#would be relevant to the story?

[maddy-ferguson]

oh my god same I know it’s petty but I find it mind boggling when posts that seem to be posting the most obvious/picked over ground/well traversed line of thinking generate notes of people wanting to kiss the op or telling them they’re sO clever and smart. (me when it is known stranger things has a theme of rewarding running/hiding for survival, to confront the danger before you’re equipped to will get you killed, and someone rediscovers it could be allegory for staying in the closet for the 100th time)

see that's not even what i meant because that's something you have to think about for more than a second And something twt bylers would call a reach, which is always a plus. but sometimes i read things and really am like wait. why are we acting like we haven't known about this for months and months

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[poorly-drawn-mdzs]

[First] Prev <–-> Next

Hair Revealed. Heir Rejected.

[askblueandviolet]

I need to see the spider demons please 😭🙏

[chandralia]

OKAY I’m sorry but this entire series has been building up to Bakugo and Deku fighting alongside each other, so the take of “Bakugo joining Deku vs Shigaraki doesn’t make sense” is getting so tiring…

like???????

All Might’s “now it’s your turn” with another panel that deliberately points to both of them

Hori’s comment about Heroes Rising ! And just because they fought together in the movie doesn’t mean he’s throwing it out completely. Not everyone will have seen the movie and he wouldn’t deprive his readers of something like that. (Same thing with them holding hands, he’s never stopped the buildup for that after the movie’s release.)

Also there’s a constant complaint about Bakugo not being relevant because he “doesn’t have a villain” when this series repeatedly shows Bakugo and Deku being matched against Shigaraki. THEY SHARE THE SAME VILLAIN. idk why that concept is so hard to grasp.

[moongothic]

People often bring up the omake No Respect Time to use as Crocodad Propaganda, and y'know, I think there might be just a smidge more the omake can provide to Crocodad than what people have already discussed in the past

Like everyone's seen the comparisons between Crocodile and the anime screencaps of Don Luffyone, we all know how the two look so similar etc etc. But honestly, the resemblance is even more obvious (and hilarious) when you look at the OG manga version (Sidenote but Don Luffyone is the only one who smokes cigars in the omake... Everyone else has plain ol' cigarettes... That sure was a decision there Oda)

And yeah, you might be thinking I picked this mangacap of Crocodile in particular because the resemblance is the most obvious here and I have My Crocodad Agenda to push etc etc. But I will have you know that the original omake was from Log Book 5, which was published February 28th 2006. Meanwhile that Crocodile is from the cover of chapter 398, published February 6th 2006. So these were drawn by Oda around the same time. I didn't just cherry pick this cover page because it's convenient for my evil agenda, if these were drawn around the same time then the likelihood the resemblance is intentional does legitimately go up a little. (Also since they're both drawn by Oda instead of random animators, again, it's a bit less coincidental and could be a bit more intentional)

But as I said, I think there might be more to the omake than that.

In the past people have also pointed out and joked how a mere few months before Oda revealed Dragon was Luffy's father to us in the story (post-Enies Lobby), in the Monster Time-omake Luffy was depicted as a dragon.

Needless to say, people believe this was intentional foreshadowing (/trolling) to the Dragon reveal by Oda-- if not it'd be one hell of a coincidence at the very least.

The reason I'm bringing that up is that if people think it's safe to assume Oda was hinting at Luffy's heritage in one omake by making him a dragon like his father, then why couldn't Oda do the same in another omake (by making Luffy a mafia boss who smokes cigars like his father)? Keep in mind that Monster Time was published in May 2006 (in Log Book 7), just three months after No Respect Time. So again, these are from the same era. To me, that just makes the resemblance between Don Luffyone and Crocodile seem even less coincidental

Oh, but there's one more omake I want to bring up.

So people do often bring up Nerd!Luffy's appearance in One Piece Gakuen spin-off manga, pointing out how much he looks quite a lot like the Theoretical Child Oda gave to Crocodile in that one SBS. Yeah. So. 'Bout that.

