#woooo punk music!!!!!!!!!!!!!

[weallpartyatybcpatricksfuneral]

I've posted before about how more of you should get into riot grrl punk so here's how I got into it. I literally just listened to playlists people made of riot grrl songs and then checked out artists that I liked

here's the ones I still listen to a lot (also some of these aren't technically riot grrl, since riot grrl specifically refers to the 90s bands and that era of punk)

(i dont really like the title "unproblematic but it does have some good songs from smaller artists)

also for Fun heres some queercore punk playlists i listen to as well

[fugandhi]

✊🥳

[leafytaffy]

Everhood Illumination Movie Trailer

Illumination logo, dramatic music score playing

Scene of Blue stealing Red’s arm plays

Red (voiced by Keanu Reeves) running after Blue, “HEY! GIVE THAT BACK!”

A lost doll…

Scene of Red finding Frog (voiced by Dwayne The Rock Johnson), “You ain’t from here, are ya? Lemme show you the ropes, kid.”

A mysterious place…

Scene of Red walking into the club, everyone shooting them dirty looks

Red bumps into Zigg (voiced by Chris Evans), “YOU OUGHTA LEARN SOME MANNERS, PUNK!”

Immediate cut to clip of frog saying “you gotta know how to defend yourself ‘round here.”

Scenes of Red fighting various characters play along with Red being thrown into the incinerator.

Red comes out, Blue (voiced by Danny DeVito), “hey… would ya help me?” “Not unless you get my arm back.” “Legs for an arm. Deals a deal.”

“…and also, how to have a good time.”

Cake By the Ocean by DNCE starts playing

Shot of Red and Zigg having a dance battle in the club

Shot of Red running the obstacle course and falling over, Vampire Kid (voiced by Billie Eilish) yells “Try again!” Keeps yelling at Red to try again after a montage of Red failing spectacularly at the obstacle course 

Shot of the racers all in front, then a quick yet long zoom to Red in back. Blue asking Racebot “hey quick question how fast does this thing g-“ before the cart zips off, shot of Blue’s face, mouth being blown around in the wind like a dog out a car window while they scream 

Then a shot of Rasta beast (voiced by Samuel L Jackson) shouting “Watch out for Zigg!” Before red is quickly hit by a bottle while Zigg taunts them afterwards 

An epic adventure

Shot of Green’s medallion campaign starting, Green (voiced by Will Smith) Everyone sitting around the table, Green shouts, “Brace yourselves!” 

Shot of Red saving Flan only for a mob of squirrels to attack them

Shot of Red running from a dragon spitting fire with Rasta in their arms, Rasta quickly extinguishing a flame on Red’s cape

Shot of the Evil Wizard laughing while lightning strikes behind them “finally… I’ve been waiting all this time to-“ suddenly a doorbell sounds and the shot goes from the Wizard to Green shouting “Ooh! Pizza’s here!” Everyone else cheers excitedly, “PIZZA TIME! WOOOO!!”

Suddenly the happy music stops. 

Shot of Gold Pig (Jack Black) ominously saying “Get that doll.” 

Shot of Rob and Zob saying “On it, boss.”

Shot of Rasta beast growling 

Shot of Purple mage (Scarlett Johansson) ominously hovering over Red, “You’re a danger to us all. Back down.”

“Not if I have anything to say.” 

“Red will DESTROY US ALL!” Shouted by Gold Pig slamming their fist on the arm of their chair.

Shot of Red running through the desert being chased by Sir Lost A Lot

Shot of Red at the campfire with Rasta, “Do you know what you’re doing here?”

Shots of Red fighting several characters

They will see

All is good…

Clip of Pink, in the most effeminate gay voice you have ever heard in your life, saying “Yeah. I am. I’m saving us all.”

Clip of Pink sinking into the mud, “I’m ready.”

in

EVERHOOD

Quick clip of Red holding the racing trophy, Blue stumbles into shot, “I think I gotta lay down for a bit…” Blue faints and smashes into a trash can while falling down.

Coming to theaters March 4

[mj-thrush-gxn]

:] Hi there! Two questions for you about your "battle of the dads" AU cause I'm curious:

Does the "battle of the bands" arc in Waterdeep still happen in this AU? If so, does it go any differently?

(Assuming the timeline still gets rewritten) Does Nicolas still play the drums or does he play something different from Nick? I suppose I found myself thinking about him playing an instrument that doesn't mesh very well with the other kids' and being kinda left out/teased as a result :,)

That's all ty! ~💜

WOOOO QUESTIONS!!!! i was gonna respond to this yesterday but i couldn’t really think of answers, and then i tried again an hour ago and it deleted everything i wrote down halfway through- SO THIRD TIMES A TRY!!

anyway- answers!!

the battle of the bands arc still happens. the main differences are that 1- the watermice are prominently a band of punk musicians. rather than just a group of delinquents. (since i don’t think anthony specified what he meant by “punks”). 2- glenn and nick actually got to play in the battle of the bands. glenn and nick did a rock duo and they performed before the redbrands. 3- nick had better stats in the ufc than just 1/5 🙄 AND THEY DIDNT NEED TO FIX THE FIGHT!!! but they did. because how else would they get paeden? anyway- everything else is the same though. everything with the battle axe of hatred stayed the same, and nick and glenn still ran away after ron’s performance, and nick still entered the fighting ring against gunner and paeden. and won. - i obviously have stuff to work out still because i haven’t really thought about it that much.

i want to have a thing where some parts of nick show through in nicholas but i would also like to say nicholas would play a string instrument. i want to say he would play violin but that’s just because i do and i like projecting onto these dorks. but i also want to say he would play cello- just because i’m friends with someone named nicholas who plays cello- OKAY! i’m just going to say nicholas plays violin because violin is found in a lot more bands than cello is. it was mentioned that there was another kid on their soccer team that didn’t go along with them, so i’m going to say that in the timeline swap- that kid was the drummer and nicholas instead played violin. let me just say- nicholas is good as hell at violin and he often gets lost in the music and that’s when little bits of nick come through and nicholas lets down his walls a bit. -sorry if this doesn’t make sense- once again i need to put more thought into this but i think this is fine for now.

