#wwd magic

[celebratingwomen]

Leigh-Anne Pinnock for WWD Magazine, 2023

[stylesnews]

Harry Styles’ Pleasing Names Shaun Kearney First Chief Executive Officer

Kearney will be leaving his post as chief design and merchandising officer at Gwyneth Paltrow’s lifestyle brand Goop.

Harry Styles’ lifestyle brand Pleasing has named Shaun Kearney its first chief executive officer, effective July 17.

“We are delighted to have Shaun join the Pleasing team. His exceptional vision and extensive experience will be invaluable as we enter the next chapter of Pleasing. We are excited to continue to explore ideas, categories, and characters alongside him,” said the British singer-songwriter. 

Kearney will be leaving his post as chief design and merchandising officer at Gwyneth Paltrow’s lifestyle brand Goop, where he started six years ago as senior vice president of fashion.

“I am thrilled to be joining Pleasing as we set the brand up for future scale and success. We have a unique opportunity to make a positive impact on people’s lives and expand our product offering through many different lifestyle verticals and multiple channels of business,” said Kearney in a statement.

His focus will be on “developing exciting, strategic and charitable partnerships,” according to the company.

He will be working alongside co-creative directors Harry Lambert, also Styles’ stylist, and Molly Hawkins, as well as head of marketing, Sophie Kerr-Dineen.

Styles’ Pleasing was launched in 2021.

“There is a really fun side of makeup where people play a character, but to me, ‘beauty’ is more and more about uncovering,” Styles told WWD exclusively in an email at the time. 

“The beauty industry is uniquely poised to be a leader in innovation and sustainability, which is extremely important and has to be a huge part of the conversation when talking about our future,” he added.

The brand takes a collection-based, drop-style approach to new products.

In November 2022, they launched their fifth collection, called Super Magic Family Time, to kick off the holiday season with three pop-up shops in New York City; Los Angeles, and London, which American Express was the official partner for.

[albertcapraro]

March 2, 1983 - WWD NEW YORK -- In the Year of the Sweater, Albert Capraro turns from the ruffles and froth of his signature feminine evening looks to do newly sleek and assured evening knits. Here, a little night magic from his streamlined and body-concious black wool sweaters and dresses trimmed in matching bugle beads.

[dippedanddripped]

Magic Market Week  Las Vegas part 5

Staple Pigeon x Timber;and at Project N:ow Las Vegas Aug 2019

[sunflowersniffles]

Werewolf character being irritable and more short with their vampire lover. Their partner just thinks it's because the full moon is coming up but it's also because their werewolf is coming down with something

[pro-royalty]

Chloe x Halle for Women’s Wear Daily (WWD)

[raripop]

Pachira!

[whimsicalwitchdesign-blog]

Amethyst Dragon Pendant by The Whimsical Witch

[sillscribbles]

[celebratingwomen]

Kirby Howell-Baptiste for WWD magazine, 2021

[brooklynmuseum]

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“My work was always about freedom and harmony.”   — Kenzo Takada (Vogue, 2000)

Today we pay tribute to fashion designer Kenzo Takada who died in Paris Sunday from Covid-19 complications. Kenzo is currently featured in the exhibition Studio 54: Night Magic, with his exuberant September 14, 1977 Kenzo fashion event at the nightclub. The show highlighted his signature prints and poetic color palette, and concluded with a performance of “I Need a Man” by Grace Jones. This video by Anton Perich shows Kenzo, Jones, and the models taking bows after the show. 

Many prominent fashion designers of the day attended, including Scott Barrie, Bill Haire, Zandra Rhodes, Clovis Ruffin, Fernando Sanchez, Willi Smith, and Stephen Burrows who commented to WWD, “It’s a bit of paradise. Kenzo has wrecked New York. We need more evenings like this and the world would be better.” Forty years later, Kenzo’s joyous Studio 54 presentation, the nightclub itself, and the work of Antonio Lopez inspired the Kenzo Spring 2017 collection, designed by Humberto Leon and Carol Lim. Kenzo’s uplifting designs of the ‘70s continue to inspire designers today.

