#worst movies of 2017

[logansbaby]

im such a slut for this logan, i just want to be on my knees every hour, every day sucking him off and giving him the best head he’s ever had!!!!!! I wouldn’t even care if he didn’t touch me, id just be content with him on my tongue <3

[roe-and-memory]

lightning has two sides to watching a movie: super annoying and talkative (mostly making fun of the movie) or being completely locked in.

bobby would more or less be on the annoying side, making him and lightning the ultimate “nobody wants to sit around these two” in a theatre duo. cal, on the other hand, isn’t necessarily locked in — he’ll make the odd comment here and there on the films content — but he also struggles. So Bad. with watching movies because of his hearing impairment.

he gives lightning and bobby crazy side eyes if theyre too loud, because Yes he loves them but also stfu!! he cant hear it!!! he’ll turn his hearing aids up and be in despair at the fact he can just hear Them even louder now.

he prefers movies that lightning will get super into because, lets be real, lightning isnt all that great at controlling his own volume so he’ll sometimes get a little loud (on accident. hes not good at whispering At All. cal cant fault him for that because thats so real)

bobby, however, is much better at getting cal’s annoyed hints than lightning is, so sometimes he’ll just tell lightning to stop and watch the movie because they were getting a little Too goofy

[yourbuckies]

mmmm this has annoyed me since chris with asp but platforming has actual meaning and by definition you really can't platform a former potus/current presumptive republican nominee (or a sitting senator). i get that this is the get all your news from destiel memes website, but the man has press pools from the world's major news organizations dedicated to his every move. what is this venn diagram of ppl who are watching this basically indie movie but don't know who he is already.

[bettercostume]

niche but i love when i learn tidbits of how mutuals were going through major depressive episodes in the same years i was lol

[supernightboy08]

My despised movies:

1. Playmobil the Movie (2019)

2. The Emoji Movie (2017)

3. X-Men Origins: Wolverine (2009)

4. Super Mario Bros. (1993)

5. Superman 3 (1983)

6. Superman 4: Quest for Peace (1987)

7. Justice League (2017)

8. Toy Story 4 (2019)

9. Star Wars: Episode IX: The Rise Of Skywalker

[cantsayidont]

Controversial media takes of various kinds:

MAD MEN is not a good show. It *could* have been a good show, but it's constantly kneecapped by the showrunners' uncertainty about whether they want to critique Don Draper or fellate him (with the show inevitably opting for the latter) and their determination to sideline the other characters (who are often more interesting, and sometime played by actors less insufferable than Jon Hamm, whom I hate) in favor of Don. The longer the show goes on, the less it knows what to do with the period events it references other than to have the characters nod solemnly at them, it only intermittently remembers that Jewish people and people of color exist (and it never actually cares), and its contempt for its female characters (whose story the show really should have been) becomes more and more troubling. Also, a big chunk of the premise is ripped off rather shamelessly from the popular Sloan Wilson novel THE MAN IN THE GRAY FLANNEL SUIT (which had an indifferent film adaptation starring Gregory Peck).

SOME LIKE IT HOT is not pioneering Queer Representation, it's a series of offensive homophobic jokes and transphobic Men in Dresses gags by a notoriously mean-spirited writer-director who thought that shit was just hilarious, starring two of my least favorite American male stars of the period. It's also not funny at all unless you share Wilder's chaser-transphobe predilections. If you're LGBT and you love this awful movie, I certainly can't stop you, but understand that Billy Wilder was very definitely laughing at you, and ask yourself if you're okay with that.

Basil Rathbone and Nigel Bruce were perfectly fine as Sherlock Holmes and Dr. Watson; some of the Universal Holmes films are actually quite good despite their modest budgets; and having Bruce play Watson as a comic-relief buffoon was an eminently reasonable creative decision because it gave Watson something to do onscreen other than be constantly awed at Holmes' brilliance, which is boring and reduces the actor to a glorified prop.

The Jeremy Brett Holmes TV series of the eighties is mid at best: Brett is not the definitive Holmes; his decision to play Holmes as an icy misanthrope (which Holmes is not in the canon) makes those versions frequently unpleasant to watch; and any time the show's writers try to expand upon the Doyle stories, they inevitably go very wrong. I can put on any of the Rathbone/Bruce movies, even the bad ones, and find it at least agreeable background noise, but the thought of revisiting the Granada show makes me grimace.

The Stephen Sommers MUMMY movies with Brendan Fraser and Rachel Weisz are incredibly racist — as are all iterations of that franchise, including the 1932 Karloff film and the more recent, wretched Alex Kurtzman iteration with Tom Cruise and Sofia Boutella — which really undermines their entertainment value even as Big Stupid Popcorn Fun, no matter how how hot you thought Fraser and Weisz were. THE MUMMY (1999) was startlingly racist by the standards of 25 years ago and it has not aged well.

HEDWIG AND THE ANGRY INCH is incredibly offensive transmisogynistic hackwork and the attempts to position it as a modern-day ROCKY HORROR PICTURE SHOW Participatory Event speak volumes about what y'all actually take from the latter.

[tadhannahj]

Logan, at his core, is a protector.

I've only watched a few X-men movies but X-Men (2000)? Logan risked his life for Rogue. Days of the Future Past? Logan risked his life to time travel and save everyone. The Wolverine (2013)? Logan was living in isolation, a caveman if you're nasty, but beat up the guy who harmed a BEAR. In Japan, he was so adamant on protecting Mariko even though he was not brought there to be her bodyguard.

Logan (2017) had a cynical reluctant Logan but he went on to protect Laura and die to save mutant children. Deadpool and Wolverine (2024)? Destroyed a steel door and held Wade's hand to save the world.

In every universe, every version of Logan, even the worst one, wants to protect someone.

Bonus: I can picture Wade protecting himself just fine from assassins but goes on to tie himself up because "It makes Logan happy when he rescues me,"

(Good Omens reference? Yes, yes it is.)

[logansbaby]

call me a slut but he looked so fucking hot here, every time he was on screen my back arched oops id ride him forever im so serious

[unspeakable-imagination]

Not the worst || Logan Howlett x Reader

My asks are OPEN and my matserlist is HERE

Reposts and likes are always appreciated

Just a drabble because I can't get it out of my mind. I was thinking abt this all night.

Cw: Oldman logan slander/ logan 2017 slander, hyping up worst logan hype, fluffy, angst, lots of bonding, probably gonna make them fall in love now sure, cannon-typical violence, cursing

Living as Wade Wilson's favorite neighbor was something eles. You and him were best friends, commonly taking time to watch my little pony or other similarly childish cartoons when Althea was out.

You were there when we left the x-men. You were there for him when Vanessa left him, there for him when he was to lost to find a job. You were there when you helped him pick is toupee, and you were there at his birthday party when he was kidnapped.

To say that it shook you would be an understatement. You'd been through so much and it physically pained you when you realized that whatever he was gone for, you couldn't help him. And two days later, he was back. And he wasn't alone. He came with a man, a wolverine. Or as you heard in passing, the worst one.

Logan loitered around the apartment more than you'd like, given that you could no longer peacefully watch ponies either wade, otherwise a grumbling logan would throw fit and slam doors.

Eventually, you just had to pull wade to your own apartment across the hall. And then the knocks came. Every time Wade was over, without fail, Logan would interrupt your buddy time, knocking on the door to whisk wade away for their weird- platonically gay relationship.

It took some time for you to recognize that Logan was lonely, too. And soon, it became the three of you having movie nights. It was hard not to come to enjoy the presence of the clawed man, and it went from you sitting awkwardly to the side while wade would constantly fail at cuddling Logan, to you in the middle.

Until tonight. Wade wasn't going to make it to your bi-weekly movie nights anymore, to busy pining after Vanessa. She was willing to tey and mend their relationship. It broke your heart to loose your best friend, but logan was there rubbing your back, comforting you.

"Atleast we don't have to listen to him run his mouth and spoil the whole thing," he'd reason to you. "You know that he would just ruin the end for you, or tease you when you cry."

Logan was right, but you loved watching movies with them. "But it sucks, he's my friend. I mean I get it, he's gotta chase her, he loves her, but we matter, too, don't we, Lo?"

"Of course, bub. There will always be more movie nights, and even if he can't make them all, atleast you have me?" And you did. For the next three weeks, without fail, Wade would avoid you both on designated movie nights, and Logan would come to your place for them, comforting you and picking out movies.

On more than one occasion you had fallen asleep on his shoulder or lap, and plenty of times you'd even let him sleep over him not wanting to wake the angry, coked up, blind batshit Althea. You began to neglect Wade, watching him finally win over Vanessa's heart, and watching Logan slowly move into your own place, shifting out of the other crowded apartment.

As the time for tour nightly movie drew nesr, you sorted the sofand the popcorn bowl, the lights and the TV, and set up the coffee table with assortment of other snacks and drinks that would last you two through the night. Various beers and even a cigar.

Logan had just gotten home from his job and gone to shower while you set up. His shower was quick, like it usually was, and by the time he was done, you were snuggled on the sofa in a faux sherpa throw. He settled down next to you and you handed the remote to him. In the weeks that Logan had been living with you, you couldn't deny the way you began to develop feelings. He was attractive and capable, and while he seemed rough on the exterior, he was truly tender hearted and did care about your feelings.

That's what made it so hard to bring up that you knew the other, much older-looking, dead logan from your timeliness.

It was just a week after the Manchester incident when Logan and Xavier had fled to Mexico, finding you along the way. They pulled you into their group with Caliban and things took a shift in your day to day life. No longer accounting for the tracker mutant, you spent your time helping him give the professor shots and medication. You were one of the few people, one of the few humans, that had an opposite gene mutation. Instead of getting the X gene, you got something eles, something that made you invulnerable to mutant powers.

You were the perfect person to medicate the senile telepath. You were there to see far too many events unfold that traumatized you. That made you realize that Logan wasn't the person on the pedestal that everyone else thought him to be. He was a stupid drunk, hellbent on killing himself, and the only thing stopping him shifted from the professor to his daughter. And it was horrifying, the way that so many things in his life were kept so well behind closed doors. It's horrifying that the media portrayed him in such a well light, and it was dishonorable that every food company used him to poison food for all of mutant kind, and he didn't do anything to stop it.

After he died, you had found yourself at the X-mansion, being the person to relay the news to Colossus and the other surviving xmen. To show their gratitude, they let you stay there, and eventually, you met the asshole burn-victim lookalike.

Logan noticed your shift in mood, the aura around tou changing. "[Name]?" He leaned towards you and you shook your head, returning to the present. "I was asking what you were in the mood to watch?"

"I need to tell you something." It was sudden and Logan swore he felt his heart drop to his stomach. You brought you hand to your mouth, anxiously chewing on your nails as he looked at you.

"I'm sorry for keeping this from you for so long, but I knew the other logan. I knew the other you. And every time I've heard you walk about yourself being the worst logan- well, it's not true." Your eyes glossed are and you swore you'd cry. He shifted, rotating, bringing his knee up so he could face you better. Reaching to put a hand on your cheek.

"What do you mean, bub? You knew Logan?" You nodded, almost pitifully and your cheeks began to feel warm tears drip down them. He gently wiped them away. "What do you mean, though? Everybody tell me about how amazing this world wolverine was."

"They didn't see him behind closed doors, they didn't see him at the end like I did. Laura- she was just a kid. She only idolizes him because he died for her- but that doesn't make him good." You used your hand to dry some more of your tears.

"He was a peice of shit and only cared about himself until he knew he was dying. He was insistent on ending it and only found his release by getting skewered on a tree-root." Your emotions shifted from sadness to bubbling anger.

"There was an incident, when Xavier's brain began to go. I mean, a degenerative brain disease in thw worlds most powerful brain?" You paused. "He took him away, and he found Caliban and I along the way to help him. He left everybody behind, too, not just you. Maybe it's a Logan thing. It was funny, really. He was acctually planning on Leaving Caliban and I behind anyways. Saving up buy for a boat to live in the ocean where Xavier and him could just die peacefully." His face fell as he listened. "He was disgusting. Worse than you. You've proven you're a million times better. I mean- he is the reason why we have so little mutants left. Why children are pushed away into boarding schools or segregated just because they have powers."

Logan was silent as he took his time to absorb all the Information you just shoved apon him. "Wow," he breathed. "I really am a peice of shit everywhere."

"No logan, you don't understand. You, and I mean the you sitting in front of me isn't! You're amazing. You helped wade, you helped Laura leave the void. You helped me! God dammit, logan I love you. You've been nothing but amazing and so refreshing. You're somebody who acctually appreciates this life and living now. You're the best person out there."

His eyes nest buldged when you said you loved him, his heart rate picked up and by the time your final words left his lips, he swallowed them whole and kissed you. His hand on your cheek curved around the back of your neck and pulled you close, his other hand stabilizing his lean.

He pulled back just to place his forehead on yours. "Fuck, [Name], you have no idea how much a cherish your words. You've been encouraging me for so long and I've been so anxious I've taken you for granted, but I havnt. You don't understand how much you mean to me."

"I think I do, Logan. I feel the same way."

Don't get me wrong I think old man logan is attractive, but I had to look at it from a bad pov because Logan really was an ass in that. Movie was great and I'm still heavily attracted to all (even the bitchy versions) of him. Can't get over it.

[genericpuff]

Ive read a few of your LO esaays (all of which are really well written!) But I was wondering something.

Many people talk about how Rachel loves the story Lolita, and has talked about it before, but nobody has ever shown screenshots. I was wondering if you had any or knew where to find any. This is just being curious, not doubting your statements

Ah so I actually responded to a comment just like this a while back on reddit with all the receipts (it was particularly someone who was claiming it was all "made up" because like you, they couldn't seem to get any proof of it, which is totally valid) so I just had to go and dig those back up haha

DISCLAIMER: I want to make it clear that a lot of people tend to run amok with these suspicious pieces of evidence towards Rachel either "thinking Lolita was a romance" or being a pedophile. I want to make it clear that I do not think any of this is proof towards either of these claims. I do not think that she blatantly thinks Lolita is a romance, or that she was trying to perpetuate pedophilia in any sort of way, just that she may have wanted to have her cake and eat it too by acknowledging the age gap but embracing it anyways as she does throughout LO. I think, at best, she's a terrible writer who's still using the things she liked when she was a teenager / young adult as inspiration without actually going back and re-analyzing those things with an updated 38-year-old viewpoint (as she does this with a lot of things, not just Lolita). Claiming that the following receipts is 'proof' of Rachel being some kind of sex pest / pedophile is at best not constructive at all for the real discussions to be had concerning LO's subtext, and at worst, a serious claim that can ruin someone's life if thrown around without cause. Let's please be responsible and level-headed in how we approach this topic.

Old MySpace + DeviantArt bios with her interests listed:

Her old art site where she labels herself as a "lolita vamp" artist:

Her intro post from a lolita-themed forum she ran:

She does express that it's not THAT kind of lolita, which I'd like to think she never intended in the first place, but it's really telling that LO still manages to be that kind of lolita in a lot of ways, to the point that there are many scenes in LO that feel a little too similar to scenes from the 1990's Jeremy Irons adaptation, such as seen here.