[goodmorningbatterycity]

Violent Rays: Yeah of course you love Taylor Swift, you're a Bat Shitty shitizen, but we're here to tell you about the REAL punks, MCR, FOB, PATD and Twenty One Pilots, thats the emo quartet, also let's throw Halsey in there, that's REAL music, badass punk rockers who fight the system, they're anti establishment, they say "fuck you" to people in power, they smash cop cars, they punch nazis, they beat up dracs, they're hard rockers and they mean what they say, sorry you cant relate because you listen to cotton candy fluff but the emo Quartet plus Halsey would blow out your eardrums with the punk metal they're about to unleash, in fact i'll play some right now *turns on the mic* *starts playing Black Veil Brides* Yeah I'm exposing Bat Shitty to punk, now all the citizens are going to turn on you "Morales" or whaever you real name is, what the fuck are you going to do about it Toxic Sunshine: Yeeeah baby, show them how punk rockers do it! I love you so much ＜（＾－＾）＞ Bomb Baby: Woooo punk rock! Kick ass, and take names! That's the Killjoy way 👈(⌒▽⌒)👉 Tickled Pink: *headbangs and shreds on the air guitar* Nurse Marysa: Even I shall admit that I enjoy this genre of music, the "punk rock heavy metal" as it were. Violent Rays: *starts blasting underoath*

Jfc lol

[twosides--samecoin]

15 Questions for 15 Mutuals

as tagged by @vault-heck <3 thank you friend, I hope you're doing well these days! tagging @edaworks and @perfectlypreservedpie @persephotea @truebluemeandyou @bokatan @aviatorfics @wolfbirbisme @khazrablood @kremvhstooth

1. Are you named after anyone?

My name is a bit of an "oof". In a sentence my mom was raised by Very Strict Irish Parents and she had me at 18. They disowned us after I was born; my name is her mom's middle name and my middle is the fem version of her dad's name. I have mulled over changing it because we don't have a relationship with them - it's fairly unique being an Irish name and I find myself resigned to it. TMI moving on lmao

2. When was the last time you cried?

I cry every time my girlfriend goes home :'D

3. Do you have kids?

I have PCOS and will hit 30 next year - I likely will never have my own but I am open to adopting :) I really love kids.

4. Do you use sarcasm a lot?

I invented sarcasm

5. What sports do you play/have you played?

Judo

6. What's the first thing you notice about other people?

I notice.. a lot - I am... observant about people, to use a word. Whether you feel awkward or standoffish or open or not. I don't know how to describe it. Perhaps it is a body language thing.

7. Eye color?

Bright blue - kind of like the lighter part of a blue portal from, well Portal

8. Scary movies or happy endings?

Why not both? :D

9. Any special talents?

One thing my girlfriend mentioned is I can pick people apart like a lawyer can. I can figure out fairly quickly what someone's damage is and put someone in their place. This sounds like an evil skill, but the best way of putting it is I am not going to be dishonest if you act holier than thou or if you think you're special and better than others, and you need to be told to sit down. An example of doing this for good is standing up for people, especially if someone is being punched down upon. If you enjoy being a bully to others in fandom spaces because you feel most comfortable when you're an expert and can control the conversation, and that self perception being questioned is such a problem you think you're being attacked (yet do nothing when a less popular account than yours gets a ton of hate for days while you get headpats from your minions), I'm gonna send an anon about it. Bullies tend to be insecure nerds and I will do my best to call them out behind the scenes.

10. Where were you born?

Atlantic Canada

11. What are your hobbies?

I write Long Time Running on AO3. I am a really big music fan and am a bit of a historian for punk music. I really love my plants - I collect primarily aroid species such as philodendron and monstera but I also really miss traditional gardening. The goal is to get a fraction of a piece of land sometime in the next few years so I can have a proper garden space again. Woooo compost :)

12. Do you have any pets?

I do not and I wish to! I can claim my partner's cockatiel, Darwin. We video chat and it's funny - he and I have intense whistling conversations and he understands I exist but he doesn't conceptualize that me existing through the phone doesn't = me being in the same room. So he tries looking around the phone to see if I am there. Poor baby

13. How tall are you?

5"2. Tiny terror

14. Fave subject in school?

I felt most seen by Language Arts/English. My fourth grade teacher let me read the Lord of the Rings trilogy for a book report instead of telling me I had to choose just one for a book report. I am hopeless if I am not writing

15. Dream job?

Everyone asks me what I wanna be when I grow up, everyone asks me what I wanna do for a job. Nobody asks me if I want to work or not. I don't. I want to be a househusband for my girlfriend and I want to make her lunch and keep her house clean. This said, I am in school to be a paralegal because working and getting an income is important I guess. True Marxist Accelerationism is accepting: money isn't real, be a wifeguy instead ;)

[eclipsed-galax11]

Miraculous ocs

Got a little bored and the hyper fixation took over my brain

meet the two new scrunglos <3 (still working on cleaning them up)

get ready for info dump WOOOO

Oriana

Italian French, 15 y/o, she/her

Fairly popular in school and a book worm

Not very social and avoids talking most the time

often has her head in the clouds

Vitiligo causes lack of pigment in her skin and poliosis to cause whiten streaks in her hair

Mezza Luna

holder of the bat miraculous, Noxi (Kwami of attraction)

“Noxi, full moon!” (Transformation)

“Noxi, eclipse” (de-transformation)

Transformation gives her heightened senses, specifically hearing and night vision. Also gives a gliding / flight ability

Ability: allows her to change the force of gravity on a specific item / person. Can increase or decrease to make them sink or float.

Miraculous: Moon Choker. The moon changes phases to show time till de-transformation.

Weapon: Violin. Often will play music to try and disorient or distract enemies, and can release certain sound waves for their gravity ability. Likes to use her violin to impress her super hero crushes.

While transformed, Mezza Luna becomes much more of a flirt, a hopeless romantic, and more outgoing than her civilian form.

Rosé

Kenyan - French, 17 y/o, she/they

rebellious, punk, delinquent

can be fairly loud and rambunctious, often a class clown

Scarlet Stryke

holder of the Scorpion Miraculous, Hatari (kwami of rebellion)

“Hatari, let’s riot!” (Transformation)

“Hatari, safe haven” (de-transformation)

transformation increases agility and strength.

ability: Adrenaline Rush. Can be used on self or team mates. Allows effected person(s) increased energy, speed, and strength.

Miraculous: Scorpion Earring. The timer is shown in sections of the tail

Weapon: Hidden Danger. Doesn’t use it very often, more of a flex or to cut obstacles (plants, rope, ect). Is stored in a hidden pocket on their back.

Is more a vigilante than a hero. Laws aren’t very important to her. She will break any if it means doing good.

They prefer to work on their own but will team up, reluctantly.

[friesian]

3, 6, 8 and 31? :)

HELLO MUTUAL!!