Anton Perich (American, born 1945.) Anton Perich Presents R. Couri Hay Reporting: Kenzo, Studio 54, 1977. Videotape, color, sound [1 min. excerpt]. Courtesy of the artist. © Anton Perich

[erhiem]

From left: Photo by Gi Naps/Getty Images; Photo by Rose Hartman/Archive Photos/Getty Images; Photo by Victor Virgil/Gamma-Rafo via Getty Images

Today, the House of Jean Paul Gaultier is relaunching its ready-to-wear line after a hiatus of six years. It comes 16 months after fashion’s “Maestro of Mehmed”, as journalist Georgina Howell dubbed her in the early ’90s, took her final bow as the brand’s designer, implying that this iteration of its namesake. will not be designed. Instead, the reins are taken over by a dedicated team from their atelier, with help crafted from the rotating doors of some of the most independent designers working today – Palomo Spain, Ottolinger, Nix Lecourt Mansion, Alan Crosetti and Marvin M’Tumo .

Since starting his own label in 1976, Jean Paul has been instrumental in turning underwear into acceptable outerwear, making sailor fashion sexy and, more generally, paving the way for designers to experiment with diverse and unexpected castings on the runway. have been responsible for. He also dedicated an entire collection – AW97 – to the fight against racism. The collection, titled ‘Fight Racism’, featured graphic prints of young anti-fascists with slogans printed on their chests.

In fact, with such a rich history behind it, and vintage JPGs becoming increasingly collectible since the recent renaissance—partly stemming from the Kardashians’ love of all things net—more thanks to the label’s revival. Couldn’t be the right time- the line to wear from now. Although it is a well-known fact that Jean Paul himself decided to step back from the category in 2014 after a somewhat tumultuous feud with Florence Tetier (graphic designer and co-founder). November MagazineNow serving as the brand’s creative and brand director, Ghar is poised to enter the field again. in an interview with WWDJPG’s general manager, Antón Gégy, described the relaunch as an opportunity to “celebrate Jean Paul Gaultier, its values, its archives and its history”. And what better way to raise the glass to the core of fashion? Horrible Instead look at seven of the most show-stopping moments from its most iconic era, the ’90s. Long live Gaultier!

Photo by Gie Knaeps/Getty Images

Madonna’s Conical Corset from the Blonde Ambition Tour, 1990

Back in 1989, when Jean-Paul Gaultier was told by an assistant that Madonna had told the audience, she was convinced that he was playing a trick with her. They knew how obsessed he was with her, just could not do be true But she soon found herself on the phone to the original queen of pop, making a match in ’90s fashion heaven. Naturally, Madonna already knew what she wanted: to create something for her that surrounded Jean Paul’s signature masculine-feminine crossover. Inspired by his love of the late ‘queen of Paris punk’ Edwij Belmore, Jean Paul conceived a pinstripe suit – the top of ’80s manhood – and a corset with the now famous conical bra, which he designed six years ago on AW84 had started for. /85.

Photo by Victor Virgil/Gamma-Rafo via Getty Images

Eva Herzigova’s cut-out dress, 1992

Thought harnesses were a new thing on the runway? Wrong! After all, you’re not known as a fashionista Horrible Without a sprinkling of kinks here and there, as this look proves well. Presented on JPG’s AW92 runway, this dress, so slick in its fit that clothes can even put on Eva’s body, exemplifies the powerful-yet-playful take on sexuality that serves as a throughline throughout the French designer’s body of work. runs as. Styled with bicep-clad opera gloves and proudly crafting the Czech-Italian supermodel’s bust, there’s a distinctive dome-y tone at play here, though no compromise on the beauty of the silhouette or the quality of the make. It speaks to an ideological throughline that runs through Jean Paul’s work – that no matter who a woman is or wants to be, she always has the right to be chic!

Photo by Pierre Guillaud/AFP via Getty Images

Houndstooth bodysuit inspired by Leigh Bowery, 1991

In an interview with iD in 2018, Jean Paul declared his love for the “London Way”, which means “just creating your own style, your own creativity and being free to do what you want to do”. When he took the idea back to Paris, it wasn’t very popular, but that didn’t stop him from creating his own trademark approach to design. He spent his youth in the 80s at famous London nightclubs such as Blitz and Heaven, where he met performance artist Leigh Bowery. In a nod to Bowery’s influence on fashion, Jean Paul sent down his interpretation of the Leigh Bowery Houndstooth bodysuit—which would later inspire Alexander McQueen for AW09 and Gareth Pugh for SS07.