(the above image are song lyrics written about the book, Lolita)

Also despite Rachel saying it wasn't "that kind" of lolita, she still made it clear back in the 2017/2018 run of the comic on Tumblr that Hades is, indeed, a "grown ass man", and that Persephone is a teenager.

And of course the proof is in the pudding, the comic itself is well aware of Persephone's age:

(either Rachel has been using Apollo as a mouthpiece for criticism for years, or she seriously thought this was supposed to make Hades look like the better partner for Persephone because "look at how mean Apollo is" when... he's deadass spitting facts LOL)

As I mentioned in my disclaimer, I don't think Rachel herself is in any way a sex pest or a pedo or whatever you might jump to assuming. Rachel has a history of being inspired by things she watched when she was a child without ever actually going back to re-analyze it or ask herself if what she read was credible or real-

(this isn't the only proof there is of her behaving this way, there's also the fact that she was clearly a huge Disney fan as a child but never asked herself why those movies worked as a piece of written media).

So again, I think at best she's just sort of dated herself by not going to the effort of researching the things she was into when she was a child, she tends to just throw things in that she likes haphazardly without a single thought as to why they worked in the first place or whether or not they would work in LO. Though this is a bit of a saltier opinion, I think when it comes to the Lolita thing specifically, I have a feeling she never actually read the book, just sorta did that thing where she watched the movie adaptation from the 90's and assumed that counted as reading the book and so she put it down as her favorite book / Nabokov as her favorite writer.

But none of that speculation really makes much difference because the evidence is 20+ years old. What does matter is that despite her tastes being what they were 20+ years ago, they're still present in LO and it's not even subtle, there are so many times Rachel has outright said both within the comic and outside of it that Hades is a "grown ass man" and Persephone is a literal teenager. Her fans, of course, will still go to the effort of explaining it on her behalf ("they're gods! ageing isn't a thing for them!" "how old you are doesn't matter when you can be immortal!" "well she probably doesn't mean LITERALLY 19, just like, the god version of it..."), but you can't deny what's coming from the horse's mouth - Hades and Persephone are in a relationship based on an intentionally massive age gap. Regardless of what completely speculative parallels we can draw between H x P and that of Lolita's Humbert Humbert and Dolores using 20 year old MySpace bios as evidence, Hades and Persephone having a massive and intentional age gap is undeniable fact made canon by the creator herself, no matter how you try and slice it.

[queerbrainrot]

Because I myself struggle to find shows with similar vibe, below are kdramas with:

bromance so thick they might as well have fucked on screen + crime and/or criminals + betrayal and/or trust issues + noir-ish vibes

The Worst of Evil (2023) - show

The Merciless (2017) - movie

Beyond Evil (2021) - show

Evilive (2023) - show

[jaymber]

I connected the dots! (a.k.a. I'm autistic and "meta" isn't enough)

Okay, okay! I get the whole anchor-being thingy being a metaphor for the X-Men franchise falling apart since Jackman's retirement as Wolverine, but.... I'm autistic and had to look at it too deeply !

I came with this conclusion that solve most questions regarding D&W's main plot!

Ooookay, maybe I need to explain it further....

So, the main questions I had/heard after watching D&W were :

Why would Logan's death in 2029 affect Wade's timeline in 2024 ?

So, first thing first : Logan (2017) isn't set in the same universe as the rest of the X-Men franchise. It's set on Earth-17315, though it's unclear which events differ from Deadpool's universe (Earth-TRN414).

The anchor being residing in a different universe means all the movies we saw, except for Logan (2017), were NOT main timelines, but branches.

When Mr. Paradox talked about pruning Deadpool's universe, he meant cutting down the whole tree, every universe derived from Logan (2017)'s timeline. The "trunk" slowly withering, all the "branches" will slowly die with it, including Deadpool's universe.

Yeah, but it's the future...

Actually, the notions of past, present, and future don't mean the same thing from one universe to the next. One example would be Logan from Earth-21923 (a.k.a. Old Man Logan), who fought the War of 1812 (despite most Logan variants being born in the 1880's) :

[ Source : Old Man Logan (2016) #21 ]

Meaning, who's to say when year zero of each universe starts. 2029 doesn't mean anything... It doesn't matter when the anchor being died, he just isn't here anymore at the time of Wade's present.

Logan (2017) is a different universe, okay... So, why didn't Wade go to his timeline's Logan for help ?

I don't have a 100% irrefutable answer here, but...

a) It's Deadpool, who's just traveled to another universe (Logan (2017)'s) and might've wanted to check out other universes ;

b) Logan from Earth-TRN414 is already gone. Logan has died a bunch of times on Earth-616. For example, in the OG Infinity Gauntlet event, Wolverine died by Thanos' hands.

[ Source : Infinity Gauntlet (1991) #4 ]

c) Deadpool has messed with the timeline of Earth-10005 (the Fox X-Men Universe up to the Events of Days of the Future Past) by killing a variant of himself. We can't say how that affected Earth-10005, from which Logan from Wade's universe is originally from... Lemme explain myself here by answering another question :

Are there two Logans and two Lauras in Wade's timeline now ?

Applying the logic of the other movies, no. The Worst Wolverine and Laura (Earth-17315) replaced the ones from Earth-TRN414, if there were still/already existing.

In Days of the Future Past, Logan (Earth-10005) wakes up on Earth-TRN414, an universe where Scott and Jean didn't die. He only remembers the events from his universe, but every other person remembers their version of Logan. By changing the past, Logan didn't fix his timeline, but made his universe (Earth-10005) disappear in favor of another (Earth-TRN414).

Linking this to my previous point : Logan from Earth-TRN414 has been overwritten by a variant from Earth-10005, the same Logan that Deadpool interacted with in the end of Deadpool 2. Butterfly effect, etc. Either the Worst Wolverine erased Logan, or Logan was already gone, and the Worst Wolverine "filled the spot".

Again, I *know* there's a meta explanation about the X-Men & Co. universe revolving around Wolverine (even more so now that they got Dafne Keen as well to take over the role until she's herself 90 or something), but my brain needed a diegetic answer to my questions 😅

[tgmsunmontue]

Online & Anonymous 14/16

Hangster. Explicit. Years before they meet in person Bradley and Jake strike up a friends-with-benefits relationship online. And then something more like an actual relationship.

>>Bradley chatting (bold and italics)

>>Jake chatting (italics)

2005/2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018

2019 – Bradley

                Reconnecting with Jas after nearly a year and a half of no contact feels like a fragile glass butterfly in his hands, one he’s scared to hold too firmly in his hands, terrified it will shatter if he moves wrong. He continues sending pictures of his morning cup of coffee, although it’s just with a heart emoji now; no daily apology. Simply an acknowledgement that he thinks of him pretty much as soon as he wakes up. He doesn’t always get one back immediately, but their time zones are very different right now. Jas has admitted that sometimes he takes the photo and saves it to send, so he can pretend they’re sharing, existing at the same time. Bradley admits to wanting to be able to make him coffee every morning. Knows exactly how he takes it.

                His leave has been approved for December, and he’s put in a cushion of an additional week either side to allow for missed flights and natural disasters and he’ll fucking go AWOL if he has to. He hasn’t shared his little contingency plan with Jas, but he will if worst comes to worst. He doesn’t let himself think about it too much, or look forward to it. Doesn’t want to build it all up for it to crumble down around him again. And he’s working very hard to ensure he doesn’t sabotage himself. Not this time. His therapist has given him a lot to think about and sometimes he really hates how right they are.

                Right now though he’s in Ramstein working with the Airforce, some cooperative training gig and he’s trying to use it as a cultural thing, but he feels like he could just be on a base somewhere, anywhere, back home. For some reason it makes him feel homesick for what he thinks must be the first time in his life. Last Christmas he’d spent it with Ice and his family for the first time since he was a teenager. Their relationship healed enough now for him to realize and regret how many years he’s lost. He guesses the maturity and therapy have probably helped, although he sometimes feels like a little kid again, seeking out attention and approval. One of Ice’s kids has kids themselves, and that is wild to him. Ice can’t talk very well, but considering how expressive his face can be when he chooses it to be he’d had entire silent conversation with Bradley while he’d been staying.

…            …            …

>>I’m in Germany.

>>Huh. I’m in Japan.

>>Oh. I like Japan.

>>We’ll have to go together sometime.

>>Wait.

>>What are you doing in Germany?

>>What do you mean?

>>I’m deployed here?

>>Uh. I know you’re Navy. I mean. Yeah.

>>You let it slip years ago.

>>Oh. Shit. Did I?

>>I didn’t realize.

>>Yeah.

>>So. Only seems fair to tell you I’m Navy too.

>>Shit. Really? God. What are the chances?

>>Well, I crunched the numbers few years ago, and they’re not that farfetched.

>>Of course you did.

>>And I’m in Germany helping out with a cooperative training exercise. Just a short four month stint and then back home in June.

>>You sure you don’t want more details?

>>Positive. I like the idea of us having some topics of conversation we haven’t covered.

                He desperately just wants to blurt it out, has in fact tapped out his name and exactly what he does, only to delete it all. He’ll respect Jas’s wishes, even if he doesn’t like them. Even now, knowing they’re both in the Navy and Bradley could, if he wasn’t respecting Jas’s personal boundaries, call Ice and ask him to pull every active-duty man with the initials JAS and born in 1986. Surely there aren’t that many.

>>Talking has never been something we’ve struggled with.

>>Have you seen the new How to Train your Dragon movie?

>>Weirdly, I have. Why?

>>Well, I’ve only been able to watch it in German. I think I understand what is happening, but can you run me through what exactly they were looking for? I didn’t get why it was so important.

                He wants to ask why Jas has seen a movie for kids, but he doesn’t, instead waits for Jas to fill in all the bits of plot Bradley missed due to watching the film in the nearby town with a German dub rather than watching it on base.

…            …            …

                “Bradshaw. The CO would like to see you.”

                He nods his head to acknowledge the words and heads off immediately. He doesn’t know why he’s being summoned but he’s not going to start disobeying orders or summons. He knocks on the door and waits to be called in.

                “Lieutenant. You’ve been called in for a special detachment. You leave for North Island at seventeen-hundred.”

                “Today sir?”

                “Yes. A matter of urgency it seems. A shame, you’re a damned good instructor and flier. I’ll be sure to have you back.”

                “Thank you sir.”

                He’s handed the papers, a mere formality now, he’ll have electronic ones sitting in his HR account. He’s got a few hours to pack, say some goodbyes. North Island. Of all places. Okay. He’s heading back stateside.

…            …            …

                He manages to get some sleep on the flight, then rest and report in. North Island is home and it also isn’t. He always feels mixed up emotionally when he’s here, too close to his parents and all his memories with Maverick growing up. He goes and collects the Bronco from storage, unsurprised to find a note telling him it’s been serviced and run, and he swings by to visit Ice, who doesn’t seem surprised to see him at all. He looks tired though, wearing a thick jacket and scarf despite the warm spring day. Bradley knows better to mention anything, Sarah having warned him. He stays for lunch, plays with the grandkids and then, because Ice is an angel amongst men, heads to the Hard Deck where he’s just been told his best friend probably is. The fact that she’s also been called to whatever this mission is fills him with pride, she’s a damned fine aviator, definitely better than him in some respects; and definitely able to make the most of having a back seater.

                Of course she’s pissed off with him for not telling him that he was going to be here, and he can’t exactly tell her he only knows because the COMPACFLT dropped him a message. He does mutter about being in a different country less than twenty-four hours ago but she just pulls a face at him and he knows she doesn’t accept it as a reason or an excuse. It hurts a little to see Seresin again. To think about the potential they had. He looks good though. Happy and confident, the little smirk always there just on the corner of his lips. He always wants to kiss it off, but it's not his place. Has never been his place. He plays it off, tries to anyway, and his mouth still takes off without him, brain distracted by looking and he really has to practice better self-control.

                “Hangman. You look… good.”

                There’s a flash of annoyance and Bradley winces. He’s glad he went with something as mundane as good, except him saying that has always been a lead into hooking up. He’d told himself he wasn’t going to do this. Not with anyone, but especially not with Seresin. They aren’t anything to each other, never were, never will be. He’ll apologize as soon as he can for the slip up.

                “I am good Rooster. I’m very good. In fact, I am too good to be true.”

                He rolls his eyes, but he deserves the sharp look, the slight meaness, although he also can’t ignore it, because Seresin is still an arrogant shit, for all his beautiful flying. Natasha is muttering under her breath, talking about not caring about dick sizes, and he has to stop himself from laughing as she blatantly and obviously changes the subject, the others grabbing the lifeline like drowning men. He focuses back in on the conversation just in time to hear Seresin again.

                “And which one of y’all has what it takes to follow me?”

                He snorts.

                “Hangman, the only place you’ll lead anyone is an early grave.”

                Fuck. He hadn’t meant that. Not like that. God. Another thing to apologize for. He’s opening a fucking tab.

                “Well, anyone who follows you is just gonna run out of fuel. But that’s just you, ain’t it, Rooster? You’re snug on that perch, waiting for just the right moment… That never comes.”

                He knows it’s a jibe about his fucking inability to commit to his relationship, and he’d like to prove him wrong by telling him that he’s very firmly back with his guy, but it feels empty when he flirted with him not even five minutes ago. What the hell is it with Seresin that always brings out the worst in him. He’s going to have to apologize but he’s going to hate every fucking second of it.

                “I love this song!”

                Right.

                He’ll apologize as soon as he no longer wants to punch him.

…            …            …

                Fortunately Natasha’s presence, the piano playing and singing force him to unwind and it shifts his mood considerably, exactly what his therapist has told him to do. Not that a piano is frequently available, but he’s working on it. He sees Seresin head out and he follows him quickly, ignores Natasha’s hissed warning to not get into a fight.

                “Hey! Seresin! Wait up!”

                “What do you want Rooster?”

                He sucks in a big breath. He can do this.

                “I just wanted to apologize. For flirting. I shouldn’t have done that. For several reasons, but it was shitty of me and I’ll work on it not happening again.”

                Seresin looks at him, expression tense and he’s worrying a toothpick which Bradley does his best to ignore.

                “Anything else you want to apologize for Bradshaw?”

                Bradley pauses, thinks back to what he said and pulls a face.

                “Fuck. Yeah. You won’t lead anyone into an early grave either. I didn’t mean that. It was a shitty thing to say. I’m sorry.”

                “Anything else?”

                Bradley blinks.

                “Uh. No… not that I can think of? Why?”

                The look Seresin is giving him is calculating, like he’s trying to figure something out; then Seresin is reaching out and tugging on his shirt.

                “Thought you might like to apologize for crimes against fashion. This is one godawful shirt you’re wearing…”

                “I like this shirt.”

                “Of course you do. Hmm.”

                “Are you going to apologize to me?”