3. do you leave the window open at night?

GOD I WISH. i wish i could. two reasons;

one. too warm right now. i would fry myself.

two. the netting of the window got ruined by an old family member of my wife's who stayed here and its never been fixed because no one ever uses the back balcony. (for good reason. its falling apart.)

6. why did you do that?

8. how many water bottles are in your room right now?

ONE! however. do not ask about the cups.

31. what type of music keeps you grounded?

punk music probably. runner up would be some really rapid techno (camilla REALLY scratches this itch for me). i hear people expressing their emotions and getting PISSED OFF AND MAD AND IM LIKE!! YEAH!!! YEAHHHHHH!! LETS GO!! WE BELONG ON THIS GREEN EARTH TO MOVE OUR BODIES SO FUCKING FAST!!!!!! WOOOO!!!!

either way. high energy music all in all. just wanna feel that ADHD part of my brain scratched.

[brainfondue]

HOLIWISIIIIIIIIIIIIIII 1, 31, 34, 38 and 44?

HOLIISSSS HOLISSS!!! *parkours around my enclosure like a creature*

1. who is/ are your comfort characters?

My comfort characters are cyclonus and whirl from transformers, the hollow knight from hollow knight, corvo from dishonored!! I think corvo was my first comfort character considerimg dishonored was my first comfort game ever. Those are like my top four right now!

31. what type of music keeps you grounded?

I think it depends on the mood! Usually i listen to "soft music" to ground myself to study and while i do chores i put heavy music like idk rock, punk, metal, phonk, hardbass etc etc

34. is there a song you know every word to by heart?

YEAAAAA small red boy by ajj, veneno por la renga, muchacho de los ojos tristes, eye in the sky by alan parsons project, touch by daft punk i just go WOOOO

38. a soap bar that smells good?

Bruh i just use white soap of like, dove. I got one a while ago that is from lux and it was purple and smelled very good

44. you get a free pass to kill anyone, who is it?

Im going full madness combat style elon musk, jeff bezos, id kill aristotle for all the scientidic crimes he has comitted the piece of shit, id kill all straight women authors, id kill every single driver that sees me and accelerates with my sight. I am making a list. Hate let me tell you something about hate-

[m-i-n-t--t-e-a]

What your favorite cosmere character says about you part 2

Venli: you probably like possums/raccoons/rats or animals that are typically seen as pests (I really don’t know why)

Shallan: either you want to be more witty/confident and are an art kid and/or you are in love with her

Elend: you want a stable partner like him

Steris: lesbian and listen to mitski

Sazed: you are a good friend and are very empathic

Khriss or Nazh: lgbtq and probably get really into things you like, I feel like you like punk music?

Vivenna: you probably want to move away somewhere and have more freedom

Spook: you’re cool and give good advice

Marsh: I feel like you really like stickers? And/or gay

Eshonai: you probably relate to her struggle of never feeling satisfied and are probably a mom friend

Adolin: woooo go you!!! You’re a good person and believe in himbo rights

[overthedub]

Audio taken from Blur Archive Project’s archive folder (with their permission), which you can find for yourself here:

https://mega.nz/folder/FNlQjQjA#rOWvMfq6rmdmI3W7ScOgSQ

You can also hear much clearer versions of some of the concert versions of the songs/characters speaking here:

https://mega.nz/folder/FNlQjQjA#rOWvMfq6rmdmI3W7ScOgSQ/folder/0MkzRKiR

Keep in mind not all the songs/character audio are cut in that second link.

Transcript under the cut:

19-2000

Murdoc: Ooooh, oh yeah? Oh yeah? What about thaaaat? Hey, listen—No, listen—you gotta listen to me here! I’ve got a really good idea! Why don’t we all go back to my place afterwards and get down to a little bit of Engelbert Humperdinck or something, yeah? He kicks butt that man! Englebert really kicks butt! (laughs) Haaaaaaiiiiiiil Sataaaaan! (laughs)

Note: Engelbert Humperdinck is a singer big in the U.K. He’s still releasing music today.

Punk

(loud bass guitar solo)

Noodle: Stoooop!

Murdoc: (flourishes then stops) Alright. (annoyed) Well, alright!

(feedback)

2-D: I-I think I need ta—

Murdoc: Yaaaaaay.

2-D: I think I need ta change my pants after that one! That was fuckin’ loud! Woooo!

Murdoc: Oh, I love feedback! Listen to that! Thank you very much!

2-D: We-We have to.... Good night, everyone!

Murdoc: (at the same time) Good night!

2-D: Thank you very much!

Murdoc: G’night, ‘cester.

2-D: Good night!

5/4 (encore)

Russel: Aw yeah! Yes, yes, London! Y’all wanna hear some more?

2-D: Yeeaah!

(cheering)

Noodle: Enjoyed yourselves, everyone?

2-D: (presumably being dragged back) Eeeh, ah, oh ah, noooo, Murdoc!

Murdoc: (at the same time) Do you really want to hear some more?

(crowd cheering “Yes!”)

Russel: Y’all wanna hear some more?

(crowd cheering “Yeah!” louder)

Russel: Yeeaaaah! They done fucked up this song, so we gon’ play it again! You with that?

(cheering)

Russel: Murdoc, man, let’s get this song right.

Murdoc: Kick butt!

2-D: (at the same time) Woooo!

Russel: I don’t hear nothin’! We won’t play nothin’ ‘cause I don’t hear nothin’!

(cheering)

Russel: I got to hear some noise! C’mon, London! I got to hear some noise! Yeaaah! Gorillaz in your midst, motherfuckers! This...This is Russel talkin’ to ya! We came to funk you tonight! Y’all ready? Y’all ready for this?

(cheering)

Russel: Then make some noise.

(cheering)

Kick it to ‘em!

(at the end of the song)

Noodle: I did iiiiiit! (laughs)

Clint Eastwood (encore)

2-D: (chorus for Clint Eastwood)

You sing!

Phi Life Cypher: I ain’t happy! ...Sunshine!

2-D: Sing!

Phi Life Cypher: Useless! My future!

(at the end of the song)

Phi Life Cypher: Yeah!

Murdoc: Ooooh yeah.

Phi Life Cypher: It’s the Gorillaz! Yeah!

Murdoc: Thank yooouuuu—Ah shit. (pauses) Thank yooouuu! Did you enjoy that, London?

(cheering)

Did you enjoy that, London?!