Photo by Pierre Guillaud/AFP via Getty Images

‘Chic Rabbi’ Collection, 1993

For AW93/94, Jean Paul presented the ‘Chic Rabbi’ collection, inspired by the traditional dress of Hasidic Jews. Models in streamels and black suits danced to the sounds of a violinist who played live on the catwalk. The usual circle of supermodels was there, but Jean Paul also decided to cast someone who visually embodied the cultural context: a man with a big beard. During the ’80s and ’90s, designers were known for their casting choices, pioneering their diversity. “I’m fascinated by strong personalities, people who capture my imagination because they walk well down the street,” Gaultier explained in a 2014 interview. “Showing just one type of girl is a flaw,” he adds, “something I’ve always fought with. One kind of beauty – no. If I show a bigger girl, I’ll always show a younger girl.” will show.” It is now legend that Gaultier once posted an advertisement in a French daily newspaper release Looking for “atypical” models, saying that “facial distortions should not be avoided in application”.

Photo by Arnal/Garcia/Gama-Rafo via Getty Images

Mesh Tattoo Top, 1993

Back in 1993, the trend Declared this prestigious collection as “a startling vision of cross-cultural harmony”. While we’d be inclined to cringe at the somewhat reasonable look now that Jean Paul drove down the runway for the SS94 (which can actually be read as another nod to Leigh Bowery) it certainly Historical perspective. It also marked the debut of Jean Paul’s iconic mesh tops, which were inspired by a tattoo convention he once found himself spinning around – today, they are some of his most sought-after designs. The collection also includes heavy notes of punk, grunge, and 18th century men’s frock coats made in Jodhpur and denim in the typical JPG style. How did he ever find the place for all this?!

Photo by Pierre Vuthe/Sigma/Sigma via Getty Images

Björk!, 1994

Jean Paul’s celebrity friends don’t start and end with Madonna. A year after Björk’s properly titled debut solo album, First entry, Taking the music and fashion worlds by storm, she appeared on the designer’s AW94/95 show, about a magical train that stopped in a small village somewhere high in some mountains. And what, duh?! As you’d expect from JPG, the show was a mish-mash this time in terms of different styles of traditional arctic costume. The models trotted down the snow-covered runway (which almost tripped Kate Moss), decked out in a hell of a lot of fur, silk, wool, and leather.

Photo by Pierre Verdi / AFP via Getty Images

Op-Art Inspired Catsuit, 1995

Two women riding a motorcycle hit them. One of them descends and climbs onto a loft at a DJ booth. Jean Paul’s AW95 ‘Mad Max’ Show Has Started. As he was in the middle of designing the costumes for Luc Besson’s famous film fifth element In which Bruce Willis and Milla Jovovich fight a mysterious cosmic force, they had science-fiction in mind, which means it was technology and cyber-heavy. The bodysuit inspired by Viktor Vasarelli’s op-art paintings became the show’s most memorable aspect—now made super collectible by Kim K and Cardi B and partly responsible for the JPG-madness we’re seeing on Depop these days. Also on the show was Carmen Dell’Orefice, who walked with a live falcon on her arm and sported ornate football armor that lit up like a circuit board. Really prestigious.

Photo by Victor Virgil/Gamma-Rafo via Getty Images

trompe l’oeil torso top, 1995

The next season, Jean Paul took his quest for sci-fi polka dots further, this time translating it into menswear. This time, however, he brought his knack for trompe l’oeil print placement to the table—skills he had previously flexed in the aforementioned Les Tautouzes, and even as early as 1992, when he sculpted the enviable Presented Printed Mesh Top with Toros. The look sported here by Tanel Bedrossiantz is perhaps a little more figurative in its approach, though no less direct is its infrared-style suggestion of what might lie beneath the longtime house muse’s button-down shirt.

Photo by Danielle Simon/Gamma-Rafo via Getty Images

JPG Set Sale, 1998

In a promo video for JPG’s new ready-to-wear line, Bella Hadid is wearing a big red ship on her head. In case you didn’t already know, it debuted at the Haute Couture SS98 show, where it takes us back to the Age of Enlightenment. It was a time of scientific progress, the advent of modern capitalism and of course colonialism. The ‘explorers’ were sailing around the world from Europe, ‘discovering’ new lands for them – a ship serving as a nod to the continent’s shameful past. Some say, however, that it was during the Enlightenment that the fashion we know today – as a form of self-expression that can be accessed by the public – first began to emerge, making the historical period a fashion show. became an ideal subject. .