                “For what?”

                “For calling me slow?”

                “Nothing wrong with slow Rooster…”

                The look on his face, the way he juts out his hip and licks his lips around the fucking toothpick… Bradley feels the flush hit his cheeks, can tell his neck and chest are also going warm and he steps back. He can’t and won’t engage with this. With him.

                “Was good seeing you Seresin. Have a good night.”

…            …            …

                He gets back inside the Hard Deck and he spies Natasha talking with Bob, knows she’s starting the process of getting to know her new back seater, which is usually to beat them soundly in whatever macho game they think they’re better at, and then to show them that she can and will fly, and fly well. Then she usually forces them into a self-care night of face masks and nails, for which Bradley is usually invited along to if he’s around, although he knows Coyote has been seconded into the roll a couple of times.

                “You look… whole,” Natasha says, and she reaches for his hand, inspects his knuckles and Bradley huffs in annoyance, pulling his hand back when he realizes what she’s doing.

                “I didn’t punch him.”

                “No. You just stalked out of here looking like you wanted to.”

                “I actually went and apologized to him.”

                Both her and Bob blink.

                “Seriously?”

                “What can I say, I’m the bigger man, admitting when I’m wrong and apologizing.”

                “I still feel like I should go outside and check for a body…”

                “It’s fine. I’m going to try and be nice.”

                “Yeah. Okay. Good luck with that.”

                “What she said,” Bob says.

…            …            …

                The thing is he does try, but he’s also completely thrown by the fact that Maverick is there and is apparently the one teaching them. His anger is bubbling fresh, like he never took it off the boil and he’s angry again with Ice for not fucking warning him. Maverick doesn’t look at all surprised to see him and that makes him feel even angrier. He desperately needs to either run, punch some pillows or angrily play out his feelings on a piano until he calms down. None of which he can do while he watches his godfather stand at the front of a makeshift classroom and tell them all that the mission success will come down to the pilot in the box.

…            …            …

                “So, Rooster, mind if I ask you a personal question?”

                Jesus Christ, one apology and the man is going to ask about his whole life history. Now is not the fucking time, not to mention the line is open and everyone can hear them. He scans the skies and screens for any sign of Maverick.

                “Would it matter if I did?”

                “What’s the story with you and Maverick?” Speak of the fucking devil… “It seems like he’s got you rattled.”

                “That’s none of your business. Now where the hell is he?”

                “Been here the whole time.”

                “Holy shit,” Seresin breathes and Bradley pulls a face, because that tone is also far too similar to what he sounds like in bed and he can not be thinking about that right now.

                He get’s shot down for a second time, knows he’s toeing the line of being an idiot, doesn’t need Natasha railing at him, or the four-hundred push-ups he insists on doing which leave his arms feeling like jelly and Hondo looking at him like he pities him. He goes back to his accommodation on base and stares at the key to his family home, wonders if he should do anything about it, ignores Natasha’s messages and falls into a fitful sleep without even changing out of his clothes.

…            …            …

                He wakes later, and his first instinct is to make coffee, except it’s late and he needs to get used to the time difference. So he makes himself a hot cocoa from the supplies, although the fat he has to chip away at the solid mass tells him it likely won’t be worth the effort. Still, it gives him something to do. He snaps a picture and sends it, just adds a jet lag is real over it and sends it. Jas has been unnaturally quiet the last couple of days and Bradley desperately wants to just pick up his phone and call him. Except he doesn’t have his number and he won’t ask for it.

                Calling was never an option in the beginning, not with the lack of service out on carriers, and the fact that exchanging numbers also meant exchanging names. Bradley has never not answered the phone with his whole name, so he’d never offered. He’s got so many regrets on so many fronts he feels like a twenty-sided dice.

>>Everything okay?

>>You’ve been kind of quiet these last couple of days.

>>You ever bump into someone and think that it was maybe me you were talking to?

>>Um. Actually yeah.

>>Once. Years ago.

>>But there just ended up being all these little facts that didn’t line up so I figured it wasn’t you.

>>Was he hot?

>>He was alright. Easy enough on the eyes.

>>Nothing happened. I was his instructor at the time.

>>You and your moral compass.

>>I’m rolling my eyes at you.

>>I’m not a saint.

>>Never accused you of that. Not sleeping with someone because you’re in a position of power. That’s pretty decent of you.

>>Got to try being a decent human right?

>>I guess.

>>Sometimes I fuck up but got to keep on trying.

>>Yeah. I guess you do.

…            …            …

                Internally he’s a mess. The fact that the mission seems impossible, has been called a suicide mission, he’s having to see Maverick everyday, and Seresin keeps looking at him like he’s trying to puzzle something out. Like how big the body bag needs to be maybe. Now he’s being told he isn’t flying fast enough, he’s going to get shot down and he’s going to be responsible for the death of his friends. Like any of them won’t suffer the exact same fate.

                “It’s not the plane, sir, it’s the pilot.”

                “Exactly!”

                “There’s more than one way to fly this mission.”

                “You really don’t get it. On this mission, a man flies like Maverick here, or a man does not come back. No offense intended.”

                “Yet somehow you always manage,” Bob murmurs and normally Bradley would smile at the comeback, but he can’t right now. His frustration and anger are carefully balanced and he doesn’t want either of them to tip over.

                “Look, I don’t mean to criticize. You’re conservative, that’s all.”

                “Lieutenant.”

                “We’re going into combat, son, on a level no living pilot’s ever seen. Not even him. That’s no time to be thinking about the past.”

                “What’s that supposed to mean?”

                “Rooster.”

                “I can’t be the only one that knows that Maverick flew with his old man.”

                “That’s enough.”

                “Or that Maverick was flying when his old man…”

                “Lieutenant, that’s enough!”

                “That’s enough.“

                “You son of a bitch!”

                “Hey, come on!”

                “I’m cool, I’m cool. Hey, hey.”

                “That’s enough.”

…            …            …

>>I have had an awful fucking day.

>>Tell me something to cheer me up?

                He doesn’t get an answer.

…            …            …

                He still doesn’t have an answer the next morning and he sends off his usual morning picture of his coffee, feels his entre body unclench when he gets a picture in response. There still isn’t any messages but it’s not complete radio silence. There is a message from his Captain, telling him to report to the Hard Deck in civvies appropriate for the beach and he lets out a long sigh. Sends a screen shot to Ice with a what the fuck is he thinking now? To which he gets back a line of laughing-crying emojis and your guess is as good as mine.

                Well. He has no idea where the hell Maverick dreamed up dog-fight football, but at least they’re not all getting drunk together. That would have been a recipe for several disasters. It’s not that warm, but once they’re all running around it heats them up enough and it feels good to simply run around and play, forget, even for a little while, that one or more of them might be dead in a couple of weeks.

…            …            …

                As if they needed reminders about just how dangerous their jobs are without the added aspects of the mission in front of them they have the day from hell and Bradley feels responsible. Thinking his verbal sparring with Hangman somehow made it a bad day he somehow jinxed them all. Having Coyote come so close to burning in because of g-Loc, and then Natasha… his best friend. Listening to Maverick yell eject at them over and over is going to be added nightmare fodder he’s sure will enter rotation, something he can look forward to. He sits in the quiet of the room, turning when he hears footsteps.

                Maverick.

                And no-one else around to act as a buffer.

                Well shit.

                He’s tired and already emotionally raw, doesn’t want to talk to him right now.

                “They’ll keep Phoenix and Bob in the hospital overnight for observation. They’re gonna be okay.”

                “That’s good. I’ve never lost a wing man.”

                “You’re lucky. Fly long enough, it’ll happen. There will be others.”

                “Easy for you to say,” Bradley bites out. “No wife. No kids. Nobody to mourn you when you burn in.”

                He feels detached from what he’s saying, but the anger is all still there, and he feels justified in that at least, although he’s also lying. As much as he might be angry, he’d still grieve Maverick if he died. Of course Maverick tries to be calm and rational and instead of calming him down it has the opposite effect, and he’s snapping out words again, and Maverick is snapping back and god, it’s a wonder Ice didn’t bang their heads together earlier.

                “Maverick,” Warlock says, stopping them from screaming more hurtful things in each other’s faces.

                Then he learns that Ice has died and of course bad things come in threes.

                He leaves Maverick with Warlock and heads off into the dark for his base housing.

…            …            …

>>You know how I told you about my uncle?

>>The one with cancer?

>>Yeah?

>>He died. His funeral will be in a couple of days and I’m going to have to somehow not cry in front of everyone.

>>Would you give me your mobile number?

>>Why?

>>Because I’d really like to hear your voice. Talk to you properly.

>>I wouldn’t call until you gave me the go ahead.

>>I just… I don’t want to be alone right now.

>>I feel very alone.

>>I thought the other day was bad, but today has been so much worse.

                He wanders around aimlessly, wonders if maybe he should bite the bullet and either go to the rec room and play the piano there, or see if the piano at his closed-up parent’s house is even playable. He’s half-dressed for bed, mind so far away he doesn’t register the knocking until it’s louder and more insistent and he heads to the door, opening it and half-expecting to find Maverick there.

                “Hangman?”

                “Rooster.”

                “Uh. What are doing here?”

                The look on Seresin’s face tells him he’s not exactly sure either, and the fact that he’s not certain is something he’s even more annoyed about.

                “I just… I know your dad flew with Admiral Kazansky. I... I thought that maybe you might know him more than just as the COMPACFLT and be... I thought you might want company.”

                “I...” Bradley starts, because he really does want the company right now, Natasha is in hospital, Coyote is with her because sometimes things like near-misses force you to reevaluate. Not that she can come, but he wouldn’t call her anyway, doesn’t want to rain on her happiness. Not when there is no guarantee of any future right now, the bird strike and g-Loc incidents both really driving home how dangerous their jobs are.

                “Not anything else, by the way… just company.”

                “No. I... Yeah. Company would be good. Thanks.”

                “Also I figured I should take a leaf out of your book and apologize. I’m sorry. About bringing up your dad. That was a dick move.”

                Bradley blinks.

                “Um. Okay.”

                “Right. Sleeping right? You want me to cuddle you?”

                “Actually yeah, since you offered,” Bradley replies, giving Seresin a disparaging look but then takes in the fact that he’s dressed in sweats and a worn t-shirt, like he maybe come over after he’d already gotten ready for bed.

                “Come on then, finish getting ready. Always waiting for you to catch up Bradshaw…”

                “Yeah yeah, give me a minute.”

                He shuffles around, puts on a t-shirt in deference to the fact that Seresin seems seriously intent on hopping into bed with him, and not for sex. He brushes his teeth and washes his face, unable to bring himself to do any more. His mind is thinking about Sarah and the kids and grandkids. Funerals, oh which he feels like he’s been to too many. He folds himself into the bed, his head and body already feel heavy and weighed down and he cannot believe he’s watching Seresin of all people turn off the lights and then slide into bed beside him, his arm settling over his waist like a drag sail.

                “Go to sleep Bradshaw, I’m not planning on going anywhere.”

…            …            …

                Despite everything he has one of the best nights’ sleep he’s had in a long time, and he can’t put it down to the sheer emotional exhaustion of the last couple of days. He woke up several times during the night, not used to having someone else in the bed, but each time Seresin had been there, arm settled around Bradley like he was holding him together. He’s not there now though, but Bradley can hear someone in the kitchen and it can’t be anyone else but Seresin. He stands and stretches, feels his back and neck click and reaches for his phone, feels a little swoop of happiness when he sees he has a message.

>>I don’t want you to be alone right now either.

                He grins and quickly types out a response as he heads to the kitchen.

                “Hey, morning.”

                “Morning. How are you feeling?”

                “Uh. Better. Thanks,” Bradley offers, because he’s a little unsettled by this softer and more accommodating version of Seresin.

                “Here,” Seresin says, and he slides a mug of coffee across to him. It’s not his usual mug, but that’s okay. The mug isn’t the important part, and he snaps a quick picture.

                “What are you doing?”

                “Um. Just taking a photo of my coffee,” Bradley states, looking up as Seresin makes a slight choking sound. “Thanks by the way, for the coffee and for staying last night. I really needed the company.”

                “Yeah. Uh. Anytime. I’ve got to go. Glad you’re feeling better Bradshaw.”

                “Uh, yeah. Thanks… see you later…” Bradley says, voice trailing off as Hangman flees like he’s on fire.

                Weird.

                He takes a sip of his coffee and blinks in surprise.

                It’s perfect.

…            …            …

        ��       He drags himself through his morning routine and heads to Ice’s house, needs to see Sarah and the others, the only family he has. Or at least that he’s currently talking to in civil tones. He lets himself get hugged as he hugs them all in return, they’re all talking in soft mumbles with empty platitudes he knows don’t ease the grief. But being with others who are also grieving helps. He’s allowed to feel sad and miss him when he’s surrounded by people who feel exactly the same way.

                Sarah is poised and calm, her red eyes the only thing belying the fact that she’s been crying plenty. He’s sitting down talking to Samantha, Ice’s eldest daughter, when Sarah finds him and presses an envelope into his hands.

                “He wanted me to give this to you as quickly as possible after his passing. I think he was adding it to it just yesterday…”

                His throat goes tight and he runs his fingers along the crisp edge of the envelope, swallows and then gives up, lets the tears fall and hugs her back tightly as she presses a kiss to the top of his head, feels Samantha hug him from the side. He guesses he has some reading to do.

…            …            …

Dear Bradley,

If you are reading this it’s because I’m dead. Now, as outcomes go, this isn’t what either of us wanted, I’m sure. I’m glad I only had one rule with you as a teenager, and that you listened to me. This is the natural progression of things, children having to bury their parents. I am sorry that you have had to do this so often though, your life has not often been fair to you. There is one silver lining of being a dead man, and that’s getting a dying wish. Your mother had a dying wish you see, and I didn’t agree with what she wanted, but I had to respect it. It was her dying wish after all. And now this is mine, so if I meet her in the afterlife, then I know she’s not going to be able to hold it over me.

I want you to know that she never wanted you to fly.

She asked Maverick to pull your papers.

I tried to convince both of them that it was a terrible idea. But your mother became very difficult to argue with, being dead and all, and well, Maverick is one of the most stubborn and pig-headed men I’ve ever had the pleasure of knowing. I’m glad I’ve been able to count him as being a friend, because having him as an enemy would be ten times worse (and it was already pretty trying some days, as you can imagine). Anyway, I could already envision what would happen, you get your own stubborn and pig-headedness honestly at least, and it was then polished by being raised by Maverick after your mom passed.

Now, I am not asking you to forgive Maverick. However I am asking you to try. He loves you and cares for you, but what he is most terrified about is failing both of your parents. He thinks they’d be perfect parents, so holds himself up to that ideal. He thinks he needs to be perfect. Being a parent myself I know that’s impossible, I’ve just tried my best to make decisions based from a place of love and support. Maverick has always tried to make his decisions based on what he thinks your parents would want for you. Your mom didn’t want you to fly and yet here you are. And Maverick has to see that and know he failed her. And he failed you. And he will always believe he failed your father.

