#women are smarter than men

[waperaexpert]

a lot of operas exhibit the femme fatale trope, which…i know was created by men and is technically misogynistic because it demonizes female sexuality. however…girl kill boy because girl to sexy and powerful and boy inferior…kinda based.

not to mention these roles look so fun to play, like Salome? she dances naked and then makes out with a severed head, sounds lit as fuck if you ask me.

[deanmarywinchester]

im absolutely dying to read someone who has interesting things to say about historical fiction talk about bridgerton. if anyone has any good essays please send them my way

[just-your-average-tangerine]

You! Queer person! Are you normal about queer experiences that you don't relate to or understand?

[allsortzofcrap]

i feel like for the rest of my life i will be walking around totally normal and then periodically, i will be absolutely brained with a metaphorical anvil falling off the side of a building that represents the absolute bafflement i have towards modern adaptations of sherlock holmes and their treatment of irene adler. bbc's most recent adaptation in particular.

im so sorry. please repeat. she was stupid u say??? and i'm sorry, IN LOVE with him u say??????

i'm a feminist so i think women are capable of being in love and also of being stupid. they can do anything they put their minds to ofc ❤️. but this is too far even for me.

it's just that i can't understand why you would choose to write a narrative that is more mysoginistic than the source material when the source material was written in 1891.

was it intentional? did they somehow not pick up on the implications? was it random?

i can't fathom it. it keeps me awake.

[olivescardigans]

“terfs are evil feminists because they think my brother will inherently be better at me in monopoly. this is a totally real conversation I had, and this is why sex segregated sports is fascism” do you hear yourself. do you fucking hear yourself speaking rn. do you see the words you are typing on your screen. do you even know what you’re saying. do you know you are lying

[toothpuulp]

joe bob on men, women, and chain saws -- possibly my favorite book review ever. love his ass <33

transcript under the cut

"Joe Bob Goes to the Drive-In" for 12/18/92

cutline: Berkeley professor Carol Clover, author of "Men, Women and Chain Saws," may be the first person with a Ph.D. ever to watch 200 slasher flicks BY CHOICE.

By Joe Bob Briggs

Drive-In Movie Critic of Grapevine, Texas

For about ten years now, I've been getting flack from various organizations of feminists, fundamentalists, mad mamas and psycho college professors, claiming that the movies I write about--that is, the three B's, Blood, Breasts and Beasts--are sick and demeaning and twisted and perverted.

Of COURSE they are. Why do you think I watch em?

But there's other stuff they say that is NOT true. For example:

1. Slasher movies are demeaning because they celebrate violence against women.

I never understood this one, because I never noticed a single movie in which more women were killed than men, AND in 99 per cent of them, the ONLY person who survives is a woman.

2. Hard-core horror flicks cause crime.

If this is true, the Tarrant County Sheriff's Department should have a posse stationed outside my trailer house 24 hours a day, because NOBODY has watched more hard-core horror flicks than I have. Any day now I could go off the deep end and start flinging hatchets at old ladies.

3. Horror flicks are a way for rednecks (like me) to act out weird violent fantasies.

In other words, all of us out here in the boonies are like the cannibal family in "The Texas Chain Saw Massacre." We really WOULD like to be munching on tourists. Otherwise, why would we laugh and hoot at the screen when Leatherface's family does it?

Anyhoo, I've talked till I'm blue in the face about this stuff. I've gone to seminars, challenged the president of the National Organization of Women to a nude mud-wrestling match, faced off against that shrewd fundamentalist, Dr. Thomas Radecki, head of the National Coalition Against TV Violence. But nobody ever listens, because it's "just Joe Bob."

In other words, I'm too pitiful.

So I wanna say something here, and I want you to listen REAL carefully. I'm about to tell you about a book written by a Berkeley professor. This is hard for me. Large parts of my identity depend on HATING everything that comes out of Berkeley. But I like this book so much that I almost don't even wanna review it, because what if everybody says "Oh, don't read THAT. JOE BOB LIKES IT!"

But it gets lonely out here. So here goes.

"Men, Women and Chain Saws: Gender in the Modern Horror Film" is written by Carol J. Clover, Professor of Scandinavian and Comparative Literature at the University of California at Berkeley.

Whew! I'm already exhausted. Carol, next time, when you write a book, study titles like "Jaws" and "It." It's easier on all of us.

Anyhow, I'm not gonna try to analyze this whole book, because a lot of it, frankly, is over my head. (You scoff?) But it's basically about three kinds of flicks--slasher movies, possession films like "The Exorcist," and rape-revenge films like "I Spit On Your Grave." In fact, I'm pretty sure this is the first serious book in the history of the world to do a complete analysis of the PLOT of "I Spit On Your Grave."

But, from my selfish point of view, I want you to know a few things Professor Carol decided after watching about 200 of these movies:

1. Slasher movies are told FROM THE POINT OF VIEW OF THE WOMAN! In fact, the "Final Girl"--or, as I call her, the Jamie Lee Curtis Girl--is so much a part of the slasher film that the writer doesn't have any choice. You've GOT to have a Final Girl, and the Final Girl HAS TO BE A GIRL.

2. Since 99 per cent of the audience at slasher movies is MALE, this means that all those men are IDENTIFYING WITH THE EXPERIENCE OF THE WOMAN! They're experiencing the movie THROUGH A WOMAN'S BODY! ... In other words, the OPPOSITE of what the feminist censors have been saying for umpteen jillion years now.