(more cheering)

Thank you! All back to my house! A-And we can sit there eating crisps! Yeaaaah! Or maybe some lemonade! Haaaaaaiiiiiil Satan! (laughs) Thank you very much! Good night! I’ve got to go to bed! I haven’t slept in a week! (laughs) Love you all in a special way.

2-D: Good night, Londoooooooon!

[knitmeapony]

Fast Times at D&D High Cheers!

So if you’re not already listening to Fast Times at D&D High you’re missing out on a really great actual play podcast (with extremely good editing and background music and sfx) and I can not recommend it more.

But if you ARE already listening to it, er, well.  Folks were talking about their Fasttimes-sonas and I got this bug in my brain about a cheerleader bard, and then my brain wouldn’t stop working until it had come up with inspiration cheers for each of the characters, and so:

Suri

Who's the girl who's always true By the power of the Moon she'll punish you S. U.R. I.  Suri, that's who S. U. R. I  We be-lieve in you! Woooo!!!

Click to hear it: https://drive.google.com/file/d/1MKfCvrrYrs-FZ10XsYK006Vn_ZZ_6x3W/view?usp=sharing

Ollie

Even though he hates this stuff  And is always acting tough Ollie's here to help his friends With tricky means to clever ends Ollie's got it all on lock Cuz giving a shit is so punk rock Ollie ollie ollie HEY! Ollie ollie ollie YAY!

Click to hear it: https://drive.google.com/file/d/1ML675mTuR4AhTMY1mL5BnR3aDgRcqZEa/view?usp=sharing

Hudson 

Hudson buddy, whatcha gonna do? Fight! Fight! Fight! Hudson buddy, whatcha doin'? What's right! Right! Right! Hudson, buddy, did they all put you To! The!  Test? Hudson, buddy, worry not, You will do!  Your!  Best!

Click to hear it: https://drive.google.com/file/d/1MT-E9pA9JS4jft1J3NgQrG6BnzX0nuqI/view?usp=sharing

Cecil

Everybody get down low It's Cecil's turn in the Big Show You got to cheer the way that's right To help your friends to win the fight So now we cheer the Cecil way: (quietly) everything's chill, friend and we totally believe in you and you can do this. Yay!

Click to hear it:  https://drive.google.com/file/d/1MSVY-AXHyoKexwuymvv9WjzvPTKpgLtQ/view?usp=sharing

[toyahinterviews]

TOYAH TALKS SHEP FARMING IN BARNET WITH PHIL MARRIOTT 13.11.2020

PHIL: I'm so thrilled to be with Toyah Willcox on zoom! How are you? TOYAH: Woooo! I'm OK. It's really good to see you. I haven't seen many people in the last seven months so it's so good to see you! PHIL: I was just going to say – likewise. The last time I saw you was at Wise Buddha, a studio just off Oxford Street in Central London and we could see each other face to face TOYAH: That was about 18 months ago PHIL: I know! How have you been? TOYAH: I'm really good. Well, I'm really confused because I live in a market town, on a square, one High Street and I'm bang in the middle of all of this. I have a chemist next door, we did have a bank next door but we bought it and that's now our offices. So I'm looking outside my window and there is all normality. There's no sign of any kind of lockdown and I'm wondering if I'm being lied to because I've got people on park benches, drinking coffee, talking to everyone, eating and I'm thinking “I thought this was a lockdown!” I'm so confused! PHIL: It's crazy, isn't it? I went past a bar yesterday and they were walking in and out and my partner said "hang on a minute! It's meant to be lockdown!" I think it was take-away, it just felt like normality, it just felt normal. It's weird TOYAH: This feels normal. None of that terror of last April. Everyone's just having a lovely time out there and I'm thinking someone's played a joke on me because I've been indoors for so long PHIL: We do need it though, don't we … By the way I've been loving your lockdown shows every Saturday. It's been a real ritual. I've been pottering around and then I've been switching onto your Toyah At Home show on Saturday morning TOYAH: Oh, thank you PHIL: It's been fantastic, really enjoyed those. And they've been really honest as well because you've been talking about your life and feeling nostalgic and talking about what's happening at the moment and we don't normally get to see that – you walking around your house, showing things in your house, your books. It's been brilliant 

TOYAH: I'm going to keep it up because normally on my working year I'm running an office. I run the band, I run the record side of things, I run the gigs – booking them and I never get time for any of that so it's been fantastic for me and for my husband Robert. We've been kind of been able to address what fans need

That might sound silly because fans just need to see you live and (to) do your music – well, lockdown has proven much more than that. I'm going to try and keep it going and try and prioritise the connection we've made with the fans and stop prioritising the ridiculous amount of bureaucracy we both have to deal with. So it's been great on that level it's been a fantastic year! PHIL: It's been really good for the fans as well like you say because they really appreciate it because they're feeling a bit lonely and isolated and it's good to have that company as well, isn't it? TOYAH: It's been shocking. We do a lot of celebrity messaging. We were a bit doubtful about it at first. We thought "oh gosh is this a step too far?" It's been a absolute joy and occasionally you get the odd message from someone saying "I'm so desperate, I'm so alone, can you just say something to help shake this blackness off me" We've really really loved every minute of doing these messages and also realising that our broadcasts have a deeper meaning than just us going "look at us". It's all become so much deeper and that is beautiful. It's affected my writing. The new album Posh Pop is really deep, it's really passionate and it really rocks and that could only have happened because of this exceptional year   PHIL: We have to talk about Sheep Farming In Barnet. I can't believe it's 40 years TOYAH: Look what I've got! (Waves the box set about) PHIL: I know! I can't wait to see that TOYAH: This is an exclusive! PHIL: Amazing! TOYAH: It only arrived two days ago 

PHIL: It's new images as well isn't it, like you've shown there, new photographs that we've not seen before. This is an album that was released in 1979 as an AP – an Alternative Play (above) and then it was released as an album in 1980 so you're obviously celebrating the 40th anniversary. What are you memories of this though because obviously a lot of stuff gets forgotten about. You've got a very good memory I have to say, watching your Toyah At Home videos. You seem to remember a lot of detail. Do you remember detail of that period? TOYAH: It's shockingly bad. My wonderful archive manager and he designed this, Craig Ashley, designed with Alan Sawyers – he writes a essay about each project. We're already onto Blue Meaning and then we're onto Anthem so we're 12 months ahead. We put this (Sheep) to bed three months ago. My memories were jogged by an essay that Craig had to send me. He knows more about my life than I do. He prompted my memory with this astonishing essay that's in here (shows the boxset) I thought "I did that?! I did that ?! Oh my God!" This is a long time ago this album but what I will say about it – I've always remembered that I think it's the one of the most relevant, one of the most original, ingenious albums of that period and it's never had that credit. Cherry Red (the record company) have really taken this on board and they are giving it the 100%. It's a beautiful album. There's a beautiful innocence but there's also so many pathways we opened for other people with this album. It's a fun album. It's a real danceable album. It's about youthful energy. It's beautiful and it's a side of punk that isn't that well known. It's great. I adore this album 