I never had to second guess my parenting decisions, even if I would later make a different decision with hindsight. I knew I made the best decision I could at the time with the information I had, making it from a place of love, then I couldn’t really regret it. Maverick second guesses everything when it comes to you. For all his don’t think, just do bullshit, he overthinks everything when it comes to you.

One of your parents gave you anything and everything you wanted, because he only saw you for a few months of your entire life. In between all the training and deployments, it just wasn’t enough. He loved you, do not ever doubt that, and he’d be so proud of the man you are today. I believe he would have supported you going to USNA with his whole heart. He’d be proud of you being a naval aviator. He would love that you were a pilot.

Your mother had to become both parents and then manage your early teen years and at the same time she wanted to protect you from everything bad in the world. She couldn’t protect you from losing your father, or then losing her, and I am sure she thought she was protecting you by asking Maverick to pull your USNA papers. However neither of your parents knew you as well as Maverick knew you, and yet he tasked himself with an impossible task.

So you have had a parent who only knew you really as a baby, another as a child, then another as a young man and now you’re an adult with a life and career of his own. You might have a better chance of getting Maverick into therapy than I ever did, simply by asking him. I am proud that you go. That you listened and took my advice. It’s always nice to be right. It’s been a pleasure watching you grow into the man you are today, and I know you will continue to grow.

Having you back in my life has been one of my joys. Getting to know you again, share stories with you. I’ve written a lot more down for you, and there’s a box with your name on it. Lots of photos because I’m old and we had film cameras. Make all the old jokes you want, I’m dead and I don’t care. Growing old is a luxury for some, and I am glad I got as far as I did. Anyway, I think Samantha might be digitizing the photos. Ask her. Please stay in touch with them all. You are a part of our family, even if it didn’t feel that way for you for some years. You are always welcome, never forget that. I want you to be in each other’s lives again. Maverick’s as well. You need him even if you think you don’t. And he needs you too. You’re both going to get invitations to Kazansky family gatherings, and it’s going to be awkward if you’re not talking to each other. At least give it a try. That’s all I’m asking.

Never forget how loved you are Bradley.

By all of your parents.

Ice

Saw you flying today. Made me so proud. Also made me wish I could have flown with you. Watching you fly is like watching the best of myself and Maverick. He is very unhappy with me about the mission. Doesn’t want to have to make the choice. He views it as lose-lose all round, which might be true. I hope it isn’t, for both your sakes. If I have any say in it you’ll all return safely home. I’m tired, so I’m going to go to bed now. Love you kid.

…            …            …

                They’ve been given the day off, which seems a little ridiculous considering how close the mission is. He’s immeasurably glad though, he feels shaky and emotionally raw, and he still has to get through the funeral and somehow process the whole shifting worldview that his mom made Maverick promise. That Maverick wouldn’t just tell him that confuses him, what would he do? Hate his mom for wanting to keep him safe? He just doesn’t get it. He opens his phone, not really having had a chance to look at it since the morning after he’d sent his coffee picture. Jas hadn’t replied by the time he left to go to Ice’s house, but when he opens his phone now he can see he has a couple of new notifications. The coffee cup in reply looks familiar and he realizes it’s his coffee cup. The one he usually uses except this morning… What the hell?

                He opens up Grindr and clicks on the new message, is pretty sure he knows what to expect when it displays and there it is.

>>I’m in the Dagger Squad.

                Just like that his world tilts on its axis again and he stares at the five words. Closes it and then reopens the app. Reads the words again. Actually turns off his phone and forces it to re-start. The words stay the same.

                JAS.

                Born in 1986.

                Texan.

                God he’s an idiot.

                Not just in the navy, he’s a Naval aviator.

                A photo of his own coffee cup sent back to him from this morning.

                He’s laughing at his own stupidity and he’s already cried so much today but he feels like he might just burst into tears again, his emotions all too exposed and he needs to find out where Jas-Jake-Seresin, (what the hell does he call him now?), lives. He rings Natasha, knows she’s still with Coyote. Coyote will know where Jake, (Jake feels right? Maybe?), lives. Because it’s not on base. Of course Coyote won’t give him the address and Bradley feels like screaming. Tells him to ask Jake, then to text it through to him when he gives it to him. He’s that certain Jake will give it to him. He could just ask himself, but he also doesn’t want to give Jake an opportunity to ignore him. Not that he thinks he will.

                Last night suddenly makes a lot more sense, now that he thinks about it. No one else would have known about Ice passing, and yet Jake turned up, because he’d figured it out. God. When did he figure it out? He’s trying to reconcile Jas and Jake Seresin in his head. The brash confident and arrogant naval aviator he knows and has had plenty of sex with, and Jas, the open, vulnerable and sweetly-sassy man that he’s… also had plenty of sex with. Well. At least he knows they can handle the long-distance aspect of any relationship. God he really wants to see him now.

                The address comes through and he taps it into his phone, following the directions as he drives, wishes it was closer. He doesn’t bother telling Jake he’s on his way, he already knows because Coyote has given Bradley his address. With permission. He pulls up and it’s a newly built block of condos, and he has to look for a carpark for too long before he finds one. He lets himself feel annoyed at the poor planning, grateful that it pushes the grief and shocked-joy just to the side for a moment, no matter how brief. It allows him to gather his bearings as he walks up the pavement and knocks on the door. While he waits for an answer, he wonders if he should send a message. Why the hell not.

>>Answer the door Jas.

>>Give me one good reason.

>>I love you.

>>Now please answer the door.

                “Hi.”

                “Hi.”

                He stands there and just… looks. Jake’s wearing exactly the same clothes as when he left Bradley’s place earlier today, and he looks soft. A little scared and Bradley realizes that he’s maybe worried that Bradley might be disappointed somehow. He reaches out, slow enough that Jake can stop him, or step away; cups his cheek in his hand, runs a thumb over the apple of his cheek. Wants to enfold him in a hug and be hugged in return.

                “Thank you.”

                “Uh. You’re welcome?”

                “You want to know what I’m thanking you for?”

                “Sure.”

                “My second chance. Always planned on thanking you in person.”

                “Um. Yeah.”

                Bradley bites his lip, won’t mention aloud the groveling and body worship that Jas had mentioned, is sure that Jake might not yet be in a place to hear him say words out loud. Written word is something completely different. He wants to kiss him, definitely wants to carry out the body worship, but he feels like they’re all the way at the beginning, needing to feel each other out a little bit, emotionally that is.

                “Can I hug you?”

                “Yeah, of course. Come in and close the door.”

                Of all the hugs he’s had today this one feels the best, firm, grounding and warm. Both of Jake’s arms around him, head resting against Bradley’s shoulder while his nose and mouth press against the side of his head. He presses a kiss to the top of his head.

                “When did you figure it out?” Bradley asks.

                “When did I suspect, or when did I know? Because there’s kind of different stages I went through…”

                “Yeah? Want to share? Because I… needed you to point it out apparently.”

                “Always a little slow Bradshaw…”

                “Oh my god I’m never going to live this down am I?”

                “Nope. Probably not.”

                “Okay. I’m okay with that. Come on. Blow me away with your superior intellect…”

                “You want to have this conversation while we hug in my entryway?”

                “I don’t want to let you go.”

                “Oh. I have a sofa? Or a, uh, bed?”

                “How about we start on the sofa. Can we both fit?”

                “Worth a try…”

                He makes himself comfortable in the corner and then holds out his arms, silently inviting Jake to curl up in them, to settle himself in the v of his legs. He desperately wants to be holding him again and hopes he equally wants to be held. Fortunately Jake seems to, relaxes against him and Bradley feels a sense of contentedness well up inside him. They’re both facing the same direction and part of him is glad; feels like it might be a little too overwhelming to have this coming conversation face-to-face. It’s like a compromise between being online versus facing each other.

                “So… what was your first clue?”

                “Uh, your shirt at the Hard Deck. Payback made a comment about how it wouldn’t be possible to miss seeing you arrive and it pinged something in my mind, about when we were meant to met up. You said I wouldn’t miss you…”

                “Ugh. You mean the time I stood you up to sleep with… you. I’m still very sorry about that by the way.”

                “Well, I’ve sort of made my peace with it. I mean, I can stop being jealous about the other guy at least…”

                Bradley huffs in amusement, tightens his arms around him a little.

                “Oh… When you asked whether I was going to apologize about fashion crimes. That was you sounding me out.”

                “Trying at least. You blanked me so I figured it was just a coincidence.”

                “Okay… then what?”

                “Um. I saw a photo of your dad. Nicholas Bradshaw.”

                “Nick.”

                “And Bradley Bradshaw. NickNick. Stupid double-barreled names. Then I remembered your first username, and you hating the name Pete… And how you really don’t like Maverick. Lots of coincidences that just suddenly were too many to just ignore and they made sense.”

                “Yeah…” Bradley breathes, smiling against Jake’s hair. He likes that Jake has been paying such close attention, would never have thought it of Seresin or Hangman, but it’s definitely Jake through and through.

                “So… Uh. I suspected and then seeing that photo kind of confirmed it. Your moustache and how you said you look like him. Your dad I mean. You do look a lot like him. Anyway, I thought you knew who I was, and you were making fun of me.”

                “What? Never...”

                Jake twists to give him a look, eyebrow raised in disbelief and Bradley shakes his head.

                “Not about this,” Bradley stresses.

                “So, I suspected, and then I thought you knew and hadn't told me and I got so angry...”

                “You picked a fight,” Bradley says with dawning realization, because he’s fucking been there and done the same thing, like picking at a wound.

                “I wanted to hurt you. I'm sorry.”

                “I swear I had no idea.”

                “Oh yeah, I know that now. Last night when I turned up... I almost asked you. Last night was when I started to realize that you really had no idea.”

                “Gorgeous and smart…” Bradley says, and he’s never seen Jake blush before, but he’s doing it now, his face going pink from the corner of Bradley’s eye. “And then my coffee cup picture from this morning... Shit. That’s when you really realized I was truly fucking clueless.”

                “Yeah. And I needed to figure out a way of telling you but I had no idea how…”

                “Well, you did a good job telling me. You made my coffee perfectly and I still didn’t put it all together.”

                “Still took you long enough to get here though.”

                “Oh, I didn’t check the messages until about an hour ago. I messaged Coyote pretty much immediately. Did you think it took me that long to figure it out after you told me you were in the Dagger Squad?”

                “Well, it has been about four hours.”

                “No! I’ve been at Ice’s all morning. Spending time with the family.”

                Jake makes a choking sound.

                “You’re actually… family?”

                “Yeah,” Bradley says with a quiet sigh. “After my mom died and when Mav was deployed I lived with Ice and his family. When I left Mav I pretty much left Ice too. I made up with him a few years ago. Here. Read this…”

                He shifts awkwardly and pulls the letter out of his pocket, pulling Jake back into his arms and handing it to him.

                “Are you sure?”

                “Yeah. I have literally no secrets from you.”

                He reads it again over Jake’s shoulder, let’s himself cry again and tries to not feel self-conscious about the fact that he’s holding Jake and crying. He’s allowed to feel emotions. He’s not an automaton.

                “Jesus Bradley…”

                It’s the first time Jake has said his name and he lets out another little hiccupping cry, but it has happiness behind it this time, not that Jake can tell and he lets out a little laugh of just how ridiculous the whole situation is.

                “Yeah. Ever had emotional whiplash? I think that’s what I’m experiencing today. It’s pretty fucking rough.”

                “Stay here tonight. Hell. Did you sleep okay last night? You said you didn’t want to be alone…”

                “Last night was great. Exactly what I needed thank you. And yeah, I’ll stay here. Might need to borrow some clothes.”

                “Or we can just… go to bed.”

                “Are you sure?”

                “Ni-, Ro, Bradley… I do not want to waste any more time, especially considering how much time we might not have.”

                Fuck. Now there’s a depressing thought. Although it also seems like Jake is having the same internal battle about what to call him as he’s been having.

                “What’s your middle name?”

                “What?”

                “I’ve been calling you Jas in my head for so long, when I get angry with you I’m going to need to full name you…”

                “Jacob Andrew Seresin.”

                “Bradley Peter Bradshaw. Nice to meet you.”

                “You’re an idiot,” Jake says, but he’s turning, shifting to face him and Bradley smiles, knows he probably looks messy with fresh tear tracks, but he’s smiling at him and Jake is smiling back.

                “We were so close so many times weren’t we…”

                “Yep. Think it had some silver linings though.”

                “Yeah? Like what?” Bradley asks, because he’s curious.

                “Don’t want to think about some of them right now. Want to take you to bed.”

                “Yeah. Lead the way…”

…            …            …                 Every touch is reverent, and he hasn’t slept with anyone in a long while, not since he last slept with Jake in fact, which has him realizing that he hasn’t done anything sexual with anyone but Jake for… nearly three years. Huh. He’ll share that little tidbit of information later, when he’s not sliding his hands under Jake’s t-shirt and working it up off his body. Jake’s working Bradley’s clothes off, and he doesn’t usually feel the need to check in, not when it’s the middle of the day, both completely sober, but he still needs to, the emotions of everything making it a necessity.

                “Okay?”

                “Yeah, yeah. It's okay. This isn’t our first fucking time…”

                Bradley grins, lets himself press his body against Jake’s, letting them both lower their bodies into Jake’s bed. He’ll pay more attention to Jake’s room and bed when he no longer wants to give absolutely every bit of his attention to the man under his hands and mouth.

                “Sorry if I want to cater to my body worshipping kink…”

                “Selfish,” Jake says, his voice breathy and Bradley bites at his collarbone lightly.

                “Yeah. Very selfish. You should totally kick me to the curb.”

                “Mmm. See if you can convince me otherwise…”

                He feels a happy and excited swoop of pleasure that Jake seems playful, happy in himself to have Bradley in his bed, to stay in his bed for more than just sex.

                “I love you,” Bradley murmurs, and he kisses a trail down Jake's neck, then back up. Lets his fingers touch everywhere he can reach, captures Jake’s mouth in a kiss as he grinds his hips down, feels Jake’s mouth gasp open and he licks into it. They’ve had sex with each other a lot, but it’s never quite felt this heavy. Like every touch, every shift of their bodies against each other, carries with it a little bit extra weight, extra meaning.

                “I love you.”

                There are definite benefits to already being familiar with Jake’s body, knowing how he responds, what he likes. It’s been long enough since they last slept together than it’s all novel and new, while also having the deep-rooted feeling of familiarity and sense of homecoming. He wants to worship every inch of him, Jake seems more than willing to let him. The fact he can pepper his actions with I love you is exhilarating, being able to both show Jake and tell him in equal measure.

                He knows he can make Jake come twice, wants to take him apart and hold him together, give him absolutely everything. God, all the things he’s fantasized about are now potential things they can explore together and he grins into the jut of Jake’s hips, sucks little kisses as he teases along the band of his underwear.