3. Jason and Leatherface are actually FEMALES DISGUISED AS MALES. Kind of a transvestite deal. Think about it. Aren't these guys always real screwed up sexually? Don't they always have trouble DECIDING what they are? It's a tradition that continues right up through Jame Crumb, the psycho killer in "Silence of the Lambs." So the original criticism of these movies--that the killers are always male, and the principal victims always female--is turned upside down.

3. The real villains in horror movies are MALE REDNECKS. "The rednecks have replaced the redskins," she says. In the old westerns, any Indian who came on screen was ASSUMED TO BE VIOLENT AND HATEFUL AND SAVAGE. Today, any redneck who comes on the screen is assumed to be violent and hateful and savage.

4. "I Spit On Your Grave," which has been called the most disgusting film ever made (by Eggbert and Siskel), and which has been banned from cable TV for 15 years, is actually told from a female point of view, so that the audience identifies with the ultimate triumph of the woman over the leering rapists. (As I've always said, what male could ever watch the bathtub scene and think the movie is in FAVOR of violence against women? When I see that scene, I can't walk straight for a week.)

5. "The Accused" and "Thelma & Louise" are both watered-down versions of "I Spit On Your Grave." And "Silence of the Lambs" is just another version of "The Texas Chain Saw Massacre."

You think I'm oversimplifying this deal?

Yeah, okay, sure. Probly. I'm probly gonna get a letter from the whole goldang Berkeley faculty, saying "You ignorant yahoo, that's NOT what it means."

But right now, today, after reading this book, I feel pretty good about it. Makes me think there's some hope. Makes me think some smart people will get their hands on it and become dumb like me.

Hundreds of dead bodies. No breasts. Academic Fu. "Men, Women and Chain Saws," published by--oh my God!--Princeton University Press.

Four stars.

Joe Bob says check it out.

[californiaquail]

me psychically to the other 2-4 people in the walmart wearing masks

[joodeegemstone]

reported that disgusting transphobic fascist ad to hbo but i'm sure they won't do anything

[theres-whump-in-that-nebula]

Me, aged 5. Spoken to my extremely Catholic grandmother, matriarch of the family, who had crosses and pictures of saints hanging in every room of the house: [little, uncannily-enunciated voice] “Grandma, when your church gets destroyed in Armageddon, you can come to our kingdom hall!”

[llitchilitchi]

sometimes I wonder why all famous internet women are attractive, if it's because they are just more confident in sitting in front of a camera or the inherent societal nature of people (women included) is to watch attractive women and their attractiveness is part of what makes them gain popularity even in genres that do not focus on beauty and fashion.

or if it's just cause I'm hella fucking gay

[chaoxfix]

god i need the algorithm to stop recommending lore olympus to me.

reframing a kidnapping of a woman as romance, and painting her mother as an overbearing shrew rather than rightfully worried and protective, and portraying the kidnapper as sympathetic ... what about my overtly feminist ass makes anyone or any algorithm think i'd enjoy ANY hades/persephone romance retellings.

at this point the only hades and persephone retelling i'm interested in is a retelling that focuses on demeter's love for her daughter. one where persephone's abduction and transition from kore, the maiden, to persephone, goddess of the dead and queen of the underworld, was one where she carries out a revenge fantasy against her abductor... She cannot fully escape the underworld, no; she is death, doomed by the narrative. Underground she will stay for half the year. But she will not subject herself to be trapped with him.

hades dies at dawn; hades dies in the spring light, by persephone's power, and a knife garnished with evergreen thistles. demeter holds him down, and persephone cuts the head. judith slaying holofernes; persephone slaying hades.

[maddy-ferguson]

"Quick test tho, replace girlfriend with boyfriend and see if ur still bothered by it." me when i'm 7 and have yet to realize that men and women have a very different place in the social hierarchy because we live in a society

[msculper]

EVE AND SHELLY BESTIES I LOVE WEIRD WOMEN

[bellepeppertronix]

The two old men playing pétanque, the crusty curmudgeonly carabineer and the smiley, talkative unofficial union secretary

Portraits of realistic people.

They are a nice touch.

[willowcrowned]

hmc au mustang’s howl and ed’s the nephew who makes him magic up a computer game when he comes visiting without any gifts

you’re so smart you’re so so smart. ed is tangentially aware of mustang’s whole. thing going on with the theoretical magic phd and the not-so-theoretical magic door but he doesn’t care because technology is the future and also he knows exactly how much of a loser mustang is so instead of ever bothering to ask him anything about magic ed just bullies him into making video games. priceless

riza keeps running into roy in different disguises when he’s trying to woo people around town and every time she thinks he’s a COMPLETE loser and makes sure he knows it

[spectroscopes]

I kind of wonder how much of Cameron's reputation as a misogynist comes from people misunderstanding that one Golden Globes joke Tina and Amy made about Kathryn Bigelow knowing about torture because she was married to him for three years. Or people just mistaking him for Joss Whedon.

It’s probably a combination of that stupid joke, whatever idea people have in their head about his ‘maliciousness’ in how demanding he can be to work with, the bizarre reaction to his completely accurate assessment of Wonder Woman, and tbh in some cases it’s just men being jealous and angry that he got to be married to Linda Hamilton who would never look twice at any of them.