PHIL: So this album was recorded – correct me if I'm wrong – Chappel Studios, New Bond Street wasn't it, in Central London - TOYAH: Yes! PHIL: Which is now the Mulberry store. There's something about quite poignant about that – it should always be that studio I guess but what are your memories of recording there? Do you have many memories of you actually recording it? TOYAH: Next door was Chanel and Hermes and I just pooh pooed them “Who wants to spend that on a handbag?” I don't want to spend half a million quid on a silk scarf. If only I knew, hindsight is a beautiful thing. The studio was upstairs, very very traditional. Almost old fashioned because the studio was a song writer's studio. There was quite a few studios in the corridor I was in. We were one of the first punk acts to go in. I found the whole recording process in this particular instance very difficult because we now know I sing without headphones on. I cannot do that (puts hands over ears) It just affects me emotionally. So this took about four albums to discover that. Steve James, our producer, realised that he was going to get the best performance out of me if he just put speakers in the room and I performed as live. That was a learning curve - it was a big learning curve. So the first songs we recorded - for me – were emotionally quite tough  because I was just trying to learn how to work within this dead space. Recording studios – if you haven't been in one – have no sound reflection.

So we've got sound reflection here, I'm surrounded by mirrors, I can hear myself speak but in a studio it's a dead sound. It's really difficult to form notes in that kind of sound so … You asked me what was the experience like? It was a major learning curve of dealing with working within dead sound. Now, if I'm acting and I'm in a studio there's nothing more beautiful than dead sound because it makes you forget about the camera. So it was very very enlightening, it was energetic, we were an energetic team I think it was challenging for the whole band because Keith Hale was brought in as an arranger and that was frustrating for Pete Bush who is the main keyboard player on this album and he felt very threatened by that. But all this rather glorious usurp thing and power play is the result of this album. That and the fact that we honed every song in front of a live audience, which is such a privileged thing to so. We would do these incredible long encores that were as along as the actual show because the audience would never let us go We would run out of songs so we'd start to play them stuff we were formulating in soundcheck and this is how we came up with these glorious arrangements because we knew what affected the audience before we went into the recording studio. That is something that all young writers should have the privilege to do today because to watch an audience affected by a bridge or a chorus – you just know what you need to do as a songwriter. So much of today happens away from a live audience and this is all about live audience work. It was magnificent PHIL: The album title itself – it still raises eyebrows today, doesn't it? Sheep Farming In Barnet. It's one of those really distinctive album titles that really stand out -

TOYAH: I know! Well, I lived in Barnet and bang in the middle of this urban kind of chaos with the A406 was a field with sheep in it and I just thought   "sheep farming in Barnet?" So I wanted to call the album something that didn't relate to an emotion and didn't relate to another song. I wanted something completely out there. This is me (show the album cover) having broken in to Fylingdales - the early warning system - where they had sheep grazing and when we broke in we found an awful lot of dead sheep and we were arrested ten minutes after that was taken Bill Smith the art director was with me as was Gem, my boyfriend at the time and we had to hide the film down my pants. We knew we would not be body searched. We were literally just marched off the premises so we got the film out. So that whole "sheep farming in Barnet" was just a big question mark of what is our reality? PHIL: Is that something you do today? Stuff the - TOYAH: Guerilla filming? PHIL: Just stuff the evidence? TOYAH: Everything? Yeah, everything goes down my pants. As I get older it it's one of my things I do with my personal dementia – everything goes down my pants (Phil laughs) PHIL: I remember NME did a review – I think it was a three star review, it should've been more obviously but for the NME that was pretty good. At the time they called you a "post punk Grace Slick" -   TOYAH: I have no problems with being the punk Grace Slick. My goodness that woman was a great voice PHIL: It's a nice comparison. Now, the album was split into two parts – much like Kate Bush's Hounds Of Love which had the Ninth wave as the 2nd part  - TOYAH: Yeah! This was 1979! (waves the box set about)  

PHIL: I was going to say – you did that before her. Both brilliant albums obviously but this had Heaven and it had Hell and there is a lot of darkness in this album because there's a lot of vivid imagery when you listen to those lyrics. I suppose it's the horror and sci-fi fan in you, is it?   TOYAH: It's very dark poetry. I mean Neon Womb is quite innocent. I was making a movie with Katherine Hepburn called The Corn Is Green. I had to get on the tube train. The first tube train of the morning in Battersea which was six in the morning and I had to walk over to Victoria to get the train. And I just remember being alone in this tube that was neon lit and I thought "this is like a neon womb."

So that's where that name came from. Indecision I wrote in my home in Birmingham, the lyrics came there and I was doing lots of TV promotion for the film Jubilee and I just couldn't make up my mind what to wear so Indecision came out of that. And then Waiting is very dark Waiting is about if we looked at the planet and it only had burn layers and every burn layer was a war and you'd cut through them you'd see a very different planet. We wouldn't see a green planet. So Waiting is about layer upon layer upon layer of wars that we've had in the past … Let's say – let's be brave about this – 50 000 years? It's an endless theme on this planet. So that's what that one is about. Danced is about a second coming because I was brought up in extreme religious education by parents who weren't religious So because I was a rebel and because I was really out there as a child and I've always been a bit like this - they thought to cleanse my soul I should go into extreme religious education which I had from the age of about 10 ten right through to 14. So that has affected the poetry of my life a lot and that's what Danced is about.