                “Off off, get them off…”

                “It’s been months, or years, depending on how you count. What’s a few more minutes? You know I like the anticipation and building up.”

                “Fuck off, you can edge me another time. I know you want to. Right now I want you to make me come.”

                “Demanding.”

                “Damn right.”

                He pulls Jake’s underwear down and sucks the head of his cock into his mouth as he continues to work the underwear down his thighs. It’s a little uncoordinated, Jake trying to help by thrusting his hips up, his cock hitting the back of Bradley’s throat so suddenly he gags, unprepared, digs his fingers into his hip to stop him from doing it again as he pulls the underwear off and throws it elsewhere. He feels Jake’s fingers running through his hair, deliberately ignores the subtle direction to go faster, slows down and grins when he hears Jake groan and mumble asshole under his breath. Jake groans again, his whole body tensing then relaxing under him and Bradley lets himself finally speed up.

                He shifts, kneels between Jake’s spread legs so he can get an unobstructed view up his torso, can watch his face as Bradley gets his hands and mouth all over him. His fingers encircle Jake’s cock and he works fast, mouth and tongue licking over his balls before sucking the head back into his mouth. Jake is watching him, mouth open, chest shuddering with broken breaths and Bradley feels a swell of sudden and immense gratitude that he gets to have this. That Jake is allowing him to have it.

                “I love you,” he says, his eyes not leaving Jake’s as he opens his mouth and sucks Jake down again, lets Jake’s hips thrust up, ready for it this time and shivers at how gorgeous Jake sounds saying his name. He works his hand faster, presses a knuckle against his perinium, licks and sucks his balls and it’s a tight fit but Jake just stretches his legs wider to give him more space to work. He sees the muscles in Jake’s stomach clench, loves that he knows that that’s one of Jake’s tells, that he’s close to coming. Then he is, shooting up over Bradley’s fist, hitting his chest and stomach.

                “I love you,” Bradley says again, it becomes like a prayer as he runs his hands over his calves and thighs, presses kisses up his inner thigh and his balls again. His eyes haven’t left Jake’s. He licks up Jake’s stomach, cleaning up Jake’s come as he goes, smirks at the little broken sound Jake makes. Wonders if he should have said something about the lack of condom this time, but hopes that Jake simply trusts him. Three fucking years.

                “God I love you…” Bradley whisper, wants, needs, Jake to know the truth of him. Jake kisses him, tongue seeking out every groove between his teeth, moaning against him and he realizes he’s maybe getting off on the taste of himself in Bradley’s mouth. God they’re going to be able to explore and try so much more now that they have the trust that exists between them. Something he knew he wanted, and to have it, he feels so damn lucky.

                Both of Jake’s hands are in his hair, he’s being kissed so thoroughly, Jake’s grinding his hips up against him where he’s partially holding himself above him. Then one of Jake’s hands is on his ass, gripping and pulling and oh. He grinds down, presses his erection against Jake and grins into his mouth.

                “Why are you still wearing underwear?” Jake complains.

                “Mmm… was too busy getting reacquainted with your body.”

                He loves the torn expression on Jake’s face, clearly wants to argue some point, but also can’t think of anything that he can argue about. Instead he digs his fingers into Bradley’s ass cheek and rolls his hips and Bradley moans, much closer than he thought he was. He wants to drag this out, continue re-learning every inch of Jake’s body with all his years of knowledge he’s acquired.

                “Come on, want to get my mouth on you… take you fucking underwear off.”

                Oh. This isn’t quite going the way he had planned in his head, but he stands and quickly strips off the garment which Jake has been scowling at. He’s more than okay doing what Jake wants as well. He follows Jake’s annoyed muttering directions until he’s straddling his chest, head of his cock a mere inch above Jake’s mouth. It’s a fucking gorgeous sight and his mouth is dry as he watches Jake, eyes dark, and then the tight warm heat of Jake’s mouth takes him in and he groans, his hips twitching reflexively. Then Jake’s hands are on his hips, encouraging him and his eyes fall shut as he lets himself start rolling his hips, the suction around his cock tight and warm. He opens his eyes to look at Jake, to give himself a visual to what he’s feeling and experiencing and –

                “Oh god… Jake. Fuck.”

                He pulls out sharply, not able to give any warning before he’s coming. Not that coming all over Jake’s face and neck is any better than coming in his mouth, but he’s not going to assume. His breath is coming in panting gasps, his body shaking and he puts a hand down to hold himself up, stares and Jake’s eyes carefully open and Bradley shifts down, needs to be kissing him again. He cleans up his own come this time, peppers his licks with kisses and murmured I love yous against the shell of Jake’s ear. It’s not what he had planned maybe, but it’s no less perfect. They’re going to need a shower, and he can’t wait to introduce that new level of intimacy into their relationship. He settles beside him, pulls up the sheet and reaches out to place a hand on his waist, fingers brushing softly.

                “So… It’s nice to finally meet you. Properly I mean…” Bradley says, eyes searching Jake’s face and he’s smiling and feeling fond and content. Soft, he realizes, thinking about Natasha’s word she uses to describe him sometimes, especially the last couple of years when he’s been working at getting better at being more in touch with his emotions.

                “I love you,” Jake says, and like hearing his name for the first time Bradley feels like he’s going to burst. At the same time it’s like Jake Hangman Seresin melts away and Jas is there, eyes wet with unshed tears and he kisses him again, feels the wetness slide over the pad of his thumb.

                “I love you so much.”

                “Can’t believe it took us this long.”

                “You know we could have avoided all this if we'd just told each other our names...” Bradley says, because he’s definitely going to dig a little. He’s still him.

                “Names? We could have sent each other photos of our faces…”

                “Neither of which you wanted by the way. So I’m making you take the blame for just how long it took. But you also get the credit for figuring it out…”

                “Damn right I do.”

                “Love you Jake…”

                “God you’re a sap…”

                “Only with you.”

                Jake blushes and Bradley smirks, because genuine sincerity is apparently the way to make him a complete mess.

…            …            …

                Their day back at training after Ice’s funeral he feels more settled and is immediately thrown off balance again by the fact that Maverick isn’t there. He sits there in disbelief as he hears Admiral Simpson outline new parameters and agrees with every muttered and under-the-breath comment. A little distracted by the noise coming in over the radio.

                “Uh, Maverick, range control, uh, green range is confirmed. I don’t see an event scheduled for you, sir.”

                “Well, I’m going anyway.”

                “Nice,” Natasha murmurs and Bradley rolls his eyes. Of fucking course everyone is already impressed with him. He hasn’t even fucking done anything yet.

                “Setting time to target: Two minutes fifteen seconds.”

                “Two-fifteen? That’s impossible.”

                Bradley agrees in principle, however he also knows that Maverick knows himself. He wouldn’t set a time like that if he didn’t truly believe he could fly it. Jake turns around and smirks at him, as if to say this is your fucked up family and Bradley subtly gives him the finger, although inwardly he feels thrilled that he has someone with him, that knows him so well and his whole bullshit relationship with Mav. It’s such a relief, especially now that Ice is gone.

                “Final attack point. Maverick’s inbound.”

                He looks around the room, and he understands why everyone is so invested. If Maverick can do this then it proves it’s actually possible. He already knows it is, Maverick wouldn’t be trying to teach them if he didn’t think it wasn’t possible. But the others need to know it. Know it like he does.

                “Popping in three, two, one.”

                He leans forward, can feel the tension in the room mounting.

                “Bombs away.”

                Seconds tick by.

                “Bull’s-eye!” “Holy shit!” “Yes.”

                “Damn.”

                Damn indeed.

                He knows then, looking at Cyclone and Warlock’s faces that they’re probably going to send Maverick. Make him team lead. Which means either he's going, or Jake is going. There aren’t any guarantees and he can't believe their actual time together may only be counted in days.

…            …            …

                By mutual agreement they don’t talk about it. They also don’t mention anything to anyone else, instead sequestering themselves away at his family home that no-one knows about except Mav, who definitely won’t be looking. They have to air it out, and deal with the dust and cobwebs, but’s it’s not as bad as it could be and he wonders if he has something else to retroactively thank Ice for, even if he can’t anymore. They buy new sheets and pillows and the entire house soon smells of them and sex and takeout food, neither of them wanting to waste time cooking when they can just be holding each other.

                He keeps up his morning cup of coffee picture, tells Jake he doesn’t ever want him to doubt how he feels about him, even when he’s lying in bed and the cup of coffee in question is brought to him by a nearly naked Jake. Tells him the view that comes with his morning cup of coffee is much improved. The time they have together might be short but he’s going to make the most of every moment they have together.

…            …            …

                “It has been an honor flying with you. Each one of you represents the best of the best. This is a very specific mission. My choice is a reflection of that and nothing more.”

                He feels sick. He doesn’t care about flying and proving Mav wrong. Not anymore. He just doesn’t want Jake to go and then not come back. He has no idea who Mav will choose, and he knows Jake feels the same about him going. They’re both good. But there are so many things that can go wrong. There’s a reason why Mav has been listing off fucking miracles.

                “Choose your two foxtrot teams.”

                “Payback and Fanboy. Phoenix and Bob.”

                “And your wing man?”

                “Rooster.”

                The relief he feels is immediate, knowing that Jake is going to be safe. Is going to live. It’s immense. The look of on Jake’s makes him feel sick though, because he knows it’s exactly what he’d be feeling if Jake had just been named Maverick’s wingman instead. They find a quiet spot and Jake kisses him like he’s trying to climb inside his body, Bradley presses them together like he’d let him climb inside if he could. Then they’re having to head up on deck.

                “Give em hell,” Jake says, and he doesn’t need to say any more, he can see the unspoken words in his eyes and tense line of his jaw. You come back to me, you have to come back to me. He nods in understanding, an unspoken promise.

…            …            …

                He can’t lose his last parent, not now.

                God.

                If he survives this Jake is definitely going to kill him.

                And he’s probably going to get kicked out of the Navy.

                He hopes Jake will be okay with him being unemployed.

…            …            …

                “You all right?”

                “Yeah, I’m good. You all right?”

                Then he’s being pushed to the ground and he winces at the pain in his ribs, his head swimming a bit. Fuck. He thinks he has a concussion.

                “What the hell?”

                “What are you doing here?”

                “What am I doing here?

                “You think I took that missile so you could be down here with me? You should be back on the carrier by now!”

                “I saved your life!”

                “I saved your life! That’s the whole point! What the hell were you even thinking?”

                “You told me not to think!” Bradley snaps, because he’s got tone on him now, the fucking self-righteous asshole. They both pant, catching their breath and just stare at each other for a few moments, and he still doesn’t really know how he’s going to relearn how to not be constantly angry or upset with Maverick.

                “Well, it’s good to see you.”

                “It’s good to see you too,” Bradley states, because he’s meant to be building bridges, not yelling, no matter how much of an idiot he thinks Maverick is.

                “So what’s the plan?”

                Maverick is insane.

                That’s the plan.

                No sane person would think this was somehow feasible.

                “You’re not serious.”

                He’s thinking about Ice’s letter, talking about how he was always glad to have Maverick on his side, because it beat having Maverick as an enemy and god he hopes that still remains true. That Maverick has some infinite well of good luck. Or a guardian angel. Hopefully both.

                “You’ve got to be shitting me. An F-14?”

                “I shot down three migs in one of those.”

                “We don’t even know if that bag of ass can fly.”

                “Let’s find out.”

                “Mav!” Bradley calls out, but he’s already hustling away. “Oh for fucks’ sake…” Bradley mutters under his breath as he heaves his aching body up and convinces himself that he has to follow Mav. Does he not have pain receptors? Surely he’s aching at least half as badly as Bradley is.

                “There’s guys up there, Mav.”

                “Yeah.”

                “There’s more over there.”

                “Okay. Let’s start running.”

                “Yeah, run. Run.”

                He feels like he’s stepped back in time, the hangar holding the enemy F14 rusty. His body coursing with adrenaline and Maverick is looking crazy-eyed. Bradley knows the feeling.

                “Once… once I give you the signal for air, you’re gonna flip this switch until the needle gets to 120. When the engine starts, you got to pull out the pins and disconnect everything. You understand?”

                “Yeah.”

                Then Maverick is running around and Bradley’s glad that he apparently knows what he’s doing. He thinks of Ice and how he’d always said how crazy Maverick was. He’d always sort of thought he was exaggerating for the sake of telling a good story but is starting to think he downplayed some of the more dangerous shit that Mav has taken part of. It’s a little terrifying to think about. He hops into the back of the F-14 and stares at all the dials and little screens, only vaguely familiar. Maybe from a visit to a fucking museum. He’s starting to really believe that Mav lives the not thinking aspect of his motto, because when he questions the wings coming out, raises entirely valid concerns about it being a taxiway he is just plain ignored. No. He gets told to hang on, like he has another option or any say in the matter.

                “Holy shit!”

                Holy shit seems to be his inner and outer mantra for the next few moments, Maverick intent on having a one-sided conversation that he doesn’t need to contribute to, which is just as well because he has nothing of value to add. The way Maverick asks him to get in touch with the boat is infuriating, like it’s a simple press of a button like a kid’s walkie-talkie. Nothing is fucking working, and he doesn’t know enough to get it working. He has to ask, feels like Mav is teaching him how to drive all over again, and that was an unmitigated disaster until Ice and Sarah took over.

                “Throw the, uh… The uhf-2 circuit breaker. Try that.”

                “There’s 300 breakers back here. Anything more specific?”

                “I don’t know. That was your dad’s department.”

                “I’ll figure it out,” Bradley mutters, and he continues looking, only to see something out of the corner of his eye and he freezes for a micro-second. “Mav, tally two, five o’clock low. What do we do?”

                No one is ever going to believe him that Mav’s plan here is wave and smile. He follows the instructions though, can hardly believe that it somehow buys enough time for Mav’s brain to speed through however many options he thinks he has. Bradley doesn’t know how many he’s got, he can’t get past the idea that he’s going to die. Again. The idea of dying. Not actual dying. Maybe it’s just a day where he’s going to constantly think he’s going to die, but never actually does. Fuck he really really hopes so. He will live with the nightmares if he doesn’t actually have to die.

                “All right, listen up. When I tell you, you grab those rings above your head. That’s the ejection handle.”

                “Mav, can we outrun these guys?”

                “Not their missiles and guns.”

                “Then it’s a dogfight.”

                “An F-14 against fifth-gen fighters?”

                “It’s not the plane, it’s the pilot. You’d go after them if I wasn’t here,” Bradley states, absolutely certain of the fact. The taxiway was apparently easy and not risky at all. Holy shit his mind supplies.

                “But you are here,” Mav counters.

                “Come on, Mav. Don’t think. Just do.”

                God he hopes he doesn’t die. Then Mav has shot one of them down and he can’t believe it, warns him about the next one, feels helpless without the option to fire his own missiles. Watching the fifth-gen fighter in action is unreal and god he wants to fly one. Then they’re getting low and heading back into the canyon area, heading out toward the sea, so at least in the general direction of the boat at least. He’s grateful that the terrain does seem to confuse the targeting system, that they still haven’t been shot down and he knows if he lives through this he will need to thank Mav every day. Fuck. If Ice is somehow watching he’ll make sure it happens just to ensure they make up. It would be a power move from him for sure.

