about empathy and resistance - Tui wants her dragons to get along and understand each other, but at the same time there’s a point where you have to stop trying to understand the bad guys and just stop them."

It's a nice theme that allows for some nuance, although I would've preferred more of a gray area. This is clearly the theme, the central message, of the story in the first two books in the arc: how far should you go when fighting a dictatorship? Should we reach out to the citizens or attack them? Accomplish goals or empathize?

But then the thirteenth book rolls around, and the bad guy is revealed to be a sentient plant this entire time! And if you inhale its smoke, you'll get mind controlled!

Okay. The breath of evil is weed. We get it, Tui, don't do drugs. That's the theme now. Don't do drugs.

But then we get to this book and we learn that the sentient plant is actually a scavenger, and that scavenger stole a dragon egg once? Is the theme of the story now "don't steal dragon eggs?"

And thus, the original theme is discarded in favor of drugs, which is discarded in favor of… this. I mean, what? I am so confused. Where did the empathy and resistance stuff go?

Oh, and the title of the book makes zero sense. Tui was probably mandated by Scholastic to put the word “hope” in the title, but at this point this is just extreme nitpicking, so I'll stop.

All in all, this book was a complete dumpster fire. It is terrible and I will never reread it, even if I'm offered a million dollars to do so. Okay, then maybe if I’m desperate, but otherwise, no. This was Tui’s worst Wings of Fire book, and she should admit to mistakes made and learn to improve her writing in the future.

Unfortunately, Tui actively avoids criticism of her books. I understand that criticism can hurt an author’s feelings, but many authors have coping mechanisms to deal with this—Brandon Sanderson, for instance, reads one-star reviews of Terry Pratchett books, since Pratchett’s his favorite author, to remind himself that there will invariably be people who dislike even the best authors. One suggestion I have for Tui would be for her to request her friends or family members to read negative reviews of her books and summarize them to her; this would minimize exposure and reduce the sting of the reviews.

However, since Tui avoids criticism, she can’t learn to improve her writing. She continues to make the same mistakes: clumsily written characters, telling instead of showing, flailing around with the plot, prioritizing characters she likes over telling a good story. In fact, the second half of the third arc seems to be her worst work: the characters are bland or straight-up unlikeable, she tries too hard to please the fans and sacrifices story as a result, the pacing is a mess, there are too many poorly handled plot twists, and the anticlimax is worse than in the previous arcs.

And here’s what I’ve concluded from all this: Tui is tired of writing Wings of Fire.

She’s been writing the series for about a decade now. That is a long time to be writing a single book series without any breaks, and her writing quality near the end has taken a turn for the worse. She’s clearly rushing the books, trying to finish the series so she can move on to other projects.

And I get it. Writing is hard, and writing something for long periods of time even more so. Tui needs to stop writing the series, even if the fans won’t like it, even if Scholastic won’t like it. She needs to stop, get away from the laptop, and book a trip to the Bahamas or something. Her mental health probably isn’t the best for the aforementioned reasons above, not to mention the death of her pet and longtime companion Sunshine, which occurred while she was writing TDG.

Tui, I know it’s unlikely that you’ll ever see this. You actively avoid social media and actively avoid fan reviews. However, if you do read these words, I’ll drop the sarcasm and directly tell you this:

If you need a break, take it. If writing has become tiring for you, stop for a while and work on something else. Learn a new hobby. Dust off an old hobby. Find a TV series to watch. Go for a walk. Find a therapist if you’re still struggling over Sunshine’s death. Wings of Fire isn’t the totality of your existence, and don’t let it be.

Sincerely, a fan,

Truthseeker

(1) My brother likes to use a hook in the Warrior Cats book Fire and Ice as a prime example of a bad cliffhanger: “These half-starved WindClan cats were ready to attack.” Turn the page. “Fireheart realized they would follow the warrior code and wouldn’t attack.”

(2) I would use the term Villain Sue here, but the term Mary Sue and its constituents have been so overused that they’ve lost their meaning at this point.

(3) It doesn’t help that Freedom is mollycoddled by the fandom, and I seem to be the one of five people on the planet who don’t like her. And to me, there are few things more annoying than a character I dislike being widely liked by the fandom for some inexplicable reason. To me, it seems that Freedom is widely liked despite her jerk tendencies and authorial bias toward her due to her backstory and status as a dragonet. If you like her and want to tell me why, feel free to elaborate; I’d genuinely like to know why people like her so much.

(4) At this point I checked the wiki to clarify some points, and according to the wiki, Freedom has a high, clear voice. In other words, she sounds like Tui! Jeez, no wonder Tui loves her so much.

(5) Pretty much the only circumstance where I will accept character development occurring over a period of time less than a week is if it occurred in a film, simply due to medium restrictions—plot events in a film can only occur over a short period of time, so by necessity things like character development need to be speedrun. A novel, though, can take its time.

(6) I'd suggest reading Brandon Sanderson's books yourself if you want to know more, although you should be reading them anyway. They're that good. Don't worry, they're clean but it's adult fantasy so expect a lot of potentially triggering content. Brandon also has a few YA and middle grade books if that's your cup of tea; they tend to be less existentially heavy, with less potential triggers as well.

#wings of fire #the flames of hope #wof luna #wof wasp #wof pineapple #wof cottonmouth #wof freedom #wof jewel #truthseeker thoughts

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