Danced is saying the 2nd coming is coming – this is fantasy – but it ain't going to be a human being! It's someone coming from up there so that's what Danced is about. I'm always questioning the metaphor of what I've been taught and there's so many metaphor's in this (shows the box set). But I think that's what the fans like is that I use the imagery of metaphors to question things  

PHIL: And there are so many anthems on this as well, particularly for fans that have been with you from day one. You know, Danced. You mentioned Neon Womb as well. These are real live favourites. There's a couple of of tracks I've never seen you perform live, Computer being one of those. Is that something that you would think about playing? TOYAH: Yeah! In lockdown we had to do the DVD filming (for the disc in the box set). Nigel Clark of Dodgy, my neighbour, came round and we performed Computer. He performed it beautifully, he even did backing vocals and that's on the DVD version of this (shows the box set). It's gorgeous so we could put that in live now but there's so much material, my whole back catalogue, I have to capture in shows today, an hour and half shows I have to capture about 28 albums. And remember 14 of those songs are hit singles. So we chop and change and we try and fit everything in. Computer might come into the show but then we'll get people complaining we can't fit in Neon Womb, Danced and everything else PHIL: Too many songs to play TOYAH: There's just too many songs to play. You got Our Movie as well. I get a big call for Victims Of The Riddle but that is impossible to sing live. It's in an octave higher register than I normally sing in today and also it's one of those songs once you've done the first two lines everyone goes to the bar or starts talking. So we've decided if the fans demand a song and they don't listen to it – we don't do it!   

PHIL: I want to talk about the digipak that you have in your hands of this album because it's a real treat isn't it, for fans because there's a lot of versions they've never heard before. We mentioned Computer just then. That sounds quite different in its demo form. Are you quite happy to release these demos because obviously these have never been released before. It's so great to hear these now after so long TOYAH: This is the first album released where Joel Bogen (the original Toyah band guitarist and composer) and myself have actually been corresponded with about having permission of them going on the album. So one of my top selling albums in the world now is an album called Mayhem which is demos that Joel and I never wanted to be heard and ironically that is the world top selling Toyah album

So this time around now Cherry Red own the whole back catalogue they have agreed that will never happen again so we're even re-vamping Mayhem for its re-release. So there are 30 additional tracks, most of them unheard   going onto this. It's a double LP and a live DVD and there's even DVD footage that's never been seen before     PHIL:  It's a real Christmas present, isn't it? TOYAH: It's perfect! PHIL: Yeah! TOYAH: When we do demos they're pre-producer arrangements so obviously when you get into the studio and having heard the demo and hopefully played the song live in front of an audience you can then re-work it. So doing a demo is like trying out a recipe for a cake and if you feel that you can improve – then you improve and most of the time that's what people do do PHIL: So Victims Of The Riddle is your debut single which is featured on this album. There was another version on the single B-side which was called Vivisection. To me that seems like a kind of outspoken view of your hate for animal experiments. Was that the case? Was it that obvious? TOYAH: Yeah PHIL: It was?

Above: Toyah with her rabbit WillyFred in 2016

TOYAH: Yeah. I like to think it's not so awful today and I think a lot of people, a lot of human beings stepped forwards and said "you can test that on us." So stop breeding animals to test on. So I put my hand up here – I'm against vivisection but I've had hip replacement, I've had life saving surgery for cancer. Animals have paid so that I can live. So it's not as if I've even avoided every aspect of the results of vivisection.

Where my argument is and if the make-up industry - which has something like a £6 billion fund for testing - keeps testing on animals they're never going to change the world and protect and do good husbandry to animals. Now at the time we were making this … '79 … this was … I mean it was rampant. Animals were just being treated so badly I was a very experimental singer in the beginning, I use my voiced as an instrument thus the stylisation on Vivisection. And I wanted to use this as a wake up call to those who didn't know about the cruelty to animals but also the amount of people who were willing to be human test people.

And it was just – if you don't bring that into your audience's intelligence then no-one could do anything about it and I think the greatest revolution we have had in the 40 years is we've stopped buying things unless they adhere to an ethic we believe in.

So good husbandry, non-cruelty to animals, respect for animals, understanding that animals do have souls, they do have an emotional life, they feel pain as much as they feel joy and this was what that was about   PHIL: I'm glad you answered that question that way because I certainly saw it as very influential at the time – like you say it was a different time back then, in the 70's and the late 70's. There was a lot more of that nastiness going on and as a result more people have become vegetarian and vegan as well over the years, particularly the last five years people have become vegan which is great. So it's a good shift, isn't it? 

TOYAH: It's very good. I think in a year's time when we have a vaccine for Covid and there has been human guinea pigs involved here ... I think one of the biggest outcomes of Covid and Covid history we probably, worldwide, will become vegetarian. What I mean by that is the easiness within Covid is mutating within the animal circuit and if we keep consuming animal flesh we are probably going to help Covid mutate even more. I'd like to think that one of the kind of strange blessings of this exceptional year is that the majority of the planet will become vegetarian   PHIL: Siouxsie and The Banshees did the Kaleidoscope album a few years ago which I saw at South Bank, I know you're a fan as well, of Siouxsie - TOYAH: Yes! PHIL: Is that something that you (want to) do with Sheep Farming? Do it as a whole? TOYAH: (I'll) do it with any album but people want Siouxsie. I've had to  - this is my career “Let me in! Let me in! (bangs the air with her fist) “Give me a fucking job!” Siouxsie, you know, gets invited because people absolutely adore her. I'm not on Siouxsie's level but I think what will change for me because in the last 40 years my catalogue has been with a record label that has actively allowed it to die and now Cherry Red- as soon as they announce these releases – I mean this went number one in the pre-order charts across the board and Cherry Red have released the demand is huge But if you don't have the record company behind you and the PR behind you and the team behind you … I don't get invited to play whole albums at the Queen Elizabeth Hall. So I now think this is going to change quite radically and hopefully my work will get the respect it deserves. But it has to be out there for that to happen and in the last 40 years it's just been buried  

PHIL: Last Goodbye, another track on this album, last time we spoke we talked about your love of horror   TOYAH: Yeah  PHIL: And you told me watch The House That Jack Built, which I saw after your recommendation and yeah – it disturbed me very much (laughs) TOYAH: That's an astonishing film. There's another one I'll recommend to you and it's very gentle. It's a love story but it also it also tiptoes into the surreal and horror and it's called Border. I just adore this film    - PHIL: I've seen it, it's amazing. It really gets under your skin, doesn't it? TOYAH: It's gorgeous. That is like reading a really good book. It translates beautifully PHIL: Absolutely, a very atmospheric film. But Last Goodbye on Sheep Farming – it's quite an evocative lyric. Again quite a dark lyric. There is lightness as well, obviously, on Sheep Farming but I'm just going to read the lyric here : “He points the knife between her eyes. Its light reflects on the one he despises. Here's one for the pain, here's one for the lies. When flood flows out I watch her say goodbye”  That is quite - TOYAH: It's a revenge song but I mean this is about the vulnerability of men and men are vulnerable and this is the ultimate revenge. He can take on someone who is more powerful than him and it's a woman. So I always like to kind of invert what people see as normal. I think woman are just as easily aggressive as men are and devious and plotting so it's revenge on someone who has psychologically destroyed someone else.