There was this one omake called Red Hair of Class 3-Sea Time, in which Luffy was a loser ass nerd. And man, that resemblance

Like it's one thing when a spin-off manga drawn by a different artist does A Thing. It's another when Oda himself does it

[joshuamj]

been scribbling out some little comics for my EoW!Zelda Impersonates Link AU!

[ganondoodle]

"to even give people the mere chance of starting to understand how you feel about this character and this story you made up around them you have to actually draw that comic, you are at chapter 2, even just the rough draft for it took you a year despite your best efforts on being faster"

[sonknuxadow]

am i the only one who still thinks that they didnt do enough with rouge in sonic prime. and not in a "she didnt get enough screentime" sort of way but in a "they didnt seem to be putting as much thought into what they were doing with her as they were with the other main characters" sort of way

[skitskatdacat63]

"From triumph to failure is but one step."

+ the usual

I love when I can include paper sketches in the process gif. It's very satisfying to see it progress from a very vague imagining of what was in my head to the finished project.

+ version without text

My favorite sketch was definitely the one where I actually put in words what it's supposed to convey. I wouldn't usually write that down, cause it's all in my head, but it was useful to do so when sending it to other people. I'll go into it more but here it is just as a teaser:

Lmao first of all, I like how I was teasing "Spanish GP" art, but as per usual, it's just thinly veiled au art. IM SORRY, I'M NOT INTERESTED IN MAKING GENERAL POSTERS, THAT'S NO FUN! So instead you will get weirdly relevant matador au art. I like it a lot though, I was really shocked I was able to draw 3 different Fernandos, I mean even drawing one figure takes a lot out of me, but this was weirdly easy?? I think it's just the effect of not being burnt out anymore, and actually being able to draw with more ease makes me feel like a god.

Okay, so the text: "Fight or Flight?" I'll be honest, I don't even remember why I chose it, literally came to me in a vision 😭 But I think it's fitting with the narrative of this piece. Is it better to keep going on, keep fighting, or better to finally give up, and flee? Not that I even remotely think he should give up, but I feel like sometimes I can sense him pondering this very question. That was the big fear before he announced that he re-signed. Keep fighting and maybe, just maybe, you'll get the chance to finally go up against the bull again. Or accept it's an uphill battle and the fighting is going to keep getting more and more strenous, and maybe it's time to put down the sword. SORRY THIS IS SO ANGSTY FOR WHAT'S SUPPOSED TO BE "yayyyy home race!!!" Please forgive me <3

I. Renault

At some point, someone pointed out to me that I had drawn all other iterations of matador Fernando with a sword, except for Renault Fernando, and that ended up feeling very poignant to me. In a bull fighting match, they really only pull out the sword at the last minute to deliver the killing blow. So I think it's important to never draw this Fernando with a sword, because it shows the unfailing confidence and stability he has at that point. He only needs to pull out the sword at the end, as a formality almost, there's no reason for him to keep his guard up at all times.

II. Ferrari

Meanwhile this Fernando, he's considering his sword like he hasn't had to in the past. He's checking the sharpness, making sure in advance he can do what needs to be done. He's on guard, he feels like he needs to keep up his defenses at all times because he doesn't have that same amount of trust and stability anymore. He knows though he will be up against the (red) bull, at least that's never in question. At least there's the assurance he'll get the chance to fight.

III. Aston

Oh, Aston Fernando....He doesn't know whether to take up his sword or finally put it down for the last time. While at least Ferrari Fernando knows he's on constant guard against the bull, this Fernando doesn't even have that assurance anymore. He feels like he can never put down the sword, just in case he gets the chance to strike the killing blow on the bull, which feels like it's growing more and more unlikely.