                When the second fifth-gen plane goes down, the pilot ejecting just before it smashes into the side of the canyon walls Bradley feels his heart start beating again, like his entire body has been in stasis for however long that all took. It probably wasn’t longer than a couple of minutes, but it feels like a lifetime and the briefest moment in time all at once. Through some miracle he gets the radio working, and if anyone asks him what he did he won’t be able to tell them. He attempts to get in touch with the boat, but he’s not sure if it’s working two-way, too distracted by the sudden beeping indicating the location of a bogey and he looks for it, knows he needs to be another set of eyes. Why can they not catch a fucking break? The fifth generation fighter appearing on their nose is a blow, as is them running out ammo, then flares. Nothing left to offer even the smallest splinter of hope. The plane is taking hits and he’s glad they built them to withstand hits because they would be dead by now. Then Mav is talking about gaining altitude and ejecting and he listens this time, pulls the handles desperately, his stomach sinking when nothing happens, the ejection function clearly broken.

                “I’m sorry, Goose.”

                Oh shit. He can almost feel the waves of Mav’s guilt, that his death is going to be as his back seater just like his dad. He feels like throwing up, not advisable and he’s not going to be alive to have to do anything about it –

                BOOM.

                The explosion, cloud of black smoke, vibrations and then the new jet appearing all happen simultaneously. Then the most beautiful sound he’s ever heard.

                “Good afternoon, ladies and gentlemen. This is your savior speaking. Please fasten your seat belts, return your tray tables to their locked and upright positions… And prepare for landing.”

                “Hey, Hangman, you look good.”

                “I am good, Rooster. I’m very good. I’ll see you back on deck.”

                He’s pretty sure there’s a threat in there but he could cry he’s so relieved and happy. Soon the adrenaline coursing through his body is going to stop and he’s going to hit a wall but Jake will be there. Mav will be there.

                He’s alive.

                Nothing else matters.

…            …            …

                Having working engines to land matter.

                He’s once again very glad that Mav is the one flying.

                Fuck this shit.

…            …            …

                He’s never crash landed on a deck before and he never wants to do it again. He wonders if people have bucket lists of things they don’t want to have happen, but which have happened anyway. Sounds like it might make for depressing lists.

                “You good?”

                “Yeah. I’m good,” Bradley says, but he’s already thinking about saying similar words to Jake. Searches for him as he steps down from the F-14, his legs wobbly, body aching and head starting to pitch like he’s in a storm. He spies Jake, can’t help but smile at him goofily. He looks so good and he wants to kiss him. It’s probably not a good idea.

                “Chalked yourself another kill.”

                “That makes two,” Jake says, and Bradley will save the fact that he now technically has three for a day when he needs to bring Jake down a peg. Or when he needs to remind him that he had no choice, because taking life is not a thrill either of them particularly want.

                “Mav has five. Makes him an ace.”

                Bradley shakes his head, because he’s pretty sure Mav doesn’t like the idea that he’s killed people either, although again he expects similar sage advice to don’t think if he ever asks him about it. Maybe he might surprise him though. He calls out to him, glad they’re at least going to have a chance of mending their relationship and he smiles, starting to feel the world tilt again.

                “Thank you for saving my life.

                “It’s what my dad would’ve done,” Bradley says, and he knows it’s the truth. The hug he gets has him wincing and Jake hasn’t stepped further away than a couple of feet, has clearly been watching him carefully, is pushing his way towards him, his hands running over Bradley's face and torso in concern and he presses his face into his hand, suddenly feeling like sleep would be a really good thing to do right now.

                “You need to go to the fucking sickbay.”

                “Uh… Something you want to share with the class Hangman?” Natasha asks.

                “Yeah. I just saved his life, don't want him to fall off the fucking carrier and waste all my hard work.”

                “Come on, take me to sickbay.”

                “Okay, that’s weird... Maybe he's concussed,” Natasha says.

                “Oh, he’s definitely concussed,” Maverick says, and Bradley wants to argue, but Jake’s arm is around his waist and supporting him, leading him away from the noise.

                Then they’re going down some steps, Jake turns at the bottom and reaches for him, kisses him and Bradley smiles and hums appreciatively, even with his brain feeling like it’s swimming in soup he’ll never turn down being kissed by Jake.

                “I thought you were taking me to sickbay?”

                “I am, but first I’m going to kiss you because I am so happy to see you alive. And I won’t yell at you, because I’m pretty sure you’ve got a concussion –”

                “And broken ribs,” Bradley adds, because he’s pretty that where the pain is coming from.

                “Jesus Rooster. I am so angry with you. How dare you risk yourself like that. You’re an idiot!”

                “Your idiot though. I hope?”

                “Yes you’re mine. Damn it. Come on, sickbay.”

                “Thought you were going to kiss me?”

                “I did, but then you mentioned broken ribs. And I’m thinking we’re going to have to get creative for a little bit while you mend… come on.”

…            …            …

                Of course Mav ends up in the sick bay too, being forced to be looked over by an exasperated Cyclone and amused looking Warlock. Both clearly relieved that everyone is back alive, even if not well.

                “So, how long have you two been together then?” Mav asks, and Bradley follows his gaze to his and Jake’s linked fingers. The fact that Jake hasn’t left his side. Yeah. That’s not subtle at all. He guesses they’re done with keeping it from everyone then. He’s more than okay with that.

                “Couple of days.”

                “Over a decade.”

                They look at each other and both pull a face.

                “It's complicated.”

                Maverick looks between them and simply nods his head.

…            …            …

                Jake doesn’t leave him alone, only when Natasha arrives and tells Jake to go and eat and have a shower does he actually go, kissing him quickly and throwing Natasha a wink as he leaves. She looks a bit worried and confused and he’d laugh if it didn’t hurt so much.

                “So… you finally giving up on your penpal huh? Settling with Hangman?”

                “What?”

                “Your online boyfriend. You giving the thing with Hangman a go instead now? I thought you were… going with the guy online.”

                “Uh. Not exactly. Jake is my online boyfriend.”

                “What?”

                “Yeah.”

                “The guy you’ve been… holy shit. You’ve been together for years and you’ve only just figured it out?”

            ��   Oh fuck, he realizes his mistake then, realizes he’s never going to hear the end of it. From both her and Jake both. And probably fucking Coyote too.

                “Haven’t the two of you been fucking each other for like, the last three years?”

                “Natasha!”

                “Oh no, I have heard too many drunken ramblings about his ass to let this go. You owe me so many foot massages if you want me to keep this quiet.”

                “Fuck.”

 …           …            …

>>I need to tell you something.

>>Through Grindr?

>>Yeah well, it’s relevant I guess.

>>Wanted to tell you before I delete it off my phone.

>>I haven’t hooked up with anyone but you since 2016.

>>I mean, it’s either been you in person, or you on here. So no one but you.

                “Really?” Jake asks, voice loud in the quiet of the room.

                “Yeah, really.”

                “Oh.”

                “Mmm. You’re my first choice online and you’re my first choice in person so pretty much makes you my only choice…”

                “Good. Just the way I like it.”

                “Me too.”

2019 - Jake's POV

[rhysdarbinizedarby]

Couch surfer in his 30s. Oscar winner in his 40s. Why the whole world wants Taika

**Notes: This is very long post!**

Good Weekend

In his 30s, he was sleeping on couches. By his 40s, he’d directed a Kiwi classic, taken a Marvel movie to billion-dollar success, and won an Oscar. Meet Taika Waititi, king of the oddball – and one of New Zealand’s most original creative exports.

Taika Waititi: “Be a nice person and live a good life. And just don’t be an arsehole.”

The good news? Taika Waititi is still alive. I wasn’t sure. The screen we were speaking through jolted savagely a few minutes ago, with a cacophonous bang and a confused yelp, then radio silence. Now the Kiwi ­ filmmaker is back, grinning like a loon: “I just broke the f---ing table, bro!”

Come again? “I just smashed this f---ing table and glass flew everywhere. It’s one of those old annoying colonial tables. It goes like this – see that?” Waititi says, holding up a folding furniture leg. “I hit the mechanism and it wasn’t locked. Anyway …”

I’m glad he’s fine. The stuff he’s been saying from his London hotel room could incur biblical wrath. We’re talking about his latest project, Next Goal Wins, a movie about the American Samoa soccer team’s quest to score a solitary goal, 10 years after suffering the worst loss in the game’s international history – a 31-0 ­ignominy to Australia – but our chat strays into ­spirituality, then faith, then religion.

“I don’t personally believe in a big guy sitting on a cloud judging everyone, but that’s just me,” Waititi says, deadpan. “Because I’m a grown-up.”

This is the way his interview answers often unfold. Waititi addresses your topic – dogma turns good people bad, he says, yet belief itself is worth lauding – but bookends every response with a conspiratorial nudge, wink, joke or poke. “Regardless of whether it’s some guy living on a cloud, or some other deity that you’ve made up – and they’re all made up – the message across the board is the same, and it’s important: Be a nice person, and live a good life. And just don’t be an arsehole!”

Not being an arsehole seems to have served Waititi, 48, well. Once a national treasure and indie darling (through the quirky tenderness of his breakout New Zealand films Boy in 2010 and Hunt for the Wilderpeople in 2016), Waititi then became a star of both the global box office (through his 2017 entry into the Marvel Universe, Thor: Ragnarok, which grossed more than $1.3 billion worldwide) and then the Academy Awards (winning the 2020 best adapted screenplay Oscar for his subversive Holocaust dramedy JoJo Rabbit, in which he played an imaginary Hitler).

Waititi playing Adolf Hitler in the 2019 movie JoJo Rabbit. (Alamy)

A handsome devil with undeniable roguish charm, Waititi also slid seamlessly into style-icon status (attending this year’s Met Gala shirtless, in a floor-length gunmetal-grey Atelier Prabal Gurung wrap coat, with pendulous pearl necklaces), as well as becoming his own brand (releasing an eponymous line of canned ­coffee drinks) and bona fide Hollywood A-lister (he was introduced to his second wife, British singer Rita Ora, by actor Robert Pattinson at a barbecue).

Putting that platform to use, Waititi is an Indigenous pioneer and mentor, too, co-creating the critically acclaimed TV series Reservation Dogs, while co-founding the Piki Films production company, committed to promoting the next generation of storytellers – a mission that might sound all weighty and worthy, yet Waititi’s new wave of First Nations work is never earnest, always mixing hurt with heart and howling humour.

Waititi with wife Rita Ora at the 2023 Met Gala in May. (Getty Images)

Makes sense. Waititi is a byproduct of “the weirdest coupling ever” – his late Maori father from the Te Whanau-a-Apanui tribe was an artist, farmer and “Satan’s Slaves” bikie gang founder, while his Wellington schoolteacher mum descended from Russian Jews, although he’s not devout about her faith. (“No, I don’t practise,” he confirms. “I’m just good at everything, straight away.”)

He’s remained loyally tethered to his ­origin story, too – and to a cadre of creative Kiwi mates, including actors Jemaine Clement and Rhys Darby – never forgetting that not long before the actor/writer/producer/director was an industry maven, he was a penniless painter/photographer/ musician/comedian.

With no set title and no fixed address, he’s seemingly happy to be everything, everywhere (to everyone) all at once. “‘The universe’ is bandied around a lot these days, but I do believe in the kind of connective tissue of the universe, and the energy that – scientifically – we are made up of a bunch of atoms that are bouncing around off each other, and some of the atoms are just squished together a bit tighter than others,” he says, smiling. “We’re all made of the same stardust, and that’s pretty special.”

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We’ve caught Waititi in a somewhat relaxed moment, right before the screen actors’ and media artists’ strike ends. He’s ­sensitive to the struggle but doesn’t deny enjoying the break. “I spent a lot of time thinking about writing, and not writing, and having a nice ­holiday,” he tells Good Weekend. “Honestly, it was a good chance just to recombobulate.”

Waititi, at right, with Hunt for the Wilderpeople actors, from left, Sam Neill, Rhys Darby and Julian Dennison. (Getty Images)

It’s mid-October, and he’s just headed to Paris to watch his beloved All Blacks in the Rugby World Cup. He’s deeply obsessed with the game, and sport in general. “Humans spend all of our time knowing what’s going to happen with our day. There’s no surprises ­any more. We’ve become quite stagnant. And I think that’s why people love sport, because of the air of unpredictability,” he says. “It’s the last great arena entertainment.”

The main filmic touchstone for Next Goal Wins (which premieres in Australian cinemas on New Year’s Day) would be Cool Runnings (1993), the unlikely true story of a Jamaican bobsled team, but Waititi also draws from genre classics such as Any Given Sunday and Rocky, sampling trusted tropes like the musical training montage. (His best one is set to Everybody Wants to Rule the World by Tears for Fears.)

Filming in Hawaii was an uplifting experience for the self-­described Polynesian Jew. “It wasn’t about death, or people being cruel to each other. Thematically, it was this simple idea, of getting a small win, and winning the game wasn’t even their goal – their goal was to get a goal,” he says. “It was a really sweet backbone.”

Waititi understands this because, growing up, he was as much an athlete as a nerd, fooling around with softball and soccer before discovering rugby league, then union. “There’s something about doing exercise when you don’t know you’re doing exercise,” he enthuses. “It’s all about the fun of throwing a ball around and trying to achieve something together.” (Whenever Waititi is in Auckland he joins his mates in a long-running weekend game of touch rugby. “And then throughout the week I work out every day. Obviously. I mean, look at me.”)

Auckland is where his kids live, too, so he spends as much time there as possible. Waititi met his first wife, producer Chelsea Winstanley, on the set of Boy in 2010, and they had two daughters, Matewa Kiritapu, 8, and his firstborn, Te Kainga O’Te Hinekahu, 11. (The latter is a derivative of his grandmother’s name, but he jokes with American friends that it means “Resurrection of Tupac” or “Mazda RX7″) Waititi and Winstanley split in about 2018, and he married the pop star Ora in 2022.

He offers a novel method for balancing work with parenthood … “Look, you just abandon them, and know that the experience will make them harder individuals later on in life. And it’s their problem,” he says. “I’m going to give them all of the things that they need, and I’m going to leave behind a decent bank ­account for their therapy, and they will be just like me, and the cycle will continue.”

Jokes aside – I think he’s joking – school holidays are always his, and he brings the girls onto the set of every movie he makes. “They know enough not to get in the way or touch anything that looks like it could kill you, and they know to be respectful and quiet when they need to. But they’re just very comfortable around filmmakers, which I’m really happy about, because eventually I hope they will get into the ­industry. One more year,” he laughs, “then they can leave school and come work for Dad.”