And I think historically – I need to place it in context – 40 years ago and even 50 years ago you never heard about women's prisons, you never heard about female criminals. It was always men. There were only three that we heard about when I was young that were serial killers. I'm not going to name them, let's not give them the publicity but what you didn't hear was about was petty female criminals, female prisons and female aggression. It was never reported 50-40 years ago as it is today. You know you've got Piers Morgan doing “Female Serial Killers” today so here we were in the punk movement, '79, and it was such an opportunity to be one of the first women in this movement that I could invert everything I'd been taught And one of them is about women being psychologically cruel which kind of covers a lot of the early work. So I was just inverting stories and turning them into myth really. And another thing that was emerging at this time … computers were being programmed at this time on a mass level. So a lot of people we worked with, our roadies would disappear at night to go and do binary programming into computers and this was going on 24/7 to get computers how they are today. So there was this kind of secret technology going on that fascinated us but we didn't understand I mean if we ever knew we would have a phone in our hand (shows her mobile) or we'd be able to talk like this (on Zoom) … that was science fiction. And another thing that science fiction  back then … was … oh, it's going out of my head … ah yes! Was how games were developed. So Dungeons and Dragons was very much a fantasy game then and it was the only fantasy game  as was – Lord Of The Rings was a book, you never realised it would be made into a really brilliant  digitally composed film. So fantasy for me was very very important. It was escapism from a normality that could be not only boring but could also be dangerous so all of that reflects in my work as well 

PHIL: I could sit and talk to you Toyah for hours. I know you've got other interviews to do because you've got so much to do in the coming weeks before this re-release, this re-vamp of Sheep Farming In Barnet. It's out on the 4th of December but I have got one last question which I invited people to send in and this is a question from Darren Anthony and he's asked which 3 things, if there are 3 things, would you change about your debut album if you could? TOYAH: Ohhh! Do you know, Darren, this is such a good question and the only thing I would change – because there's a beautiful innocence about this album – I would change nothing about the music. I would've changed immediately the technique I use for singing because I've only in the last ten years really gleaned my 100% technique. And I would … just … how can I put this? If you're a singer you understand “opening the throat”. I would open the throat more, I would've had more confidence as a singer Instead I'd get into the studio and lack of confidence would make me go (pulls shoulders in and head behind hands) I would just close up like that and the voice became quite small. So that's one thing I would change but I can only answer that in hindsight. Elusive Stranger is an incredibly popular song and I would've just not sung the intro in that octave. I would bring that down an octave which would make it far easier to sing live today.

And I can't find a third thing I would've changed. Perhaps the one thing I would've changed about the whole of the beginning of my career – I was very against my natural femininity where women who are hugely successful not only exhibit their femininity but they control their femininity and I saw my femininity as a barrier that I needed to either kind of break down or walk away from. So I probably would exploit it - in the right way, in the Madonna way – my femininity PHIL: I should say it's also out on white vinyl which I've ordered and I can't wait to see that either! TOYAH: Wahey! PHIL: To represent the golf balls on the sleeve   TOYAH: Oh, I know! It's a clever design. It's clever. Phil - thank you so much and I hope see you sooner than the 18 months - PHIL: Yes, me too. Good luck and stay safe. Thank you, Toyah TOYAH: Good luck everybody!   

You can watch the interview HERE

[oooo-froggie]

im back in the hell social media (tumblr). interests/things I'm in:

witchcraft, anime, art, music, goth aesthetics, cottagecore aesthetics, lgbtq+, creepy stuff/theories, philosophy, blm, animal crossing, cosplay, emo/punk/alt stuff.

anyWAYS I hope my friends don't find this account have a good day woooo

[fugandhi]

RUFIO!

Totally Rad punk song by a band that I don’t think exists anymore - “Above Me” by Rufio! Such an underrated band that I really dig.

So nice to see some dudes with some serious musical ability (smokin’ hot frets - WoOoO!).

🎸🎸🎸

[readbythestarlight]

c2e24 reactions

Sam’s rejected ads

“All over my Emmet Smith commemorative snuggle!”

“IT’S A TROY AIKMEN SNUGGIE!!!”

SAM THAT SONG ROUGH DRAFT WASN’T FUNNY omg

I like how Sam’s ads are clearly 90% to make his friends die of laughter and 10% to actually promote D&D Beyond

Not immediately knowing that Jester was drawing a dick with her sparkler smh

Fjord seems really not sure about this town and I love it

Marisha/Beau meanwhile is really into it

I like how Fjord, the shiftiest fuck in the group, is concerned about other people being shifty fucks

I MISS YOU ASHLEY SOMEONE BUY YASHA A FLOWER NECKLACE

Beau just bought so many explosives

BEAU BUY FLOWERS FOR YASHA

the flower vendor’s voice I’m crying omg

omg they’re gonna explode the firecrackers with firebolts in the street these nerds

They are all so giggly tonight I love them

Oooo here we go Jester on the piano

“I’m going to sit down and try to play Chopsticks” I knew it xD

“blamblamblamblamblAMBLAMBLAMBLAM”

Beau and Molly with their charisma flops

“I like you, you’re colorful.” Molly flirting with the innkeeper is giving me life

Oh god drinking contest later

Fjord is regretting sharing rooms with Molly now lol

They are being SO GOOFY tonight I’m living

Aww they ended up with a sad babby outcast gnome

Molly stepping in like a total dad

MOLLY HAS THE WORST CHARISMA AND INTIMIDATION

oh fuck this gnome punk flicked him off

omg Molly blood maledict?? ….actually since it won’t hurt him he probably deserved it.

GUYS OMG

So is tiny gnome chick’s name Reesa?

Beau continues to prove that she is the ultimate disaster lesbian

Nott and Jester choreographing a dance oh boy

TEAM DRINKING COMPETITION OMG

DONT. FUCKING. LEAVE. KIRI.

sure Nott let’s pay a working woman to babysit your baby bird

YA’LL. DON’T.

Oh right just have Yasha babysit Kiri that’s using your noggin there Molly

The innkeeper flirting with both Molly and Fjord

IM

CRYING

Fjord is so awkward

“She’s small, I can hold her down” Matt that was perfect and the most in-character way you could have played Yasha

Please stay safe Kiri my baby bird daughter child light of my life

OH DAMN JESTER

Jester being jealous trying to be catty with the innkeeper

B: “Did you just put a hooker on layaway?”