Spanish flag: ? Lmao this was meant to be something to celebrate Fernando's home race and it turned very introspective whoops. Also got the Napoleon quote in there hahaha, can't escape it!! Shame though there is no French gp anymore, if so I'd probably draw an unhinged thing for it :,(

[hinamie]

are you allowed to tell us everyone’s bending? or is that too much spoiler

i have a very strange hunch that geto would be an earth bender if he was one at all… i dont know hhhhhhh

hi anon ! I've done designs for most of the main cast already (still missing like. 3 people but i will ....get to them eventually gomen......) and i think the designs communicate pretty clearly what kind of bender everyone is but I'll list them here for ease

earthbenders: yuuji*, nobara, nanami firebenders: sukuna*, haibara waterbenders: geto, megumi, choso, shoko airbenders: inumaki, yuuta nonbenders: maki, toji, junpei, uraume

*the avatar

[unordinary-diary]

Seraphina and Arlo: The Brainwashing of High Tiers

Exposition:

— Remi, Episode 50.

There is a heavy implication that Seraphina and Arlo were raised in much the same way. The pressure on Seraphina comes from her parents, so I’ll extrapolate that the same goes for Arlo. This raises the question: how do the authorities create such a strong societal pressure on such a small percentage of the population? Most high tiers will probably not know any other high tiers besides their parents. Take Wellston Private High School for example: it’s the most prestigious private school around, and canonically has the “highest concentration of high tiers in the region”. There are six high tiers in Wellston. Apply this to god tiers specifically, and there are only three. Not to mention that this current group of students is uniquely strong, even for Wellston. In Rei’s senior year, he was the strongest at 5.8 max.

So much of this brainwashing relies on the parents to do all of the work, and it only takes one or two people to break the cycle. So how are the authorities creating this immense pressure? One tactic could be by isolating high tiers. There is a very widespread concept that one shouldn’t associate with those outside their level range. A caste system like this that affects everyone is much easier to create and maintain than an expectation for a small group, and it also means that high tiers are only being influenced by those who are also high level. This creates an echo chamber. I’ve researched cults and how they brainwash victims, and the first step in the process is isolating them in exactly this way.

But, if there are so few high tiers, how the hell are they supposed be isolated from other groups? The answer is that high tiers are just isolated in general. Take a look at Arlo: his only friend is Remi, and even her, he keeps at an arm’s length. Arlo is only close with Remi in the first place because he was close with Rei, who, at the time of meeting Arlo, was presumably close in level with him. [EDIT: I forgot about Holden, which I think says a lot about his relevance. He is kept at more than an arm’s length and doesn’t seem to have any actual influence on Arlo, let alone a deep relationship. He is also not presented as an equal.] Take a look at Seraphina: before meeting John, she didn’t seem to have any friends other than possibly Arlo. Seraphina and Arlo pre-John seemed to have had more of a professional relationship, and while they were not close in level, Arlo did fit the bill of being a fellow god tier, and strong enough to also be brainwashed.

Now let’s look at Remi. In episode 60, Cecile says to Remi: “And yet here you are... Always hanging around those two monkeys, Blyke and Isen. Letting them treat you as an equal even though you’re in a completely different league.” This struck me as odd because, aside from Cecile herself, the Wellston students closest in level to Remi were Arlo, Blyke, and Isen. And who is she friends with? She actually was doing a pretty good job at following that social convention, unless Cecile wanted to be friends with Remi, which she clearly didn’t. But... her friends were still not close enough to her level. Was she supposed to just not have friends at all? The answer seems to be a resounding yes. Can you think of any genuine friends that Cecile has either?

Friendship simply isn’t considered a necessity for high tiers.

But... why is it that Arlo and Seraphina were brainwashed differently? Creating a societal norm for an isolated group of people is one thing, because those people’s mindsets feed into each other. Putting pressure on individual families to keep them in line, but doing it all in different ways? That would be near impossible. My theory is that Seraphina recieved the typical high tier brainwashing, and that Arlo was raised differently because he was being groomed to work for the authorities. Seraphina didn’t have a set career path planned out for her, but if she’s trying to be “perfect” by the standards of those controlling her, she’s bound to end up going in a direction that pleases them. Arlo on the other hand was specifically planned to become an authority figure. That’s why his brainwashing is so centered on leadership. Also, growing up with direct contact to the authorities makes it more possible for them to customize his brainwashing in this way.