Photo by Rose Hartman / Archive Photos / Getty Images

Man Himself!, 1992

Sure enough, to write a list of Jean Paul Gaultier’s most iconic looks from his most iconic decade, and not for the man himself. Indeed, as Florence Tetier spoke to her before the label’s launch, “Everybody knows who she is!” whether it’s his striped Whether paired with a pleated black skirt or, as seen here, a denim vest and a punkish tartan kilt, JPG’s personal style has made her one of the most instantly recognizable designers of our time. Plus, there’s a direct connection between what she wore and what we then saw on the runway. While we may have never seen a proper, French Navy-standard Sailor From the designer, “he’s done a lot of stripes and nautical-inspired pieces,” notes Florence. “It’s really nice to see the link between the way he dresses and the way he designs.” we love you, Jean Paul! Follow iD on Instagram and TikTok for more fashion.

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The post Jean Paul Gaultier’s most iconic 90s moments appeared first on Spicy Celebrity News.

[minajson1]

@dannyaleex--blog @whos-pretty-now @hotboys-butts @noshadeallltea @youre-loves2 @screamqueens-fans @poisonouslipgloss-blog @acsgifs @ohscreamqueens @screamqueensfox @bestoftswift @hunnistar @deepfriedglitter @titeyona @taltal12345 @copaceticpattycakes @omfgitsmoi @dimesoul @palarp @jemsfairchild @lilbrowneyedmami @aghostintraining @emilyjlove14 @roozhiinxo @dcnkey @rainbowshutup @circussgh @ethereal-w-a-n-d-e-r-l-u-s--blog @pantytree @antsrock21 @gazingdownatthestars-blog @youthfull-satisfaction-blog @davana-x @thotterymotives @thecataclysmcomes @travel-with-bike @kodi-walker @deanxreaderreblogs @sleepingwithirrwin-blog @lifeasitis21 @i31ackjack @devincey @milkbabi @halloweencostumesideasforme-blog @halloweencostumes2013 @lgbtlaughshalloween @couplescostumes @darkgothicpolyvore @sexyhalloweenblog @fuckyeah-halloweencostumes @fuckyeahhalloweencostumes-blog @hawkgrl @prada-pvta @tomyrocha @amycorreabell @rodeovibetv @jayzus-christ @blvckhoodrida @thecuriousunfamiliar @live-love-color-blog @fallowed @qvantvmfvck @sex-love-pizza @lustcults @katcnav @1lifeunderwater @badtragedy @transluscentdreams @iosdev321 @vibrant-queen-blog @cats-on-meds @zigaborph @risvm @aimeeleighparadise @katfishkardashian @seinegliocchi-edalinonscend-blog @hentai-is-right @jeffsalomon @ocexanic @shadowxorouge @yourenot-yourmistakes @josiesullivannn-blog @butchprinxe @samanthasuchocka @undersupernaturalscontrol @lavendergrl @re-levunce @regrettiandmeatballs-blog @baby-its-my-dark-wonderland @danwarr-blog @christinalorenmeteorologist @fashionovernoon @sissorsflying-blog @jaid0n-blog1 @modernklassss @kingluxury187 @irlcute @fitmodeon-blog @augustburnsvic-blog @horcrucx @tsmothers @plant-dude @nawrasmatti @unfurry @undeliveredd @kayyymondou @neededdme @blondegoddess98 @cuddlewithcare @veryprada @fuckingweirdassname @ischy @inconclusive @ijared1337 @galsslay @royaltybitch-y @tiinymoonkitten @onlinerewardsaddiction @guacman116 @nowulive @dubois-1999 @brokebackboys @captainspiderpig @makaylaburnett @prisonoflimitation @fuckthecool @rspenpoint @sailorkoo @tearish @gaiayluna @nurturingintuitions @tpzd @braceletdesign @wanna-be-punk @herfashionarmoury-blog @theprincessandthenerfherder @totallybeanie @allkindsofyellow @bangchandelion @theartsyteenagers-blog @unbelievinq @latenightcallsx @tweenty4our @brettanglin @calihippie76-blog @w-o-n-d-3-r-w-a-l-l @dazed-and-wreckless @hardyharold-blog @nicolestella-blog @goodthingsellen @degeneresellen @wwd @mmaybeitsnothing @estrellllas @magical-meow @atraversso @tiny-creatures @ultrafunnypictures @fartgallery @creatures-alive @89cats @ftcreature @thefluffingtonpost @animalswithstuffedanimals-blog @mooonjellies @animalstalkinginallcaps @dogsandpupsdaily @catsofinstagram @wondrousworld @we-lovecats @fuckyeahbabyanimals @awwww-cute @animals-xx @caucasian-shepherd-dog @the-cute-animals @celebs-cf @fallontonight @calvinklein @justinbieber @stormtrooperfashion @crfashionbook @fashion-cd @music @yeezus--west @my-memory-palace @thepinkprinttour @nickimlnaj @alphalewolf @glamnesty @iloveladygaga @fansof-ladygaga @ladygagathinks @lady-gaga @rihannagifs @kardashian-jenner @kardashifans-blog @kimydash @nickiminaj @girlsluvbeyonce @fuckyeahdash @kimkdiva @kimkardashian-blog-blog @loub-kardashian @fuckyeahads @awesomeadsrus @marketr @maxandmaeby @huffpost @handsomedogs @beautiful-wildlife @georgetakei @earthlynation-blog @becausebirds @cute-baby-animals @kardashianempire @pixandum @teenvogue @girlsillustrated @wale-folarin-dc @staff @premdhiman2580-blog @hoprovatoadessereperfetto @ahujakapil2580-blog @fifth-harmosexual @all-good-users-taken @1-in-seven-billion-blog @xwhocared-blog @warrenxwheat-blog @palinaaaa @demesser @azwh-blog @modern-escapades-blog @schizoid21 @101-percent-optimist @expensive-liquor-blog @ilikewheny0usmile @lilbabyss @yung-leean @jessiwld-blog @cheryn-pilz-blog @therealwesside @courtneyfelldowntherabbithole @xxbamr @getalife218-blog @dianaxoxo1669 @kaayraenno @lamb-to-the-slaughter @trentonnahum-blog @ranxiaofei @babyguuurllll-blog @spiriteddivinity-blog @realdopequ0tes-blog @realdopel0ves-blog @just-ask-the-wings-blog @deliciouslycrookedfun-blog