F: “Did you just say I’d had sex with your mom??”

J: “Yeah as soon as I said it I realized it sounded really creepy.”

Insight checking to find out if Fjord is a virgin omg

Caleb back to looking for bookstores that’s my boy

Molly please tell me you’re getting flowers for Yasha

Ah frick Nott you should be more careful please

Aw Nott don’t be sad :(((((

I’m glad Beau is trying to reassure her about not feeling bad about herself

Ooooo some Beau backstory

lol Beau was a bootlegger juvenile delinquent I love her even more

Holy shit her dad paid the monks to abduct her no wonder she has issues with authority

Jester is basically offering Fjord free sex at this point she wants him real bad

Meanwhile Travis is dying

Yoooo my boy found his bookstore

They’re closed, of course. But he can go back in the morning.

SOMEBODY BUY YASHA A PRETTY SILK FLOWER THING DAMMIT PLEASE

Matt’s little girl voices are the fucking cutest things help me

Jester setting up a playdate for Kiri I’m not crying you are

Tara is the cutest baby gnome child ever

Save a flower for Yasha please I’m literally begging

Caleb encouraging Nott to dance my heart

The Wand of Smiles thing kills me every time they use it

Matt is having WAY too much fun playing this innkeeper dwarf

30 gold just to get blackout drunk my god

Caleb needs to blackout he’s probably a lightweight

Oh damn wait Jester should probably

If anyone wins this for them it will be Nott she’s practically always drunk already

Aw poor Jester

Matt stop with all these adorable bird and gnome children I want to adopt them all

NOTT’S GONNA USE THE DAILY LUCK smart girl

SCOREBOARD TIME Molly’s round: Molly: loses, wins, wins, wins Duncan: wins, loses, loses, loses MOLLY WINS and he’s drunk as fuck Beau’s round: Beau: TIE, wins, loses, wins, loses, loses Ruth: TIE, loses, wins, loses, wins, wins Beau loses… and pukes. Ew. Caleb’s round (oh boy…): Caleb: WINS, loses, loses, wins!, WINS!!! Valkin: loses, wins, wins, loses, loses (Nott and Jester distraction dance) CALEB WINS WITH A NAT20 HEEEELLL YEAH THAT’S MY SON THAT’S MY BOY Fjord’s round: Fjord: wins, loses, WINS!, WINS! Tanya: loses, wins, loses (loooool fjord flirting with his competitor) (Jester plz stop you’re gonna make Caleb puke) FJORD WINS WITH DOUBLE NAT20s OMG!! oh no don’t do it double or nothing please oh god they’re gonna do it here we go Nott’s round (please kick his ass Nott plz): Nott “Otto The Bottomless Pit”: wins, wins!, loses, WINS!!!!!!!!!! Blemy “The Whale”:  loses, loses, wins, loses (making herself look gross lol. And using mage hand to pour. Jester trying to bless him.) NOTT WINS HEEEELLLL YEAH

I really thought they were all gonna lose omg

oh no

oh thank god he passed out before he could out her as a goblin

WOOOO FREE DRINKS

Please go to bed everyone

“The mighty nein, the mighty nein, the mightiest nein to ever neeeiiiinnn”

There’s a lot of love between this group right now. They just need to be wasted to show how much they like each other lol

Awww Jester and Caleb waltzing that’s cute

Molly and Nott join in and suddenly its a dance party

OH SHIT CALEB SAID SHIT HE SHOULDN’T HAVE SAID I’m crying he was into Astrid and now he’s sad

And Jester gets him into bed I CRY

I didn’t need Caleb feelings WHY

Wait what is Molly doing?

Ah blood magic stuff

I’m beginning to expect that Taliesin is drunk irl

MOLLY OMG THAT’S DISGUSTING

Matt’s just like “no, no, we’re not doing that no” he’s a total dad

BEAU GOT PICKPOCKETED

she lost 300 gold wtf

who was close to her I can’t even think of who it might have been

THEY HAVE ALL BEEN PICKPOCKETED

OH MY GOD

NOTT, MOLLY, FJORD, CALEB, AND BEAU HAVE ALL BEEN ROBBED

that’s bad

The only inconspicuous figure I can think of is the little girl but I mean…

Are they gonna accuse the little gnome girl omg you guys I wasn’t serious

Whatever happened to Reesa/Risa?

Oh there she is

JESTER DO NOT

Hnnn they gotta learn not to cast the spells so casually on people it’s gonna come back to bite them in the ass

Awww buying Kiri a cute little music box

Repeating crossbow aw damn Nott’s gonna want it real badly

ENCHANTED repeating crossbow

“The Tinkertop Bolt Blaster 1000”

two thousand gold i choked

REESA BE NICE TO YOUR ADORABLE DAD

Reesa and her dad are adorable I like them

Casting suggest sure let’s just cast more spells on random people smh

You made Fitz cry you guys and you’re probably gonna get them fires it’s not their fault you were dumb enough to get robbed this is a dick move I’m with Jester y’all are taking it too far

Okay good at least now they won’t get fired

OH OH OH THEY GOT A BLIP CHASE IT

god please protect kiri she only has 6hp guys please

IT WAS THE KID OMG

Molly’s about to give him all his gold look at his face

Or Beau will give them gold and Molly will give them advice on how to steal and not get caught stealing xD

…Fjord are you seriously planning a jailbreak right now

Do you even know anything about the prison

Nott is like “the solution is obvious we just adopt them like we adopted Kiri it’ll be great it’ll be fine”

…Fjord that’s soft and sweet I hate you because I can’t decided whether I love you or not

Nott playing on Beau’s backstory to try and prompt her to help find the kid’s parents

“leaving them as cold heartless resting bitches” xD

FJORD KEEPS BEING NICE AND IM. JUST. I WANNA JUST KEEP PICTURING YOU AS A SHIFTY FUCK STOP BEING SO NICE

Also yeah listen Fjord grew up in an orphanage

aw Fjord…

Caleb’s a little salty about this but Caleb come on they’re kids

I can’t believe they’re gonna try to pull off a jailbreak

Leave Kiri with these kids yes and now Matt I beg you do NOT, do NOT let her get dragged away please I beg you

Matt’s ability to perfectly mimic Fjord/Travis is amazing

MAN THIS WAS POSSIBLY THE BEST EPISODE? I loved it. I was laughing so hard for all the first half. Fantastic job @the cast