But does all of this apply to high tiers in general, or is it specific to god tiers? Let’s take a look at the high tiers in Wellston. We have Seraphina, John, Arlo, Terrence, Remi, Cecile, and Blyke. John is a unique circumstance because he wasn’t raised by high tiers, so we’ll cross him off the list. Terrence was also unique, so we can cross him off as well. Remi was different from the norm as well. Why is that? Well, Remi actually wasn’t raised by high tiers either. Rei said on screen that both of his parents were elites. We can cross Remi off. Blyke doesn’t fit the bill either, but that’s easy to explain. He was an elite for a large part of the story, and he shot up rather quickly. We don’t know much of his family, but he probably wasn’t expected to be a high tier at all, and was raised as an elite. (All of this also serves to emphasize how much of this brainwashing comes from a person’s parents.) That leaves only Seraphina, Arlo, and Cecile to look at.

Cecile does seem to have high tier brainwashing, but it’s not nearly as intense as with Seraphina and Arlo. She doesn’t seem “obsessive”, and she wasn’t one of the examples Remi mentioned in chapter 50. It’s clear that high tiers are brainwashed in general, but god tiers are kept on a much shorter leash. This makes sense, obviously, because keeping a population in control like that is less necessary the lower the level. However, it’s also a chicken an egg situation: god tiers are both more important to keep in control, and also easier to keep in control. It’s important to note just how many exceptions we had to cross off. People like Remi and Blyke aren’t actually that unusual— a lower leveled high tier is much more likely to have non-high tier parents, or to have not always been a high tier themselves, or just in general, to have way more day-to-day interaction with non-high tiers. The brainwashing gets more and more diffused the lower down the ladder you go.

[embroid-away]

What If: Captain America Were Revived Today? #44 (April 1983) by Peter B. Gillis and Sal Buscema; Original Image by John Romita Sr.

In this What If? Marvel tale, Captain America is unfrozen in 1983 rather than the 1960s. Without the leadership of Steve Rogers, The Avengers disband. Meanwhile, a Captain America imposter, who calls himself a "real American," has decided to use his newfound influential media status to publicly support a National Identity Card to "deal with illegal aliens,” to suggest that members of civil rights groups "ought to think seriously as to whether or not their actions contribute to the strengthening of communist enemies," and declare that if those groups tear the country apart with protests, martial law is justified "for the peace to find a solution.”

Neighborhoods with large black populations (e.g., Harlem) are walled off and forced into poverty, and one character even mentions that Jewish people are being “put back into camps.” The right-wing politicians make sure that things like this aren’t shown on television, keeping the majority of the American public ignorant of the horrors committed with their indifferent support. The public are simultaneously told that with some sacrifices, America can be free once again. The fake Captain America confronts a group of peaceful protestors, and he is shot by a sniper (in what reads like an inside job), allowing the police to have “reason” to attack the protestors. The imposter does not die and instead uses the attack to provide more reason for the violent crackdown against protesting groups.

When the true Captain America is unfrozen, he is horrified to see what America has become, especially with his emblem stamped all over it. He immediately seeks out the resistance forces (who clearly represent the Black Panther Party) and joins their cause, stating that "the wrongs [he's] seen will take much more than one man to right -- but [he's] got a name to clear, a costume to unsoil-- and a country to die for!!"

By the time Steve joins them, the resistance only has one chance left to stop the American downfall: a political convention where the "America First" party will be able to secure its support to sweep the national elections and allow them "to return America to the pure and great nation [the] forefathers envisioned."

The resistance strikes just as the convention begins. The Captain America imposter is no match in a fight against the true Captain America -- especially against a Steve Rogers who's fucking pissed. ("Get up so I can knock you down!!")

With the imposter knocked unconscious, Captain America addresses the convention crowd, warning that an America that does not represent all its people does not deserve to exist at all; that liberty can be "as easily snuffed out [in America] as in Nazi Germany" and "as a people, we are no different from them."

The crowd realizes that the man speaking before them is the true Captain America and cheers. Captain America holds his hand up and silences them, stating that he will not allow them the chance to simply replace one idol with another. He alone can’t undo the horrible damage, and he pleads that there’s still a chance for the people to “find America once again.”