Theirs is certainly a different childhood than his. Growing up, he was a product of two worlds. His given names, for instance, were based on his appearance at birth: “Taika David” if he looked Maori (after his Maori grandfather) and “David Taika” if he looked Pakeha (after his white grandfather). His parents split when he was five, so he bounced between his dad’s place in Waihau Bay, where he went by the surname Waititi, and his mum, eight hours drive away in Wellington, where he went by Cohen (the last name on his birth ­certificate and passport).

Waititi was precocious, even charismatic. His mother Robin once told Radio New Zealand that people always wanted to know him, even as an infant: “I’d be on a bus with him, and he was that kind of baby who smiled at people, and next thing you know they’re saying, ‘Can I hold your baby?’ He’s always been a charmer to the public eye.”

He describes himself as a cool, sporty, good-looking nerd, raised on whatever pop culture screened on the two TV channels New Zealand offered in the early 1980s, from M*A*S*H and Taxi to Eddie Murphy and Michael Jackson. He was well-read, too. When punished by his mum, he would likely be forced to analyse a set of William Blake poems.

He puts on a whimpering voice to describe their finances – “We didn’t have much monneeey” – explaining how his mum spent her days in the classroom but also worked in pubs, where he would sit sipping a raspberry lemonade, doodling drawings and writing stories. She took in ­ironing and cleaned houses; he would help out, learning valuable lessons he imparts to his kids. “And to random people who come to my house,” he says. “I’ll say, ‘Here’s a novel idea, wash this dish,’ but people don’t know how to do anything these days.”

“Every single character I’ve ever written has been based on someone I’ve known or met or a story I’ve stolen from someone.” - Taika Waititi

He loved entertaining others, clearly, but also himself, recording little improvised radio plays on a tape deck – his own offbeat versions of ET and Indiana Jones and Star Wars. “Great free stuff where you don’t have any idea what the story is as you’re doing it,” he says. “You’re just sort of making it up and enjoying the ­freedom of playing god in this world where you can make people and characters do whatever you want.”

His other sphere of influence lay in Raukokore, the tiny town where his father lived. Although Boy is not autobiographical, it’s deeply personal insofar as it’s filmed in the house where he grew up, and where he lived a life similar to that portrayed in the story, surrounded by his recurring archetypes: warm grandmothers and worldly kids; staunch, stoic mums; and silly, stunted men. “Every single character I’ve ever written has been based on someone I’ve known or met,” he says, “or a story I’ve stolen from someone.”

He grew to love drawing and painting, obsessed early on with reproducing the Sistine Chapel. During a 2011 TED Talk on creativity, Waititi describes his odd subject matter, from swastikas and fawns to a picture of an old lady going for a walk … upon a sword … with Robocop. “My father was an outsider artist, even though he wouldn’t know what that meant,” Waititi told the audience in Doha. “I love the naive. I love people who can see things through an innocent viewpoint. It’s inspiring.”

After winning Best Adapted Screenplay Academy Award for JoJo Rabbit in 2020. (Getty Images)

It was an interesting time in New Zealand, too – a coming-of-age decade in which the Maori were rediscovering their culture. His area was poor, “but only ­financially,” he says. “It’s very rich in terms of the ­people and the culture.” He learned kapa haka – the songs, dances and chants performed by competing tribes at cultural events, or to honour people at funerals and graduations – weddings, parties, ­anything. “Man, any excuse,” he explains. “A big part of doing them is to uplift your spirits.”

Photography was a passion, so I ask what he shot. “Just my penis. I sent them to people, but we didn’t have phones, so I would print them out, post them. One of the first dick pics,” he says. Actually, his lens was trained on regular people. He watches us still – in airports, ­restaurants. “Other times late at night, from a tree. Whatever it takes to get the story. You know that.”

He went to the Wellington state school Onslow College and did plays like Androcles and the Lion, A Midsummer Night’s Dream and The Crucible. His crew of arty students eventually ended up on stage at Bats Theatre in the city, where they would perform haphazard comedy shows for years.

“Taika was always rebellious and wild in his comedy, which I loved,” says his high school mate Jackie van Beek, who became a longtime collaborator, including working with Waititi on a Tourism New Zealand campaign this year. “I remember he went through a phase of turning up in bars around town wearing wigs, and you’d try and sit down and have a drink with him but he’d be doing some weird character that would invariably turn up in some show down the track.”

He met more like-minded peers at Victoria University, including Jemaine Clement (who’d later become co-creator of Flight of the Conchords). During a 2019 chat with actor Elijah Wood, Waititi ­describes he and Clement clocking one another from opposite sides of the library one day: a pair of Maoris experiencing hate at first sight, based on a mutual suspicion of cultural appropriation. (Clement was wearing a traditional tapa cloth Samoan shirt, and Waititi was like: “This motherf---er’s not Samoan.” Meanwhile, Waititi was wearing a Rastafarian beanie, and Clement was like, “This ­motherf---er’s not Jamaican.”)

With Jemaine Clement in 2014. (Getty Images)

But they eventually bonded over Blackadder and Fawlty Towers, and especially Kenny Everett, and did comedy shows together everywhere from Edinburgh to Melbourne. Waititi was almost itinerant, spending months at a time busking, or living in a commune in Berlin. He acted in a few small films, and then – while playing a stripper on a bad TV show – realised he wanted to try life behind the camera. “I became tired of being told what to do and ordered around,” he told Wellington’s Dominion Post in 2004. “I remember sitting around in the green room in my G-string ­thinking, ‘Why am I doing this? Just helping someone else to realise their dream.’ ”

He did two strong short films, then directed his first feature – Eagle vs Shark (2007) – when he was 32. He brought his mates along (Clement, starring with Waititi’s then-girlfriend Loren Horsley), setting something of a pattern in his career: hiring friends instead of constantly navigating new working relationships. “If you look at things I’m doing,” he tells me, “there’s ­always a few common denominators.”

Sam Neill says Waititi is the exemplar of a new New Zealand humour. “The basis of it is this: we’re just a little bit crap at things.”

This gang of collaborators shares a common Kiwi vibe, too, which his longtime friend, actor Rhys Darby, once coined “the comedy of the mundane”. Their new TV show, Our Flag Means Death, for example, leans heavily into the mundanity of pirate life – what happens on those long days at sea when the crew aren’t unsheathing swords from scabbards or burying treasure.

Waititi plays pirate captain Blackbeard, centre, in Our Flag Means Death, with Rhys Darby, left, and Rory Kinnear. (Google Images)

Sam Neill, who first met Waititi when starring in Hunt for the Wilderpeople, says Waititi is the exemplar of a new New Zealand humour. “And I think the basis of it is this,” says Neill. “We’re just a little bit crap at things, and that in itself is funny.” After all, Neill asks, what is What We Do in The Shadows (2014) if not a film (then later a TV show) about a bunch of vampires who are pretty crap at being vampires, ­living in a pretty crappy house, not quite getting busted by crappy local cops? “New Zealand often gets named as the least corrupt country in the world, and I think it’s just that we would be pretty crap at being corrupt,” Neill says. “We don’t have the capacity for it.”

Waititi’s whimsy also spurns the dominant on-screen oeuvre of his homeland – the so-called “cinema of ­unease” exemplified by the brutality of Once Were Warriors (1994) and the emotional peril of The Piano (1993). Waititi still explores pathos and pain, but through laughter and weirdness. “Taika feels to me like an ­antidote to that dark aspect, and a gift somehow,” Neill says. “And I’m grateful for that.”

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Something happened to Taika Waititi when he was about 11 – something he doesn’t go into with Good Weekend, but which he considered a betrayal by the adults in his life. He ­mentioned it only recently – not the ­moment itself, but the lesson he learnt: “That you cannot and must not rely on grown-ups to help you – you’re basically in the world alone, and you’re gonna die alone, and you’ve just gotta make it all for yourself,” he told Irish podcast host James Brown. “I basically never forgave people in positions of responsibility.”

What does that mean in his work? First, his finest films tend to reflect the clarity of mind possessed by children, and the unseen worlds they create – fantasies conjured up as a way to understand or overcome. (His mum once summed up the main ­message of Boy: “The ­unconditional love you get from your children, and how many of us waste that, and don’t know what we’ve got.”)

Second, he’s suited to movie-making – “Russian roulette with art” – because he’s drawn to disruptive force and chaos. And that in turn produces creative defiance: allowing him to reinvigorate the Marvel Universe by making superheroes fallible, or tell a Holocaust story by making fun of Hitler. “Whenever I have to deal with someone who’s a boss, or in charge, I challenge them,” he told Brown, “and I really do take whatever they say with a pinch of salt.”

It’s no surprise then that Waititi was comfortable leaping from independent films to the vast complexity of Hollywood blockbusters. He loves the challenge of coordinating a thousand interlocking parts, requiring an army of experts in vocations as diverse as construction, sound, art, performance and logistics. “I delegate a lot,” he says, “and share the load with a lot of people.”

“This is a cool concept, being able to ­afford whatever I want, as opposed to sleeping on couches until I was 35.” - Taika Waititi

But the buck stops with him. Time magazine named Waititi one of its Most Influential 100 People of 2022. “You can tell that a film was made by Taika Waititi the same way you can tell a piece was painted by Picasso,” wrote Sacha Baron Cohen. Compassionate but comic. Satirical but watchable. Rockstar but auteur. “Actually, sorry, but this guy’s really starting to piss me off,” Cohen concluded. “Can someone else write this piece?”

Directing Chris Hemsworth in 2017 in Thor: Ragnarok, which grossed more than $1.3 billion at the box office. (Alamy)

I’m curious to know how he stays grounded amid such adulation. Coming into the game late, he says, helped immensely. After all, Waititi was 40 by the time he left New Zealand to do Thor: Ragnarok. “If you let things go to your head, then it means you’ve struggled to find out who you are,” he says. “But I’ve always felt very comfortable with who I am.” Hollywood access and acclaim – and the pay cheques – don’t erase memories of poverty, either. “It’s more like, ‘Oh, this is a cool concept, being able to ­afford whatever I want, as opposed to sleeping on couches until I was 35.’ ” Small towns and strong tribes keep him in check, too. “You know you can’t piss around and be a fool, because you’re going to embarrass your family,” he says. “Hasn’t stopped me, though.”

Sam Neill says there was never any doubt Waititi would be able to steer a major movie with energy and imagination. “It’s no accident that the whole world wants Taika,” he says. “But his seductiveness comes with its own dangers. You can spread yourself a bit thin. The temptation will be to do more, more, more. That’ll be interesting to watch.”

Indeed, I find myself vicariously stressed out over the list of potential projects in Waititi’s future. A Roald Dahl animated series for Netflix. An Apple TV show based on the 1981 film Time Bandits. A sequel to What We Do In The Shadows. A reboot of Flash Gordon. A gonzo horror comedy, The Auteur, starring Jude Law. Adapting a cult graphic novel, The Incal, as a feature. A streaming series based on the novel Interior Chinatown. A film based on a Kazuo Ishiguro bestseller. Plus bringing to life the wildly popular Akira comic books. Oh, and for good measure, a new instalment of Star Wars, which he’s already warned the world will be … different.

“It’s going to change things,” he told Good Morning America. “It’s going to change what you guys know and expect.”

Did I say I was stressed for Waititi? I meant physically sick.

“Well…” he qualifies, “some of those things I’m just producing, so I come up with an idea or someone comes to me with an idea, and I shape how ‘it’s this kind of show’ and ‘here’s how we can get it made.’ It’s easier for me to have a part in those things and feel like I’ve had a meaningful role in the creative process, but also not having to do what I’ve always done, which is trying to control everything.”

In the 2014 mockumentary horror film What We Do in the Shadows, which he co-directed with Jemaine Clement. (Alamy)

What about moving away from the niche New Zealand settings he represented so well in his early work? How does he stay connected to his roots? “I think you just need to know where you’re from,” he says, “and just don’t forget that.”

They certainly haven’t forgotten him.

Jasmin McSweeney sits in her office at the New Zealand Film Commission in Wellington, surrounded by promotional posters Waititi signed for her two decades ago, when she was tasked with promoting his nascent talent. Now the organisation’s marketing chief, she talks to me after visiting the heart of thriving “Wellywood”, overseeing the traditional karakia prayer on the set of a new movie starring Geoffrey Rush.

Waititi isn’t the first great Kiwi filmmaker – dual Oscar-winner Jane Campion and blockbuster king Peter Jackson come to mind – yet his particular ascendance, she says, has spurred unparalleled enthusiasm. “Taika gave everyone here confidence. He always says, ‘Don’t sit around waiting for people to say, you can do this.’ Just do it, because he just did it. That’s the Taika effect.”

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Taika David Waititi is known for wearing everything from technicolour dreamcoats to pineapple print rompers, and today he’s wearing a roomy teal and white Isabel Marant jumper. The mohair garment has the same wispy frizz as his hair, which curls like a wave of grey steel wool, and connects with a shorn salty beard.

A stylish silver fox, it wouldn’t surprise anyone if he suddenly announced he was launching a fashion label. He’s definitely a commercial animal, to the point of directing television commercials for Coke and Amazon, along with a fabulous 2023 spot for Belvedere vodka starring Daniel Craig. He also joined forces with a beverage company in Finland (where “taika” means “magic”) to release his coffee drinks. Announcing the partnership on social media, he flagged that he would be doing more of this kind of stuff, too (“Soz not soz”).

Waititi has long been sick of reverent portrayals of Indigenous people talking to spirits.

There’s substance behind the swank. Fashion is a creative outlet but he’s also bought sewing machines in the past with the intention of designing and making clothes, and comes from a family of tailors. “I learnt how to sew a button on when I was very young,” he says. “I learnt how to fix holes or patches in your clothes, and darn things.”

And while he gallivants around the globe watching Wimbledon or modelling for Hermès at New York Fashion Week, all that glamour belies a depth of purpose, particularly when it comes to Indigenous representation.

There’s a moment in his new movie where a Samoan player realises that their Dutch coach, played by Michael Fassbender, is emotionally struggling, and he offers a lament for white people: “They need us.” I can’t help but think Waititi meant something more by that line – maybe that First Nations people have ­wisdom to offer if others will just listen?

“Weeelllll, a little bit …” he says – but from his intonation, and what he says next, I’m dead wrong. Waititi has long been sick of reverent ­portrayals of Indigenous people talking to kehua (spirits), or riding a ghost waka (phantom canoe), or playing a flute on a mountain. “Always the boring characters,” he says. “They’ve got no real contemporary relationship with the world, because they’re always living in the past in their spiritual ways.”

A scene from Next Goal Wins, filmed earlier this year. (Alamy)

He’s part of a vanguard consciously poking fun at those stereotypes. Another is the Navajo writer and director Billy Luther, who met Waititi at Sundance Film Festival back in 2003, along with Reservation Dogs co-creator Sterlin Harjo. “We were this group of outsiders trying to make films, when nobody was really biting,” says Luther. “It was a different time. The really cool thing about it now is we’re all working. We persevered. We didn’t give up. We slept on each other’s couches and hung out. It’s like family.”