[dippedanddripped]

[blackfemininity]

The Beauty of Black Women | Black Femininity Series Part Two

Close your eyes for a moment and imagine what you consider to be a beautiful woman. 

What did she look like specifically? What image do you have in your mind when you think of the word ‘beautiful’? What do you associate beauty with? What messages about beauty do you find yourself feeding into? 

Our Perception of the Standard of Beauty

Black girls become aware of the societal standard of beauty at a young age. As children, we were unconsciously exposed to multiple messages about our skin, hair, body and features. Our appearances were scrutinized. We might’ve been told to stay out of the sun because our skin will get darker. We might’ve grown up in a household where we’d often see skin lightening creams behind our mirrors. We may have memories of the burning sensation of hair relaxers. Or we may even remember the smell of Royal Crown Hair Dressing and the sound of our hair sizzling because of the intense heat of the hot comb. We may have been told our noses were too wide or our lips were too big. With these experiences, we’ve been unconsciously trained to see our natural features as inferior to the societal standard of beauty. We’ve been taught to dislike our hair, skin and features. We might unconsciously associate natural hair with being unkept and nappy. We might associate our dark skin with dirt and mud. We might associate our black features with being unattractive. What are we basing these opinions on? The Eurocentric standard of beauty.

 The messages and beliefs we hold about our skin, hair and features were formulated centuries before us. For centuries, society has pushed Eurocentric features as the standard of beauty. If you search “beautiful woman” on Google, very few black women appear. That reinforces an unconscious message that Eurocentric features are the standard of beauty.

By default, as women, we‘re judged by beauty expectations. But as black women, we’re judged further with the constant monitoring of our hair, skin color and other features. (This is amplified even further for darker skinned black women because of colorism). 

There were a series of experiments done in the 1940s called The Doll Tests, that studied the psychological effects that racism had on black children. The children were sat down in front of two dolls—a black doll and a white doll—and were asked “which is the pretty doll?”, “which is the ugly doll?”, “which is the nice doll?” etc. The children chose the white doll for the positive questions and the reverse for the black doll. Black kids are taught early about what’s perceived as beautiful. The narrative that black women are unattractive is because of the Eurocentric beauty standard. Many black women can relate to being called “pretty for a black girl” which is a micro-aggression, not a compliment. The phrase “pretty for a black girl” gives an unconscious message that beauty and black womanhood aren’t synonymous, and that to be a beautiful black girl is rare. This is a false message that’s been unconsciously projected onto black women.