Fascism doesn’t change its tune, just its singers.

A 2021 Marvel Trumps Hate ( @marveltrumpshate ) commission, completed on 22-count aida cloth with embroidery floss and watercolors on a 9" diameter bamboo hoop.

[softpine]

can i just word vomit for a min...

there was a point in late 2023 where i felt like i overstayed my welcome on simblr and i planned on just wrapping frozen pines up as quickly as possible and moving on. continuing to write when it's clear that the audience for it is dwindling felt so embarrassing that i almost didn't even want to put effort into it anymore, because i was afraid it just looked pathetic (obligatory disclaimer: no one made me feel this way, you're all so lovely, it's just the nature of seeing a community change over 7 years). writing already feels very personal to me and it's becoming increasingly harder for me to put my work out there (again, for reasons unrelated to simblr and entirely related to mental illness 🤙🏻). i know my story is so long that it deters new readers, and so sporadic that it makes old readers drop off with time. this has really been bothering me lately because i don't know what i can do to fix it. i don't think there IS anything i can do.

but. okay. don't make fun of me for saying this. dan and phil returning to youtube kinda changed my mindset? they may be pulling a fraction of the views they got in their peak, but they're happier than they've ever been and they're working on things they actually want to do, not things they think will be particularly popular. seeing that has made me realize that it is possible to keep finding joy in a community that has largely moved on without you. obviously my little blog is nowhere near the same scale, so this feels kind of silly, but i've been thinking about all the things i used to do on simblr that were never fun for me, i mainly did them because i knew they would get notes or because i felt like i had to do it. making cc, lookbooks, sim requests, reshade help (oh my god the reshade help), lot downloads, etc. they DID get notes, but i can't imagine spending my time doing any of that stuff ever again tbh.

on top of that, it makes me sad to scroll through my dash and realize that i don't recognize most of the people i see anymore. i still talk to some wonderful people here who i consider friends and that's invaluable to me (💖), but the broader community aspect is something i no longer feel a part of. and believe me, i know i'm at fault here because it's not like i'm going out of my way to talk to new people or participate in trends like i used to. i don't blame anyone except the passage of time!!

frozen pines, and simblr by extension, played such a gigantic part in my life when i needed it the most. and that's not to say that i don't still care about it, because i absolutely do, but it's a different kind of feeling. i've always promised that i would give frozen pines a satisfying conclusion rather than silently abandoning it someday, and though i do intend to keep that promise, i know it's possible that i might never get there. but i don't want to let my own insecurities get in the way of something i really enjoy doing. writing is an intrinsic piece of me that i'll never quit doing, but sharing my writing on tumblr is something that can't (and shouldn't) last forever. i know that. but i'm going to enjoy it to the fullest while we're all still here together 💞

to anyone who's still reading my silly story after all these years (especially those of you who still check in on my blog even though you're not on simblr anymore): thank you thank you thank you THANK YOUUU. you don't have to change a single thing about what you're doing. this is not me fishing for compliments or putting down an ultimatum, this is just me trying to make sense of my feelings.

but with all this being said, i've decided to quit simblr and start my own exclusive streaming service for $60 a year, i hope you'll all support me as i increase my production value 😌

(just kidding. ily. okay that's all)

[leafuxxtea]

guess who's back 🥺🥺 (and about to go to sleep)

i wanted to apologize quickly for disappearing like that, and i promise ill answer my asks and interact tmr!! 🥹🥹 hope everyone's doing well <33

but before i go, ill just drop this fanart of @lostxmelody 's fanfic (Parts of a Human, I've talked abt it before but it's. such a wild ride that I will absolutely stay on forever.)

(do i now know how to format panels?? hahahhahaahaa. still no.)

[hellfyre]

thinking about how adam was the first human soul in Heaven bc what the fuck happened to Abel. did he go to hell (for some reason?)

like what happened there. he was the first human to ever die so like would the theories saying Eve is the first person to enter hell be therefore incorrect? Because Adam and Eve had another son to replace Abel, Seth. Eve did not die first.

idk i have gripes and confusion about that stuff.