Waititi has power now, and is known for using Indigenous interns wherever possible (“because there weren’t those opportunities when I was growing up”), making important introductions, offering feedback on scripts, and lending his name to projects through executive producer credits, too, which he did for Luther’s new feature film, Frybread Face and Me (2023).

He called Luther back from the set of Thor: Love and Thunder (2022) to offer advice on working with child actors – “Don’t box them into the characters you’ve ­created,” he said, “let them naturally figure it out on their own” – but it’s definitely harder to get Waititi on the phone these days. “He’s a little bitch,” Luther says, laughing. “Nah, there’s nothing like him. He’s a genius. You just knew he was going to be something. I just knew it. He’s my brother.“

I’ve been asked to explicitly avoid political questions in this interview, probably because Waititi tends to back so many causes, from child poverty and teenage suicide to a campaign protesting offshore gas and oil exploration near his tribal lands. But it’s hard to ignore his recent Instagram post, sharing a viral video about the Voice to Parliament referendum starring Indigenous Aussie rapper Adam Briggs. After all, we speak only two days after the proposal is defeated. “Yeah, sad to say but, Australia, you really shat the bed on that one,” Waititi says, pausing. “But go see my movie!”

About that movie – the early reviews aren’t great. IndieWire called it a misfire, too wrapped in its quirks to develop its arcs, with Waititi’s directorial voice drowning out his characters, while The Guardian called it “a shoddily made and strikingly unfunny attempt to tell an interesting story in an uninteresting way”. I want to know how he moves past that kind of criticism. “For a start, I never read reviews,” he says, concerned only with the opinion of people who paid for admission, never professional appraisals. “It’s not important to me. I know I’m good at what I do.”

Criticism that Indigenous concepts weren’t sufficiently explained in Next Goal Wins gets his back up a little, though. The film’s protagonist, Jaiyah Saelua, the first transgender football player in a FIFA World Cup qualifying match, is fa’afafine – an American Samoan identifier for someone with fluid genders – but there wasn’t much exposition of this concept in the film. “That’s not my job,” Waititi says. “It’s not a movie where I have to explain every facet of Samoan culture to an audience. Our job is to retain our culture, and present a story that’s inherently Polynesian, and if you don’t like it, you can go and watch any number of those other movies out there, 99 per cent of which are terrible.”

*notes: (there is video clip in the article)

Waititi sounds momentarily cranky, but he’s mostly unflappable and hilarious. He’s the kind of guy who prefers “Correctumundo bro!” to “Yes”. When our video connection is too laggy, he plays up to it by periodically pretending to be frozen, sitting perfectly still, mouth open, his big shifting eyeballs the only giveaway.

He’s at his best on set. Saelua sat next to him in Honolulu while filming the joyous soccer sequences. “He’s so chill. He just let the actors do their thing, giving them creative freedom, barely interjecting unless it was something important. His style matches the vibe of the Pacific people. We’re a very funny people. We like to laugh. He just fit perfectly.”

People do seem to love working alongside him, citing his ability to make productions fresh and unpredictable and funny. Chris Hemsworth once said that Waititi’s favourite gag is to “forget” that his microphone is switched on, so he can go on a pantomime rant for all to hear – usually about his disastrous Australian lead actor – only to “remember” that he’s wired and the whole crew is listening.

“I wouldn’t know about that, because I don’t listen to what other people say about anything – I’ve told you this,” Waititi says. “I just try to have fun when there’s time to have fun. And when you do that, and you bring people together, they’re more willing to go the extra mile for you, and they’re more willing to believe in the thing that you’re trying to do.”

Yes, he plays music between takes, and dances out of his director’s chair, but it’s really all about relaxing amid the immense pressure and intense privilege of making movies. “Do you know how hard it is just to get anything financed or green-lit, then getting a crew, ­getting producers to put all the pieces together, and then making it to set?” Waititi asks. “It’s a real gift, even to be working, and I feel like I have to remind ­people of that: enjoy this moment.”

Source: The Age

By: Konrad Marshall (December 1, 2023)

[everythingisawayoflife]

random dead poets headcanons - modern au

i feel like all i do is crank out headcanons and not actually write (even though i definitely have a dps fic that needs updating…) anyway heres dps headcanons

i always start with neil and i think its cause he’s my baby and i like to think i just #get him anyway - neil love gilmore girls. a lot. i know next to nothing about gilmore girls so i couldnt tell you who his favorite rory boyfriend is but he will die on the hill that lane and dave deserved to be together

knox has run through the most phones because he always drops them in the toilet - he keeps loads and loads of rice, not for eating, but just in case he needs to make a last minute apple genius bar to fix his phone - its worked like 25% of the time

meeks works at a barnes and noble. he clocks so many hours there because he just loves working there. his barnes and noble has two floors.

neil and ginny host the tonys watch party every year. its one of those things thats always a fever dream. the best but also worst party was the 2017 tonys when great comet was up against dear evan hansen. if you so much as mention great comet to either of them, they will either devolve into crying, longwinded ranting, or put the entire album on and explain it to you

charlie is a gleek. a diehard gleek. he relates to santana on a spiritual level and can quote the iconic santana/quinn hallway fight verbatim in his sleep as well as her rant to kurt

todd has the job stability comparable with trish from austin and ally. he only gets a steady one when meeks recommends him for barnes and noble. they work all their shifts together. its incredible.

the poets have a quizbowl team at their favorite bar - each of them have their knowledge strengths and they have an ongoing win streak of four weeks (which at their bar, the prize is free drinks. so. do with that what you will)

pitts is an avatar: the last airbender purist (i mean who isnt tbh) and self-identifies with the earthbenders

cameron becomes THAT film nerd who swears tarantino is his god and that pulp fiction is the greatest movie of all time but he doesnt actually believe that - his favorite movie is the obscure animated film “we’re back! a dinosaur’s story” (1993)

[dresshistorynerd]

Ranking Men's Costumes in Period Dramas - Part II: The Good

Part I: The Bad

This is the second part to my ranking of men's costumes in Renaissance period dramas. I selected 10 shows and films which I think have great costuming for the female characters and ranked them according to their costumes for male characters. I have noticed that even when women's costuming is great, men's costuming might be absolutely dog shit. And that's very much what we saw in the first part, where I ranked the five worst entries. For some reason shows and movies are afraid to put men, especially the characters who are supposed to be cool, manly and hot, into historical costumes. And I'm not even asking for historical accuracy, I just don't want my male characters living in the actual 1500s in basically modern leather jackets and pants. Like I don't watch period dramas for vaguely historically inspired modern fashion, I watch it for the historical setting, which costumes help create. This time we will be looking some rare gems that actually imo have really good costuming even for the male characters. For the five best entries, we'll go from worst to best.

5. Eizabeth R (1971)

Elizabeth R is incredibly committed to historical accuracy in it's outfits, especially for queen Elizabeth herself, many of her costumes being directly recreated from her portraits. It covers the whole reign of Elizabeth, so this commitment is especially admirable as the timeline is more than 40 years, including a stark shift in fashion from less structured and more toned down Tudor fashion to the extremes of the highly structured Elizabethan fashion. It's not perfect, The hair is not always great and like many others they fail at French hoods, though they are not upward pointing or pseudo crowns detached from the hood, so could be much worse.

The men's costumes are also very good. They are faithful to history, they wear stockings, very short trunk hose, ruffs and even have some structuring in their doublets and jerkins. However, the reason this is not higher is that the men's costumes especially, but also many other costumes beside Elizabeth's are looking a little sloppy. There's some structure yes, but the men's silhouettes are just not bold enough and they end up looking a little costumy. Even the codpieces are shrunk so small I'm not even sure if they are the half the time. Cowardice. Here's two Robert Dudley's costumes and an actual portrait of him. I think the second costume is probably an attempt at recreation of that portrait, but it's just kinda halfway there.

4. Taming of the Shrew (1967)

This film is set in Renaissance Italy, the women's costumes fit well to 1520s-30s. They are honestly really great and cohesive. My only gripe is that their bodices have a very 1960s shape and the make-up is a little distractingly modern. But the costuming is not attempting to recreate historical accuracy, rather they took the historical silhouette and basic elements and crafted a very over the top but cohesive look. I honestly love these very much.

An interesting choice is made with the men's costuming, especially the main male lead, whose costume is based much more on the Renaissance German men's fashion of that period. His costumes resemble the over the top fashion of the German Landsknecht (first image below). In Italy (second image below) the doublets were also very voluminous and quite colourful but not to that extent as by the Landsknecht and literally no one, not even the other Germans, rocked that slashed style as hard.

This is not really criticism though. In fact I respect that choice a lot. His costumes are certainly not historically accurate, but they do fit the bombastic aesthetics of the overall costuming, they are loud, large and not afraid to fuck around. This man oozes sex-appeal much more than any character with some modern plain black pants and leather jacket. This is how you costume a Renaissance man who fucks.

3. Tulip Fever (2017)

I am stretching the definition or Renaissance here a bit, I admit. This movie is set during the 1630s tulip mania, by which point the remnants of Renaissance fashion had already been left to the previous decade. However, I do think most of the movies and tv set in Baroque era also struggle with the men's costumes. Though not as much, because black was fashionable for everyone, the cod piece was gone, trunk hose were replaced by more palatable Venetian hose, fashion was much more stripped down from embellishments, leather was not uncommon in jerkins and appeared even in doublets and hose and the Hollywoods beloved boots became as actual fashion items. The men's silhouette in this period is very silly in my opinion and people seem to agree because it's usually skipped in costuming, but overall the period seems to fit modern masculinity standards much more easily than Renaissance era.

But I just really wanted to include this because the costuming is absolutely stunning. I have not watched the movie and probably never will because the post production was an absolute mess and it apparently came out as just a bad movie, which is a shame, but the costumes are so good. The ruffs are perfectly crispy. The buttons are dense and look just right. The shoes, both boots and otherwise are exactly right. The fabrics are honestly perfect. The silhouettes are just as goofy as they are supposed to be. And the women too have perfect silhouettes. All the details are just simply perfect. You rarely find costuming this meticulously created with historical details and great construction.

Honestly these top three could all be the best one. This final order was decided purely on which costumes i like more. And while I love the women's fashion of this period, I think the men's fashion is kinda stupid and boring, so I don't like these costumes on aesthetic level as much as the top two.

2. Romeo and Juliet (1968)

This movie is a perfect counterpart to the movie with the worst men's costuming which I talked about in the first post, Rosaline. They are both set in Italy around very end of 15th century and retell Romeo and Juliet. Both have very good costuming for female characters but obviously I think differ greatly in the male character costuming department. Romeo and Juliet costuming takes some artistic liberties to create a heightened reality quite similar to Taming of the Shrew costuming, but follows history much more closely. The colors are bright, the hose are tight, the giorneas are voluminous, the sleeves are long and massive and the cod pieces are prominent. Even the hair is perfect, even for women, they even use hairnets. I imagine the hair was quite easy to get right as hairstyles in 60s and 70s were basically lifted directly from 1400s Italian hairstyles. The men are even wearing appropriate hats??? Amazing.

The costuming perfectly captures the era, but they still clearly had fun with the costumes too. Honestly even though I appreciate the meticulously recreated historically accurate costuming, like in Tulip Fever, I tend to like more costuming that does take some artistic liberties to create a distinct look and atmosphere for the movie or tv show. There's some small things they don't get quite right, like having standard lacing instead of ladder lacing, metal eyelets (which would become a thing as late as in 1830s) and most egregiously Juliet in one scene has this very dumb supportive undergarment without even shift under it (first picture below)?? The outer garments were supportive during this era, there was no such thing as supportive undergarment. Shift was the only undergarment. But I will forgive these errors because the costuming is overall so fun and gorgeous. And they did get some details so so right, like look at Romeo's arming doublet (second picture below)! It has Lombardian sleeves!! This was a very specific style of arming doublet for this era and place. However those errors does prevent it from taking the first place. Which leads us to...

1. Orlando (1992)

This movie has Tilda Swinton in flamboyant Elizabethan men's clothing. That's all.

Okay, I that is all that needs to be said, but I will say more. This movie spans centuries and shows excellent costumes from several different periods, but I will focus on the Elizabethan costumes only for the sake of this post. The costuming is not super historically accurate in all the detailing, and clearly not trying to be, but it is always impeccable. Even while it takes artistic liberties and the story has an immortality fantastical element it still captures the men's fashion's silhouette much better than any other movie or tv show I know of set in this period. It does that better than the "we recreated these portraits" Elizabeth R. But what really makes this the best in my humble opinion, is that the movie is not afraid of the effeminate and emasculated modern perception of Renaissance men's fashion, no, it leans into it. The thole story is very much about gender and gender fuckery. Tilda Swinton plays the titular Orlando who is a cis man in Elizabethan era, becomes inexplicably immortal and later inexplicably turns into a woman for the rest of their several centuries. He is the embodiment of "I'm not sure if they are a butch or a twink" and as a bisexual I can only be grateful. But in all seriousness I think the costuming and the casting (queen Elizabeth is also played by a male actor) are so perfectly utilized to highlight the arbitrary construction of gender without needing to say it explicitly.

Conclusion

I have some closing thoughts. I took on this task as a way to show a point, which is that for some reason in Renaissance shows and film especially men's costuming is piss-poor, even when women's costuming is great. Male characters tend to have very bad costuming in Medieval media too, though this is also an issue for female characters. I don't think I have ever seen a Medieval show or movie with truly excellent costuming for anyone. In Renaissance media the issue is clearly not lack of skill or knowledge, they choose to do so. My thesis was that the producers think that the Renaissance men's fashion is too effeminate and too unsexy for the hot male very heterosexual lead, who the mostly female audience are supposed fawn over like the female characters. I still think it's very true.

Though there's an interesting trend I only noticed while doing this ranking; every entry (except the least bad) in the worst five list are from 21th century, and every entry (except Tulip Fever which is a little bit cheating anyway) in this best five list are from 20th century. I have some theories on why it turned out this way. First is that the studios have become increasingly more concerned with growing profits so they don't take risks and they put pressure on movies and tv shows to be as broadly appealing as possible. This means they can't just make period dramas for the core audience of period dramas, aka mostly women who are history nerds, so they pander to the modern sensibilities in costuming and not to the people who love to see actual historical costuming. Secondly, I think this might also tie to the broader conservative backlash against loosening of gender roles and broader queer acceptance. Among the core audiences of period dramas there are two distinct groups, queer nerds and conservative/centrist women, who don't want politics in their media, which is why they love historical stories because obviously queerness wasn't invented yet and people of colour didn't exist yet (they were and did). (They are not always this extreme, but you get the point.) As men wearing dresses has become a culture war issue, I think the studio executives are afraid that anything not masculine enough in modern standards might cause the more conservative audiences to turn on them. Even if they knew about the queer nerds, they wouldn't care about them.

This bears repeating: cowards.

As a thank you for reading all the way to the end I will leave you with the image of Tilda Swinton in mid 1600s men's clothing. You are welcome.

Part I: The Bad