The Beauty Industry

“According to a WWD report, African American women spent $7.5 billion per year on beauty products. To top it off, we spent 80 percent more money on cosmetics and twice as much on skincare than the mainstream female market.” -African American Women and the Cost of Beauty

Despite spending the most on the beauty industry, black women have the least representation. It wasn’t until recently that brands began including shade ranges darker than tan and magazines began including more black women on their covers. Many black women can relate to buying makeup products that weren’t made with them in mind. 

However, brands like Fenty Beauty and Beauty Bakerie have created their products to be inclusive to women of varying shades. Fenty Beauty has a large range of forty foundation shades that span from the fair skin to deep skin. Their products have positively impacted the beauty community to the point where the majority of women can now find their shade without having to mix multiple shades. And Beauty Bakerie even purposefully numbered their foundation shades with the darkest shades being first as opposed to last. This is important because of its effort in representing women who, for years, have struggled to find their shade. Instead of being an afterthought, black women are now being seen and heard.

The Importance of Representation 

“My mother taught me the importance not just of being seen but of seeing myself. As the mother of two girls, it’s important to me that they see themselves too — in books, films, and on runways. It’s important to me that they see themselves as CEOs, as bosses, and that they know they can write the script for their own lives — that they can speak their minds and they have no ceiling.” - Beyonce

Representation is essential for black women and especially young black girls. Collectively, we must be seen. Individually, we must see ourselves. We need to be able to see ourselves outside of the false messages we’ve internalized. Representation matters because we think visually. We imagine words as images. To associate ourselves with beauty, we must see ourselves being represented as beautiful. This means regulating what we allow into our space. What are we watching? What are we engaging in on social media? What are we making posts about? What are we thinking about? What are we talking about? What are we seeing regularly? What are we reacting to? We have to ignore anything that clouds the perception we have of ourselves. We have to surround ourselves with what nourishes us.

We write the script of our lives by being mindful of what we invest in. 

Investing in Ourselves

“Black women’s values spill over into all the things they watch, buy and listen to, and while they control the lion’s share of the African-American community’s $1.2 trillion in spending power, they are doing so with an eye toward the tangible and intangible value of those dollars spent.” - African-American Women: Our Science, Her Magic

Our attention is an investment. Our dollars are an investment. Our words are an investment. Our emotions are an investment. What are we investing in? Are we investing in what hinders us or are we investing in what affirms us? 

We must invest in ourselves, both collectively and individually. On a collective level, we need to assess what we are feeding into. The more attention we give something, the more weight and importance it has in our lives. We must begin to debunk and eradicate what doesn’t serve us, as opposed to reacting emotionally to them.

We also need to support one another. We need to speak love and life into one another. We need to develop friendships and sisterhoods. We need safe spaces where we can be understood, heard and seen. We need to build connections. We need to uplift one another.

On an individual level, we must begin to rewrite the beliefs we hold of ourselves in our minds. This means both cultivating self-knowledge and also planting positive seeds in our minds. We cultivate self-knowledge by getting to know ourselves better. Read books about self improvement and black womanhood. Buy a journal and begin writing in it. Watch TED talks and listen to podcasts. Spend time with yourself and learn yourself. Become aware of the patterns you think and the emotions you feel. Plant positive seeds in your mind by introducing loving concepts to yourself. Write yourself a love letter. Practice affirmations. Write five things you’re grateful for every morning. Create a vision board with women who look like you doing the things you want to do. Beautify your surroundings. Invest in skincare products that work for you and makeup products that were formulated for your specific skin tone. Invest in clothes that make you feel feminine, confident and comfortable. Invest in cute decorations for your room that reflect your style and interests.

Treat yourself like a luxury. Treat your time like a luxury. Treat your space as a luxury. Hold high standards for what you allow into your life. Fill your life with what affirms you. Release what hinders you. See yourself as the standard of beauty and curate your consumption to match that.

[pro-royalty]

@marlee_bell & @dr_fayy x WWD Magazine